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00:00:01I want you to help me, Olmos.
00:00:02And what is the case?
00:00:03Discovering my parents' killer
00:00:05My parents were killed
00:00:06But I won't stop until I find the culprit.
00:00:08Count me in, Gus
00:00:09I am Sebastian Olmos
00:00:10And you?
00:00:11Gaspar Miñambres
00:00:12I am a journalist
00:00:13I've been after the Spanish multinational for a year.
00:00:15that he is about to sign
00:00:17a mega arms deal with NATO
00:00:20Do you remember Gaspar Miñambres?
00:00:21He sent me that article as a thank you.
00:00:23for having saved his life
00:00:24The article mentions a fire in the courthouse
00:00:26of instruction number 13 in Tenerife
00:00:27That's where my father worked
00:00:28Could it have been a makeup remover?
00:00:29The article says that the responsible judge
00:00:31It was a certain Ernesto Llanes
00:00:32We need to find him
00:00:33Clear
00:00:33Do you know who he was investigating?
00:00:35He had gathered all the evidence into a single report.
00:00:38And the car?
00:00:39What about any member of the family?
00:00:41who accompanied you on your trips?
00:00:43No, it doesn't ring a bell at all.
00:00:44A friend has confirmed this to me.
00:00:45that the man in the photo is Fabio Durero
00:00:47He was a spy and he worked
00:00:48for the diplomatic corps security team
00:00:51He died on January 27, 1987
00:00:53I've been chasing a ghost all this time.
00:00:55The Yuppie Worlds
00:00:57and it premiered in 1988
00:00:59The question is
00:01:00How did Fabius Dürer manage?
00:01:01to pursue your father a year after he died?
00:01:04Did he change his identity and disappear?
00:01:05Let's see, starting from the hypothesis that Fabio Durero
00:01:07He is not dead
00:01:09I aged the photo to see what it might look like today.
00:01:11I ran it through a computer program
00:01:12And he gave me this name
00:01:14Felipe Muro is the head of security
00:01:15from Global Ultratec
00:01:16It is the multinational that is investigating Gaspar Meñambres
00:01:19Exactly
00:01:20That guy could be my parents' killer or beautiful
00:01:22What do you want, Lieutenant?
00:01:23I need to tap the phones of two suspected arms traffickers
00:01:26Arms?
00:01:27Is it an open investigation or a private case?
00:01:29Here is all the information I've been able to gather about the case.
00:01:32Have you heard of Global Ultratec?
00:01:34What's wrong, Lieutenant?
00:01:35A colleague from the GAR
00:01:36I have just been informed that Felipe Muro is coming to Logroña.
00:01:38He is accompanied by Lorenzo Garrido
00:01:40The president of Global Ultratec
00:01:41You'd better confess, Isau
00:01:43I knew you were looking for Garrido
00:01:44and that it was an unofficial mission
00:01:46Your intentions were very good.
00:01:47But you shouldn't have done it
00:01:48These people are very dangerous.
00:01:50Garrido told me he's leaving the hotel tonight
00:01:52You heard, Agus, it's very dangerous
00:01:54You don't mess with those people.
00:01:55It's now or never.
00:01:58And you know it.
00:01:59Gaspar!
00:02:00Global Ultratec is about to sign the agreement with the OT
00:02:03I can't believe they're going to get away with it
00:02:05I want to expose this criminal organization.
00:02:07And this time I don't want to fail.
00:02:09When are you going to solve our problems?
00:02:11Starting with that pair of Civil Guards
00:02:13I will take care of it personally.
00:02:15I don't know how I haven't been able to find my father's file
00:02:17If your father hadn't wanted someone to find him
00:02:20He would have saved everything on microfilm
00:02:22In those years there was no USB drive
00:02:25You were probably much closer than you think.
00:02:28and you haven't seen it
00:02:30Well done, Dad, well done
00:02:34You might finish me off
00:02:36But you won't be able to beat Robles and Olmos.
00:02:42What am I doing here?
00:02:43I've brought you here to tell you a story
00:02:46about a single father
00:03:05Turn around
00:03:07Slowly
00:03:08What am I doing here?
00:03:16On your knees
00:03:23killer
00:03:25killer
00:03:25killer
00:03:26killer
00:03:36killer
00:03:37killer
00:03:47Music
00:04:28Music
00:04:43Lieutenant
00:04:43Your Honor, I have made some progress in the Global case, Estratec, and the death of my parents.
00:04:47If I remember correctly, I ordered him to drop the case immediately, and I was quite clear about that.
00:04:51Listen for a moment, please.
00:04:52No, listen to me.
00:04:53What he has done is a very serious breach of discipline, Robles
00:04:56I will not allow it.
00:04:57Your Honor, please, I'm only asking for a one-minute lift, nothing more
00:05:04That?
00:05:05I've found my father's file
00:05:07Where?
00:05:08On my grandparents' farm
00:05:09It was on a microfilm that my father had left in a tree.
00:05:12Have you seen the material?
00:05:14Yeah
00:05:15There is enough evidence to cause a scandal that would stop the signing between Global, Estratec and NATO
00:05:20There are murders, bribes to judges, arms trafficking, politicians and businessmen from several continents
00:05:25There's everything here
00:05:27Does it have names?
00:05:29With dates and amounts, from 1975 to 2010
00:05:33That is why Garrido Reno will kill his father
00:05:36And my mother too.
00:05:37But now it's my turn, Your Honor.
00:05:39Let justice take care of that
00:05:40Yes, yes, that's what I'm talking about
00:05:42Fair, but mine
00:05:44When I arrive, I'll call her to give her the dossier, okay?
00:05:46No, Robles, listen to me
00:05:47What are you going to do?
00:05:48Be very careful.
00:05:50I'm going to warn Garrido
00:06:04Juan Olmos
00:06:05That's your father's name, isn't it?
00:06:11What does my father have to do with all this?
00:06:14Fairly
00:06:16That's what I'm going to tell you.
00:06:19A criminal like you is going to talk to me about my father
00:06:22I know your father much better than you can imagine.
00:06:26No
00:06:29You're lying
00:06:32Even if you don't want to
00:06:34You're going to listen to me
00:06:35That's why you're here.
00:06:38But
00:06:39You'd already be dead.
00:06:46What do you know about your parents' death?
00:06:49Tell me once and for all
00:06:50Why have you brought me here?
00:06:52Answer my question
00:06:54What do you know?
00:06:55About the death of your parents?
00:07:00They died on a Nile River cruise
00:07:02The ship caught fire
00:07:04Sorry
00:07:06Oh
00:07:07It's Isa
00:07:08Tu Isa
00:07:10Our
00:07:11Isa
00:07:12He'll want to know where you are.
00:07:14And how are you feeling?
00:07:15You son of a bitch
00:07:17Mister
00:07:20Tell me once and for all
00:07:21What am I doing here?
00:07:23Patience
00:07:23First Corporal
00:07:25Patience
00:07:27Robles has found the microfilm
00:07:28And it's worse than we thought.
00:07:30Where is he now?
00:07:31Returning to Izcaray
00:07:32He has arranged to meet with the judge to hand it over.
00:07:34I want that microfilm
00:07:35And the two women too
00:07:36Vivas
00:07:37It's a small town
00:07:38We cannot attract attention
00:07:39This is Olmos's phone number.
00:07:41Send a message to Isa, inviting her to your house.
00:07:43Then he manipulates Robles's mobile phone.
00:07:45And send a message to the judge
00:07:46So that she goes to Isa's house at the same time
00:07:48Yes sir
00:07:53Why did you give him my phone number?
00:07:55To load it
00:07:56It was almost out of battery.
00:07:58Oh
00:07:59Where were we?
00:08:01Ah, yes
00:08:03I remember now.
00:08:06Because of the fire, that's true.
00:08:12But it wasn't an accident
00:08:18What are you saying?
00:08:19I mean
00:08:20Just like you
00:08:22I also owe my life to your father
00:08:24Look, I'm really tired of seeing nonsense.
00:08:27Leave me alone
00:08:37Do you recognize him?
00:08:42Where did you get that from?
00:08:45Your father gave it to me.
00:08:47He said you did it
00:08:48Although you drew very well
00:08:53My parents died in the fire.
00:08:56There was a fire on the cruise ship.
00:08:58At nine o'clock at night
00:09:00Your father swam to your mother.
00:09:02To the shore
00:09:04And then he took me.
00:09:07Because I was also traveling on that cruise.
00:09:11We waited for hours for someone to come and get us.
00:09:14But
00:09:15Nobody showed up
00:09:18And your mother
00:09:21Died
00:09:23You gave this drawing to your mother.
00:09:26TRUE?
00:09:48Take it, Cata
00:09:48Here's your speech
00:09:49Oh, how nice, dear
00:09:50How exciting!
00:09:51Well, it's just that I hadn't been in front of so many people looking at me before.
00:09:54Never
00:09:55Well, yes
00:09:56Last year
00:09:56In the karaoke final of the town's festivities
00:09:58The square was packed.
00:09:59If there's something you don't like or that bothers you
00:10:01Well, you can change it.
00:10:02No, but it will be perfect.
00:10:04Well, and the caravan is ready, huh?
00:10:06And we've distributed all the new leaflets
00:10:07Already
00:10:09Cata, I'm sorry, but
00:10:11I'm not going to the meeting
00:10:14Because?
00:10:17Yeah, because of Damian's video, right?
00:10:20For sleeping with that idiot
00:10:23And for not having told you
00:10:25I'm really sorry, but it's just that
00:10:26I can't, Cata
00:10:56And that they have hurt the other person
00:10:59No
00:11:00Yes, Cata, but I'm not like you
00:11:02You have more friends
00:11:04I don't
00:11:05Friend, friend
00:11:06I only have you
00:11:08And not only because of what you've done to me
00:11:10Instead, you could have thrown it away
00:11:12All the work for the elections
00:11:13Already
00:11:14And you think I don't know that?
00:11:18But give me another chance.
00:11:21Forgive me
00:11:23Cata, I can't
00:11:24I'm sorry
00:11:25No, no, no
00:11:26I can't get it to work
00:11:31I don't know, I understand.
00:11:43Isa, I want you to know one thing
00:11:46If I've gotten this far
00:11:48It was thanks to you
00:11:49And if I
00:11:51For whatever reason
00:11:52I go all the way
00:11:52It will also be thanks to you
00:11:56And I already know I've messed up
00:12:00But
00:12:01If I had a choice
00:12:02Between the mayor's office
00:12:03And my best friend
00:12:06Well, screw the mayor's office
00:12:26Cata
00:12:27Cata
00:12:28That?
00:12:28You can count on me.
00:12:30Oh, darling
00:12:31I had smelled it a little
00:12:31But I'm ashamed to say it.
00:12:39I don't believe a word of it.
00:12:41About what you're saying
00:12:43You're making it all up.
00:12:48We were completely exhausted.
00:12:50When a rescue team appeared
00:12:52But not official
00:12:53But from my company
00:12:57Then I took your father
00:12:58To my home in Cairo
00:12:59He says they will investigate him.
00:13:01To my surprise
00:13:02I discovered that he worked
00:13:03For the Césid
00:13:06For the Césid
00:13:08What are you telling me?
00:13:09That my father was a spy
00:13:11He's definitely crazy
00:13:12And not just anyone.
00:13:13But one of the best
00:13:15But don't realize it
00:13:17What you're saying
00:13:18It doesn't make sense.
00:13:18He's already been recruited
00:13:19In military service
00:13:21There he stood out
00:13:22In all disciplines
00:13:24He obtained the score
00:13:25Higher
00:13:25That was remembered
00:13:26In the psychometric test
00:13:27And physically
00:13:28He was exceptional.
00:13:31I don't know why
00:13:32Are you telling me?
00:13:32All this nonsense
00:13:34What do you want from me?
00:13:35Because I owe it to your father
00:13:40First
00:13:41Because he saved my life
00:13:43And second
00:13:44Because of what happened
00:13:45On the ship
00:13:46Even if indirectly
00:13:48It was my fault
00:13:50The ship fire
00:13:52Actually
00:13:52It was an attack
00:13:53It was directed
00:13:54To end my life
00:13:56I told your father
00:13:57He was a drug dealer
00:13:58Weapons
00:14:00And that the attack
00:14:01They had set it in motion
00:14:02His own allies
00:14:03The CIA
00:14:05I don't believe it
00:14:06He asked me
00:14:07If the CIA
00:14:08I knew that he
00:14:08An agent of the Césid
00:14:10I was traveling on board
00:14:11I answered him
00:14:12Yes
00:14:12Which of course
00:14:13They knew it
00:14:14But he is equal
00:14:15Because what's important
00:14:16That was their goal
00:14:18I
00:14:20It's all a lie.
00:14:21A lie
00:14:24One week later
00:14:26I took your father
00:14:27To the basement of my house
00:14:28Where he had them detained
00:14:30To the two agents
00:14:31From the CIA
00:14:32Those responsible for the attack
00:14:35I gave him a gun
00:14:38And I told him
00:14:39That he would
00:14:39What I would like
00:14:46I emptied the magazine
00:14:47Without eyelashes
00:14:49I don't want to hear any more.
00:14:56My father and my mother
00:14:57They died in that fire
00:14:59Your father didn't
00:15:02Your father
00:15:06He still lives
00:15:09That?
00:15:11Only changed
00:15:12Life
00:15:13And by name
00:15:13Dad of a live person?
00:15:15No no
00:15:15Alive
00:15:16Yeah
00:15:16And here
00:15:21You can come in
00:15:26Take
00:15:27A gift
00:15:33Olmos
00:15:34I present to you
00:15:35To your father
00:15:37To your father
00:16:12I'll leave you alone
00:16:13You are a murderer
00:16:18A criminal
00:16:20You killed Gus's parents
00:16:26It just can't be
00:16:28It just can't be
00:16:30It just can't be
00:16:36And a boat to the vine
00:16:38Listen
00:16:38The young woman's match
00:16:39Oh, the young man
00:16:40The good game
00:16:41And the good
00:16:42Come on
00:16:43This afternoon at five
00:16:44Great meeting
00:16:45Virgil
00:16:45And bring your cousins along
00:16:46Yeah
00:16:46Boat to the vine
00:16:47Ladies and gentlemen
00:16:49The vine
00:16:50The vine
00:16:50Listen
00:16:50Okay, that's fine.
00:16:51We're not selling fruit.
00:16:52This is an election campaign.
00:16:53And we are two days away from the elections
00:16:55Excuse me, number one
00:16:56But this whole public speaking thing...
00:16:57It makes me very nervous
00:16:58To tell you that this morning
00:16:59I was about to milk Raimundo
00:17:01Because I mistook him for a goat
00:17:02So focus
00:17:04And don't tell anyone about Raimundo.
00:17:05It gives a very bad image.
00:17:06Come on, bring that over here
00:17:07And distributes
00:17:08Distribute
00:17:09Vote for your neighbor
00:17:10Vote for Catalina
00:17:12Grape
00:17:13Grapes of Victory
00:17:14Look who's here
00:17:16Vote for the grapevine
00:17:17Vote for the grape
00:17:19Vote for the grapevine
00:17:20The grapes are thrown away
00:17:22Mother who gave birth
00:17:23Yes, sir.
00:17:24This afternoon at five
00:17:25Great meeting
00:17:26What do you mean, at five o'clock?
00:17:27At five
00:17:28No, no, no
00:17:28At five o'clock it's not from the grape
00:17:29The one at the vineyard was at seven
00:17:30No, sorry.
00:17:31I said it would end at seven
00:17:32No, no, we stayed
00:17:33At seven o'clock and the day at five o'clock
00:17:39Oh, Sebas
00:17:40Where are you?
00:17:50Arrea
00:17:50When you finish that
00:17:51Pass it to me, I need to supervise it
00:17:53Sorry?
00:17:54Where had my lieutenant gone?
00:17:55Travel
00:17:56And Olmos?
00:17:57Well, I haven't seen him all morning.
00:17:58Me neither
00:17:59He's not answering my phone
00:18:01How odd
00:18:02Neither did Gaspar
00:18:04She's at Domi's house
00:18:06How do you know I was there?
00:18:08Because Claudio and Braulio told me so.
00:18:12I'm going to Domi's house
00:18:13You're coming with me, Estel
00:18:16Arrea
00:18:16Olmos appears
00:18:17Tell him to call me right away.
00:18:17Can you tell me what's going on?
00:18:22At the time
00:18:24We need both women
00:18:25Send the message
00:18:32Your Honor, in half an hour
00:18:33I'll be waiting for you at Isa's house now.
00:18:52Go on
00:18:59Don't call me on my cell phone.
00:19:00I'll explain everything to you later.
00:19:03Until now
00:19:11My granddaughter has bought herself a beautiful dog
00:19:14I don't remember his name.
00:19:16Well, have him put yours on it.
00:19:17And so you don't forget
00:19:18Good afternoon, Your Honor
00:19:20Today at five
00:19:21Catalina Fresnera gives a rally
00:19:23She is our candidate from Luján
00:19:25You are invited
00:19:26It's free
00:19:27Well, thank you very much, but I'm not from here.
00:19:29We already know.
00:19:31And more things
00:19:32Her name is Nora Salgado
00:19:34She is the judge of Aro
00:19:36And he has four siblings.
00:19:37And how do you know that?
00:19:39And his father is also a judge.
00:19:41And he studied Law in Salamanca
00:19:42No, I studied Law in Madrid
00:19:44I'm referring to his father
00:19:45His name is Lolo
00:19:47No, my father's name is Francisco Javier
00:19:49She's referring to her granddaughter's dog.
00:19:51Lolo
00:19:52Ah, well
00:19:54A very pretty name
00:19:56He's smart and handsome.
00:19:58And from a good family
00:19:59Lolo or the judge's father
00:20:02Lolo
00:20:04And do they think they'll win?
00:20:05Yes
00:20:06We can
00:20:15But who are we looking for?
00:20:17To Gaspar or to Olmos?
00:20:19To both of them
00:20:19Gaspar's things are not there
00:20:21And he doesn't answer the phone
00:20:31I'm going to the Zaldierna Hotel
00:20:32Room 15
00:20:34Do you know where it is?
00:20:35Yes of course
00:20:36About 10 kilometers from the town
00:20:40What are you doing?
00:20:41It's because I have an empty stomach, Lieutenant
00:20:43He's barely singing, huh?
00:20:49Oh well
00:20:49And if I ask now what's going on
00:20:50Are you going to tell me or not?
00:21:03What are you doing?
00:21:50What is this?
00:21:57No, but something's fishy here. Esteban, stay still. Stay still.
00:22:01Leave it.
00:22:33Is it a bomb?
00:22:36No.
00:22:48No.
00:22:49No.
00:22:50No.
00:22:56No.
00:23:02No.
00:23:06He is dead.
00:23:12But let's see, they kill Gaspar Miñambres.
00:23:15They're planting a bomb on us.
00:23:18What kind of lunatics are we dealing with?
00:23:20To the worst, Esteban.
00:23:22To the worst.
00:23:24Take care of everything.
00:23:25When Dr. Ferrer arrives, you return to the barracks, okay?
00:23:28Yes, sir.
00:23:46Hello, what's up?
00:23:51Robles told me to come here.
00:23:53Ah, well Olmos hasn't told me anything.
00:23:55Oh, no?
00:23:56Well, sorry, I don't mean to bother you, I'll be going, okay?
00:23:58No, no, please, you're not bothering us.
00:24:00And I'm waiting for Sebas.
00:24:01Maybe they're coming together.
00:24:03Yes, maybe.
00:24:04It's possible, but it's a bit strange.
00:24:06The fact that?
00:24:06I don't know, I have to talk to the lieutenant.
00:24:08It's not the most appropriate place.
00:24:10Is it for work?
00:24:12Yeah.
00:24:14I'm going to call him.
00:24:15He told me not to call him, but I'm going to call him.
00:24:17Hey, would you like to have a drink?
00:24:18Yes, thank you very much, a coffee.
00:24:20Okay, I'll prepare it for you.
00:24:22Oh, look, it must be them.
00:24:28Let's go!
00:24:28But who are you?
00:24:30Shut your damn mouth.
00:24:31Okay, okay, but please don't do anything to me.
00:24:34Come on in.
00:24:34Happens?
00:24:36But what is this?
00:24:38Give me the cell phones.
00:24:39Yeah.
00:24:53Any news from Olmos?
00:24:55None, sir.
00:24:57I know from headquarters that they have found a body.
00:24:59Who is it?
00:25:00One of my journalists.
00:25:02Very sorry.
00:25:11Oaks.
00:25:11Where are they leading us?
00:25:14Lordship.
00:25:15Your Honor, I can't hear you.
00:25:17Shut your mouth.
00:25:20Herding.
00:25:23One more stupid mistake and I'll kill you all, is that clear?
00:25:30You're not going to say anything.
00:25:36Yeah.
00:25:39That you are Felipe Muro.
00:25:41A murderer.
00:25:43For my father.
00:25:45You have no choice but to listen to me.
00:25:48This is the last chance.
00:25:50If you want to get out of here alive.
00:25:52Because?
00:25:53Are you going to kill me too?
00:25:55Go ahead.
00:25:58My little cups!
00:26:05I don't want to kill you.
00:26:10The only way to avoid it
00:26:13It's about you joining Garrido and me.
00:26:16That?
00:26:18Come with me.
00:26:20But you're crazy.
00:26:21Son, come with me.
00:26:22I am your son!
00:26:24My father and mother died.
00:26:27Yeah.
00:26:29Your mother is dead.
00:26:34Killed because of those who called themselves the good guys.
00:26:37By the so-called justice group.
00:26:4193 people died tonight.
00:26:4693 innocent people.
00:26:47And you?
00:26:50How many innocent people have you killed in all these years?
00:26:54I wish you had died instead of her.
00:26:59Come on.
00:27:01Put an end to it all once and for all.
00:27:05Kill me.
00:27:07You don't have to die.
00:27:11Come with me.
00:27:13Garrido agrees.
00:27:15Nothing will happen to you.
00:27:16Nothing!
00:27:17I'm not going anywhere with you!
00:27:19He appeared to be dead before.
00:27:24Whatever you want.
00:27:26Son.
00:27:27I'm not your son!
00:27:30You are not my father.
00:27:38Hopefully.
00:27:44There is nothing.
00:27:45So.
00:27:54There is nothing.
00:27:55To the area.
00:27:56There is nothing.
00:28:07Lieutenant Agustín Robles, I need you to reach me on a mobile phone. Use the satellite signal, whatever it takes.
00:28:18My friend, shall we take a break?
00:28:21Not again.
00:28:27Hey, take it easy, rushing things is never good.
00:28:33Why am I here all day?
00:28:39No, no, no, it's too much now. Let me know when you have it.
00:28:42And that Dr. Ferrer will take care of it...
00:28:49Take it away, take it away, whatever you want.
00:28:51No way, I'm getting drunk.
00:28:53Come on, Braulio.
00:28:54Be quiet.
00:28:55What about those noises? Don't you hear some noises?
00:28:57And I thought I heard Braulio's voice.
00:29:00Call me for the envelope, where is it?
00:29:11I'm afraid to ask what's happening now.
00:29:19Don't you like this place to kill me? Well, don't worry.
00:29:24I know the area like the back of my hand.
00:29:27Tell me how you want the site.
00:29:29I'll take you.
00:29:30Shut up.
00:29:31And walk.
00:29:55What's that?
00:29:57My guts.
00:29:59Excuse me, Lieutenant, but I've already told you I haven't eaten anything.
00:30:02We've been at it for 20 minutes already, huh?
00:30:06Okay, let's start again.
00:30:09What did they see?
00:30:09We don't look at the license plate.
00:30:11Here, very slowly, because he rushed me.
00:30:14I think it's the new yogurts I'm eating.
00:30:17You've been a bedwetter your whole life.
00:30:19So now, at 80 years old, you tell me.
00:30:22He just turned 70.
00:30:24Okay, please, tell me something that will be useful.
00:30:29Sorry.
00:30:44What is that? What is that?
00:30:46It sounds like a beep.
00:30:47The battery?
00:30:49Let's hope not.
00:30:57We lost her.
00:31:00We lost her.
00:31:20You bitch.
00:31:28No, please.
00:31:30No, please.
00:31:31Where are they leading us?
00:31:32Sorry.
00:31:34No, please.
00:31:46Those could be the basil plants of Terence, the Blockhead.
00:31:50No, they're Alberto the Chupachú's.
00:31:52You can all be quiet, I can't hear the recording.
00:31:55Alberto the Chupachú.
00:31:57Yes, Tobia's son is the Pirulí.
00:31:59The cowbell sounds different because Chupachú makes them by hand.
00:32:02But what are you saying if you're half deaf?
00:32:04What are Chupa Chups?
00:32:05They are the ones from Cabeza Hueca.
00:32:11Oaks.
00:32:15Thank you, Captain.
00:32:17They have located the last position of the judge's phone.
00:32:19And what is that?
00:32:20Triangulating the signal from the repeaters.
00:32:23This is the route the van has taken from Isa's house.
00:32:26See if he passes by Chupachú's farm.
00:32:29Which farm?
00:32:33In three hours at the botillos poplar grove.
00:32:36Bring the microfilm and I'll hand the girls over to you safe and sound.
00:32:40Arrido, I'm going to kill you.
00:32:41Sooner or later I'll get it.
00:32:43That doesn't matter to me now.
00:32:45I just want to make sure you understand the time and place.
00:32:47Elms?
00:32:48I don't know, to be honest.
00:32:51But if you ask for help from headquarters or Algar, then yes, I'll know.
00:32:55And the girls will die.
00:32:58Don't doubt it.
00:33:05We have to go there, okay?
00:33:06Let's get the shotguns and we'll go with you.
00:33:09No, it's too risky.
00:33:11Risky.
00:33:12That's what they called me in the minibus.
00:33:14Not this time, okay?
00:33:16What if we called for backup, Lieutenant?
00:33:18We can't, we have to go alone.
00:33:26Hey, you guys are stunned.
00:33:29You weren't expecting me, were you?
00:33:30Note, you have five minutes to change and get ready, okay?
00:33:33No worries, Lieutenant.
00:33:35I just arrived and you're going to put him to work.
00:33:37If you take him to see it, I'll stay in Chicago.
00:33:39Dude, it's urgent.
00:33:43At your service, Lieutenant.
00:33:49Do you have any idea what these guys want from us?
00:33:54I think so.
00:33:56But now the important thing is that we try to figure out how to get out of here, okay?
00:33:59Okay.
00:34:00The thing is, I get a little weird in these situations.
00:34:05Weird?
00:34:06Yes, because I get anxious, I hyperventilate, my ears get blocked, and I move terribly.
00:34:14And I also have to swear to get it out.
00:34:18Holy shit!
00:34:19Isa, Isa, Isa, Isa, Isa.
00:34:21Forgive me, forgive me.
00:34:23Bastards, idiots.
00:34:24Isa, for God's sake, calm down, okay?
00:34:25Calm.
00:34:26Oh, I'm going to be nervous.
00:34:28Shh!
00:34:28My ear is starting to get blocked.
00:34:31Ah!
00:34:32Ah!
00:34:34Shh!
00:34:34Calm down, okay?
00:34:35Everything will be alright.
00:34:36Really.
00:34:37Okay, yes.
00:34:38Shh!
00:34:39Peaceful.
00:34:41Relax, let's think, okay?
00:34:42Yeah.
00:34:44Robles wasn't the one who invited me to your house.
00:34:46As?
00:34:47No, someone took his phone and impersonated him.
00:34:50But, but Sebas sent me a message from his WhatsApp.
00:34:55Someone wanted us both to be at your house at the same time.
00:34:58But if the waiter didn't send me a message, then who did?
00:35:02So where are they?
00:35:03What happened to them?
00:35:04Don't tell me that.
00:35:09Someone is coming.
00:35:12Will you come with me?
00:35:13Where are you taking me?
00:35:14Not another word.
00:35:22Come on.
00:35:24Don't worry, they want us alive.
00:35:26Come on!
00:35:27Strip!
00:35:28Strip!
00:35:32Me too?
00:35:39For!
00:35:50Turn around.
00:35:53Slowly.
00:36:05On your knees?
00:36:08No.
00:36:12I will not kneel before a murderer.
00:36:16If I'm going to ask you for one thing, leave my grandmother alone.
00:36:22Domi is safe.
00:36:24I give you my word.
00:36:27You don't have to die here either.
00:36:33Kill me now.
00:36:35Get your hands dirty.
00:36:37With other blood.
00:36:38What difference does it make to you?
00:36:41But don't go thinking that today's is your son's.
00:36:45I am no longer your son.
00:36:47You are my son.
00:36:51You always will be.
00:36:53Whether you like it or not.
00:36:57Sebas.
00:36:59Sebas, please work with me.
00:37:01You will live.
00:37:03I know this sounds crazy to you, but with time we'll forget all this.
00:37:07Oh really.
00:37:08Kill me.
00:37:10Kill me now.
00:37:13Shoot.
00:37:16Ah, you preferred to be on your knees, didn't you?
00:37:26Killer.
00:37:52Piting this afternoon at 5.
00:37:54Here again.
00:37:55There's never a break during a campaign.
00:37:57Oh, no?
00:37:57Well, wouldn't you know it, your campaign is going to end right here in this hostel today.
00:38:02Your customers are fed up.
00:38:03And then, if you win, if you win the elections, you can expropriate my premises.
00:38:06What do you want to do with half the town? Are you going to start a campaign here or whatever?
00:38:09She wins.
00:38:11Escarallensas, Escarallensas.
00:38:12You can't hold a rally here.
00:38:13You can see what Cata is like.
00:38:14A dictator.
00:38:15You cannot prevent me from addressing the sovereign people who elect me.
00:38:19Of course I can.
00:38:20Pay attention, everyone.
00:38:21Listen to us all.
00:38:22I'm sorry, but you can't talk here just because Cata says so.
00:38:24Outside my hostel.
00:38:25Out.
00:38:25You and everyone from Parra.
00:38:26That's it.
00:38:28Shut up!
00:38:31Isa, Nora and Olmos are in danger.
00:38:33We have to find them.
00:38:34Just a moment, just a moment, just a moment.
00:38:35What do you mean they're in danger?
00:38:36And fat.
00:38:37Robles and his team are already working on it.
00:38:40They need people, but they don't want us to get involved.
00:38:42That's impossible.
00:38:43I have a rally at five o'clock.
00:38:45It's already been announced.
00:38:46Then you cancel it.
00:38:47They have been kidnapped.
00:38:48We don't know where they are, but we do know where to start looking for them.
00:38:5235 kilometers from the town.
00:38:54OK.
00:38:55As mayor, I assume command.
00:38:57We will go in groups of two.
00:38:58Who's coming with me?
00:39:01Magnificent.
00:39:02Follow me.
00:39:17It's you.
00:39:19Hi darling.
00:39:20Where is Olmos?
00:39:21See you again.
00:39:22What have you done to him?
00:39:24Last time you were doing a striptease for me.
00:39:27In that hotel in Logroño.
00:39:29Do you remember?
00:39:31I liked what I saw.
00:39:33Do not touch me.
00:39:34Do not touch me.
00:39:36But you fell asleep, poor thing.
00:39:38Or not?
00:39:39Do not touch me.
00:39:41Do not touch me.
00:39:42I like it.
00:39:43How do you smell?
00:39:44Do not touch me.
00:39:46And who's going to stop me?
00:39:48Ferdo!
00:39:51That language doesn't suit you at all, does it?
00:39:54Well, you have no idea how good it feels, you jerk.
00:39:57TRUE?
00:39:58But...
00:39:58Isa, Isa, Isa.
00:40:01With a bit of luck.
00:40:03And unlike Robles and the judge, you will be able to live one more day.
00:40:09I don't like leaving things unfinished.
00:40:11And with you...
00:40:14I still have an appointment pending.
00:40:17But don't worry.
00:40:19That will be tomorrow.
00:40:24Do not touch me.
00:40:45Do not touch me.
00:40:46Cata, we should talk.
00:40:48There are only two days left until the elections, and whatever happens, happens.
00:40:50Look.
00:40:50What, what, what?
00:40:51A wild boar dropping that's telling me something about the elections.
00:40:55Listen to me, Cata, please.
00:40:56That?
00:40:57I admit that perhaps I haven't played fair in this campaign.
00:41:01Perhaps.
00:41:02What do you mean, maybe?
00:41:03Okay, fine.
00:41:03I haven't played fair, but I've done everything for the people.
00:41:05You never do it for the people.
00:41:06You always do it for yourself.
00:41:07Like your father, like your grandfather, who are clinging to the position of mayor.
00:41:10Clinging together like barnacles.
00:41:12Excuse me, you're not wrong.
00:41:13It's just that you matter to me much more now than you know.
00:41:15And the lordship of Huanchu...
00:41:16Don't talk to me about Huanchus, okay?
00:41:17Don't talk to me about Huanchus.
00:41:18So let's talk about us.
00:41:19No, not that either.
00:41:19Because there is no us.
00:41:22No, not here, not here, not here.
00:41:24What's that?
00:41:30No, no, no, please.
00:41:39It can't be, it can't be.
00:41:40He wears the rank of corporal first class.
00:41:42It's Olmos.
00:41:49They're going to kill us, Nora.
00:41:51They're going to kill us.
00:41:52Calm down, calm down.
00:41:54Garrido told me.
00:41:59Are you OK?
00:42:00Yeah.
00:42:01I feel like you've already brought it up.
00:42:03He was right.
00:42:04I was never his father.
00:42:06Where is Olmos?
00:42:08Where is Olmos?
00:42:10Let's just say it's gone.
00:42:14Sons of bitches.
00:42:15That?
00:42:17What have you done to him?
00:42:18We'll be out of here in an hour and a half.
00:42:21If all goes well, you'll soon be safe.
00:42:23We're not stupid.
00:42:25We know perfectly well that we're not going to get out of here alive.
00:42:28And Robles knows it too.
00:42:30I wouldn't want to be in your shoes when it's found.
00:42:33Go see the judge.
00:42:35Judge!
00:42:36What a character!
00:42:38Judge!
00:42:57Sebas, this can't be happening.
00:43:12Poor Olmos.
00:43:15That's not me.
00:43:17Yes, it's you.
00:43:18No, really, I'm sure of it.
00:43:20You're stupid!
00:43:21Oh, oh, oh!
00:43:22I knew he was alive.
00:43:23I knew it!
00:43:28What are you doing here?
00:43:29Well, I almost came to your funeral.
00:43:31Come on, give me a hug.
00:43:34Damn it.
00:43:35No, cover yourself up, I'm going to have nightmares about that sight.
00:43:39I'm done.
00:43:41Garrido has kidnapped Isa and Nora.
00:43:43We are looking for each other.
00:43:45Do you want to explain to me what happened?
00:43:47Who is the dead man wearing your clothes?
00:43:50Well, it's Caesar.
00:43:51Samuel's agent, the footballer.
00:43:54High!
00:43:55High!
00:44:01Well, it's too long to tell now.
00:44:03The important thing is to find Isa and the judge.
00:44:05Don't worry, we're already on it.
00:44:08Cata, how many people from the town are you looking for?
00:44:12Twenty.
00:44:13But they go in pairs, so there are ten of them.
00:44:15Call them and get them out of here, please.
00:44:17Yes, but...
00:44:17Cata, if you want to help, you have to leave, okay?
00:44:19Yes, sir.
00:44:21You shut up, you sycophant.
00:44:22If you know anything about the girls, you're not going to call each other, are you?
00:44:24Yeah.
00:44:27Good luck, Almos.
00:44:28It's very expensive.
00:44:31Alms.
00:44:33They killed Gaspar.
00:44:35That?
00:44:37What if we wait to hand over the microfilm while it's still attached?
00:44:39No, they're going to kill them anyway.
00:44:41We need to get ahead of the curve.
00:44:43We're going in blind.
00:44:44We are scanning the area around where we lost the signal.
00:44:49Bad news.
00:44:50There are five buildings.
00:44:53Let's see.
00:44:54The room in which I was being held had a high ceiling and arches.
00:44:59Judging by how cold it was inside, it must have thick walls.
00:45:03It could be the little palace of the mussel raft.
00:45:05And also, considering that it's 20 kilometers away by car,
00:45:08And yes, more or less, judging by the time it took us, it must be there.
00:45:13Come on.
00:45:14Good job.
00:45:41Attention.
00:45:42Objective number one and priority.
00:45:43Get Isa and the judge out of there, by any means necessary.
00:45:46When they are safe, and only when they are safe, we move on to objective number two.
00:45:50Neutralize Garrido and those men.
00:45:53The place has two floors.
00:45:55We have no idea where they might be holding them.
00:45:57Regarding the rifle, who is the best shooter?
00:46:00Man, Lieutenant, I think that's clear.
00:46:02Thank you for your trust, I'm finished.
00:46:04Come on, give me the rifle.
00:46:06I'm talking about Arrea, Tiza.
00:46:08Arrea, have you ever fired this rifle?
00:46:11Yes, my lieutenant, but not a person.
00:46:13Does this pose a problem?
00:46:15None.
00:46:16Good, just like at the academy.
00:46:17Take a breath for four seconds,
00:46:19You extend the pause by two more seconds,
00:46:21You start to exhale and...
00:46:24I shoot before I run out of breath.
00:46:26Exact.
00:46:26Attentive.
00:46:27A wall for me.
00:46:28Okay?
00:46:30This is what we will do.
00:46:32Olmos, Esteban and I will neutralize the hitman at the door.
00:46:35Atiza, Arrea, you are going to that cliff of life.
00:46:38You will have a view of the two towers and the entrance.
00:46:40There is a hitman in each of the towers.
00:46:42Atiza, anything you see or hear, let us know, you know how.
00:46:46Yes, Lieutenant.
00:46:47Come on, let's go.
00:47:18No, no, no, no, no.
00:47:33He says one has come out.
00:47:42What did he say?
00:47:43I don't know, something very strange.
00:47:45That she's bought herself a new coat, a very nice one, something like that.
00:47:48A nice coat.
00:47:51He hasn't said anything about a coat, Lieutenant.
00:47:53I know everything's sorted out.
00:47:55He says that the one who left has come back in.
00:47:56Okay, okay, okay, be careful here, it's been a long time since I've practiced, too.
00:47:59Let's go to you, I have it.
00:48:00To you.
00:48:02That we're going to go in again.
00:48:16Wait for me at the door.
00:48:32Wait for me at the door.
00:49:02Wait for me at the door.
00:49:06I thought I'd never make it to the rank of lieutenant.
00:49:08I am always alive, Your Honor.
00:49:09You are alive.
00:49:11You are alive.
00:49:12Clear.
00:49:13Which doesn't mean you're not a little unlucky.
00:49:16I'm so glad to see you, Ana, except.
00:49:18As much as me.
00:49:20I love you, Isa.
00:49:21Me too.
00:49:23Come on, let's go, let's go, let's go.
00:49:29How many men have you seen?
00:49:31I think five.
00:49:33Five is five.
00:49:34More wall and shed.
00:49:39Now, let's go.
00:49:51They're taking a long time, aren't they?
00:50:00Be aware of the poterrea.
00:50:05Come on.
00:50:05Come on.
00:50:06Esteban.
00:50:07Take the girls with you.
00:50:08When they are safe, call for reinforcements.
00:50:09For the order.
00:50:09Luck.
00:50:10Luck.
00:50:11Come on, please.
00:50:11Come on, come on.
00:50:12Let's go.
00:50:13Let's go.
00:50:20Your turn, Rea.
00:50:32Take a breath for four seconds.
00:50:37You extend the pause by two more seconds.
00:50:42You begin to exhale.
00:50:45AND?
00:50:48The mother who gave birth to you.
00:50:56Hey?
00:50:57What's missing?
00:50:58I don't see him.
00:50:59Where have you gone?
00:51:02Where are you?
00:51:05Sir, the girls aren't here.
00:51:10What do you mean they're not there?
00:51:11What are you saying?
00:51:18What happened here?
00:51:19I don't know, sir.
00:51:26A car unit will arrive in two minutes.
00:51:28You're finished, huh?
00:51:29What have you done?
00:51:30I'm sorry.
00:51:31Forgive me, but that's not going to change anything.
00:51:34You still have time, Sebas.
00:51:36What's going on, Olmos?
00:51:37Then.
00:51:38For now, you explain to me how we're going to get out of this.
00:51:41As always, Olmos.
00:51:42Together.
00:51:46What's happening?
00:51:48Is nobody going to say anything?
00:51:51I don't know, there's a joke or something.
00:52:04Alright?
00:52:06Yeah.
00:52:08Come on.
00:52:15She's bleeding too much.
00:52:16Stay here, okay?
00:52:17No, no, I want to go with you.
00:52:18It's an order, corporal.
00:52:19Okay.
00:52:23Don't kill Muro.
00:52:33What do we do?
00:52:35With your aim we'll be more useful here.
00:52:37At least until the car's companions arrive.
00:52:40It's a wall.
00:52:41Don't shoot.
00:52:42You heard what the lieutenant said.
00:52:47The cape?
00:52:48Come on.
00:52:49He is injured.
00:52:50Wait here.
00:52:53And you?
00:52:55Where are you going?
00:53:21Thank you, Herria.
00:53:23Thank you.
00:53:45Come along the road, Muro.
00:53:49I think you're absolutely right.
00:53:55Even my parents.
00:53:57I did it.
00:53:59And you're telling me this like that, aren't you?
00:54:02So calm.
00:54:13Do you know how long I've been thinking about this moment?
00:54:16Do you give a shit?
00:54:17Do you give a shit?
00:54:19What are you waiting for?
00:54:21I'm enjoying it, Muro.
00:54:23I'll only be able to kill us at the same time.
00:54:26Do it.
00:54:28I'm going to have to pull that trigger myself.
00:54:32What are you waiting for?
00:54:37Shoot already.
00:54:46You lack courage.
00:54:49No.
00:54:51But I am a Civil Guard officer.
00:54:53And not even you will make me break my oath.
00:54:56Stand up.
00:54:59Send yourself.
00:55:07You've missed your chance.
00:55:10Civil Guard.
00:55:15Don't shoot.
00:55:16Drop the weapon.
00:55:17I swear I'll shoot.
00:55:19If you shoot, he will die.
00:55:21You're not going to shoot him.
00:55:23Give me one reason not to do it.
00:55:26No.
00:55:28You are my father.
00:55:32That?
00:55:33Yeah.
00:55:34He is my father.
00:55:36That's why he didn't kill me earlier in the forest.
00:55:38That's impossible, Olmos.
00:55:41Sebas, go away.
00:55:42Go away.
00:55:44This is between him and me.
00:55:45If you kill him, you'll have to kill me too.
00:55:47If I have no other choice, I will do it.
00:55:49Olmos.
00:55:50Go away.
00:55:54Sebas, just leave.
00:55:55He's my brother.
00:55:57He and Domi are my family.
00:56:00Don't lower it.
00:56:03If you shoot,
00:56:06You will lose me forever.
00:56:08I lost you a long time ago.
00:56:11You never know.
00:56:13You said it yourself earlier.
00:56:16Time heals many things.
00:56:20I'm sorry.
00:56:25Do it for my mother.
00:56:28Don't involve your mother in this.
00:56:31What would she think if she saw you here now?
00:56:34Willing to kill his son.
00:56:37Your mother took three days to die.
00:56:43Three days.
00:56:45And three nights suffering from the burns.
00:56:50You have no idea what that pain is like.
00:56:55I can't get those screams out of my head.
00:56:58Can't.
00:57:04So,
00:57:07Don't do it.
00:57:13For once in your life.
00:57:19I am my father.
00:57:24I wish I had died.
00:57:28And not her on that boat.
00:57:33You have the right to remain silent.
00:57:35Olmos.
00:57:37Relax, Gus.
00:57:39Hang in there.
00:57:40Hang in there.
00:57:41Hang in there.
00:57:42Hang in there.
00:57:43Hang in there.
00:57:43Hang in there.
00:57:44Hang in there.
00:57:45Hang in there.
00:57:45Hang in there.
00:57:48Hang in there.
00:57:54Hang in there.
00:58:02Hang in there.
00:58:16You first, please. Of course.
00:58:18Stop talking nonsense, Damian, and you go ahead.
00:58:21As you wish.
00:58:32I can't believe it.
00:58:36The mother who gave birth to him.
00:58:40Guard Esteban!
00:58:41I was reading the report with affection...
00:58:44But how many times am I going to have to explain the rules of the Caiman to you?
00:58:47I'm sorry, I'm sorry, man.
00:58:49Let's see, the third one.
00:58:51What are you telling me?
00:58:53The third one.
00:58:54The third one is...
00:58:54If someone catches you sleeping, you weren't sleeping.
00:58:57You were meditating on the case.
00:59:01Meditating, not reading.
00:59:02But how can you be reading with sunglasses on?
00:59:05I know, it won't happen again, man, that's it.
00:59:07You'd better.
00:59:07Since Lieutenant Robles is here, we have to go to the mofino.
00:59:10When will he be discharged?
00:59:12Within the week.
00:59:13He almost didn't make it this time, huh?
00:59:14If the bullet had gone three centimeters further to the left...
00:59:18Okay, fine, he'll have the chair for you.
00:59:21Come on.
00:59:22But how?
00:59:23Your table was my table.
00:59:25And now you're back to mine.
00:59:27So where do I stand now?
00:59:29We'll have to find you another one.
00:59:31And the chair is mine too.
00:59:33And the cup?
00:59:35But I bought that mug myself.
00:59:36And you just gave it to me.
00:59:38And I thank you for that.
00:59:39And I'm surprised by the detail.
00:59:41Because I just didn't expect it.
00:59:43And where do I get a table?
00:59:44Hey, there's one in the warehouse.
00:59:47Now, come on.
00:59:49To the warehouse.
00:59:50But damn, dude.
00:59:51Hey, I'll help you.
00:59:54Hey, one thing, Esteban.
00:59:55Just so you understand.
00:59:57At work, no "uncle" allowed.
00:59:59Atiza.
01:00:00We are?
01:00:01At your service.
01:00:03I'll be waiting for you at Cata's.
01:00:04Don't delay.
01:00:12Home.
01:00:13Sweet home.
01:00:16Cata, how are you?
01:00:17I've noticed she's been acting very strange lately.
01:00:19Well, he's really put in a lot of effort.
01:00:21for being mayor.
01:00:23And you know what happened in the elections.
01:00:25Yes, yes.
01:00:27I understand perfectly.
01:00:28It must be very difficult.
01:00:31Have you told Domi?
01:00:33Yeah.
01:00:34Robles and I have told him everything.
01:00:36And what did he say?
01:00:38Well, for her, the most important thing
01:00:40That's what I think.
01:00:42Domi is much stronger
01:00:43that all of us together.
01:00:44That's true.
01:00:46Domi is a lot of Domi.
01:00:49Thanks to her and my grandfather,
01:00:51who always took care of me,
01:00:52I know what a family is.
01:00:54I remember your grandfather.
01:00:56Do you remember what it was like?
01:00:57On Sundays.
01:00:58What a little coconut,
01:00:59how she was doing,
01:01:00like a paintbrush.
01:01:02Do you remember?
01:01:04I won't remember.
01:01:06I think we look alike, don't you?
01:01:09Yeah,
01:01:09You're missing your mustache.
01:01:11Yes indeed.
01:01:13Hey, Sebas,
01:01:16I want to ask you something.
01:01:18You've been here for half an hour
01:01:19asking me questions.
01:01:21You want to be with me.
01:01:22No, if you don't want to be with me,
01:01:24I understand, I really do.
01:01:25I'm unlucky, I'm not unlucky.
01:01:26No, they almost killed you.
01:01:27They're killing us.
01:01:29How's your shoulder?
01:01:31Already.
01:01:32Yeah.
01:01:35Oh, sorry.
01:01:36Now a little worse.
01:01:38Hey, do you know what Domi told me?
01:01:40That?
01:01:41She wants to have five grandchildren.
01:01:43Five!
01:01:48I only hope that
01:01:49Being unlucky isn't hereditary.
01:01:52I hope not.
01:01:54Let's get on with it, shall we?
01:02:07You're already taking too long to pack up your things.
01:02:15Understand, Cata.
01:02:16It's been many years.
01:02:17at the head of this mayoralty.
01:02:19Well, then dismantle it
01:02:20I wouldn't have to take you
01:02:21more than five minutes.
01:02:23And then,
01:02:24door.
01:02:26First my grandfather,
01:02:27then my father,
01:02:28and now...
01:02:29Now you're leaving
01:02:30and you leave the servant to the mayor's office
01:02:32because that is what the people have chosen.
01:02:33And those disgusting creatures
01:02:35You're going to take them away from me, aren't you?
01:02:36You'll be happy, won't you?
01:02:37You have no idea how much.
01:02:39In fact, the first thing I'm going to do
01:02:40It's going to be about stopping the expropriations.
01:02:42Maybe you want to call
01:02:42to Mr. Juanchus.
01:02:44Listen to me carefully, Cata.
01:02:46That you are now mayor
01:02:47does not mean
01:02:48that you can do
01:02:48Whatever you want.
01:02:49I remember you
01:02:50that you have not reached the majority.
01:02:51No.
01:02:53But almost.
01:02:57I have been the best mayor
01:02:58that this town has had.
01:02:59And I intend to be the best leader
01:03:01from the opposition
01:03:02from the history of Ezcaray.
01:03:03Because you love to annoy people.
01:03:05Right, you're clapping!
01:03:06This position
01:03:07It's too big for you.
01:03:08pool ass.
01:03:09We'll see about that.
01:03:11swallowed.
01:03:13Cata,
01:03:14I always thought you
01:03:15a floozy.
01:03:20No, you can say whatever you want.
01:03:22But this table,
01:03:23This has something
01:03:23that doesn't suit me.
01:03:24Really,
01:03:25I'm asking you please, Esteban,
01:03:26It's because it's the third one.
01:03:26that we went up.
01:03:27Well, and me,
01:03:28What do you say?
01:03:29It's not that much.
01:03:29Good morning.
01:03:30Good morning.
01:03:32Is the corporal there, Almus?
01:03:33Well no,
01:03:34But if you want, I can call you.
01:03:36Well, no, no, no,
01:03:37don't worry.
01:03:38No, no,
01:03:38That's not going to happen.
01:03:39Let's go.
01:03:39Well then,
01:03:40I'm going to stay in the warehouse.
01:03:41Permission.
01:03:42Yeah.
01:03:43Bye bye.
01:03:43See you later.
01:03:44Goodbye, Your Honor.
01:03:56Go on.
01:03:57I thought they weren't going to discharge him
01:03:58until next week.
01:03:59I gave it to myself first,
01:04:00that way I saved them money
01:04:01a little bit of work.
01:04:01How's the case going?
01:04:03Good,
01:04:04They have already made 40 arrests.
01:04:06Global Ultratec
01:04:06has branches
01:04:07all over the world.
01:04:08I hope there's no more room for error
01:04:09none loose.
01:04:12How are you?
01:04:13Well, it's getting better every day.
01:04:15i guess.
01:04:16I'm not referring to that wound.
01:04:19You have a heart
01:04:19bulletproof.
01:04:21Wherever they come from
01:04:22and wherever they go.
01:04:24Lordship,
01:04:26that it has always been this way
01:04:27does not mean
01:04:28that it will always be like this.
01:04:32if you need me
01:04:33the lieutenant
01:04:34either
01:04:35You need me
01:04:36you already know
01:04:37where to find me.
01:04:40You must be very proud.
01:04:42Because?
01:04:44Because he was your father
01:04:45and because you
01:04:46You have closed the case.
01:05:07God, Nora.
01:05:15Goodbye, Olmos.
01:05:17Good job.
01:05:18Bye bye.
01:05:18Your Honor, thank you.
01:05:23What are you doing here?
01:05:25Well, I couldn't stand it.
01:05:26being in the hospital
01:05:26And I don't plan on coming back, okay?
01:05:28Okay, okay, okay.
01:05:29In case you're wondering...
01:05:30No, no, no, no.
01:05:31I don't ask myself.
01:05:31You're not asking me.
01:05:32I saw the thing about the kiss.
01:05:33I knew it, you and the pitbull...
01:05:35Come on, come on,
01:05:35What nonsense are you talking about?
01:05:40Are you going to see your father?
01:05:44No.
01:05:45Not at the moment.
01:05:47I can't forget
01:05:48whose is it
01:05:49nor what he did to you.
01:05:50Whatever you do is fine with me.
01:05:51That'll be fine, okay?
01:05:53Well,
01:05:54But we hadn't arranged to meet.
01:05:55at home.
01:05:56Yes, yes, Domi,
01:05:57But it was Sebas's fault.
01:05:58As?
01:05:59What can I tell you?
01:06:00about the pitbull.
01:06:01The pitbull?
01:06:02Don't even think about it, okay?
01:06:04Domi, to her grandson
01:06:05Ignore them, okay?
01:06:05But they didn't care.
01:06:06Have you gone to bed yet?
01:06:07The pitbull and you?
01:06:09Domi?
01:06:10I haven't done anything.
01:06:15Very good, Grandma.
01:06:16Very good.
01:06:17Whatever you say, Domi.
01:06:18And then
01:06:19Are you staying overnight at my house?
01:06:21Does that sound good to you, son?
01:06:23Of course, Grandma.
01:06:24Of course.
01:06:24I wasn't asking you.
01:06:26I was telling Gus.
01:06:27That sounds good to me, Domi.
01:06:28Well, that settles it.
01:06:29Would you like something special?
01:06:30For dinner?
01:06:31Whatever you've done.
01:06:33Well, let's go there.
01:06:35Well, after the day
01:06:36that we have had
01:06:37little and confined,
01:06:39You'll have to wait a little while.
01:06:40But hardly anything.
01:06:42You two have a lot to talk about.
01:07:10And that's it, but, wow.
01:07:11I have the feeling
01:07:12that sometimes
01:07:13You want to tell me things
01:07:14And it's like you don't dare.
01:07:16Everyone stay still
01:07:18and calm.
01:07:18We have a bomb
01:07:19and we'll blow it up
01:07:20if they don't do exactly
01:07:21whatever I say.
01:07:22They are all in the inner courtyard
01:07:23held by an armed group.
01:07:25I need to know
01:07:25with accuracy
01:07:26How many are there?
01:07:27the position that each one has
01:07:28and which one of them
01:07:29It has the detonator.
01:07:30Getting to know Damian,
01:07:31in front of golf,
01:07:32What do you think he can put?
01:07:33Field D.
01:07:34Something's up.
01:07:35Well, the mayor
01:07:36plans to expropriate
01:07:36several farms in the village.
01:07:38As?
01:07:38I did it for you,
01:07:39my people,
01:07:40for whom I have created
01:07:41the Lordship of Guanchu
01:07:42Golf Resort.
01:07:43How did you come up with that?
01:07:44Do that to the people?
01:07:45What have I done to the people?
01:07:46A favor?
01:07:47What is all this?
01:07:47That's all I've found out.
01:07:49about the death of my parents
01:07:50in these last six months.
01:07:51My parents were killed,
01:07:52But I'm not going to stop.
01:07:52until the culprit is found.
01:07:54Count me in, Gus.
01:07:54The fans
01:07:55they will have to resolve
01:07:56three crimes
01:07:57which will take place in the town.
01:07:59It's not a game.
01:08:00He is dead.
01:08:00The only person
01:08:01that can stop this
01:08:01He is the mayor
01:08:02And I am the mayor,
01:08:03yours and everyone else's.
01:08:04Well then
01:08:05You're leaving me with only one option.
01:08:06Walk out the door in tears?
01:08:08Take away your mayoralty.
01:08:09I couldn't wait for tonight,
01:08:10I have something to tell you.
01:08:11Me too?
01:08:12It's because I have a boyfriend.
01:08:13His name is Regino Lucero.
01:08:15The bites
01:08:16and the bites
01:08:16They are from a wild animal.
01:08:18A wolf attack.
01:08:19That's impossible.
01:08:20In these forests
01:08:20There have been no wolves
01:08:21at least
01:08:21for 100 years.
01:08:25The best thing will be
01:08:25forget it.
01:08:26Think about what you can
01:08:27offer to Isa.
01:08:28Domi is so stubborn.
01:08:30She's determined
01:08:31in which you and I...
01:08:31But I've already told him
01:08:32that you have a boyfriend.
01:08:34Regino.
01:08:34It's called that, isn't it?
01:08:34The question is
01:08:35how they got in
01:08:36without forcing the door
01:08:37and without the alarm going off.
01:08:39They probably cut
01:08:39the cables from the outside.
01:08:41Good night, Edison.
01:08:42Mission accomplished.
01:08:43What about my share?
01:08:46Calzamonas.
01:08:46Turn corners.
01:08:50All my exes
01:08:51or have died
01:08:52or have had serious accidents.
01:08:54Let's see,
01:08:54I don't believe in those things.
01:08:55But I do believe
01:08:56that we should try it.
01:08:57They have found
01:08:58three corpses
01:08:59in the pair of hills.
01:09:00All three victims are women.
01:09:01Three victims?
01:09:02A single pattern?
01:09:03A serial killing?
01:09:04Relief!
01:09:05Anyone there?
01:09:07Beltrán,
01:09:07the one who is blind.
01:09:08That psychopath
01:09:09He has one of ours.
01:09:10We have 33 hours
01:09:10to find it.
01:09:11What the heck is this?
01:09:12A driver with no memory,
01:09:14another lost one,
01:09:15a fake translator.
01:09:16What are they looking for?
01:09:17Extraterrestrials.
01:09:18I'm not saying
01:09:19than a waitress
01:09:19cannot arrive
01:09:20to be mayor,
01:09:21because if they fire him
01:09:21the Martians
01:09:22that he saw the other day
01:09:23in the forest,
01:09:24He'll definitely get it
01:09:24a couple of seats.
01:09:25I can explain everything to you.
01:09:27Also,
01:09:27from now on
01:09:28You are persona non grata.
01:09:29This afternoon
01:09:29I'll pull off a big coup.
01:09:30with Valeria Lasparri.
01:09:32When we've finished
01:09:33with these hicks,
01:09:34Let's talk, the three of us.
01:09:35Because this is coming to an end.
01:09:39If you do something
01:09:40which is wrong
01:09:40And you know it,
01:09:41But you end up falling
01:09:41again and again,
01:09:44That's for
01:09:45hidden from me
01:09:46the
01:09:46and we do it sometimes
01:09:47shut me up.
01:09:48No, no, no,
01:09:48that you have like flour,
01:09:49flour.
01:09:49No, same.
01:09:49Come on,
01:09:50Enough with the formalities,
01:09:51Let's talk like adults.
01:09:52Hey?
01:09:52Do you think you can?
01:10:00The herb gives you
01:10:01a little tall.
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