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00:00:11Thank you!
00:00:53Thank you!
00:01:25Thank you!
00:01:30Thank you!
00:01:31Thank you!
00:01:42Thank you!
00:01:46They stabbed me to death!
00:01:49And look what's more!
00:01:51Look what they've done to my Juan's temple!
00:01:55Look!
00:01:59That's witchcraft.
00:02:03Does anyone know who did it?
00:02:05Doesn't your sister have any suspicions?
00:02:07He says that Juan had recently gotten involved in smuggling.
00:02:10And that he was scared.
00:02:12But he doesn't know who he was working for.
00:02:30Who was it?
00:02:57Who was it?
00:03:49Who was it?
00:03:58Who was it?
00:04:11Gurro!
00:04:16Gurro!
00:04:32Disassemble!
00:04:37Who, me?
00:04:40Yes, you.
00:04:56Turn it over.
00:05:21A crescent moon.
00:05:22Like your brother-in-law Juan Morena.
00:05:25Wait!
00:05:29They haven't even stolen his horse.
00:05:32Take off what he's wearing.
00:05:34That?
00:05:34Go ahead, register it.
00:05:40The clock.
00:05:43The ring too, you fool.
00:05:44The boy is right.
00:05:46Don't make fun of him.
00:05:48They kill them and we plunder them.
00:06:06We are not vultures.
00:06:07No, we're bandits.
00:06:09But seriously, are we all going to end up as seminarians here or what?
00:06:12Gypsy, take the horse.
00:06:16We will continue searching.
00:06:18Now we know we're on the right track.
00:07:14He had broken a leg.
00:07:16Further?
00:07:17Yes, I think so.
00:07:19Come with us.
00:07:47No.
00:07:57Come with us.
00:08:00No.
00:08:11We will continue.
00:08:39What are you doing?
00:08:44It's the letter my name starts with.
00:08:47My name is Carlos.
00:09:35Hey, you have one horse too many.
00:09:38Can you sell it to me?
00:09:39Ah.
00:09:41It's not mine.
00:09:44We all work on a farm.
00:09:46I am the foreman.
00:09:48I'm sorry.
00:09:49But don't worry.
00:09:51At dawn we will accompany you to the nearest town and there you can buy one.
00:09:56It's very difficult to find a horse.
00:09:58Well, buy them a mule.
00:10:02And now to sleep.
00:10:04You, Algarrobo, to do the first watch.
00:10:06That mule is mine to carry.
00:10:09Come on, move it.
00:10:10You've heard it before.
00:10:10Come on.
00:10:15Do you want wine?
00:10:15Well, what a sentinel we have, huh?
00:10:17What a night.
00:10:19How sweet.
00:10:47What a night.
00:10:58Thank you.
00:11:29Thank you.
00:11:51Thank you.
00:12:20Well, it made me sleepy.
00:12:22Do you want my blanket?
00:12:23Yeah.
00:12:29Thank you.
00:12:34Hey, how can I get a horse like the one you have lying around?
00:12:38I don't know.
00:12:39Your lord must be very rich.
00:12:43A lot.
00:12:45How much does a horse like that cost?
00:12:47I don't think you have enough money to buy it.
00:12:50Yes, but how much?
00:12:53A lot.
00:13:30Where is the girl?
00:13:31He left.
00:13:32And the horse?
00:13:33I sold it to him.
00:13:34What are you saying?
00:13:36Didn't you want us to sell it?
00:13:37He gave me 600 reales.
00:13:40Student.
00:13:41Let's go.
00:13:42If we don't hunt him down, I'll kill you.
00:13:43But who was going to give us a better price for it?
00:13:47You always do the same thing.
00:13:49You tried to be clever and it backfired, huh?
00:13:51Why don't you go back to the seminary?
00:14:08Get off your high horse.
00:14:09What do you want?
00:14:10I told you to get out.
00:14:12It's mine, I paid for it.
00:14:21Where is the other one?
00:14:21The fat one.
00:14:22The one who took my money.
00:14:24Did you all conspire to scam me?
00:14:26Take.
00:14:28We wouldn't sell it to you for all the gold in the world.
00:14:31Why are you in such a hurry if you don't know where you're going?
00:14:33What will I gain by telling you?
00:14:35A horse?
00:14:36Try it.
00:14:37You have nothing to lose by doing that.
00:14:39I am chasing after a stranger who passed through my town and left without keeping his word.
00:14:45I'm carrying the gun to force him.
00:14:47Time is ticking.
00:14:49Do you understand? That's why I need the horse.
00:14:53Come on.
00:14:59Aren't you going to sell it to me?
00:15:01I've already told you no.
00:15:07Damned.
00:15:11Damned.
00:15:34Thank you!
00:16:05There were two other men.
00:16:06Which way did they go?
00:16:07If you lend me your horse, I'll tell you.
00:16:12Already.
00:16:34It's no use. Come with us and calm him down. I'll be back at sunset.
00:16:55Why did you do it? I could have killed you from behind as you were leaving.
00:17:00I can tell a murderer from a liar. You're not pregnant.
00:17:05Nor do you chase after an unfaithful lover.
00:17:08You are neither a foreman nor is your name Carlos.
00:17:12Otherwise, I'll work.
00:17:15Curro Jiménez.
00:17:36My brother has been in prison for two years for a crime he did not commit.
00:17:40A miller from a neighboring village was found shot dead one morning.
00:17:45They had drawn a crescent moon on his temple.
00:17:52Why did they blame your brother?
00:17:55He was the miller's wife's lover.
00:17:57He would never have killed him.
00:17:59The woman is gorgeous.
00:18:03A purebred animal.
00:18:04It's called Happiness.
00:18:07And it didn't bring us good fortune.
00:18:11Are you sure it wasn't your brother?
00:18:14Safe.
00:18:14He had fallen madly in love with her.
00:18:16But she would never have killed her husband.
00:18:19Yes, I'm sure.
00:18:21I was with him all that day.
00:18:24And all that night.
00:18:26And that's what I declared before the judge.
00:18:29But he was sentenced the same way.
00:18:32And that woman, Felicidad,
00:18:34Does he not testify in his favor?
00:18:37No.
00:18:38He abandoned her.
00:18:39We never heard from her again.
00:18:43Do you think she killed the miller?
00:18:45I think he was the one who drew it.
00:18:47that crescent moon on the temple.
00:18:49That's a clue, isn't it?
00:18:53I've been traveling the roads for two years.
00:18:55looking for that clue.
00:18:57I think I've finally found her
00:18:59in this region.
00:19:01A boy and a gypsy.
00:19:05You must know that.
00:19:07Yesterday you drew a crescent moon
00:19:09on Earth.
00:19:19Chance.
00:19:24Your blouse is wet.
00:19:26Take.
00:19:27Put on my blanket.
00:19:28You have the blouse.
00:19:53You have the blouse.
00:20:20How long will you continue to lie?
00:20:23As?
00:20:25The one you're trying to free from prison isn't your brother, he's your man.
00:20:32Why are you so sure?
00:20:33First, because you can't hide your hatred towards that woman, happiness.
00:20:39And secondly, because when I kiss a woman I know if she belongs to me, even if only for an instant.
00:20:46And you belong to another man.
00:20:52Aren't you going to help me?
00:20:54Aren't you going to tell me who the killer is who murders and marks his victims with a crescent moon?
00:21:00the temple?
00:21:00I'd like to know too.
00:21:18You should go back home.
00:21:20You won't find that man, and if you do, he'll most likely kill you.
00:21:24not you to him.
00:21:25I don't want to kill him, I want to get his confession.
00:21:28I have to do it for Marcos.
00:21:29Is your man's name Marcos?
00:21:32You say he's my man, and I say he's my brother.
00:21:35But what does it matter what it is?
00:21:37He's probably rotting in a dungeon.
00:21:48I'll leave you the horse.
00:21:52And the money.
00:21:55You're going to need it.
00:21:57Luck.
00:21:59Bye bye.
00:21:59Luck.
00:22:29Thank you!
00:22:59Thank you!
00:23:28Thank you!
00:23:39Thank you!
00:23:41Have you controlled the landing?
00:23:43Yes, everything is in order.
00:23:44After the scare we gave them last time, they take great care to comply.
00:23:48Tobacco to Seville today.
00:23:52Is there more news?
00:23:53A letter from Havana.
00:23:54The women have arrived safely,
00:23:56except for one who fell ill and died during the terresia.
00:23:59Another one wanted to create problems,
00:24:01But they spoke with the police chief and everything was sorted out.
00:24:05Write to Pacheco and ask him to give you a nice gift, in addition to your monthly payment.
00:24:09How are we doing in terms of equipment?
00:24:11We have six girls on the Algecidas farm.
00:24:13You're moving a bit slowly, aren't you?
00:24:15After the complaint from the priest of Santa María,
00:24:17We've had to tread carefully.
00:24:20If he bothers us again,
00:24:21We'll have to make him change parishes.
00:24:25Anything else, Villegas?
00:24:27Yeah.
00:24:28The men have returned.
00:24:30What's happening?
00:24:34Increase!
00:24:39One is missing.
00:24:42Where is Vélez?
00:24:44We had a casualty.
00:24:46Alfonso Vélez was hit by a gunshot.
00:24:48We will wait to collect his body.
00:24:49I'm not interested in his corpse.
00:24:51What happened to Vélez?
00:24:54I'll let you know.
00:24:55What happened, Villegas?
00:24:57Ricardo de Zúñiga, in accordance with the orders you gave me, was killed.
00:25:01He did not part with his horse, his money, or his other belongings.
00:25:05And did he have time before killing Vélez?
00:25:07No.
00:25:08They killed him before he realized he was being pursued.
00:25:10Who killed Vélez?
00:25:11Apparently, a woman.
00:25:12What are you saying?
00:25:13From the Curro Jiménez gang.
00:25:15At the moment when Vélez was shooting at Curro.
00:25:18Successfully?
00:25:23Successfully!
00:25:26Bunch of useless idiots!
00:25:28All!
00:25:29Vélez too!
00:25:30You can't follow a single one of my orders.
00:25:33Zúñiga is dead.
00:25:34Zúñiga was nothing more than an annoying nuisance.
00:25:37Curro Jiménez is an enemy.
00:25:38He's been battling it out across the entire region since that guy died...
00:25:40...Gypsy.
00:25:42I need to get ahead of myself.
00:25:43I have to kill him before...
00:25:49Idiots!
00:25:50We have captured Simon, the coat seller.
00:25:53Bring it to me.
00:26:17Nobody leaves the half-moon farmhouse of their own free will.
00:26:20Didn't you know, stupid?
00:26:23So you never forget it.
00:26:25Mark it.
00:26:32Hold it tight.
00:26:45Listen.
00:26:47I've been given a very vague address.
00:26:50Perhaps you can help me.
00:26:59Can't you tell me anything?
00:27:00No no.
00:27:38It's a joke, don't even bother asking.
00:27:41Already!
00:28:08What are you looking for?
00:28:09I am a stranger and I don't know the region.
00:28:12I'm looking for a friend, but I've forgotten his name.
00:28:17Does this tell you anything?
00:28:21I can't read.
00:28:23It doesn't matter.
00:28:25Go away.
00:28:26We don't want to know anything about strangers.
00:28:29Go away or my son will kick you.
00:28:41Come on, kid.
00:28:47What did you want?
00:28:48What if that woman saw you?
00:28:49Is that what you wanted?
00:28:50I didn't want anything, mother.
00:28:53That must be a snitch.
00:28:55I am a good mother.
00:28:58Nobody has the right to pry into my business.
00:29:01Like the priest of Santa María.
00:29:04I have only sought your good.
00:29:06Yes, mother.
00:29:07Yes, mother.
00:29:08Yes, mother.
00:29:09Yes, mother.
00:29:09Dead fly.
00:29:11I turn my back and you tell everyone that I've sold you out.
00:29:14The truth.
00:29:16Ungrateful.
00:29:18You can complain about the life you lead, while your brother and I...
00:29:22If I am here, it is because of the mistress.
00:29:25She grew fond of me and wouldn't let them put me on the boat.
00:29:28She let me escape from there.
00:29:29And now you have sold me out for the second time.
00:29:33Thank God, today we will be free of you.
00:29:36Rest easy, forever.
00:29:58The forties.
00:29:59How about the forties?
00:30:00But you killed with the triumphant king?
00:30:01Forty, yes.
00:30:02No no.
00:30:02The forty cannot be with the king of triumph.
00:30:03No, he wants to win, he always wants to win.
00:30:06Take.
00:30:07Take off that disguise and put that on.
00:30:15Are you sending him back to the seminary?
00:30:17That's what you wanted, wasn't it?
00:30:20It's your turn.
00:30:22No no.
00:30:23Give me wine.
00:30:24I thought you'd give me a chance.
00:30:26So far you've only carried me around like a package.
00:30:29It's like being failed in theology without even taking the exam.
00:30:33I know that I'm still shocked by blood,
00:30:35But surgeons always faint on the first day, don't they?
00:30:38Be quiet.
00:30:40He always has arguments.
00:30:42He has a reason.
00:30:43What did you feel the first time you saw blood?
00:30:47It was a long time ago, I don't remember.
00:30:50So what's the decision?
00:30:52Do you want him in the band or not?
00:30:54I think we should give it a chance.
00:30:57I can't stand that guy with that ominous look.
00:30:59It makes me nervous!
00:31:02You're being too hard on him.
00:31:05You're going to need this.
00:31:06Why? To kill the prior?
00:31:10Come on, play.
00:31:18We were discussing whether he's suitable for being a bandit.
00:31:21But I'm sure that what you're good for is being a spy.
00:31:25Especially with that habit of never being asked to be a rogue.
00:31:31Come.
00:31:41The tortilla was very tasty, I hear.
00:31:43And the wine.
00:31:44I haven't had a better drink in the whole region.
00:31:47But tell me, does this mean anything to you?
00:31:54You're making a mess on the table, ma'am.
00:32:21A room and a snack, for God's sake.
00:32:23Yes, Father. Right now.
00:32:37Do you have any honey for the cheese?
00:32:39I've already told you, ma'am, that there's no honey in this region.
00:32:43Tell Curro, Jiménez, that I don't like feeling watched.
00:32:46Shh!
00:32:47Shh!
00:32:49Shh!
00:32:54Shh!
00:33:00Shh!
00:33:09Shh!
00:33:24What are you looking at?
00:33:27The door.
00:33:28You're not interested in the door.
00:34:00You're not interested in the door.
00:34:02My mother gave me this medal.
00:34:04Can I go and have it blessed by the priest?
00:34:06Can?
00:34:07Go.
00:34:14Father, can you bless me?
00:34:17Bless my medal.
00:34:20Can you bless it for me, Father?
00:34:22Yes, daughter, yes.
00:34:31What's wrong? Are you pale?
00:34:32I don't know, I've felt dizzy.
00:34:35Girl!
00:34:36Come here!
00:34:38Let the priest have his dinner in peace!
00:34:42Thank you, Father. Thank you.
00:34:48Wow, what a handsome man you've got yourself.
00:34:50Go on, go to sleep.
00:34:51We'll leave early tomorrow.
00:34:53I'm going to have another drink.
00:35:12I'm going to have another drink.
00:35:32I'm going to have another drink.
00:35:40Oh!
00:35:44Oh!
00:35:51I'm going to have another drink.
00:35:51Oh!
00:35:53I have agreements
00:35:54See you!
00:35:54Said!
00:35:54I have steel to subtract peace.
00:35:56Oh!
00:35:56Oh!
00:35:56Oh!
00:35:57Oh!
00:35:57Oh!
00:35:58Oh!
00:35:59Oh!
00:36:00Oh!
00:36:09Who is it?
00:36:11Who's there?
00:36:12It's me, Father
00:36:13Who?
00:36:20Forgive me for interrupting your sleep
00:36:23No, daughter, no
00:36:24If I didn't sleep
00:36:26Come, come
00:36:31I want to show you something
00:36:32No, don't tell me.
00:36:33The medal?
00:36:35No
00:36:36This
00:36:40Who did that to you?
00:36:42My parents sold me to a man who traffics in girls.
00:36:44Who is it?
00:36:45They call him the master
00:36:47Also the knight of the crescent moon
00:36:52Well
00:36:54Were you impressed?
00:36:56Yes, yes, daughter, yes, very much.
00:36:59My master is very good to me, poor thing
00:37:01She too is a slave and does not dare to escape from there
00:37:05Yes, I escaped
00:37:06But now they're taking me back, even though they've spared my life.
00:37:11Because of her
00:37:11Why have you come to tell me this?
00:37:15Because that...
00:37:17That girl who spoke to you downstairs
00:37:19He's looking for the house with the half-moon.
00:37:21And I can show it to you.
00:37:23And why did you come to tell me and not her?
00:37:27You are a priest
00:37:28And a priest always inspires more confidence
00:37:32They just have to follow us.
00:37:35The man who travels with me
00:37:36He works for his master and...
00:37:40He will not suspect a priest and a woman
00:37:45Father, you have to help me get out of there
00:37:48I promise you, yes
00:37:49I will follow you, yes, yes
00:37:51You can, you can be sure.
00:37:53Can you give me your blessing?
00:37:59Okay, go on, go away.
00:38:05You have my blessing
00:38:06Believe it
00:38:14Argo
00:38:15No
00:38:34Thank you!
00:39:13Thank you!
00:39:36Thank you!
00:39:46Thank you!
00:39:46Thank you!
00:39:57Thank you!
00:40:07It's her.
00:40:08With the mistress, surely.
00:40:11I only recognized the mistress.
00:40:13That?
00:40:15I only recognized the mistress.
00:40:17Come on.
00:40:53Thank you!
00:41:42Thank you!
00:41:45Thank you!
00:42:03Look.
00:42:04Is it her?
00:42:07No.
00:42:09Well, I didn't recognize you.
00:42:11No, he never saw me.
00:42:13We lived in different towns.
00:42:17But I did see her.
00:42:19Twice.
00:42:21The first time I went to spy on her at the mill.
00:42:26And I saw the other one with Marcos walking along the river.
00:42:28But they didn't see me.
00:42:33No one can forget a face like that.
00:42:37Are you sure that girl told you that she is also a victim?
00:42:40Yeah.
00:42:43I want to talk to her.
00:42:59The housekeeper wants to confess that we will go to church.
00:43:10Let's go to church.
00:43:11Good.
00:43:15Could you take care of the church?
00:43:16Stay calm.
00:43:17Yes, calm down, calm down.
00:43:19With the mayor in dire straits.
00:43:21And the setback.
00:43:27Hey, I still haven't asked you who you are.
00:43:30I'll say that later.
00:43:31It doesn't matter now.
00:43:32First and foremost, the mayor's safety, do you understand?
00:43:34Yes, the mayor's salvation.
00:43:39Well, that's it.
00:43:43Very good.
00:43:45Books?
00:43:45Very good.
00:43:47What a problem!
00:43:48Now that he had to confess.
00:43:50I hope, please listen to me.
00:43:52No, no, no!
00:44:27Hail Mary, full of grace!
00:44:28conceived without sin.
00:44:31Father...
00:44:31Tell me, what sin do you blame yourself for, daughter?
00:44:35Isn't that Don Antón?
00:44:36No, no, I've replaced him for a few days. He's sick.
00:44:41A fainting spell.
00:44:43Poor thing.
00:44:48It won't be easy for me to start over.
00:44:50Don Antón already knows my sins and...
00:44:52Are they always the same ones?
00:44:54The same ones.
00:44:56And ancient.
00:44:58I caused the death of a man.
00:45:01And I destroyed someone else's life.
00:45:03I regretted it, but...
00:45:05But you didn't do what was in your power to defend an innocent person.
00:45:08A man is unjustly imprisoned, and you, out of cowardice, have remained silent.
00:45:12How do you know that?
00:45:14Is it Don Antón?
00:45:15No, poor Don Antón.
00:45:18I know your name is happiness, and that your life is very sad.
00:45:21That you're scared.
00:45:23And I want to help you.
00:45:24Wait.
00:45:27Before you return to your prison, you should talk to that woman.
00:45:32She is there, kneeling under the pulpit.
00:45:42And who is that woman?
00:45:45She'll tell you.
00:45:48That is your penance.
00:45:54Follow her, you will talk in the sacristy.
00:45:56Come on, come on.
00:45:58We just want to save you from that crescent moon that's strangling your neck.
00:46:22I'm the one who should confess to you.
00:46:24I am not a priest, despite appearances.
00:46:29AND...
00:46:29Well, I like you.
00:46:35Hey!
00:46:37I realized you liked me the other night.
00:46:40And I'm glad you're not a priest.
00:46:42Shh!
00:46:44Shh!
00:46:45Shh!
00:46:54How should you hate me?
00:46:57I hated you with all my soul until I saw you at the market.
00:47:00You are not the woman I always imagined.
00:47:04You know that Marcos didn't kill your husband.
00:47:06I know.
00:47:08I know the man who killed him.
00:47:09And I live with the one who ordered him killed.
00:47:12How could you?
00:47:16He was present when they marked him.
00:47:19At the same time, they called me.
00:47:24They left me alive.
00:47:28If you can even call this life.
00:47:32I have lived...
00:47:34Kidnapped.
00:47:35Under surveillance.
00:47:37Until my complete submission has convinced my master.
00:47:41Because he is my master, do you understand?
00:47:44He has convinced him that I am resigned to being his slave.
00:47:48That I will do nothing against him.
00:47:51And that's how it is.
00:47:52I won't do anything.
00:47:53I'm warning you.
00:47:55And I warn you that even if I have to risk your life and mine,
00:47:58I'm going to unmask that killer.
00:48:01I'm going to save Marcos.
00:48:04You don't know my master.
00:48:06Don't call him my master.
00:48:08You loved Marcos.
00:48:09And Marcos lives.
00:48:11But not me.
00:48:14Come here.
00:48:18Oh.
00:48:23Come.
00:48:24Come.
00:48:36Come on, kiss me.
00:48:37When you're not wearing that cassock.
00:48:39That impresses me.
00:48:40Close your eyes.
00:49:10He is the secretary of love.
00:49:11The coachman must have warned him.
00:49:14Demons.
00:49:38Is she the woman from the shop?
00:49:39Yeah.
00:49:40The one who killed Vélez?
00:49:41Yeah.
00:49:44Take her away.
00:49:47Don't touch me or you'll be punished.
00:49:49I don't know who that woman is.
00:49:54Walking.
00:49:54We need to find the band-aid.
00:49:59Let's go.
00:49:59They leave.
00:50:02Thank God.
00:50:04Forward.
00:50:06Forward.
00:50:08Forward.
00:50:09Come on.
00:50:14Come.
00:50:33We have now located the killer.
00:50:36Thanks to you.
00:50:37The one who killed the gypsy's brother-in-law and the child from Grazalema, and the one who tried to kill you too.
00:51:02How did you find out?
00:51:06You stay here. And you with her. Let's go.
00:51:12Hey, the little butt has to come. It's the only one that knows the way.
00:51:54Don't deny it anymore.
00:51:56You've been asking too many indiscreet questions about the area.
00:52:01You've followed that girl since the sale.
00:52:03You sent that priest out to hang around.
00:52:07You have spoken to a person who lives in this house.
00:52:11And they recognized you as the woman who killed one of ours.
00:52:17Are you still denying that Curro Jiménez is sending you?
00:52:25What do we do with it?
00:52:26We could send her with us to the farm in Algeciras.
00:52:29No, it would cause us problems.
00:52:31So what?
00:52:32Put the iron in the fire. We'll brand it.
00:52:51No, it would cause us problems.
00:53:06There is only one guardian. Just one is enough to alert the others.
00:53:10There are five of us, right?
00:53:12I'm afraid something will happen to the girl if we approach the uncovered area.
00:53:14I have an idea.
00:53:16Other?
00:53:39Wring out the letter for your master.
00:53:40Let's see...
00:53:41Ah!
00:53:43Ah!
00:53:45Ah!
00:53:46Ah!
00:53:53Ah!
00:53:54Ah!
00:54:22Ah!
00:54:43Go away!
00:55:15You wouldn't want me to ask for help, would you?
00:55:19Would you prefer that we do this without witnesses?
00:55:24I am Curro Jiménez's wife
00:55:28She will never forgive you for what you do to me
00:55:31I am not afraid of him
00:55:35You'll be convinced when you have the crescent moon on your temple.
00:55:38Give it a try!
00:55:44When you don't trade in women
00:55:48You hide behind them
00:56:00Come on!
00:56:02Come on!
00:56:12Come on!
00:56:15Come on!
00:56:26Come on!
00:56:29Come on!
00:56:39Come on!
00:56:44Come on!
00:56:57Come on!
00:56:59Come on!
00:57:00Hurry!
00:57:02Untie me!
00:57:05Come on!
00:57:10Come on!
00:57:13Come on!
00:57:18Come on!
00:57:25Come on!
00:57:28Come on!
00:57:33Come on!
00:57:43Come on!
00:57:52Come on!
00:57:54Come on!
00:57:55Come on!
00:58:06Come on!
00:58:11Come on!
00:58:32You've convinced her
00:58:34He has agreed to testify in favor of Marcos
00:58:36With that and this evidence, I will secure his freedom.
00:58:40And what will he do?
00:58:42She says that a woman who has been scarred cannot go back to living with the man she loved.
00:58:46But oh well, in the end
00:58:49That's for Marcos to decide.
00:58:55I told that man I was your wife
00:58:57I heard you
00:58:59I always understand myself
00:59:00It's up to you whether it's a lie or not.
00:59:02I mean, I can be your woman for a moment, like you said that time.
00:59:06Already
00:59:08After everything you've done for him
00:59:09You're afraid he'll leave you for someone else and you want to comfort yourself with me.
00:59:13You insist on believing that Marcos is my man
00:59:16And I've always told you he was my brother.
00:59:21You never believe me
00:59:32Anyway, I'll leave later.
00:59:34You will never see me again
00:59:35Oh, no?
00:59:39And who told you I'd ever want to see you again?
00:59:44You will never see it again
00:59:45You will never see it again
01:00:21Where is he going?
01:00:22To tell his people that he has avenged them
01:01:00Where is he going?
01:01:33Where is he going?
01:02:06Where is he going?
01:02:12Where is he going?
01:02:29Where is he going?
01:03:01Where is he going?
01:03:10Where is he going?
01:03:41Where is he going?