- 14 hours ago
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00:00Music
00:25Bloody pedestrians
00:27Oh, you didn't have to take Norman Seven seriously.
00:29And who'd you steal that from, anyway?
00:47What's up?
00:48Nick Cotton. Night and day, it's Nick Cotton.
00:51I mean, all this Sherlock Holmes stuff's getting us nowhere.
00:54And you're more Philip Marlowe, aren't you?
00:55No, my camera, Marlowe. My kid was right. He had the right idea.
00:59Stick one on him, he said.
01:00And I should have done, and I would have done, if you didn't have stopped me.
01:03I'll tell you what is elementary, Pete.
01:04You can't blackmail someone when the person you're trying to keep a secret from already knows.
01:07So he can't touch you anymore. It's finished.
01:09Yeah, you would say that, wouldn't you?
01:11Unless it was your missus.
01:12It's finished, Pete. That's the good news. Now leave it.
01:14No, that doesn't talk me, then.
01:16Would you swallow it if it was your missus?
01:17Well, then take him down an alleyway, but get it over with.
01:20No, what I want to do is going to be done in public.
01:22And I'd love everybody knew about it.
01:23I want him out of this square, and I want him out of my life.
01:26And I don't care who knows about it. More the better.
01:34Tread easy.
01:36What a slag like that.
01:37Taking money off your old woman behind your back for something like that.
01:40And you want me to turn you over cheap.
01:42What do you think I am, stupid?
01:44Do you think I want him walking down this bleeding market the next 20 years,
01:47saying, ha, ha, ha, I used to blackmail that geezer's old woman?
01:50Would you stand it?
01:51And you're asking me to keep me hands off him,
01:53just to be content with knowing he can't do it anymore.
01:55Oh, leave me out, then.
01:56He's a nutter, Pete. He's out to lunch.
01:59He ain't all there.
01:59Oh, he's there, all right, just he's mixed up and different somehow.
02:02And if you want my advice, leave it.
02:04And I'm not talking about being scared.
02:05Nothing like that.
02:06We can see how it goes into his head,
02:08but we can't see how it comes out
02:09after it's bounced around inside his skull.
02:11That's what makes him a nutter.
02:21You won't be told, will you?
02:23Look, I'm going to have him, then.
02:24I've got no choice.
02:26I don't need a particular time in mind.
02:28How are you getting on, Pauline?
02:30To tell you the truth, I've no idea.
02:32I just haven't stopped.
02:33Look, can you do us...
02:35Don't sit there!
02:36I've just tidied it up for the doctor coming.
02:37Can you do us a favour?
02:39Can you iron these pillow slips for me
02:41so I can slip them on Mum's bed before the doctor gets here?
02:44Only the baby's going to be awake in a minute.
02:45I haven't even done my shopping yet.
02:47I just don't know which way to turn.
02:48Look, Pauline, suppose now I make a nice cup of tea.
02:51Then you give me your list and I'll do your shopping for you.
02:55Do you know, sometimes I don't think I'm here at all.
02:57I think I'm just a machine with knobs for people to press for what they want,
03:00like buzz for tea, buzz for supper, buzz for washing, buzz, buzz, buzz.
03:04Oh, well, still the same old thing, innit?
03:06Yes, do you know, one day this machine's going to break down.
03:09If I was a car, I don't think I'd even pass my M.O.T.
03:13Anyway, do us a favour, eh?
03:15I'm going upstairs, thanks.
03:17Oh, my God.
03:23Cook-koo time, innit, eh?
03:24I told you once, get off the table.
03:26They're all crazy round here, taking photos,
03:29hanging round corners, lurking in all uplands,
03:31trying to catch me at it.
03:32They don't stand a chance.
03:33There's no way they're going to put a finger on me.
03:36And you know why, stupid Turk?
03:38Because I've got no idea, that's why.
03:39Here, stick that on your wall.
03:41The most wanty man in warfare.
03:44Tell you what, Sue,
03:45if you'll still make a nice bacon sandwich,
03:47keep it up,
03:47and that egg on Ronnie will be checking you out, eh?
03:49Yeah.
03:50I'll see you.
03:51Yeah.
03:54Riding for a fool, that one.
03:55He's always riding for a fool.
03:58Now, about this dinner.
04:00What dinner?
04:01What dinner?
04:02How many invitations have you got, eh?
04:04What dinner?
04:05You know, blooming well, what dinner?
04:06Look, Sue, you're going to bring that up again?
04:09Ask yourself,
04:10why are they inviting us to dinner?
04:13Ask yourself.
04:14Because they're thinking they're going to Cyprus
04:15for their holidays,
04:16they want to chat.
04:17I despair of you sometimes.
04:19And I despair of you.
04:20They're just inviting us round for a meal, right?
04:22Being sociable, that's all.
04:23There's no law against it,
04:25and I'm looking forward to it.
04:26I'm going to enjoy myself.
04:27And another thing.
04:28I noticed every time he comes round,
04:30shooting off his mouth,
04:31you start treating me as if I'm stupid.
04:33I don't like it, right?
04:35You can lie to your doctor, Lou,
04:37but you can't lie to your own body.
04:38Well, you can make me say I as much as you like,
04:40but I ain't going to hospital.
04:41Oh, just for tests, Lou.
04:43No.
04:44I don't say this just to hear the sound of my own voice, Lou.
04:48If you're worried about transport,
04:49we can get you an ambulance.
04:51No ambulance, thank you.
04:52Oh, good.
04:52That's one thing sorted.
04:53No ambulance.
04:55Now, how are you going to go there?
04:55Is Pete going to take you in the van?
04:57I didn't say I was going.
04:58And I did.
05:00I ain't going.
05:01Oh, yes, you are, Lou.
05:01Believe me.
05:02No, I'm not.
05:03Believe me, Lou,
05:04you are going if I have to drag you there.
05:06What do you think I am?
05:07Some kind of witch doctor?
05:09I can say a spell or shake a stick.
05:12You need tests, Lou.
05:13The fruits of modern medicine
05:14don't exclude you.
05:16Not yet.
05:16You live by living, doctor.
05:18Not by lying down in bed.
05:20Once you're in, you don't get out.
05:21Nail the lid down and that's it.
05:23Bury me at sea.
05:24Thank you very much.
05:25What are you talking about?
05:28One life.
05:30Lou, if you're frightened, just say so.
05:32It's all right.
05:33Is it?
05:34The tests are quite harmless
05:35and practically painless.
05:37Oh, that's all right then, isn't it?
05:39Why do you always do this to me, Lou?
05:41Always you do this to me.
05:44Look at you.
05:46How many people around here know you?
05:48Know you when you just started, eh?
05:50How many left?
05:50We're almost extinct.
05:52I knew you when you was in short trousers.
05:55A good Jewish boy.
05:57Lou.
05:58You know, when I was a girl
05:59living in the flats around Brady Street,
06:01we had a lot of Jewish neighbours,
06:03orthodox ones,
06:04who observed their Sabbath.
06:06And every Friday,
06:07because they couldn't work on their Sabbath,
06:09not even to the striking of a match,
06:11they'd ask us in to light the gas for them
06:13so they could eat.
06:15Then they'd give us a piece of lots and pudding.
06:18They was poles.
06:20I mean, spoke one or two words of English between them.
06:24Where'd they gone?
06:25I don't know.
06:27Pastures green, Lou.
06:28All I called is green.
06:30Oh, some of the Jews were my best friends.
06:33Some of the worst.
06:35How many of your patients know you've fought in Cable Street, eh?
06:38I wish you wouldn't say that, Lou.
06:40You was there.
06:41Yeah, I was nine years old with my uncle
06:43and the police horse trot on my foot.
06:45So I lost my shoe and I lost my uncle.
06:48Had to walk all the way home with one shoe.
06:50And at the end, I had a big hole in my sock.
06:53That was my Cable Street.
06:55Yeah, my mother wasn't too pleased.
06:57What's the use of one shoe, she said.
07:00Well, she threw it in the dustbin.
07:01Now you've lost a pair of shoes, she said.
07:04Let's see if it'll please her better.
07:06Now, do you know what worries me, Lou?
07:08A vacuum.
07:10Hmm.
07:11I think about things like everybody does.
07:15And things that are happening now were happening then.
07:17I mean, Jews were having a bad time.
07:20And now, it's the Asians.
07:21You have to ask yourself how that happens.
07:24But that's not what I want to say.
07:27Then, there wasn't the vacuum.
07:29People knew.
07:31But now...
07:34Now...
07:36What I decided is...
07:38You have to identify the enemy for yourself.
07:41Not the enemy the newspapers tell you.
07:43Nor the enemy that the government tells you.
07:44But the real enemy.
07:45The vacuum.
07:48What I'd like...
07:49Is a Prime Minister who stands up and condemns racism...
07:53As strongly as she stands up and condemns terrorism.
07:55Yeah.
07:56I want the pair of shoes, Lou.
07:59How did I get onto this?
08:02You're always doing this to me, Lou, aren't you?
08:05Now, you be warned.
08:06I'm not going to be beaten on this.
08:08You are going to hospital.
08:11Now, what happens if he brings down his holiday snaps, eh?
08:14Well, look at them.
08:15Just because he's a pervert doesn't mean we can't look at his holiday snaps.
08:18Oh, terrific.
08:18So, when do we accuse him?
08:19Before or after dinner?
08:21Andy, put your trousers on and don't get hysterical.
08:23Look, love, are you really sure about this?
08:25Yes, I've got the menu prepared and everything.
08:27I don't mean the meal.
08:28I mean him.
08:28Accusing him.
08:29Yes, it's him.
08:30Well, then let me sort him out, eh?
08:32No.
08:33Now, look, that's not the way.
08:38I'll get it.
08:43Hello?
08:45Hello, Jill.
08:46Yeah, yeah, she's here.
08:47Just Jill.
08:48I hope you know what you're doing, love.
08:50Yes.
08:51Hello, Jill.
08:53Yeah, that's OK.
08:55I'm sorry, love, but I can't.
08:56But I've only got the chance of this extra job tonight and I'll be a mug to miss it.
09:00I need the money.
09:02Don't we all?
09:03But there's other ways of getting it.
09:05Now, I didn't say that.
09:07Honestly, Mary, there's only so much for me to go around these days.
09:12Yeah, why don't you ask her?
09:13You never know your luck.
09:17Well, she's all right, isn't she?
09:19I suppose so.
09:20Well, you work with her.
09:21I know, that's why I don't want to ask her.
09:24Well, it's your decision.
09:25There's only one thing's for certain.
09:27If you don't ask, you don't get.
09:28See ya, please.
09:30Hello, ladies.
09:34Hey, it's Gina.
09:36Do you know anything tonight?
09:37It depends.
09:38Why?
09:39Well, I've got to try some job short notice.
09:41I need a babysitter.
09:42What, me?
09:43Look after your thing?
09:44Yeah, she's no trouble.
09:45Look, I'm working.
09:46Or at least I should be.
09:47All right, I'll see you.
09:48No, wait a minute.
09:49What time are you talking about?
09:51About six.
09:52About ten.
09:52At your place.
09:53And there's going to be no-one else there?
09:54No.
09:55Listen, she's no trouble.
09:56Once you put her down, you won't even notice she's there.
09:59You all right, then?
10:00You will?
10:01That's what I said.
10:02Yes.
10:03Oh, howdy, Sheriff.
10:05Let the man finish his drink, Ange.
10:11Good, eh?
10:12Pete gave it me.
10:13It's like the warning bell in the theater.
10:15It means start putting your beer in two minutes.
10:17So, before you get on your rules, do you want another drink?
10:20Thanks, Dan.
10:21But no thanks.
10:21Not right now.
10:22Keep it on ice, eh?
10:23Sure I can't tempt you?
10:25No.
10:26You're too fly, aren't you?
10:33A wise move.
10:34As one door opens, another one closes.
10:37One, two, three.
10:41Ah!
10:43Time.
10:44Oh, I must have put it in.
10:50Don't tell me.
10:52You want that drink?
10:54It's when and truly out of order, my son.
10:56You mess with my, woman.
10:58You mess with me.
10:59You!
11:00Ah!
11:02Ah!
11:05Ah!
11:10Ah!
11:11Ah!
11:18Give him love!
11:19Ah!
11:21Ah!
11:23Ah!
11:23Ah!
11:24Ah!
11:25Ah!
11:25Ah!
11:28I don't want to ever see you around this square again, Frank.
11:31In front of all these people, I'm telling you, I never want to see you again.
11:36You getting this, are you?
11:37What?
11:38He just swayed into me.
11:40Without provocation, he attacked me.
11:42I think you're mistaken, son.
11:43You must have fallen over, banged your head.
11:46You think you've gotten rid of me, don't you?
11:48Round here, this is me.
11:50Just as much as it is you.
11:52I ain't been driven off by some spud cellar.
11:54It's to do your worst.
11:55At least eat prod and pete the potato.
11:57Do your worst.
11:59You come near me.
12:00Or any member of my family.
12:01And you're living on borrowed time, son.
12:04Now, you've been wrong.
12:05Because you're nothing but filth, right?
12:07What's this?
12:07Two laws, eh?
12:09Look, you've had a nasty fall, son.
12:11Now, why don't you just go home, eh?
12:13You ain't had the last of this.
12:14I'll be back.
12:16I'll be back!
12:23I'll be back!
12:29I knew this would happen.
12:31I knew it.
12:33You always go too far.
12:35Oh, yeah?
12:36What about them, then, eh?
12:37You always did.
12:38What are we going to do, eh?
12:41They don't own this square.
12:42I'll tell you what, Ma.
12:44I will have my revenge.
12:47Listen.
12:48I think it'd be better if you went away for a little while.
12:53Don't you?
12:55Soft.
12:56You always been weak, ain't ya?
12:57And that's the way they treat ya.
13:00Well, who was the only one who wasn't invited to the christening at the church, then, eh?
13:03Don't say any more, son.
13:06Just sit there and let me finish.
13:08Don't solve nothing, son.
13:10I know.
13:12Made me feel better, though.
13:16So, how are you feeling, Mum?
13:19Don't be afraid to say.
13:20Say what?
13:25Brothers and sons.
13:29That's all we ever do.
13:35Here.
13:36What's up with you?
13:38You've fallen over three times now.
13:40They still don't know what it is.
13:42No, it's nothing.
13:44Mum, go and have some tests, please.
13:48We'll see, son.
13:50We'll see.
13:54You're a good boy.
14:01There'll be no more verbal misdemeanors.
14:04I'm taking electrocution lessons.
14:08Elocution, Ethel.
14:08The word is elocution.
14:09What is?
14:10How to speak better.
14:12Lessons in how to speak better.
14:14Elocution.
14:15Yes, but who's doing that?
14:16You are.
14:17You just said you were.
14:18Oh, no, I'm not.
14:19You don't listen, do you?
14:20No, what I said is, I am taking electrocution lessons.
14:25You know, wiring a plug, mending a fuse, all that sort of thing.
14:30Down at the Derby and Joan Club.
14:33They lost six of them when they first started.
14:36One man put his finger in the plug, and the other five was holding his hand.
14:40Oh, very popular man he was.
14:44Shocking.
14:47You're pulling my leg.
14:49Well, what can I do for you, then?
14:51Well, we've got two kinds of news here today, Ethel.
14:54Good and better.
14:55Oh.
14:56Nick's number came up.
14:58His card was dotted, and he sends his apologies and regrets that they cannot have anything more
15:03to do with you at all.
15:04Well, I think it's you that needs the elocution lessons.
15:08I don't know what you're on about.
15:09What I'm trying to say is that you don't have to worry about Nick anymore.
15:14Well, what do you mean, what you've done to him?
15:16A piece of natural justice, as a card.
15:20Yes, but I don't think it's up to you to tell me whether I should worry about Nick or not.
15:25I might even want to worry about him.
15:28Ethel, put him out of your mind.
15:33There you go, Dr. Legg.
15:35Thanks.
15:35All right.
15:44So you're thinking of taking this up professionally, are you?
15:47It ain't over yet.
15:49Ain't it?
15:49Well, if I were your manager, I'd be telling you to quit.
15:52I'd just quit.
15:53I don't mean just quit.
15:54I mean move on.
15:55I'm touched by your concern.
15:56A new start in another neighborhood.
15:58Trying to repatriate me, are you?
16:00I hope I'm talking to you for your own good.
16:02Usually when someone says that, it's their good they're thinking of.
16:05All right.
16:06Like you are trouble, you cause trouble.
16:08You've antagonized the whole neighborhood.
16:10I just think you'd be better off going somewhere else where you can start again with a clean sheet.
16:14Yeah.
16:15I was thinking of a spot of convalescence.
16:17I'd recommend it.
16:18Oh, yeah.
16:19You give me a certificate, would you?
16:21This is my turf, Doc.
16:23From birth.
16:23Now get that through your head.
16:24It's not worth it, Nick.
16:26Ain't it?
16:27Well, thanks for the advice, Doc.
16:28I'll take it twice a day after meals.
16:31But unless they change the rules, it ain't up to you to tell me what to do or where to
16:35go, is it?
16:40And that's for the tea.
16:47Oi.
16:48I didn't hire you a strut, pose or ponce around.
16:51I hired you as a crafter.
16:53Now, I know that crafters are an endangered species and to some people work begins with a D, ends in
16:57an E and has an old in the middle.
16:58But here in Walford, the work ethic rules, okay?
17:01Well, humble apologies, though, master.
17:03Do you know what I ask myself about you?
17:05Why are you here?
17:06Now, don't tell me.
17:07Time will reveal your secret.
17:09But in the meantime, fetch me up some tonics.
17:11Fruit juices are salted.
17:13Tomato, yes, I do know that tomato isn't a fruit, in case you want to argue.
17:16And some of that milk stay out of the old ears like to soak their gums in.
17:19And when you've done that, sweep over in that corner, return the broom to the cellar, then report to me.
17:23Now move!
17:26Hello, Flo, what can I get you?
17:27A wee dram, pint of heavy or vino collapse-o?
17:29Just a bottle of wine, please, mate.
17:31Oh, entertaining again, are we?
17:32Well, you could see that, yeah.
17:34And who's the lucky victims this time?
17:35Sue and Pally.
17:36Oh, you want to watch that alley?
17:38You ain't been doctored.
17:38Hmm.
17:40There you are.
17:42Twelve quid.
17:42What, for what?
17:43Oh, I'm dealing with a coon of sir, I can see that.
17:46I just want a drink with the old porridge, mate, that's all.
17:48You can drink that with porridge and agus.
17:50It says on the bottle, best drunk, tossing a caver and wearing a kiln.
17:52Too rich, mate, too rich.
17:54That was the bottle I got to bring over at your place, and now you decide it's different.
17:58Oh, look, you can have it for ten quid, I can't say fair enough.
18:02It's honey, mate, next with the gods.
18:04I can't afford it, mate.
18:05I'll just have one bottle of wine.
18:07Terrific.
18:08Look, that's twelve quid, and this one's three quid.
18:12I'll toss you.
18:13You're cool, right?
18:13You can have that one for six quid, and you can have that one for six quid.
18:16Hold on a sec.
18:17If I win, I get the twelve pound bottle for six, and if I lose, I get the three pound
18:21bottle
18:21for six.
18:22Is that right?
18:22Oh, you cunny Scottish mind, you're scutted in one.
18:24Now, do we do the biz, or do we do the biz?
18:26We do the biz, Nick.
18:27Right.
18:28Uh, I'll call.
18:30Now, I'll toss, you call, whatever.
18:31Well, don't you trust yourself?
18:33Uh-uh.
18:34Go on, Wixie, toss.
18:36You're cool.
18:36Right, heads.
18:37Okay.
18:39That's it.
18:40Hey-hey.
18:40Best of three?
18:41Uh-uh.
18:42Done.
18:43All right, just a quick note on the weather tomorrow.
18:45It will be something that has been our only days over the last few weeks.
18:49She's incredible.
18:50I've heard a knocking.
18:51Well, if I'd known what you were up to, I would have used a foghorn.
18:55Don't you mind?
18:55Well, you obviously don't.
18:57Look, what is it you want?
18:59I came to see Mary to show her these.
19:01Yeah, well, she's gone to work.
19:02Well, she's not the only one.
19:03Listen, if you'd have knocked, dear, we wouldn't be having this conversation.
19:06Well, I did, and we are.
19:08You're all right, haven't you?
19:09No, hold on a minute.
19:10Why don't you just push off and mind your own business?
19:12I mean, this ain't your place, you know.
19:13Isn't Annie okay?
19:14Yeah, of course she is.
19:15Can I have a look?
19:16What's going on?
19:17What's going on is that I'm not stupid.
19:20Not like some people around here.
19:21Now, are you going to get out of my way or have I got to tread all over you?
19:28Come on, Paul.
19:29Just a fruit juice, eh?
19:33Oh, go on.
19:34Just for a few minutes.
19:35All right.
19:35All right.
19:36Now, Wixie.
19:37What?
19:38Take Wixie.
19:39Too good to be true.
19:40Feet don't touch the ground, Wixie.
19:41Have you seen his socks?
19:42He's got little slits of the heels where the wings poke.
19:44Now, Wixie makes the fatal mistake of suggesting that one day he might want to become a governor
19:48himself, that he might take over.
19:50Now, who am I to stand in his way, I ask myself.
19:53And then there's Lockie.
19:53Oh.
19:54What organisation could possibly fail with a man of his calibre at the home?
19:58If he was on the Titanic, he would have sunk in dried dock.
20:00Now, the best thing one can do with Lockie is stick another pair of spectacles on his ankles
20:04and use him as a periscope.
20:05Then there's Arthur.
20:06Or was.
20:07Which brings us to Cathy.
20:08As of now, in the job survival state, it's officially classified as unreliable.
20:11What are you talking about, unreliable?
20:13It's the first day she's had off in months.
20:15And that's a sign of a good governor to spot this problem when it starts and to stamp it
20:18out.
20:18She's been good for so long, she's bound to go the other way.
20:20Curve's got a cold, hasn't she?
20:21That's all.
20:22It's the first time she's had off in months.
20:24Then she'll have to go.
20:25Over my dead body.
20:26Over whose dead body, my love?
20:28Meeny, meeny, miny, moe.
20:29Which one she'll dastardly then let go?
20:32I think you've gone mad, haven't you?
20:33You're probably right.
20:34More work, you dogs!
20:35More work!
20:36More work!
20:38Oh, come on, ain't you?
20:39A rerun of Ironhound outside the front door's always good for trade.
20:42Dennis, darling, you have remembered, haven't you, we're playing the old blind beggar
20:45of darts?
20:46Then you should beat him, shouldn't you?
20:48And if he's blind, you might need my cup.
20:50I think you've been drinking, haven't you?
20:52I might have sniffed a few cocks, yes.
20:54Evening old, Sergeant.
21:02Sue, what are you doing?
21:04Listening.
21:04To what?
21:05There's no noise.
21:06Come on, we're late.
21:08I'm going to go in.
21:09Sue!
21:12There's no one there.
21:13What do you mean there's no one there?
21:21Announcing the late arrival of Mr. and Mrs. Pervert.
21:24Ah, do come in.
21:26Sit down.
21:27How are you today, Mr. Pervert?
21:29Mrs. Pervert, hmm?
21:30Would you like a drink?
21:31I have a rather nice wine.
21:33It just might tickle your little perversion.
21:35That right on your nose, mate.
21:37Well, that's what should be happening, love.
21:38Instead of this stupid fiasco.
21:41You behave.
21:42Right on time, Mr. and Mrs. Pervert.
21:44This is your life.
21:49Ah, sooner or later, come on in.
21:52What was the price?
21:53Yeah.
21:53Oh, it's a bit chilly, I'll tell you.
21:55Sure.
21:56I found this little bundle all alone.
21:59Well, isn't this cosy, eh?
22:01Baby Annie, is it?
22:02Left all alone.
22:04What, Mary left her?
22:05No, Mary wouldn't do that.
22:07Now, that cow, Sheena,
22:10says she found Baby Annie on her own,
22:13but she's taken her round to Debs and Andy's with her.
22:16Oh, Mary.
22:17I didn't leave her on her own.
22:19I thought Sheena was looking after her, honest.
22:21Sheena?
22:22Well, yeah, it was your idea.
22:23I wouldn't have gone otherwise.
22:26Sheena's in the pub.
22:28The pub?
22:30Yes.
22:30Great.
22:31Oh, Mary, you'd better go and get your baby.
22:33I will, don't worry.
22:34I'll see you.
22:38Oh, not again, Mary.
22:40Not again.
22:41Woo!
22:41That's enough, darling.
22:43Wonderful for today.
22:45What's that with you?
22:46You're in here when you're supposed to be looking after me daughter.
22:49That's what's up with me.
22:50Your daughter was asleep, fast asleep,
22:52so we just came over here for a dream.
22:54We've only been here a couple of minutes.
22:55Look, when I came home, I found her gone.
22:58Not there, do you understand?
22:59And a bloody bit of paper that frightened the life out of me.
23:02A bit of paper that tells me the woman downstairs has taken her
23:04because there was nobody there.
23:06Is that that interfering item from downstairs?
23:09Oh, so you were there and all.
23:10No, he wasn't.
23:11He was just listening to me.
23:12Look, your kid's all right.
23:13No, thanks to you.
23:15Yes, but she is, so I don't see a problem.
23:17You've made me look a fool.
23:18And you've made me look as if I don't care about Annie.
23:21What are you talking about?
23:22Only need somebody to say something, then she'll end up in care.
23:25Rubbish.
23:25You can't leave babies on their own.
23:27Look, what is it with these babies?
23:29I'm trying to have a drink and all I'm getting is babies.
23:31Listen, you want me to do you a favour, right?
23:33I was the only one around who could do you a favour, so I did.
23:37Emma thought you've got stupid neighbours.
23:40Anyway, what are you doing around here?
23:41I ain't supposed to be back till later, right?
23:43I got sent off.
23:44Said they wanted funk, no, no.
23:46So?
23:48They should have asked for me, then.
23:50God, you got sent off.
23:51You're not good enough and you've got the chief to come to me.
23:55Listen, if you'd have been any good, you wouldn't have even known.
23:58You would have come back here with a fistful of reddies
24:00and we'd all be very happy.
24:01So don't take it out on us.
24:03It's not your kid that's your problem, love.
24:05It's your act.
24:08What a dump.
24:09Who said that, eh?
24:11What a dump.
24:12Richard Burton.
24:14Bette Deavis.
24:14More like Steve Davis.
24:16That's your cue.
24:17Oh, cue, cue.
24:18Nice one, Sue.
24:18Nice one.
24:23So, how's your phantom phone caller?
24:25Who, more like?
24:26I don't understand geezers like that.
24:28Do you?
24:28No, I don't.
24:29I do.
24:30You surprise me.
24:31No, what I'm saying is, if he was someone I knew,
24:35someone who wanted to be understood, I'd listen.
24:38Decent of you, Duchess.
24:39I mean, we all have needs and desires.
24:41Yeah.
24:42It's how we deal with them.
24:44And that's why we're here, is it?
24:45These, er, needs and desires.
24:47What's the difference?
24:48Ah, now then I can help you.
24:49I desire a drink.
24:51You'll need one.
24:53There you are, you see, it's all coming out now.
24:56Not only has she got desires,
24:58she also reckons she knows a little bit about other people's, don't you?
25:03I just think if you bring them out in the open and face up to them,
25:06it must be better, surely.
25:07Yeah, it's got to be.
25:08So, who's going to reveal their secret little desire first, eh?
25:13Silly moo.
25:14Who?
25:15Not you, er.
25:16You must think we're really stupid.
25:18Why don't you just say it, eh?
25:20Why don't you just come right on out and say it?
25:22We are not saying anything, we're just discussing, all right?
25:24Well, as a matter of fact, I was about to...
25:25Have some more wine.
25:27Oh, all right, sorry.
25:29I'll get some more.
25:31I mean, not only does she know, she understands.
25:35And do you know what she understands?
25:38You think she fancies you.
25:39She thinks you're a pervert.
25:41That's what she understands.
25:43What is this?
25:44Ask her.
25:45Ask her what?
25:45To come to the point.
25:47Are you ready yet, are you?
25:48As a matter of fact, yes, I am.
25:50She ain't got a clue what's going on here.
25:51Well, you're about to find out.
25:52Go on, tell him.
25:53Well, Ali, I just...
25:56Oh, saved by the bell.
25:58Hold on.
25:59Don't go away.
26:03Ah, been in you, come on.
26:05Hi, Sheena.
26:06Yeah, I'll go and get her.
26:07Oh, Sue, she's been all right?
26:08She's fine.
26:10You want to watch that, Sheena?
26:12Oh, I didn't know she was going to leave on her own.
26:14I wouldn't have gone otherwise.
26:15You don't know the earth.
26:16Yeah, I'm just trying to get by, that's all.
26:19Go on, take her home.
26:21Oh, Sue, I'm sorry that you're out of time, Dad.
26:23Here's Mummy.
26:24It's good.
26:24We'll talk about it tomorrow, yeah?
26:27See you.
26:27It's all right.
26:28See you, Mary.
26:30Bye, Mary.
26:31Right, then.
26:31Where were we?
26:32Oh, yes, the wine.
26:34You're trouble, Ed.
26:35You don't know what it's like being a woman.
26:37True.
26:37I'm not talking to you.
26:39I'm talking to your pain in the rear wife.
26:41Look, can we not leave her, Sue?
26:42And she's not my wife.
26:43Look, it's not my problem we're discussing, is it?
26:46Oh, ain't it?
26:48Well, whose problem are we discussing, then, is?
26:51No, no, no.
26:52Not mine.
26:53Ali, I think the most important thing is that we all try to understand each other, don't you think?
26:58It's got to be, innit?
26:59You still ain't got it, have you?
27:02Stupid bloody turk.
27:03Don't keep saying that.
27:05But we could be here all day waiting for you to twig it.
27:08You know what she's saying, don't you?
27:10Yeah, she's saying there's got to be more understanding.
27:13Understanding, my...
27:14You don't understand at all, do you?
27:18She is saying that you are the one who's making the phone calls.
27:22You are the one who's making the dirty phone calls.
27:26You ain't, are you?
27:28That's why we're here.
27:30Not to eat.
27:31All of the food was delicious.
27:32Me?
27:34Are you?
27:36Yes, Ali.
27:39PHONE RINGS
27:40PHONE RINGS
27:41PHONE RINGS
27:44Hello?
27:56Hello?