#Suriya #Suma #VishwanathAndSons #VishwanathAndSonsMovie #SuriyaInterview #entertainment
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NewsTranscript
00:00Vishwanath and Sons team, Surya Garu, Mamita, the very very great Radhika Sharathkumar Garu, and the intellectual director Venkigaru.
00:11Subtitle?
00:12Yeah, yeah.
00:13Subtitle.
00:14I think Venkigaru is a great fan of the audience.
00:16I think the audience is a great fan of Venkigaru, so all different kinds of films.
00:28These are Vishwanath and Sons, why Vishwanath and Sons?
00:32Daughters, they may hear you.
00:33Where are the daughters?
00:34I asked the same question.
00:37See, Nani, Surya Garu, the actual same level.
00:40Okay, good.
00:40First interview, let's make it interesting.
00:42We will not fight.
00:44First question is, I am all out of the park.
00:47Sons and...
00:48Yeah, actually, why Sons?
00:50Why plural?
00:52I have never thought about it, right?
00:54I thought they included me.
00:58Maybe part of this is daughters and birth.
01:01Oh...
01:02But Sons, ain't it?
01:04I don't know.
01:05I have never thought about it.
01:07Tata and Sons, I have always fascinated me,
01:10and I have always fascinated me.
01:11I have always fascinated me,
01:12but I have always found a legacy and a subject,
01:17and I have always found a title and Sons.
01:21and better than old recall factor just recall factor and being a fan of tata oh it's in my
01:27life okay we got it okay thank you
01:43It is.
01:44Sorry.
01:46Is it Venki?
01:47Is it a national award?
01:48Yes, it is a national award.
01:51Congrats, Venki.
01:52Congrats.
01:54Congratulations.
01:56Kujani, Kujani.
01:57Lucky Buster has a national award for screenplay.
02:00Hearty congratulations.
02:02And already national award winners.
02:04One, two, three.
02:06On the way.
02:07On the way.
02:08On the way.
02:09On the way.
02:10I am so happy.
02:14I am so happy.
02:16We have a lot of information about Vishwanathan Sons.
02:19We are going to learn about Vishwanathan Sons.
02:20First, we will start with Mamita.
02:23See, Vishwanathan Sons doesn't matter.
02:25There is a son in the post.
02:26It is not the son.
02:28It is the son.
02:29It is the son.
02:30It is the son.
02:33Who is the son?
02:35Give us a little hint about Vishwanathan Sons.
02:37Who is the son?
02:39I thought it is Suryasar.
02:41You thought it is Suryasar.
02:43So Vishwanathan Sons is Suryasar.
02:45No, it is my desire for son.
02:48That is.
02:49That is.
02:50That is.
02:51That is actually a great answer.
02:52See?
02:53Yeah.
02:53That is why you need it intellectually.
02:54Where is it?
02:55Mamita, what is your first film in Suryasar?
02:58Which was the first film that you watched?
03:00Maybe in college.
03:01Of Suryasar.
03:02Yeah.
03:04I loved that movie.
03:05Me and my brother used to watch like.
03:07Multiple times.
03:08Multiple times.
03:09And you were studying?
03:10Fifth standard, sixth standard.
03:11Fifth?
03:12No.
03:14College.
03:15College.
03:16No.
03:18No.
03:19No.
03:20No.
03:27No.
03:30No.
03:31No.
03:33No.
03:36No.
03:37No.
03:39No.
03:39No.
03:39No, my power has come after.
03:43Mid 40's I think it comes.
03:45Yeah.
03:45It comes back.
03:46What are you talking?
03:47Your eyes already are powerful.
03:51Yes, we agree.
03:52It's close pit now.
03:53A magnetic power he has got.
03:56Yeah.
03:56First, it's attractive.
03:58It's an extra-attack type.
04:00There are many extra-attack types.
04:02But there is an extra magnet called Jyothika.
04:06Magneting power.
04:07If you don't have Jyothikagar,
04:09there is Radhikagar.
04:11Unfiltered topics.
04:14Radhikagar, you work with
04:16I mean, Shivakumar son
04:17and Shivakumar sir also.
04:19Like Vishwanathan sons.
04:21And Karthi also.
04:24You have a major difference in working styles.
04:33Shivakumar Garu is a different genre altogether.
04:38Surya is different.
04:39Karthi is very very different.
04:42Okay, so all three different kinds of people.
04:44And you Shivakumar Garu is not.
04:46I just asked Charjipiti.
04:48So it was telling that in 1988, three films released.
04:51How many films?
04:53Almost 83, two films of yours.
04:54I've told him more than seeing your wife,
04:56he would have seen me only.
04:57Because every day he was shooting with me.
05:01Serial chaisam kada chitti, annamalai.
05:04Adanta rose.
05:06Every day he was in the sets.
05:08So it was my production.
05:09But when he came to me,
05:11I thought,
05:12Mom, you have one hour extra,
05:14Mom.
05:14I don't want to see him.
05:15I don't want to see him.
05:16I don't want to see him.
05:18I'm the producer.
05:19I'm the producer.
05:20But he'll come and beg me.
05:23He's like that.
05:23He's very...
05:25He's fully devoted.
05:26I think they must have done some 3,000,
05:285,000 days of work together.
05:30You know, together we've done a lot.
05:32All put together.
05:33Amazing kada.
05:34Suryakar, how many locations are you?
05:38I think you all came once.
05:40I think you all came once.
05:40You are very good.
05:40You are the guy.
05:42We were encouraged actually,
05:43to go to a shooting spot.
05:45Must have done one or two.
05:46No, we were shooting near your house in Teenaga.
05:48So something like that.
05:49By mistake.
05:50But usually,
05:51that's not been the practice.
05:53Must have gone to a set twice or thrice.
05:56In the whole dad's filmography.
05:58Okay.
05:59Momita, how many locations are you?
06:01Have you been to before you started acting?
06:04Yes.
06:05Whose location?
06:07So there was one film called Pavwada.
06:11In Malayalamoli.
06:13So it was near my house.
06:16The shooting was happening.
06:17And they needed some children.
06:21So I went there to act as a junior artist.
06:26Yes, I was there in the film.
06:28Wow.
06:29That was my first experience.
06:30Your debut.
06:32You remember anything of it?
06:33Yeah.
06:34I remember everything.
06:35You had dialogue.
06:36At what age?
06:36When was this?
06:37I was in 7th standard.
06:39Yeah.
06:40Your parents were there with you?
06:41My grandma was there.
06:43Like for some time.
06:44Then she had to go for work.
06:46But then,
06:47me and some,
06:48there were like a lot of children.
06:50Okay.
06:51Yeah.
06:51We had a good time.
06:53So it was interesting.
06:55I was very curious.
06:56I didn't know this world.
06:58Right?
06:58So I was very curious to know.
07:00Okay.
07:01What are they doing?
07:02You know,
07:03I wanted to see the monitor and stuff like that.
07:06Yeah.
07:06I was just a curious kid.
07:08Now also you are curious.
07:09Do you want to see the monitor again?
07:11Yes.
07:11Not really.
07:12I trust my director.
07:13So.
07:14How much do you trust director Venki?
07:18100%.
07:18Why?
07:20Because,
07:21I,
07:22you know,
07:23he gives me the instructions.
07:25And,
07:25how to.
07:27Instruct.
07:27You know.
07:28So.
07:29Thank you, Garu.
07:30You are also doing the national author party.
07:31Congratulations.
07:33And,
07:33the instructions are not strict officer.
07:35You are not strict officer.
07:36You are not strict officer.
07:38You are also feeding.
07:38You are doing a lot of feeding.
07:40Yeah.
07:41Every day,
07:42it is sweet.
07:44Every day,
07:45he will buy and come.
07:46And,
07:48I am sorry.
07:49He want eat.
07:50He said,
07:51I want to get some food after hydra.
07:54He wants a kaja.
07:56How sweet is it.
07:57For me?
07:58How is it?
07:59How much?
08:01How much?
08:02How much?
08:03How much?
08:04How much?
08:04How much?
08:05How much?
08:06How much?
08:06How much?
08:08You want this.
08:09Kaja?
08:10And,
08:10you are buying us so much of sweets.
08:12There is putar,
08:13kaja and bandar halwa.
08:14That's all right?
08:16Yes, that's all right.
08:16That's all right.
08:17You can put it in a bag.
08:19A bag.
08:20A bag.
08:20A bag.
08:21That's a huge problem in all the houses.
08:24How much ever you earn?
08:25How much ever we do, a bag.
08:28That's all right.
08:28Where is it?
08:29A bag.
08:31That 20 rupees bag is important.
08:32Okay.
08:33Because, now we have a lucky bus here,
08:36we have a lot of people who are doing it.
08:39What are you doing?
08:40What are you doing?
08:40What are you doing?
08:41What are you doing?
08:43It's going to be a family entertainer.
08:45A proper family entertainer.
08:47Commercial family entertainer.
08:49Many days.
08:50Over the last 6-7 years,
08:53we have to choose a number of family films.
08:58In a span of 6 years,
09:01we can hardly count like 5-6 films.
09:04That's all right.
09:05The audience, they are longing for a nice family film.
09:08In the series,
09:10we have to choose a new concept film.
09:15We have to choose a new concept film.
09:16We have to choose a new concept film.
09:18Family is going to celebrate family audience in theatres.
09:21This,
09:22Vishwanathan Sonsan is going to be that film.
09:26Where all the families enjoy the theatres.
09:28They are going to celebrate themselves.
09:31That's nice.
09:32Already,
09:32when I choose our friends and friends too,
09:35there are many bond movies.
09:37There are many films for me.
09:38There are many films.
09:38There are many films on this film.
09:39It is really interesting.
09:41With the teaser and trailers that have been released.
09:43And after that,
09:44you are going to talk about it,
09:45you are going to see it.
09:46Like nowadays,
09:46you are seeing more of action films.
09:48When you have been in the industry,
09:50like I have been there even earlier.
09:53You have also been there in the industry since a very long time.
09:56Yes, from Ramayana.
10:02So, what do you think people are missing?
10:05Actually, my whole concept is that
10:09there are a lot of action films in the first reel
10:14that will be a 100th reel.
10:17So, by the time they come to the last reel,
10:20I don't know how much they are going to do,
10:23or why I should watch them do that.
10:25So, it becomes like that.
10:27It's a different genre of watching
10:29and a different concept of telling a movie.
10:33I feel that Venki is opposing AI.
10:41He is thinking. I know what he is thinking.
10:43There is absolutely no artificial intelligence in the film.
10:48Thinking, writing and emotion.
10:51You can't do it in artificial intelligence.
10:53Exactly, yeah.
10:54Can you do this?
10:55No.
10:56You can't.
10:56Can they show the love?
10:58My relationship with Mamita.
11:02You can't show it in any intelligence.
11:05It's an emotion.
11:06So, he is against artificial intelligence.
11:10In the recent past, I don't see a reference,
11:13which will be there, which you can quote for this film.
11:18I honestly think there is no reference film for this,
11:22Vishnadhan and Sons.
11:23We have always had a lot of action films.
11:26Like, you take from Fast and Furious to a James Bond film,
11:29or any action film, any DC film.
11:32But you also like Pretty Woman.
11:35You also like Notting Hill.
11:36You also like Fault in Our Stars.
11:39These films are all, like, you always want to watch it.
11:42You always want to revisit it.
11:43The kind of impact it gives you after watching the film,
11:46it stays in your mind for a very, very long time.
11:48See, I…
11:50And you watch them easily again.
11:52You want to watch them again.
11:54And it does something to your mind, your heart.
11:56You know, it does something to you and which cannot be replaced
11:58or you would want to watch it again and again.
12:00So, these are films which just comes.
12:02Harry met Sally.
12:03You just want to revisit those films again and again.
12:06I think this film has got something like that.
12:09You know, you always have a small smile when you watch the whole film.
12:12Yeah.
12:13You have beautiful characters.
12:15You have likeable characters.
12:16There is a different kind of romance in this film.
12:18There is a different dialogue happening in this film.
12:21So, I think this film, I am hoping it will have a special place
12:24in everybody's heart, you know, once they watch this in the theatre.
12:27You know, it has a new conversation, a new moment.
12:30Yeah.
12:31I am sure.
12:32We will wait for it.
12:34August 14th.
12:35Just to do independence one day.
12:37It will be in theatres.
12:38Amitah, how much is it allowed in Suryagar?
12:41Are you generally, like, a little anxious?
12:44Yeah.
12:45Where are you?
12:46What do you think?
12:47She didn't have any fear.
12:49No camera fear, nothing.
12:50Nothing.
12:50She is a natural.
12:52She is a good thing.
12:52I was waiting for her answer what she is saying.
12:54Hey, mommy.
12:54No, no, no, no, no.
12:57Mommy is very, you must see her on camera.
13:05She is dynamite.
13:07Yeah.
13:07That we have seen.
13:09Yeah.
13:09I think only she is scared of anchors.
13:11Oh, God.
13:12No.
13:13Do you remember the first time when we meet?
13:15There.
13:16Yeah, yeah.
13:17There.
13:17There.
13:17There.
13:18There.
13:18No, that was four, four years back.
13:20Yeah.
13:20I mean, I was so scared and anxious and nervous, all sort of things were there.
13:25But in this film, no, my character was like that.
13:28So I have to.
13:30Exuberant.
13:30Yeah.
13:31I have to be like that.
13:32I have to like show confidence and be like very casual and cool.
13:36Hmm.
13:37So maybe that's why.
13:39Yeah.
13:41Generally, internally, I'll be very nervous.
13:43Like first two days.
13:44Internally, I can't see because MRA also will know that.
13:47Because the set is new, no?
13:49No.
13:51Actually, when Venkikar was in the subject, I was listening and I said, you know, it's
13:58very nice.
13:59Hmm.
14:00But who is the girl?
14:01Hmm.
14:01If the girl, this picture will not work.
14:06Correct.
14:06So he says, no, we are very careful and incorrect girl.
14:10He said, so one day he called me.
14:12He said, I've got her.
14:15Can we do a script reading?
14:17Hmm.
14:18I said, please come.
14:18I'm there.
14:19So she came.
14:21And Tanwachi.
14:22First I seen Tanwachi.
14:25She was very nervous.
14:28No, I was not really prepared.
14:31The dialogues.
14:32So I didn't make up the dialogues and everything.
14:36But ma'am was very sweet.
14:40Yeah.
14:41She helped me.
14:44She supported, like she helped me throughout the.
14:47session, throughout the screen test.
14:49Like, you know, you can say this.
14:50You can try saying like this.
14:52So that's what gave me, you know, a little more confidence.
14:57Confidence.
14:57You have not seen the other side of the coin.
14:59I don't want to do anything.
15:00I don't want to do anything.
15:01Hmm.
15:02Then, like, like.
15:04She, in this film also you see all the variations.
15:08She suddenly be a child.
15:11Yeah.
15:11She can be cute.
15:12She can be emotional.
15:14She can have all the authority.
15:15It'll all flow.
15:17You don't have to tell about her.
15:18Oh, you're talking about me.
15:20I'm looking.
15:21I'm looking.
15:22Yeah.
15:23I'm also a little confused.
15:24You're talking about her or.
15:25She's.
15:26I'm showing my hand.
15:27Yeah.
15:28So, it was a pleasure working with her again after so many years.
15:32It was joy, you know, seeing her, owning the scene.
15:35She makes it so real.
15:36Like, the best thing about, you know, even their, I would also say about their chemistry.
15:40They had, you know, a lot of scenes together.
15:42And it was just amazing to see them both on screen.
15:46She had a different energy.
15:47Akka had a different energy.
15:48And it was lovely to watch them with, of course, amazing dialogues with Venki.
15:54After a long time, I'm seeing all this, witnessing all this on screen.
15:57Yeah.
15:58Surya, you generally have a lot of preparation for one character.
16:01Like, we have seen you in Gaji.
16:03You have a level of preparation.
16:06You have a body.
16:07You have a six-sense movie.
16:09You have a six-sense movie.
16:09So, tell me, what was the kind of thing?
16:12Mind work was done in a film.
16:14Yeah.
16:15There's no, there's no get-up change and all in this.
16:17Yeah.
16:17There's nothing like that.
16:18But...
16:18No AI.
16:20No artificial intelligence.
16:22Yeah.
16:23Literally, I'm saying.
16:24Yeah.
16:25It was just more being in the moment.
16:28I think that's what Venki was also saying.
16:31Yeah.
16:31No.
16:32So, just you, being you.
16:34From, I think, Vamsi Garu to Venki, they all had that love.
16:38I think I wanted such a film and I was really wanting to do something like this.
16:43No, I was also manifesting, I think.
16:45I really liked Venki's previous films, his work, his writing.
16:50And both Vamsi Garu and Venki, when they came, they came like a fanboy.
16:55So, like, they spoke about all my previous films and they said, no, you would want to,
16:59no, recreate something like this, want to do something like this.
17:02So, from the beginning, every moment, every day, every interaction has been so pleasant.
17:06Also, again, working with, now, directors who are much, much younger than me.
17:11But I see an intelligence, you know, an emotion in them.
17:15Like, it's not easy for a director to write three women characters and all having different shades.
17:22And every time, like a child, he'll be happy to narrate a new scene, a new dialogue.
17:28No, I've improvised this, like morning, 7 o'clock, there'll be a call and can I narrate the scene again.
17:35So, that energy was really nice.
17:38I just followed Venki's energy to keep it as candid, as real and as spontaneous as possible.
17:45So, there's no preparation, there's no get-up change, nothing.
17:48It is just taking Venki's energy.
17:50And the other film was Karupa.
17:52Yeah.
18:02So, the last get-up in the Karupa, where I appear as God, I went in between Venki's, should I
18:10ask?
18:11Yeah.
18:11He went.
18:12So, from this get-up, I became that and came back.
18:14And he was telling me, wait, body, wait.
18:19No, but all of us, we work very hard.
18:26Amazing.
18:27And all of us, we work very hard.
18:29Super hits and your performances were extraordinary.
18:34It inspired so many women to actually start living for themselves.
18:39Start saving for ourselves.
18:41Take care.
18:42And your speeches are fiery or bold.
18:45Always.
18:46Always.
18:46We are inspired by the way you talk, the way you live.
18:49Because you're not just preaching something, you're living it.
18:52That's what happens in the Karupa.
18:55So, now, this is a couple of couples issue.
19:00You, Suryagaru.
19:01See you.
19:03What is the problem?
19:09Is it what the problem is?
19:17It all is.
19:22It's a problem.
19:23I swear, I thought I was a brother.
19:25I thought, this is not my head.
19:26Well, that's not my head.
19:29I think I have to find my head.
19:29I thought, this is not my head.
19:30I was doing it.
19:30I was doing it.
19:32I was doing it.
19:32I did not keep it.
19:32Can I unconscious?
19:33I mean.
19:33I love it.
19:34It's amazing and you all are inspiring as a couple.
19:45You all are inspiring as a couple, you all are inspiring as a couple, you all are inspiring as a
19:48couple, you all are inspiring as a couple, all of this, you all are like that complete.
19:55Yeah, they say opposites attract, we are opposite in so many different ways but we are also in
20:00sync with so many things like we love working out, we love our coffees, we love our travel, we love
20:07so many things to do together.
20:11So, I think this gym is also one of it.
20:14Is there competition in the gym?
20:16A little but there is a nice line, you lose yourself and you win.
20:26Very heavy. Sir, tell me Telugu, can you translate it?
20:31No, what do you think I am?
20:33What is it sir?
20:34I lose with you to win.
20:37Oh.
20:38What do you say?
20:40What do you say?
20:42But that is deep.
20:44But actually Telugu is a beautiful language.
20:46I am just saying that you are correct.
20:52I follow all of us in Vidhanmata.
20:54Every husband has to follow this.
20:56See, we have one very interesting video, okay?
20:58Okay.
21:02I can't see without that.
21:04Look at her.
21:04How is she performing?
21:05It is so amazing.
21:08I am in the gym.
21:11Go on, I am in the gym.
21:13You are in the gym.
21:13That is beautiful.
21:13That is my mum.
21:14Mum?
21:14Yes!
21:16When was this?
21:17What is this?
21:19It was an open stage.
21:21Chumma.
21:22So, one evening randomly they announced like there is an open stage.
21:27You know people who like to dance.
21:29But you dance very well.
21:30uh you uh what you're taking some state award and all you've got right like uh state level yeah
21:38competition level level she's a kuchupudi dancer mohuni
21:43i'm saying every day i'll tell you how well you dance i'm solo
21:53nalala she had 102 fever the dance which we didn't
21:56do it the weather was very bad oh it was very very cold
22:10and every day i used like uh we used to practice and then go to hospital yeah yeah for the
22:20nebulizer
22:21stabilization oh you you you you you you that's why i could manage but with all this also still
22:29like that that is state level dancer
22:33hey
22:33hey
22:36i have to give it to surya sir and mamita
22:52This day, the shoot starts, and the day, the shoot starts with 1 or 2, 1 or 3 respectively.
23:00And most of the shoot, it will bite.
23:04So, it will be nights.
23:07So, we shot for 10 days, 15 days.
23:1215 days, I was dancing for the last 4 days, 5 days.
23:17I was dancing.
23:19I was wondering, how many of them are going to be in the dark,
23:24and I was thinking, how many of them are going to be in the dark.
23:30So, I was thinking, I was thinking, I was thinking, I was thinking,
23:34I was thinking, what are you doing?
23:36I was thinking, last day, Surya,
23:42Sir, the first shot of Surya Sir was in the last shot at 1 o'clock.
23:52That day, there was an icing on the cake, but there was a leopard in the same property.
23:59Wow!
24:01Why did you tell me that?
24:02I don't know.
24:03I don't know.
24:04Background artist too.
24:05Background artist is telling me.
24:07Yeah, it's a very funny incident.
24:09I don't know how to do it.
24:10But, I don't know, I'm going to shoot.
24:14I'm going to shoot you in the balcony.
24:18I'm going to shoot you lightly on the balcony.
24:20I'm going to shoot you in the next one.
24:22I'm going to shoot you in the next one.
24:26Two dogs and one dog had picked up.
24:28He was coming for the second one.
24:30And there were so many people.
24:32So, I was going to shoot you in the next one.
24:35And everyone were in graves, the army had picked up.
24:39I just saw something firewhen the light inspector.
24:40Just shooting us against the light inspector.
24:42Ok, you're lying. No complaints.
24:44I'm just kidding.
24:46I've given people a shot at 1 o'clock.
24:48I've got a $0.00.
24:48You.
24:49And, if I don't give guys,
24:49permission from the eye stroke,
24:51I was going to shoot, sir.
24:55Oh my god.
24:56I'm going to tell you, I'm going to tell you.
24:59I'm going to tell you, I'm going to tell you.
25:03I'm going to tell you.
25:03I'm going to tell you,
25:04okay, what is happening?
25:06So, this is not the area.
25:08I'm going to shoot.
25:11Meera Saloo.
25:12I'm going to tell you,
25:14so many things.
25:17Literally,
25:18people are going to tell you,
25:20I think that's how films are made.
25:23I think we have successful hit films
25:24and talked about it.
25:26I'm going to tell you,
25:26I'm going to tell you,
25:27I'm not going to tell you.
25:32Even leopard also, no AI.
25:35The real ones came at me.
25:36The real ones came at me.
25:38What is it?
25:40Everything is real.
25:42Shivakumar, sons and daughter.
25:44Shivakumar is a family photo.
25:46I've got subtitles.
25:48So, one day I got,
25:50I said, Anna, you got two sons in your house.
25:52They came here.
25:54It was 5 o'clock.
25:57It was 5 o'clock.
25:58Then, on the terrace,
26:01Shivakumar is a big deal.
26:02It was a big deal.
26:03In the open air,
26:04their voices were open.
26:06They said,
26:07I'm going to tell you.
26:12I didn't know I'll be an actor.
26:14Five days before,
26:16I didn't know I'll be going and standing in front of a camera.
26:19Being this actor for the longest years.
26:22See how I instigated training for you.
26:25He helped me with memory power.
26:28Bhardyar songs are there.
26:29So, he made me memorize the songs.
26:31Just to be myself.
26:33One incident happened where
26:35my friend's family wedding was there.
26:38He was related to a minister.
26:39We were going to give a wedding invitation.
26:41He said, I don't have a car.
26:43He was from another town.
26:46So, I was driving him and
26:47went to a minister's house.
26:49While giving the invitation, the minister asked,
26:50who is this person?
26:51He introduced me and said, so and so's son.
26:54Shukma sir, what are you doing?
26:55I've just started acting.
26:58You look like him and you're going to do what he did only.
27:02The same acting you're going to do.
27:03The same thing you're going to do.
27:05We're going to repeat and you're going to watch it again.
27:07So, it'll be the same only.
27:08Something like that he gave one word saying.
27:12You're going to exactly copy and you will have the same body language, same modulation,
27:16same look.
27:17That's what's going to happen.
27:19It's going to repeat for all of us.
27:21One more generation is going to happen like that.
27:24Something which triggered me.
27:27Then I actually stopped watching Appa's films.
27:30Appa's modulation.
27:31I didn't want to be compared or I didn't want to be similar to what he's done.
27:36So, I don't know what to take.
27:39Like I was in my early 20s.
27:41I was 22, 23 something when I started acting.
27:44So, this incident triggered me.
27:46So, from then on I thought like I will have my little own path and I won't, I should not
27:51have any similarities.
27:52I should not.
27:53It is natural to happen.
27:54I have the same DNA.
27:56It can happen.
27:57So, that one incident little triggered me and I started watching his work a little less.
28:03Just to not get influenced.
28:05Yeah.
28:07Now, if you don't have any advice, you don't have any advice at the same time.
28:12No respect.
28:13No listening.
28:15Bro.
28:15Daddy, bro.
28:16It's okay.
28:17Yeah.
28:18Cool.
28:18That's how children are speaking to us.
28:20Even my son says that.
28:22I am so good.
28:25There is no daddy also.
28:26Only bro.
28:27She is talking like that only since ages.
28:30Yeah.
28:30I never had no father to speak to.
28:32I spoke to all my...
28:33No, whoever.
28:33Whoever was there in the sense.
28:35Chill bro.
28:36And this is I think one of the...
28:41Yeah.
28:43I can, I know from 100 miles away.
28:45Yeah.
28:55National, he's talking about you getting the national award for...
28:58He said I should get.
28:59Yeah.
29:04Some...
29:05So many memories.
29:06I know you have so many memories with sir.
29:08Yeah.
29:09But in one line if you have to describe your relationship with Bharti Rajagaru.
29:14He's more than a guru.
29:16I looked up all...
29:18But we had a very different relationship.
29:23I used to fight with him every day.
29:25Now I have no one to fight.
29:28But he's created such great characters.
29:31Given such great emotions.
29:33Such scenes, songs.
29:34He's given so much of importance to women.
29:37Women, yes.
29:38Yes.
29:39Every film had that.
29:41Yeah.
29:42Person to take cinema outside the floor.
29:44Outside the floor.
29:45I think he was one of the pioneers in that.
29:49But I think as long as there is cinema, he will be there.
29:53Yeah.
29:54Like how we still...
29:55Cherish.
29:55Like how we still...
29:56Now we have Sivaji Garu, NTR Garu, Nangeshara Garu.
29:59Now we have a lot of pictures.
30:01The two of us were going to be in the internet.
30:04We have a lot of images.
30:05We are going to be seen on the internet.
30:06We are going to be a little more.
30:06We are going to be able to get up.
30:08So all this was dedication which has been passed on.
30:13Now we are seeing the next generation.
30:16He has picked up actors from common men.
30:19Nobody had any legacy.
30:21He just made anybody come stand in front of the camera and made them act.
30:25They have given them the longest career.
30:27That's right.
30:29Tariq Garu, Radha Garu, so many films.
30:32Amazing.
30:33Okay.
30:34So now we have any questions.
30:36It's all about love.
30:37It's all about family and love.
30:39I like this.
30:40We are talking so much about family, father's relationship with sons.
30:45And you know.
30:46Yeah.
30:47It's true.
30:50For women, what do you think we should prioritize first?
30:53Health.
30:53Health.
30:54Okay.
30:54Our own health.
30:56We never do.
30:58I am telling our people who are watching.
31:00They will always be thinking about family.
31:03I am talking about different families.
31:08How do we choose to do it?
31:10Because we have the privilege.
31:12Indically, we do shooting and we are able to meet people.
31:17We are able to meet people.
31:18We will so much in front of them.
31:20We don't have to do anything.
31:22We don't have to get them.
31:24We don't have to do anything.
31:24We don't have to do anything.
31:24We don't have to do anything.
31:25It's not cool.
31:25First priority they will give to that.
31:26They will not even take a one cross in also for themselves.
31:30so it it all builds up and they have to prioritize self-love and health
31:44okay questions ready I'm gonna give Sonia credit in our night Mamita this
31:49question is for you if mosquito bites a bodybuilder does it get six pack you are
31:55terrible answer you have no answer no no that's the right answer you can select you want a juicer or
32:04you want a cooker she wants juicer I know she wanted you said I'm a a juicer patchy and just
32:15got okay so
32:17so Surya Gauri question me ke Vishwanathgarh annaruh no Vishwanathgarh sons annaruh yes
32:23kaani Vishwanathgarh wife maathram chooddhaamu annaruh so final decision include a Vishwanathgarh
32:30or Fillesa B she comes with her son and J and säger B he is a man in this picture
32:34oh man no it's actually like that you don't want to do it once you have to make a cycle
32:39you will be able to make a good answer
32:40yeah
32:42hey answer are you have a good couple of avasar we also have a shaving set
32:46I never shave so i don't know
32:48that's a good deal
32:49that's how he is just so there are almost every film we are seeing you with the
32:53slightest beard so please answer the question first
32:56that uh
32:56Oh, so Vishwanath Garthai Pai Chaiyan Mata?
32:59He's in the first cinema.
33:01That's the right answer.
33:02Okay, Mr. Venki, you are the intellectual.
33:05You are the intellectual.
33:06You are the intellectual.
33:08The questions are really tough.
33:10Vishwanath Vala Kodukulli,
33:11he told me a few hours later in the evening.
33:14He told me the first word is 5 minutes.
33:16He told me the second word is almost there.
33:19He told me the third word is the phone is connected.
33:22He told me he told me.
33:23If you don't have Wi-Fi,
33:26he must be the third one.
33:28This is the correct answer.
33:29Wow, the right answer.
33:31I am the shaving set.
33:35This is the last and final question.
33:38How do you answer your phone?
33:40No.
33:41How do you answer your phone silent?
33:42How do you answer your phone?
33:44How do you answer your phone?
33:44Yes, 100%.
33:46I am also.
33:47Now, there is a question here.
33:49I have a bag inside my phone.
33:54A.
33:55A.
33:57Technical issues.
33:58B.
33:59Venky Hack.
34:00C.
34:01Divine Roaming.
34:02Divine Roaming is the right.
34:04Divine Roaming.
34:05And D.
34:07B.
34:17Mammita has got nothing to do with wife.
34:20Nothing to do with life now.
34:23Tanu, she is only working.
34:25A.
34:2724 hours she is working.
34:29A.
34:29B.
34:30B.
34:31B.
34:32B.
34:32B.
34:33B.
34:44B.
34:46B.
34:47A.
34:50B.
34:54B.
34:55B.
34:56B.
35:00B.
35:01If you have Bluetooth, you can use the speaker.
35:05Parallel.
35:06You can use the right answer.
35:08I only bought it now. I will only take it back.
35:11Yeah, yeah, yeah.
35:11Thank you so much for giving me this gift.
35:14You can't follow.
35:16There were times when we used to get
35:18little gifts in game shows.
35:22Suryagar, do you have acting or hosting?
35:24Which is most difficult? Acting or hosting?
35:27Hosting.
35:27Talking is difficult for him.
35:30I have to talk to the camera.
35:31He is the most silent.
35:33I think there is a competition.
35:35In the family, I have seen him since he was a little boy.
35:40Only Karthi will talk a lot.
35:42A lot he will talk.
35:45He will help me.
35:47Sivakumar is very rich.
35:49He is very rich.
35:51Suryagar will not talk.
35:53Somebody should be there to listen also.
35:55When everybody is talking, somebody should listen also.
35:58Jyothi Kakar is lucky.
36:00When I was in the set, we shot for a round.
36:03Sir, I will tell you, I have never seen one day where he lost patients.
36:08I know, I will be shouting.
36:10You are still in the middle of the cop.
36:13He is still in the middle of the cop.
36:16He is still in the middle of the house.
36:17He is still in the middle of the house.
36:22He is still in the middle of the house.
36:24He is still in the middle of the house.
36:26He is still in the middle of the house.
36:27He is still in the middle of the house.
36:27You also have the age.
36:29He is still in the middle of the house.
36:30You have the character.
36:32That is why I get angry.
36:32So, I like to get angry.
36:34No problem.
36:35I said, sir, the way he sits, I told him that he was a backrest,
36:42I had a small bench, and I had a small bench.
36:45Punishment.
36:47Please sir, if you don't sit on your own, you don't sit on your sofa.
36:52You don't sit on your own. You don't sit on your own.
36:55You don't sit on your own. But you don't sit on your own.
36:59And one last thing, I want to see this teaser.
37:02I want to see a film from Anil Kapoor and Swedevi Garth.
37:05No, it's not.
37:08No, no, no, nothing to do with it.
37:11No, no, no, no, no.
37:12Strong answer.
37:13Give me a gift here.
37:15Bluetooth too.
37:18No, no.
37:19Mommy, because she has no Wi-Fi and no Bluetooth.
37:24Oh, go.
37:26What films do you want to do?
37:28I have two films now.
37:32Okay.
37:33Currently, I am working on.
37:34Okay.
37:35Without current?
37:35No, but without current, she is accepted a lot.
37:38Hey, Mommy.
37:39Hey.
37:40Oh.
37:42Mommy, she is a very workaholic.
37:44She is a very workaholic.
37:46I am working on a shoot.
37:48I am working on a book.
37:51One time is we are working on a movie.
37:54We have two hours of the break.
37:57That's how I am working on that.
37:59I am working on that one hour or half hour.
38:05She doesn't have to.
38:07She doesn't have to.
38:09She could sleep whatever she could do.
38:13But she could have that type of catch.
38:19I like to be in the set.
38:21It feels like home.
38:24No, not that set.
38:26But yes.
38:28We used to get lost.
38:30We used to think.
38:33It was a huge set.
38:35Yeah, it was huge.
38:37Most of your films, worlds create.
38:39I don't have 20 films.
38:41Whether it's an art director.
38:43Or behind the DOPs.
38:45So you didn't feel like everything was a bank set.
38:48An interior house and street.
38:50The house, the street.
38:53They have to give it to Vamsi Garin.
38:55We are trying to show.
38:59Okay, in the scale.
39:01We want to create.
39:03A larger than life character.
39:05Sanjay Vishwanathland.
39:07That character.
39:08If we create a Sanjay Vishwanathland character.
39:10Then we have a bond.
39:12We are searching for rich houses in Tamil Nadu.
39:19Not only in Chennai.
39:21In Hong Kong.
39:22In Indonesia.
39:24In Bangkok.
39:25I know you really went.
39:26In Malaysia, Singapore.
39:27Every phone call.
39:28We are in Bangkok.
39:29We are looking for houses.
39:30In Indonesia.
39:31He is a producer with a very large heart.
39:33Yeah.
39:33For a script.
39:34Any script.
39:35They will have.
39:35Okay, for this script.
39:36We can have this budget.
39:38Only this will work.
39:39But he was insisting to spend more.
39:41He was insisting to.
39:43Do this.
39:43Do that.
39:45In Bangkok.
39:48He has been in a movie like this.
39:49In Bangkok.
39:50Sometimes there is a lot of Japanese films.
39:52In the days.
39:54Here, there is a lot of Indian films from Televis不行 movies.
39:54First of all.
39:55There is a lot of different aspects.
39:57Then, we will have a few houses.
39:59We will have to clean up the house.
39:59We will have to clean up their house.
40:00So, you will have to clean up your house.
40:00Put the house in 2-3 movies.
40:01And this film.
40:03Here will have to be done.
40:04It will have to be done.
40:05Well.
40:06I have to be done.
40:10If I was done and we have to make it.
40:13So.
40:14I am not sure, I am not sure.
40:16If you have a house in a cinema,
40:18we can do anything.
40:20I am not sure.
40:21What difference is that from that one?
40:24It is not true.
40:25I am not sure.
40:27I am not sure.
40:28I am not sure.
40:29That is a passion-driven.
40:31Taste.
40:32Thank you so much.
40:34Mammy is the time for shooting.
40:36I am not sure.
40:37I am not sure.
40:40Mammy.
40:41I can't.
40:42So, thank you so much.
40:43As usual, waiting for August 14th to watch the...
40:46All of us.
40:47All of us.
40:48All of us, all of us.
40:48You all just say dubbings.
40:49I am not sure.
40:53I am not sure.
40:56I am not sure.
40:57I am not sure.
40:58I am not sure.
40:59I am not sure.
40:59I am not sure.
41:00Is there 13 Premiers?
41:01No.
41:02Is there 13 Premiers?
41:02Direct 14th.
41:03Okay.
41:04So, we will watch...
41:04It starts with the overseas Premiers.
41:07Okay.
41:07Is it 30?
41:10Hello.
41:10Hello.
41:11Hello.
41:12Hello, Rage Poi.
41:13Wi-Fi Poi.
41:15Divide Romi.
41:16Divide Romi.
41:17Divide Romi.
41:17Divide Romi.
41:19Okay.
41:20Okay.
41:20Thank you so much, Chandi.
41:22Thank you, Suma.
41:23Bye.
41:24Bye.
41:25Bye.
41:28Bye.
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