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Sueños de Libertad Capitulo 624
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00:00Look, auntie, there's no other woman.
00:04I'm back with Valentina.
00:06I don't want their money, their money disgusts me.
00:09If I didn't accept their help when I went to Argentina, do you really think I'm going to accept it now?
00:13It's clear what your priorities are, Gabriel.
00:16I am the factory manager.
00:17You are also a father.
00:19You have to realize that time passes.
00:21We could try another supplier.
00:24We need another supplier that offers us the same quality as Ruperaz.
00:26Do you know what I think?
00:28That you are afraid.
00:31She doesn't know how to proceed now that her boyfriend knows the truth.
00:36Bianca needs a space to paint and she's not finding anything that convinces her.
00:40So you've offered him your house.
00:43French truckers have reached an agreement with the government and are going on strike.
00:48But then the Brosal products won't arrive.
00:50No, and we can't produce our own either.
00:53Nothing, just wanted to see my niece, I'm bringing her some pastries. Where is she?
00:55I bet you don't know anything!
00:57Nothing of what?
00:58He's in bed.
00:59Well, I've asked Miss Forner to paint your portrait.
01:04Your father has invited us to a safe dinner tonight.
01:07And so?
01:08Because he's very excited about him and Mabel opening a restaurant and wants to discuss some details with
01:13they.
01:14You have no idea what it's like to run a company.
01:16You're not in charge of anything, you're just maneuvering to lead them to ruin.
01:27Dreams of freedom.
01:29Dreams of freedom.
01:30To live differently.
01:32You will do it to fly.
01:34Wherever the soul desires.
01:36Dreams of freedom.
01:38The heart doesn't wait.
01:40He's asking for another chance.
01:44Dreams of freedom.
01:47Even if the past lasts.
01:49Start over.
01:51To love whomever I want.
01:53To shout my truth at them.
01:55Live without fear and without looking back.
02:00Oh, oh, oh, oh.
02:04Oh, oh, oh.
02:15Dreams of freedom.
02:34Thoughtful, my daughter.
02:36That cough sounds worse and worse.
02:38Where is your water?
02:40Over there.
02:42Tita, I need to rest.
02:45No, what you need is for me to see a doctor.
02:47No, no, no.
02:50Yes, Claudia.
02:52No stubbornness on my part, okay?
02:57Doctor, may you come in?
03:07Hi, Claudia.
03:10Hello.
03:12How long have you been sick?
03:14Hey, this morning I started feeling unwell and I have a cough, runny nose and a terrible headache.
03:25Put this under your armpit and expose your back.
03:45Does he cough?
03:49Stronger?
03:53Holy Virgin, what can we give him for that cough, doctor?
03:56The cough will disappear when it is cured.
04:03Well, the plate was installed by Aranda, who is one of the workers who had experience as a bricklayer.
04:07That seems perfect to me.
04:08As long as I leave it properly positioned...
04:10And the press, the photographers, have they arrived?
04:12No idea, Gabriel, no idea.
04:14No, no, no, no, let me see her.
04:16Okay, thanks.
04:19Gabriel, Manuel Iriarte, one of the photographers you were waiting for, is here.
04:24Perfect, delighted, a pleasure.
04:25Manuel, allow me to also introduce you to Tassio de la Reina, our deputy director.
04:30Delighted.
04:30I'm wondering the same.
04:32I hope your newspaper will give the story the coverage it deserves.
04:35I have no doubt about Don Gabriel.
04:36And Andrés?
04:38She has still returned from her meeting with Javier Rupert, the owner of essences.
04:42If you don't mind, I have to get back to work.
04:44No, no, no, no, no, no, Tassio.
04:47Your job is to be here, that's why you're the deputy director.
04:50That's precisely why I have to leave, Gabriel, because this factory doesn't run itself.
04:54This photo is to give Hugo Brossard a good image.
04:57Is it so hard for you to understand?
04:59Good afternoon, Mr. Gabriel.
05:00I see that everything is ready for the unveiling of the plaque.
05:03That's how it is.
05:04I suppose you will want a member of the Holy Church to preside over this event.
05:07Ultimately, we are paying tribute to a different kind of person...
05:09Father, stop lecturing if you want to be in the picture because you're not going to be in it.
05:13What did you say?
05:14As you know, France is a secular republic and Antoine Brossard himself wanted to close the chapel.
05:20Yes, but...
05:21Father, don't insist.
05:22Today is not a good day to try to grab attention in front of the cameras.
05:39What color is your snot?
05:43What a trend.
05:45Claudia, it's important.
05:46Let me see the handkerchief.
05:48No.
05:51They're green, Miguel.
05:53Very green.
05:55You have pneumonia.
05:56With complete certainty.
05:57For God's sake, doctor, don't tell me that.
05:59That is very serious.
06:00There have been people...
06:01Don't worry, your sobriety isn't going to die.
06:03We detected it in time and it can be treated.
06:08It is very important that you take a pill every eight hours and stay in bed.
06:14Thank you very much, Miguel.
06:16No, it's not my duty to look after the health of the factory workers, but you have to put in place
06:20your part.
06:23It's very important that you start taking his medication as soon as possible, okay?
06:26Of course.
06:27I'm going to the pharmacy right now to get you the medicine.
06:30Thank you very much, Tita.
06:32And then I'll come and bring you some broth and spend the night with you, okay?
06:35Don't worry, there's no need to...
06:37Listen, without complaining.
06:39Doctor, I'm going out with you.
06:41And now I'm coming.
06:43Thank you.
06:53Today we gather with deep sadness to pay tribute to our partner and friend Antoine Bogossard,
07:01whose loss deeply moved us.
07:05Monsieur Bogossard was a key person in the history of our company.
07:10Not only for his professional commitment, but also for his human qualities, his rigor, and his ability to bridge gaps
07:18between the company that operated in France and the Spanish perfumery.
07:21Their contribution has left a lasting mark on our shared project and on all of us who had the privilege of
07:29to meet him.
07:30With this act we wish to express our most sincere affection and gratitude.
07:37To his family, friends and loved ones, we extend our love and deepest condolences.
07:46Thank you for your engagement, your elegance, and your trust.
07:52Vos souvenirs restará vivos para nosotros.
08:08Thank you all very much and...
08:11We can go back to work now.
08:21I'm going to work fine.
08:27Hello.
08:29Where were you?
08:30We were waiting for you to at least appear in the photo.
08:33I've been busy doing something more important than sucking up to Hugo Bogossard.
08:37How did it go with Ropelez?
08:38It's been difficult, but in the end, prices have remained the same as before.
08:43How did you do it?
08:44I have offered him a five-year exclusivity contract with us.
08:48And who authorized you?
08:50It doesn't matter that he didn't have your authorization, Gabriel. He has mine.
08:53And I am convinced that Hugo Bogossard will also agree.
08:56Thank you very much, Andrés. You've done a great service for the company. Congratulations.
09:00Thank you.
09:01Well, well. He's just doing his job. There's no need to...
09:12Hello?
09:21Okay, okay. The brunette is here, the abattoir.
09:25I thought you were going to take longer at the factory.
09:27Yes, and that was the idea. But, I don't know, I haven't been able to concentrate all afternoon.
09:32By?
09:34Well, because I'm confused about the issue of Pelayo's will.
09:37Ah.
09:38Marta believes that accepting that money would be like a kind of financial compensation.
09:42for all the harm he did to us.
09:45But not me.
09:46I couldn't use that money for anything in the world knowing where it came from.
09:51Well, but I think it's easy to understand, isn't it? It seems to me.
09:53That seems perfectly logical to me, of course.
09:56I remember when I met you in Buenos Aires you were in a bad way, really bad, huh?
10:00A battle wound. And then it took you ages to recover.
10:03Was it hard?
10:05That's why.
10:07Nothing can compensate for so much pain.
10:09And much less money.
10:13Well.
10:13I don't know, Bianca, it's just that lately Marta has been disappointing me a lot.
10:21Well, it's a shame because it seems that family ties, surnames, weigh more heavily on him than the facts themselves.
10:27No?
10:28Yes, but that's not how she is.
10:30That's why I don't understand why he behaves this way.
10:33Well.
10:34I know how to cheer you up.
10:39I'm going to the kitchen.
10:41But you can't follow me.
10:43No, no, no, no, no.
10:45Stay here, okay?
10:46I don't want to see her coming behind me.
10:48Daring.
10:49Don't come.
10:52Forward.
10:57Good afternoon.
10:58Hello.
10:59Do you have a moment?
11:00Yes of course.
11:01Let me finish this and I'm with you.
11:02Happens.
11:07Were you able to talk to your friend?
11:09Yes, yes.
11:11In fact, he followed her advice and spoke to the boy.
11:15And they're a couple again.
11:18That's why I've come, to thank you on his behalf.
11:21Uh-huh.
11:22Well, thank you to her for following my advice on such a delicate matter.
11:27Yeah.
11:27The world would be a much better place if we all fought to solve our problems.
11:32Yes, although her problems are very private and only affect her, no one else.
11:38Well, that's not entirely true.
11:40It affects her, and she feels frustrated because she doesn't know how to solve it.
11:44But they also affect her boyfriend, who may not know how to help her.
11:49Even her loved ones, like you, who came here to ask for help for her.
11:53Look, are you okay?
11:59Yeah.
12:01Well, no.
12:04I feel terrible because I lied to him.
12:08My friend's problem is not my friend's problem.
12:15It's mine.
12:20But you already knew that.
12:23From the beginning.
12:25We close our eyes.
12:27Uh-huh.
12:31We opened our mouths.
12:33No, seriously.
12:34Shut up.
12:36Obey.
12:45I can't believe it, your dulce de leche.
12:47Yes, yes.
12:50I had a little free time and went into your kitchen, sorry, because I made some alfajores for Digna.
12:56I hope you don't mind.
12:58But how could it bother me?
12:59You can use the kitchen whenever you want.
13:03Yes, you were so right.
13:06Congenial, I say.
13:07How could you not love, adore, admire her?
13:10She's divine.
13:12I knew you would understand that.
13:14Yeah.
13:15Do you think he'll like the alfajores?
13:18Yes, you'll like them.
13:19You're going to love them.
13:21I'm telling you.
13:22Come on.
13:24Help yourself.
13:27I'm sending it now.
13:30Do you remember the first time you gave me your alfajores to try?
13:34Yeah.
13:35With the porch of your house.
13:37The porch of our house.
13:39From our house.
13:41And there, there I realized that I could be happy again.
13:45Clear.
13:47We spent the whole afternoon talking.
13:50Talking about everything the whole time.
13:54Yeah.
13:55Yeah.
13:55Time flew by.
13:58For me, those were the best afternoons of my life.
14:02No.
14:04No.
14:05I just don't have a connection, you know?
14:34Sorry, Mianca.
14:35Sorry.
14:36Sorry.
14:37I've let myself go.
14:41Yes, me too.
14:43And I love it.
14:45What can I do?
14:49I like remembering this with you.
14:51Who am I going to do it with?
14:52What I do?
14:53Trying to forget?
14:54No.
14:55No.
14:56We will never be able to forget this.
15:00I know we're not together now, Bianca, but...
15:06But no one will ever be able to erase how important it has been to me.
15:12And you still are, my little brunette.
15:24I also think you should know that the boy in question is Andrés de la Reina.
15:29Ah, yes.
15:31I know for a fact that he is a wonderful man.
15:33Because of my relationship with his worthy aunt.
15:35Yes, it is.
15:37Okay, so, is there anything else I can help you with?
15:41Well yes.
15:43Well, I don't know if it's appropriate to tell you this, but I followed your advice and I was able to enjoy it.
15:50from Andrés' company without pressure.
15:52Very good.
15:53That's how I think it should be.
15:55Yes, me too.
15:56But I don't know if I'll be able to take another step.
16:00Oh, but is he forcing you to take that step?
16:03No, no, no, no, no, no, no, no, no, not at all.
16:06I'm the one who's considering it.
16:09Okay, but you have to be sure, Valentina, that he's the man of your life, the person with whom you
16:15Do you want to get married?
16:16Because I personally believe it's not worth reliving the trauma again for a simple whim.
16:23No, but it's not just a whim.
16:25No, no, I know and feel that he is the man of my life with whom I want to be forever.
16:30Well, in that case I would tell you to take it very calmly.
16:34You'll have plenty of time to gain the confidence you need.
16:39Yes, Doña Nieves, but I don't want to wait any longer.
16:42I want to overcome my fears now.
16:45Those fears you're talking about, Valentina, are something all women experience when they face their first time with
16:50a man.
16:51Well, but in my case it's more complicated.
16:55Let's imagine we get married.
16:57Yeah.
16:58And then comes the wedding night.
17:00Uh-huh.
17:01And I can't.
17:02But I can't do the next one either, or the one after that.
17:06What kind of marriage would that be?
17:09Yes, an annulment.
17:11Understand why I need to get through all of this before continuing the relationship.
17:15It's for Andrés and me.
17:18Well, look, I've got an idea.
17:21Why don't you just try sleeping together?
17:24Time for bed?
17:25Yes, to spend a night together without going any further.
17:29I think it would be a good way to strengthen your confidence in him and in yourself.
17:35Well.
17:36I'll think about it, yes.
18:05But you're still around.
18:07I already told you that I had to close early today and I want to leave this written down.
18:09Give me a minute, please, save.
18:13But can you tell me what's wrong?
18:15Well, my head is going to explode.
18:17Does that happen to me?
18:18Yes, we're doing well.
18:19Do you want a pain reliever?
18:21No, I want you to give me another drink.
18:23That won't cure your migraine.
18:24If you want, I can give you a pill from the medicine cabinet and an ear, in case you need to vent.
18:29What's happening?
18:30What is it about Paula?
18:31Are you asking me about Paula again?
18:33Can you stop asking me about her, Salva?
18:34Hey, I just wanted to help, okay?
18:36It really has nothing to do with the anger I feel right now.
18:38And give me another drink, it won't cost you anything.
18:41Look, I'll put it on for you, and this will help you because I have a lot to do.
18:43Okay, perfect.
18:48What are you doing, you crazy person?
18:53Well, it helps me to calm down.
18:54What do you want me to say?
18:55Well, look, you're going to have some chamomile tea and go home to rest.
18:57That's what you have to do.
18:58Thank you very much for your hospitality, sir.
19:01But I don't even know what's wrong with you, Tarsio.
19:03I'm like this because of that darn little plate on my nose.
19:06Which license plate?
19:07But haven't you noticed what they've put on the carriage entrance?
19:09You haven't realized it yet.
19:11The plaque for Antoine Brossard?
19:13And what's your problem with that?
19:14What's wrong with me?
19:15But if Brossard himself is a problem, it's worth noting that they almost took the company to Morocco.
19:19that almost left us all without a job.
19:20Do you think this is nothing, or what's wrong with you?
19:22Yes, that's true, yes.
19:23Then my idiot cousin takes me and pays homage to Antoine Brossard to suck up to him
19:27your son.
19:27It's just that you have to be a hypocrite.
19:29Well, but you know how your cousin is.
19:30Look, yes, my cousin, let him do whatever he wants.
19:32But don't force me to be there in a photo again as if I were okay with it.
19:35all that pantomime.
19:37Yes, many times what you have to do is swallow it or accept being a hypocrite.
19:42Who are they talking about, me or you?
19:44Well, I'm talking about life in general.
19:47Why are you taking this so seriously?
19:48I don't know.
19:49It seems you're talking about how hard it is for you to tell your girlfriend that you don't like her at all.
19:52decoration that he has done.
19:55Look, think what you want, but don't you ever talk to me like that again, that's enough already.
19:59Sorry, sorry, Salva.
20:00You're absolutely right.
20:02I'm angry and I'm taking it out on you, but please don't take the bottle.
20:21Doña Digna, the visitor you were expecting has arrived.
20:23Thank you, Teresa.
20:25Dignified, forgive me.
20:26I hate to be late, but I swear I had fun making this and I hope you like it.
20:31I was a little worried, but I didn't want to call Fina at home because I didn't want to worry her.
20:38No, there was no problem.
20:39I was at his house.
20:41Of course, what's more, I was at home, in my kitchen, to be more precise.
20:44But I didn't remember how long it took to do this, which I, forgive me, am going to call a work of
20:51art.
20:51Did you do that?
20:53Yes, for you, for your enjoyment, and I did it with great pleasure.
20:56Can you try it?
20:58Well, I'm going to try it.
21:00Let's see.
21:04This is exquisite.
21:06Yeah?
21:09Well, at least now he knows what an Argentinian alfajor is, but a homemade one, right?
21:13It has nothing to do with the alfajor from here.
21:15Yes, it's related because it's the same formula.
21:18The Spanish brought it to Argentina, but it later evolved.
21:23And what is this delicious filling?
21:26Ah, that's it, the soul of the alfajor is dulce de leche, but you can't find it anywhere here.
21:34Do you know what this reminds me of?
21:37A bit.
21:38To the coffee and milk candies.
21:40No, no, no, no, no, no.
21:42No?
21:42No, don't say that.
21:44In the end, the same thing happened to him when he tried them.
21:48This is something else.
21:51This is just milk, sugar, and stirring.
21:57Only?
21:58A long time, a slow burn, and a lot of love.
22:03Oh my God!
22:03It is an act of patience.
22:05Yeah.
22:06This is...
22:07What does it smell like?
22:08Good heavens, it makes you want to eat all this by the spoonful.
22:11Of course, that's what sin is for.
22:13Try it.
22:14Yeah.
22:15I'll get some teaspoons.
22:16No, no, no, no, no.
22:17Leave the alfajor here.
22:18Please relax.
22:21Stick your finger in it.
22:21How am I going to put my finger in?
22:25But take advantage of the fact that nobody is watching.
22:27This is the only way to prove it.
22:29What do you mean, no, for God's sake?
22:30No.
22:30You're forcing me to do something I don't want to do, huh?
22:33Look, this isn't done.
22:38Oh, what we're missing out on.
22:41Oh, what's happening...
22:42Oh!
22:44Oh!
22:45Yeah?
22:46And did they want to miss it?
22:47That's great!
22:48And did they want to miss it?
22:50Oh, Marta!
22:51It kills you!
22:54You have to try this.
22:55They are Argentinian alfajores.
22:57Bianca has made it here with exquisite dulce de leche.
23:01No, thanks.
23:02I'm not hungry right now, but I'll try them later.
23:05Well.
23:05I'm going to the gallery to review some documents.
23:08I wouldn't want to bother you.
23:10You will have a lot of work ahead of you.
23:11Well, something like that.
23:13Yeah.
23:15Well.
23:17The niece is right, Edigna.
23:19You're right.
23:20And we come face to face with the boneless one and it's getting a little late.
23:23Don't you think so?
23:24I'll leave it for now and recover.
23:26Digna, I would like her to remember that taste on her palate and to look at me from there.
23:36And from there we'll start creating.
23:41Good afternoon.
23:43Oh, Eduardo.
23:45If you're going to the factory first thing tomorrow, would you mind letting me know so I can come with you?
23:51I'm going to stay overnight with my niece.
23:53Is she sick?
23:54Oh my God.
23:55What's wrong with it?
23:56Pneumonia.
23:57But hey, the doctor told us he caught it in time.
24:00He is already taking the antibiotic.
24:02Do you want me to take it now?
24:04No.
24:05Not now, because I still have a few things to prepare and I don't want you to be waiting for me.
24:10I can wait as long as it takes.
24:12In the end I didn't get to see Roque.
24:14And so?
24:15I went to this Talavera for nothing.
24:17Wasn't he there?
24:19No, yes, yes, I was there.
24:20I located it in the company that was indeed in front of the church, the collegiate one.
24:25But when the secretary told him that I wanted to see him, he said that he couldn't see me.
24:30Come on, he didn't want to see me.
24:32My goodness, he really is angry.
24:33Very sorry.
24:35It was to be expected that he would react that way.
24:38Hopefully, with time he'll get over it and we can have a more cordial relationship.
24:42Yes, don't worry.
24:44Come on, don't worry about Roque, because...
24:47Because?
24:49Has something happened?
24:51Yes, it has happened, yes.
24:52Mr. Damian has been here asking for you, as you were supposed to go to Madrid for a meeting today.
24:58That you had to take it.
25:00No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
25:02I had to take him to Madrid for the Floral meeting.
25:06He insisted on it yesterday.
25:07Holy shit, do you know where Don Damián is now?
25:10I'm here.
25:11Good afternoon.
25:14Manuela, leave us alone, please do.
25:17Excuse me.
25:21I can't believe the number of good things that are happening to me since I started studying interior design.
25:28Without being fully aware of it, I have opened a door to a world of possibilities.
25:33I don't understand what one thing has to do with the other.
25:36Miguel, if you could hear me you would understand.
25:38I'm listening to you, but I don't see the connection between the two things.
25:42Look, decoration is a very important part when you start a business that deals with the public, right?
25:49And I will be in charge of the image of my restaurant, guaranteed.
25:54No, I was referring to the world of possibilities that has opened up before you.
25:56As far as I know, only if you've opened one, which is the one at the restaurant.
25:59Ah, but that's just a figure of speech.
26:01Because one thing leads to another, and another, and another, and they just keep coming.
26:05things happen.
26:07Do you know what surprises me the most?
26:09That Mom and Dad are so happy.
26:13And why does that surprise you so much?
26:14Well, because they didn't like it at all when I started working as a waitress in the cantina.
26:18Well, but this is very different, Mabel.
26:20Look, Miguel, I'll still be waiting tables, okay?
26:23Yes, but as a businesswoman.
26:26And that's what Dad likes, that's why he supports you so much.
26:28And I'm very happy about it.
26:31Man, you've finally told me what I wanted to hear.
26:33Thank you so much.
26:34They should have just asked directly.
26:40And what about you?
26:41Have you seen Claudia since your breakup?
26:46Yeah.
26:47I went to see her in her room today because she has pneumonia.
26:50What are you saying?
26:52And how is he/she?
26:53Okay, relax, don't worry.
26:55He'll be alright.
26:56Her aunt will take care of her and make sure she takes all her medication.
27:00Wow, I might go see it tomorrow.
27:05Oysters.
27:08And how are you?
27:11I'm fine, I don't have pneumonia.
27:14No, I mean how are you feeling after seeing Claudia?
27:20I'm fine.
27:22I've done my job and I'm fine now, thank you.
27:27Sure?
27:31Well, the truth is that it has affected me a little to see Claudia so sick in bed.
27:36Normal.
27:37And I imagine you must have felt like hugging her.
27:39A doctor cannot show affection for his patients.
27:46But...
27:47But yes, they have given me a little bit of a desire.
27:49Sure, Miguel.
27:50Look, I'm your favorite sister.
27:51You can tell me what you feel.
27:55Well, I must admit that something has stirred within me.
27:58Wow, what a display of emotions.
28:01Don't laugh at me.
28:02No, it seems normal to me.
28:04Miguel, for you Claudia is not just another patient.
28:07Yes, but one day she will just be that, an acquaintance.
28:11And that's enough about me, this is your night and Salva's, I'm going to find
28:14bread.
28:20This morning you were absent from work, without asking for permission, without giving any explanations.
28:26Can I know the reason?
28:31Manuela told me something about a task she was given to go to Torrijos to get milk,
28:36But it's clear that it was all to cover for him.
28:39It must be something very serious for you to risk your job like this?
28:47I can only tell you that I am deeply sorry.
28:51I'm very angry, Eduardo.
28:54This morning's meeting was very important and I wanted to arrive on time.
28:59I have failed him.
29:02And I would understand if they decided to discontinue my services.
29:05I'd like to know what happens before I make a decision.
29:11I have no excuse.
29:13I should have put my obligations first, but...
29:17But the truth is, I'm going through a rough patch and...
29:21And I got distracted.
29:23Can I ask what this difficult time you're going through is about?
29:27It's complicated, Damian.
29:29It's personal.
29:30Something personal.
29:34Related to Roque.
29:35But the reason doesn't matter.
29:38I have no excuse, I just told him.
29:43Fortunately, I was able to catch a taxi and arrive on time for that meeting.
29:47Let me cover the expenses.
29:48I'm not talking about money.
29:51I'm talking about taking responsibility.
29:58This is the first time I've made a mistake of this kind.
30:02This had better be the last time if he wants to keep his job here.
30:08Yes, Mr. Damian.
30:18Are you still here?
30:21Can I sit next to you?
30:23Clear.
30:24His session with Bianca has now ended.
30:27Yes, for today.
30:30But if you'd prefer it to be forever, just let me know.
30:35It's been very obvious to you that you don't like seeing that woman here at all.
30:39And you say that because I refused to eat one of your fantastic sweets?
30:44No.
30:45I say this because it felt like being kicked in the stomach.
30:50Honey, I don't want a simple portrait to become a problem for you.
30:56Auntie, that's my business.
30:59When I encouraged her to agree to let me paint Bianca's portrait,
31:03I knew I would often run into her around here.
31:06Okay, could we find another place where I can go?
31:11Really?
31:14It's my business.
31:16Bianca is part of Fina's life, whether I like it or not, and I have to accept it.
31:20I'm part of it, no longer.
31:22He has moved into his house.
31:24Yes I know.
31:25And I understand that it upsets you.
31:27But she's only done it as if it were her studio, because she's staying in a hotel, she's told me.
31:32saying.
31:34Bianca is important to Fina.
31:37Does he really not understand that I might feel somewhat uncomfortable and even insecure about this whole situation?
31:44Look at her, she's a lovely woman.
31:46You are too.
31:49Auntie, for God's sake, what did I see him laughing about?
31:51I've rarely seen him laugh like that.
31:53He has her captivated.
31:55Get to know him.
31:55Yes, it's true that it has a lot of charm, but that doesn't put you at a disadvantage.
32:00Well, right now I feel at a disadvantage.
32:01And even more so after having argued with Fina again about Pelayo's will.
32:05What happened?
32:08Fina still believes that accepting Pelayo's inheritance money is betraying our love.
32:14I try to convince her that that money could help us live more peacefully, be happy, or even compensate for something.
32:22in some way the suffering we have gone through.
32:27But she won't give in.
32:29I think it's good and fair that you accept that money to do something good for yourselves.
32:36But I also understand Fina's position, knowing her.
32:41Daughter, she would never be happy with anything that came from Pelayo.
32:48Remember that he couldn't be at the house in the mountains either.
32:51It's not the same.
32:53That house seems to be haunted.
32:57She can't tell the difference between one thing and another.
33:00Accepting Pelayo's money would be...
33:04Well, remind her every day what this man made her suffer.
33:09I suffered a lot too.
33:11Besides all the hatred and rage when I discovered what Pelayo had done.
33:15Yes, but you are now able to see that this inheritance belongs to you.
33:20You are more...
33:21Colder?
33:22No, I didn't say that.
33:24More pragmatic.
33:25Let's put it this way.
33:28Fina is more visceral.
33:30If she accepts that money, she knows she will feel connected to that past she wants to close forever.
33:45Have you thought about what hairstyle you want to wear to the recital tomorrow?
33:48What does it matter?
33:50What do you mean, what does it matter?
33:52Julia, I'm sure you've talked about it with your choir colleagues.
33:54No?
33:55You must have reached an agreement.
33:56I thought maybe I could cover a headband for you with the leftover fabric.
33:59of the layer.
34:00Mom, I'm fine.
34:02Don't try to cheer me up anymore?
34:03No, I'm telling you because, well, it's a beautiful fabric.
34:06Mom, I know you.
34:08Naveña, you're getting a call from Ultramarinos about the order you placed yesterday.
34:13Tell them I'll call them later.
34:15Yes, they say they're going to close and want to get it ready for tomorrow.
34:19I'll be right back.
34:28What are you doing?
34:30Nothing.
34:32Can I sit here and do nothing with you?
34:40We hardly see each other lately.
34:48Julia, I would really like to go to your recital.
34:52I know.
34:53You have a lot of work to do.
34:55I already know.
34:56Yes, it's a very important meeting and I can't cancel it.
35:00No, it's okay.
35:01Don't worry, really.
35:04And tell me, is the solo you have to play very long?
35:08No, they are two verses from a very old song.
35:11It's very little.
35:13But it turns out the teacher told me three days ago and it caught me quite by surprise.
35:18I didn't expect it.
35:20Well, that's very good.
35:25Julia, come here, I want to tell you something.
35:34I understand your frustration.
35:38Look, when I was about your age, I used to play football.
35:42Well, he was the backup goalkeeper.
35:44And once in a match, just before a penalty, the starting goalkeeper got injured and I had to come on.
35:51to the countryside.
35:51I didn't expect it either.
35:53And you stopped it?
35:54Yes, yes.
35:56There you go.
35:57Yeah.
35:59And did the coach put you in the starting lineup?
36:01Well yes.
36:02Well, he had no other choice because the other one had broken his leg.
36:05Well, that's better for you.
36:08Yes, well, the truth is that I played the whole season.
36:11And we almost, almost won the league.
36:14Excellent.
36:15Your father would be very proud of you, wouldn't he?
36:22My father was never proud of me.
36:25And so?
36:26Didn't he like football or what?
36:29Yes, yes, football yes.
36:33But he was always very busy and...
36:37In fact, he never came to see me.
36:42And then I went to the Canary Islands with my mother and I didn't see my father for many years.
36:51Valentina, you have to promise me that the next time you come to this house,
36:54You will enter through the main door.
36:56Oh, well, I came in through the service entrance because I wanted to tell Manuela how Claudia was doing.
37:01She's staying with us tonight.
37:03I'm sure that with her aunt's care she'll recover very soon.
37:07The important thing is that you don't get infected.
37:09Let's hope not.
37:12They are Argentinian sweets.
37:13They're called alfajores.
37:14They are delicious.
37:15Do you want to try them?
37:16No, no, no, thank you.
37:17But they look delicious.
37:19Yeah.
37:19I'll tell Teresa I'll prepare some for you and you can take them.
37:22Well, one is fine.
37:23No, no, not just one, for God's sake, a few.
37:25Otherwise, I already know who's going to eat them, and that's not good for me at all.
37:30Well, I think you have something for me.
37:32Yeah.
37:33What he asked me for.
37:35Two bottles of the original divine flower.
37:38Thank you so much, and thank you very much for coming here.
37:42Nothing.
37:44You know that production will begin tomorrow thanks to our dear Andrés.
37:52I didn't know anything.
37:53He has managed to convince the essence distributor to maintain the price.
37:59Thank goodness, because everything looked very bad.
38:01Yeah.
38:02Everything was against us.
38:03But once again, Andrés has saved us from trouble.
38:08She has always had a lot of persuasive power and a lot of charm.
38:14It's lucky to have him in this family.
38:20Valentina, I don't mean to be indiscreet, but Andrés is like a son to me.
38:26And I want you to know that I'm very happy that you're together.
38:30I think you make a good couple.
38:32My nephew is very lucky.
38:35Thank you.
38:36He is very special to me.
38:39Hello.
38:40Hello.
38:41Is this to see you around here?
38:43Is everything alright?
38:43Great.
38:45Valentina has been kind enough to bring me two bottles of divine flower.
38:49And he stays for dinner.
38:52No, no, dignified.
38:54I really appreciate the invitation, but I have to get back to the colony.
38:58Well, Andrés will be happy to take you later, right?
39:01I will not take no for an answer.
39:04I'll let Teresa know to set another place setting.
39:11I promise you this wasn't planned.
39:14Confess it.
39:14You've come to score points with my aunt because you know how important she is to me.
39:18No, no.
39:19I've come to score points because I know how important you are to me.
39:24Already.
39:34You have to try the cheese, Salva.
39:36Well, and the botifarra sausage, which you can't find in Toledo.
39:39Not in Toledo, not in Barcelona, not in Madrid.
39:42They send it to you directly from a delicatessen in Tarragona that...
39:46Everything is delicious, it's all so good. Thank you.
39:49We could offer starters like these at the restaurant, couldn't we?
39:52A little bread, some cold cuts...
39:54Or we could also make a selection of many products from all over Spain.
39:58Well, that would be very expensive because we wouldn't be able to place large orders.
40:01Then distributors wouldn't be able to adjust prices so much.
40:05Well, it's okay.
40:06We raised the price of the final product a little so we don't have any losses.
40:10Well, that's assuming there are customers who want to pay double for something that maybe, well, isn't even worth it.
40:15They know how to appreciate.
40:17Well, the key, my love, is finding a select clientele.
40:20So that you can appreciate the quality products that we will bring.
40:23No? What do you think, Dad?
40:26Well, you'll have to find a middle ground.
40:30It might be a bit ambitious to offer products from all over Spain, but I encourage you to make a good selection.
40:36OK that's fine.
40:38Although Salva is the one who really knows about this business, right?
40:43It is him we need to listen to.
40:45What do you think?
40:46Well, I know how the La Colonia cantina works, which is a much more modest business.
40:52I don't know how such a fancy restaurant works.
40:58Well, it's all about getting started.
41:00And he who does not risk does not win.
41:02That's how it is.
41:03No?
41:03That's true.
41:04Well, I'm going to check on the sea bream, to see if I'm going to miss them.
41:19I'm not here!
41:21Tacio, it's me, Paula.
41:26Go.
41:40Were you asleep?
41:42Yes a bit.
41:44Paula, but had you and I made plans or not?
41:46No, no, but I wanted to know how you were. I was worried last night.
41:51Paula, really, calm down, it was just a nightmare, really.
41:54But if your eyes are sparkling, maybe you're incubating something, because Claudia started like that and now
41:58He has pneumonia.
41:59Please, Paula, calm down, I don't have any of that.
42:01Come here.
42:06Have you been drinking? Do you reek of alcohol?
42:08Well, yes, Paula, I've been drinking, but that's none of your business.
42:13Sorry, no, I didn't mean to say that, sorry.
42:15Does it bother you? That I worry about you?
42:16No, no, no, quite the opposite, I do appreciate it, but...
42:20Look, Salva is already angry with me about this too.
42:23No, I know Salva is a good friend, but I thought you and I were something more than that.
42:27Paula, it has nothing to do with how I feel about you.
42:31I need you to leave.
42:34Are you kicking me out?
42:35Paula, please, I need you to leave.
42:40I don't understand anything, Tasia.
42:41It can be very simple.
42:44I need to be alone, please.
42:46Please.
43:04Here it is.
43:07Well.
43:08Good, Willy.
43:09Before dinner, how about we make a toast to this very promising couple?
43:15Hey, we're really happy that you're here celebrating this important step you're about to take.
43:21For yourselves and for a new life with your own business, which in the end is the closest thing to having
43:27a son.
43:28While acknowledging the differences.
43:31Health.
43:31Health.
43:35Are you OK?
43:38Yes, I've already told you that this is your night.
43:39Don't worry.
43:41Well, we wanted to tell you something else.
43:45Well, you see, Mom and I have some savings that we weren't going to touch for the time being, and we thought that...
43:52We could add to the loan we have already offered you.
43:55What do you think?
43:57Are you serious?
43:59Clear.
44:01We have a lot of faith in your project.
44:03We are sure you will have no problem returning it to us.
44:07Thank you both so much, really.
44:10My love, you heard me.
44:11Yes, thank you very much.
44:13Yes, the idea is that you can access a larger and better-located venue.
44:18Yes, yes, yes.
44:18We're going to make the best restaurant in Toledo, yes or no?
44:21Yes, yes.
44:21The best, I swear.
44:23Hey, well, I made good contacts with several real estate agencies downtown when I was preparing our arrival here.
44:30We could go see them tomorrow, couldn't we?
44:32Let's see what they have there.
44:33Yes, yes.
44:34Okay, we need to get organized at the canteen, but of course, I'll go with you.
44:38Hey, have you already thought of a name for the restaurant?
44:41Well, we haven't thought about a name, my love.
44:42No, no, no.
44:43Let's see, maybe we'll get inspired when we see the place.
44:45Or if the street has a nice name, then we can take advantage of it.
44:49Clear.
44:50What you need to do is think of a catchy name.
44:52Just like the hooks I've removed from the gilthead bream.
44:56Hey, I like the hook, Mom.
44:59That sounds great, yes.
45:00The bait?
45:00Yeah.
45:01Yes, it has a hook.
45:02Yes, it has the name of a prestigious restaurant.
45:04I'm going to the fishing for dinner.
45:05No?
45:06Mabel.
45:06There was no restaurant called Lanzuelo.
45:08I don't know, but not in Toledo.
45:10I'll give it to you in my turn, please.
45:11You said it yourself.
45:12Excuse me.
45:12I recognize you.
45:14Would you like to hear from Salva, please?
45:22I can't do this, Mabel.
45:25What can't you do?
45:28Well, I don't see myself making this project happen.
45:32I've found myself dragged into it without any intention and I'm feeling a bit uncomfortable.
45:39I know I should have said it before, but I haven't been able to.
45:42And I would completely understand if you might think that...
45:47Well, that I'm a coward or something even worse.
45:51But I just can't see myself in it.
45:55But can you tell me what you're afraid of?
45:58Well, Mabel, I'm going to lose something that took me a lot of effort to get off the ground.
46:03My cantina.
46:05I am proud of her and that's where I feel really comfortable.
46:11And I am very grateful, in any case, for their generosity and for showing so much interest in helping us.
46:18But that company isn't for me.
46:24I'm sorry, Mabel.
46:28I'm sorry.
46:38Excuse me.
46:56I loved the dinner.
46:58And your family.
46:59Did you all manage to make me feel very comfortable?
47:04Feeling as comfortable as in your own room?
47:07Well, like in my room, right?
47:08I would have taken off my shoes then, and thrown myself on the bed.
47:14So what are you waiting for?
47:16Come on.
47:16What are you doing?
47:17Andrés, I'm not going to take my shoes off here.
47:19Because?
47:20Because no, because I'm embarrassed.
47:22I want you to be comfortable.
47:23Raise your feet.
47:24Come on.
47:25OK.
47:29You're crazy.
47:38Better?
47:40Far better.
47:45I could be like this for days, months, years, no, years, my whole life.
47:56Me too.
48:01My God, it's so late.
48:02I have to go, Andrés, because tomorrow I have to open the shop and I have to get up very early.
48:06Well, what about you?
48:08I could stay up all night just to be with you.
48:10Already.
48:18Let's dance.
48:19But?
48:20Yes, come on.
48:21Andrés, I have to go.
48:22Yes, yes.
48:23Just a little while.
48:23Well.
48:33If you'd like, I can prepare the guest room for you.
48:36I'll take you to the colony first thing tomorrow.
48:40That way we can rest now and you can sleep a little longer.
48:46I don't...
48:48Sorry, I don't think you think I'm trying to pressure you.
48:51If you want, I can take you now.
48:52No, that's not it, that's not it.
48:53The thing is...
48:55I don't want to sleep in the guest room.
49:00I want to sleep with you, in each other's arms.
49:06We'll do whatever you want, without pressure or obligations.
49:12So, shall we sleep together?
49:16We slept together.
49:19Come on.
49:26That's the way.
49:34Stop me, okay?
49:34I don't want to fall, Sosa.
49:35Oh, what...
49:36You.
49:45This one is comfortable.
49:48And I'm not referring to the bed, but to myself.
49:51That they give us a loan and that they are looking for premises in Toledo.
49:54So, what makes you angry is that we're moving forward, right?
49:56It makes you angry that we're moving forward when you were going to rent a tavern in Toledo to start your business.
50:00That means you're going to reject the inheritance.
50:04Marta, if not, you don't need to say anything else.
50:06That's it.
50:06Look.
50:07No, no, no.
50:07That's it.
50:08I wanted to inform you that Ruth Pérez has complied with the agreement.
50:11And that we can produce the perfumes with the original formulation.
50:14Yes, I know.
50:14AND?
50:15Well, you should give the order to produce them, shouldn't you?
50:18Don't keep rubbing salt in the wound while we're talking.
50:21What sore are you talking about, Tasio?
50:22Good heavens, what's got you so nervous?
50:24Tell me now.
50:24Classroom, don't ask me any more questions.
50:25That's it.
50:25Oh, no?
50:26Well, just so you know, I can't be with someone who doesn't trust me.
50:29But if you had come to the clinic earlier and started the antibiotic sooner,
50:32the infection would not have affected the lungs.
50:34Yes, but I didn't go.
50:35Well, Antonia had a settlement with her boyfriend.
50:37And I didn't want to ruin my plan.
50:40Go with Antonia.
50:42Do you like my dress?
50:45You look very pretty.
50:46Thank you.
50:47It's something I haven't told anyone.
50:49Because I don't really know what might happen to me if I tell anyone.
50:51For God's sake, it's not like you killed someone.
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