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02:44Milana?
02:45Hello, Kajo.
02:47Are you here?
02:50Can you talk?
02:53You won't believe what happened.
02:58I went to the store and everything is over and over.
03:07I don't know what to do.
03:08This is total chaos, Milana.
03:09I don't know who is doing that.
03:11It's not Milana.
03:13I wouldn't know what Milana is.
03:16I'm sure they are there and the ones who are there.
03:21My name is Milana.
03:23What do you do now?
03:23I don't know.
03:24I'm sorry to ask you if we can find ourselves somewhere.
03:28We are there at the business club.
03:30It's time for now.
03:32Ok.
03:33I'm just going to get in the middle.
03:34Ok.
03:37Ok.
03:37Ok.
03:38Ok.
03:40Ok.
03:41Ok.
03:52Ok.
03:55Ok.
03:55Ok.
04:06Ok, ok.
04:06I don't know how it all is running and telling you.
04:09Ok.
04:10Ok.
04:10Ok, ok.
04:10What is right in the middle and say, if I can help, I will help you.
04:13Let me help you.
04:15Magarac.
04:16My eyes.
04:17Okay.
04:18This is a huge problem.
04:21I don't understand what happened.
04:23Mido has caught himself in the head that he will become a music star.
04:26You understand?
04:27And this guy came up with a good guy that holds a piece of paper.
04:30And he convinced Mida to write a text for someone in a song and he will sell it to him.
04:35And now Mida is going to be a music star.
04:38He will be a famous star.
04:40And he gives me that text that I read.
04:42I read that text.
04:44I can see that nothing is alive.
04:46He is here.
04:47And I understand that he wrote all this.
04:49The intellectual intelligence.
04:50You understand?
04:50AI.
04:51The G.P.T. has written a song and he has sold it.
04:54Good, Gorane.
04:56I think I will find someone else who will write a song, but he is not AI.
05:00Did you hear that Mido has paid for this song?
05:02He already gave money.
05:03Gorane, it's important that a person is alive.
05:05Let's leave the song.
05:06How much money has given him?
05:08Five thousand dollars.
05:10Five thousand dollars.
05:11What?
05:12Five thousand dollars.
05:12EUR!
05:14Wait a second.
05:14Wait a minute.
05:16Can you tell me that Mido has given a man who holds the food,
05:20five thousand dollars to write this song?
05:24Yes.
05:25Unfortunately, I understand everything.
05:27Mido is a pure soul.
05:30He is a stupid guy.
05:31You're an idiot.
05:32You're not an idiot.
05:33You go to the phone and tell him to write a song.
05:35He will write a song with a song with a song.
05:39You will just think he will write a song with a song with a song with a song with a
05:40song with a song.
05:40That is a stupid guy.
05:41But no one can help him.
05:42You go and buy a ticket.
05:44The ticket is already sold.
05:45You don't have a ticket.
05:46He has paid an ticket.
05:47He knows what he has done with them.
05:48Here?
05:49He's able to go there.
05:50You can go there and get to my ticket.
05:51You understand?
05:51Do you understand?
05:52What am I going to do with you?
05:53I'll explain everything well.
06:06Brother, what is it with Lukashin? What is it with that man?
06:14I don't know, you can see that it's just Yuri Ševrat.
06:19He's like my heart, my dear.
06:22He's like who you are and who I am.
06:25He feels like we're the bebop and rockstar.
06:29No, my brother from Alton.
06:31Yes, we're like the pictures of Svrtačeva.
06:34Here you go.
06:38Do you think today, Lera?
06:42Is it winter?
06:44I'm afraid that there's no chance to have immunity even if Grkjan falls.
06:52See, I know that you never need to believe in Pandur.
06:55It's not related to this whole story.
06:57When you see Pandura, nothing, nothing, nothing.
07:00I don't think we should talk about Grkjan.
07:02That's not our interest, man.
07:04I know.
07:05I've heard Lukashina.
07:06If he doesn't have anything with Grkjan, he will destroy us.
07:12Yes, I've heard.
07:14Well, what do you suggest?
07:17Do you think that?
07:18I think I know what we need to do.
07:31You see, it's a serious story.
07:33We don't have to do anything like that.
07:35We have to be aware of it.
07:36And we have to be well calculated.
07:39You understand?
07:40What are they doing?
07:40It's an imbecile.
07:41And he's going to be on the way.
07:43And then he's going to be on the way,
07:44and he's going to be on the way.
07:46And then he's going to be on the way.
07:47And on the other side, listen,
07:49if he's going to be a known,
07:53a feminine woman,
07:55a woman who is in front of the time,
07:57you are the woman of the 22nd century.
07:59Goren, please ask me what I really need to do.
08:04I really need to be done.
08:06And you need to be done as an eminent musician.
08:11of the music festival.
08:12What festival?
08:14We will think of it as a Balkan song.
08:17You tell him that we have a Balkan song,
08:20we will be all the best players from the Balkan,
08:22and you will ask him to participate.
08:25Okay, but I don't know how Mido will get the money from that.
08:28There is a fee.
08:30You will always say it,
08:32and you will not tell him that he should pay
08:34to participate in the festival.
08:36Like some 10.000 euros.
08:39And you think that he will win me?
08:42Yes, you know what?
08:43It is a love for money, for fame.
08:46You will surely trust you.
08:48Gorane, these are really great money.
08:51You are a great player.
08:53When you call him,
08:54with your authority,
08:56your voice, your voice,
08:58there is no one who won't fall on it.
08:59He will kill you again.
09:03How did you call him?
09:05Gudoni.
09:06Gudoni.
09:07Mm-hmm.
09:10Epa,
09:12pošto sam ti dužna,
09:13uradit ću to.
09:16Doktore,
09:17carice,
09:18legendu,
09:18do nema ti fala.
09:19Ne znam kako da si se fali.
09:20No, no, no, no.
09:20Neću više da te smaram.
09:22Ma sekunde,
09:23samo ću te zvati,
09:24ti ja smo na vezi,
09:24i to je to.
09:25Dobra.
09:25Hvala ti.
09:26Eke.
09:27Tjao.
09:28Ej, tjao.
09:32Pošalje mi broj njegov.
09:33Hoću!
09:37I hvala Boža.
09:49I, šta misliš koji nam je sljedeći korak?
09:53Mislim da je krajne vreme da obavimo onu gažu.
09:57Što vas čeka?
09:59Koju gažu?
10:01Šta? Šta ste?
10:03Kako koju gažu?
10:05A, mislim že za o Gabrielu, Vojoševića,
10:09Natašu, znam, da, da, da.
10:10Je, vem ti pa,
10:11tebi je stvarno ta ženska popila su u pamet.
10:13Ni, ma nije vre ona samo,
10:14pitanju,
10:15nego mi pun mozak,
10:16nekih gluposti i svega,
10:17znači zaboravio sam.
10:17Znači zaboravio sam.
10:18Dobro, zato je to tvoj burazir,
10:20da te podsjeti s vremena vreme.
10:23Da, lepo uzmemo,
10:25predamo tu dvoje Gabrieli,
10:27da i završimo što treba,
10:28i onda skupimo neku dobru kintu
10:29i mirni smo.
10:31Mirni smo?
10:32Ma ne mirni,
10:33mirni na neko vreme,
10:34a onda možemo šta hoćeš,
10:36idemo u Paragvaj,
10:37Urugvaj, otkuzam,
10:38gde god.
10:39Paragvaj, vrate,
10:40rođeni, nikad nisam i u Paragvaj.
10:42Dabar, nisam bio nikad
10:43i u maloj moštanici,
10:44da to še ne veze.
10:45I onda nas volio i za Relju,
10:46i za Grekina.
10:47Tako je.
10:48I za Uroša.
10:51Da, i to sam te ote pitan.
10:53Šta?
11:10Šta ako oni tamo kažu,
11:13niste vi slučaje za nas,
11:16nema ništa od toga,
11:17a ja sam ono ponadao.
11:19Nema takvih slučajeva.
11:21Čuo si
11:23šta su ranije pričali,
11:25možda sam zakasnijom,
11:26možda.
11:26Ranije su ti dali pogrešnu diagnozu,
11:29sad idemo,
11:30postoji tretman.
11:31Šta što je?
11:32Baš za mene ne postoji tretman.
11:36Jesi ti te uplašio?
11:38Ma nisam, nisam,
11:39nego samo razmišljam.
11:40Naravno,
11:41nema razloga da se uplašiš.
11:42Čekaj,
11:43a šta ako ipet ne kaju?
11:45Nema ništa od toga.
11:48Šta je tebi,
11:49ja samo s tebe
11:50nema nikakvog razloga
11:51da se plašiš.
11:52Zašto ti brineš uvijek unapred?
11:54Tako kažem,
11:55no,
11:56lažna nada je gora
11:57i od najgore goče.
12:00Nije lažna nada.
12:02Zato idemo,
12:03da je tako,
12:03ne bismo nigde išli.
12:04Olga,
12:06jel se ti ne bi ne ljutila
12:08ako bi ti ja rekao
12:10ne mogu?
12:12Izvini, šta, ne možeš?
12:14Pa ne mogu da idem
12:17i hoću da odustanem
12:19od svega toga.
12:21Ne mogu to,
12:22lažna nada,
12:23prava nada,
12:24a ja to jednostavno
12:25ne mogu da izdržim.
12:27Neka sve ide kako ide
12:29i nek sve stane ovde,
12:30či će mi čigo to pričati.
12:33Šta pričaš ti to?
12:35Šta pričaš?
12:36Šta pričaš?
12:36Čuješ šta te pitam?
12:37Pogledaj me.
12:38Šta znači to?
12:39Kako sad odustajanje?
12:40Kakva je to malodušnost?
12:41A ja sam tu s tebe, kažem ti, sve do kraja.
12:45Ja tebe znam kao hrabrog čoveka.
12:47Šta ćeš sad da smiziš tukoneka devojčica?
12:50Hvala ti, hvala ti.
12:53Ti su moja hrabrost.
12:54Pa naravno, sam ti žena ili šta.
13:11Kajo, si dobra, opet si se jedna što zagladao.
13:17Izvini Milana, molim te, ali…
13:19Ali sve je rastureno, razumeš?
13:22Ceo magacin je rasturen.
13:24Sve, sve, sve.
13:25Ja sam pokušala da uzmem nešto, da sredim koliko sam mogla, da sredim stvari,
13:29ali znaš i sama kakav je magacin.
13:31Sve je rastureno, znaš?
13:33Joj, čovječe, užas.
13:35Strasnije od svega je što je i Mile digo ruke od svega.
13:38Mile, odosta od čega?
13:40Od svega.
13:41Od nas.
13:42Jednostavno je od Usta.
13:44A kako to?
13:45A tako lepo.
13:47Otišao je da živi kod pančete i tamo se sakrio, eto.
13:51A što ti nisi s njim, čovječe?
13:54Sve što, ja neću da živim tamo.
13:56Dobro, Kajo, razumijem te, ali privremeno, ali mislim.
13:59Što privremeno?
14:01Neću da idem tamo ni privremeno, ne pa da mi na pamet.
14:04Pa ti ne znaš kako je to kada živiš sa pančetom pod istim krovom.
14:07Ona samo zvloca oko svega.
14:09Oko čega ti tačno zvloca?
14:11Oko svega?
14:12Svega popuje non stop, non stop popuje.
14:15I eto, to je to oko, oko ovog onog, oko toga kako treba da živim svoj život i tako dalje.
14:21Ne znaš kako je to, to je pakao.
14:23Znaš Kajo, ima nešto.
14:26Što?
14:27Pa nešto što bih voljela i ja da ti kažem.
14:30Aaa, vidim da bi svi imali nešto da mi kažu, pa evo Milenice kažem i ti. Ajde da čuje.
14:35Voljela bih da ti dam jedan savjet.
14:37Majk je ti, pa samo ti nemoj da mi daješ savjet.
14:51Sad si pomera Uroša.
14:53Dobro, i?
14:54Pa ti nije malo čudno što se Vukašin raspitaje baš o Urošu.
15:00Provo da ti kažem.
15:02I jeste, a pa i nije.
15:04Meni i tu skoro sam mimo. Baš mi, baš mi sam mimo.
15:07Što?
15:09Pa kako što, braziradojuče smo mislili da iznad Grekljana stoji nekog ili neki vladari Senke.
15:14Neko, razumeš? Mislili smo da je Velibor Topić slažiro svoju ospetu, tako?
15:17Dobro, i?
15:18Pa nema šta i, brate. Šta ko je taj Uroš, ta siva eminencija iznad Grekljana i tako dalje.
15:24Jer ne bi se Vukašin raspitivao od njemu bez raza. Ja to mislim.
15:27Maksime, mnogo gledaš krim i filmove.
15:31A dobro šta, misliš da nije moguće to? Ajde kaži, misliš da nije to moguće?
15:33Ne da mislim, nego sam sto posto siguran da nije tako.
15:38Kako?
15:39Kakav Uroš, majke?
15:41Uroš, brate, čovjek, ugledan čovjek, knjigovodja, biznismen, brate.
15:47Ono nema šlifa da bude ono što smo mi imali. Nije su te branše čovje.
15:50A zamisli još na sve to da bude nadređeni Grekljan. Daj, molim te.
15:55Pa što bi se na Vukašina zapitivalo ni?
15:57Što o Vukašin? Kao da ne zraš Vukašin? Vukašin je bezbednjak.
16:01Njega sve živo interesuje, svi ga interesuju.
16:04Sada ko ima veze sa Urošom, Grkjanom, bilo kakav dodirni tačak,
16:08on će da se raspituje za njega. Evo, danas smo mi bili na tapetu.
16:13Veroj mi čovječe, bio mi je profesor čovječe.
16:16Znači, i on je čovjek voli da istražuje, voli da zna o ljudima.
16:20Ne, ja znam ti ja baš zato.
16:22Ba, zato ti ja kažem, znam ja.
16:25Mani se više teorija zavere, nego da se mi bacimo na naš posao.
16:31Da, za Gabrielu.
16:35Za Gabrielu.
16:36I da prestaneš sa teorijema zavere.
16:40I još jednostavno, molim te, te okice, mašice, to zaboravi sada,
16:44i baci se na Natašu, završi taj neoposla.
17:01Slušaj koja je priča.
17:03Našla sam se sa Dijanom Erski i razgovarala smo o tim raznim strategijama za moj novi posao.
17:09I na tom sastanku sam dobila bračnu ponudu.
17:17Dobro. I kakve sad ta veze bračna ponuda ima sa mnom?
17:20Ma dobro, ajde slušaj, polako, doći ćemo do toga, znači jedno po jedno.
17:24Ma kakva bračna ponuda? O čemu pričaš, bre? Šta, da ti nije Dijana našla nekog šejka, šta?
17:28Nije, još gore. Našla je Gudonija. Ali nećemo si ove noci, gospodin je popio pedal.
17:37Šta? Mislim, šta mu fali?
17:41Kako mislaš, šta mu fali?
17:44Pa ne, pa, samo pitam, šta?
17:46Čuče šta pričaš, on liči na mangulicu.
17:49Kakje veze ima što liči na mangulicu, ne razumem, možda je dobar tebi, razumeš?
17:53Meni, dobar.
17:54Da.
17:55Dobar meni šta pričaš, Kajpuš?
17:57Ozbiljno ti kažem, čuče, možda bi bio dobar za tebe, iako liči na šta liči.
18:01Kakje to veze ima, ne razumem.
18:03Kajo, si ti normalna, majke, ti šta pričaš?
18:05Jesam, normalna sam. Čovek je uspešni biznismen, ima puno para,
18:09može da ti bude lepo, da uživaš sa njim, da ti bude super,
18:12i da, kako da ti kažem, budeš frećena.
18:15Znaš šta, Kajo? Ja ne razmišljam tako kao ti.
18:19O što je tebi očigledno bitna samo finansijska stabilnost u graku.
18:24Ja razmišljam malo i o ljubavi.
18:28Popopopopopo...
18:28Nemoj tako, Milena. Ja sam ti druga sorta.
18:34Druga sorta?
18:36Mhmm.
18:37Ti si, bre, luda žena, ja da ti kažem, bolje da sam ostala kot pančete, bre,
18:41i da sam tamo slušala neko ko će bar da mi popoje a da je stariji,
18:44nego slušam tebe malu balavicu koji lupeta gluposti.
18:47Ne lupetam ja gluposti, znaš.
18:49It's a strong truth, Kajal.
19:05I don't want to do a melodrama of our lives, but I don't know if you can understand it.
19:10The most important thing is to go there and tell me that there is nothing to do with it.
19:17The most important thing is to go there and tell me that there is nothing to do with it.
19:47It's not because of me, but because of us.
19:48You're right, because of us. I have the best family in the world and if I have nothing else, I
19:54have to do it because of my family.
19:56It's because of me, Luleta, Alex, everyone who loves you and who are here with you.
20:01There's nothing to do with you. There's nothing to do with you.
20:04Listen, that's why you're a servant. You're a servant to fight wherever you can, okay?
20:09I want to, I want to.
20:10You're a servant.
20:12You're a servant.
20:42You're a servant.
20:54You're a servant.
20:56You're a servant.
21:03You're a servant.
21:06You're a servant.
21:22You're a servant.
21:47You're a servant.
21:49You're a servant.
22:16You're a servant.
22:26You're a servant.
22:30What?
22:34What's that?
22:35What's that?
22:36What's that?
22:37It's what I was looking for.
22:41What's that?
22:42It's what I was looking for.
22:42What's the name of Tambur.
22:44What did Tambur want you?
22:56Oh, wait, wait, wait, wait.
23:21I'm talking to Senko.
23:24With Senko?
23:25And help her.
23:25With Senko? Come on.
23:26And help.
23:28She? How will she help?
23:31I'm convinced her to play a director of a art festival.
23:35Come on.
23:36What a fun festival now, Garane?
23:38The European festival, the Vrhun festival.
23:41You understand? Art and culture, the nature of art.
23:43It's now in mode.
23:44In mode, right?
23:46Stop, let's hear it.
23:48And the point is that she needs to call Gudonija.
23:51What?
23:51And to call him to the festival as to make him a chance to come to the festival.
23:56He needs to make him a chance.
23:57Yes, you understand.
23:59Stop, Garane.
24:00And what does it make me feel like there's something bad?
24:02That it's something bad?
24:04What?
24:04What?
24:06She's calling him to participate in the festival,
24:09and he's supposed to give him a cup.
24:11A cup?
24:11Yes.
24:11And how much?
24:1210,000 euros.
24:14Who?
24:1610,000 euros.
24:17Well, let's see how much of that is when someone plays with him.
24:20They play with him.
24:22Let's give him a little bit.
24:23Okay, good, Garane.
24:24Just a little bit.
24:26Just a little bit.
24:26It's all right.
24:27But I think there's a little problem here.
24:29What?
24:30Besides that, of course, that's the plan.
24:32It's all right.
24:44It's all right.
24:45It's all right.
24:46It's all right.
25:16It's all right.
25:26It's all right.
25:31It's all right.
25:39It's all right.
25:41It's all right.
25:41I mean, on the other hand, Tambor doesn't know who is my friend.
25:44I know who is my friend, because he is my friend.
25:47But Tambor doesn't know.
25:49But on the other hand, Tambor doesn't know me.
25:52I want to stop the stage and sing.
25:56Ksenija, what are you talking about?
25:59I don't understand anything.
26:02I don't understand.
26:04I understand.
26:05He says that I will save him.
26:08But why do you save him?
26:11From him.
26:12From him.
26:13From him.
26:16Ivona, listen.
26:24He says that they kill him.
26:27And we have to leave him from the street.
26:30That's it.
26:32Oh, Ksenija, it's a hard story.
26:35I know.
26:37You can see how hard it is.
26:39I have to fight between him and himself.
26:41And when I'm thinking about it, he will never forgive me.
26:44And I honestly thought that we will forgive ourselves.
26:47And we will never forgive ourselves.
26:50And on the other hand, Tambor, who will let me sing here.
26:54I need an outstanding desk.
26:56Yes.
26:57He put you in a difficult position.
27:00Yes.
27:02Yes.
27:04Tambor will never help me if...
27:06If you don't do what you need from you.
27:09Yes.
27:10Yes.
27:11Yes.
27:27Yes.
27:30Yes.
27:30Yes.
27:30Yes.
27:30He's interesting. He's wonderful. He's amazing. He's very special.
27:37You really loved yourself. Yes. Yes, I'm really happy because of that.
27:56Gabriel, do you want me to tell me what's going on? How much is this? I can't wait anymore. I
28:02can't wait until this time.
28:04Gabriel, calm down. We're working on it. My people work day and night.
28:08I'm listening to someone who works on it and nothing can happen.
28:10It's not something that can be done until night. You have to have patience.
28:16I don't want him. I'm going to lose him. It's all going to be done.
28:20Just don't want to do some sudden tricks.
28:33But I'm not going to lose him. I don't want him. I don't want him. I don't want him. I
28:36don't want him to lose him.
28:36If you're sick, you'll get his life into the fire. You're going to die.
28:40Like a circus when people live in the fire.
28:44What do you think?
28:45The pancheta is not going to give me.
28:46Do you want her to return the money?
28:48What do you think of her?
28:49And how do you do that?
29:00I'm going to go to her.
29:00Are you coming?
29:01I am at the meeting, we're waiting for them.
29:03Okay, all right?
29:04I just grabbed the trama in the last time.
29:07We're waiting for them, all right?
29:09Okay, it's normal to be the trama, but it's important to go.
29:13It'll be, it'll be time for us to bring us.
29:16No, I don't want to leave it when you finish.
29:17Okay, okay, let's go.
29:32What's wrong?
29:39I pray.
29:40I, ciao, jel' radiš možda si u Gužbjaca?
29:42Da i da.
29:44Slušaj, imam jednu malu molbu za tebe.
29:57Pogledaj tu stranu.
29:59Ovako?
30:00Mhm, baš tako.
30:02Mhm.
30:02Mhm.
30:06Mhm.
30:10Sad pogledajte direktno ka svetici, ka meni, molim vas.
30:24Baš mi je dragoz bog mene Igora. Baš.
30:31I meni isto.
30:33Lea, šta ti je?
30:36Ništa.
30:37Šta ti je, Lea?
30:49Kako ne može?
30:50Tako lepo ne može. Ruke su mi vezane dok se sve ovo ne raščisti.
30:54Znači tako?
30:54Tako.
30:55Dobro. Onda ću se ja obratiti nekome kome ruke nisu vezane.
30:59E, znaš šta, Vanja?
31:02Uradi onako kako misliš da treba.
31:05Eto.
31:06Dobro.
31:20Dobro.
31:21Doktor, el...
31:23Je li ima nade?
31:24Je li ima nade da neću slepeti?
31:28Pa što čutite sad?
31:30To.
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