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Igra sudbine, Epizoda 1848, Igra sudbine 1848, Igra sudbine 1849, Igra sudbine Epizoda 1848, Igra sudbine Epizoda 1849, Epizoda 1849 Igra sudbine, Epizoda 1848 Igra sudbine
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00:00Weuld 25
00:12You've come back to Rome.
00:14Yes.
00:15Can't you be so mad like you.
00:17What?
00:18You're more personal in Peru.
00:20Do you know where you are?
00:21That's it.
00:22That's it.
00:23What do you want to do?
00:25I'm you.
00:26I don't know.
00:28Mmm, on the seventh.
00:32What kind of pact?
00:34A stable, rational and long-term pact.
00:37I need the ministers.
00:39Let's listen.
00:41I want to get Gertrude's heart.
00:44You see, your fantasies are practically impossible.
00:48Yes, but if we go, we'll be together.
00:50But if we're together...
00:52You really don't know that you're playing with a living heart.
00:57Listen, I need this information.
01:01Whether you know it or you don't know.
01:03If you don't know, tell me about it,
01:05because I really don't think that I lost time.
01:06Those names are the secret.
01:08I'm still known for them,
01:10because I'm with eyes and eyes.
01:12But I'm not seeing you soon.
01:15I'm here to meet you.
01:17And see how you are.
01:18Well, it's hard to see you.
01:21I'm going to make a pause.
01:23And pause is good.
01:25Always good.
01:26And I'm good.
01:27I've heard you with me,
01:28so you'll get me in a very good way.
01:32And when will I get the opportunity to meet you?
01:35Soon?
01:36I don't have a job.
01:37We'll do it.
01:39Okay.
01:40Let me ask you.
01:41I can't wait for you.
01:44You're the only one.
01:45You're the only one now.
01:48You're the only one.
01:50Oh my God.
01:54Oh my God.
01:57Oh my God.
02:00Oh my God.
02:02Oh my God.
02:03Let me hear it until the end.
02:06Well, nothing. In principle, that's all. I'm trying to get out of trouble, try to create a sense that everything
02:13is okay, but no.
02:15And how do we go?
02:17What?
02:18What is it?
02:19I'm trying to get out of trouble.
02:22Enka, do you have any contact with someone in Vili Kanački?
02:28First, it's now Vila Užjegovic, and second, I don't understand why it's interesting now.
02:33Hmm, I'm interested in something.
02:36No, I haven't been in contact with Alex when I'm hurt, as you know.
02:42What are you saying, Mido? Well, it's wrong.
02:46Listen to me, tell me what you heard. I think it could be a little different, understand? A little more?
02:52No, no, my...
02:54Well, that's not my female intuition.
02:57That I'm not engaged in all the way I'm engaged.
03:02But Rospijetina would have destroyed her life.
03:06A little bit left for me.
03:09Especially after everything that happened to your parents.
03:13Yes, unfortunately, it's in the past.
03:16And you're the only one left.
03:20And it's important to know how you're, whether you're good.
03:25I understand. I think you're the only one left.
03:29I think I'm sorry.
03:30Lenghav.
03:30I know, I just want to be in touch with you.
03:33And for your wife to be in touch with me.
03:34What?
03:36Why did you call her husband?
03:39He came here, you've met him.
03:41Yes, yes. Relia, if I can remember.
03:45Relia.
03:47That's it.
03:49People didn't. I was looking for him.
03:52He didn't get away.
03:55Oh.
03:56I can't see anything.
04:00Do you believe me?
04:04I feel his pain here.
04:09I feel that...
04:12That terrible pain from the anger.
04:16It's all over there.
04:17I'm going to get away.
04:19What do you want to say?
04:21I need to lie on their provocations?
04:23That they will be unbearable and I will lie to them?
04:26That doesn't lie to me, Gabriela.
04:29Okay.
04:30I recommend you to lie.
04:32I agree.
04:35Maybe you will be lying on the ground under the Nusave.
04:40Half of the city, Jurit.
04:42All the greatest crime is to kill you.
04:45You look at your face and look at what you say.
04:48And you don't tell me about love.
04:52Okay, okay.
04:54My brother, what do you want to tell?
04:56Let's talk about how we find Dr. Milosevic and Natasha.
05:03What did you think?
05:06What did you say to you?
05:10I did not have a sense.
05:12I got a sense.
05:13I'm going to lie.
05:14What did you say to me?
05:15What did you say to me?
05:16Yes.
05:17Oldman, hold on me for the hands.
05:20So I don't punch him.
05:21What did I say to you?
05:40They say that life is writing novels, they say that life is not fair.
05:48They say that life is not fair, they say that life is not fair, they say that life is not
06:10fair.
06:20They say that life is not fair, they say that life is not fair, they say that life is not
06:39fair.
06:39They say that life is not fair, they say that life is not fair.
07:20They say that life is not fair, they say that life is fair.
07:26They say that life is fair, I don't have money to finance it.
07:31I just wanted to talk about it, maybe we found a solution.
07:35How?
07:37I ended up a pact with Žikom.
07:41A pact with Žikom?
07:43What a pact with Žikom?
07:44He wants to develop Marijanu again, but he is so blessed to understand that he can't do it himself.
07:51And then if I help him to help him again, he will finance Ivanova treatment.
07:59So Žikom will sponsor you all this?
08:02Yes, sponsor treatment treatment glaucoma, Pechenjara Cvetić.
08:07I don't know what I'm saying, but okay, let me use it for you.
08:11Thank you for taking care of yourself.
08:14It's not like I have another choice, but I have a dilemma.
08:19How?
09:00Good. What do you want?
09:02Don't worry about it. Why are you so dumb? How do you do that?
09:06I have to tell you a little bit. Do you know?
09:09Let me tell you what you want. What did you call me?
09:18It was a mistake. It was a bad mistake. It was a bad mistake.
09:26It was a bad mistake. It was a bad mistake.
09:26A bad mistake? That's a bad news.
09:32If you can't help me, everything will come out.
09:37It was a bad mistake. You know what?
09:42Well, it was a bad mistake.
09:45I'm on the way to become a bad guy.
09:48So, there will be a lot of interesting photos from me in the next period.
09:53I don't want you to be like this. You don't need me in depression.
09:57You need me to be alive, healthy, comfortable.
10:01You really hurt my ears.
10:02You really hurt me.
10:04Listen, you need to start thinking about my dad.
10:09It's the only money from the charity.
10:12It's easy to do.
10:15I see that you don't have to worry about it.
10:18I'm going to ask you something and then I'll leave you at peace.
10:23Do you know who is the person with the camera?
10:26With the photos I gave you?
10:39Mariana is an intelligent woman. I don't know how I can tell her to love her again.
10:47You can't imagine that you can't believe that success was 100%.
10:51Yes, I told her that I'm telling you.
10:53I'm afraid when I'm forcing her to help her, she'll be able to leave here.
10:59and I don't want to.
11:01Why don't you try to test the terrain and see how it is?
11:08What do you do?
11:09First, try to know why that marriage didn't have been taken away.
11:13We know that Žika wasn't the most brilliant star on the sky,
11:16and that he was a big fool,
11:18but maybe that wasn't the reason for that break.
11:21In other words, how did it come so quickly from love to mržnje?
11:24There's definitely something else.
11:26You're a memory.
11:28You're right. You're right.
11:30If we know what the reason is,
11:32then we can try to solve it.
11:35And try to solve it.
11:38Yes, I try to do it with the strategy.
11:41Just watch that Marijana doesn't know what you're doing.
11:44No, don't worry.
11:45Come on.
11:47Come on.
11:49Come on.
11:56Here, James.
12:09Can you see what?
12:11Sorry.
12:12Oh, wait, no...
12:15By that picture...
12:16Yes?
12:16Yes, you got to know what I heard of.
12:18Yes?
12:19And someone?
12:22Yeah, I got to know what's the thing?
12:23It sounds cold, before that it happened.
12:27On the photograph of the famous Mr. Alexandre Checheau.
12:35Checheau, what is my name? French?
12:38Oh, you see our memories, how you did it.
12:43Yes, it is.
12:45I call him French.
12:48Yes, but he is our family.
12:50Interesting.
12:52What does he want to do with us?
12:54I have no idea.
12:56I don't know where he lives, I don't know where he lives, I don't know what he eats.
13:02I know, but they say that he is the first class of Lopov.
13:09Lopov?
13:10Well done, Nešice.
13:12You are wonderful, dear.
13:15Thank you very much.
13:17I see why I called you.
13:20All right, while you're in suspense, I'm sure that you have more free time.
13:25So, let's do it well and useful.
13:29What do you say?
13:40What do you say?
13:43What do you say?
13:54I'm really happy that you came to visit me today.
13:57I'll come every day. She's your boss.
14:01Mateo, I pray.
14:03I've just said the truth.
14:08Come on, listen to me.
14:11I really like when you come, but...
14:15Is there any problem?
14:17Look, those people in my company, where I work...
14:23They...
14:24Nobody knows who I am, you know?
14:27Nobody has a family, my father, my brother, nothing.
14:31Why?
14:32Because I like that. That's the best.
14:35You've been a little less than black.
14:37I know. I trust you. I know it very well.
14:42You have a great dose of security.
14:44In any sense.
14:46I know. I don't want anyone to know who is my family.
14:51I've always wanted to have a kind of anonymity.
14:56And that brings me now a freedom. Normalness.
15:00I've always been a part of that.
15:03But that normalness can protect you.
15:06You see, I'm a young girl and I know that I'm alone.
15:12Okay.
15:13I will respect you all your decision.
15:15But I don't want to ask you that you don't want to lose your heart.
15:22Can you tell me I have a boy?
15:24I don't want to be speech stands for you.
15:28Can you tell me?
15:29I'm very lucky for you.
15:31I can't have a call.
15:35I can't tell you about anything.
15:37It's just like you don't want something to do with me.
15:40I'm not going to be back at all.
15:41I've got to be the same for you.
15:43I've got to be the same for you.
15:45But?
15:45Do you speak English? Russian maybe? Oh my god!
15:49Give me this word, man!
15:51Let's live!
15:53Lord, 100 years old!
16:24I'm sorry, I woke up.
16:26No, I can't sleep. I'm already dead.
16:29I understand.
16:35How was your day today?
16:38No, no special thing about you.
16:41Well, it was interesting.
16:43I don't know why it happened.
16:46I would like to be a little more interesting,
16:48to be something that happens,
16:50to be a little happy.
16:51Well, you see.
16:54I spoke with your mother.
16:58Okay.
16:59What did you say to me?
17:01She had an unusual request from me.
17:05What a request?
17:19You lived, Miro. Legend.
17:22Son, I really want to be with you.
17:27But I promised I was in Urošu.
17:31What did you say to Urošu?
17:32What do we have with Urošu?
17:34My biggest desire is to do it even together.
17:37But why did I do it with Urošu?
17:39I don't want to do it.
17:42What do we have with Urošu?
17:44I don't understand. What are you talking about?
17:47I gave a complaint.
17:49I don't want to break.
17:50What a mistake, man.
17:52You hear yourself.
17:53What are you talking about?
17:55That's what I understood in our world.
17:58What a world, man?
18:01You hear how stupid you are talking to me now.
18:04Maybe it's better.
18:07You just said you don't want to have a connection with our world.
18:09What world?
18:10You're the only one.
18:11You don't care.
18:12You're right.
18:14You know what I'm saying.
18:15This is not an example.
18:23I want the best.
18:30She said she lost her baby.
18:33But she wasn't difficult.
18:35You know what?
18:36What?
18:37What's your name?
18:38What's your name?
18:38What's your name?
18:38What's your name?
18:39What's your name?
18:39Hey, tell me.
18:44Do you have whiskey?
18:50Did you know me?
18:54Maybe.
18:56Do we know of someone?
18:59But only if you dream of me.
19:03I dream of you.
19:04I dream of you.
19:08Do you want me to know what you want?
19:26It was quite direct to the request.
19:30Okay, you know what it is.
19:31What are you asking?
19:33She would want another daughter.
19:37Who is that?
19:39She says she will leave you.
19:43What did she tell you?
19:44What did she tell you?
19:45She told me it was uncomfortable.
19:48Maybe because it is true.
19:53Really, Alexa, you leave me.
19:56Well, Gabriela, you see, it really isn't like that.
20:04Maybe...
20:05I would have been able to do that in the evening.
20:08I don't want to die.
20:09I don't want to die.
20:18I don't want to die.
20:25She is apologizing.
20:32I don't want to die.
20:39I don't want thePro Lip ولا sign up.
20:41She's yucky.
20:42No problem.
20:46Evo me.
20:47Kasniš?
20:49Aha. Oh, vidi stvarno, imam razlog za to.
20:53Koji je to razlog?
20:54Ne primećuš? Pa doterala sam se.
20:57Šminka, frizura, odeća.
21:00A, to je razlog.
21:02Pa znaš kako ja sebi ne dozvoljavam
21:04da me jedan tako moćan muškarat kao ti vidi u lošim stanju.
21:09Za svaki naš susret ja se posebno spremim.
21:12Jel ti to mene malo forteš, malo mene vezaš, jel?
21:16Pa ne znam.
21:18Meni je važnije kad stižeš, da li stižeš, imaš li nešto za mene,
21:23a ne kako izgledaš.
21:24Dobro, ali držim do sebe svakako. Ne brini, donosim ti dobre vesti.
21:28Koje su dobre vesti, čujem?
21:30Nemoj da si nestrpljiva. Ja bih da popijem prvo piće.
21:33Kona bar.
21:36Nemoj da si igraš u mojem istrpljenju.
21:40Govori.
21:43Dobro, polako. Izvini.
21:45Saznala sam ko je čovek sa slike.
21:48Ko je čovek sa slike?
21:50Reći ću ti.
21:51Ali prvo malo da pričamo o novcu.
22:06Ajde.
22:07Ajde, ajde.
22:08Šta je bilo?
22:09Šta je bilo?
22:10Ne, ne, dobro mi je, dobro sam.
22:12Jel teka dobro?
22:13Dobro sam, dobro.
22:14Našla sam ga, našla sam ga ovde na podu.
22:16Pa dobro, šta se desilo? Šta je bilo?
22:21Našla sam ga kako leži na podu, nešto je tresnulo, utrčala sam, on je gledao ovako u plafon koliko da
22:26ne znam gdje se nalazi. Ne znam nije šta se ne znam.
22:51Nego moram, moram da požurim, moram da idem na voz. Gde mi je karta?
22:55Kaka voz?
22:56Kaka voz?
22:58A ne, ne, ne, nešto sam se zbunio.
23:01Jo, meni ovo uopšte ne zvuči dobro, ja ću, ja ću da zovem Hitno.
23:04Ajde, zovem se voz.
23:06Svi okej?
23:06Dobro, dobro.
23:11Halo? Hitna služba?
23:13Vilao Žegoviće. Da, muž mi je pao, muž mi je pao i ne znam, verovatno ima potres mozga, ne znam.
23:19Nije ništa strašnimo.
23:32agents Digital
23:46Uuuuuu.
23:47Pa ti si već stigao da se napriš.
23:52I'm sorry.
23:52Did you call me to help me a little?
23:56Let me see. What are you talking about?
23:59Why are you laughing? I don't call you for that.
24:01Let me tell you what is.
24:04If I'm going to get angry, I'll never sleep.
24:07Listen, you're good to see us in the club.
24:11I'm really happy with you.
24:13Oh, you're welcome.
24:15Let me tell you.
24:17What do you want? Let me tell you.
24:19You're good at the radio.
24:20What do you want?
24:21I was great as a producer.
24:24I didn't believe it.
24:27Don't worry.
24:27It's just a stressful situation.
24:30It's going to change.
24:32Just a little while now.
24:34That's how it is.
24:35That's how it is?
24:38Amazing.
24:40See, I lost my life, my career, my love.
24:46I lost my life.
24:49I lost my life.
24:50What are you talking about?
24:51What are you talking about?
24:51I'm telling you exactly how it is.
24:52In the best years.
24:54You can call me a rap.
24:57And you're like, what are you doing?
25:00When he doesn't go, he doesn't go.
25:02Let me tell you.
25:03I won't hear it.
25:05I'm sorry.
25:06That's not a woman.
25:08And my son.
25:09Is that right?
25:10Go there.
25:11Go there.
25:12Go to sleep.
25:12Get up.
25:14Get up.
25:15Get up.
25:15Get up.
25:16Get up.
25:16Then you'll get a new job.
25:19Is that right?
25:20I understand, General.
25:22Get up.
25:47Okay, maybe he fell down, maybe he fell down, he didn't see well, I think it happened.
25:52Yes, or a pressure.
25:54But he said he never had that.
25:57No.
25:58Just that he didn't hit.
26:00Okay, Olga, we're really not doctors, so...
26:03Yes, really, we shouldn't give him the diagnosis.
26:11Doctor, how is it?
26:13We watched Ivana.
26:15And how is it?
26:24How is it?
26:25How is everything paid?
26:27I'm talking about my money.
26:29Pa, paid.
26:31Pa, paid.
26:31Good, you said.
26:32I, when I saw the last time I saw the money, I did everything for you.
26:36I did everything.
26:37A, is it that you're doing for me?
26:39Is it that you're doing for me?
26:40Is it that you're doing for me?
26:57Is it that you're doing for me?
27:01Hmm?
27:02Here it's yours.
27:03Okay, there's no need to do that.
27:05There's no need to do that.
27:07There's no need to do that.
27:09There's no need to do that.
27:21There's no need to do that.
27:22There's no need to do that.
27:23There's no need to do that.
27:23We can do that.
27:25I'll cut you off the head and then we don't have any problem with transakcijama,
27:29novčanim, and others.
27:31The person with a picture is called Alexander Cheshaw.
27:34He's our friend, but he lives in France.
27:37He's just calling him French.
27:40What does he do here?
27:41I don't know.
27:43He's a mystery, even for the police.
27:47Is that all?
27:47Yes, but we have another problem.
27:51And that's all.
28:03We've done all the necessary analysis.
28:06And according to what we know and what we see,
28:09everything is in order.
28:11Everything is in order?
28:12What did he do then?
28:13Did you shoot him?
28:15Yes.
28:16No, we didn't shoot him.
28:18No need to be for it.
28:20No need for it.
28:21There's no need for it.
28:21No need to be oriented.
28:23He answers to questions.
28:26He's also got a clout on the head.
28:29It's also got a blackhead.
28:31I don't know.
28:32Is there a chance to hit?
28:36Maybe there's a hit?
28:37Maybe there's a hit?
28:39Maybe there's a hit?
28:46Okay, but what are the symptoms?
28:49The pain, the hurt, the pain, the pain, the sleepiness that is not usual.
28:59So, if you have anything from that, you must ask me.
29:03The man fell, that is a normal thing, right? Sorry, I have to go.
29:14What are you doing?
29:15Ivane!
29:15What are you doing? I'm alive. I'm just a little bit off.
29:20What are you doing? We're doing it.
29:23Let's go. Let's go.
29:25Okay.
29:41Let's go.
29:41It's all kind of like a problem.
29:45We'll have to talk about our friends.
29:48It's not for me, and I want to go all the time.
29:51Okay. What is the problem?
29:52The problem is that Nebojša had a suspension in the process.
29:56Why?
29:57Why?
29:57Why?
29:58Well, it's probably because he lost a few last mistakes,
30:03while working for us.
30:05And maybe because of his internal control over the door.
30:10And how do we use it for him?
30:12I mean, some of his contacts.
30:16But incognito.
30:17I know, I know. I'll see what I can do.
30:21But we won't necessarily have more than what we had.
30:24But we're a little bit off.
30:27Okay.
30:27I'm thinking about this.
30:29We're a little bit off.
30:30Yes, we're a little bit off.
30:30Yes, we're a little bit off.
30:32Yes, we're a little bit off.
30:33But you can think about something else?
30:37What do you think?
30:38About my monthly payments.
30:42Sorry, I'm a little bit off.
30:46I'm a little bit off.
30:47Of course, I can.
30:50You're amazing.
30:50Can I take you out?
30:53What do I have, I will make it.
30:59I have to do it.
31:01We'll give you more than I will.
31:02Bye.
31:04Bye.
31:06Bye.
31:07Bye.
31:08Bye.
31:10Bye.
31:11Bye.
31:12Bye.
31:14Bye.
31:28Good day, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:30no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:31no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:33no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:33no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:35no, no, no, no, no, no, no, no, no, no, no, no,
31:47And Jabe, what did you do? What did you do?
31:50What did you do?
31:54Jabe, believe me,
31:55it's not possible to be like a great,
31:57a very strange person.
31:58It's not possible to be like that.
32:01And you can be free to bring it to you,
32:04and you can be free to bring it to me,
32:05and you don't have to do it to me.
32:07You can be free to say it to me once again.
32:11No.
32:12It's not my thing.
32:17No, no.
32:19No, no, no.
32:21No, no, no.
32:22A child, a child,
32:24no, no.
32:25No, no.
32:27Okay, are you really thinking
32:29that I am the life?
32:30I pray that I am?
32:34No.
32:36What do you think?
32:37I am a little girl,
32:38I am a little girl.
32:38No, no, no.
32:42No, no, really.
32:42I mean, I tell you,
32:45you are my dear brother,
32:47but I know very well how many of you are,
32:50and how many of you don't know.
32:52Believe me,
32:53I've always been on your side.
32:57Okay.
33:00Let's see,
33:00we'll get into something.
33:01We'll get into something.
33:07We'll get into something.
33:08I wanted to...
33:10I wanted to ask you to tell me
33:13to talk to me something about.
33:15You know, I have my own idea.
33:18You know,
33:18I know that you are such a intellectual woman
33:22in your job.
33:23You know what?
33:24You know what?
33:24You know the whole town.
33:25You know the whole town.
33:26But I know the whole town.
33:26I know that I'm new in this town.
33:28I don't even know anyone.
33:32Okay.
33:34I mean, that's a lot better.
33:37That's true.
33:37I am someone who knows the city.
33:40I value the city.
33:41I mean, I love everyone.
33:44From all structures.
33:46I'm fine.
33:47I'm fine.
33:47I'm fine.
33:47I'm fine.
33:48I'm fine.
34:06I'm fine.
34:09I'm fine.
34:11I'm fine.
34:13I'm fine.
34:13I'm fine.
34:13Not sure if we can't call her.
34:18I don't know who I am.
34:25What do you call?
34:28I thought I'd open my astrological page.
34:36What do you know?
34:39Astrological management, horoscope, etc.
34:46It's like...
34:51It's like a natal card. It's a circle, and you look at all my life, and you'll see all my
34:56life, and you'll see everything like that.
35:05Hey, Iko, are you okay?
35:08Yes, yes, it's okay, I don't care.
35:10Do you know what you care about?
35:11You look at some of the sun.
35:15The sun is dark.
35:16But the sun is dark. The sun is not anything. The sun is a super sun.
35:32So, Milena, listen to me well.
35:35What is it?
35:36It's not what it is, but I pray. It's the main culture.
35:38It's the main culture.
35:40It's like this.
35:41I get a lot more.
35:43I get a lot more of those magic, fighting, abracadabra moments.
35:49I get a lot more of those.
35:51I get a lot more of those.
35:52I don't care about it.
36:06What do you mean by us?
36:11I'm very smart.
36:13More than usual.
36:16I have something to tell you.
36:18Listen.
36:20I came out with Suno.
36:24What do you mean by us?
36:25What do you mean by us?
36:27What do you mean by us?
36:36See l couples all say that they were not so close.
36:40Everyone seems like.
36:41Everybody meets everything.
36:42May I please?
36:46You married in the name of the Meta?
36:49Yes, yes.
36:50I'm a Meta, I'm a familiar personality.
36:52so that you could read it on the news.
36:55It's one thing, the other thing is...
36:56Wait, did they didn't say,
36:57don't let you go with a big Dijanomerski, Dijanerski, a lion?
37:00That's what you see on me.
37:03And in the description, you're a snake.
37:32I mean...
37:34I mean, I've been talking a few times,
37:36and I saw that no one was open,
37:37so I said, I'll go back and go.
37:40I'm sorry.
37:53Ehm...
37:54Vidi...
37:55Nešto sam tela da te pitam.
37:58Izvini, ako budem bila...
38:00indiskretna.
38:02Ne ma problema, recite sloboda.
38:04Onako, već duže vreme hoću...
38:06hoću nešto da te pitam.
38:08A što?
38:20Me nema potraga.
38:22Ne želim da pravim problem između starih saradnika.
38:26Ako nije za moj usir, ipak ne hoteš.
38:29Iam puno posla.
38:43Zasna ostal.
38:56Zasna ostal.
38:58Ma...
38:58Piti te onako...
39:00iz radoznalosti čista, mislim.
39:02Mhm.
39:03Ne bih ja rekla da je samo zbog toga.
39:06Ne, stvarno te pitam,
39:07zato što sam radoznalost.
39:08I don't know what to do.
39:10Tell me, what is the reason why you ask me?
39:14Nothing.
39:15I wouldn't say anything, it looks like something.
39:18Well, it is and it is not.
39:20I mean...
39:36That means, love.
39:40That means, it is the question.
39:44That little girl.
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