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Igra sudbine Epizoda 1827,Igra sudbine 1828,Igra sudbine 1827,Igra sudbine Epizoda 1828, Igra sudbine Epizoda 1827,Epizoda 1828 Igra sudbine ,Epizoda 1827 Igra sudbine
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00:13I'm not a guest, but ask me a little bit if I wanted a partner like you are?
00:19I need a man who is old, and not a dealer who acts like a clown.
00:23Good, good. I'm just going to invite you a little bit.
00:29I'll leave you for 15 minutes. I'll ask you.
00:32Listen, you have five.
00:35Okay, what is it?
00:36You're all in Japan.
00:38Guys, we need to work together.
00:42I'm not called you today as a performer,
00:46but we have one important task.
00:49What's on the day?
00:51One of the things that you've talked about.
00:54Is there any fun?
00:56No.
00:57But one who has a bad attitude on your head.
01:02No, no, no, no.
01:04You look fine.
01:05See, there's some weird ones.
01:08That's the thing I can't remember here ever.
01:12The biggest maniacs look the most normal,
01:15even if they don't become different.
01:18As you can see,
01:19there's no more chaos.
01:22Let's say it is.
01:25Okay?
01:27Okay, let's say this.
01:27Hello, my friend.
01:29I'm sorry I forgot you're going to be lying.
01:34What did you say?
01:36I forgot you, my friend.
01:44I forgot you, my friend,
01:46I don't know what I'm going to do.
01:49I don't know what I'm going to do.
01:51Eh?
01:53This is going to be removed.
01:55What's wrong, brother?
01:58Nobody does not guarantee that he's going to throw up with a group tomorrow
02:01or that he's going to kill him.
02:03What's wrong?
02:05Wait, what would you do if he wouldn't have?
02:08What's wrong now?
02:10God, I'm going to bring him into empathy
02:12and start to break.
02:16What's wrong?
02:26Excuse me.
02:28Nothing.
02:29What's wrong with your colleagues?
02:31Do you think about my unemployed?
02:34Is there some problems?
02:36Well...
02:37This is a company.
02:39Maybe that's the problem,
02:40because the company is a place on whom you work,
02:43and not a place for private jobs.
02:45Let's go back and turn the job back.
02:48When you speak, you are talking about that.
02:50I am right to talk so.
02:52I know that many people are in society.
02:55I'm Meligoro.
02:57I'm promised that I will hold this family,
02:59his family,
03:00hold his family,
03:02and be quiet and calm.
03:05Good.
03:05What's your connection with you?
03:07You don't have any connection with you.
03:09I'm the man, I'm the man, I'm the man.
03:14Everything is useless.
03:17To spend money we don't have,
03:19it's better than me, I don't know,
03:21to send me to a monastery.
03:23It's not worth it.
03:24It's not worth it.
03:25It's not worth it.
03:25Even if I'm free from you,
03:27I'll get rid of it.
03:29It's better than me.
03:30That's what you thought.
03:31That's your decision.
03:32That's your decision.
03:32You don't have anything to do with us.
03:34You're right.
03:35You're always giving me a post.
03:36You don't give me,
03:37but I'm just wondering
03:39what you're going to do with you.
03:42I'm actually thinking
03:43that I'm going to renovate the house.
03:45So I'm going to be a little bit
03:47for you.
03:49Why not?
03:50I mean,
03:51the house is a tip-top meeting.
03:53Chefs,
03:53how are you in a nice day?
03:56Come on,
03:58I'm asking you to love you.
04:00Tell me.
04:00What do you think?
04:03How did you improve the investigation
04:04with Dr. Bujošević?
04:07That you,
04:08against me,
04:10together with me,
04:11together with them,
04:12instead of fighting with them,
04:14and then you,
04:14together,
04:16you're going to shoot them
04:17on your own.
04:19Baby,
04:21I don't understand you until now.
04:23I don't understand you.
04:24I don't understand you.
04:24I'm not even closer than ever,
04:25but I don't know how to use it.
04:29Ah,
04:30you want to help us with Marianne.
04:33So,
04:33what do you suggest?
04:35I suggest one thing.
04:39I need something else from you.
04:41I'm standing on the floor,
04:43Madame.
04:44I hope you have this information,
04:46because if you don't have it,
04:47you'll see it without thinking.
04:49Ah,
04:50let's go.
04:52How do you call the child,
04:53Velvora Tomic?
04:54you are going to fowl.
05:16And get better if you need something.
05:23Adios.
05:24But often it's mine, and everything is useless, apart from my fate.
05:37Like in love in the war, there is no rules.
05:46You have only one life, only one chance to be someone.
05:52Because the star is all mine.
05:59A game of fate is like a circle of happiness.
06:04Someone will want someone, someone will not.
06:08Like in the sea, everything is over.
06:13And we are our own fate.
06:17So you should be there.
06:20Oh, oh.
06:24Oh, oh.
06:33Oh, oh, oh.
06:45Oh, oh.
06:57Favro, what kind of pact do you suggest?
07:00It's a stable, rational and long-term pact.
07:03We need a committee.
07:05Let's listen.
07:06I want to acquire Gertrude's heart.
07:09You see, your fantasies are practically impossible.
07:14Yes, yes, but if we start now,
07:16but if we're together...
07:19Why can't we do that?
07:21To help me with the fact that I'm going to die from the dead.
07:24Well, I'd say it's a terrible minus.
07:27Whatever it is, I ask for the return to help Ivan to pay the treatment.
07:32You pay the treatment?
07:34Yes.
07:35The funeral will be the donor, as it is said,
07:39and we will help you,
07:40and you for the return to help me with my love.
07:42What do you mean by love?
07:43The funeral will be the funeral.
07:46I don't know how do you think about it.
07:49How do you deal with the funeral with the ophthalmological treatment?
07:53Well, there is no connection.
07:55But there is no connection,
07:56but there is no connection in my house.
07:57I don't think it's possible to help me.
07:59That's what I'm saying.
08:01One hand, one hand.
08:01What do you mean by my voice?
08:16Oh, there is no ringing in my house.
08:19What do you mean by myocyit?
08:22I don't want to ask you something like that.
08:24You're like you don't know if you have a problem
08:25when you look at yourself like Mrs. Topic.
08:29Your happiness is that I'm a soul
08:31who loves to be crushed.
08:34I told you that you don't give me.
08:37I picked up that title
08:40And you thought about everything else
08:41and then you're still connected with you.
08:43You don't know how you play with a living light.
08:49Listen, you need to know this information.
08:52Do you know it or you don't know it?
08:54If you don't know it, tell me about it
08:56because I'm really going to think that I lost time.
08:58Those names are secret.
08:59Sinji is also known
09:01because I'm looking at my eyes.
09:03But I didn't see my daughter.
09:06I think the girl is in another branch.
09:08She has her own own life.
09:10You don't know names.
09:11I know.
09:12But tell you nothing from me.
09:14Who cares about who I've heard?
09:17Tell me names.
09:18Okay.
09:21Relja and Suna Topic.
09:24Are you ready now?
09:42Bye-bye.
09:44Bye-bye.
09:45Bye-bye.
09:47You and I?
09:47You just want me to be a little 순fated.
09:50Bye-bye.
09:51I will get a look at you.
09:54Well, it's hard to see, I'm going to make a pause.
09:59It's always good.
10:01And it's always good.
10:02And it's always good.
10:04So, I'm going to get you in a very good way.
10:08And when will I get the opportunity to meet you?
10:11It's soon.
10:12It's soon.
10:12It's always good.
10:15I'm going to ask you.
10:18I'm going to ask you something.
10:21I'm going to ask you.
10:23When are you so much interested in my life?
10:27Well, that's normal, natural.
10:29My family is.
10:30We are, of course.
10:32But it's not as if we are unparalleled.
10:35You know, when I heard the news about what happened to you,
10:41I couldn't reach out.
10:44But there's still one thing that I'm here.
11:03I understand you, but I don't know how to do it.
11:07It's always a way.
11:08I mean, if she doesn't want you, I don't know what we can do here.
11:12You know, we are evil people.
11:13Yes, Jiko.
11:15You know it's impossible to be.
11:16She's an intelligent woman who is holding herself.
11:19And if she doesn't want you, I don't know what we will do.
11:24How do you see?
11:25I'm going to make a plan and we will be able to do it together.
11:29That's right.
11:30You see.
11:30I'm going to ask you, and you are on my side.
11:33Well, we will not go.
11:35Let's go.
11:36Let's go.
11:36I'm going to ask you a little bit about Puls.
11:38That's right.
11:39Puls.
11:39Puls is important.
11:40That's right, Ivana.
11:41Yes.
11:41I see.
11:42There is a way to give up your relationship.
11:45That's right, her relationship towards you.
11:47Those are the best messages.
11:49Those are the most important messages in my life.
11:50The first time I was pregnant.
11:52I'm so...
11:53I'm sorry, I'm sorry.
11:55I'm sorry.
11:55Okay, okay.
11:56I'm sorry.
11:57I'm sorry.
11:57Thank you very much.
11:58You're welcome.
11:59You're welcome.
11:59You're welcome.
12:00You're welcome.
12:00You're welcome.
12:00I'm sorry.
12:00I'm sorry, fair boy.
12:01You're welcome.
12:03You're welcome.
12:04You're welcome.
12:13Fucking listening to me.
12:20You're welcome.
12:26Thank you, really.
12:27Thank you so much for the time that I have to go.
12:28Thank you so much.
12:29It's all you are welcome.
12:31I couldn't believe it.
12:33Yes, but it was the past and I wouldn't be able to get back.
12:39I agree.
12:41But I haven't left a little.
12:46Especially after everything that happened to your parents.
12:50Yes, unfortunately, it was the past.
12:53And you were the only one.
12:57And it's important to know how you are, whether you are good.
13:02I understand. I think you are the only one left.
13:07Lenka, I wanted to visit you with the ruins of your memories.
13:11I know.
13:14But I wanted to hear whether you are happy with me.
13:18Yes.
13:20That's why I'm so happy.
13:23I...
13:24I am only because of this.
13:26Mm-hmm.
13:29I am one...
13:30...molbu with you.
13:32How much?
13:33I am...
13:56...so we are the only one.
13:57You are the only one.
13:58I am the only one.
14:00We are the only one.
14:01We are the only one.
14:02It's not a good situation.
14:04I don't have to call it, but when you started,
14:08I'm going to hear it until the end.
14:11No, in principle, it's all.
14:13I'm going to get out of the trash,
14:15I'm trying to create a sign that everything is okay,
14:18but it's not.
14:20And how are we going?
14:21What?
14:23It's going to get out of the trash.
14:25Is it possible?
14:27For now, yes.
14:30Okay.
14:31I don't know anything about it,
14:33but I didn't call it that way.
14:35What?
14:38I knew something about our married married.
14:43Leji or Suni?
14:46The other one.
14:47Suni, okay.
14:49What did you say?
14:51How did she call her son?
14:54She came here, you've known him.
14:56Yes, yes.
14:57Relia, if I remember.
15:00That's all.
15:04That's all.
15:05I don't understand.
15:08Do you know who the children are?
15:11No, who?
15:13Who is more of a child?
15:28Of a child he's child?
15:31The only one's child.
15:33Who is a child?
15:34The second one's daughter.
15:36The second one's daughter.
15:37The second one's father.
15:37There are no children.
15:38The children of the children of the Royaloka?
15:41from when he hurt me, as much as you know.
15:44And can I hear in your voice a little lute?
15:50Of course, you can hear lute.
15:52That's the only logical emotion I can have for him.
15:56If it wasn't love, it wouldn't be lute.
16:00Okay, Alexandra, I really don't see the need for you
16:04to psychoanalysize me on this topic.
16:05I have a lot of head and everything.
16:07Now I'm dealing with Alex and emotions.
16:09Sorry, I'm sorry, I don't have to worry about you.
16:13What do you think of the village?
16:17The village is one of the important buildings
16:19that represents the history of this city.
16:22I just wanted to see how it looks inside.
16:26If you think of the history of the city,
16:28please, you can go to Kalemegdan.
16:34Kalemegdan?
16:35Yes?
16:36Yes?
16:36You have the sun, you have the rain, you can enjoy it.
16:39You know the history of the city and it is much better and much better.
16:42Yes, you know that you are right.
16:44And I want to.
16:45Here, I'm sorry, I don't want to smet you.
16:48No, you don't want to smet you.
16:49You want to drink or something?
16:51No, I'm sorry, I'll do that.
16:53Okay, I'll do it.
16:54I'll do it.
16:56Thank you very much.
16:57I'll do it.
16:59I'll do it.
16:59I'll do it.
17:01Bye.
17:01Bye.
17:24To su deca Velibora Topića.
17:29Velibor Topić.
17:31A famous mafia and criminalist.
17:33Okay, what are you doing now?
17:35What are you doing now?
17:36What are you doing, Banja?
17:36Listen to what I'm telling you.
17:38She's the daughter of the criminalist.
17:40There's no rich market and other stories that we have here.
17:45I don't know.
17:46What are you doing now?
17:47What are you doing now?
17:49What are you doing now?
17:50Well, everyone has a son of a son of a son of a son of a son.
17:52I don't understand how to use this situation.
17:55You're a lot of people.
17:58I'm not a people.
17:59You're a people.
18:00You're a people.
18:00You came here and looked at me like she was told.
18:04I don't understand that.
18:05I don't understand what a son of a son of a son of a son of a son.
18:09What?
18:09What is that not clear?
18:11You really think that from such a son of a son,
18:13what will the children be?
18:14The academic students?
18:15What?
18:17Tell me, how did that son of a son of a son of a son of a son of a
18:23son?
18:25I'm sorry, who you are?
18:29Do now, I'm sure of talking, to whom I'm sure of...
18:33I'm sure of hearing you from the son of a son of a son.
18:36I'm sorry but I didn'tđem you do this.
18:40I'm sorry. I'm from you, i'm a son.
18:43You're a son son brother.
18:47Ah, I'm going to say that I'm Vanja.
18:51I'm going to see some sun on the job, and what are the conditions to be.
18:59Please don't mind that we do our own, we have our own own tasks.
19:03Do you know me?
19:04Well, I'm sure I'm not gonna, but...
19:06Yes, I'm not gonna be a thing.
19:09I don't have a reason to say that.
19:11Are we still waiting for a while?
19:13I think I'm not gonna be a job.
19:16I don't know what you are saying.
19:19What are you doing?
19:21I don't know what you are doing.
19:21I wonder if it's not my job.
19:24I know what I'm talking about.
19:26But I don't know what I am.
19:27I know what I'm doing.
19:29Or a guest, or something else.
19:39It's nice to meet you.
19:43I remember him very well. He came here to look for it and then he went to me.
19:50That's interesting.
19:51How do you look like a criminal?
19:55I'm saying yes. I didn't think about it.
19:58But when you say that, he was kind of unbearable.
20:02Neotesan.
20:07Intensive.
20:08Yes.
20:10Neotesan. Intensive.
20:12What do you think he could be in his life?
20:16He was certainly a librarian.
20:18You're right.
20:19We have to leave them.
20:21We don't want to allow our company to bring it to the criminals.
20:25No. Okay. We don't want to do it.
20:28What do you think we don't want to do it?
20:29We don't want to do it.
20:32We don't want to hurt our position, which is already hurt.
20:34We don't want to let us not only Sonia, but Leu, because she knew she was in charge of us.
20:40Vanja.
20:41We won't give anyone.
20:43We will give you advice.
20:58Oh, here we go.
21:01Great writer.
21:03You used to do the job?
21:04Yes.
21:05Don't worry, don't worry about it.
21:08What?
21:09It's a little more subtle in Peru.
21:10Where are we?
21:11What?
21:13That's what I'm saying.
21:16I'm you.
21:19On the seventh floor.
21:21What are you, my mother?
21:24Look at the man,
21:25he does the job as he needs
21:27and then he's a star.
21:29Yes, yes.
21:30A star in the country.
21:32I don't think I'll give you one more time.
21:34When someone loves you,
21:36you'll have a coffee.
21:38You're going to tell me
21:39as if I don't know what it means.
21:41But tell me, mother,
21:43who are you now looking for love?
21:57I don't understand.
21:59I don't think we'll give anyone an apology
22:01and everything is so evident.
22:04We can't do it because
22:05we wouldn't do it.
22:06He wouldn't do it.
22:07He wouldn't do it.
22:08He wouldn't do it.
22:09He wouldn't do it.
22:09He wouldn't do it.
22:10He wouldn't give it to his own way.
22:12Even if he was a mafia.
22:13He would do it.
22:14He would do it.
22:15I know, Gabriela,
22:16but we are against the company.
22:18I don't have to be a marketing engineer.
22:20I don't understand.
22:28He would do it.
22:33He would do it.
22:48and your daughter.
22:51Gabriela.
22:52Okay, I'm sorry, I'm going to tell you.
22:54I know, it's very clear.
22:55Okay, I don't want to remind you
22:58that your head would be the first one.
23:01Why not my head?
23:02Why not?
23:03I have to think that you took the money
23:06that had to go to humanitarnia,
23:08and they had to come to someone.
23:13Okay, I'm sorry.
23:16I'm sorry, I'm sorry.
23:18That's right.
23:19Okay?
23:20Okay.
23:22I just think that we have to do this very slowly,
23:25and we have to be really good
23:28to think about what we're going to do.
23:31Do you understand?
23:32I understand.
23:33And we don't want to get into conflict with them.
23:37What do you want to say?
23:39That I need to lie on their own provocations?
23:41that they will be inexperienced,
23:42and I will lie on their own provocations.
23:43That's not a memory, Gabriela.
23:46Okay.
23:47I recommend you to lie on their own provocations.
23:50On the contrary?
23:52Maybe they will be lying on the bottom of their own provocations.
24:03Okay.
24:05What do you say?
24:07Something?
24:07What?
24:25What do you say now?
24:28It has been a relationship.
24:31That saying, what?
24:36I refuse to me.
24:37Yeah, hotel robu, eh?
24:39Oh, that's what you're going to do, eh?
24:43Huh? Who's it, eh?
24:44No, I'm close to you.
24:47You're right.
24:48You're right.
24:49You're right.
24:50You're right.
24:54How can I know that?
24:56I haven't seen it in my life.
24:58Yeah, I'm right.
25:00I can tell you, it's a great job.
25:01You're right.
25:03You're right.
25:03Oh, you're right.
25:06What about you?
25:08What about you?
25:08You're right.
25:09You're right.
25:10You're right.
25:11We're robots.
25:15We're going to do it.
25:16We're going to do it.
25:18I want you to give me a nice news.
25:22You can.
25:24You can.
25:25You can.
25:26You're right.
25:27You can.
25:30You're right.
25:33You're right.
25:35You can.
25:35You don't have anything.
25:37But from the rest of the city,
25:40the biggest crimes is supposed to you.
25:43You look like the clown,
25:45you see what you tell.
25:46And you tell me something about you love.
25:50Okay.
25:52My brother, what can I tell you?
25:54Come on in, let's start talking about
25:56I don't know how to find Dr. Milošević and Nataš.
26:19What are you doing?
26:20What are you doing?
26:24I don't know. I see how I'm going.
26:29Wait, man.
26:31Let me put this on.
26:33You put it on.
26:34Don't put it on.
26:36When did I put it on?
26:38You put it on.
26:39I forgot.
26:41Let's go.
26:46Let's go.
26:48Oh, my mother.
26:52Oh, my God.
26:55Oh, my God.
26:57Oh, my God.
26:59I want to be a child.
27:01I want to be a child.
27:03I want to be a child.
27:04I don't know, Nadu.
27:07I don't know.
27:08If she's gone as she is from her, I hope she would be back home, my mother.
27:15Okay, go.
27:16Let's go.
27:17Let's go.
27:17Let's go.
27:20I don't know.
27:22I don't know.
27:22I don't know.
27:23I don't know.
27:33You don't know.
27:36Don't know.
27:36You don't know.
27:37Don't know.
27:38You never know anything like that.
27:42Just for her.
27:43He has experiences with these people and these situations.
27:52Oh, my God.
27:56I don't know.
27:57I don't know.
28:01I don't know Nadu.
28:02I'm afraid to do something like that.
28:03He can do something that was not done after.
28:07No, he wasn't that guy.
28:11People, I was looking for him.
28:14He didn't miss him.
28:19Do you want something to say?
28:23Do you believe it?
28:27I feel his pain here.
28:32I feel that terrible pain.
28:38Everything is here.
28:40It hurts me, it hurts me.
28:42I don't want to know.
28:45I don't want to know.
28:48He is now aware that we all know him.
28:53He is aware of that.
28:57I don't want to know him.
28:58Do you think that he is sad because of me?
29:02He will not come home.
29:05You know what, Panchetta?
29:06I think that you are all mine.
29:10Do you know?
29:14Yes.
29:16Yes.
29:17Yes.
29:31Yes.
29:32I don't want to know him.
29:34I don't want to know him.
29:36I love him.
29:37I love him.
29:38I love him.
29:39I have been calling him for a long time.
29:40I am the one.
29:42I am the one.
29:45I am the one.
29:48I am the one.
29:50I am the one.
29:50I am the one.
29:51I am the one.
29:52I am the one.
29:53I am the one.
29:54I you can just go.
29:55No.
29:56I am also going to give me peace and beware where I was.
30:00I don't know him.
30:02Yes.
30:03We are taking coffee over here.
30:05Let's go.
30:06You will still drink?
30:16I live.
30:20Doctor, it would be better to tell you what you know.
30:24If you know that you've heard something,
30:28then you won't be able to do well.
30:32Yes.
30:35If you decide to tell you what you know,
30:39then you'll be able to let me go.
30:41Yes, I'll let you go.
30:42Doctor, Doctor.
30:46I mean, Gabriela has been given me.
30:50What do you mean?
30:51I mean, Gabriela...
30:55I'm going to go.
30:57Gabriela plans to make a child,
30:59but she's like a child.
31:04Wait.
31:05She wants to do that.
31:09Why does Gabriela want to do it?
31:11Yes, I'm sure.
31:13Who wants to do it with Alexei?
31:16And she's fully control over her.
31:22I don't know what's going on.
31:25I don't know what's going on.
31:26What do you know, my wife?
31:26I know that she's going to do it.
31:29And she's going to do it with her new novel.
31:31And she's going to do it with her new game.
31:34And she's going to do it with her new game.
31:35And she's going to do it with her test.
31:38That's it.
31:39And Alexei...
31:39I don't know anything.
31:40Nothing.
31:43You can do it.
31:45No, you're going to do it.
31:47What?
31:48Let's go.
31:50Let's go.
31:51I'm not clear.
31:52I thought we should go.
31:54Wait.
31:55Let's go?
31:57Yes.
31:57Let's go.
32:00Let's go.
32:01Let's go.
32:01Let's go.
32:07Let's go.
32:09Horvat, Geisha.
32:11The nomad is very good.
32:13He's constantly scared.
32:17Although Natasha is not so slow.
32:22I don't see the reason why she would be with me.
32:25Regardless of the fact that she's back at Doom.
32:27From Burazera.
32:29What do you know?
32:31What do you know?
32:34I know.
32:35I know that it's the top fish.
32:37It's a bomb.
32:40If...
32:42I've tried to throw something out of it.
32:44I'm afraid I'd never want to see you with me.
32:46Yes.
32:47Now you're talking about fish,
32:48and you're telling me.
32:49You're telling me.
32:50Listen.
32:50I'm not dekinting and I'm not a clown.
32:53I'm not a clown.
32:54They have more chances.
32:55What?
32:55You're a clown.
32:57Let's talk about it.
32:59Before that,
33:00I'm taking a long time to Burazera.
33:03I know that I'm working at a company.
33:05It's less than that.
33:11You're here.
33:12What's that?
33:13Do you listen to me?
33:14No, no, no.
33:15I'm not thinking about it.
33:16I'm going to listen to me.
33:18I'm going to listen to me.
33:20I'm not a human being.
33:20We're doing a strategy for further.
33:22Okay, Burazera.
33:23You're just making a strategy.
33:24Leave me.
33:25Please.
33:26I'm not here.
33:27I'm here.
33:29I'm here.
33:30I'm here.
33:30And I'm sitting here.
33:31You know who I am?
33:50What do you say, Mido?
33:52What do you say, Mido?
33:53Well, Cheta, tell me what you heard.
33:56I think that it could be a little different.
33:58You understand? A little mekše.
33:59No, no.
34:01That isn't my female intuition.
34:04That I didn't change myself
34:06on all the way I had to change myself.
34:10That Rozz Pijetina would have had more life than ever.
34:13Okay, all of us think so.
34:15But Cheta, life sometimes
34:17rejuven, some things on their own way.
34:19We can't do anything.
34:20And is it better that I opened my eyes?
34:23Mido, I'll give you a hand.
34:26I don't want to, I don't want to.
34:29When did I drink, understand?
34:30I can't do anything.
34:32Wait a minute, who would help him if not?
34:35Okay, that's it.
34:37You helped him to remove the wound.
34:39The wound?
34:40No, not the wound.
34:43That's it!
34:43No.
34:45And it's not like that, Cheta, brother.
34:47That you come in and tell him everything.
34:50It's like that you put him on the wound.
34:52Do you understand?
34:54But now nothing.
34:56Now you can only wait and...
34:59That's it.
35:01Tenzija won't help us.
35:03Wait a minute.
35:04Here you go.
35:05Let me tell you.
35:06Do I need to sit with my hands?
35:09No.
35:09No.
35:41What?
35:41How do you do?
35:41What do you do?
35:43What?
35:44I broke the pact with Žiko.
35:57What do you do?
35:58What does he want to do with us?
36:00I don't know.
36:02I don't know where he lives.
36:03I don't know where he lives.
36:04I don't know what he eats.
36:07I don't know where he lives.
36:09I know, but he's...
36:09They say that he's the first-class Lopov.
36:13That's it.
36:24I mean, you know?
36:27What do you say?
36:28I don't know where he lives.
36:28I really love when you come to me, but...
36:31Is there anything else?
36:33I can see.
36:35The people that I work at my company...
36:39They...
36:40I don't know who I am.
36:42I know, no one has a family, no one has a father, no one has a brother, no one has
36:46a brother, no one has a brother.
36:47Why?
36:58I would like to be a little more interesting thing, to be a little more funny.
37:04Well, you see, when we were talking about interesting things, I talked with my mother.
37:12Okay, what did she say to you?
37:15She had a pretty unusual request from me.
37:19What a request?
37:33What a request.
37:34I lost my life, my career, my love.
37:39What a request for me, Cleo, did not miss a day.
37:42Let me tell you what I'm talking about.
37:44I'm telling you exactly how it is.
37:46In the best years, you can find it in this room, and you're here like you're here.
37:53When it doesn't go, then it doesn't go.
38:08There's a wait, but there's no need to do this.
38:15There's no need to do this.
38:16There's no need to do that.
38:16There's no need.
38:17I can bring my money where I want, when I want, where I want.
38:33I don't understand what you're talking about.
38:36I gave a clue. I don't want to break it.
38:39What a clue, man? You hear yourself?
38:42What you're talking about?
38:44That's what I'm talking about in our world.
38:47What a clue, man?
38:49What a clue.
39:02Good! No! No! No! No! No! No! No!
39:05You don't want to stop. You don't want to stop.
39:08If you got here because of the milan,
39:11and you make me a little trick,
39:12you're so crazy!
39:13You're so crazy!
39:15You've come to me.
39:17You've been training.
39:17You put your glasses in, put your glasses in, put your glasses in.
39:21You put your glasses in.
39:33My head is here.
39:35Wait a minute.
39:36You don't have any equipment.
39:38You're right.
39:38You're right.
39:39No, no.
39:41I have to call you.
39:44I have to go on a bus.
39:45Where is my card?
39:46Cacacalos.
39:47Cacacalos.
39:58Cacalos.
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