00:00First of all, welcome to IONES.
00:02Thank you so much.
00:02And ma'am, first of all, I would like to know about the film Goodhall,
00:06and what reason did you do for this film?
00:10I didn't have a choice.
00:16When Goodhall's script was discussed about his story,
00:19when it came about the first time,
00:22I think it was the first time he told me.
00:24And I was also in the throughout the film.
00:33Whatever happened, the story of the beginning,
00:36and the story of the beginning,
00:37and the story of the beginning,
00:37and the story of the beginning,
00:39I was there throughout the beginning.
00:42What is the story of Goodhall's story?
00:46No, you see the film.
00:48We will tell you all the stories,
00:51and then we will tell you what the audience will be.
00:54There is a story of a family,
00:56and there is a story about it inside.
01:00And there is a story about it inside.
01:01There is a story about what's happening in Mahila Aishram.
01:04His story is related to this family.
01:11Look, there is a story about it.
01:16There is a story about it inside.
01:20It is interesting to me.
01:22It is interesting, isn't it as mine,
01:23it is known as mine.
01:24The name of mine is unknown.
01:27But this is not mine as mine.
01:30It was very challenging.
01:31That is why it was very challenging for me too.
01:33It was its personality,
01:34one of them doesn't eat distant from me.
01:37So I had a lot of fun doing this, because I had to give a loan on my body to
01:43a loan,
01:46which was probably one of my own.
01:49So it was very interesting.
02:13I don't know what's happening in OTT, but I don't know what's happening in OTT.
02:19I have to give a loan on my own.
02:21I took a loan on my own.
02:26I'm not watching movies or not.
02:32The country's population is 50% of women.
02:37If women's stories are not being made, then it's a problem.
02:42If women's stories are being made, then it's good.
02:45In fact, it should be more.
02:46You are in the entertainment industry.
02:50What do you think of today's work?
03:17What do you think of today's work?
03:23I don't know.
03:25It's like casting.
03:26It's like filming.
03:28I don't know.
03:29I don't know.
04:13I don't use social media for self-promotion.
04:18I don't use social media for…
04:20Look, I'm eating this.
04:22I'm wearing this.
04:23I'm wearing this.
04:23I'm wearing this.
04:24I'm wearing this.
04:24I don't use my underwear.
04:25I don't use social media.
04:26I don't use social media.
04:27I don't use social media.
04:39I don't know.
04:40I don't know.
04:43I don't know.
04:46I don't use social media for emits.
04:49I don't use social media for you.
04:50I don't have social media as well.
04:51I don't use social media.
04:52But let's assume that of a young generation.
04:53I would say I would like to watch a video and give me some reviews.
04:56Please give me a message on Yuvraj's Instagram, I have a small Instagram, the rest of Pooja's Instagram,
05:02the rest of all of the people.
05:04Look at that, a younger generation, write with your age.
05:07How did the film feel? Why did it feel like that?
05:11What story should happen?
05:13If you want to happen, why don't you write that story? Why don't you make that film?
05:17It's very easy to say that someone is not doing it and why don't they do it.
05:22What message do you want?
05:24There is no message to this world.
05:26This world is like a food.
05:28Your country is like a gutter.
05:30What advice do we give to this?
05:34Toxic masculinity, the blood-blooded films for millions of dollars
05:39and the human films for millions of dollars.
05:42When the propaganda films are in the country,
05:45what should happen?
05:46What is it?
05:48Our senior citizenship has been done.
05:50We don't have a lot of years in this country.
05:53You can see what their bodies are.
05:54You can see them.
05:54What are you doing?
05:54What are you doing?
05:55You can just give a customer to express your life.
05:55What do you do?
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