Exclusive Chat with Hasan Khan | Buzz | Episode 20 | 1 November 2025 | ARY Digital
The contestants of The Ultimate Muqabla Season 4 join Hassan Choudary for an exclusive conversation before the big launch.
Insightful moments, interesting stories, and a glimpse into what awaits in the new season! 🌴
HOST: Hassan Choudary
GUEST: Hasan Khan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #HassanChoudary #BehindTheScenes #SaturdayVibes #arydigital
The contestants of The Ultimate Muqabla Season 4 join Hassan Choudary for an exclusive conversation before the big launch.
Insightful moments, interesting stories, and a glimpse into what awaits in the new season! 🌴
HOST: Hassan Choudary
GUEST: Hasan Khan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #HassanChoudary #BehindTheScenes #SaturdayVibes #arydigital
Category
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Short filmTranscript
00:07hello assalamu alaykum khwateen och hضرات
00:10میرا nam حسن چودری and this is buzz
00:12buzz ki ek or zaberdas episode ke saath
00:15aapki khidmat meh hazin hai
00:16meri zindge hai tu ke teasers
00:18aap dekh rye hongge kya zaberdas drama hai
00:19Bilal Abbas Khan, Hania Amir
00:21skrreen per jalwa ghar honne wale hai
00:23is couple ka sab ko be sabri se inntizar tha
00:26highly anticipated drama hai
00:28lekin is drama ke teasers ane ka mtolab yeh bhi hai
00:31ki ek drama ab khatm honne wala hai
00:34kis ladge se jidni dure bhaagni ki košish kerte hai
00:37woh kisii na kisii tarah amari zindgei mein aai ji jata hai
00:39hello uncle
00:43grab kirito uncle
00:46ispa track record bilkul acha nahi hai
00:48aur jab bhi lagta hai ke woh kuchh acha karne lagai
00:51woh dunya ki sabse buri chiz kar djeta hai
00:54hey
00:55aysa agar thoda sudrawa hota na
00:57baat hi kuchh aura hai
00:59mein khud usse jan chudara chanthi
01:01usko dheke mujhe sif yeh feel hota hai
01:02ki yeh meri asani se jan nahi choude ga
01:04that's why im strans
01:05aaw under aaw
01:06thank you uncle
01:09thank you uncle
01:09thank you uncle
01:10aap bade hai aap please aake chale nake diche
01:14aur woh to dhekhu zara shaitaan ko niche
01:16mauli leker aange
01:17karne hai ho nikah
01:19kiske saat
01:20tumse to ho nini sakta
01:21tumhari bihanza karunga
01:27taafi sudra yomai
01:29baat changes ai meri under
01:31baat positive changes ai
01:39baat positive changes ai
01:51mein munto nahi huu
01:52aaah
01:53kahani jis mode pe hai
01:54anticipation is on the rise
01:57انتظار hai ki
01:58drama
01:58khatm ho ga kiishe
01:59meinne abhi tuk
02:00aakhri episode nahi dhekhi
02:01mujhe nini pata
02:02kahani kis mode pe khatm ho ga
02:04is liye mein ziade spoil bhi nini kareun ga
02:06mein tumlouk ki ladaai khatm
02:08karanen ke liye
02:08aaf ni kurbani nini dhe saktta
02:10tumne shamreiz ke badle mehmal ko china
02:12ta
02:12ab mein iske badle mehmal ko
02:13waapis lunga
02:15tumhari manto sir
02:16ne pharhad ko kitnap
02:17kar liya
02:18shiir ki kaal pahen kar
02:19koi gidr namudar ho jata
02:21kiski shaypur
02:22mahabbat jab palat kar war karthi
02:24na mehmal
02:25aapne ghusse mein sab kuch
02:27vurbad karthi
02:29aashik jab unda ban jai
02:30to allah ki pana maagou bas
02:32tira jubinya ameen ki
02:34ladaai mein itna nini dara jitna
02:36aaj ye manto ke gun o'thane pere
02:38dhar raha ho
02:40sula ki sharton se mehmal ko nikal do
02:42ma tumhye zindah waapis bhej dunga
02:43mehmal nahi mili
02:44to mujhe zindagini chahi
02:52aap loog mujhe بتائیں
02:54aap ko kya lagtatai komeint section
02:55mehke drama kiishe khatam hooga
02:56aur ager aapne aakhri episode
02:58mein manto nahi hoong ki dekh liya hai
03:00to komeint section meh yeh بتائیں
03:02ke aap usse kitna relate
03:04karthi hain
03:05aap agree karthi hain
03:06nahi agree karthi hain
03:08aap ko pasand aai ending
03:09nahi pasand aai
03:10aur sabse badeke
03:11manto to chalye
03:12aap khatam ho raha
03:13mehri zindagi hai
03:14tuh shuru honne ki
03:15aap ko kitni excitement hai
03:16woh bhi hume comment section meh
03:17ضرور بتائye ga
03:18biriyani ke baare
03:19mein dhubarha
03:20ek chhoti se complain
03:21yeh hi karunga
03:22ke miran
03:23aur nisa ke sines
03:24hume nahi
03:25dhekne ko mil raha
03:25kiyo nahi dhekne ko mil raha
03:27joh excitement
03:28unke romans ko
03:29leke thi
03:29تھوڑhi sisi
03:30thus hoti whi nazer
03:31ariya
03:31mehni chahi ta
03:32ke woh thus ho
03:33is lihe meri request
03:34hai
03:34hemare writer
03:35director
03:36biriyani ki purey team
03:37ke bhai
03:43tuli ághee
03:43isko jldi se güzare
03:44hemie vaapis se miran
03:46aur nisa ki teref
03:47leke jayen
03:47he segurança
03:48ke is drama ki happy ending
03:49aur voh happy ending
03:50tbh ji hogi
03:51jab miran aur nisa ki shadi ho jayegi
03:53unka romance
03:54hume mazid dekne ko mil yada
03:55sawaal
03:56yehi yakinan
03:57hi haan pe urtta he
03:58aaga hoa
03:58eisa hua
03:59to gol ke satt kia hooga
04:02sab tu bharah peuch definitions
04:04niigat paji
04:05mahmu jaan
04:06nisa niwi
04:07behanhe bahanhe se
04:08temahare bene
04:09hap i know
04:10se ausi kishi
04:11I don't have any kind of grief and guilt.
04:15It doesn't happen to me that Gulmher himself
04:18will come to my home and talk so big.
04:21100% of his plans.
04:23I didn't even want Nissa's marital life to survive.
04:27You feel that Rashid and Nissa are perfect.
04:31Why did Gulmher come to you?
04:33I just want Nissa and Rashid to throw it away from her head.
04:44I want to tell you in the comments section.
04:46What do you think is that Gulmher's character should have a conclusion?
04:51Do you want to come in their life or not?
04:55And if it's a person who wants to come, who will be?
04:58This will be in the comments section.
05:00With this week, the ultimate match.
05:03You guys enjoy it very much.
05:04We have met in the past few weeks in two matches.
05:09Which matches do you want to get the ultimate match?
05:11Again, in the comments section we will tell you.
05:13We will do it with you.
05:15But it's time to come to you today's guest.
05:18This is a drama that you love and appreciate it.
05:21Although it's time to start with no time.
05:23Of course, I am talking about Chalbaz.
05:34Hey, where are you looking for?
05:38I am talking about Chalbaz.
05:42I just want to talk about it.
05:46We are looking for the situation.
05:46The problem is that Zilat is not going to lie.
05:50I am not going to die.
05:50The feeling that I am from here today's work involves
05:50is not your struggle.
05:51You have met your brother.
05:52You would never ever forgive me.
05:52How are you?
05:53How are you?
06:07The ratings and views are also very high.
06:10So why don't we call a team with Charles Baas from the team
06:13and ask them what is such a chance in Charles Baas?
06:18What is such a chance that the audience is so happy?
06:21Ladies and gentlemen, come on to the bus.
06:24I'm also Hasan, I'm also Hasan.
06:25I'm only Hasan, I'm only Hasan.
06:27We will welcome Hasan Khan.
06:31Assalamualaikum.
06:32How are you?
06:33Totally fine.
06:35Please have a seat.
06:36First of all, there was a guest on the bus today.
06:39Yes.
06:40There wasn't a guest on us.
06:42How are you feeling at Hasan's show?
06:44Very good.
06:47How are you feeling?
06:49How are you feeling?
06:49Alhamdulillah.
06:50Your drama, Mashallah, Charles Baas is a big hit.
06:52I can tell you.
06:53The ratings are very high.
06:55The views are also very high.
06:56Yes.
06:56Mashallah, today we received a rating of 11.
06:58Oh!
07:00That's a big rating of 11.
07:02Yes.
07:02So, Charles Baas will also come to us.
07:04We will definitely talk about it.
07:06Let me tell you that your debut in 2019.
07:09Yes.
07:09Yes.
07:10How are you watching your journey?
07:12It's been 6 years now.
07:13Yes.
07:14You are happy?
07:14Yes.
07:16Yes.
07:16Yes.
07:16Yes.
07:18Yes.
07:19I've learned a lot of things, Hasan.
07:21And I hope you will start the process.
07:25No.
07:25Now you are going to be 6 years now.
07:26Where are you going to be 6 years now?
07:27I don't know.
07:28It's not like acting.
07:31You are not going with me.
07:32It's rarely going, but you are going to learn the work.
07:37It's time to learn the work.
07:38Tell us about it.
07:39Was it always the shock to become actor?
07:42Yes.
07:42Not before I played cricket.
07:44Oh.
07:44Yes.
07:45I played Karachi, under 19, under 15, under 17.
07:49Then suddenly, Fahad Bhai came to the gym.
07:52Fahad Mustufa.
07:53He would call me a hero hero hero.
07:56So he would call me a hero hero hero hero.
07:58So, Fahad Bhai even started acting.
08:01Okay.
08:01Then I went to the National Academy of Performing Arts.
08:04Interesting.
08:05I went to the National Academy of Performing Arts.
08:05I got that diploma from there.
08:06Very good.
08:07Three years?
08:08Three years.
08:09It's not like a full university type, attendance is 70%, teachers like Ziya Mudddin, Rahat Kazmi, Talat Hussain, Khalid Ahmed,
08:20so I've done a lot like this.
08:23Okay, but Hassan, tell me a little bit, and I'm sure that in many audiences there will be a lot
08:29of young people who want to become an actor and ask us what to do.
08:33This is a big journey, unpredictable, especially if you don't have any connection, and I don't think you have any
08:41connection as such with industry,
08:45so people don't understand how to go, where are we going.
08:49The other thing is, it's a great thing that you have decided that you will take training, you will not
08:53go.
08:53The other thing is, I don't know if you will get a job or not, when you will get a
09:00job,
09:00and there is a lot of thought that financially we have to do,
09:06a nine-to-five job, there is a lot of security that you will get a salary.
09:14So all these challenges are not in your mind, if you have come, then how do you manage these challenges?
09:19Look, these challenges are not coming before, because it was so much shock,
09:23and all of us knew that you would have heard, that you would have heard of it, that it was
09:26a hot, hot, hot, hot, hot, hot.
09:28I don't know, I don't know, I don't know.
09:30Yes, it will know.
09:31But the talent that you see, that you see a spark, then you get a lot of fun.
09:43Obviously, the training has done a lot.
09:46So what was your motivation?
09:48That I have to do this?
09:50It was my motivation, because I feel like I was weak at the start.
09:55I didn't have any sense about acting, I didn't know all the things.
09:59So I decided that I had to go first.
10:03No, I took admission, so I left 6 months later.
10:06What was the cause of that?
10:08It was very tough.
10:09We had a class on Thursday.
10:13So we had a monologue, Shakespeare, or Ahmed Faiz.
10:17If you took the whole week on Thursday,
10:21then you will remember the next Thursday, or not.
10:24In fact, my father told me,
10:26that if I do so much work in CSS,
10:30then I can do it.
10:31But when you left 6 months later, why did you come back?
10:34Then I realized that in the 6 months, I learned a lot of things.
10:39If I do so much work in 3 years, then it will be a lot of difference.
10:43So the other faculty and other people, they accepted it?
10:47Yes, yes.
10:48I asked, how did I get ready?
10:51I was a bit worried about this.
10:52But after that, I failed.
10:53But after that, I didn't quit.
10:54No, I didn't have a degree completed.
10:57No, no.
10:58Then I had complete my degree.
10:58When you got debut, correct me if I am wrong,
11:00your co-star was a Dure Fisha?
11:02Yes.
11:03Yes, yes.
11:04It was such a drama.
11:05Yes, absolutely.
11:07So how did you experience that?
11:08MashaAllah, you will see Dure Fisha?
11:10MashaAllah.
11:11MashaAllah.
11:11They are doing a lot of work.
11:12MashaAllah.
11:13I didn't have a lot of experience with Dure Fisha.
11:15They are good actors.
11:17They are good actors.
11:18It was fun with them.
11:18It wasn't the first drama.
11:20It was the first drama.
11:21Maybe it would be the second one.
11:23It would be the first one.
11:23It would be the first one.
11:24But my character was very negative.
11:26In my opinion, I was also a method actor in the off-camera.
11:30No, I was at the start.
11:32After training, I felt like that.
11:34But now I have to understand that method acting here.
11:37Especially in the television.
11:39Because in a scene, you have to be angry.
11:42You have to go to the next scene and romance.
11:44If you go to the method,
11:46then you need to leave your zone for 4-5 hours.
11:51Absolutely.
11:52So, we try to get more believable performances.
11:58I will tell you about this.
11:59Our class fellow.
12:03He didn't eat anything from many days.
12:06He didn't eat anything from three days.
12:08He didn't eat anything from three days.
12:09He went to the performance.
12:09He sat there.
12:10He didn't sit there.
12:12The whole play was dead.
12:14So, Dure Fisha said,
12:14I didn't eat food.
12:16So, Dure Fisha said,
12:17I will call someone from outside.
12:19He will do it.
12:19The character has the difference.
12:21In the scenario, you can eat a instant.
12:22With one more habitual effort.
12:23Tell me.
12:24Show me.
12:25I think you'll owe you a big actor.
12:26And Fisha's suppose.
12:29You have to give him a big actor.
12:29God bless you.
12:30God bless you.
12:31It's amazing.
12:32You do a coward.
12:33A testament.
12:34That's a good thing.
12:34The acting is vital.
12:35The acting the same thing.
12:36You are the one who you are not.
12:38Yes.
12:40That's right.
12:40In many places, you see,
12:41we have to cheat.
12:42As you do.
12:45To some if you are a good actor,
12:46If you go in the method,
12:47method to go but the other one will be the same thing.
12:51Charles was how did you come?
12:53Charles was just going to do it.
12:56Big Bang has offered to us.
12:58And that was the first time you got a hero hero.
13:00Well, I didn't support you.
13:03You can also put some light on your debut.
13:07Because you didn't have a big bang with you.
13:08I just want to say that you got a hero hero.
13:12But I was able to see that there was guidance on them.
13:18so this is your big bang
13:20first drama?
13:21no, it was the first drama
13:23which was when?
13:24I think it was in 2021
13:27okay, it was 19 years ago
13:29so it was 2 years ago
13:3221 years ago, 25 years ago
13:33I didn't know what to say
13:37I don't know
13:38I don't know
13:39if you have a neighbor or if you have a phone
13:42so that's why you have to guide you. So, what kind of advice you like?
13:45I also had a lot of my experience. I was in theatre and I was occupied.
13:49I was busy too.
13:51So, this is how?
13:53I had a call from production house. There was a script.
13:56I said, okay, I'll send it to you.
13:58So, when I read it, it felt different from the other drama.
14:02Yes, it felt different from the other drama.
14:06It felt different from the other drama.
14:12It was a lot of people from the other drama.
14:13It was a good story, but it was not a good story.
14:15Yes, the wife of Me, it was a character in the same way.
14:22It was a character who came from home.
14:24It was a family that had three brothers and one of them.
14:28They were both friends.
14:31They were a good friends.
14:32They were positive characters.
14:33They were very good friends.
14:35They were very good friends.
14:37They were very good friends.
14:39and this girl came and she got a
14:42girl.
14:43You have also studied it, but you don't think that
14:45this is the main role of the
14:46Saniyah's main role.
14:49She doesn't have to take the screen time.
14:51And my brother, they have three brothers.
14:55No, no,
14:55there's no difference.
14:56No, no, no.
14:58My character was different because
15:00I have done it a little bit immature.
15:03He is totally mature.
15:05He is completely dependent on his whole house.
15:07He is retired,
15:10and he is going to set his brother.
15:12Then he is going to set his brother.
15:13And he is going to set his brother.
15:13So he's got the character.
15:15My brother is going to set his brother
15:18and set his brother's way.
15:20And he is going to set his brother.
15:23As I was saying,
15:24you also asked about the rating
15:26is about 11.
15:29What do you think
15:30in the child's voice is
15:32that the audience is connected?
15:33It felt the opposite.
15:38But I wanted to contribute to the director.
15:39The second part, I want to give me a credit for the cast.
15:43As you can see a cast,
15:44which is not single, solo or a solo.
15:47So, I would like to take them to the track.
15:49Rao Ayaz, the drama that we've been the director in the tracks,
15:53Rao Shizad.
15:54Yes, yes.
15:55He was able to take the character in the middle,
15:57and he could inform everything.
15:59That soon, there are changes,
16:00and then this character will go on to this side.
16:03So everyone will take a step and they will get a great credit.
16:05Khwartzine, it's time to come back to a break.
16:08Hasan Abhi is here on the break.
16:11So, keep the giftu guu's journey.
16:12Enjoy our journey.
16:14Welcome back Khwartzine,
16:15Hasan Abhi is here on the giftu guu's journey.
16:19He is here on the giftu guu's journey.
16:19Like you said, 7 days a week.
16:24So,
16:25we always ask questions about our soaps.
16:26We always ask questions about our soaps.
16:30Do you like this as a pressure?
16:33Or enjoy it?
16:35The fact is that,
16:36in a week of 7 days,
16:40ARY Digital,
16:41like a channel,
16:42MashaAllah,
16:43you can see the most of the channel.
16:45Every day,
16:46you are looking for a slot.
16:48Every day,
16:49every day,
16:49you are looking for a pressure.
16:51You know,
16:52as a pressure,
16:53I mean,
16:54you know,
16:55my performance,
16:56my skills,
16:56it's a big scrutiny
16:59that I have to perform.
17:00Or you enjoy it,
17:01that,
17:01see,
17:02my drama on ARY daily,
17:06I look forward to it.
17:07No, we enjoy it.
17:08And honestly,
17:09I don't think,
17:10that this week,
17:11one day,
17:12two days.
17:12Okay.
17:13But there is no difference.
17:15There is no difference.
17:16No,
17:16I think it's a lot of difference.
17:17No,
17:18I don't think it's a lot.
17:19Seven days,
17:20or two days,
17:21there are many people,
17:22that there will be a surprise,
17:23that there will be seven days.
17:24Okay.
17:25You can see,
17:25when people go to it,
17:288 pm,
17:298 pm,
17:29but there are at least two episodes,
17:31two episodes,
17:32or two,
17:32or two.
17:34I feel like,
17:35if you look at this point of view,
17:38you will see more relatability,
17:41you will get more eyeballs,
17:44you will get more eyeballs,
17:45people will connect with you,
17:46if you look at the day.
17:47You will see more than two episodes,
17:50For example,
17:50a reality show,
17:51but it is a habit,
17:53that you know,
17:53a day,
17:54you will get to know,
17:54a episode of the day.
17:55If you know,
17:57a series or drama,
17:58it will be a time for you,
17:59it will only be a habit.
18:02It will also be a habit,
18:03you will get to know,
18:04what happens.
18:05I will never watch this.
18:06it's also a good thing.
18:08It's a nice thing.
18:10When it comes to 7 days,
18:12there will be chances to get a grip
18:14to lose.
18:15because you will not connect to the audience for 80-85 days unless you have a very extraordinary content.
18:23This is the pressure of you. As a performer, you have to do acting as a performer,
18:30but as an actor, you have to do the challenge that you have to do the audience.
18:35No, we don't think about performing.
18:37If we think that it will be 7 o'clock, it will be daily, then we will perform.
18:42We will perform in a week or 7 days.
18:45It will be 7 or 8 hours.
18:48There is no work to think about acting.
18:50In the cast, you are also talented.
18:54Shabir Jan is the role of your father.
18:57Then there is Hamaad and Ahmed.
19:00How do you feel about it?
19:01Sania is your wife.
19:03How do you feel about it?
19:05Shabir, tell us about the veteran.
19:07Shabir, no doubt.
19:09We have about 50-60 days in the shoot.
19:14So I will try to learn how much I can learn.
19:17Because they are an institute.
19:18They are also sitting there.
19:20They are performing or talking about their style, their dialogue and their style.
19:26How do you feel about it?
19:27Like I will tell you, Talha, Talha, Dusan has studied in Napa.
19:33If we have been talking about it, you can also learn how to speak, how do you speak.
19:41How do you feel about it?
19:41How do you feel about it?
19:41How do you feel about it?
19:42Very well.
19:43So after that, Shabir is the same.
19:45They are Shabir brothers and they are a institute.
19:48getting started.
19:49So I was a bit surprised if you have been here.
19:50I was asked if I had told you, how did the audience connect with each other?
19:54What changes would be this connection with each other?
19:57That was what he said.
19:58His roots, aysaki.
20:01But I really liked it.
20:01In the beginning, I was also a member of this family.
20:05His brother, as I have to tell you about it, the guy here is a big brother.
20:12Here is a group of grandparents.
20:13He is a boy and he is a brother.
20:15And he is a family member of his wife.
20:17And he has a family member of his father.
20:18when the second episode of the episode starts to start the first episode,
20:21they start their own songwriting,
20:23that is my own song,
20:25if I have a child's wedding, then I will be with my own song.
20:29Why do you think that when we have a big negative character,
20:36like Aiza,
20:37we will say negative character,
20:41so what is the reason why our audience relate to this?
20:44What is the cause of this? I will also try to understand it.
20:47You can learn from Napa, and you can guide us.
20:50What is the cause of this?
20:51I feel like this is a human psyche.
20:53The negativity is more attractive.
20:56People see what is happening in our house.
21:00They relate to us.
21:01They are the ones who are in our house.
21:04This is the cause of this.
21:06People like this content.
21:10I have seen positive characters in our drama.
21:13But for some reason, you can also see my international content.
21:17Joaquin Phoenix's Joker was a big fan of that.
21:20You tried to glamorize him.
21:23A negative character.
21:25These are the discussions.
21:27Usually, the audience is a negative character.
21:30There is an answer or an element.
21:33It gets more hooked.
21:35If he has performed,
21:39then the hero goes on to him.
21:42In the negative character, there is a lot of margin.
21:45Now, when the audience is watching Chalbaz,
21:48they will ask you to ask questions.
21:52What will happen in the drama?
21:54I don't want to spoil it.
21:55But what do you expect the audience from Chalbaz?
21:58As you said,
21:59this story will not be seen.
22:01So, what are the twists and turns?
22:04What will happen in the drama?
22:05What will happen in the drama?
22:05If you give a little hint to the audience,
22:07then they will see more interest.
22:08I just want to say that the conflict is very small.
22:12The conflict is very small.
22:13The conflict is very small.
22:14The conflict is very small.
22:15So, generally,
22:17let me tell you that in our industry,
22:20there are a lot of actors who ask this question.
22:25There is a lot of lobbying.
22:26There is a lot of opportunities.
22:29Do you get the chance of making characters?
22:32What is the scenario?
22:33Look, the lobby is in every field.
22:36If anyone wants to come to this field,
22:38then it will be extraordinary.
22:41You have to be extraordinary.
22:43If you are extraordinary,
22:44then you don't have to stop talent.
22:46And what do you do to achieve extraordinary levels?
22:50What do you do?
22:50Work.
22:51Work on your craft.
22:52Work on yourself.
22:53Work on yourself.
22:53As long as you can be grown,
22:55there will be an improvement on daily basis.
22:57Acting-wise.
22:58Like you did Napa from this training.
23:00Yes.
23:00Look, the training is basically a very small thing.
23:05It has been taught that this work is like this.
23:08Now, when you go to the sea,
23:10when you go swimming,
23:12then you will know that.
23:14So, there is a lot of time.
23:16As I remember,
23:17it was our last class with Ziya.
23:19So, I asked him,
23:20sir,
23:21our last class is our last class.
23:23So, he said,
23:23I am learning at this age.
23:25And I regret my last performance.
23:27I regret it.
23:27And I regret it.
23:28I have done that.
23:29I had given how bad the performance I had.
23:32So, you are learning acting all the time.
23:35Constantly,
23:35I have learned how to evolve.
23:38Do you do what you do?
23:40I look at the performance of people.
23:42I look at the senior people's performance.
23:43I look at the senior people's work.
23:44I also look at the old drama.
23:45The Kashkol etc.
23:47I look at all.
23:48I look at the drama of Numan and the other.
23:50Then, I look at the drama of that.
23:51You can see a lot of performance and you can see a lot of performance.
23:54Self-analysis is very important.
23:56Yes, this is not a believable dialogue.
24:00The scene that you've done performed, it's not a lot of performance.
24:05So critically, you can give yourself a number?
24:09Yes, yes.
24:09I don't give a number, but I try to make a mistake.
24:12You're not happy with your work?
24:14No, no, no. I didn't see my work in the background.
24:17Oh, what's the reason for this?
24:19Yes, I feel like you can't do perfect work.
24:25Acting is very difficult.
24:29When you watch the scenes, you can regret it.
24:33Have you ever seen a drama in Pakistan?
24:37Yes, I'm watching it.
24:38How are you?
24:39I'm watching it.
24:40I'm watching it.
24:41What is this?
24:42I'm saying that...
24:43My guests have also seen it.
24:46I feel like everyone watching it.
24:48I try to watch it.
24:49That's what you're watching.
24:51We're watching it.
24:52You don't see a training.
24:53You can know your performance,
24:56but you know how to learn.
24:59But you have to know...
25:00It's very difficult.
25:02If you hear a performance, you can learn what it is.
25:13so that's the problem of learning.
25:15It's difficult to learn.
25:17I've said that 6-7 years ago, it's been a lot of training.
25:21So it's a good job.
25:24Dream role is what you have?
25:26Dream role is my favorite drama.
25:30My name is The Bainishan.
25:31My name is a character that I have a character.
25:37I start a big age and start a new one.
25:41Then I start a little bit of age.
25:45So the whole journey is a different.
25:49We've done a lot of theater.
25:52I've played in the 50s.
25:53I've played in the 60s.
25:54I've played in the character.
25:55Yes, yes.
25:57You have to do a lot of training.
26:00Yes, yes.
26:01You have to train your voice very well.
26:04Yes, yes.
26:05You have to train your body language completely.
26:08Because you have different different types of roles.
26:09In the theater, there is a thing that you have instant reaction.
26:13I think it's an actor for an actor.
26:16It's a tonic.
26:17Audience reaction?
26:19Instant reaction reaction.
26:21In the television, it's your case.
26:23Because you have drama 7 days.
26:25So you have instant reaction reaction.
26:27In the theater, when the performance is finished,
26:30it's an instant reaction.
26:31It's instant reaction.
26:32Yes.
26:32It's instant reaction.
26:33Yes.
26:33It's an instant reaction reaction.
26:36Yes.
26:36It's an instant reaction reaction.
27:03Yes.
27:03Yes.
27:12Yes.
27:13It's an instant reaction reaction.
27:14Yes.
27:14It's a great event.
27:15So, we have to decide the whole audience.
27:22Yes.
27:22and put it on the side.
27:24All of them are given to them.
27:25My show is also for them.
27:27The audience is also for them.
27:28Your drama is also for them.
27:30If the audience is commenting,
27:34it's not right or wrong,
27:35but we have to take seriously the comments.
27:37No, you can see,
27:39if the audience is commenting on the basis,
27:41I was in the previous drama,
27:43and I feel bad about it.
27:45This is your approach?
27:47Yes, it's your approach.
27:49But why do you take this character,
27:49it is related to character,
27:50why would it take someone else to do it?
27:52It isn't really...
27:54If you do comment,
27:56the person has written it,
27:58but the person is related to it.
27:59And then the person has so much sense,
28:01that I am, for example,
28:04만약 I am Adzia and Talat Hussain and Rahat Khazbi,
28:06I am as a student of this subject,
28:08so if I may hear you or someone's talk
28:11and your credibility is related to it,
28:14and the idea and acting has so much.
28:16And generally in life,
28:17what are your hobbies? What do you do? What are your hobbies? What are you doing? What are you doing?
28:22Cricket to play?
28:23Cricket to play?
28:25I know many actors. I know many actors who have told me that we were cricket to play.
28:32Cricket didn't happen, then we went to acting. So, what is cricket and acting?
28:36You've heard that someone doesn't play cricket.
28:41And someone doesn't play cricket.
28:43What are you doing?
28:45No, no, no, no.
28:46It's a matter of people.
28:47Just all of their own things.
28:49I know many of them.
28:50Cricket is very difficult.
28:53You can see, there are so many people who play.
28:56So, the luck factor is much involved.
28:59Acting, there are so many channels.
29:02There are so many production houses.
29:03So, you have to get a chance of cricket and acting.
29:06This is an opposing field.
29:08It's a sport.
29:09It's an opposing field.
29:10It's an opposing field.
29:11I understand.
29:12Yes, yes, yes.
29:12People play cricket and acting.
29:14However, both are totally different fields.
29:16In today's generation, do you think that there are potential in this actor?
29:20There are many.
29:22Bilal, Bahaj, Firoz.
29:25These are all very good actors.
29:27In the girls?
29:29In the girls, Dura Fisha.
29:30Dura Fisha.
29:31Hane Aamir.
29:32They are very good actors.
29:34They are very good actors.
29:34They are very good actors.
29:35Do you think that there is also a role in the director?
29:37If there is a skill in one actor,
29:40then the director can be presented more and better.
29:43Yes, absolutely.
29:44It's very easy for the director.
29:46For the reason, the actor is not able to perform,
29:48the actor is not able to perform two or three hours.
29:52If there is an actor,
29:54he is working on one take.
29:55He is up to the mark.
29:57He is preparing for the scene from home.
30:00We have taught things in training.
30:02What is happening on the set?
30:04You are reading the script.
30:05You are remembering the script.
30:07You need to know all these things.
30:09And then the script,
30:10the motivations,
30:12why did you say this dialogue?
30:13Who did you say?
30:14Five W's?
30:14You will listen to Stanislavski.
30:17Yes.
30:17That's all the script.
30:18What is the script for the first time?
30:22What is the future plans now?
30:23The Chalbaz has been hit.
30:25You have made a great role.
30:27Euro positive.
30:29What is the script?
30:30What is the script?
30:30The script is getting started.
30:31The performance of the Chalbaz,
30:32and the people of the 4-9,
30:33yeah.
30:35I'm a great fan.
30:36I'm a good guy.
30:36As long as I can only read the script,
30:37I'm a great fan.
30:38The work is done.
30:39I'm a good guy.
30:42It's a little bit,
30:43I'm a good guy.
30:44I'm a little guy.
30:45I'm a good guy.
30:46Then,
30:47I'm a good guy.
30:50You can decide that your role will be positive or negative?
30:53Depends, I'm reading a script.
30:56I don't think so.
30:58You don't think so.
30:59You're an actor and you're acting.
31:01And tell me, Hasan, that you think that
31:03the slots are made,
31:078am drama, 8pm drama,
31:10it's more of a vibe,
31:12it's more of a hype.
31:14No, Hasan.
31:16My mindset is very different from training.
31:22It's a performance.
31:23I'm doing 7am, 8am.
31:25If my teachers are doing my performance,
31:29this is my job.
31:30I'm doing 8am project.
31:32I'm feeling it.
31:33I'm feeling that you have to be a actor
31:37whose focus is on acting.
31:40I don't have a difference.
31:417am, 9am, positive, negative.
31:44People are saying what they are saying, what they are not saying.
31:46I'm just concerned with my acting.
31:48It's very good.
31:48It's a credit for our teachers.
31:51It's very good.
31:52They have training for training.
31:543 years, they are really very difficult.
31:57I wish you all the best.
31:59Hasan, it was very good.
32:01Same here.
32:15I wish you all the best.
32:17Thank you so much.
32:18On that note,
32:19you will be happy.
32:20Inshallah,
32:21next week,
32:22we will be happy.
32:23We will be happy.
32:25We will be happy.
32:25We will be happy.
32:26We will be happy.
32:32We will be happy.
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