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00:12As we expected, the wheels are seen in your house.
00:18What do you think about this?
00:21It doesn't mean anything.
00:24I think it means that they are preparing for action and see the terrain.
00:28I think it's true.
00:30People, maybe there's someone else's fault.
00:33I understand.
00:35I want to say that you are blessed, but I don't want to become blessed if you understand.
00:44How do I say it?
00:45Just tell us what we've done. It can't be so bad.
00:53Maxi invited me to the evening.
00:55I'm sorry.
00:59I'm sorry.
01:01I'm sorry.
01:01I'm sorry.
01:02Hey, don't start to tell you that I'm good.
01:06As I said, I'm going to go to a coffee shop.
01:08I'm going to go to a place like myself.
01:11To stop the comfort zone.
01:13It's nice to look for Dorana.
01:15And to not turn it off until she doesn't turn it off.
01:20Stop, stop, stop.
01:23Later.
01:23What do you think?
01:24We've done the best thing we've done.
01:26And why did you come to her?
01:30What?
01:31What?
01:32I said to her that I'll give you a personal conversation.
01:35Only you and me.
01:36Daniel is now my partner in the office.
01:39So, that's it, son.
01:40It's a complete thing.
01:42In a short statement.
01:44In a short statement.
01:44It's a complete thing.
01:46In a short statement.
01:53What?
01:55Don't let me cement you.
01:58Don't provoke me.
01:59Don't provoke me.
02:00I'm sorry.
02:01I'm sorry.
02:01You're crazy.
02:03We've turned the earth and earth.
02:05We're looking for you.
02:05We don't know where you are.
02:07You knew what?
02:09Don't let me make a mess.
02:10Did you hear me?
02:11Kajo?
02:14Mico?
02:15I'm sorry.
02:16But what?
02:17What is this?
02:17What is this?
02:18This is a personal statement.
02:20I can't work.
02:21What are we talking about?
02:22What are we talking about when I'm the one who is the one who is sitting there and is going
02:24to ask my clients?
02:26And it's all right.
02:27What did you get here?
02:28Were we talking about you?
02:32Are we talking about?
02:36About our...
02:36What's this?
02:36You can see the sun.
02:37I understand you have your secret.
02:40I have my secret.
02:42You got it.
02:42I think I should stay.
02:44I'd have to stay here.
02:45Dear, dear.
02:46If I just sit down...
02:47What?
02:48Could you stay down the surface?
02:51What happened to you? What happened to you? What happened to you?
02:56What happened to you? What happened to you?
02:59You're talking to me! You're normal!
03:01I'm normal! I'm not normal!
03:03You're normal!
03:08What is this now?
03:10Tell me something.
03:15What do you mean?
03:17Are you planning to start working?
03:20I don't know who this guy is!
03:23I don't know who this guy is!
03:24I don't know who this guy is!
03:25I'm just a man!
03:27You didn't have any bread or yogurt together!
03:31You're supposed to be like a demon!
03:33First, I'll tell you that my soul is going to be so that you're listening to me.
03:37Second, I'll tell you that my soul is the most amazing being
03:41that I've created in this whole universe.
03:43And I'll tell you that you're amazing!
03:46You're my heart!
04:04I'll tell you that I have changed to you and I lose it from all sides in a living down.
04:14Sadly I'm saying what is my life now.
04:15It's my life and I hate you.
04:16I know, I'm other than you, I know, I enjoy my life and I'll never record myself.
04:17And everything is unknown, apart from the truth.
04:27Like in love in the war, there is no rules.
04:36You have one life, only one chance to become the one.
04:43Because everything is mine.
04:49I play dreams like a happiness.
04:55Someone who wants, someone who doesn't want.
04:59Like in the sea, everything is over.
05:03And we are our dreams like a happiness.
05:12Oh...
05:18Oh...
05:20Oh...
05:26Oh...
05:27The End
05:44Don't ask me, is it normal?
05:47Do you sleep at night in the house?
05:50Hey!
05:51So, do you think?
05:54What do you think is that no one can see you?
05:59Okay. Do you want me to go?
06:02No, no, no. It's just a real conversation.
06:07That the big guy said to me that I'm going through the end.
06:12No, no, he didn't say to me, but I pray you
06:15that you don't stop and stop and stop.
06:19I'll tell you what I want.
06:24Okay. Don't make it happen to me that you've made a battle towards the Uraš.
06:39Let's go.
06:59It's okay.
07:03Let's drink something else.
07:18Let's go.
07:21Let's go.
07:22Let's go.
07:24Let's go.
07:28Let's go.
07:28Let's go.
07:29Let's go.
07:30Let's go.
07:34Let's go.
07:35Let's go.
07:36Let's go.
07:37Let's go.
07:38Let's go.
07:39Let's go.
07:40Let's go.
07:42Let's go.
07:43Let's go.
07:49What's wrong?
07:52Hello.
07:54I can't stop thinking about what Vanja said to me.
07:59In relation to Lenko?
08:01Yes, with Lenko.
08:03I'm a little doubtful.
08:07Yes.
08:08Maybe more than a doubtful.
08:12The doubtful is what she said that I don't know
08:16when I talked about Relia.
08:24Let's go.
08:31If I'm going to ask you,
08:34do you know who is the question?
08:37Of course.
08:39The question is
08:40Aleksandar Kapetanović,
08:43known as Kapuljač.
08:46The owner of Teretane.
08:48He was the owner of Teretane Bro Gym.
08:51No.
08:52Do you know the name of Teretane?
08:55No.
08:56No.
08:57I've never heard of it.
08:59So now we have the name of the owner
09:02and we are looking for the owner of Teretane.
09:05Do you have any idea of who could be the owner of Teretane?
09:10No.
09:11Pwn...
09:13Not sure...
09:15...mfair fluids and Komarac,
09:17it's fine.
09:18A, no, no, no.
09:19No then, no, no, no, no.
09:20No then, no then.
09:21So many wonderful names you were in control?
09:21No.
09:24Well, no?
09:25Yeah, no…
09:26So, as he did it,
09:27so quickly, that I didn't know what happened to happen to you.
09:33You know what I mean?
09:35No, no.
09:36Is it known to me?
09:38No, no. What is it?
09:41It's a young gangster.
09:44They call Prince Mafia.
09:47It's a face on which he was put on.
09:52You're going to get out of it.
09:53You're going to get out of it.
09:54No, I'm going to get out of it.
09:58Sorry.
10:01Hello, Nataša.
10:01Here is Kruna Kapitala.
10:03Hello, hello, Nataša.
10:05Tell me.
10:06We have finished the death letter.
10:08It would be good to read it and read it.
10:12Today?
10:13If possible, what?
10:16It's important.
10:17It's important.
10:21Is everything ready?
10:22Is everything ready?
10:24Everything ready.
10:25Something about the process.
10:27I mean, I'm sorry if it's not a problem.
10:31I'm going to start with it.
10:32Of course.
10:35Lenka.
10:36Yes?
10:37I'm going to be completely open with you.
10:40I don't know if you are aware of what you are going to fall if you are going to fall.
10:49I don't know if I'm going to tell you all the time.
10:53I'm going to tell you all the time.
10:55I don't know if I'm not invited you.
11:01Thank you for today.
11:05I don't know anything.
11:05I don't know anything.
11:06I'll be right back.
11:11It's not true, Lukashina.
11:14It's not true.
11:18It looks like it's not.
11:21It's maybe it's going to be with these people.
11:23They are all the time of the police.
11:25Well, I don't have to ask them whether they have so much to their lives.
11:28What kind of comment, Michael?
11:31What kind of comment?
11:32How? Real.
11:33Real.
11:34Do you think someone who was with Alex Ożegovic,
11:38maybe with a momk from a working class class,
11:41who doesn't have to pay a drink and a tea, water bottle?
11:45I can't say anything, Lenka never was like that.
11:47It's not.
11:50But he's not a bitch.
11:52She's stupid. She's not going to fall off with a horse.
11:56It's better to laugh or to go out further than to rub it.
11:59What's with you? We're talking normally. We're coming to new conclusions.
12:03What is it?
12:06You'd have to do a little bit on your sentence, on the way of writing,
12:11not to rub it.
12:13Wait, who's the college school?
12:16That's the college school.
12:18Yes.
12:20It's interesting. You look like a cromanion from Belgium.
12:26Sorry, I'm sorry.
12:27When you're changing the direction of your attention,
12:31you may be able to call me in a salon,
12:33to drink some tea and some tea.
12:39Sit down. I don't want to.
12:41I have something else to tell you.
12:58Okay.
12:59I found her with her.
13:00Okay.
13:01I told her about our problem with the sun.
13:04Okay.
13:04What does she say?
13:05She said she'll try to solve it.
13:08Of course, the discretion is guaranteed.
13:11Yes. The discretion is the most important here.
13:12No.
13:15No.
13:17No.
13:18No.
13:19No.
13:20So...
13:22Why didn't you tell him?
13:25I want you.
13:57What did you call me, brother?
13:59No, I didn't.
14:04Okay.
14:07Don't tell me how the conversation happened with Grkjano Čuče.
14:14He found out who happened.
14:15In what sense?
14:18He told us to stop from Uroša.
14:23They were stuck to him, to follow him and to look at him.
14:28Do you think Uroš is upset?
14:32I think he is upset.
14:35We know what to do.
14:38What?
14:39What?
14:41Now is the real moment to hit him.
14:45Do you think?
14:46I'm sure.
14:48Come on.
14:49When will you steal your name if not now?
14:52When?
14:52When will you steal your name?
15:15I'm sure he is.
15:17He is not a joke.
15:19He is a good girl.
15:21A good girl who does not say the truth.
15:24She is not honest with us.
15:26Do you understand?
15:28He is a good girl.
15:30He is a good girl.
15:33He is a good girl.
15:35He is a good girl.
15:45I believe I am.
15:48Do you think?
15:48He is a good girl.
15:55That's right.
16:07He says,
16:08I mean, it's just a formal, but we have to do it.
16:11Look, I absolutely don't have a chance to answer this question.
16:16I went on a romantic trip with my uncle.
16:20But this is just a formal.
16:22I understand it, but the news that people talk about,
16:25has no connection with me.
16:26In the end of the day, I came here.
16:30I didn't have any crime, I didn't have any crime,
16:33I didn't have any crime.
16:34I didn't have any crime.
16:37You understand?
16:38So, I have to admit that it's a little hurt
16:42that you don't believe me.
16:45You see, Lenka, I don't think it's a problem
16:50or a thing about conviction and not conviction.
16:54I've told you everything I wanted to say
16:57and what I'm talking about, the story is finished.
16:59I don't plan to do it anymore.
17:10Okay, but maybe she has some reasons for this.
17:13Of course.
17:14But it's not a reason that we don't call her
17:16and we can talk with her.
17:17Maybe we can create some new, important things.
17:21Okay.
17:23You can do it.
17:24But nothing.
17:25It is not a problem.
17:28Okay.
17:28I'll be talking with her.
17:30But in the meantime,
17:31that conversation will be done.
17:32That conversation will not be done here,
17:35in the police station.
17:36Why?
17:38Why?
17:39Why?
17:40Why not we can't provide a little
17:41that someone won't hurt?
17:43To bring her here,
17:45it would hurt her.
17:46Okay.
17:46Okay, well, I'll give you time and place.
17:57Of course.
17:57And then I'll show you everything.
17:59I'll show you everything.
18:15When you get everything and take it, it's less confidence.
18:21Less confidence, really?
18:24Okay, well, it's not the biggest problem with all of this.
18:29I'll tell you about this.
18:31How could you send him to this job?
18:34No, it's private. It doesn't have to do with the job.
18:40How do you know?
18:42You see, he was the director of one department in the police.
18:48Believe me, if someone had to return to him,
18:51in this case, he's sure.
18:53I hope you're right.
18:55Believe me, I am.
18:57Listen, Vanja, we have to be very upset about this.
19:01This event may be a lot of pain.
19:04I know, don't worry.
19:05Okay, well, I don't worry.
19:33Oh my God, oh my God, oh my God, oh my God.
19:44Oh my God, how nice to see you.
19:51Come on, come on, come on.
19:55Look at him.
19:58You're not like a dog.
20:02I'm a fool.
20:04I'm not alone.
20:06I'm going to find you.
20:06What are you doing?
20:10You're laughing.
20:11I'm sorry.
20:14I want to introduce you to someone.
20:17Who?
20:18Something happened to me.
20:19The angel fell from the sky right hand.
20:25Let's see.
20:28Suna.
20:32Excuse me, sit down.
20:35Nido, this is Suna.
20:37Good.
20:38How old are you?
20:42You're out of here.
20:43God, sit down.
20:46I've seen such a beautiful thing.
20:47I've never seen this.
20:49Look how beautiful looking at the dormitory time.
20:53Look how beautiful looking at the sun as you saw as the fish.
20:55I'm...
20:58I'm Mido.
20:59Mido, as if you're an old man, he's your husband of my mother's Pancete.
21:04That's it, Gordade.
21:06That's it, Gordade.
21:06That's it, Gordade.
21:07That's it, Gordade.
21:09That's it, Gordade.
21:10Just a good lady can't come up with the hands of the Lord.
21:13It's a great man to come.
21:15How do I work?
21:17Yeah, I should work.
21:18Now I'm also working with you...
21:21From my presence of happiness and joy...
21:24I tell you that this is my future wife.
21:26Our trust, our sister, our new generation at home.
21:30Yes.
21:31That's what I got from Gorane.
21:33Let's see, let's see.
21:35Gorane, every time you have time.
21:37You're right, gentlemen.
21:41Gorane, I just want to say that I'm going to get a new pre-work.
21:47Yes, yes.
21:54...
22:09...
22:09Pssst!
22:13Ivona!
22:14Ksenija!
22:15Ksenija!
22:16What are you doing here?
22:17I was waiting to see theNIH up a little bit.
22:20But theNIH up a little bit!
22:22I don't have to be here.
22:23I'm going to talk a minute.
22:26What do you want to talk, Ksenija?
22:28What if you see the tambour?
22:30Ivona, I don't want to be with your dad and dad anymore.
22:35I don't want to.
22:36I don't want to.
22:37I don't want to be better.
22:40What do you want to do?
22:42Blablablabla.
22:43It's not easy.
22:45It's not easy for me to get you here
22:47and you don't want to do it.
22:50I don't have the best option.
22:52Do you understand that?
22:53Do you understand that?
22:55Ksenija, I understand everything,
22:56but the tambour won't understand it.
22:58What will you see here?
22:59What will he tell you?
23:07Good morning.
23:08Good morning, Chef.
23:11What do you do here?
23:14I...
23:15with Ivona.
23:17Who loves it?
23:19Yes.
23:32Any�t, please, I'm Truck væ죠?
23:34Tell us.
23:35How did you know the game?
23:37What the game broke into it?
23:39I found a type of game.
23:40You hit the sun.
23:42Right so.
23:43How do you think of that?
23:45See, the most beautiful thing in your life is when you think of yourself.
23:49The gods and the gods?
23:51Right, right, right.
23:52And then the crown?
23:54Right, right, on the bandera.
23:56And the bandera?
23:57Our percentile is a million stars.
24:00See, don't forget me.
24:02You know what I want, brother, I want you to know.
24:05Do you know what I want?
24:07Do you know what I want?
24:08I saw him first.
24:09I saw him first.
24:10And I was just looking for him.
24:12That's what I'm talking about.
24:15I went to a company with Alexei,
24:18and I'm working there.
24:19And he was a real driver.
24:22He?
24:22Yes.
24:23When we got to Galu, our colleague.
24:27And I was just looking for him.
24:29And I was just looking for him.
24:30And I was just looking for him.
24:32I was just looking for him.
24:32And he was just looking for him.
24:33And his father's man's father and his father's father.
24:38And how he was looking for his father's mother.
24:39And how to get him together for his friends.
24:42And how?
24:42And he's so happy.
24:43And he's so happy.
24:44And he's so happy.
24:45And he was so happy.
24:45But he wasn't for him to all of them.
24:48But you're going to see our hands.
24:52And that's the maximum of them.
24:55And that's how his father's wealth is.
24:57And that's how the fountain of beauty, of nature.
24:58Thank you, my friend.
25:00I'm telling you my truth.
25:03You will see yourself.
25:05Now, when you're here, you're here.
25:09Can I ask you something?
25:20I've only come to ask you something
25:22that I want to tell you.
25:26It's important, right?
25:29Yes.
25:31Well, see, it's important to me
25:35to organize a meeting with your child.
25:41With my child?
25:43Yes. I need to see.
25:44I'm talking a little bit.
25:48You need to meet with your child?
25:52Yes, with your child.
25:53What are you doing here?
25:57Does it mean that you're going to have a meeting here?
26:00It means that you're going to have a coffee here for now.
26:04And the meeting?
26:06Okay, we'll talk about the meeting,
26:08but after the meeting.
26:13What is your friend,
26:14Icon by the gentleman?
26:15The gentleman,
26:15that's a great guy.
26:17Thank you very much.
26:18And, Ksenija, don't happen.
26:20There's no chance to keep me, you know.
26:21No, I...
26:23No.
26:25Thank you very much.
26:28I'm going to call you,
26:31to meet my house.
26:32Thank you very much.
26:41It's not so bad. You know, Chef, it's good, but she's just a little bit lost.
26:47Ivana, let me know that I will prove it, and I would ask you to be completely honest with you
26:53in the future. Is that right?
26:55Okay, Chef.
27:15I have to admit that I'm not happy to talk about some actions, you understand? Excuse me, I'm sorry.
27:21I don't have anything to say freely.
27:23I just knew something about myself.
27:26No, let's talk about it. We are our ones.
27:28I can't.
27:31As soon as you were out, somebody came up with a blanket, a plate, a piece of paper, a piece
27:36of paper, a piece of paper...
27:37I couldn't say anything about a goldone.
27:38What about a goldone?
27:39No, a goldone.
27:41A goldone.
27:42I was playing, you understand?
27:43I was playing.
27:44He was singing exactly as a piece of paper, but I did not see him as a composer.
27:48He was playing as a composer, a composer, a professional.
27:53He was a professional.
27:56A man wants to make me a song for the singer, the singer.
28:01The big star, your world is not the world.
28:05No, don't let go, don't let go, don't let go.
28:08A little man, understand me.
28:10I thought I would ask you,
28:13if I could, your mido,
28:15when you would take me to the party,
28:17I would sing for the song.
28:20We'll have to take care of you, and we'll have to take care of you.
28:26What do you think?
28:28See, we haven't reached the war.
28:30But if the war happens, we'll guarantee you that you'll be the first one.
28:35Let's go.
28:37What's your repertoire?
28:38What's your repertoire?
28:39I'll give a text.
28:42Let's go.
28:42You can hear it?
28:43You can hear it.
28:46You, on a place where the secret lies, where love is seen, where you're there.
28:52You're the one, you're the one, and you're the one.
28:56You saw the image, I think.
28:59Wait a minute.
29:01See it.
29:01Goku's not racist, you're the one who's the one who's the one who's the one who's the one.
29:10You'll see it.
29:11You'll see it, Guavrana.
29:12It was.
29:13It was.
29:14It was.
29:17You know how to do it.
29:21It sounds great.
29:23We have to talk about something.
29:26It was really.
29:28Really?
29:29Good.
29:31I hear you.
29:44Good.
29:45Did you hear your father?
29:48Yes. We heard it.
29:50What does he say?
29:51He says that I don't give him a lot.
29:53Good.
29:54Good.
29:57You talked about our problem.
29:59Yes.
30:00We talked about the problem, the crows, the slaninities.
30:03We talked about it.
30:04Do you have any answer?
30:08There is a problem.
30:09That's not a big problem.
30:12It's more like a problem.
30:14What is the problem?
30:16My father thinks that you want to replace him for money.
30:19How much is it to replace him?
30:22He wants to replace you.
30:24He wants to trust you.
30:25He wants to trust you.
30:26Why is it so unfair?
30:28It's not unfair.
30:29It's more unfair.
30:32He's such a tough man.
30:34It's really tough.
30:35I'll tell you like it.
30:37Here it is.
30:45Look.
30:45This is what I'll tell you.
30:47It won't be a little bit unpleasant.
30:49I'll tell you when I read the text,
30:50I'll tell you.
30:52It's not clear.
30:54It's crystal clear that the human intelligence was written.
30:58Human intelligence.
30:59Human.
31:02How can I be a robot?
31:03You can write the text, what is it?
31:06You can see these letters in the text,
31:11but it doesn't have a name.
31:13It doesn't have a name. It looks like a robot wrote.
31:16Robot wrote? Robot.
31:20What do you mean?
31:22How can a robot know?
31:23It's a text, so many people know about me.
31:25I don't believe anything.
31:27It's impossible.
31:28I don't believe anything.
31:30A million percent of this intellectual intelligence is written.
31:33I hope you haven't paid someone for this.
31:40I don't believe I'm going to be a mess,
31:42but I have to say that this looks like a intellectual intelligence.
31:48Kukumen.
31:50You know what?
31:52I'm deeply hurt.
31:55I'm hurt like a man.
31:56I'm a liar.
31:59I'm not a liar.
32:01I'm not a liar.
32:01I'm a liar.
32:04I'm a liar.
32:06I'm not a liar.
32:08I'm not a liar.
32:09I'm not a liar.
32:11I'm sorry.
32:11I'll tell you what the situation is.
32:15We'll go ahead and see you later.
32:19Let's go.
32:21Let's go.
32:24Let's go.
32:26Let's go.
32:29Let's go.
32:31Let's go.
32:53Let's go.
33:00What's your love?
33:06Love.
33:07Sorry, it's gone. I don't think so.
33:11No, I don't think so.
33:15I see that something hurts you.
33:19There's no sun for two days.
33:21How does it not?
33:22She doesn't have a phone call.
33:25She doesn't have a phone call.
33:26I don't know anything about her.
33:28It's not even her sister.
33:30I really hope she doesn't.
33:33Stop.
33:34Wait.
33:35I see that she's been closed
33:37because of this situation
33:38with your family and friends.
33:40No, I'm related to her,
33:43but she's not with her.
33:44What's going on?
33:47I hope we'll know something else.
33:49I don't know anything else,
33:50but...
33:50Okay, let's panic.
33:52Let's go.
33:52It's probably something without a doubt.
33:54I'll be honest,
33:55but if I know something,
33:57I'll tell you again.
33:58I'll tell you again.
34:01Can I ask you something?
34:05Yes.
34:12Who is this man?
34:16And how are you interested in him?
34:30Good.
34:31Jiko, what does it mean?
34:32What does it mean?
34:33What does it mean?
34:34What does it mean?
34:35What's it mean?
34:35What's it mean?
34:35What's the doctor?
34:36What's it mean?
34:37I don't have one,
34:38the other one.
34:39Maybe he's got one after that.
34:40What the method is,
34:40What about he?
34:41What's he looking at,
34:42a doctor?
34:43What?
34:44What?
34:44What's he looking at?
34:45that I'm looking for a couple of people who are looking for some food,
34:47especially for me. I can't believe that we're talking about the age of people.
34:54I'm just talking about what he said. I'm just sending it to you, but it's not to you.
34:59Who is it?
35:00To your father. He heard that I want to open the food with a jajetina.
35:06When I was doing it, I'd have to do it to him.
35:09I'm not going to enjoy it.
35:12I'm not going to enjoy it.
35:12I'm not going to enjoy it.
35:18I don't understand anything.
35:21How do you understand, kume?
35:23If I open the food with a jajetina, I'm going to have a jajetina.
35:26And besides jajetina, I'm going to have a jajetina.
35:28And when he knew it, he'd have a heart.
35:33Now I'm going to open it.
35:36Okay.
35:46I'm going to open it.
35:48I'm going to have a jajetina, kume.
35:55I'm going to have a jajetina.
35:57And if you have a jajetina, I'm going to have a jajetina.
35:58What about you?
36:02I'm going to have a jajetina.
36:13And you don't want that?
36:14Not now.
36:20Did you have been here?
36:28Yes, I know I was here, but I didn't want that. We didn't talk about it.
36:32Are you normal?
36:33Mother of love, and that's all because of your freedom, you understand?
36:48He asked him, he wants a man to say a woman.
36:53It was my last time, so I'm going to praise him.
36:56No, wait a minute, I'm going to praise him.
36:59Who is Suna Topić?
37:17My wife, Asija, is not very happy that I came out with her.
37:22I understand a lot. I mean, I didn't have a good one.
37:27And I hope he will stay, if I can, another one.
37:32No, no, no...
37:51Let's talk about everything.
37:53Well, let's talk about everything.
38:09People, I'm finished.
38:13I'm going to help.
38:17I don't know what to do.
38:30I don't know what to do.
38:32I don't know what to do.
38:33What do you think?
38:39I don't know what to do.
38:43I don't know what to do.
38:56Lenka, is that a 100% truth?
38:59I promise!
39:01Wait, you don't believe me.
39:02Sorry, what do you want?
39:03I want to take my whole family.
39:05I don't understand.
39:06Sorry!
39:07I'm just sending my account.
39:09What are you sorry?
39:10Sorry, don't believe me.
39:11I can't believe.
39:13Sorry, I would have judged me if I'm a fool or not.
39:35I don't know if it's time for me to go to a place where I'm going.
39:45I don't know if it's time for me to go to a place where I'm going.
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