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A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
BUZZ EPISODE 51 | 6 June 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Salman Shahid , Shagufta Ejaz , Qasim Ali Mureed
Watch Buzz every saturday at 9 :00 PM only on ARY Digital!
Watch BUZZ tonight at 09:00 PM only on ARY Digital.
BUZZ EPISODE 51 | 6 June 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Salman Shahid , Shagufta Ejaz , Qasim Ali Mureed
Watch Buzz every saturday at 9 :00 PM only on ARY Digital!
Watch BUZZ tonight at 09:00 PM only on ARY Digital.
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Short filmTranscript
00:06Hello Assalamualaikum warahmatullahi wabarakatuh
00:08My name is Hasan Chaudhary and this is buzz
00:11This is the location that you are watching
00:13This is the set of Bust Tera Sath Ho
00:16This is the drama shoot which you can see
00:19The big bangla you can see on television screens
00:22Where all the action are
00:24Today we are going to the same bangla
00:26You have seen my interview with Farhan Sahid
00:28So we are going to have this set
00:30But when we come to this set
00:33But when we come to this set
00:33We are going to have your favorite actors
00:38So we thought that why not
00:40We will interview them
00:42This set on senior actors
00:44We will talk about it
00:45My name is Slaman Shahid
00:47My name is a goal
00:49My name is Slaman Shahid
00:51We will talk about it
00:51We will talk about it
00:52We will talk about it
00:58And this set on the set
01:00We will talk about it
01:00So we will talk about it
01:03We will talk about it
01:04But let's rest assured
01:06This set on the set
01:08The set on the set
01:10You will talk about it
01:10And you will talk about it
01:12This set on the set
01:15The set on the set
01:16The set on the set
01:17The set on the set
01:17The set on the set
01:18If we are not going to the set
01:20If we are going to the set
01:21The set on the set
01:23Let's come and show you
01:24How to do this set
01:33Thank you very much.
02:03MashaAllah. Sir, on the contrary, what we are seeing as a kid, MashaAllah, you are feeling fit-fart.
02:11Fit-fart is a man, he can do it. He can't do it.
02:16Sir, MashaAllah, you have such an illustrious career, if I am not mistaken, since 1975.
02:22Yes.
02:24And again, please correct me if I am wrong, you are one of those actors that you went to Moscow
02:30to study filmmaking.
02:33Yes, exactly.
02:33This is the real, sir?
02:35Yes, yes.
02:35Sir, there are so many things that I went there, here.
02:38So, in the 1970s, you were on scholarship?
02:41Yes, yes.
02:42Sir, you started a little journey from there?
02:49Yes, yes.
02:51Yes, yes.
03:13So, at that time, and even later on, Russia, the Soviet Union, they had a big audience of South Asian
03:21content and cinema.
03:23Because we also heard of stories that Raj Kapoor went and even Pakistan.
03:26Yes, yes, yes.
03:26Yes, yes.
03:27It is also in Tashkandh now.
03:28Yes, yes.
03:29It is the Republic of Salahida, which is Raj Kapoor Street.
03:32Yes.
03:33Yes, yes.
03:34And he was, Raj Kapoor, who was in the jury, which was in the jury.
03:38Yes, yes.
03:38Yes.
03:39He was in Moscow at the International Film Festival and next year, Soviet Union in Tashkandh.
03:44Yes, yes.
03:45So he was very well known.
03:47His film is called Sholeh.
03:50Yes, yes.
03:51He was dubbed in Russian.
03:53Oh!
03:54And sir, the Pakistani content was still there?
03:57It was called Ranggiela.
03:58There were two films that people liked Ranggiela.
04:02Oh!
04:02Yes, Ranggiela was a very favorite.
04:05So you also have directed, produced, written,
04:09all you have worked across all the platforms.
04:13Yes, yes.
04:14If you look back now, how do you, in a few words,
04:18would you summarize or define your journey?
04:22It's very easy to say.
04:23It's very popular.
04:25In English, Frank Sinatra,
04:29that I did it my way.
04:31So I think whatever I did it my way,
04:34it's a little bit of a difference.
04:36And I don't want to say anything,
04:38because probably everybody really does it their own way.
04:41People are following us and some people are leaders.
04:53You are more of a leader.
04:55I hope so.
04:56And I don't mind following.
04:58There's no harm in following.
05:00There are very good things in the world. There are very good people who can follow people and I have
05:05done it.
05:06Sir, that time that we are talking about now, we said that it was the golden era of Pakistan television
05:14and also films.
05:16I don't say that it's golden or...
05:19It's silver or platinum.
05:21It's silver or molten.
05:23But the fact is that I think this era is also good.
05:26I just wanted to ask that in 2016...
05:29Look, there are so many kinds of things happening now.
05:36There was one channel, a particular place.
05:42You could say that it was more of slightly commercial but mostly public broadcasting.
05:49You could do it because there was no competition.
05:51There was one channel and everyone had to do ads there.
05:54Now there is a big competition.
05:55Now the Faisal of the marketing department is doing it.
05:58If you want to do it, you have to do it.
06:00Whether it's an actor or content or anything.
06:05Sir, are you happy with the stories that we tell today?
06:09I don't think I am very happy with the stories because...
06:13First of all, I think that there is a very big writing...
06:18No actor.
06:20Rona dhona doesn't make you great.
06:24Some of the critics say that when the actor doesn't understand anything,
06:28he doesn't understand what to do,
06:29he starts to cry.
06:31So in general, we can write it and exaggerate it.
06:35That doesn't happen.
06:37That's why it's okay.
06:38The story of Sass Bahu is going on a lot.
06:40Because that is our audience.
06:41But in the middle of the time it's a great thing.
06:44But you can see that
06:45before the first one main series,
06:48one channel,
06:49three months of the audience,
06:51there was three stories.
06:54If it's one story,
06:56one story,
06:57one story,
06:58one story,
06:59it's a big drama,
07:00it's a big drama.
07:01It's 26 stories.
07:02Now the drama is starting with 50 stories.
07:05I don't know where it will go.
07:07It's different.
07:08Yes.
07:09Yes.
07:09it's not a big drama.
07:12It's a bit more than it's,
07:14but in the middle of the audience,
07:15it's a bit less than it's,
07:15because it's a small work.
07:17You can see,
07:17the resources of the talent,
07:19etc.
07:20They have also increased.
07:21But then they can concentrate all of that.
07:24Yes,
07:24yes.
07:25One story is happening.
07:26They are better actors.
07:28They are better actors.
07:29They are better writers.
07:31They are better writers.
07:31They are better writers.
07:32They are better writers.
07:33They are better writers.
07:34So now,
07:35at one time,
07:37there are 50-50 things.
07:38So,
07:38how can you expect,
07:40that all those 50-50 levels will be better?
07:42And,
07:42there are many times,
07:43and they are better writers.
07:44In the meantime,
07:45there are many series,
07:46which I will listen to.
07:47Very good.
07:48I don't want to take a name.
07:49But,
07:49I also know,
07:50I know,
07:51that there are great things.
07:54Yes, yes.
07:54And then,
07:54where were the programs,
07:56like magazine shows?
07:59Yes, yes.
07:59Where were the programs there?
08:02Yes, yes.
08:02They were boring.
08:03They were still boring.
08:04You know,
08:18there are many different things.
08:21Yes,
08:22there are many different things.
08:34that I have done.
08:35And today,
08:36you are only your friends.
08:38There are many different things.
08:39There are many different things.
08:39There are many different things.
08:40So,
08:41when you are offered these kinds of characters,
08:44what do you think?
08:46I think that,
08:47you know,
08:49I think that,
08:49you know,
08:49a man can do a lot of things.
08:51Compared to what I have done.
08:54So,
08:55I do not see so much.
08:57Because,
08:57I do not like seeing myself.
08:58Okay.
08:59And,
08:59I am reading Facebook,
09:01Star Trek,
09:02very famous Captain Kirk,
09:05William Shatner actor.
09:06He is now around.
09:08Okay.
09:09He is now around.
09:10he says,
09:11he has never seen anything.
09:13He has never seen anything.
09:14He has never seen Star Trek.
09:15He has never seen Star Trek.
09:16because I didn't look good.
09:18So,
09:19I did not see.
09:19One,
09:20he has seen Star Trek.
09:21I don't know which one.
09:22He has also done direct.
09:24Okay.
09:25So,
09:25he had to see it.
09:26Because,
09:26the director,
09:27he couldn't avoid it.
09:28Yes.
09:28So,
09:28I do not see it.
09:30But,
09:30I do not see it.
09:41But,
09:42if the demand is that,
09:44you can't absolutely break away from the demand of the script.
09:47Yeah.
09:48That is what you do.
09:49But sir,
09:49legendary actors like you,
09:51don't you sometimes feel that,
09:53because of the stories that we tell,
09:56you are restricted?
09:58And,
09:58I know that either or the…
09:59Every actor has that problem.
10:00I have tried,
10:01I have tried to break that.
10:03You have tried to do that.
10:03You have tried to do that.
10:04That's why,
10:05when you do something like this and it's not a false,
10:08it's like a false offer.
10:11And,
10:11I usually have been refusing that.
10:14But,
10:15I am not doing that.
10:17It is a lot of time.
10:18It's a lot of time.
10:18But,
10:19people are like,
10:20they are like,
10:21they are like,
10:21they are like,
10:22they are like,
10:22you know.
10:25But,
10:25sir,
10:27our audience is,
10:35it's insane.
10:36I mean,
10:37it is insane.
10:38I mean,
10:38Diaspora,
10:39which is,
10:40all kinds of,
10:40Hindustani,
10:41Pakistan,
10:42Bengali,
10:43particularly,
10:43Sri Lankans,
10:44South Asia.
10:45Sir,
10:46in your assessment,
10:47what has kept them hooked?
10:48Because,
10:48this is always,
10:49our drama.
10:50I mean,
10:52what is your assessment?
10:54Well,
10:54there must be something about our culture.
10:56This is a story,
10:58which is,
10:59Pakistan,
11:00it is a very special and special thing.
11:03There will be very many things.
11:05Some of our actors will enjoy it.
11:07What we're saying is that we are saying that we don't like it,
11:10that we like it,
11:10that I don't like it,
11:11that it makes people like it.
11:12You know,
11:13especially,
11:14the people who go out,
11:15they want to be more connected.
11:17It's related to here's a totally special thing and that special thing is that we love so much
11:24but it feels like we have the country and we have our own land.
11:32Sir, back to Buz Tera Saath Ho. What can you tell us about the journey of your character?
11:38I hope it sticks around till the end.
11:40Yes, I don't know. I'm waiting for my end because there are these drama in which Manji thinks
11:47that in which case we will give it to us.
11:52So, in the first time, in the film, it was that if the actor asked money, he would give it
11:58to us.
11:59Really?
12:00No, I don't know.
12:01But whatever it is, it is, it will be very good.
12:11The best thing is that I am very happy to be working with Kasim Marie.
12:15He is an insightful, thoughtful, he looks into detail and full of energy.
12:27That energy will probably come in his production. It will come in what we are doing.
12:34Now that, sir, you are working with all these young actors, younger generation.
12:39Yes, I mean, up to now, I am working with two, three generations.
12:43Yes, two, three generations of these young, very popular and also very good actors.
12:48Thereafter.
12:49How do you assess their talent or the younger generation?
12:52I think some of them are marvellous, some of them are very good.
12:54I don't remember the name of Shami.
12:56Okay, sir.
12:57Go ahead.
12:57But he didn't remember himself as a director.
12:59I asked him to ask him what was in the drama.
13:04But they are very good. Some of them are very good.
13:07You are happy with the talent that is coming out?
13:10Yes.
13:11I am very happy.
13:13I think we have a lot of talent in Pakistan.
13:16I think we have a problem.
13:19Maybe we are...
13:21Now we are not a new nation.
13:22We are 77, 78 years old.
13:25Yes.
13:25But it is that we do not want to keep the trust.
13:28I would ask for a young man who is a 20-year-old actor,
13:32who are the superstars of our time,
13:34who are the superstars of our time.
13:37They will be blank.
13:38They will not know what we are doing.
13:40They will not know what we are doing.
13:46They will not be the best of our own.
13:51Sir, where do the situation of our time?
13:53Yes.
13:55As a nation, we are not good at this.
13:58We do not have our legacy.
14:02We do not have our legacy.
14:03We do not have our legacy.
14:03The situation is that we have some handicrafts are done.
14:08That's why we have some handicrafts.
14:10We have some handicrafts.
14:36could this also be because society at large still views
14:42media and entertainment in a slightly negative light and which would be hypocritical
14:47there was a lot of difference when i was in college and i was in 73-74 so when we
14:54were in college
14:54we would say that our class fellows would say that we would not have to work in the drama
14:59now you are running away, you can play on stage, you can play on social media
15:06and you will get so many calls and everybody wants to do that so the difference is
15:12is very important but it is a little hypocritical, this is what I think
15:15because there will be opportunity now
15:17yes, if you will talk to some of the cities like the country, that is the attitude
15:24well, this is the way the world has developed, this is the way the world has developed
15:28all over the world but as education has come and as culture has grown
15:37And finally, last question. How do you view the future of Pakistan entertainment industry? Not just television but film and
15:46you know, I think it's good.
15:47But I don't think that you will create theatre halls or you will do good dramas or you need a
15:57facility, you need to give it, you need to do it, you need to do it. And private enterprise is
16:04a good thing.
16:06They do, they help in that. But eventually it is talent. You have to nurture the talent. Once it's nurtured
16:14and you have to know exactly
16:15who will back you, who will not. Fuzul will not back you. Our here is a lot of work. So
16:21when you know who will back you and who will back you.
16:25Look, the way you are doing something in Punjab, in the film and in the film, that is what you
16:31are doing. Sometimes you are backing people
16:33who are backing you are not the first one. Why are you backing them? You should be backing somebody who
16:39you suspect is good
16:41but is not getting the finances, is not getting the opportunity. Doesn't have the resources. Yeah, yeah.
16:45You have to back that. That is the way to promote. And nurture talent. And nurture talent. And that will
16:52grow your industry.
16:53grow your industry. Big-big-big floors, studios, and film city, do not work.
17:00If you don't have talent, if you don't have any writers, writers, directors, technicians…
17:04And secondly, you also have to do it as far as… TV is running, because it is commercially viable.
17:10You have to do it as far as… TV is running, because it is commercially viable. You have to do
17:23it.
17:23You have to do it as far as you can see. That's where you have to go to film city,
17:28that's where you have to go to cinema houses, in small cities, in small cities, in small cities,
17:32in small cities, in small cities, in small cities, in small cities and in small cities.
17:35You have to allow it. So, you will see that a film that has flopped in the city,
17:38that will be paid for money. That's how it is in Hindustan.
17:41Yes, yes, yes.
17:42Sir, there is no intention to finish this interview, but we are pressed for time. Thank you so much, sir.
17:51It's such an honor that you have to learn so small in such a little bit. Thank you so much.
17:56You are most welcome.
18:03We are here today.
18:06It's such a big name that I am not getting into understanding that I am a small thing,
18:10a big thing, a big thing, a big thing, a big thing, a big thing,
18:12a big thing, a big thing, a big thing, a big thing,
18:13and I am going to take that word and I am going to introduce it with a proper way.
18:18So again, I will only say, I have with me the one and the only,
18:22Shekuf Taja Sahib.
18:24As-salamu alaykum ma'am, Hamuji.
18:25Waalik waas-salam.
18:27I am a bit nervous because you are sitting in front of me.
18:31I am a bit nervous because you are sitting in front of me.
18:31I am not.
18:32What are you talking about?
18:33What are you talking about?
18:34I am not.
18:34Because as much as we are in front of the camera,
18:39otherwise we will be in supervision with the director.
18:41But I do have to say that it's such an honor.
18:48It's such a privilege.
18:49Not just me.
18:49My entire family is such huge fans of you.
18:53And if you are sitting in front of me, my mother will be very happy today.
19:27I think I'm very fortunate to be the people who have a passion for their profession
19:31because they have fun of their work
19:32So this was the reason that I was very passionate about doing good work and how to do it better
19:42And after that, it was a very long journey
19:47And the way I worked in a phase when my daughters were younger
19:53And at that time, the youngster's time didn't have any attention to their timing
20:01I was at 9am and I was at 2am and I was at 2am
20:05So this is a routine for me
20:07If there is a person in a common situation, they say that I am the best
20:15But because I had a passion
20:17I think it was my children
20:21And there is so much about my profession
20:24I can tell you that that is the reason why I am still in the industry
20:29And I want to continue being in it
20:32That's why we have such power in our hands
20:38That we can hear our voices
20:41And that's why we have such power in a new way
20:44And we have such power in one of our lives
20:47And this is why we have such power in a way
21:06And that's why we have such power in a way
21:09in which, after marriage, she comes to her mother's house
21:15and her family's behavior changes.
21:18And they start taking her as a burden.
21:22And she was the only girl who had the eyes of her before marriage.
21:28When she came back to her home, she became a relief.
21:33I thought it was a very strong platform
21:36where you can reach people to the people
21:39and you can create an effect.
21:41So, Jan Luz was the first time that was actually face-camera?
21:43Jan Luz was my first appearance.
21:45And it was a bad luck that after three episodes it was closed.
21:49Yes.
21:50Because it was the two parts of the novel.
21:53Part 1 was done.
21:56And I was part 2 of the heroine man.
21:59It was about 18 episodes.
22:01And after three episodes it was closed.
22:03So, after two years, I got an eye on it.
22:07You were, mashallah, then such a household name.
22:11Because everybody said that it was only one channel.
22:14But in one channel, there was also a household name.
22:17And there was so much success, so much popularity.
22:20Cut to now.
22:21How do you see that shift?
22:23Because people were watching the same channel
22:25and the actor or the talent,
22:28the recognition was received.
22:30Now, do you think that things have deteriorated
22:34or have they become better?
22:35Very tough question.
22:38You were the right person to ask this question.
22:42I mean, there are a lot of things, like if you look at the financial side,
22:49it is better now.
22:51If you look at the professional side, it was better then.
22:58There were a lot of things.
23:01Organized things.
23:02There was a place in the studios.
23:03There was a place in a house in the studios.
23:05And there was a great job.
23:06But also, I am,
23:07the question that I am going to ask,
23:09I am going to be explaining right now.
23:11Perhaps the recognition then meant a lot more than what it means today.
23:15Of course.
23:16The popularity or the…
23:18of ten times only is the one that would be the 8am
23:20which is the thing that the whole Pakistan ever saw.
23:22Whether they are in the mountains,
23:24whether it is in the towns,
23:25whether it is in the towns,
23:25whether it is in the community,
23:26whether it is in places.
23:26Whether it is in the whole Pakistan ever.
23:27That means that its value is also more than the recognition
23:29and popularity.
23:30That means its value.
23:31You can imagine it to be in the day of the day when a drama is running
23:34and a bazaar would come and we did not see it.
23:37We have seen the time.
23:38I did not even know this about it.
23:41I was in the kitchen and he went to the store
23:42and he said,
23:43the kitchen is closed and it is 9am.
23:45No, it's going to be a drama.
23:48And at that time, if you've become a dead body, you've become a dead body.
23:55So it's a very difficult question.
23:57But yes, I think that now you have to prove your talents to explore your talents.
24:07But do you also think that the kind of stories we tell,
24:11who are our senior, who have such a body of work,
24:17such a talent and skill,
24:19we're not able to do justice to their stature.
24:24But the talent and the skill that they have,
24:26we can justice today's story.
24:30Do they do justice to the skill set that you have?
24:38Do they do justice to the skill set that you have?
24:43Yes, to an extent.
24:45Because,
24:47where there was a drama in four months,
24:50there were 40 dramas in four months.
24:53So if you look at that,
24:56you have such opportunities.
24:59Because eventually character selection is your own.
25:02Yes,
25:02yes, yes.
25:02If you have something to choose from,
25:07then you choose such a thing,
25:09in which you have a chance to prove your talents.
25:12You're not just a statue or a filler.
25:15Yes, yes.
25:15You're not just a statue or a filler.
25:16Yes, yes.
25:17You're not just a statue or a filler.
25:26Yes, yes.
25:28Because you have a lot of work,
25:29you have a responsibility to choose your own.
25:33You have to choose something to do in which you have to do.
25:35Yes.
25:37Okay, now on to Bustira Saath.
25:39One question that I'm very surprised is,
25:42where did the puppies come from?
25:43Where did the puppies come from?
25:44Where did the puppies come from?
25:46Where did the puppies come from?
25:47Where did the puppies come from?
25:47Where did the puppies come from?
25:48Did the puppies come from?
25:51They were sleeping in the morning and they were at home.
25:58And there were a lot of things that were not justified.
26:01But now they're going to go and ask questions
26:03because it's the attachment to Anas.
26:07It will be completely justified.
26:09Why is it?
26:10And why is it?
26:11So when people watch the drama,
26:14they can't miss anything.
26:16Yes, that's a question.
26:17People also asked,
26:18okay, Pupo's husband told me,
26:20that my daughter was my daughter.
26:21But Pupo didn't put a strong enough fight.
26:23Maybe they would say that they were both brothers and sisters.
26:27Then the husband told me,
26:29and then the husband told me.
26:31So eventually they were the Pakistani family,
26:33and our family's wife.
26:36So when they gave reasons why they don't want to make friends,
26:41they are sisters.
26:43So I'm sure that many people also said,
26:46cause that is true.
26:48Yes.
26:49I was divided when listening and said,
26:51that's not the wrong thing.
26:53But the question is that there was also a wife with a cousin and a whole marriage with a whole
27:02conversation.
27:02The daughter was also her husband.
27:05So if this option was given to her husband,
27:10it means that she has so much trust in her finances
27:14that this option is considered to be considered to be considered to be considered to be considered to be considered.
27:20So now, people will see that her trust was absolutely right.
27:28Her faith was absolutely right.
27:30So I've been hearing a lot from the team of Bustaira Saath.
27:34We are going towards a very different situation.
27:39Not what the audience is thinking.
27:41So without giving anything away,
27:43what can you add in this moment?
27:45Where the episode is finished and the second episode is finished,
27:52where you have to wait for 5 days,
27:55that will be difficult.
27:57Oh!
27:57Oh!
27:59I'll tell you this.
28:00My daughter,
28:02she says that we can't watch so long.
28:05She used to watch 8 episodes of these shows.
28:08So she says,
28:09if she started this one time,
28:11it will happen and it will happen.
28:12So she started one or two dramas,
28:14but she didn't have any interest in the show.
28:17I showed her these two episodes.
28:19Then to my other daughter who is in the UK,
28:21she has a baby.
28:23She asked me,
28:24but she said,
28:24Mom, tell us what will happen.
28:26Please, Mom,
28:27I can't wait for 5 days.
28:28Tell us what will happen.
28:29I said,
28:29if I don't tell my mother,
28:31why will I tell you?
28:32She said,
28:33because I am a daughter.
28:34I said,
28:35no.
28:35I will tell you.
28:36Watch the drama.
28:37It's my pleasure.
28:39She said,
28:40I will wait until it is finished.
28:43I said,
28:44then you will really have to wait long,
28:46because it will be too long.
28:49So,
28:50this is a very happy thing,
28:52because of the children's side,
28:53and the children who don't approve this thing,
28:57that it will be too long and long,
28:58that there is no time.
29:00So,
29:01they are following her,
29:02and they are not waiting for her.
29:04And then,
29:05you see,
29:05the first episode is usually an introduction
29:07to the characters and the situation.
29:10You know in the first episode,
29:12yes,
29:12and usually,
29:13it is not gripping.
29:15But,
29:16after the first episode,
29:18it has picked up the story.
29:21It revealed so much in the first episode.
29:23It did indeed.
29:24Ma'am,
29:25thank you so much.
29:26I am telling you,
29:27you have a little time.
29:29What do I do?
29:29Shigufta Ji,
29:30you are sitting with me.
29:31I don't want to wrap up this conversation.
29:34I am going to wrap up this conversation.
29:34I am telling you,
29:36that you are not on our set.
29:37There are no holes in the bar.
29:39We can do a conversation.
29:40Okay.
29:40But,
29:41because we are on your set,
29:42and they are probably going to go back.
29:44I am going to go outdoor.
29:45Yes.
29:46So,
29:46thank you so much, ma'am.
29:47It is such a pleasure.
29:48And,
29:49I hope that,
29:49inshallah,
29:50we will have a long time,
29:51a long time.
29:52Thank you, ma'am.
29:54My pleasure.
30:06I have with me,
30:07the very handsome,
30:08the very good looking,
30:10and also,
30:10a very, very fine director,
30:12Kasim Ali Mureed.
30:13Assalamualaikum, sir.
30:14What are you doing?
30:14Yes.
30:15Assalamualaikum.
30:16First of all,
30:16you have so much appreciated.
30:18Thank you so much, sir.
30:19I would like to add a little bit,
30:21with your pleasure.
30:21Please,
30:22ma'am.
30:23Yes.
30:25I have to say,
30:27on camera.
30:28My name is the only one
30:53a character arc you can get a little bit of character from our journey
30:57who was the initial episodes of our journey
31:01and if we look at it, there are many songs from the other side
31:06many stories from the other side
31:09the colors of the world are also together
31:13you create harmony and melodies
31:16so most of the stories are the same how you tell the stories are very important
31:20no no but was it a conscious effort
31:21that we have created that realm and universe
31:24or people have been there
31:28and there are others
31:29one is also a character
31:30sorry, I'm sorry, I'm sorry
31:32one is also a character
31:33another one is a major thing
31:37because the writer of Saira Raza
31:39is written script and I'm doing it
31:42and then I'm doing it
31:43and we're doing it
31:44and we're doing it
31:48but of course
31:49television stories
31:50are a such a level
31:54that after that
31:55they're very difficult to make the sequel
31:58now it's a different thing
31:59that if you have 10-15 years
32:01or 20 years
32:03you have to take it
32:04if you have a character
32:04to take it
32:05because you have a character
32:06to take it
32:07but I feel like the next episode
32:13because of the
32:16the wife and the wife
32:17and the wife
32:18and the wife
32:19and the wife
32:20the other
32:27so i've been hearing a lot that this story is not that
32:31what is it? i don't want to say spoiler but what is it?
32:37but what is it? what is it that you have seen it and it is not something else then why
32:40did it show you?
32:41it tells us that if there is no wow factor in it then what will happen to you?
32:46you expect something else and then you will kill him
32:52let's say it this way
32:54so how many episodes will be explained in this episode?
32:57some episodes will change in this episode
32:59with the speed of speed
33:00with the speed of speed
33:00with the speed of speed
33:01some of the situations you will recall also
33:07because you can say that this is an extension
33:11my own journey?
33:12yes my own journey is an extension
33:14because you may see many things in other situations
33:17and some similarities
33:18and some similarities
33:18yes but in those situations
33:21we will try to rewrite more and better
33:24and explain more
33:25this was intentional casting
33:28or what was it originally?
33:31or what was it originally?
33:33because the sound of your project is not
33:35absolutely
33:35it was an extension
33:43but there was a certain time line
33:46in which we had to achieve it
33:47and I couldn't shift the drama more
33:50further
33:51and I always say that
33:54it is written in food
33:55in food
33:57in food
33:57in food
34:01in local
34:02and I'm super happy
34:04that Sanah
34:05and Sanah
34:06who performed
34:07with the focus
34:08and because through the play
34:11we are principally
34:11character arc
34:12and fun
34:14the performance
34:14and components
34:14and
34:15run
34:16I won't come to use this
34:19because we had better
34:20and avoid the Raisins
34:26and that is enough
34:28yeah.
34:29yeah.
34:31it's really good.
34:33I'm super happy.
34:34and it's a bit of a surprise.
34:39and it's a lot of surprise.
34:40and it's a bit of a surprise.
34:40it's a bit of a surprise.
34:42all of this.
34:43it's a bit of a compliment.
34:44then we'll do a lot of changes in the future.
34:50you made a movie too?
34:51sir,
34:52what are your thoughts on?
34:53what's going on?
34:55because you have to make a lot of martial arts and you have to make a lot of money and
34:59you have to make a lot of money.
35:03I think it's a lot of good scripts.
35:07After creating a teach button, there were two types of projects.
35:10There were a lot of films that I said later,
35:14because now I am not interested in teach button.
35:20Pakistan has a serious cinema.
35:23I would like to tell those stories which actually belong to this land.
35:27These are actually our stories.
35:30If you have seen the past time, most of the time,
35:32we are trying to tell stories about how many people exist,
35:39or 5% exist.
35:41So it's a little daring to tell our stories.
35:44If you have to tell stories about other woods,
35:49we are interested in telling stories about other woods.
35:50I think that our stories are not.
35:52But because we have to tell stories about these stories,
35:57then when we come to film,
35:59we have to borrow from other woods.
36:01But if you think about Pakistan's history,
36:03there was a lot of film editor in Pakistan.
36:06There are many books that have seen.
36:07I have probably discussed earlier,
36:09I've also discussed the role of American people.
36:09My career is also an important thing.
36:11The human being is also made.
36:13The human being is also made.
36:16The human being is made.
36:17The human being is made.
36:19The human being is made in the world.
36:21The human being is made in the world.
36:21So if you talk about the fiction,
36:21it is a lot of fiction in Pakistan.
36:22Especially if people compare them to today's history.
36:26So, today's contemporary,
36:26it should be a great kind of science.
36:28and the diversity in society, the click away and everything,
36:34so if people want to bring people to cinema,
36:36then we should make a good story and make a very good story.
36:40And in TV, you think that scope is limited.
36:44Our homes are big, fancy and different.
36:49But at the end of the day, in most dramas,
36:52they are made, they are made, they are made,
36:53they are made when we are out of the house.
36:54But the story of a house and the family,
36:56the story of a family is more visible.
36:59In TV, all experiments have started to be done.
37:02If you look at our audience's side,
37:06then people have tried to be a little different story.
37:11So I think that it is so much appreciated.
37:14People work for a hundred and twenty days.
37:19We also have to take the stars for TV,
37:21who are more passionate.
37:23and there are many people who are not going to be a man for 70 days.
37:27They are going to sit in a house and say,
37:28what are we going to do?
37:30It is a great thing that people go to the outdoors.
37:33But I think that they are doing outdoors,
37:36and the interior is cheating in Islamabad.
37:40So things will change.
37:42The television is growing.
37:43I think, Alhamdulillah,
37:45which the audience and the international eye ball
37:48is watching us,
37:49it is more responsibility.
37:54So it will be good.
37:55Alhamdulillah, I am an optimist guy.
37:57You know, I am a positive side.
37:58It is a great thing.
37:59Thank you so much, Qasim.
38:01Sir, thank you so much.
38:01Thank you for your time.
38:02And you have to be very tired.
38:05You have to be very tired.
38:07No, no.
38:07But as I said,
38:08the long time,
38:09the long time,
38:10the long time,
38:10the long time,
38:11the long time,
38:11the long time,
38:11and the long time.
38:15On that note,
38:16the long time,
38:18the long time,
38:18this season behind the side.
38:20I'll be happy to end this episode.
38:21And that's what will happen.
38:21Inshallah,
38:22the long time,
38:22the long time is your turn.
38:25The long time,
38:25your love-to-don't.
38:25Thanks so much.
38:27And you are calling me to go.
38:28My name is Moana,
38:28the long time,
38:29Yes.
38:30And you are calling me to go.
38:31And I'm sorry.
38:31And you are calling me,
38:32on the way.
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