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Before "prestige TV" was even a concept, classic shows were already tackling the tough stuff. Join us as we count down the pre-1990 TV episodes that handled serious, sensitive topics with honesty, courage, and heart — proving that even sitcoms could spark real conversations and change minds. Which episode left the biggest impression on you? Let us know in the comments below!
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00:00Hey, look at the time there. Shouldn't you be in church now, huh?
00:03I ain't going to church.
00:05Welcome to Ms. Mojo, and today we're looking at pre-1990s shows that knew how to handle a story
00:10when things got serious.
00:12Didn't you think I knew that? No, I don't think you knew that. I think for a minute there,
00:17you weren't sure, and it made a difference.
00:22Number 20. Sesame Street, episode number 1839.
00:26Big Bird? He's not in there.
00:30Oh, then where is he?
00:33When actor Will Lee passed away, Sesame Street chose not to replace Mr. Hooper or invent an
00:38excuse for his absence. Instead, the show addressed death with honesty and sensitivity.
00:43The adults gently explained to Big Bird that Mr. Hooper had died and wasn't coming back.
00:47Why not?
00:51Big Bird, when people die, they don't come back.
00:57Ever?
00:58No, never.
01:00It acknowledged the sadness and permanence of loss without becoming overly sentimental,
01:04reassuring young viewers that it's okay to grieve, while emphasizing that loved ones' memories live on.
01:09Decades later, it is still regarded as one of the most compassionate and thoughtful portrayals
01:14of death in children's TV.
01:15It'll never be the same around here without him.
01:20But you know something?
01:23We can all be very happy that we had a chance to be with him and to know him and
01:30to love him a lot when he was here.
01:32Number 19. MASH, goodbye, farewell, and amen.
01:36Sydney, listen to me. I'm a doctor. There is nothing wrong with me.
01:39That's what you said the night they brought you here.
01:41You just driven your jeep through the wall of the officer's club and ordered a double bourbon.
01:46That was strange. I drink martinis.
01:49MASH's final episode also delivered its biggest twist.
01:52The moment represents the lasting psychological scars of war through Hawkeye's repressed trauma.
01:57Reaching the core of his PTSD-induced nervous breakdown,
02:00he remembers being indirectly responsible for a desperate mother making an unimaginable choice.
02:05I just wanted to be quiet.
02:09It was a baby.
02:10Unable to reconcile his attempt to aid a bus full of refugees and the consequence of his actions,
02:16Hawkeye's mind copes by convincing himself to believe a lie.
02:19As the truth slowly resurfaces,
02:21the episode offers a heartbreaking look at how the brain can suppress unbearable memories to function.
02:27Rather than reducing trauma to a single emotional outburst,
02:30it presents the psychological toll of war with an honesty that remains just as powerful today.
02:35Being around little kids makes me uncomfortable these days.
02:39I guess that's something we have to work on.
02:42Number 18. Blackadder. Goodbye.
02:45Rather hoped I'd get through the whole show.
02:47Go back to work at Pratt & Sons.
02:50Keep wicked for the Croydon gentleman.
02:53Married Doris.
02:56Made a note in my diary on the way here.
02:58Simply says,
03:03The Blackadder finale spent most of its runtime doing exactly what the series was known for,
03:08finding humor in the absurdity of life during the First World War.
03:11That made its final minutes all the more devastating.
03:14So we are in fact going over.
03:16This is as they say,
03:18it.
03:18I'm afraid so.
03:19Unless I can think of something very quickly.
03:22Once the order came to go over the top,
03:25the jokes disappeared as Blackadder, Baldrick, George, and Darling quietly accepted what awaited them.
03:30Rather than offering a miraculous escape or turning the moment into a heroic spectacle,
03:34the episode acknowledged the grim reality faced by countless soldiers.
03:38Their charge across No Man's Land then dissolved into a peaceful field of poppies,
03:42using imagery instead of dialogue to reflect the enormous human cost of war and the lives it claimed.
03:48Whatever it was, I'm sure it was better than my plan to get out of this by pretending to be
03:52mad.
03:53I mean, who would have noticed another madman around here?
03:55Number 17.
03:56A Different World.
03:58Love Taps.
03:58As a show that tackled many real-world issues that The Cosby Show avoided,
04:02this episode focuses on domestic violence.
04:05How did you get that bruise on your leg?
04:06I told you I bumped into my desk.
04:10Gina, I thought you said the coffee table.
04:14Look, it was just an accident, okay?
04:16He's just nervous about the concert.
04:18Gina becomes involved with a boyfriend who's charming and affectionate in public,
04:21but controlling and possessive behind closed doors.
04:24Rather than suggesting that dangerous behavior is always easy to spot,
04:28the episode shows how someone can maintain a caring image while causing harm in private.
04:32I'd like to keep my girl close.
04:35My enemy's even closer.
04:37Doesn't seem like you want me close in public.
04:39I mean, the only time your affection is when we're alone.
04:42What is this?
04:42So I'm supposed to put on a show for you and your skeez friends, right?
04:45Hold up.
04:46My friends are not skeezes.
04:48Oh, so you're the only one?
04:50This makes the situation difficult for both loved ones and the person experiencing it to fully recognize.
04:55It also explored Gina's reluctance to speak up and the difficulty of walking away.
05:00By examining manipulation alongside physical harm,
05:03the episode offers a thoughtful and realistic look at a painful situation many people face.
05:08Dion, I'm gonna go get counseling.
05:10I need help and so do you.
05:11Says who?
05:12Freddie?
05:14No, the mirror.
05:16Maybe you should take a look.
05:18Number 16.
05:19Family Matters.
05:20Good cop, bad cop.
05:22I was driving along, minding my own business, when the cops pulled me over.
05:25Did they ask you for your license and registration?
05:27Yeah.
05:28Then I asked what the problem was and one of them told me to shut up.
05:31Then he made me get out of the car and lie face down.
05:34Then he cuffed me.
05:35That's unusual procedure.
05:37Unless you provoked it.
05:38But I didn't.
05:39For a show that made one wacky premise out of another through Steve Urkel's shenanigans,
05:43Family Matters showed surprising sincerity with the story.
05:46Along with Eddie's racial profiling exposing the prejudice of one officer,
05:50it also shows Carl wrestling with his own instincts as both a man of the law and a father.
05:54Carl, this is frightening.
05:56If it happened.
05:57Dad!
05:58Well, son, you lied about your last speeding ticket.
06:00How do I know that you're not doing it again?
06:02Do you think I would lie about something like this?
06:04Well, I don't know, but I'm gonna check it out.
06:06I hope you do.
06:07Don't worry, Edward, I will.
06:08The plot shows the difference between officers who misuse their authority
06:12and those who genuinely want to serve their communities.
06:15Instead of ending with revenge or easy forgiveness,
06:17the story encourages Eddie to pursue accountability,
06:20emphasizing that speaking up is one of the most effective ways to challenge injustice
06:24and pave the way for real change.
06:26How do I do that when I'm so angry inside?
06:28Edward, this has happened to me.
06:32I've been there.
06:33But there are two ways to deal with anger.
06:36You can hold on to it and let it eat your way inside,
06:39or you can give that anger a voice and try to make a difference.
06:43Now, that's why I became a cop.
06:44Number 15.
06:45Full House.
06:46Silence is not golden.
06:48Not every problem can be solved by hugs and catchphrases,
06:51and this Full House episode shows it.
06:53It portrays why children often stay silent
06:56and how difficult it can be for others to know when something is wrong.
06:59Try thinking of a funny movie, like Home Alone or Roger Rabbit.
07:02That's what I always do when I'm getting it.
07:05Getting what?
07:06Well, you know, when your dad's pounding you.
07:09You mean hitting?
07:12My dad never hits me.
07:14Does yours hit you?
07:16Stephanie's classmate Charles hides the truth behind excuses and excuses for his father,
07:20reflecting how fear and guilt seep into victims.
07:23The episode also explores Stephanie's conflict between keeping a promise and protecting a friend.
07:28I know you want to keep your promise,
07:30but if you know this is happening and you don't say anything about it,
07:34you're only helping it happen again.
07:37But what'll happen to Charles if we report it?
07:41What'll happen to Charles if we don't?
07:43Instead of suggesting that speaking up is a betrayal,
07:45it explains that telling a trusted adult can be an act of compassion.
07:49By showing the value of safety over secrecy,
07:52the story delivers an important message without losing sight of the emotional impact on everyone involved.
07:57It's a lousy situation, kid.
08:01But listen, I realize how hard this was for you.
08:06But the bottom line is, thanks to you, thanks to Stephanie,
08:11Charles' father can't hurt him tonight.
08:13Number 14.
08:14Roseanne.
08:14Crime and Punishment.
08:16Darlene, it says your back's all bruised up.
08:18No, it's nothing.
08:19Well, then let me see.
08:20No, don't.
08:21Come on.
08:22Ow, stop.
08:25Darlene, you get out of here.
08:27As a show detailing the lives of everyday people through an introspective lens,
08:30this episode feels close to home.
08:33Roseanne does one better by focusing on the emotional realities that often surround partner
08:37violence rather than treating it as an isolated incident.
08:40We had an argument this afternoon and he pushed me a couple times.
08:43Not Fisher's fault.
08:45Then whose fault is it?
08:46I can't believe that you're saying this.
08:47You're saying this.
08:48Don't even listen to me.
08:49He said he was sorry and it would never happen again.
08:52Jackie initially hides her injuries and struggles to accept help,
08:56showing how fear, shame, and misplaced guilt can keep someone trapped in a harmful relationship.
09:00The episode also acknowledges the anger loved ones feel through Dan's impulsive retaliation,
09:06making it clear that violence only creates more consequences instead of solving the problem.
09:10By showing the perspectives of the victim, the family, and those trying to help,
09:14the story captures the complexity of the situation without reducing it to simple heroes and villains.
09:20I really hate myself for this.
09:23Oh, that's good.
09:25And I really hope that you get your life together.
09:28But if you don't, I hope the next brother-in-law kills you.
09:32Number 13.
09:32Archie Bunker's Place – Archie Alone
09:35Although the spinoff never quite reached the quality of the original,
09:38Archie Bunker's Place did perfectly pull off this moment of emotional release.
09:42After Edith's death, he refuses to acknowledge his pain,
09:46burying himself in routine and pushing away anyone who tries to help.
09:49Mommy, Bonnie, all the guys, they're treating me different.
09:53They are?
09:55They think you and me is gonna fall apart now we're alone, see?
10:02But they don't know us.
10:07We're gonna be okay, ain't we?
10:08Rather than suggesting there's a right way to mourn,
10:11the episode recognizes the people process loss differently
10:14and sometimes struggle to express themselves at all.
10:17It isn't until Archie unexpectedly finds one of Edith's slippers
10:20that the grief finally breaks through,
10:21allowing him to confront the love and regrets he had kept bottled up.
10:25You had no right to leave me that way,
10:31without giving me just one more chance to say I love you.
10:41The story presents mourning as a deeply personal process
10:45that can't simply be rushed or ignored,
10:47even for someone as set in his ways as Archie Bunker.
10:49Can we bring flowers?
10:53Yeah, sure.
10:56What kind?
10:58Carnations.
11:00Oh, yeah, yeah, carnations.
11:04She was always crazy about carnations.
11:08Number 12.
11:08Growing Pains.
11:09Second Chance.
11:10Sitcom stories about driving under the influence are not exactly new,
11:14but Growing Pains chose to go with a harsh reality check
11:17rather than just a comforting close call.
11:18That was Sandy's roommate.
11:21Sandy was in a car accident last night and hurt really bad.
11:25After surviving the crash,
11:27Sandy appears to have escaped with only minor injuries
11:29and even speaks about being grateful for a second chance,
11:32leading the characters and the audience to believe the worst is over.
11:35His sudden death soon afterwards
11:37reinforces how unpredictable and devastating impaired driving can be,
11:40even when someone initially seems fine.
11:43But that's impossible.
11:44I mean, we were just down there.
11:47I saw him.
11:48He looked good.
11:49He was laughing.
11:51I'm joking.
11:53I'm sorry that this happened.
11:54He wouldn't dare die.
11:56No!
11:57Rather than relying on graphic scenes or heavy-handed lectures,
12:00the episode depicts the shock and grief experienced by Carol and her family.
12:04Instead of the usual problem-solved sitcom ending,
12:07this one leaves us to contemplate the devastating consequences as a grim reminder.
12:11This isn't fair!
12:14What happened to his second chance?
12:19What happened to his second chance?
12:24Number 11.
12:25Good Times.
12:26The Big Move, Parts 1 and 2.
12:28We regret to inform you that your husband, James Evans, was killed in an autopilot.
12:38Oh my God!
12:38It wouldn't be a Norman Lear show if we didn't have a story that hits us right in the feels.
12:43In Good Times, the death of patriarch James Evans captures the impact of losing a loved
12:47one without warning.
12:48Instead of dwelling on the accident itself, the story focuses on the disbelief that follows,
12:53as each family member struggles to accept that someone who had been part of their everyday
12:57lives is simply gone.
13:17Florida's attempt to stay strong for her children also highlights the burden placed on those who
13:21feel responsible for holding a grieving family together.
13:24The episode conveys how an unexpected loss can instantly change a family's future and leave
13:29everyone searching for answers that never come.
13:53On the second season of the hit TV show, The Facts of Life, Blair Warner's Cousin Jerry is introduced.
13:59May I help you?
13:59I'm looking for Blair Warner.
14:03You must be her cousin Jerry.
14:06Yes.
14:06Jerry is a comedian with cerebral palsy, whose accomplishments Blair considers much more
14:11important than her own.
14:13Actress Jerry Jewell plays the role with a sarcastic edge, and her character made many
14:17appearances over the next few seasons.
14:19You can make coffee?
14:20Sure.
14:21It tastes lousy, but that's not because of the cerebral palsy.
14:26Would you like to try a cup of my coffee?
14:28It's Montengrin.
14:33Don't thank me till you've tasted it.
14:35Her casting also broke records.
14:37Jewel was the first actor with a disability to have a recurring role on primetime television.
14:42Plus, we just love that Jerry's a comedian.
14:44But what people don't realize is that we were the same as any other kids.
14:48We played baseball, and we'd have all the wheelchairs on one team and all the walkers on the other team.
14:55It's not the only thing that makes her character feel rather fleshed out.
15:02Some of my best friends are Rhoda.
15:04Making new friends is hard, especially when they turn out to be anti-Semitic.
15:09America's favorite spunky news producer, Mary Richards, thinks she's found a new friend in the
15:13cool and sophisticated Joanne in this episode of The Mary Tyler Moore Show.
15:17Joanne Forbes, this is Rhoda Morgenstern.
15:20You mean she's the, uh...
15:21Uh-huh.
15:27What's so funny?
15:29Nothing.
15:29I just thought if I started laughing, you two might join in.
15:31But Joanne soon reveals that she doesn't want to associate with Mary's best friend Rhoda
15:36because she's Jewish.
15:37You mean because she's Jewish?
15:41Oh, listen, Mary, it's not me.
15:43It's just the rule.
15:44I mean, if it were up to me, I'd let Jewish people in.
15:48From the jump, Joanne's attitude seems totally ridiculous because who doesn't love Rhoda?
15:53Rather than moralize about this, Mary makes Joanne face her prejudice dead on
15:58by pretending she's also Jewish for a moment.
16:00You're putting me on, aren't you?
16:01Oh, no.
16:02Listen what, I kid about something like that.
16:06But you don't look...
16:07Don't...
16:08What?
16:09Uh, well, um, act.
16:11Well, I mean, you have to admit that there are...
16:12Joanne, I'm not Jewish.
16:13I knew that.
16:14Joanne is left floundering, and Mary is quick to cut ties with her after that.
16:19Number 8.
16:20Punky Brewster.
16:21Accidents happen.
16:22Week after week, free-spirited Punky Brewster showed kids how to reach for the stars and
16:27look cool doing it.
16:28But real life comes crashing in during this 1986 episode.
16:32Me and my dog, Brandon, want to be astronauts.
16:36Wow!
16:37We want to be like Buzz Aldrin, who walked on the moon, and Sally Ride, the first woman
16:42in space.
16:43Like many other children, Punky watches the Challenger explosion live in her classroom,
16:47and the disaster dissuades her from chasing her dreams of becoming an astronaut.
16:52What's the matter?
16:53We were watching the space shuttle take off, and...
16:57Yes?
17:00It exploded.
17:05The show seized the moment to speak directly about the realities of life.
17:09With some help from Punky and renowned astronaut Buzz Aldrin, the show's young audience is reminded
17:15to keep their hopes alive, even in the face of tragedy.
17:18Punky, I have something for you.
17:20You do?
17:25Oh!
17:30Young astronauts?
17:32Number 7.
17:33Family Ties.
17:34Say Uncle.
17:35Long before he was the American everyman, Tom Hanks was making guest appearances on sitcoms.
17:40In his second appearance on Family Ties, he plays Uncle Ned, Elise Keaton's brother with
17:45an alcohol use disorder.
17:47Well, here I am.
17:48Huh?
17:49Let's celebrate, huh?
17:50Alex, you got any beers?
17:51Yeah, I think so.
17:53Great.
17:54Thanks.
17:55Beautiful.
17:56Here, put this back for me, would you?
17:57When the family finally confronts him, he unfortunately lashes out and attacks his nephew, Alex, who's
18:03played by Michael J. Fox.
18:05I've just never seen you drunk before.
18:10You think I'm drunk?
18:12You think I am drunk?
18:15Let me tell you something, buddy.
18:19I'm drunk.
18:20Even after this, the show sidesteps judgment and validates Ned's suffering from his dependency.
18:25It's a message that continually needs to be heard.
18:28You have a drinking problem, Ned.
18:30You need help.
18:31I do not have a drinking problem, and I do not need any help.
18:34Yes, you do.
18:35Admit it.
18:36I think you should call Alcoholics Anonymous.
18:39Hanks' performance is also commendable, and it's not hard to see why he was soon to become
18:44one of Hollywood's biggest stars.
18:45Number 6, The Golden Girls, Scared Straight.
18:49The Golden Girls always did have its finger on the pulse when it came to social issues,
18:53but their early championing for acceptance of the LGBTQIA community and episodes on topics
18:59like HIV-AIDS is the reason they still have so many fans today.
19:03AIDS is not a bad person's disease, Rose.
19:06It is not God punishing people for their sins.
19:10You're right, Blanche.
19:11Well, you're damn straight I'm right.
19:13Although Southern Belle Blanche may be a liberated woman when it comes to her own sex life,
19:18she isn't always as enlightened when it comes to that of others.
19:21In this season 4 episode, her brother Clayton reveals his sexuality,
19:25and Blanche's reaction is less than understanding.
19:28Clayton Hollisworth, you look me in the face and tell me you really are what you just said you are.
19:36I think you heard me the first time, Blanche.
19:38Luckily, she overcomes her initial prejudice.
19:41Especially in an 80s sitcom,
19:43it's very refreshing to see one of the main characters do some relearning of previously held beliefs.
19:49I spent a long time lying to myself.
19:52It felt a lot better when I stopped.
19:55It feels better being honest with you, too.
19:58And I'd hate to think that this is going to keep us from being friends.
20:06Plus, the episode does all this without sparing the humor.
20:10Number 5.
20:11Mr. Belvedere.
20:13The Counselor.
20:14This 80s sitcom about an English butler for a middle-class Pittsburgh family
20:18ended its fourth season with an episode about a very important subject.
20:21Like my monoculars?
20:23Yes.
20:23What did you do, mug-a-ranger?
20:26No, Counselor Perry gave them to me.
20:28Said I could use them the whole time in the camp.
20:30Wesley Owens is singled out by a summer camp counselor
20:33whose behavior is abhorrent and inappropriate.
20:36Never for a moment is Wesley made to feel like he's lying or wrong for coming forward.
20:41You didn't do anything wrong.
20:44Do you understand that?
20:46Is he Wesley?
20:47It's not always your fault.
20:51Anyway, you said something when it counted.
20:53And you helped your friend Kyle.
20:55The show took the incident as seriously as it could.
20:57Whereas an episode would generally end with the title character writing in his journal.
21:02This time, two of the show's stars delivered a public service announcement
21:05for children who find themselves in a similar situation as Wesley.
21:09No one should ever touch you in a way that makes you feel bad.
21:11And if they do, tell someone you trust, like your mom or your dad.
21:15And remember, if you have to keep a secret that makes you feel bad,
21:18it's not worth keeping.
21:20Yeah.
21:22And good night from us all, Mr. Belvedere.
21:24Number four.
21:25The Jeffersons.
21:26Sorry, wrong meeting.
21:28Surly, but sometimes clueless George Jefferson is in for one big surprise
21:32when he walks into a Klan meeting thinking it's a committee
21:35to make his deluxe apartment building safer.
21:37Hey, sorry, I'm there.
21:43Now we get out of business.
21:44What transpires from there is a lesson in the foolish and completely deluded beliefs
21:49that keep racism and white supremacy alive.
21:52I can't believe this.
21:54Oh, I told you this little guy is dynamite.
21:56You tell him, George.
21:56No, no, no, no.
21:57You listen to these guys because they are talking my language.
22:00Even after his CPR skills come in clutch,
22:03George reckons with the fact that the man is so hateful
22:05he can't even appreciate the gesture that saved his life.
22:08They never change.
22:11You saved their life and they still don't change.
22:14Come on, let's get out of here.
22:16It ends with a typical very special episode resolution,
22:19but the road to get there is actually illuminating and darkly funny.
22:24Number three.
22:25Maude.
22:26Maude's Dilemma Parts 1 and 2.
22:28Originally conceived as a spinoff of All in the Family,
22:31the Bea Arthur-led sitcom about outspoken, liberal-minded Maude Findlay
22:35carved out its own reputation for hard-hitting storylines early on in its run.
22:39Vivian, how long have we known each other?
22:4222 years.
22:44We've been through an awful lot together.
22:46A lot.
22:46The first season sees a middle-aged Maude finding out she's expecting a child.
22:51After some very difficult and heartfelt discussions with her family,
22:54ultimately, Maude decides to terminate the pregnancy.
22:57I don't think it would be fair to anybody.
22:59Oh, Walter, hold me closer.
23:01Are you frightened, Maude?
23:03About the operation, I mean.
23:04Oh, don't be ridiculous, darling.
23:06Why should I be frightened?
23:07Were you frightened of the vasectomy?
23:08Premiering two months before Roe v. Wade became the law of the land,
23:12Maude gave a human face to a topic that was too often obscured by politics.
23:16The two-part episode was met with controversy,
23:18but is still remembered as one of the bravest hours of primetime television ever aired.
23:24I'm doing the right thing, not having the baby.
23:31For you, Maude, for me.
23:34In the privacy of our own lives, you're doing the right thing.
23:39Number two, Different Strokes, The Bicycle Man, parts one and two.
23:44This infamous episode of the sitcom is largely regarded as the one that started the very special
23:48episode trend.
23:50Tonight on Different Strokes, we're starting a special two-part show on a very sensitive
23:55and important subject.
23:56In The Bicycle Man, Arnold Jackson and his friend Dudley begin to hang around the local
24:00bike shop owner because he lavishes them with food, alcohol, and inappropriate magazines.
24:06Oh, you guys were looking at this, huh?
24:08No, we weren't.
24:09Well, Arnold was.
24:13It's a deeply uncomfortable episode, especially for older viewers who quickly understand the
24:19turn the plot will take.
24:20The PSA-style intro not only highlights the seriousness of the episode's themes, but also
24:25instructs viewers how to report such behavior in real life.
24:28Although the laugh track is rather inopportune, this is an episode that does right by many.
24:34To watch out for people who come on real strong and try to win you over with gifts.
24:39That's right.
24:40And especially if they want to touch you where you don't want to be touched.
24:45Thanks, Dad.
24:46I understand.
24:47Number 1.
24:48All in the Family.
24:49Edith's 50th Birthday Parts 1 and 2.
24:52As the heart of this groundbreaking sitcom, Edith Bunker was beloved by fans.
24:58Storylines like her struggling with her faith after the hate crime murder of her friend
25:02Beverly LaSalle gave viewers a chance to grieve with her while also highlighting social issues
25:07of the day.
25:07I can't understand it.
25:10I mean, everything was going so good for him and then somebody had to kill him.
25:16Yeah, just because he was different.
25:19In this two-parter, viewers were forced to watch her become the victim of a home invasion
25:23on her 50th birthday.
25:25But you know, they say women gotta be very careful these days with the robbers and the
25:30burglars.
25:30Oh no, I can't be too cautious, Miss...
25:33Oh, Mrs. Bunker, Edith Bunker.
25:36As she tries to stall the criminal with lighthearted but desperate banter, the audience can only watch
25:41in horror and anxiety.
25:43By telling the story about someone as sweet and mild as Edith Bunker, the episode showed
25:48that there was no one type of victim of this type of crime.
25:51I know what Ma is going through.
25:54Right now, she is full of fear and anger and guilt.
25:59She is afraid of everything.
26:01She doesn't even feel safe in her own house.
26:03Are there any other hard-hitting episodes that come to mind?
26:05Let us know in the comments.
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