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VALENTINA VALIENTE | CAPÍTULO 108

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00:04Wow, why do you always forget your key?
00:09Hello, son. Am I interrupting?
00:13Dad?
00:20Look, ma'am, I'm here to help your daughter with young Alejandro,
00:24I ended up losing my job as a doorman in their building.
00:27When I called her for help, what did she tell me?
00:31I can go to hell. That's how he repaid me.
00:35You're right, Beto. I treated you badly, but I wasn't well.
00:40And honestly, I went to hell.
00:44You have no idea how hard it was for me to get another job.
00:47And besides, they already know what they're saying.
00:52When money goes out the door, love jumps out the window.
00:58And my wife left me.
01:01And now I only see my children on weekends.
01:04What do you want?
01:06Compensation for everything I suffered.
01:09First, a little million.
01:13One million dollars, of course.
01:16And as a bonus, the car of the young lady I always liked.
01:29Well, this is the ultrasound.
01:31She can be seen.
01:32So I present to you your granddaughter Milagritos.
01:35Little miracles.
01:35Oh, my little granddaughter!
01:38How lovely!
01:40She's another little princess.
01:42Hey, he looks like me, doesn't he?
01:44She got that forehead from the Hulks, from my mom.
01:47That's already started, already.
01:48But what? She's my little granddaughter.
01:50My first grandchild.
01:52Come on, come on.
01:54Let's go, in English.
01:58Elsa.
02:00Hello.
02:03Leo.
02:04Did you like seeing yourself?
02:07Hello.
02:07How are you?
02:08What are you doing here?
02:10How are you?
02:12Okay, come on.
02:13Can you spare me 15 minutes, please?
02:16Can I have 3 minutes for 15 minutes?
02:18Yes, yes, of course.
02:27There is something important I would like to tell you.
02:35Okay, where do I begin?
02:43Sorry, I still...
02:44I find it difficult to talk about this.
02:46He's going to die.
02:48No.
02:49He's going to die.
02:50And just when I was starting to like him,
02:51How much time have they given him?
02:52No, Rita, I'm not going to die.
02:55But it could have happened to me.
03:00Something horrible happened in Albuquerque.
03:02When I was there.
03:04One of those things that changes your life forever.
03:07Do you remember when I told you about my friend Manny?
03:10with whom was he going to work again there in Albuquerque?
03:12Uh-huh.
03:13Well,
03:14We joined a construction company,
03:16as painters.
03:27I think you see
03:28many movies.
03:31Where did you find this guy?
03:34I don't have that kind of money.
03:36I wish.
03:37That's not how things work.
03:40Beto, do you know about the mess?
03:41What can you put in your mouth?
03:42Extortion is a crime.
03:45Okay?
03:46He might go to jail.
03:49And if that happens,
03:51everyone
03:54You'll see these photos.
03:59Ask for them.
04:00I have copies.
04:21What's happening?
04:24Sharing secrets in a meeting is very rude.
04:27Speak.
04:28The thing is...
04:29We wanted to go and thank Alejandro
04:31your help for Tony.
04:32Yeah.
04:33And we need seven zones with fifty.
04:35The fare has gone up.
04:36And your permission,
04:37please.
04:39Oh,
04:40Well,
04:41Look, guys,
04:43I've always thought this boy was very good.
04:45And I am very grateful.
04:47for everything he has done for this family.
04:50But I don't know if Valentina
04:52you'll like it
04:53that you go and get it.
04:55She already knows how her sister is doing.
04:56with this topic.
04:57What's wrong, grandma?
04:58He has been very good to us.
05:00We came to go
05:01to thank him.
05:02I don't know what happened to them,
05:04But I always see Alejandro
05:06looking at my sister
05:06with that cool face.
05:09Yeah.
05:09And besides,
05:10supported this piranha
05:11with your studies, grandma.
05:12And that's no small feat, is it?
05:14And you have always told us
05:15that we have to be very grateful.
05:16Or not?
05:18Ah.
05:19Goes.
05:20Alright.
05:21They're right.
05:23Go,
05:24But they behave themselves, right?
05:26Stop hanging around there.
05:28Look,
05:29go
05:29And they return with the same.
05:31Yeah?
05:33Let's see,
05:34Let's see.
05:35How much was it?
05:36150.
05:37Already.
05:39Let's see.
05:40Ah,
05:41Here it is,
05:41look,
05:42Lolo,
05:42take.
05:43Hey,
05:44But ask Ana for tickets.
05:45Yes, yes.
05:46I'm not going.
05:47You see.
05:48I'll be right back.
05:51What if Alejandro isn't there?
05:53Should we leave a note?
05:54Under the door?
05:55Look,
05:56I can add to that
05:56a little chocolate from me.
05:58Only if Lolo goes with you.
06:00I'm going to see Katy.
06:01Already,
06:01is left over,
06:02is left over,
06:02is left over.
06:07Beto,
06:08Betito,
06:09I do not have
06:10of that amount
06:11of money.
06:12If you want to enter
06:13to my bank account,
06:14I only have $100.
06:16I depend
06:17from the funds
06:17from my husband.
06:20How they get the money
06:21that matter of yours,
06:23their problems
06:24I'm not interested.
06:26About the car
06:27I can forgive him.
06:29I just wanted to see
06:30What a face he made
06:30Miss.
06:32You will see
06:33if they request a loan
06:34or they go into debt
06:35with some rich guy
06:36or suddenly
06:38sell this
06:39cute little car
06:40But they have 48 hours
06:42to get
06:43the money
06:44Or else those photos
06:46they will arrive
06:47to the editorial staff
06:47from the magazine
06:48Lima Top
06:49or into the hands
06:50from her hubby.
06:52You will know
06:53how much does it cost
06:53your reputation.
06:55You already know
06:56where to find me.
06:57In that little bar
06:58where it meets
06:59with the lawyer
07:00before going up
07:01to his room.
07:02You disgusting bastard!
07:03Peaceful.
07:07I communicate
07:08with you.
07:10Very good.
07:11Permission.
07:25Then my mom
07:26She was a woman
07:27very cheerful.
07:28Happy is an understatement,
07:29She was very funny.
07:31I remember
07:32that once
07:33the children
07:34they protested
07:35for their frozen drinks
07:36which were very sweet
07:37And she told him
07:38So
07:39next time
07:40It helped them
07:41pure ice
07:43with nothing.
07:43He told her
07:44Let's see if this time
07:44I went overboard with the sweetness.
07:46The children
07:47They killed each other
07:47from laughter.
07:48Clear,
07:49then she
07:49brought them
07:49their frozen drinks
07:50of course.
07:51But never again
07:52They complained again
07:53You know?
07:54That was Rosa.
07:56It was very difficult
07:56win it
07:57in an argument.
07:59Thank you for telling me
08:00all of that.
08:01So
08:01I will look
08:02a bit
08:02To my mom, right?
08:03Oh, indeed.
08:09I
08:11I would like
08:13to see you again
08:14Soon, Valentina.
08:15I'd love to.
08:18Me too.
08:20And I will continue
08:21finding out
08:22About your mom, okay?
08:24I want to tell you
08:24everything that can be done
08:25her.
08:27Thank you so much.
08:28You are very good
08:29with me.
08:30It's nothing, daughter.
08:43Thank you,
08:44Jorelmundo.
08:45Mother.
08:47Mother!
09:00Music
09:22We were working one day like any other, hanging from harnesses and ropes, as always, painting the building.
09:31Music
09:32From the seventh floor, more or less, more than twenty meters from the bull.
09:36Twenty meters? Wow!
09:37Stop commenting already, okay?
09:38Májito, speak nicely to him.
09:40You don't know what it's like to watch a movie with Rita. All comments.
09:43Well.
09:44Well.
09:45We were working and talking about life a little.
09:48He told me he wanted to go back to Guatemala to see his old lady.
09:53And I told him that on the contrary, I wanted to bring you here so you could get to know the United States.
09:58And then, suddenly, Manny's harness comes loose. Just like that, out of nowhere. And he falls with everything.
10:06And in the attempt to grab onto me, and me to grab onto him, my leg got caught on the
10:14harnesses, ropes, and carabiners.
10:17And I was left hanging upside down.
10:20But I couldn't hold it.
10:23I saw him fall into the void.
10:27From the seventh floor.
10:32I couldn't do anything.
10:39Have you heard the expression...
10:41My blood frizzy.
10:44My blood ran cold.
10:46That's what I felt.
10:49I stood there looking at my friend.
10:53Minarte on the ground.
10:57That was the most horrible sound I've ever heard in my life.
11:01And his image.
11:08Well, the ambulance took him away as quickly as possible and...
11:14He arrived at the hospital dead.
11:17No, nothing could be done.
11:21To lose a friend like that...
11:26He was my best friend.
11:29It has been a very hard blow for my family.
11:32It has shaken me tremendously.
11:40A wretched woman, isn't she?
11:42I'm sorry.
11:54Dad.
11:55Daughter.
11:56Dad.
11:58Dad.
11:58Hello, princess.
12:03But what are you doing here?
12:04Why does everyone have that face?
12:05What happened?
12:06My dad survived certain death.
12:10That?
12:15But I'm here.
12:23How are you?
12:46What are you looking at?
12:48I was just thinking, Katy.
12:50Or why not move in with us?
12:53That?
12:54It's a plan, Sasu.
12:55Think about it.
12:56Jenny and Rocky work all day.
12:58In contrast, Lolo and Tony are at home all day.
13:01Furthermore, we are of very similar ages.
13:03It's going to be a lot of fun.
13:04I know there aren't many beds.
13:06It doesn't matter, I'm doing my own thing.
13:07My grandma says we're in lean times.
13:10So we're not eating much chicken, or much beef, or much pork, or much fish.
13:14But my grandma is a great cook.
13:17But if Valentina cooks, I apologize in advance.
13:21Oh, water is another problem too.
13:23It doesn't matter, because it's a leg.
13:25Don't go up and down in the bucket so much.
13:27Don't worry, you'll get used to it.
13:28However, when leaving the house to go to school, you can't forget anything.
13:32Because going back up there with Tony Mochila is really bad.
13:37You know what, Katy? You're better off staying with Mrs. Salomas.
13:41Thanks, Chuy. The intention is what I'm saying.
13:45Guys.
13:47Should I put it on Valentina's account?
13:49Oh, I forgot we're poor again.
13:53I don't have a mom and my dad is in prison.
13:55We're sad, so we've only given him a few servings.
13:58Katy, bring back your juice.
13:59Relax, guys. It's on the house today.
14:02But only today, okay?
14:04Would you like a cupcake?
14:06Yes, yes.
14:06Thank you, sir.
14:07Yes, you do.
14:16Guys, what are you doing here? Come in.
14:18Hi Alejo, how are you?
14:19Come in, come in, come in.
14:21Tell me, what's going on?
14:24The thing is...
14:24We wanted to thank you for doing all that for Tony's studies.
14:31Thank you so much for trusting him.
14:33No, well, it's the least I can do for such an intelligent boy.
14:36Alejo, I'm going to buy a...
14:38Oh, you're tiny!
14:39Your feeling is dwarfed!
14:41Oh, wow!
14:42Oh, I saw her!
14:44How are you?
14:45Hey, does Valentina know you're here?
14:50Does he know or not?
14:52It's because she's dealing with her mom's situation and all that.
14:55What about your mom? What happened?
14:59He's already found his mother, but she's not alive.
15:02But you've already found her, haven't you?
15:04It turned out that she was the lady who died at the bottom of Don Elmundo.
15:08Yes, well, thanks for letting me know.
15:11It's good that the truth is out.
15:14Guys, well, since you came all this way you're not going to leave without eating something.
15:16Don't you want a chick?
15:17The truth is, I'm inviting them.
15:18With parents?
15:19No, with Kino.
15:20Here, Arupechi, what a big-headed monster.
15:22Okay, little chick, little chick.
15:34I had to have surgery twice.
15:37Well, I tore two of your tendons.
15:39Of course, everything was covered by the company.
15:42Hey, twice?
15:43But why didn't you warn them?
15:45Whenever we called you, you never said you were okay.
15:48I didn't want to worry them.
15:50So that?
15:50They might not have been able to do anything from here.
15:53And he didn't ask the company for anything for almost killing him?
15:55Yes, we are currently looking into the issue of compensation.
15:59At first they wanted to give us a pittance,
16:01But we already met up with Mani's family there
16:03And we're asking for quite a bit more.
16:05Yes, over there in the United States, if you file a proper claim,
16:08They can give you up to millions.
16:09Well, I don't know if it's that much, but let's hope it's fair.
16:13And with that money, kid, we opened the car wash.
16:18Finally!
16:18Hey, wouldn't it be better for you to be there to put pressure on the company?
16:23No, the lawyer is taking care of everything there, Elsa, yes.
16:27No, I didn't want to stay in Albuquerque.
16:30So that?
16:31Look, Mani left suddenly,
16:33far from his family.
16:35No, I don't want to be far away from you.
16:40I want to be close.
16:41What happened has made me think a lot.
16:45So I took my savings and came here to do things right.
17:16Maquita, we need to think with a cool head.
17:18Shh, let me see if Jimena is there.
17:20Jime?
17:22Jime?
17:23Jime?
17:27Jimena is not here.
17:28I can't believe the trouble you've gotten us into.
17:31Now we are in the hands of that man who hates me.
17:33But you've made that guy hate us.
17:36Now it's my fault.
17:38What's up, guys?
17:39Okay, now it's not about blame, but about solutions.
17:41We'll fix it.
17:42I just don't see the solution, Mom.
17:44I don't see her.
17:47I suppose that after all this
17:48You're going to end your romance with Rodrigo, aren't you?
17:52No, because we need it.
17:55Do you think Rodrigo has that money?
17:57Oh, Mom, please.
17:59Rodrigo earns a good living as a lawyer,
18:01But the millionaire is the brother,
18:03Jimena's dad.
18:05Also, I know that Rodrigo is fighting
18:06for all his assets with his ex-wife,
18:09who is also a lawyer and a shark
18:11and he hates it.
18:12So Rodrigo is no use to you.
18:24So he's rich, huh?
18:25What Chubia lost.
18:27Try the reheated food and a vanilla ice cream.
18:29who don't know how delicious it is with french fries.
18:33Potatoes with ice cream?
18:34How strange are tastes and snobs, aren't they?
18:36No, they do deserve it.
18:38And is friendship with Vale no longer on the cards?
18:43That doesn't depend solely on me, Tony.
18:45But you would want to, wouldn't you?
18:51I wish things were different,
18:54But we have to respect what she wants.
18:57Although if you are given permission,
18:59I would like to keep seeing them.
19:01Oh really?
19:02Clear.
19:02Well, but there's no guarantee there will always be chicken, huh?
19:06There might be pizza, hamburgers, sushi...
19:09Come on, buddy, come on!
19:10How delicious, how delicious!
19:10What's more, I'm going to get the ice cream out for you to try.
19:13I really liked it when we were all together,
19:16watching a movie,
19:17eating chicken or fried rice.
19:20I felt like I had everything I needed,
19:22that my family was complete.
19:24That really surprised me.
19:28Let's see...
19:30Guys, uh...
19:33Let it be clear that regardless of what it is
19:37What will happen to Valentina?
19:39You can always count on me.
19:43I swear to you.
19:44No?
19:46No?
19:47No?
19:49No?
19:50No?
19:50No?
19:51No?
19:52No?
19:53No?
19:53No?
19:53No?
19:53No?
19:54No.
19:55Did you give the nurse a hard time?
19:57Okay, Dad, I don't want to talk about it.
19:59But why?
20:00He was a good boy.
20:02A true gentleman.
20:03He's already telling you that he doesn't want to talk about it.
20:05Okay, okay.
20:06I don't get involved.
20:08Calm down, daughter.
20:09He's just another kid.
20:11Now with social media
20:12You can get any guy you want.
20:14I recommend a foreigner.
20:16Yeah.
20:17Find a beautiful country that you like
20:19and one who lives there,
20:21You marry him
20:22and you bring out your national furniture.
20:23Listen to your dad, buddy.
20:24Hey, what's up?
20:25What's happening?
20:25It's a joke.
20:26The product is not the best weight.
20:30Hey, Peruvian product.
20:31I'll pass the phone
20:32and the hostel's address
20:33where I'm staying.
20:34Yeah?
20:35Then you pass it on to your sister
20:36and your mom.
20:37Yes, hello, hello.
20:39Oh, it's so nice to be back, really.
20:43Let's do a British one?
20:44Yeah.
20:44With coffee?
20:45With coffee.
20:47Bye and Katy,
20:48Are you all right?
20:48With its juice?
20:49Uh-huh.
20:53For the family.
20:55For the family.
20:58Health.
20:59Health.
21:00Health.
21:01Health.
21:03Health.
21:03Health.
21:05Health.
21:06Health.
21:07Health.
21:13I bought you a little bit
21:14of Parmesan cheese
21:15because I know you like it a lot.
21:18Thank you, Grandma.
21:19It's delicious.
21:20Hey guys!
21:21Yes, well.
21:26Hello.
21:27Hello.
21:28Hello.
21:29Great, Alza.
21:30Go ahead, go ahead.
21:33We wanted to be with you.
21:34We wanted to accompany you
21:35and to offer my condolences for your mother.
21:38Oh, thank you so much.
21:40We love you so much, Vale.
21:42Yeah.
21:42I know that sometimes
21:43I'm kind of a pain,
21:44But I do consider you
21:45like a sister
21:46And all in all,
21:48That's good that you know
21:49Who is your mom?
21:50Okay, give him the things then.
21:51Yes, we brought him
21:52your favorite sweets.
21:53Oh, thank you so much.
21:53Thanks a lot.
21:54You are like family to me.
21:56I don't need anything else.
21:58Okay, okay,
21:59But sit down, sit down.
22:00I'm going to serve you in estrone.
22:02Oh, thank you.
22:03Can I sit here?
22:04Yes, yes.
22:05Let's see, let's see.
22:06Poor little worm?
22:06Poor little worm?
22:09Do you want meat?
22:10I'm coming, you know, Jenny?
22:11Yes, yes.
22:12Forgive me.
22:13Yes, forgive me.
22:14Let's see?
22:15Oh, let's see, let's see.
22:17Which is better?
22:18So that the opposing team
22:19It doesn't hurt you,
22:20Sometimes you're tempted
22:21in taking more risks.
22:23But in this section
22:24of the party...
22:24Hey, what if I tell Valentina
22:26of continuing to see the boys?
22:28That?
22:29Wait, wait, wait, wait, wait.
22:30Why is there Alejo?
22:30It's kind of an idea.
22:31Well, why?
22:32The boys are amazing
22:34And we get along very well, besides.
22:36I mean, yes, they're incredible.
22:37but they are still
22:38Valentina's brothers.
22:39Why are you going to keep watching it?
22:42Yes, you're right.
22:44Furthermore, Valentina
22:45She doesn't want to know anything about me anymore.
22:47Exactly, Alejo, exactly.
22:49And look,
22:50If you want my opinion,
22:51I would tell you to watch
22:52somehow
22:52to abandon that water project.
22:54I mean, I know you don't want to,
22:55But the best thing is zero contact.
22:56No, no, forgive me,
22:58But I can't agree with you there.
22:59because even if Valentina didn't exist,
23:02I would be part of that project.
23:03I love it,
23:04It's something of mine,
23:05you understand me?
23:06Well, Alejo,
23:08I'm just giving you my opinion.
23:09Ultimately, it's your decision.
23:10But think, brother, think.
23:22I read it in the newspaper
23:24that they are going to premiere
23:25an excellent documentary
23:27about World War II.
23:29We could see it, darling, couldn't we?
23:31Yes of course.
23:43What's the matter?
23:44What are you thinking about?
23:46Oh, excuse me.
23:47You can't even serve a drink.
23:50Please leave.
23:52Sorry.
23:56What's wrong, Frida?
23:58It wasn't that big of a deal,
24:00Don't you think so, poor girl?
24:01He's useless.
24:04Are you like this because of Macarena?
24:07What's wrong with Macarena?
24:09What do you mean, what's going on?
24:11You told me this morning
24:13that his leg was hurting.
24:23I can't believe it of my old man, huh?
24:25I saw him today and I almost didn't recognize him.
24:27Yes, everything that happened to him, right?
24:28Terrible.
24:29Yes, listen, I'm going to have my cargo
24:31And my daughter is going to have a businessman for a dad.
24:35Oh, Rocky, let's see,
24:37Let's see, um,
24:37I don't want to disappoint you, okay?
24:39But you don't know
24:40How long is your dad's trial going to last?
24:41you don't even know
24:41What is going to happen?
24:43And what I ask of you
24:44Please focus
24:45in generating you
24:46your own income
24:47to care for and raise your daughter.
24:48Could be?
24:49I'm going to tell you
24:49what's going to happen.
24:50Look, they hired me.
24:51to appear in a soap opera.
24:54I don't believe you.
24:55Oh really?
24:55Yes, it's my first job
24:56as a paid actor.
24:58Did they hire you as an actor?
25:00So you can see.
25:02Rocky, did they hire you as an actor?
25:03Were you going to be the main character?
25:05Weren't you going to be the villain?
25:06Are you going to be the villain's brother?
25:08What were you going to be?
25:08Neighbor number two.
25:09Yes, but I have text.
25:10I have to say
25:11Get out of here,
25:12in the middle of the people.
25:14You see, this little house.
25:16Are you an extra?
25:17Yes, but a friend told me
25:18that I stand way back
25:19so that the camera
25:20Don't focus on me head-on, okay?
25:21and so that I can have
25:22another character later on.
25:24Well, they pay me double.
25:26Ah, they told you
25:27that they're going to pay you double.
25:28Yeah.
25:28So, can I ask you something?
25:29That?
25:30Get way back.
25:31Way back.
25:32Way back, that is,
25:33far away, so they don't puncture your tires.
25:34They don't focus on you
25:35and so we have
25:36double chance
25:37that he calls you.
25:38But yes, I want to say
25:38My text is the camera,
25:40That way, to make her fall in love with you.
25:41just like I made you fall in love
25:42and maybe a producer
25:43He sees me and tells me
25:44I love that boy
25:45for my next novel.
25:47Yeah.
25:48Oh, yes, it's Maquita.
25:50has pains, reflexes,
25:51It doesn't mean anything.
25:53But sometimes they come back
25:54as a sequel
25:55from the trauma to his leg.
25:57And how do you know?
25:58That it's nothing serious?
26:00They went to the doctor, didn't they?
26:02No, that's not it.
26:03It wasn't necessary.
26:04We called Dr. Aranda
26:05And he explained it to us.
26:08How curious.
26:10This morning you told me
26:11that they were going to the doctor.
26:15It wasn't necessary,
26:16There was no appointment available.
26:18That's why we call it that.
26:23I'm glad to hear that.
26:27Okay, I'll see.
26:29When do they premiere?
26:30that documentary
26:31that I want to see.
26:48Thank you.
26:49welcome.
26:49Thank you,
26:50Cencita.
26:50With great pleasure,
26:51Rufino.
26:52I have to fly,
26:53so anything
26:54They call me,
26:54That's all.
26:55Yes, my dear,
26:56I'll leave you the key.
26:57Don't worry.
26:57In conclusion,
26:58They just close up.
26:59already?
26:59Thank you.
27:14What does he think he is?
27:15That miserable little thing?
27:17Mess with us?
27:18Poor devil.
27:20There is no small enemy,
27:21Frida.
27:22Don't underestimate it,
27:23They have us firmly in their grasp.
27:25Don't tell me that,
27:26What are we going to do?
27:30Let me negotiate with him.
27:35You're not going to leave me alone, are you?
27:37Nestor?
27:37Will you come with me?
27:39Of course, Frida.
27:41We are together,
27:41Nestor.
27:43Everything is going to be alright.
27:58Good morning, Alejandro.
27:59Alejandro, how are you?
28:00Good morning.
28:01Good morning, good morning.
28:02Thank you so much for coming.
28:02No, thanks,
28:03Thank you.
28:05Good morning.
28:06Good morning.
28:07Well, let me tell you,
28:09so far
28:10We haven't had much luck.
28:12with which they are added
28:13more companies to join the project,
28:14But we can begin.
28:15with an initiative
28:16What are you going to do?
28:16that investors
28:18become more interested.
28:19The first phase
28:20afforestation
28:21It would be planting trees
28:23at strategic points
28:24of Saint Jerome
28:25that would help us
28:26to give us more shade,
28:27to improve the quality
28:28from the air,
28:28until the heat goes down
28:29and obviously
28:30to the neighborhood
28:31It looks much nicer.
28:32Clear,
28:33And that would also prove
28:34that the neighbors
28:35We are well organized.
28:36Exact,
28:37the idea is to convene
28:37voluntary help,
28:39neighbors, students,
28:40environmental groups
28:41And if we do it right,
28:43call the press.
28:44If we succeed
28:44a positive impact,
28:46different companies
28:47and organizations
28:47They will be interested
28:48in joining the project.
28:50I mean,
28:50Let's begin
28:51First, neighbors.
28:52And wait for someone
28:53come and save the project.
28:54Start with what we have.
28:55Exact,
28:56What are they saying?
28:56It seems to me
28:57An excellent idea.
28:58I'll give myself one too.
28:59Yes, well,
29:00Something has to be done.
29:01And the tasty ones
29:02They are needed.
29:03Clear.
29:10So we started from there.
29:12Thanks a lot,
29:13Alexander.
29:19Oh,
29:19Don Engundo,
29:20I don't know if he's a fool
29:21or he's playing dumb.
29:22That witch
29:23she spends
29:23all day
29:24on the street
29:25and the twins
29:26They've already noticed.
29:28in something
29:29Go away, that wicked woman
29:30and every day
29:31It's more unbearable.
29:34Hey, Mom,
29:36Are you sure?
29:36that you love
29:37stay at that house?
29:40Yes, son.
29:41I feel useful
29:42accompanying the gentleman
29:43Don Engundo
29:44because of your problem
29:44from the heart.
29:45I don't trust it
29:46in that woman
29:47to take care of it.
29:50I'd love to
29:51can
29:52thank you
29:52to Don Engundo
29:53and say goodbye
29:53before I leave tomorrow,
29:54but
29:55I don't know if he hates me.
29:58Well,
29:59I'm going to mention it to him.
30:00Huh?
30:01You know
30:01that Don Engundo
30:02has a heart
30:02of gold,
30:04But I don't know.
30:05If he wants to see you,
30:06We don't know.
30:10Son,
30:12you're sure
30:13wanting to travel
30:14at the moment?
30:16Absolutely,
30:17mother.
30:17Apart,
30:18It's not a long time,
30:19It's only two months.
30:21Why are you asking me that?
30:24Yes, well,
30:25suddenly
30:25You're doing it
30:26out of spite
30:27or by moving away
30:27Jenny's.
30:29No, Mom,
30:31No.
30:31I consider
30:32which is the best
30:33for me
30:33and for my profession.
30:36Apart,
30:37That wouldn't be bad.
30:38that Jenny too
30:39stay here
30:40and can clarify
30:41his mind
30:42and their feelings.
30:45I don't know
30:46What doubts?
30:47that it may have.
30:48Suddenly,
30:48She's not a girl
30:49for you.
30:50You deserve
30:51the best,
30:52son.
30:55I'm going to miss you,
30:56my bra, now.
30:58Mommy,
31:00I promise you
31:00that always
31:02We will be in touch.
31:05I promise you.
31:07already,
31:07already,
31:08I'm going to pray.
31:20Oops!
31:20No,
31:21What a cute little thing!
31:23so well done.
31:25Yeah,
31:25They sent it to me
31:26from the hostel
31:27to record
31:28for a hairless dog.
31:29What do you think?
31:30Oh,
31:30It seems familiar to me.
31:33Gabriel,
31:33But it's identical.
31:34to you.
31:35Oh, really?
31:36That's why
31:36I thought he was so handsome.
31:38Oh!
31:38Okay, well,
31:39I haven't been given the time I need.
31:40so long.
31:40Oh,
31:41Who hasn't been given one?
31:41permission to leave
31:42this afternoon?
31:43Who hasn't been given one?
31:44permission?
31:44churro.
31:48That?
31:50I don't believe you,
31:51son.
31:51Intense, isn't it?
31:53But the whistle
31:54He was always a good guy.
31:56He,
31:57Or do you see it?
31:58like someone
31:59that would be able
32:00of doing something like that.
32:03Ever
32:03did he do something to her
32:04To your mom?
32:05With my mom
32:06He was always a good guy,
32:07as far as I know.
32:10Poor mom.
32:11Face,
32:12It's the perfect day!
32:12of its matrix.
32:15Poor thing.
32:16You have to be
32:17well present
32:17For her, yes?
32:19Did you hear me?
32:23Good.
32:24And how is she?
32:25What did he tell you?
32:28She says
32:29that Wilfredo
32:29He is innocent.
32:30But I don't know,
32:32There's a video
32:33good avocado
32:33where Wilfredo
32:35argue with the dead woman,
32:36to which supposedly
32:37I hadn't seen him for years.
32:39I don't understand
32:39Why does he have to lie?
32:41I don't know.
32:42Could it be?
32:45But you know what, pup?
32:47I have met
32:48to very good people
32:49and very bad too.
32:51And when I tazo someone
32:53I'm always right,
32:55I'm never wrong.
32:55And I don't believe it.
32:56that the whistle
32:57has killed
32:58no woman.
33:10Thank you.
33:11Bye.
33:11Thank you, Valentina.
33:12Bye, Valentina.
33:14Bye.
33:14Goodbye, neighbor.
33:15Thank you.
33:26Was it good?
33:27your proposal
33:28from the trees?
33:29Yes, well,
33:30It's something
33:30which I am passionate about.
33:39Valentina,
33:40I found out
33:42about what...
33:45Excellent
33:46that you already know
33:46Who is your mom?
33:48Yeah.
33:51I brought you something.
33:59They are olive seeds,
34:02the tree of immortality,
34:03because even if you don't remember
34:06Your mom's doing well,
34:07probably she
34:09he planted something
34:10very beautiful inside you
34:11so that...
34:12so that you may be
34:13the great woman that you are.
34:16Thank you.
34:33Let it be said,
34:33That's the best.
34:34That's the best.
34:35The best.
34:35The best.
34:36The best.
34:38Because here
34:39It's coming your way.
34:40Oh!
34:41No!
34:41Yeah.
34:42Giddy-up, giddy-up!
34:42You, you, you, you, you, you!
34:44Hey, you, you, you, you!
34:46Hey, you, you, you, you!
35:11Oh, I love it!
35:12Oh, I love it!
35:12Oh, I love it!
35:12Another pose, another pose!
35:13Aquira!
35:16Oh, I love it!
35:17Now, put it on the other side.
35:18Put it on the other side,
35:19let's see.
35:19Oh, I love it, I love it, I love it.
35:21I know it's a little heavy.
35:22Oh, here, I love it!
35:24Oh!
35:24Oh, but we look exactly alike, don't we?
35:26We need to tell Salvador to come
35:27to take pictures all together.
35:29Try a different pose!
35:29No!
35:30No!
35:31No!
35:33Oh, I love it!
35:35Oh, how well-read, it was a little dog!
35:38What's wrong, Jenny?
35:41Nothing.
35:43All good?
35:44What was it?
35:46What's wrong, Jenny?
35:48I didn't tell you.
35:50No, what was it?
35:52I broke up with Brian.
36:08Hi, Lupe.
36:10Don Edmundo.
36:13Know?
36:15Yesterday I went to the cemetery to accompany Valentín.
36:20She went to put her mother's name on the tombstone.
36:26It's wonderful that you were with her at that time, Don Edmundo.
36:30It was very sad.
36:33But I felt close to her.
36:36I enjoyed accompanying her.
36:38And I confess to you
36:41that a moment arrived
36:44in which I felt as close to her as before.
36:50Let's see, Don Edmundo,
36:51But what has really changed?
36:54Valentina is still
36:55the same girl
36:56that you came to love so much.
36:58And even if they are not
36:59of the same blood,
37:01But they are the same feelings.
37:03Myself
37:04I feel like you're my family.
37:07And we are nothing.
37:09I feel the same way about you, Lupe.
37:13I'm glad they came closer.
37:15The two of them again.
37:18It's very good for both of them.
37:20Rather
37:22the one who leaves
37:23He's my Brian.
37:27He's going to do it
37:27her nursing practices
37:29inside,
37:30in Apurímac.
37:32I saw him early today.
37:34That sounds great to me, Lupe.
37:37That son of yours
37:38He has always wanted to improve himself.
37:43I don't know how he's going to take it
37:44Don Edmundo,
37:46But my Brian
37:47wants to say goodbye to you.
37:50He feels it too.
37:51like his family
37:54and wants to say goodbye
37:55before leaving.
37:57But I will understand
37:58if you don't want to see it.
38:01I'm just telling him
38:02what he asked me.
38:22I don't know, I don't know, Rodrigo.
38:25Seem to you?
38:25I can't think of anything else.
38:29Okay, let me think.
38:30Alright.
38:32Think about it, Fría.
38:33But remember
38:34what do we have to do
38:34a quick response
38:35to that guy.
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