Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Bas Tera Saath Ho every Mon & Tue at 08:00 PM only on ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Click the link below to download ARY Plus APP🧩
· Download for iOS → https://bit.ly/4bAfiW4
· Download for Android → https://bit.ly/4sSWI2g
Visit 👉 http://aryplus.tv
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Bas Tera Saath Ho every Mon & Tue at 08:00 PM only on ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Click the link below to download ARY Plus APP🧩
· Download for iOS → https://bit.ly/4bAfiW4
· Download for Android → https://bit.ly/4sSWI2g
Visit 👉 http://aryplus.tv
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:00We will go slowly, we will come back to see you
00:07Only you will see me, you will be my name
00:54Oh, my God.
00:58I'll give you the best of yours.
01:07Anas, how are you?
01:09It's your birthday.
01:11How are you, Boopo?
01:22Wa alaykum as-salam.
01:24How are you, Anas? Where are you?
01:26I...
01:28I'm at home and I've said to have to.
01:31Are you sure?
01:32Are you at home?
01:37Yes.
01:39No, you're not at home.
01:43Anas is happy?
01:46You should be happy with her, son.
01:51She's very hurt from you.
01:56Have you said something?
01:59No, no.
02:01Yes.
02:02Yes, I've said it.
02:04It's just so much that...
02:06You don't want to work with her.
02:10You don't want to work with her.
02:11You don't want to work with her.
02:12How are you going to work with her?
02:14You don't want to work with her.
02:15That's why I didn't bring her to her.
02:16I don't want to work with her.
02:17The mother is with her.
02:20And you're a very happy man.
02:23She's very good.
02:25She has so good, very sweet,
02:27and a nice girl, and a nice girl.
02:31So what, she's also a happy woman?
02:33Of course, there is a lot of money.
02:37Children don't find anyone on the plate.
02:41They have to work in this world.
02:44And you heard that story?
02:46Who was it? I don't know his name.
02:49Chiddiya lai chawal ka dhana.
02:52Chidda lai daal ka dhana.
02:54Do you hear?
02:55So, I'm not gonna buy daal ka dhana.
02:59Lye aoge bitta. Wakt to dhu.
03:04Nazirin kaise milaunga poofi.
03:06To naa mila naa.
03:08Nazirin chuka ke baat ker leena.
03:10Yaa, is mein ego hurt hoti hai.
03:15Ego fi baat nahi hai.
03:17To nahi kerne te naa karobar pe sain.
03:21Poofi, ye baat mad durayin. Please.
03:24Sorry.
03:25Teak ya, teak ya, nahi dhora ati.
03:28Chalo.
03:29Ab tum ghar jau.
03:32Usse pyaar se muskura ke dhekho.
03:36Aurat ko kooyi jumlae, kooyi mzmun nahi chaayi hota.
03:41Bas ek hi nazir kaafi hoti.
03:46Aysas ki, muhabbat ki, shukriya ki, pyaar ki.
03:52O thakri ho, to usse chaayi bina deena.
03:56Or agar usse madad chaayi ho, kama me to ho ker deena.
04:00Bas.
04:06Aysas.
04:08Soghe yogi swatpa.
04:09Haa.
04:10Toh pher eh kam karna, kameray mein dabai qadmo jana taakke uski niend kharab nao.
04:15Hmm?
04:18Zipo.
04:20Zipo.
04:22Zipo.
04:22Unlucky man.
05:02Zipo.
05:05Ansa.
05:07Huh?
05:09Kya wajithi rata ugeja?
05:11Maa kaya karriho?
05:12Kama karriho.
05:16Baha niche baihke kya karriho?
05:18Mujhe niche baihke kama karna acha lagta ha.
05:21Tum sojao, maa yeh file kumpliit karke soo ngay.
05:35Anas.
05:36Khore baat nii, maa si tarah kama kar lunggi.
05:38Light off kar do.
05:42Maa bhi ne soo raha.
05:43Kyao?
05:44Kyao?
05:44Kyao ke tum nahi soo raha.
05:46Mena to kaam karriho.
05:47Mena to kaam karriho.
05:48Mena bhi kaam karho.
05:50Koonsa kaam?
05:51Tummeh dekhne ka.
05:52Pahle to tekha nahi khub soorat aap saa.
05:59Sandli hoon ton se apne nomil me ra saa.
06:14Kab khatm hoogai file?
06:19Tummeh dekha.
06:21Pahle to kaam karriho.
06:22Tummeh dekha.
06:24Do tekha naYa.
06:29Tummeh dekha raha.
06:31Tummeh dekha.
06:41Teidakalu taj 워낙 lore.
07:06Actually, I'm going to give you a match for the football team.
07:09I'm going to give you a match for this.
07:13Look, Sharir, you're inviting me to the last moment and expect that I'll go a little bit.
07:20You won't be able to do that.
07:21You won't be able to do that.
07:48You're going to go to the next door.
07:48I'm not sure what that is.
07:50Fahad told me everything.
07:52You were ignoring the calls.
07:54Then you talked very rudely with her.
07:57Is there any problem?
08:00We have a situation of the same.
08:01If you have a situation of the same, you shouldn't be afraid.
08:04You shouldn't be afraid of it.
08:06Okay, let's go.
08:07I'll call Sharir's house.
08:08I'm going to go to Sharir's house.
08:11You'll go to Sharir's house?
08:16What's your job there?
08:18What do you mean?
08:20It's my home of my husband.
08:22I'm a mother of my son.
08:23Why are you going to go to the next door?
08:27Are you serious with me?
08:29You've understood me like this.
08:32Very sad.
08:35Actually, I have to go to the next door.
08:37We have to discuss some issues of marriage.
08:39We have to discuss some of the designs of jewelry.
08:41We have to address all these issues.
08:45And where are the plans of marriage?
08:48What do you mean?
08:49Where are the plans of marriage?
08:52Now, you're saying you're going to be married.
08:55You're going to be married.
08:56You're not going to be married.
08:57I'm going to enjoy everything.
08:59I'm going to be ready.
09:00I'm going to be ready.
09:01Of course, my husband's first marriage is.
09:03Where are you married?
09:04I mean, it's a little bit.
09:06I understand.
09:07You'll be married now.
09:08God bless you.
09:09You're ready for marriage.
09:10We both want to go to their home.
09:13We want to meet the husband's house.
09:15We want to know one another.
09:17All of these are left.
09:18Leave me.
09:19Tell me.
09:20What happened?
09:20What happened?
09:21What happened?
09:21Let's go.
09:22Let's go.
09:25Yesterday, I opened the office for Shereen.
09:29Yes.
09:30Who?
09:31Shereen came to call me.
09:34I'm invited.
09:35Now, it's possible to call me and I'm going to run away.
09:38You're so upset.
09:41You're so upset.
09:41You're so upset.
09:43Of course, it's so upset.
09:47You're so upset.
09:53You're so upset.
10:03You're so upset.
10:04You're so upset.
10:11You're so upset.
10:21You're so upset.
10:21You're so upset.
10:23You're so upset.
10:23You're so upset.
10:23Listen.
10:23Don't go alone.
10:24I'll take you.
10:28I'll take you.
10:33I'll take you.
10:38What?
10:39I'll talk to you.
10:40I'll talk to you.
10:40I'm going to talk to you.
10:43What's the problem?
10:44Like this, you're right.
10:47You're so upset with your eyes.
10:49You're so upset with your eyes.
10:52You're right.
10:53You're upset.
10:53You're upset.
10:55You're right.
10:55So, let's go.
10:56You're the right.
10:59Let's go.
11:01I've not been upset with you.
11:02You're upset.
11:04Love that.
11:16I'm upset and feel the same.
11:20I won't take you.
11:21I have no idea.
11:21I'll give you a good job.
11:22I will make you mad a bit.
11:23I'm upset from my home.
11:24And yet, it's weird.
11:25There was also a lot of fun.
11:28What are we going to do?
11:30Do you invite them to eat?
11:33I don't think it will come.
11:35I don't want to invite them.
11:39Why are you calling?
11:41Who?
11:42Her mother's mom.
11:44Time, time, time.
11:49Hello? Yes, yes.
11:51Assalamu alaikum.
11:52You have a great age.
11:54You were talking about yourself now.
11:58Absolutely, absolutely.
12:00What are you going to ask?
12:01Is it your own house?
12:04Absolutely.
12:04Let's go, let's go.
12:07It's okay.
12:07It's okay.
12:08Then there's a situation.
12:10What are you saying?
12:13She's coming.
12:14Why?
12:16I haven't told you this,
12:17but she's coming with us.
12:19I...
12:21Why are they coming here?
12:26If something happened to me,
12:28I don't want to forgive you.
12:30I don't want to forgive you.
12:30Okay.
12:30I don't want to forgive you.
12:50I don't want to forgive you.
12:51She's talking about such a happy mood.
12:52She's talking about me.
12:54Happy mood?
12:55What else?
12:56Why were you so mad at me?
12:59You're taking the blame.
13:01You're being angry.
13:02You're being angry.
13:03I'm also being angry.
13:04Let's go, Talat.
13:05I'm asking you.
13:05Let's go.
13:18Come on.
13:19Come on.
13:20Come on.
13:20Come on.
13:21Come on.
13:34Come on.
13:35Come on.
13:36Come on.
13:37Come on.
13:39Come on.
13:46Come on.
14:01Come on.
14:03Come on.
14:15Come on.
14:16Come on.
14:19Come on.
14:28Come on, Joe.
14:29Come on.
14:31Come on.
14:34Come on.
14:35I'll go.
14:36She's sending her to him.
14:38Yes.
14:39It's a terrible plot.
14:40She's not broken.
14:43She's not broken.
14:44She's not broken.
14:47She's not broken.
14:49I love you.
15:08Uncle, you have made a very good house.
15:11Especially lawns.
15:13It's very beautiful.
15:14I was shocked by the mother, Jim.
15:17I was able to do it from my hands.
15:21He doesn't even tell me.
15:22He shows his hands in his hands.
15:25He's very shocked.
15:27I'm shocked too.
15:29But what can I do? I don't get in time.
15:31Shereen, let me show you the face.
15:34Yes?
15:35Really?
15:37Please, that would be great.
15:46Yes.
15:57To be honest.
16:13We will be naked until Faham and her husband will not go,
16:15then we will be captive in the camera.
16:17Let's go outside.
16:18No.
16:20Don't worry, Anas.
16:26Anas,
16:29I don't want to go to that person.
16:30I don't want to go to that person.
16:31I don't want to go to that person.
16:33And when we go to that person,
16:34we will not be able to go to that person.
16:36That's not that, Anas.
16:38And we have all been clear.
16:39It's a mess.
16:41You know, you feel fake.
16:43I don't want to go to that person.
16:46I don't want to go to that person.
16:47I don't want to go to that person.
16:48It's not a mess.
16:48It's not a mess.
16:49So, when he doesn't go,
16:50we wait for him.
16:51He leaves the side.
16:53He doesn't know.
16:53If he sees it.
16:55Then he leaves.
16:58I don't want to go to that person.
17:00I don't want to go to that person.
17:01Don't do that.
17:02I'll talk to his mother.
17:04Come on.
17:05Come on.
17:06Come on.
17:08Are you watching Sharifah's body?
17:10My father was on his hands when I was 2 or 3 years old.
17:15And this is the chiku.
17:16I've also got my parents.
17:20Sharifah.
17:22Sharifah.
17:23I don't have any doubt about this.
17:25How old is this and how...
17:26You were saying yourself.
17:30I'm only a fool.
17:34Tell me.
17:36You're doing the same thing.
17:37Tell me.
17:37You're doing the same thing.
17:39I'm only a fool.
17:39I'm only a fool.
17:39I'm afraid.
17:41When I told you...
17:43I told you...
17:44...that I was sitting in my family.
17:46Then why did you sit with your father?
17:49I understand.
17:50You told me.
17:51He told me.
17:52He told me.
17:52He told me.
17:53He told me.
17:53How can I sit with you?
17:58I don't know.
17:59I don't know.
18:01When I challenge myself...
18:02...I can go anywhere.
18:03...to the same time.
18:05What the meaning?
18:08It means...
18:10...that...
18:10...the most happy...
18:11...I accept the challenge...
18:13...I don't get any other.
18:17Oh...
18:18...there's never any challenge...
18:22...there's no question...
18:23...with your head.
18:27What did your brother say?
18:30He didn't want to go back again.
18:33...and take the business...
18:36...and take the business...
18:37And leave it.
18:38How did you sit with your friends together?
18:42You took the business here...
18:44...to the same...
18:45...as you...
18:47...like...
18:47...to the hair in the skin.
18:50I'm just saying that...
18:51...but...
18:52...you're going to be very important.
18:55I'm going to be with you all...
18:56...and all these challenges.
18:56I'm going to be with you.
19:03And I know...
19:05...that...
19:06...you will always stay with me.
19:09Hey!
19:14What's happening?
19:15Are you okay?
19:18Yes, I'm okay.
19:19Why am I okay?
19:21Are you sure?
19:23Are you sure?
19:23Yes, Anas.
19:24I'm sure...
19:25...and please go here...
19:26...that you don't have any work.
19:28I wish that...
19:29...you and your sister...
19:31...it will be with me...
19:31...or with you...
19:32...or with you.
19:34Hello, Mr. Anas.
19:37I was asking...
19:37... was with you...
19:38...so I wanted to ask about...
19:39...you, how is it?
19:41And how are your daughter?
19:44As you, how are you?
19:45I ask for you...
19:45... 73 percent of your situation...
19:46...but there's no need to be...
19:47...and who's going to...
19:48...that we are...
19:49...begining your mother...
19:49...and her son of the mother...
19:50...in a hurry...
19:52...we have no shock...
19:53...and our good hope...
19:56...we have lost so much...
19:57...and we've lost...
19:57...for them...
19:59...that...
20:00...that...
20:00...that...
20:00...as you...
20:01...for them...
20:01...for them...
20:02...that...
20:03Ansa, there is a shame that there is no shame.
20:05Kareem.
20:07Let me ask you.
20:11How did you tell me I had no shame?
20:14How do you understand me?
20:18I didn't understand you so much,
20:19that you didn't understand your little anger.
20:23I had a hard time to hide behind the scenes.
20:29You are the hard time.
20:42I'm sorry, I'm sorry.
20:45I'll refresh myself again.
20:46I feel like you're a bad person.
20:50I'm sorry.
20:55I'm sorry.
20:56I'm sorry.
20:56I'm sorry.
20:58I'll refresh myself again.
20:59I'm sorry.
21:00Why does it feel like you are scared of me?
21:04Are you okay?
21:08Anas.
21:10I'm going to read it.
21:12Sure.
21:15And stay away from us.
21:17One minute, excuse me.
21:21That...
21:22I searched your video.
21:26Yes, that's AI.
21:28It's fake.
21:30There are so many advancements in technology.
21:33I don't know if it's true.
21:35I searched the video again.
21:39When I watched the video again,
21:42I mean to search the video again.
21:44What is the meaning?
21:47Take your hand, Anas.
21:48One second, Shereen.
21:52I searched the video again.
21:54I saw it again.
21:55One second.
21:57What are you searching for?
22:05The video is public.
22:08It's the majority of people.
22:08There's one Loop in his journal.
22:11When he wants the heart,
22:12he can see it.
22:13One hundred times, a thousand times.
22:16What can you stop?
22:17can we stop?
22:21I can not stop just saying it true,
22:25but the only thing that God is is that God knows our true
22:26and God is the one who gives a praise.
22:33I want to say something to you, sheree.
22:37It is not okay to this guy.
22:40But that video was always looking like him.
22:43There was a man, friends, he was all there.
22:45You know, ma'am, you wanted to, you wanted to do something that you wanted to do with your daughter's
22:50situation.
22:53But you had to create a whole scene.
23:00You don't have to think about it.
23:02Because you don't have to think about it.
23:06You can't deny Shereen to me.
23:10It's true, Anas.
23:38I'm so sorry, I'm so sorry.
23:40I'm fine, I'm fine.
23:42Who will you stop?
23:45Your phone.
23:55On the other side, we have seen another video.
24:03How dangerous.
24:06I thought that if the video is deleted,
24:09it will not be saved.
24:10You have lost me, so I am exhausted.
24:13But the truth is that we are not exhausted today.
24:17We are alone today.
24:18We are alone today.
24:21It's easy.
24:22It's like that.
24:26We are so difficult.
24:29We can answer the world.
24:31We can break their mouth.
24:31God knows our truth.
24:33But the truth is that
24:36that the victim is still alive today.
24:40I don't know where.
24:43I have decided.
24:47What?
24:56What?
25:02What?
25:07What?
25:17What?
25:22What?
25:24What?
25:53What?
25:54What's the matter?
25:56That's what?
25:58Whatados do you have shown us?
26:00I don't want to Negroes themselves.
26:01He would do anything like that.
26:03He knew all of this country
26:03and all others are Kilost territories,
26:05and police orgies,
26:05They have to stand us all.
26:08Ijud respect.
26:10What I want you to judge, Walaz deles.
26:14Do not do anything like that.
26:16No one can stop.
26:41Yes, he did.
26:47They both ended up in bad weather and he was laughing while he was at anas.
26:51He was holding his head and holding his hands on his hands.
26:55You pick him up and talk.
26:58He's going to psychologically hurt us.
27:00I'll never take him off his feet.
27:02I will hide your hands.
27:04Otherwise, I've been too far from going through it.
27:06His head is better than it will become our father.
27:10You cannot understand exactly what he is.
27:12Anas has not an anus's fault.
27:16What does Anas mean to you?
27:18What is the meaning of Anas's fault?
27:21What is the meaning of Anas's fault?
27:23Why did he leave this fault?
27:26When this thing was done by Mani's fault,
27:28what was the meaning to help him again?
27:31What do you mean?
27:33Nothing.
27:34Abus must be blamed for blaming Anas.
27:37You will not say anything about Anas's fault.
27:37Listen to me, Shereen, and sit in your head.
27:42You will understand that it will not be wrong again.
27:48That's why I'm good.
27:50Our good means?
27:54When you talk about this, they will grow up.
27:57Especially for a girl.
27:59And if you have to get to the end of your life,
28:02then...
28:03God don't do it.
28:04That's why this Pandora Box has closed us.
28:09It's okay.
28:11You didn't give me your attention.
28:13It's gone, right?
28:15Now, you don't need to be wrong.
28:18If this happens to someone's head,
28:20we will not change this.
28:25I don't want Shereen to get hurt in a situation.
28:29Both of them are a bum.
28:33Because of Shereen,
28:34we have to get rid of each other.
28:37What happened?
28:39It's your brother.
28:41What?
28:44I'm going to the factory.
28:46I'm going to the factory.
28:47I'm going to the factory.
28:48I'm going to the factory in shock.
28:50But I don't know how to get hurt.
29:01Do...
29:02Ame, you're watching.
29:03Abbu, take the farm.
29:08AQue and Salah Alaykum, sir.
29:10Jump here, jump here, jump here.
29:19Whoa! Nice!
29:21Whoa, I like it!
29:23That's a big...
29:24It could be a little bit like this office.
29:28Dude, Salah, she hasn't even seen her face in college.
29:31Look at her.
29:32You haven't even seen her face in the past.
29:35I've seen her face in college.
29:38Forgive me, sir.
29:41I don't think I've got to believe
29:43that the cab has done so much for her.
29:46What does it mean?
29:48It means that the other person
29:49didn't give up on the car
29:49gave her the whole office.
29:59I haven't seen her face in the past.
30:01What? What?
30:03A face?
30:04A face.
30:04A face.
30:05That's right, brother.
30:06Mom, father, father.
30:08God, give our father as well.
30:10Ameen.
30:11Ameen.
30:11Summa Ameen.
30:12Dear boss.
30:13Yes, boss.
30:14Mr. Shayanan and Salim.
30:15Yes, sir.
30:15I'm very hungry.
30:17Can I have some food?
30:18Oh, I don't have to ask anyone.
30:21One second.
30:22One second.
30:22Reception.
30:24This is Sajid and Akhil.
30:26Food?
30:27No.
30:28Water?
30:29No.
30:30Get them pizza, man.
30:32I'll give them a little tour of the factory.
30:35Okay.
30:38Sorry, man.
30:39We've got to ask him.
30:40Come on.
30:41No, you'll go and take a tour in the factory.
30:43We're hungry, brother.
30:44Make a food.
30:45All right.
31:26Hello.
31:28Hello.
31:29Where are you?
31:30How can we talk about that?
31:34You are not arraised.
31:36Shireen, I've never talked about that.
31:40I know.
31:41I know.
31:43No.
31:44I'm still thinking about how I've done this.
31:48Honestly, I'm really sorry.
31:51Who are you sorry about that?
31:54Because you feel bad.
31:56You are afraid.
31:56So, you can also believe me.
31:59If you want, then.
32:01Yes.
32:02Why would I not want to believe?
32:04Tell me.
32:06We will have dinner together.
32:12Yes.
32:13Why not?
32:14Absolutely.
32:16Okay.
32:17So, I'll take care of you or you'll come back?
32:20Do you come back from my house?
32:22Yes.
32:23I'll come back.
32:24You don't need to be prepared for coming.
32:27No.
32:30I'll see you.
32:32Bye.
32:33Bye.
32:35Bye.
32:35Bye.
32:37Bye.
32:59Bye.
33:00Bye.
33:02Bye.
33:02Bye.
33:04Bye.
33:08Bye.
33:10It's gone.
33:13It's gone.
33:26It's gone.
33:27What's this, Shaiya?
33:30Are you going to go to the business?
33:30It's gone.
33:37I didn't say, Abbu.
33:41They don't pay for the treatment of friends.
33:46They're also in the office.
33:50The city is full of hotels.
33:55Sorry, I'm not going to go.
33:59You don't have friends in business.
34:02They all have to pay for it.
34:06You're my friends.
34:07You're my friends.
34:11You're my friends.
34:22You're my friends.
34:29I've been to the house.
34:30You're my friends.
34:31You're my friends.
34:32You're my friends.
34:37You're my friends.
34:41Okay.
34:42We need to listen to our business ideas.
34:45We're going to get to the local market.
34:48We're going to take the Varsaline and Sons internationally.
34:52Varsaline and Sons since 1970.
34:59We're not going to die.
35:04Sit down.
35:17If I could not do, I would do it.
35:22I would not do it again.
35:22I would rather do it again.
35:23This is the Varsaline.
35:27This is the Varsaline.
35:27I'm not sure if you are not going to die.
35:36I'm going to die.
35:55What are you seeing?
35:58I didn't get the answer.
35:59I didn't get the answer yet.
36:02How did your cousin do I do?
36:08How did he do it?
36:10It's because of you.
36:13You can forgive such a beautiful girl.
36:17What is your cousin's fault?
36:20I did it because of you.
36:24So, I don't promise you.
36:29There will be some Pavlali,
36:31who is crying out of time.
36:56Mom, let him, sir. Let him, sir.
36:58What happened to the sharing?
37:03I think if people are watching,
37:04it's okay, it's normal.
37:12I understand.
37:13It's not a joke, right?
37:33I can say, you don't want to look like this.
37:37Oh, it's all I know.
37:38Oh, it's so funny.
37:39Oh, I'm sorry.
37:39You are just talking to me as well.
37:44Oh, my God.
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