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Midnight Manhunt (1945) – A Deadly Chase Through the Night is a gripping classic crime thriller packed with mystery, suspense, and unexpected twists. When a dangerous murder sparks a frantic search for the truth, investigators race against time through the shadows of the night to uncover the killer. Filled with tense moments, clever detective work, and vintage film noir atmosphere, this 1945 classic delivers an unforgettable journey into crime and justice.
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00:00:00Thank you for listening.
00:00:30Thank you for listening.
00:05:23All right, all right.
00:06:22I'm tired.
00:06:24I'm tired.
00:06:25I'm tired.
00:07:18Bye-bye.
00:07:20garden stock. Hey!
00:07:25Hey, Ernie! Hey, Ernie! He's gone!
00:07:29The body's gone! Disappeared his bare moose! Listen, Max,
00:07:33I ain't blind, and I know Joe Wells when I see him.
00:07:37Murphy's really at it tonight. I think something fit him. Maybe we'd better go see.
00:07:43And I tell you, it was him!
00:07:46Oh, sure, I'm sure. Say, what is it?
00:07:49What, mate? I'll wait for you.
00:07:55This isn't too bad. Murphy, I'd advise you to see an optimist.
00:07:59Very funny. You'll go home, Miggs. I'll lock up after you.
00:08:02I wouldn't trust him, Miggs. Not in his condition.
00:08:05I don't mind waiting. Is there anything I can do?
00:08:08No, I just gotta wait around here till Lieutenant Hurley shows up. Then we'll be out of here in a
00:08:11couple of minutes.
00:08:11It's a broken-down rubber heel. Why don't they detach him off the force?
00:08:16Why aren't you shut up?
00:08:17Well, I hope you'll all be out of here soon. I'm very tired.
00:08:21What do you think I am?
00:08:24I'll bite. What are you?
00:08:26Well, if it ain't Joe Typewriter herself.
00:08:31Oh, Miss Gallagher, there's been some kind of trouble.
00:08:34Hey, Gallagher, give me a match, will you?
00:08:36A twerp like you, smoking that.
00:08:38Big things sometimes come in little packages.
00:08:41You'll keep on, they'll make you a moron.
00:08:43Junior grade.
00:08:44Think you can afford this?
00:08:46What's the trouble?
00:08:47I really don't know.
00:08:49How'd you do today? Any better?
00:08:51Any better. Imagine.
00:08:53Just because I lost my expense account in a crap game,
00:08:56they put me on a leg job in some corny police station out in the sticks.
00:09:00Who?
00:09:01My paper.
00:09:03For crying out loud, aren't you listening?
00:09:04Oh, this is Miss Gallagher, Mr. Murphy.
00:09:07She lives upstairs over the exhibit.
00:09:09A fleabag renovated into an apartment.
00:09:11Hey, got none of that?
00:09:12Just want you to give me his damage.
00:09:14Beat it.
00:09:14I think it's a nice little place you've got upstairs.
00:09:17Yeah, places go.
00:09:19Oh, don't mind me tonight, Mr. Miggs.
00:09:21I'm just mad at the world.
00:09:23She's a reporter.
00:09:25But you wouldn't know it.
00:09:26You're a disgrace to the Chronicle, they said.
00:09:29We're going to teach you a lesson, they said.
00:09:31Get fast for you.
00:09:32They're going to teach me a lesson.
00:09:33Me, the one who covered the gardener Stanley hanging.
00:09:36And how about the Kingman's fire?
00:09:38I even had the newsboys crying.
00:09:40I wasn't crying.
00:09:41You.
00:09:42You made a news bulletin, Pete Willis, any day.
00:09:45There's a reporter for you.
00:09:46Pete Willis.
00:09:47That double-crossing snake?
00:09:49Double-crossing snake?
00:09:50He got my father in a clear after being sent up for that murder rap, didn't he?
00:09:53He found the guy that really done it and pinned it on him, didn't he?
00:09:56That took brains.
00:09:57And fight him while you wasn't calling him a snake about a month ago.
00:10:00While you two was lollygagging around together.
00:10:03Should have seen him, Mike.
00:10:04It was really a panic.
00:10:05I wish you'd quit rattling your head.
00:10:07I got all I can do worrying about what happened with Joe Willis.
00:10:10Joe Willis?
00:10:12What about him?
00:10:13I find him murdered, then he disappears again.
00:10:16Yeah?
00:10:17I'd give my IT for an exclusive on it, if it really happened.
00:10:23Gee.
00:10:24If it only was Joe Willis.
00:10:26Maybe then I could make that rag I work on take me out of the doghouse.
00:10:30I knew a doghouse looked good.
00:10:32Oh, quiet.
00:10:33Is he very important, this Joe Willis?
00:10:36Never heard of Joe Willis?
00:10:38Now, there's total ignorance for you.
00:10:40Do you not never read no newspapers?
00:10:42Joe Willis was just the biggest noise in the rackets, that's all.
00:10:45Why, Joe had so many notches on his tummy gun, it looked like a buzzsaw.
00:10:49And wait a while, I'll tell you to...
00:10:50He disappeared about five years ago, and everybody thought his own boy had done it.
00:10:54I still think so.
00:10:56Well, I'm still thinking about that reward.
00:10:58Five grand for the guy that finds him, and I had him.
00:11:01Sure, sure you did, Murphy.
00:11:03But stop making it worse for yourself thinking about that five grand.
00:11:06How are you going to stop thinking about five grand?
00:11:10Well, I'm going to bed.
00:11:11Good night.
00:11:13Happy nightmares.
00:11:17Hey, say, Murphy.
00:11:20Just between you and me, was that really Joe Willis you had?
00:11:23Look, kid, I'm the guy that put the pinch on him that time at the World's Fair, ain't I?
00:11:28Well, I'd know him, wouldn't I?
00:11:46Your wealth.
00:12:12Too hot in here.
00:12:13I'm going to wait outside for you, Lieutenant.
00:12:14Yeah, I guess I could use some fresh air, too.
00:13:22Can you give me a number of this, please?
00:13:24Yeah.
00:13:25N-W-I-L-O-I.
00:13:26Yeah.
00:13:28Well, I had your number, but I must have displaced it.
00:13:30I wonder if it'd be complimentary enough to give it to me.
00:13:33Huh?
00:13:34Yeah, I'll wait, but make it snappy, will you?
00:13:50Oh, Pete, this is Clutch.
00:13:53Clutch, Clutch, Clutch, you know.
00:13:55Oh, Clutch, what do you know?
00:13:57What's new at the Westbrook?
00:13:58Come on, let's...
00:13:59Come on, no.
00:14:00Yeah?
00:14:01Yeah?
00:14:02Yeah?
00:14:03You tell the kid to go to a picture show and call back later.
00:14:05I gotta get home, and I'm out two bucks already.
00:14:08Yeah, go on.
00:14:08Come on, will ya?
00:14:09Go ahead, Clutch.
00:14:09Nobody's listening.
00:14:12Look, there's a cop over here by the name of Murphy.
00:14:14He claims he found the body of Joe Wells.
00:14:16Uh-huh.
00:14:18I don't know.
00:14:18Out in an alley someplace.
00:14:20You say Murphy found him?
00:14:22Here's my cabbage.
00:14:23Will you shoot again?
00:14:24Oh, what to use.
00:14:24He always wins anyway.
00:14:26And Gallagher knows, huh?
00:14:27Okay, sweetheart.
00:14:28I'll be over in five minutes.
00:14:29Hey, where you going?
00:14:30What about our dough?
00:14:31You don't have to leave, fellas.
00:14:32You need to spend the rest of the evening in this joint.
00:14:35What are we gonna do for money?
00:14:36You've won it all.
00:14:37And don't break the glassware, will you?
00:14:38I only live here.
00:14:40Oh, this will be much safer in the car.
00:14:43Well, how do you like that?
00:14:44I love that quarter.
00:15:00I love that quarter.
00:15:19I love that quarter.
00:15:53What a lucky sip.
00:15:59Stop telling me that, Murphy.
00:16:00So you think you had Joe well.
00:16:02So you think he got away.
00:16:03So what?
00:16:03So I think I'm telling you that, Joe.
00:16:09Well, I think you're gaffier and I'm gaffier to come down here and listen to you.
00:16:19Gentlemen, I wonder...
00:16:20Just a minute, Joe.
00:16:21But please remember...
00:16:22Hey, who is this guy?
00:16:23Oh, that's Miggs.
00:16:24He owns the joint and wants to close up.
00:16:26Oh.
00:16:27Well, we'll be out here in a couple of minutes.
00:16:28Well, I hope so.
00:16:30I'm so tired.
00:16:31Start right at the beginning.
00:16:49Chronicle.
00:16:50Extension 13.
00:16:52Hello, that's you, Marty?
00:16:54Gallagher.
00:16:55Look, get over to my place quickly, will you?
00:16:57And bring that camera, pal.
00:16:59Yeah, yeah, it's hot.
00:17:00Now get over here before it boils over.
00:17:13I'll give you a buzz.
00:17:15I didn't know if anything was up.
00:17:16It's worth investigating, Clutch.
00:17:17Hey, Pete, you got a match?
00:17:19I thought I told you about picking those things up out of the street.
00:17:21Out of the street?
00:17:22Lobby at a Biltmore.
00:17:23What do you mean, out of the street?
00:17:24Oh, Mr. Willis, haven't seen you around lately.
00:17:27Yeah, that's right.
00:17:28What happened with you and Gallagher?
00:17:29Did the milk of romance slightly curdle?
00:17:31Well, shall we say temporarily soured, old boy?
00:17:35She thinks I shoot craps with loaded dice.
00:17:37Has it got anything to do with that Washington assignment you and her went on last week?
00:17:40Where she lost her expense account?
00:17:42Her expense account?
00:17:43Where is she now?
00:17:45Upstairs.
00:17:46Let's go in here and see what's going on.
00:17:48Right.
00:17:49And another thing, Murphy.
00:17:50I don't believe...
00:17:53Hey, what is this?
00:17:54Who called you in, Willis?
00:17:56I have little birdies working for me, Max.
00:17:58Little birdies with golden wings.
00:18:00Oh, yeah?
00:18:01Someday I'm going to clip them golden wings for you.
00:18:03Good.
00:18:05I don't believe a word of your whole story.
00:18:07Before you start clipping, how about giving me a match?
00:18:09Joe Wells is dead on a mackerel.
00:18:13And he's been away for a long time.
00:18:15Boy, you never can tell.
00:18:17You say you saw him, Murph?
00:18:18Ah.
00:18:20So what are you suggesting?
00:18:21That we conduct a house-to-house canvas in search of the body?
00:18:24And on this kind of evidence?
00:18:26I don't care what you do from now on.
00:18:28You're not letting this thing upset you, are you, Mike?
00:18:30Tell me more about it, Murph.
00:18:32Where is it?
00:18:32I grabbed the shot?
00:18:33What shot?
00:18:35Hey, what is it?
00:18:35What are you trying to pull, Willis?
00:18:37I don't know him.
00:18:38He's not my boy.
00:18:39Well, Gallagher called me.
00:18:40That's all I know.
00:18:41She was all excited about something she had and wanted me to take some pictures.
00:18:44Gallagher?
00:18:45Who the place is this?
00:18:46Gallagher.
00:18:46Ah, she's some gallin who's upstairs.
00:18:48That's nothing to do with the newspapers.
00:18:50Well, go on home.
00:18:50We ain't got nothing to photograph.
00:18:52The dame had players in her bonnet.
00:18:53I don't know.
00:18:54Maybe I'll have to do that.
00:18:55I wouldn't do that, pal.
00:18:55She's gone to bed.
00:18:56Yeah, she's retarded for the evening.
00:18:58She called downstairs a few minutes ago and told me to tell you that it was all a mistake.
00:19:01A mistake?
00:19:02Yeah.
00:19:02No, no.
00:19:03That ain't like Gallagher.
00:19:04She don't play hunches.
00:19:05Oh, believe me, pal.
00:19:06Well, she'd be highly insulted if you ever spoiled her sleep.
00:19:08In fact, she'd be inflamed.
00:19:10Yeah.
00:19:10That's the last.
00:19:11Spoil her sleep?
00:19:12Oh, sorry, old boy.
00:19:13Goodbye.
00:19:15Goodbye.
00:19:19What are you figuring, Pete?
00:19:21See you later.
00:19:22Oh, let me go with you.
00:19:23Maybe I can help you.
00:19:24I said later.
00:19:25All right.
00:19:25I'll be around.
00:19:26Yeah, practice on this till I come back.
00:19:29Ah, thanks, Pete.
00:19:31Mucho gratis.
00:19:50That you, Marty?
00:19:52Darling, don't you know my knock anymore?
00:19:56You stick your nose in there, Pete Willis, and I'll throw my typewriter at your head.
00:20:00Baby, can't you talk without screaming?
00:20:02This is business.
00:20:05Go away, Mr. Willis.
00:20:07I'm very busy.
00:20:08You're busy?
00:20:09You don't think looking for Joe Wells is any fun, do you?
00:20:14You're not still sore about that crap game, are you, honey?
00:20:17That's one thing I'm not talking about.
00:20:19That's the kitchenette.
00:20:20Mm-hmm.
00:20:21You know, they weren't my dice.
00:20:22They belonged to Charlie Baker.
00:20:24That's the closet?
00:20:25Yeah.
00:20:27Besides, they weren't crooked.
00:20:28I just ran into a streak of luck, that's just all.
00:20:31Is that what you call it?
00:20:32Uh-huh.
00:20:33Excuse me.
00:20:39If you're looking for dirt, it's not there.
00:20:41And Joe Wells, either.
00:20:43I didn't think you were that dumb, honey.
00:20:45But you never know.
00:20:46Oh, look, Pete, I'm really not mad anymore.
00:20:49I mean about the crap game.
00:20:51But I'm busy.
00:20:53No kidding.
00:20:53I think I've looked the first act of that play I told you about.
00:20:56I was just playing around with the idea when you knocked.
00:20:59Oh, did I tell you you were gorgeous tonight, honey?
00:21:03I'm such a wonderful liar.
00:21:05Writing a pledge, huh?
00:21:07While Detective Lieutenant Hurley's plainclothesman stalked through New York Street, searching
00:21:11apartments and alleyways, creating terror in the hearts of innocent bystanders, the body
00:21:16of Joe Wells was lying in...
00:21:18Lying where?
00:21:19That's so good.
00:21:20Why don't you finish it?
00:21:21You know, this is really horrible.
00:21:23You should go back to writing love long columns.
00:21:24Yeah, well, it's a lot more exciting than that stuff they print under your name.
00:21:27All right, baby.
00:21:28I want to help you.
00:21:29Where have you got it?
00:21:30Got what?
00:21:31That is just in case it's found.
00:21:33Oh, I'm sure.
00:21:34If you don't get out of here, I'll call the cops.
00:21:37Yes, you will.
00:21:41What are you going to do?
00:21:43Nothing.
00:21:44I'm going to let you finish the play.
00:21:46But I'm afraid you're going to write the last act in jail.
00:22:06I'm afraid you're going to write the last act in jail.
00:22:18I'm afraid you're going to write the last act in jail.
00:22:49Murphy, I can't give this thing any more of my time.
00:22:51Will you quit shoving my chair around?
00:22:53Why don't you get out of here?
00:22:54Why should I?
00:22:55I told you that this happens to be my place of employment.
00:23:00I'll send over a couple of boys and you can scout around.
00:23:02Maybe you'll find something.
00:23:03Or maybe you won't.
00:23:05Oh, I just got a hurry call to look into a shooting a couple of blocks away.
00:23:08You want to go?
00:23:09No, thanks.
00:23:09I'm going home.
00:23:10You know, early to bed, early to rise.
00:23:12Well, any way you want it.
00:23:13Uh-huh.
00:23:15Now, you wait around outside.
00:23:16The prowl car will pick you up.
00:23:21Any new developments?
00:23:23I don't know yet.
00:23:24Well, thanks for calling, Clutch.
00:23:25I'll see you around.
00:23:27Right.
00:23:27Good night, Mr. May.
00:23:28Good night, Mr. Willis.
00:23:30Take care of yourself, Pete.
00:23:31I'll go put on the night light in the back.
00:23:34You'll be ready now.
00:23:47Wait.
00:24:12Take care of that, Gwendolyn.
00:24:14Don't let the smoke in your eyes.
00:24:24Oh!
00:24:28Well, Nick, what's the matter?
00:24:29What are you so dissipated about?
00:24:31You look like you fell in a barrel of flour.
00:24:33Out there.
00:24:34Out there.
00:24:35Sitting out there.
00:24:36Who's sitting out there?
00:24:37There's a corpse out there.
00:24:39Playing cards.
00:24:41What?
00:24:41What?
00:25:05He's really there.
00:25:07What do you think you're doing?
00:25:08You shouldn't have done that, Clutch.
00:25:09I'm just telephoning the police.
00:25:11You want it to get us in trouble?
00:25:13We got something on our midst.
00:25:14That stiff is really rigor mortis.
00:25:16But I got to telephone the police.
00:25:18What are you doing?
00:25:18Using last year's brains?
00:25:20You know what'll happen if you call in a cop?
00:25:21They'll throw bright lights in your eyes.
00:25:23They'll give you the rubber hose treatment.
00:25:24They'll break you down.
00:25:26Break me down?
00:25:27For what?
00:25:27For what?
00:25:28Now, there's a clever injection.
00:25:30For killing that guy out there.
00:25:31That's for what?
00:25:32Oh, I didn't kill him.
00:25:34He got in here by mistake.
00:25:36You try to tell the cops that.
00:25:37You seen what happened to my old man, didn't you?
00:25:39Don't think you had a motive.
00:25:41You'll be a felony.
00:25:42What we got to do is get rid of that body.
00:25:45Oh, get easy about it.
00:25:46You mean hide out in the street behind some hash cans?
00:25:49Is that what you mean?
00:25:50Have it bounced back on you in the morning?
00:25:52No, I know.
00:25:53Got to get it out of the neighborhood.
00:25:54Way out.
00:25:55Oh, my goodness.
00:25:56Out of the neighborhood.
00:25:56But how?
00:25:59Well, we'll take the cops and put it in your car and deposit it someplace far away in this vicinity.
00:26:03Come on, let's get your car.
00:26:04Get the car.
00:26:05Get the car.
00:26:06I'll get it.
00:26:07Oh, my hat.
00:26:08Yeah, my cigar.
00:26:26I'll get it.
00:27:06I'll get it.
00:27:37Marty, that...
00:27:41Who are you?
00:27:42I think you and I have a little business project.
00:27:45Business?
00:27:47If my price isn't right, it won't make any difference.
00:27:52That's the body of Joe Wells.
00:27:56It's lucky I slept up yesterday, isn't it?
00:27:59Oh, Leavitt has failed to impress me, miss.
00:28:02Gallagher.
00:28:03Sue Gallagher.
00:28:11Will you stop scaring me with that gun?
00:28:16If this is a gag and Pete Willis sent you...
00:28:19Let's not get away from the subject, Miss Gallagher.
00:28:22If you haven't got the body of Joe Wells in his apartment, I'm convinced that you know where it is.
00:28:27You see, I followed the blood spots in the Empress Hotel across the alleyway to your staircase.
00:28:33And now this.
00:28:35I know he was shot, and I know he couldn't have dragged himself much further.
00:28:39Where is he?
00:28:41All right.
00:28:42What's the use?
00:28:44The body's downstairs in the exhibit.
00:28:46Ah, now we're getting somewhere.
00:28:49I don't imagine you want to meet the cops who are down there.
00:28:52Oh, now, Miss Gallagher, let's be honest with each other.
00:28:56We both heard the police car drive away a few minutes ago.
00:29:01That's too bad.
00:29:03I'll follow you.
00:29:16Miss Gallagher?
00:29:18Is that you, Miss Gallagher?
00:29:20Yes, Mr. Mix.
00:29:22Who's that?
00:29:24He owns, at least.
00:29:25I guess he's closing up.
00:29:31You'll go back and wait.
00:29:41He's gone upstairs again.
00:29:43Let's perambulate.
00:29:44Let me rest a minute, please, Clutch.
00:29:47That's all I need.
00:29:49Miss Gallagher.
00:29:50Catch him doing this.
00:29:52Just happen to remember.
00:29:53The top on your car is down.
00:29:55We've got to put it up.
00:29:56Do we have to do that?
00:29:58Now, Mr. Mix, you wouldn't want to risk your social standard
00:30:01by being seen showrunner demolished gangsters through the streets, would you?
00:30:03Yeah.
00:30:05All right, never mind.
00:30:06You sit there and rest.
00:30:08I'll put the top up.
00:30:23I don't know.
00:30:24I don't get it.
00:30:26What's your angle?
00:30:29Where are you heading?
00:30:31What in the world do you want with that corpse?
00:30:34Let's say it's a collector's item.
00:30:39Well, as long as we have to wait, I'd like to get the story on paper.
00:30:42You'll be wasting your time.
00:30:43You won't have the body to prove it.
00:30:46After you're through with it, it'll turn up somewhere.
00:30:48That is a moot question.
00:30:55Answer it, but be careful what you say.
00:31:03Hello?
00:31:05Oh, McAndrews.
00:31:06Hey, listen, lame brain.
00:31:08What do you mean getting Marty out on a wild brains out for nothing, huh?
00:31:12The night editor is upset.
00:31:14All right, so I called Marty.
00:31:17So it was a mistake.
00:31:18What about it?
00:31:20Well, I said it was a mistake.
00:31:21What do you want me to do, cut my throat?
00:31:24Well, that's not a bad idea.
00:31:26Or better still, go back to school and learn how to write.
00:31:28And don't you tell me anything about writing stories.
00:31:32I'll be getting bylines when you've ended up on a copy desk or gray-heading.
00:31:37Oh, you're disappointed in something.
00:32:01Well, you're on a copy office.
00:32:19Hello.
00:32:20Long apartment, I guess.
00:32:22What are you doing here?
00:32:23Well, you know how I thought I could make a mistake.
00:32:25When did you get to it?
00:32:27Nothing in there, huh?
00:32:28Well, what happened to the manager of the place?
00:32:31Heard a shot about an hour ago and called the station.
00:32:34I couldn't help it if you guys didn't get here in time.
00:32:36What else?
00:32:37Well, when I come in to see, the door was open, and like you see it now, nobody around.
00:32:42That's fine.
00:32:42What about the guy that rented the joint?
00:32:44I don't know.
00:32:44I don't know.
00:32:45Nothing about him.
00:32:46He's just been living here in the place a week.
00:32:47Never showed his face.
00:32:49It was just a mug.
00:32:51Yeah, like what?
00:32:52A little rat-faced guy with a pinhead like a carp.
00:32:56That was Joe Wells.
00:32:57You can tell by the...
00:32:57Shut up.
00:32:58I make the discoveries around here.
00:33:00I guess I know Joe Wells when I hear him.
00:33:02Now, what do you know about it anyway, Hawkshaw?
00:33:04Where did you get the key to this room?
00:33:06Back at Migs'.
00:33:07That's where Joe Wells is now.
00:33:09The girl's got him.
00:33:10What girl?
00:33:11Gallagher.
00:33:11Gallagher?
00:33:12Yeah, you know, the reporter that lives upstairs.
00:33:14Everybody knows everything around here but me.
00:33:15I'm just a detective.
00:33:17Come on, let's get back to Migs'.
00:33:30Everything's all set.
00:33:31Let's grab him and hit the gravel.
00:33:32I hope we're doing right, Clutch.
00:33:34Of course we're doing right.
00:33:36I figured this whole thing out by the process of mental reduction.
00:33:38Oh.
00:33:39Well, you got to grab Clutch.
00:33:41I'm too nervous.
00:33:42Okay.
00:33:42Don't make you feel any better.
00:33:45Okay.
00:34:17Your friends are leaving, Miss Gallagher.
00:34:20Now I relieve you of that body.
00:34:24Wait.
00:34:35Open up, it's the police!
00:34:38Come on, open up in there.
00:34:40Visitors of me, Allie.
00:34:42That's too bad.
00:34:46Going to change your plan?
00:34:47I don't think so, Miss Gallagher.
00:34:50Only yours.
00:35:05I'll see what I can do with this lock.
00:35:10No.
00:35:11Passkey won't work.
00:35:13Let's try around front.
00:35:18Let's try around.
00:35:24Let's try what you're going to do with this lock.
00:35:25Oh, look!
00:35:30Oh, look!
00:36:06You're right through the back door there.
00:36:08I'm going to phone my neighbor.
00:36:09I'll be right up.
00:36:10All right, make it snap.
00:36:15All right, make it snap.
00:36:59All right, make it snap.
00:37:15No matter what you're looking for, it's not here.
00:37:17You're not the police.
00:37:19No.
00:37:20I wouldn't call for them if I were you.
00:37:23Why should I?
00:37:24Maybe you and I can do some business.
00:37:26What are you selling?
00:37:27Oh, a lot of things.
00:37:29For instance, Joe Wells.
00:37:32Either the girl was lying or you double-crossed her.
00:37:34Call it anything you want, but I've got the body.
00:37:37Well, we can't talk now.
00:37:39You better get out of here.
00:37:41The cops will be here any minute.
00:37:42How about my apartment's been an hour?
00:37:44I have little choice.
00:37:4611.40, recent place.
00:37:4811.40, recent place.
00:37:50And I hope you're not wasting my time, Mr.
00:37:54The name's Willis.
00:37:55Mr. Willis.
00:38:08Yeah, all right, Martin.
00:38:10Yeah, I'll take care of it.
00:38:10I'll keep you posted.
00:38:11Bye-bye.
00:38:14Well, what'd you find?
00:38:16Nothing.
00:38:17She's staggering around her apartment with a lump on her head the size of an egg,
00:38:20trying to find some ice cubes to put on it.
00:38:22She said some goony guy clunked her on the nugget.
00:38:24Maybe I'm crazy.
00:38:26I've never been on a case like this before.
00:38:28Trying to find a corpse that somebody stole.
00:38:30Somebody stole it?
00:38:32Where have you been?
00:38:33The dame says she stole the corpse.
00:38:35Then some guy stole it from her.
00:38:37Now, can you figure that out?
00:38:38Uh-uh.
00:38:39Uh-uh.
00:38:40Oh, in the blazes, we'd want a corpse in the first place.
00:38:58All right, sweetheart.
00:38:59Now, where is it?
00:39:02Now, look.
00:39:05You don't think you're going to get away with this for long, do you?
00:39:07You almost got yourself killed, and now the cops are on your trail.
00:39:11Let me take over.
00:39:12You're talking to Papa.
00:39:13I told Hurley who took it.
00:39:15Will you stop bothering me?
00:39:17I've had enough for one night.
00:39:18It's still your party, Angel.
00:39:21Somebody's got the corpse, and it's not the guy who comped you.
00:39:24Well, the way you talk, it sounds like you know more about this thing than I do.
00:39:28I do.
00:39:29I saw the creep just before he got away.
00:39:32The way you're handling things, you're going to wind up in the market set at your will.
00:39:35Well, please don't be so cute.
00:39:38How do you figure in on this?
00:39:40I told him I had the body.
00:39:43I wanted to help you out.
00:39:44Oh, sure, sure.
00:39:46You mean you'd like to wheedle it out of me with that sweet talk and hog the story for yourself?
00:39:51Baby, you know there's enough story in this for both of us.
00:39:55I told you I haven't got it.
00:39:57Stop kidding, Papa.
00:39:58We have to produce a corpse in an hour, so come on.
00:40:01I told you I didn't have it.
00:40:03There you go, leaving me holding the back.
00:40:07All right, lady, get your coat on.
00:40:08You're going to jail.
00:40:10Jail?
00:40:11For what?
00:40:12Stealing corpses.
00:40:13But what was stolen from me?
00:40:15That's tough on you, lady.
00:40:16You started this game of put and take.
00:40:18What about him?
00:40:19He said he called the guy that sucked me.
00:40:20A figment of her imagination, Max.
00:40:23I've told you everything.
00:40:24I'm merely an innocent bystander.
00:40:26Yeah, what are you trying to do?
00:40:27Drag him down to your level?
00:40:28Yeah.
00:40:29Come on.
00:40:31I'll phone your relative, honey.
00:40:58Oh, Clutch.
00:40:59Pete, boy, am I glad I found you, Hulk.
00:41:06You alone?
00:41:06Yeah, yeah, we're alone.
00:41:07They got me.
00:41:08Who?
00:41:08The cops.
00:41:09Well, that's too bad.
00:41:10Well, look, Clutch, I'm expecting a very important visit.
00:41:12Oh, but this is more important.
00:41:12We took the body of Joe Wilson's back in the freight car, and the cops chased it.
00:41:16What?
00:41:16Yeah, we found the body in an exhibit.
00:41:18We figured we'd better do something with it.
00:41:19Why didn't you call me?
00:41:20There wasn't no time, and besides, I didn't want Gallagher busting it, so I figured I'd
00:41:23take the body and hide it, and then tell you, and you'd get an exclusive with no interference.
00:41:26All right, all right.
00:41:26Then what happened?
00:41:27We got the body hit in the freight car, all right?
00:41:29When the yard bulls flies, it's just as we're lambing.
00:41:30So we got scared.
00:41:31So you ran?
00:41:32So we run.
00:41:33Oh, that's just dandy.
00:41:34Wasn't so dandy for Migs.
00:41:36He got caught.
00:41:37What about the cops?
00:41:38I don't guess they know nothing about that yet.
00:41:40Poor old Migs.
00:41:41You got him on suspicion that Chessler's in prohibited or something.
00:41:44Have you any idea where you put him?
00:41:45Who, Migs?
00:41:46No, the cops.
00:41:47Well, sighting me.
00:41:48Well, what are we standing here beating our gums for?
00:41:50Let's go get it.
00:41:50Right.
00:41:53Miss Gallagher?
00:41:54What now?
00:41:55If it's that kidney for Hurley, can you tell him for me?
00:41:58Stop racing your motor.
00:41:59Somebody just put up your bail.
00:42:01Bail?
00:42:02Who?
00:42:02That ain't my department.
00:42:04Better ask out front.
00:42:06Well, I said miracles never happen.
00:42:10Yeah, you better give it right away, Hurley.
00:42:12Something just broke on the well story.
00:42:14That's right.
00:42:15A guy named Migs.
00:42:17Complete confession.
00:42:19Snatching bodies.
00:42:20I didn't confess anything.
00:42:22I just said...
00:42:23You said you stuck the corpse of Joe Wells in a freight car, didn't you?
00:42:27Mr. Migs.
00:42:30What did you do?
00:42:31Oh, Miss Gallagher, I'm so glad to see you.
00:42:34Oh, don't tell me they think you're the guy.
00:42:37Oh, it was horrible.
00:42:37Just like a nightmare.
00:42:39I had no idea I was going to get in trouble like this.
00:42:42That's what they all say.
00:42:44This ought to be good for murder.
00:42:46What are you trying to do?
00:42:47Crucify him?
00:42:49Where did you put it?
00:42:50In a box car in the freight yard.
00:42:53Oh, Ohio and Western car, I think.
00:42:56Near a water tower at the end of the yard.
00:42:59We'll get you out of this in no time, Mr. Migs.
00:43:01None of your funny business now.
00:43:03You keep waiting in the freight yard, see?
00:43:05Who's going near the freight yard?
00:43:07I just want enough time to get to my paper.
00:43:11Take it easy.
00:43:12With my story on page one in the morning, you'll be exonerated and full.
00:43:17I hope so.
00:43:18I'm so tired.
00:43:27You waiting for somebody?
00:43:28I guess it's you, lady.
00:43:29Take me to the chronicle.
00:43:30Okay.
00:43:30And step on it.
00:43:31Right.
00:43:36Holy cow, you wouldn't...
00:43:37Steady, eh?
00:43:39Make that 1140 Regent's place.
00:43:42We'll get the chronicle.
00:43:46Then you're the guy that bailed me out.
00:43:50And for this.
00:43:51Just in case Mr. Willis pulls the devil crabs.
00:43:54Your safety might convince him and better not.
00:43:58Mr. Willis says he has the body.
00:43:59We're going over to get him.
00:44:02Listen.
00:44:03Pete Willis hasn't got anything but galls.
00:44:06Whatever he told you, I know he hasn't got it.
00:44:08You and Mr. Willis come up with the most amazing stories.
00:44:12Why should I believe you?
00:44:16Look, you've got to believe me.
00:44:18He's never even seen the body of Willis.
00:44:21Migg stole it while you and I were playing footsy-footsy upstairs in my apartment.
00:44:27And stop shaking your head.
00:44:29I know this sounds fantastic, but the cops caught Migg's 20 minutes ago in the freight yacht where he hid
00:44:35the body in a boxcar.
00:44:37And that's where it is now.
00:44:39You're sure?
00:44:41They didn't know a corpse was mixed up in it until it's what it did out of him at the
00:44:44station.
00:44:46Where are the police now?
00:44:48Well, how do I know?
00:44:49Going after the body, I guess.
00:44:52You're sure you're not, uh, stringing me along, Miss Gallagher?
00:44:56Stop handing me that good light, will you?
00:44:59Do I look crazy enough to stick my neck out when you've got the advantage?
00:45:04Change that last dress to the freight yacht and hurry.
00:45:18What's the matter, you lost?
00:45:20Uh-huh.
00:45:21It's down that way, by the end of the yards.
00:45:23Let's go.
00:45:33This is it, I think.
00:45:35Yeah.
00:45:37Yeah, that's it.
00:45:37Ohio and West.
00:45:38It's a good thing you learned to read.
00:45:40This is all very illiterate.
00:45:46Leave him in there nice and comfortable, Mike.
00:45:48Come on.
00:45:49Let's go.
00:45:54Give me a hand.
00:45:54You get his feet.
00:45:55What are we going to do with him?
00:45:56Let's get him out of here before anybody else finds him, and then we can worry what's doing.
00:46:02Something's coming.
00:46:04Quick, open the other door.
00:46:17All right, jump down there.
00:46:20Grab a hole.
00:46:20Let's get out of here.
00:46:24Ohio and West.
00:46:25That's what we can say.
00:46:29I don't see it.
00:46:31It's probably back there in the dark.
00:46:32This is another of your tricks, Miss Gallagher.
00:46:34Look, all I want to do is turn this thing over to you.
00:46:53It's not here.
00:46:55It's not here.
00:46:56This is a car.
00:46:57All that corpse that he gets around.
00:47:02What?
00:47:02What?
00:47:04Some crazy thing.
00:47:05That's what I call it.
00:47:07Why didn't you call the cops when you found it?
00:47:09Well, I was so nervous.
00:47:10I thought I...
00:47:11You thought.
00:47:13What if you pay taxes for to have a police force?
00:47:15I know, officer.
00:47:16I'm completely to blame.
00:47:19Hold on.
00:47:19This is where we left it.
00:47:21We left it right here.
00:47:22Right there.
00:47:23Not far from the door.
00:47:26Well, they're here now.
00:47:29If you...
00:47:30Maybe they'll go away.
00:47:32Oh, my goodness.
00:47:33Somebody must have stolen it.
00:47:35Ah, that's that again.
00:47:36Who do you think you're trying to kiss?
00:47:38That's the same story the dame gave me.
00:47:39I'm telling you to choose, officer.
00:47:41I'll lie to you.
00:47:42Yeah.
00:47:43What are you standing around for?
00:47:44Start looking.
00:47:45Sure, sure, Mr. Huggins.
00:47:46We just didn't know.
00:47:47You didn't know.
00:47:47Who knows anything anymore?
00:47:49Not there.
00:47:50I'm sorry.
00:47:52Maybe it got up and moved out of a draft.
00:47:56There, Ken.
00:47:57Get the other one.
00:47:59Not tonight.
00:48:02You can go that way.
00:48:03We'll go the other way.
00:48:03Get it.
00:48:10Did you see anything?
00:48:11Not a thing.
00:48:12Mr. Huggins, can I go home now?
00:48:15Yeah, Peter.
00:48:15It's no help to me.
00:48:17You know, I'm awful tired.
00:48:19Me too.
00:48:20Of you.
00:48:22Come on.
00:48:36But I'm in a jam, Mr. McGangles.
00:48:38The Chronicle's got to help me.
00:48:40But I stole it for the Chronicle.
00:48:42Holy cow, can't you understand that?
00:48:45Shut up.
00:48:45I know you're in a jam.
00:48:47So does the Chronicle for letting you represent it.
00:48:49Say, who do you think you are?
00:48:51Stealing a body off the street and then losing it.
00:48:56I know that.
00:48:58The DA's office and the police department and Max Hurley are all on my neck.
00:49:02We don't want any part of it.
00:49:03But you've got to keep me from the law until I find it again.
00:49:06And I've got an idea.
00:49:07Pete Willis...
00:49:08Ah, that's what I get for hiring a half-baked woman reporter.
00:49:13A screwball Daffy Budinsky.
00:49:15You're fired.
00:49:16You can't fire me.
00:49:18I quit.
00:49:18This isn't a newspaper story.
00:49:20It's a career.
00:49:21And you're bellyaching because some cop's been complaining.
00:49:23Well, you go soak your head, you ungrateful egg.
00:49:25Go soak your head.
00:49:37Okay, you oversized quiz kit.
00:49:39What did you do with it?
00:49:40Why, Angel, how did you find out?
00:49:42I guess.
00:49:43You and that creep following me are giving me gray hairs.
00:49:46Well, why'd you get out of the clink?
00:49:47Didn't you like it there?
00:49:48They'd tell me with a new paint job.
00:49:50I'll let you out there.
00:49:50I don't care.
00:49:51If you'd kept your big nose out of my business instead of bringing the cops back to my apartment,
00:49:55I'd never have landed in jail.
00:49:56Oh, that's a fine way to talk to someone who's been trying to save a story for you.
00:50:00For me?
00:50:01Yes.
00:50:01Why, you fixed me up so with the police.
00:50:03I don't know what's in this up.
00:50:04Oh, baby.
00:50:05Stop trying to talk me into something.
00:50:08There you go.
00:50:09Always be lit.
00:50:10Relax, will you?
00:50:11Sure, relax.
00:50:13Along with everything else McAndrews just can me.
00:50:16Well, you've been asking for that for a long time.
00:50:18I know.
00:50:19But it is so good to tell that stupid old where to head in.
00:50:23But that's not what I'm worried about now.
00:50:25Huh?
00:50:25Look, Pete, for crying out loud, what'd you do with the body?
00:50:29The body?
00:50:29All I want to do is give it back to the cops and get out of this mess.
00:50:32I don't want the story anymore.
00:50:34I just want to live.
00:50:36Stop beating your brains out.
00:50:37What we've got will get you a better job than the one you've lost.
00:50:39What good will it do me with a lily in my hand?
00:50:42Oh, here.
00:50:44What's that?
00:50:45Read it.
00:50:47Eh?
00:50:48No.
00:50:49Montevideo, Uruguay.
00:50:50It's got a government stamp on it.
00:50:51I took it out of Wells' pocket.
00:50:53South America.
00:50:54Uh-huh.
00:50:55So that's where he's been all these years.
00:50:56Under an assumed name.
00:50:57Peter Burnett.
00:50:58Well, where does the creep fit in on this?
00:51:00I don't know.
00:51:01I don't read Spanish.
00:51:03That's why we're waiting for the gentleman.
00:51:04And he's coming here any minute.
00:51:05Oh, Pete, he's dangerous.
00:51:07Yeah, I know.
00:51:08How about a drink in the meantime?
00:51:11Make mine bourbon.
00:51:14You're not talking to me anymore, are you, lady?
00:51:16Just don't pull any fast ones on me, darling.
00:51:18That's all.
00:51:21Here we are.
00:51:22Try this one for size, huh?
00:51:25Just to keep you honest.
00:51:27Trusty soul, aren't you?
00:51:29We go together, don't we, huh?
00:51:30Mm-hmm.
00:51:31Even with that Joe's appearance of yours,
00:51:33I still know you're a hobgoblin underneath.
00:51:36Oh, but you still love me, don't you, baby?
00:51:37Mm-hmm.
00:51:39There he is now.
00:51:41Watch yourself.
00:51:50Hello.
00:51:50Come in.
00:51:51We've been waiting for you.
00:51:52I'm usually more fun to, but I was delayed.
00:51:56I can't say I'm too surprised at seeing you here, Miss Gallagher.
00:52:00Oh, sit down.
00:52:01Well, make yourself a whore, mister.
00:52:04Say, I can't be calling my guests, hey, you, all the time.
00:52:07My name is Jockey.
00:52:09I must say that I admire the parts of the gasp of the American press.
00:52:14Once they smell a story, they suffer nothing till they get it.
00:52:17Well, we can dispense with the compliments.
00:52:20We want facts.
00:52:22You're not going to get the body into the answer to a few questions.
00:52:25That depends, Mr. Willis.
00:52:27That depends entirely upon the questions.
00:52:30Well, uh, how's this for a start?
00:52:37That's interesting.
00:52:40I see that you and I are beginning to understand each other.
00:52:43You don't want a story at all.
00:52:45You want the diamonds.
00:52:47Oh.
00:52:49How'd you guess it, Jockey?
00:52:51Catches on quick, doesn't he, honey?
00:52:53Like a bird dog.
00:52:54Now, let's not waste any time, shall we?
00:52:59Holy cow!
00:53:00Those stones represent a quarter of a million dollars.
00:53:05Part of them go to both of you.
00:53:07Then I get the body.
00:53:10Well, that's just any, but, uh, as long as we're going to be partners, uh, you'll have to tell us
00:53:15more.
00:53:16Well, yeah, you know, just in case of trouble, so I want to tell you, Jive.
00:53:20Oh, I don't mind.
00:53:22I represent a group of diamond margins from whom these stones were stolen in South America.
00:53:27The robbery was very cleverly done by one Peter Burnett.
00:53:31Otherwise, Wells.
00:53:33Joe Wells.
00:53:35The Unigorean government offered a reward for his captain, but he escaped.
00:53:38And, uh, you trailed him here.
00:53:41Besides, in fact, I was here before Mr. Wells arrived.
00:53:44But, uh, why do you want the corpse when you already have the diamond?
00:53:49Well, let's go into that, shall we, after you have carried out your end of the bargain?
00:53:54Now, Mr. Willis, where's the body?
00:53:56Oh, that's easy.
00:53:58The corpse is riding around Central Park in a taxi, waiting to be picked up.
00:54:03Shall we join him?
00:54:19We'll be there in a few minutes.
00:54:21There's a body in a cab, Mr. Willis.
00:54:23Is that quite safe?
00:54:25I told him I had a friend of mine, too drunk to take home.
00:54:29An hour's spin around the park, and I'd pick him up in good condition.
00:54:31That was clever.
00:54:34Well, who knows what drunk from a stiff?
00:54:36I had him propped up in the corner, just as nice as you please.
00:54:39You mean if he doesn't start sliding?
00:54:42You think I'm nuts?
00:54:43I had him pinned to the cushion.
00:54:45Me, sir.
00:54:47All right, driver, let's drive through the park.
00:55:00Got a little foggy, didn't it?
00:55:08Hey, driver.
00:55:10Oh, it's you.
00:55:11I thought you'd never get here.
00:55:12Everything okay?
00:55:13Sure.
00:55:14He hasn't even blinked an eye.
00:55:15Hey, what's this guy been drinking?
00:55:17Some bombing fluid?
00:55:18He won't be for long.
00:55:20Let's get in and settle this thing.
00:55:22You too.
00:55:22Well, don't you think it'll be a little crowded for all four of us?
00:55:25You'll manage.
00:55:27Roger.
00:55:36You're in somewhat of a hurry, aren't you?
00:55:38I want to get this thing over with.
00:55:40I can understand that.
00:55:44What are you worrying about?
00:55:45It only won't go well.
00:55:47Do you want to sit next to him?
00:55:49Never mind.
00:55:50Drive us to the ferry.
00:55:52Just a minute.
00:55:53Don't you trust me, Mr. Willis?
00:55:55That's where I relieve you of the body and pay off.
00:56:24I thought it was...
00:56:27leaving you after we got on the boat.
00:56:29A short trip across the water can hardly matter now, Miss Gallagher.
00:56:33Especially as we shall be seeing each other any more often tonight.
00:56:37Well, we're almost across.
00:56:39How about splits?
00:56:41Let's stretch our legs.
00:56:43We can finish our business at the same time.
00:56:57How come Joe Wilson's walking around with all that men in him?
00:57:00I thought he was dead when I left his room at the Ember's Hotel.
00:57:03I went down to get a cab to carry away the body, but when I got back, he was on.
00:57:07He must have had just enough life left to drag himself to my family.
00:57:10Jokey, why do you want to carry the body away if you were only interested in getting the diamonds back
00:57:15to your boss?
00:57:15Oh, pardon me.
00:57:16I was only interested in getting those diamonds for myself.
00:57:19The old double cross.
00:57:20The guys that hired him to get the diamonds get nothing.
00:57:23That was the general idea, Miss Gallagher.
00:57:26Cute, isn't he?
00:57:27Steals the body, destroys it, then tells the diamond owner to go chasing himself.
00:57:30You couldn't lose.
00:57:32Precisely.
00:57:33Joe Wells is not to be found, that's all I'll tell them.
00:57:36In a few years, I'll sell those diamonds at a slight loss.
00:57:41Some loss you're going to take.
00:57:42What about the cops?
00:57:44Well, they'll believe what they believe for five years.
00:57:47I sure put Mr. Wells at the bottom of the river.
00:57:52Well, they think he is anyhow.
00:57:55Now, but there'll be questions after tonight.
00:57:57Whom will they quit?
00:57:59Oh, me, Miss Gallagher.
00:58:01And you think you will be available for questioning, Mr. Willis?
00:58:06I figured you'd sell when you thought you'd have it in the spot.
00:58:09But you're wrong, Calkey.
00:58:11Quiet.
00:58:12Quiet.
00:58:39On your feet, little man.
00:58:41Well, look at the bank and I'd run home.
00:58:44Where's Clutch?
00:58:45Clutch?
00:58:46What's he got to do with this?
00:58:48Annie Oakley finished it herself.
00:58:50Didn't he get out of the cab?
00:58:51Say, are you conscious?
00:58:53There's no one in the cab but the stiff.
00:58:55No, lady, that's no stiff.
00:58:56That was Clutch.
00:58:57Clutch!
00:58:58Come on.
00:58:59Come on, Jockey.
00:59:03And you mean, all the time Clutch was doubling through the body of Jowell's?
00:59:07Sure.
00:59:08I figured Jockey would try to knock us off.
00:59:10Clutch was supposed to cover us with his gun.
00:59:11Oh, no wonder you were so brave back there.
00:59:15Hey, Clutch.
00:59:16Clutch!
00:59:18Clutch, wake up!
00:59:19Hmm?
00:59:20What?
00:59:21Oh, where is he?
00:59:22Which way to go?
00:59:23I'll get him.
00:59:23I'll get him with my heater.
00:59:25Take it easy.
00:59:25I thought you were going to follow him.
00:59:28Ooh, murder.
00:59:29I must have fell asleep.
00:59:31That's just fine.
00:59:32I hope you had a nice nap.
00:59:34All right, Jockey, get in.
00:59:38Don't pull no calisthenics, bud.
00:59:47Well, it's better be on the level.
00:59:48That's all I got to say.
00:59:50You say this guy's a murderer?
00:59:51Or a reasonable facsimile.
00:59:53Hello, give me Mark.
00:59:55And who's this character with the zoot haircut?
00:59:57Your name is Clutch Tracy.
01:00:00And my racket happens to be
01:00:02empoisonating electrocution.
01:00:04Well, if you don't believe us now,
01:00:05that ought to send you.
01:00:07Well, what are you waiting on?
01:00:08Throw him in the cell.
01:00:12You mean you've got to give him a third degree?
01:00:14Sure.
01:00:15Then we're going to scalp him
01:00:16and hang him up by his toes.
01:00:17This I got to see.
01:00:19Hey, Sarge, give me a match, will you?
01:00:23Thanks.
01:00:24You'd better keep a couple of these
01:00:25in case you run short.
01:00:28Hello, Martin.
01:00:29Hold on to your pants.
01:00:31Wait for what?
01:00:33It's a nerve of him.
01:00:33He's on another phone.
01:00:35This story ought to be good for you.
01:00:36Cheer up, honey.
01:00:38Say, Sarge, you'd better get a hold of
01:00:39Lieutenant Mac Hurley.
01:00:40Lieutenant Hurley?
01:00:41He's out in the cruise car.
01:00:42The only way I can reach him is by a radio.
01:00:44You'd better get him.
01:00:45I've got something he wants very bad.
01:00:46Well, this better be over level, that's all.
01:00:49Pearson?
01:00:50Talk my mic into the radio circuit.
01:00:53Connected, Sergeant.
01:00:55Calling car 27.
01:00:56What?
01:00:56Calling car 27.
01:00:58Come in, Lieutenant Hurley.
01:00:59Calling car 27.
01:01:01Calling car 27.
01:01:02Lieutenant Mac Hurley.
01:01:03Come in, Mac, dearie.
01:01:06What kind of lame brain tomfoolery goes on in that?
01:01:09Hello, Mac.
01:01:09This is Pete Willis.
01:01:11Why, you wink, spattered, imbecile.
01:01:12What do you think you're...
01:01:13Temper, temper.
01:01:15Well, listen, if you don't tell me what you did with Joe Wells,
01:01:17I'll personally take you apart like a...
01:01:19like an artichoke.
01:01:21You've been riding around with him all night,
01:01:22ever since you left the freight yard.
01:01:24Riding around?
01:01:25Are you nuts?
01:01:26He's right behind you, Mac.
01:01:28In your trunk.
01:01:30In the...
01:01:31He's there.
01:01:32I put him there.
01:01:33That is all.
01:01:35Stop.
01:01:35Pull it.
01:01:37Get...
01:01:37Stop!
01:01:39Hey.
01:01:40Oh.
01:01:42Hello, Martin.
01:01:44Now, shut up.
01:01:45I didn't hurt you to wait for a little vignette
01:01:46you might be able to use on page one.
01:01:49Here it is.
01:01:50Joe Wells, supposedly dead for five years,
01:01:52was found murdered tonight, is he...
01:01:54Oh, wait a minute.
01:01:55The credit line on this story is
01:01:57by Pete Willis and Sue Gallagher.
01:02:00Well, she's working for you now
01:02:01or you don't get the yarn.
01:02:03Yeah.
01:02:05Okay.
01:02:06Pete!
01:02:06Don't be old!
01:02:07Wait a minute, honey.
01:02:08Honey, honey, this is important.
01:02:10You remember the time when they found the guy...
01:02:11and they...
01:02:13Well, this is important.
01:02:15Don't...
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