- 15 hours ago
The Scar (1948) is a classic film noir crime thriller starring Paul Henreid in a compelling dual-role performance. This suspenseful drama follows the story of a man who becomes trapped in a dangerous web of mistaken identity, deception, and murder. As secrets unravel and tensions rise, he must navigate a world filled with criminals, corruption, and unexpected twists.
Directed by Roy William Neill, The Scar delivers all the elements that made film noir a beloved genre: atmospheric cinematography, gripping suspense, psychological intrigue, and memorable performances. Paul Henreid shines as a man caught between two identities, creating a tense and engaging mystery that keeps viewers guessing until the very end.
Fans of classic Hollywood cinema, vintage crime dramas, and film noir masterpieces will appreciate the film’s dark mood, compelling storyline, and timeless style. Whether you are discovering The Scar for the first time or revisiting a forgotten gem, this 1948 thriller remains a fascinating example of post-war American noir filmmaking.
Starring: Paul Henreid, Joan Bennett, Eduard Franz, Leslie Brooks
Director: Roy William Neill
Genre: Film Noir, Crime, Mystery, Thriller
Release Year: 1948
Enjoy this classic noir thriller and explore the suspense, intrigue, and drama of one of Hollywood's memorable crime films.
Directed by Roy William Neill, The Scar delivers all the elements that made film noir a beloved genre: atmospheric cinematography, gripping suspense, psychological intrigue, and memorable performances. Paul Henreid shines as a man caught between two identities, creating a tense and engaging mystery that keeps viewers guessing until the very end.
Fans of classic Hollywood cinema, vintage crime dramas, and film noir masterpieces will appreciate the film’s dark mood, compelling storyline, and timeless style. Whether you are discovering The Scar for the first time or revisiting a forgotten gem, this 1948 thriller remains a fascinating example of post-war American noir filmmaking.
Starring: Paul Henreid, Joan Bennett, Eduard Franz, Leslie Brooks
Director: Roy William Neill
Genre: Film Noir, Crime, Mystery, Thriller
Release Year: 1948
Enjoy this classic noir thriller and explore the suspense, intrigue, and drama of one of Hollywood's memorable crime films.
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FunTranscript
00:00:28Transcription by CastingWords
00:00:38CastingWords
00:01:12CastingWords
00:01:42CastingWords
00:01:45Specialized in psychic, psychic, mental disorders.
00:01:52Brilliant mind. Smart.
00:01:58Get him in here, will you, Harold?
00:02:00Yes.
00:02:02John Muller, parents deceased.
00:02:06One brother, Frederick, accountant, New York Civil Service Welfare Department.
00:02:11Worked his way through Standish University.
00:02:15Four years pre-medical, two years medical college.
00:02:19Withdrew suddenly.
00:02:22Practiced psychoanalysis without a license, Miami, Florida.
00:02:26Released. No evidence.
00:02:28What?
00:02:30Sold stock in non-existent oil wells, Cincinnati, Ohio. Released.
00:02:36Maintained hotel suite, lavish spender.
00:02:41Apprehended, Middleton.
00:02:43Payroll holdup.
00:02:46Convicted.
00:02:47Sentenced.
00:02:49There's a bus ticket to Los Angeles.
00:02:51That's the address of the Michael John Company.
00:02:54What's the Michael John Company?
00:02:56Medical supply house.
00:02:58You're lying. You ought to make good at it.
00:03:00Who fixed that up, my brother Fred?
00:03:02The personnel manager there will have your record.
00:03:05Nobody else will know anything about you.
00:03:07It's a good job. Decent life.
00:03:10Thirty-five bucks a week.
00:03:12You won't take it.
00:03:14No?
00:03:15You'll be back here.
00:03:17You're a smart man, Muller.
00:03:20Good luck, Muller.
00:03:25Good luck.
00:03:26Hiya, Mossy.
00:03:38Cigarette?
00:03:40You know I don't smoke.
00:03:42Who came up north, Mossy?
00:03:44Al, big boy Fritch.
00:03:45It's all set down there. They're ready for you.
00:03:49You've got a lot to make up for, huh, Jenny?
00:03:53Who's she?
00:03:55Just a second, Jenny.
00:03:57Dear, what's your name?
00:04:16Hi, Johnny.
00:04:19Pretty nice dump, huh?
00:04:22Real comfortable.
00:04:24Yeah?
00:04:26Comfortable and crummy.
00:04:28What about the boys?
00:04:30What are you so impatient about?
00:04:31Just out of the clink and you've got ants already?
00:04:35So pickle yourself, I see.
00:04:36No, I take it easy.
00:04:39How long have you been up here with the squirrels?
00:04:41Oh, about two years.
00:04:46You want one, Johnny?
00:04:48You said he had a good setup?
00:04:50Yeah.
00:04:51Safe and sure.
00:04:53I got my own slot machine route now.
00:04:55Big time, eh, Mossy?
00:04:57I bet that brings you 90 bucks a week.
00:04:59Oh, more than that.
00:05:00Sometimes as much as a hundred and a quarter.
00:05:03Safe and sure.
00:05:05You're getting to sound like my brother.
00:05:07Maybe you ought to take civil service.
00:05:09Hey, uh, Johnny.
00:05:11What do you got in your mind?
00:05:12What are you playing?
00:05:14Hey, Johnny!
00:05:15You'll see.
00:05:15Good to see you, chum!
00:05:17Hello, big boy.
00:05:18Nice to have you back.
00:05:19Good to be out, eh, Johnny?
00:05:21Sure.
00:05:22Lost a lot of time, though.
00:05:23Got to make a killing.
00:05:24Oh, take time for a beer.
00:05:26What's exciting?
00:05:28Nothing. Same old thing.
00:05:30I got a job in a poker joint.
00:05:32Pays good, though.
00:05:34Sometimes they even give me free chips.
00:05:36That's nice.
00:05:37A little handout now and then.
00:05:40Oh, what's wrong with that, Johnny?
00:05:45Still think you got the world by the tail?
00:05:48Hello, Rosie.
00:05:49Well, we got the brains back.
00:05:52Glad you came.
00:05:52Sit down, you guys, sit down.
00:05:55Have some food.
00:05:57What's the matter with you?
00:05:58We've got to take chances.
00:06:00That's the overhead in our racket.
00:06:02Now, listen.
00:06:03I had a lot of time to think.
00:06:05Got it all worked out.
00:06:07You're going to knock over
00:06:08off the Stanzic's gambling joint.
00:06:10No, Johnny.
00:06:11Why not?
00:06:12Not Stanzic.
00:06:13You'd need an army to take him.
00:06:14Just as soon have the feds on me as his boys.
00:06:17What happened to you?
00:06:18You two gone soft?
00:06:19Johnny, you know the setup.
00:06:20We'd never get away with it.
00:06:21He's got trigger men all over the joint.
00:06:23And the place is always crowded.
00:06:25That's it.
00:06:26Lots of people.
00:06:27And lots of money.
00:06:28The take ought to be 200,000 for us.
00:06:31And people, they never notice.
00:06:32They're all wrapped up in themselves.
00:06:34Now, listen.
00:06:35This is what we do.
00:06:36We take two cars.
00:06:38We drive south all night and all day.
00:06:41Next night, we go to Stanzic's.
00:06:43One guy stands by the cars.
00:06:44One takes the light switch.
00:06:46Three of us walk in, just like players.
00:06:49We get the cash quietly.
00:06:50No fuss.
00:06:51Nobody notices.
00:06:52You hope?
00:06:56Nobody notices.
00:06:59The guy at the switch pulls it on time.
00:07:01The place is dark.
00:07:02We make our getaway.
00:07:04Well?
00:07:05Johnny, you remember Dick Balter?
00:07:06Sure.
00:07:07He tried to knock off Stanzic.
00:07:09He got away.
00:07:09No dough, but he got away.
00:07:10But still, Stanzic's guys got him.
00:07:12It took him two years, but they found him in Paris
00:07:14and put a meat stamp on him.
00:07:15In Paris, Johnny.
00:07:16That's the way Stanzic operates.
00:07:18I don't like it.
00:07:19What are you crying for, Marcy?
00:07:22He doesn't know who we are.
00:07:24What can he do?
00:07:27What do you say, big boy?
00:07:30I don't know, Johnny.
00:07:33I don't know.
00:07:35You say you got things all figured out.
00:07:38You always done pretty good before,
00:07:40but I don't know.
00:07:44Two hundred thousand?
00:07:46That's a lot of dough for just a minute's work.
00:07:50Rosie?
00:07:53If everything goes like you said, fine.
00:07:55But if we follow up somewhere...
00:07:57We won't.
00:08:07Count me out, Johnny.
00:08:12You forget easy, Marcy, don't you?
00:08:15Who covered for you at the trial?
00:08:18You would have been in prison with me
00:08:20if I hadn't watched what I said on the stand.
00:08:22And now you try to worship me.
00:08:29Okay, Johnny.
00:08:31I don't like it.
00:08:32But I'll go along with you.
00:08:35Well?
00:08:36And we're all set.
00:08:39Funny I have to whip you guys into picking up a fortune.
00:08:44.
00:08:45I won't let you do it.
00:08:53I won't let you do it.
00:08:59Do you want it?
00:09:00One thousand?
00:09:05This is no price.
00:09:08I won't let you go.
00:09:35Put the cash in the envelope, sir. All of it.
00:09:38I catch them.
00:09:41A little number, one, seven, number, one.
00:09:48Five.
00:09:53There's your best.
00:09:54Four, eleven.
00:09:55All right, get it.
00:09:59All right.
00:10:01Here they are.
00:10:03Nine.
00:10:03Nine.
00:10:04Nine.
00:10:05Seven-nine.
00:10:09What do you think in the back?
00:10:11Back. I got it.
00:10:30All right.
00:10:50This is my lucky night.
00:10:54Why didn't you pay off?
00:11:06All right.
00:11:36Come on, Johnny! Come on!
00:11:42Come on! Come on!
00:11:59Come on!
00:12:00Come on!
00:12:00Get out!
00:12:00Come on, out!
00:12:07How many got away?
00:12:08Two.
00:12:09In the other car.
00:12:12Who are they?
00:12:16What's their names?
00:12:20Oh!
00:12:30Marcy and...
00:12:31and Johnny Muller.
00:12:34Get them.
00:12:35If it takes 20 years, get them.
00:12:40Okay, you can go.
00:12:42You mean we...
00:12:44just walk away?
00:12:46Just walk away.
00:12:59Not gonna let them get away, are you, Bullseye?
00:13:07They got Rosie, big boy.
00:13:09They'll rat on us.
00:13:10They'll tell them everything they know about us.
00:13:11Who we are, everything.
00:13:12They'll find us.
00:13:13They'll get us.
00:13:14They'll get us.
00:13:14They'll find us.
00:13:14God likes to dance.
00:13:15If those guys don't stop till they get even.
00:13:16Believe me.
00:13:17Now, shut up, Buzz.
00:13:19How come you didn't figure the outside lamps?
00:13:21You're smart.
00:13:22How come you didn't know they worked on their own generators?
00:13:24You got the money, haven't you?
00:13:25That's 60 grand.
00:13:26I'd be better off working for some slob of 30 bucks a week.
00:13:30What good is it?
00:13:32What am I gonna do with it?
00:13:36You're looking for me in every hotel in every town.
00:13:39We had Stancic's joint.
00:13:40You realize that?
00:13:41Rocky Stancic.
00:13:43You know a place you can hide out from Rocky Stancic?
00:13:45Go on, tell me.
00:13:46You're smart, educated, college man.
00:13:49I'm through with you.
00:13:50I'm gonna blow.
00:13:52Mexico.
00:13:53South America.
00:13:55On my own.
00:13:56As far as I can get.
00:14:10We'll give you every protection you need.
00:14:12We know how it is.
00:14:15You want to make a new start in a new city.
00:14:17You want to get away from your old surrounding.
00:14:20Now, nobody's going to know where you are or who you are.
00:14:22From now on, you're just another employee.
00:14:24Same as everyone else here at Michael Johnson.
00:14:28Yes, Mr. Anderson.
00:14:30I guess it's time I settled down and took my big brother's advice.
00:15:07I don't make the regulations here.
00:15:09I only enforce them.
00:15:11In the future, will you kindly see that your desk lamp's switched out before you leave?
00:15:15Yes, Mr. Thompson.
00:15:21What do you want me to do with that?
00:15:22Deliver them.
00:15:23It's a rush order.
00:15:24Some books that have to go to the medical building.
00:15:28Why?
00:15:29What is it?
00:15:31Just a minute.
00:15:33Don't you like to run errands?
00:15:34Is it beneath you?
00:15:36Too good for the job?
00:15:40You can always quit, you know.
00:15:42There's no law that says you have to work here.
00:15:50Yes, Mr. Thompson.
00:15:51Yes.
00:16:43What do you want?
00:16:45I don't want anything.
00:16:46Who are you?
00:16:47Who sent you?
00:16:47Sent who?
00:16:48Me?
00:16:48What are you following me for?
00:16:49Oh, yes.
00:16:50Of course.
00:16:51That was all a mistake.
00:16:53Mistake?
00:16:53Yes, you see.
00:16:54I thought I recognized you.
00:16:56I thought you were somebody I know.
00:16:58Shh.
00:16:59You look exactly like him.
00:17:01The same features, the same build.
00:17:02Don't give me that.
00:17:03Please.
00:17:05There's nobody that looks like me.
00:17:07Believe me.
00:17:07You look exactly like him.
00:17:10Except, of course, for the scar.
00:17:12Scar?
00:17:12Yes, he's got a scar on his right cheek.
00:17:15No, I mean his left cheek.
00:17:17I don't remember.
00:17:18You don't remember.
00:17:19Believe me.
00:17:19Honest.
00:17:20His name is Bartok.
00:17:21He's a professional colleague.
00:17:23I mean, we have offices in the same building.
00:17:25The medical building over there.
00:17:26He's a doctor and I'm a dentist.
00:17:28Here.
00:17:29You can smell the iota form, aren't me?
00:17:31My wife always complains.
00:17:33She says it's in all my suits.
00:17:35Look.
00:17:35Beat it.
00:17:36Yes.
00:17:37Yes, thank you very much.
00:18:17Well, what are you doing here so early?
00:18:19Well, what are you doing here so early?
00:18:20Why not?
00:18:21Well, your first appointment doesn't start until 10.30.
00:18:25I just talked to you on the phone.
00:18:27How'd you get here so fast?
00:18:29You don't think it was easy to do, do you?
00:18:32Hello, Victor.
00:18:33Wait a minute.
00:18:33I'm not...
00:18:41Oh, my.
00:18:43It's all right.
00:18:43Oh, I'm sorry.
00:18:44I don't know what to say.
00:18:45I understand.
00:18:46No, you see, you look just like Dr. Bartok and so I...
00:18:48Naturally, you're a secretary, so naturally you...
00:18:50Yes, that's the way it was.
00:18:52No.
00:18:53Let go.
00:18:54I mean it.
00:18:58What can I do for you?
00:19:00What more could any reasonable man ask?
00:19:02No, no.
00:19:03I didn't mean that.
00:19:04It was a slip.
00:19:05A slip in my eye.
00:19:06That's Freud.
00:19:07What do you know about Freud?
00:19:09You gave yourself away.
00:19:10The subconscious mind coming out in spite of yourself.
00:19:13You're just a wild bundle raring to go.
00:19:18What are you anyway, an analyst or a patient?
00:19:21Neither.
00:19:21An innocent bystander, I guess.
00:19:23What do you want?
00:19:24Nothing.
00:19:26Then what'd you come up here for?
00:19:27You told me I looked like Bartok.
00:19:29I was curious.
00:19:30Just that?
00:19:31That's all.
00:19:32The next thing you know, a girl, a perfect stranger to me, comes up and...
00:19:35Dr. Bartok isn't here.
00:19:37Goodbye.
00:19:39Wait a minute.
00:19:39A thing like this upsets a fellow.
00:19:42Goodbye.
00:19:44What do you mean, upsets a fellow?
00:19:47What are you doing tonight?
00:19:49Listen to him.
00:19:51About that date tonight.
00:19:52I'm very sorry.
00:19:54I'm busy.
00:19:55Dr. Bartok.
00:19:57Well, you...
00:19:59Here he comes.
00:20:10What do you think?
00:20:11Dead ringer, huh?
00:20:13But what a difference.
00:20:15Don't kid yourself.
00:20:16If you knew me the way you know him, you'd probably change your mind.
00:20:20So long.
00:20:23You've been away from your desk for three hours.
00:20:25Three hours and ten minutes, to be exact.
00:20:27Don't you think you owe me an explanation?
00:20:29I was delayed.
00:20:31Very interesting.
00:20:32What, if I may ask, delayed you?
00:20:33I don't know.
00:20:34I walked around.
00:20:35I took a walk.
00:20:36You took a walk?
00:20:37Yes, Mr. Thompson.
00:20:38I felt like walking, Mr. Thompson.
00:20:40Here, don't you turn your back on.
00:20:42Get your hands off me.
00:20:43You're gonna listen to me.
00:20:44Get them off.
00:20:47Get them off.
00:20:52Get them off.
00:21:06You got yourself fired.
00:21:07You know that.
00:21:08It's about time.
00:21:09I had enough of this place.
00:21:11You need the job?
00:21:13No.
00:21:14What are you gonna do?
00:21:16Retire?
00:21:16That's right.
00:21:17That's very nice.
00:21:18It just takes a little dough, you know.
00:21:22Did you get the message?
00:21:25What message?
00:21:26There was a telephone call for you.
00:21:27Yes?
00:21:28Who?
00:21:29Did you leave a name?
00:21:30What are you getting excited about?
00:21:31It was just your brother.
00:21:33Oh.
00:21:34He wants to see you.
00:21:34He's at the Hotel Frazier.
00:21:36Thanks.
00:21:38I knew something was wrong the minute I found out you took that job at Michael John's.
00:21:41What's the matter?
00:21:43What do you want?
00:21:44They started coming around, looking for you.
00:21:46Who came around?
00:21:48Friends of yours.
00:21:49They said they wanted to reach you.
00:21:55They were no friends, John.
00:21:57They were Rocky Stancic's boys.
00:21:59How do you know?
00:22:01I checked them in the department.
00:22:02I found out all right.
00:22:04When did they come?
00:22:06Three or four weeks ago.
00:22:08It'll blow over and lose interest.
00:22:11Do you think so?
00:22:17There's a friend of yours.
00:22:19What?
00:22:23Marcy.
00:22:26It added up, explained everything.
00:22:29I remember Marcy.
00:22:30The way the two of you went running around.
00:22:33I remember his big cars, his fancy suits, his haberdashery.
00:22:37Why didn't you stay home and mind your own business?
00:22:39Don't you see what you did, you fool?
00:22:40You brought him straight to me.
00:22:41Nobody followed me.
00:22:42Don't worry.
00:22:42I watched out.
00:22:44What do you know about it?
00:22:48You ran around.
00:22:50Good times.
00:22:51Girls.
00:22:52You were special.
00:22:55You never followed the rules.
00:22:57There were no rules for you.
00:22:59Would you believe it?
00:23:01I think I wanted to see you get away with it.
00:23:04You were everything I wasn't, everything I wanted to be,
00:23:06everything we all like to be.
00:23:09Only we know better.
00:23:11We don't take the chances.
00:23:14We know sooner or later it always catches up with you.
00:23:19Leave me alone, Freddy.
00:23:21Don't give me any lectures.
00:23:23Where are you going to go?
00:23:25What are you going to do?
00:23:26Marcy tried Mexico.
00:23:27It didn't help.
00:23:54Go.
00:24:13Get away.
00:24:14Please.
00:24:14Get away.
00:24:15You won't be alone.
00:24:16You won't be alone.
00:24:16You won't be alone.
00:24:16Get away.
00:24:16I won't listen anyway.
00:24:19You are mine.
00:24:21Come on.
00:24:21I'll be alone.
00:24:21Oh, my God.
00:24:28Let's go.
00:24:55Let's go.
00:25:28Let's go.
00:25:52Let's go.
00:25:53Let's go.
00:25:54Let's go.
00:25:55Let's go.
00:26:10Let's go.
00:26:15Let's go.
00:26:19Let's go.
00:26:23Let's go.
00:26:23Let's go.
00:26:24Let's go.
00:26:24Let's go.
00:26:24Let's go.
00:26:24Let's go.
00:26:24Let's go.
00:26:24Let's go.
00:26:42Let's go.
00:26:53Let's go.
00:26:55Let's go.
00:26:58Let's go.
00:27:01Let's go.
00:27:31Let's go.
00:27:31Let's go.
00:27:36Let's go.
00:27:50Let's go.
00:27:54Let's go.
00:27:59Let's go.
00:28:18Let's go.
00:28:22Let's go.
00:28:36Let's go.
00:28:42Let's go.
00:28:55Let's go.
00:29:05Let's go.
00:29:14Let's go.
00:29:19Let's go.
00:29:22Let's go.
00:29:29Let's go.
00:29:31Let's go.
00:29:32Let's go.
00:29:34Let's go.
00:29:37Let's go.
00:29:38Let's go.
00:29:40Let's go.
00:29:42Let's go.
00:29:43Let's go.
00:29:45Let's go.
00:29:49Let's go.
00:29:50First comes you, second comes you, third comes you, and after that comes you.
00:29:54You're one of those egotistical smart-alecks with big ideas.
00:29:58You think you've got a right to get away with murder, and I imagine you often do, but not with
00:30:02me.
00:30:03It's a cinch. You are dead.
00:30:05No woman alive could possibly resist a man as attractive as all that.
00:30:16You don't want me to get all wet and take you to the door, do you?
00:30:18Well, you can make it by yourself.
00:30:20Sure.
00:30:22What's the matter now?
00:30:24You had to pick on Sunday.
00:30:26How a working girl hates Sunday evenings.
00:30:31Come on, let's have some coffee.
00:30:41What do they mean by scopophobia?
00:30:43Morbid fear some people have of being seen or looked at.
00:30:46What's Korsakov's syndrome?
00:30:49False memories, remembering things that never happened.
00:30:52What are you fishing around for?
00:30:53You don't really know a lot about psychoanalysis.
00:30:56So do you.
00:30:57Oh, I work for an analyst.
00:30:58I told you I studied for years.
00:31:01I can't let you see Dr. Bartok's files.
00:31:04And don't.
00:31:05Those records are supposed to be confidential.
00:31:08Forget it.
00:31:08I was just curious to see how he handled his patients.
00:31:13Why, it stopped raining.
00:31:15Yes.
00:31:19Johnny.
00:31:27Good night.
00:31:33Good night.
00:31:35Good night.
00:31:40Good night.
00:31:55Good night.
00:31:56Not at all, Mrs. Leaveson.
00:31:57Not at all.
00:31:58Well, we'll see how it goes tomorrow, Doctor.
00:32:00Yes, Mrs. Leaveson.
00:32:02Goodbye, Doctor.
00:32:03Goodbye.
00:32:03Goodbye.
00:32:38Good night.
00:32:38What are you trying to do?
00:32:39Get me fired?
00:32:40No.
00:32:40Why?
00:32:40Shh.
00:32:41He'll hear you.
00:32:41I'm not supposed to have personal visitors.
00:32:43What would he think if he saw you?
00:32:44Oh, I see what you mean.
00:32:45Very complicated kind of life.
00:32:47You'll use it.
00:32:47Stop it, Johnny.
00:32:48Get out of here.
00:32:49What's that?
00:32:49What?
00:32:50Nothing.
00:32:50Go on.
00:32:51What is it, Evelyn?
00:32:51A recording tape?
00:32:52Yes, he dictates his notes and I type them.
00:32:55You certainly take a lot of interest in Dr. Bartok.
00:32:57Well, we have so much in common.
00:32:59Now, wait a minute.
00:33:01How'd this get out here?
00:33:04Not here.
00:33:05What's the matter with you?
00:33:06Don't take chances.
00:33:07You take chances.
00:33:08Will you get some sense into your head?
00:33:10When do I see you tonight?
00:33:11You don't.
00:33:12I'm having my hair done.
00:33:13What time is your appointment?
00:33:15Seven.
00:33:16I'll pick you up when you get through.
00:33:17Where is it?
00:33:19Vincent's Wilshire at Laurel.
00:33:27Got it right in my pocket.
00:33:45Subject spoke reluctantly.
00:33:47Blocked preliminary move.
00:33:50Subject spoke reluctantly.
00:33:53Blocked.
00:33:55Blocked.
00:33:57Blocked.
00:33:58Blocked.
00:33:59Blocked.
00:34:26Blocked.
00:34:46Blocked.
00:34:47Blocked.
00:34:47Blocked.
00:34:48Blocked.
00:34:48Blocked.
00:34:49Blocked.
00:34:49Blocked.
00:34:49Blocked.
00:35:06For you.
00:35:07This didn't come from the five and ten.
00:35:10You don't like it?
00:35:12It just goes to show how wrong a girl can be.
00:35:15What do you mean?
00:35:17I was positive this beautiful thing between us was good for another ten or fifteen weeks at least.
00:35:22It isn't?
00:35:24Well, it's about ten o'clock now. By twelve, you'd have it all worked out.
00:35:28Goodbye, darling. Good luck.
00:35:32It's all over, isn't that right?
00:35:34You don't bet on others.
00:35:37I just stepped in and saved you a couple of hours.
00:35:40That's what I always liked about you. You're so quick.
00:35:44You're a neat worker yourself.
00:35:46Well, we're both prejudiced. Are you sore?
00:35:49No, why should I be? What do you think I expected?
00:35:53Tell me, how are you going to put it?
00:35:56How was I going to put what?
00:35:58I'm just curious. What kind of a story were you going to give me?
00:36:01A nice story. And it's true, too. I'm leaving town.
00:36:04What a shame.
00:36:05No, really, I'm leaving the country, Paris.
00:36:08Honestly, you couldn't be nicer.
00:36:10I was just making some coffee. Do you want a cup?
00:36:13No, thanks.
00:36:15Hey.
00:36:16Hey.
00:36:16What?
00:36:18Pussy.
00:36:20Just a minute now. Don't muck your arm.
00:36:23What if I told you I was crazy about you?
00:36:26Who said you weren't? So what?
00:36:28No, look. What do I mean? Johnny, I really like you.
00:36:34I really like you, too. Only I told you, Paris.
00:36:37You don't trust me.
00:36:39Should I trust you?
00:36:40Maybe I'd be good for you. You'd be surprised. Maybe I could help you.
00:36:44Please, don't help me.
00:36:46Maybe we could make a nice, decent life for ourselves together.
00:36:49Maybe I don't want it. Why don't you just forget it?
00:36:51Come on, Johnny.
00:36:54Everett.
00:36:59It's no use.
00:37:01It's no use.
00:37:03Don't get me wrong. I'm not kicking.
00:37:06You're so, darling.
00:37:08No.
00:37:09You'll get over it.
00:37:11I'll live.
00:37:12You'll pass me on the street someday.
00:37:14You'll see me in the restaurant.
00:37:15You won't even know who I am.
00:37:18No, I'll remember you.
00:37:20I think I'd always take the couple.
00:37:23That's sweet.
00:37:28Goodbye, Johnny.
00:37:32Goodbye.
00:37:46Goodbye.
00:38:00Goodbye.
00:38:01Goodbye.
00:38:02Goodbye.
00:38:06Goodbye.
00:38:07Goodbye.
00:38:08Goodbye.
00:38:09Goodbye.
00:38:11Any kind of a trick you might want to try, my friend, let me tell you here and now.
00:38:15You'll find we got the answers before you even raise the questions.
00:38:19I bet you do.
00:38:20When you're on a call, don't dilly-dally. It's not your car.
00:38:23Bring it right back to the garage. Tell the girlfriend to take the bus.
00:38:27Sure.
00:38:29Everything here is on the time clock. Written record going in and out.
00:38:33And, of course, that's only one example.
00:38:35I see.
00:38:36Nothing personal. We trust you.
00:38:37Only these days, to stay in business, you've got to be a hawk.
00:38:41Otherwise, they'll rob the shirt right off your back.
00:38:43After all, everybody's human. You got a reference?
00:38:48Reference?
00:38:49You've got to have at least one local reference here, otherwise.
00:38:53The Michael John Company. I worked for the Michael John Company.
00:38:57You hesitate?
00:38:59Well, I was fired. I had a fight.
00:39:01A fist fight?
00:39:02Yes.
00:39:03Is that all? That's clean trouble. Don't worry.
00:39:07No, thanks.
00:39:08See the porter down there? He'll give you a uniform.
00:39:11Maybe it'll fit. Be agreeable, and we'll all get along.
00:39:15Thanks.
00:39:16Oh, well, one thing more I forgot.
00:39:18Yes?
00:39:19The new men here work the night shift. That's the rule.
00:39:22They get the late hours. Any objections?
00:39:25No. Why should I object?
00:39:27Roger.
00:39:36Good morning, Dr. Bartok.
00:39:38Good morning, Dr. Bartok.
00:39:39Good morning.
00:39:42Good morning.
00:39:43Good morning.
00:39:43Good morning.
00:39:45Good morning.
00:39:46Good morning.
00:39:47Good morning.
00:39:47Good morning.
00:39:47Good morning.
00:39:48Good morning.
00:39:48Good morning.
00:39:48Good morning.
00:39:48Good morning.
00:39:49Good morning.
00:39:49Good morning.
00:39:55Good morning.
00:39:56Oh, my God.
00:40:28Oh, my God.
00:41:23Oh, my God.
00:41:52Oh, my God.
00:41:59Oh, my God.
00:42:07Oh, my God.
00:42:21Oh, my God.
00:42:26Oh, my God.
00:42:33Oh, my God.
00:42:51Oh, my God.
00:43:08Oh, my God.
00:43:26Oh, my God.
00:43:49Oh, my God.
00:43:52Oh, my God.
00:43:53Oh, my God.
00:43:56Oh, my God.
00:44:01Oh, my God.
00:44:16Oh, my God.
00:44:19Oh, my God.
00:44:20Oh, my God.
00:44:30Oh, my God.
00:44:39I don't know.
00:45:33That'll be a dollar, please.
00:45:35It's going to check the oil.
00:45:40I don't know.
00:46:10I don't know.
00:46:11I don't know.
00:46:13I don't know.
00:46:29I don't know.
00:46:29I don't know.
00:46:39I don't know.
00:46:43I don't know.
00:47:25I don't know.
00:47:41I don't know.
00:47:45I don't know.
00:47:58I don't know.
00:47:59I don't know.
00:48:03I don't know.
00:48:18I don't know.
00:48:23I don't know.
00:48:24I don't know.
00:48:33I don't know.
00:48:39I don't know.
00:48:42I don't know.
00:48:49I don't know.
00:48:58I don't know.
00:49:16I don't know.
00:49:37I don't know.
00:49:43I don't know.
00:49:45I don't know.
00:49:49I don't know.
00:49:50I don't know.
00:49:51I don't know.
00:50:16I don't know.
00:50:20I don't know.
00:50:29I don't know.
00:50:37I don't know.
00:50:43I don't know.
00:51:16I don't know.
00:51:16What's your trouble, fella?
00:51:18Nothing.
00:51:19Motor's flooded.
00:51:20Wanna push?
00:51:21No.
00:51:22Well, let me give you a hand.
00:51:23It's all right.
00:51:24No, no.
00:51:25Let me tell you, fella.
00:51:25I never pass up a man on the road that's in trouble.
00:51:28That's mean.
00:51:28Selfish.
00:51:29I don't do that.
00:51:30Couldn't be like that if I tried.
00:51:31Wait.
00:51:32What's the matter with you, Marty?
00:51:34Can't you see he's a mechanic from a garage?
00:51:36He don't need no help from you.
00:51:38Oh, that's right.
00:51:40Excuse me.
00:51:41Sure.
00:51:41I just wanted to help.
00:51:43Well, good night to you, fella.
00:51:45Good night.
00:52:10Good night.
00:52:11Good night.
00:52:20Good night.
00:52:21There must be something wrong, Operator.
00:52:22I can't get an answer.
00:52:23Would you check the number for me?
00:52:24You're on 83831.
00:52:29Dr. Bartok's not at home. I can't understand it. He's never late.
00:52:33The way these doctors push you around nowadays, I tell you, really.
00:52:38I'm not waiting.
00:52:44Wait a minute. Wait a minute. I don't blame you for worrying this hot.
00:52:47The hiker with him last night, he was four hours overdue getting back.
00:52:51Now, four hours, that's certainly suspicious.
00:52:53It certainly don't look kosher.
00:52:55Now, now, now, don't get excited. I'll tell you what to do.
00:52:58We fired the guy, the hiker, on the spot, naturally.
00:53:00But we'll get hold of him. Don't worry.
00:53:02But in the meantime, look, Miss Hahn, why don't you call the police, see?
00:53:06Dr. Bartok's missing.
00:53:08Yeah, that's right. It's for the police.
00:53:10Just a minute on the phone.
00:53:11There.
00:53:15You people, for crying out loud, believe me, he's all right.
00:53:19The boy just delivered his car to him.
00:53:23Yes.
00:53:24Sure, the doctor's driving downtown now.
00:53:27He's probably over there right this minute.
00:53:36Good morning, Dr. Bartok.
00:53:43Good morning, Margie.
00:53:44Good morning, Dr. Bartok.
00:53:45Good morning, Margie.
00:53:54Good morning, Dr. Bartok.
00:53:56Good morning, Margie.
00:54:00You had me going for a minute.
00:54:02Mrs. Nymer canceled out. She wouldn't wait.
00:54:05What happened to you, anyway?
00:54:07I was detained.
00:54:09What was the trouble, Victor?
00:54:11Nothing at all.
00:54:15Victor? The way you look.
00:54:18Yes.
00:54:19You're exhausted. You didn't get any sleep at all last night, did you?
00:54:23I was working, reading. Who's outside?
00:54:26Who you take at 11 o'clock, Mr. Davis.
00:54:28Oh, yes, Mr. Davis, the retired clothing manufacturer.
00:54:32Give me five minutes, will you, and then send him in.
00:54:35Certainly.
00:54:37Oh, Dr. Bartok.
00:54:39I saw you down in the lobby.
00:54:40I just had to come up while I was still thinking of it.
00:54:43I'm Dr. Swangler, remember, in the dentist down on the ground floor?
00:54:46Yes, doctor.
00:54:47I wanted to talk to you about this for quite some time now.
00:54:50Why don't you come in, doctor? Come in.
00:54:51Oh, thank you. Thank you very much.
00:54:54Why, the funniest thing happened.
00:54:57About a month ago, I ran into a fellow who looked exactly like you.
00:55:03You don't believe it, do you?
00:55:04Interesting.
00:55:05I don't mean it was just a resemblance, one of those things.
00:55:09This was you, a real double down to the last detail.
00:55:14Except, of course, he didn't have a scar on his cheek, naturally.
00:55:17Of course.
00:55:18That's one thing about me.
00:55:19If I do say so myself, I am observant.
00:55:22I, uh, I take everything in.
00:55:25You want to know the reason why?
00:55:27Simple.
00:55:28It's my disposition.
00:55:29Now, I'm not all wrapped up in myself.
00:55:32Why, you take four out of five men and hold a gun to their heads
00:55:34and ask them the color of their wife's size, would they know it?
00:55:37Why, of course not.
00:55:42I don't know why I'm telling you this.
00:55:45I'm a dentist.
00:55:46You're the psychoanalyst.
00:55:49Silly.
00:55:50Yes.
00:55:51Not that you can blame them, of course.
00:55:54Why, the man in the street, he has his own worries
00:55:56and his petty little greeds and preoccupations, etc., etc.
00:56:00Why, they wouldn't notice it if the next fellow was breathing or dying.
00:56:03Now, isn't that a fact?
00:56:05Yes.
00:56:06All they can think about and talk about is themselves.
00:56:10Yeah.
00:56:11Well, thank goodness I'm not that way at all.
00:56:14I'm not egotistic.
00:56:16No.
00:56:18Well, I, um, I've got to run along my office
00:56:21and, uh, and you're a pretty busy man yourself.
00:56:25Well, so long.
00:56:27Thank you very much, doctor.
00:56:29Uh, for what?
00:56:30Oh, oh, it's nothing at all.
00:56:32Oh, doctor.
00:56:33Yes.
00:56:33I wanted to ask you, how is your wife?
00:56:36My wife?
00:56:37Yes.
00:56:38Oh, uh, oh, she's fine.
00:56:40Oh, yes, yes, she's fine.
00:56:42She's all right.
00:56:43Yeah.
00:56:48I had specifically told them there
00:56:53what I wanted for breakfast.
00:56:56And I made a fuss.
00:56:59I suppose that was small of me.
00:57:04Couldn't help that.
00:57:06I wanted things to go well.
00:57:09It was the first vacation I'd taken in years.
00:57:13As you know, I've worked hard all my life.
00:57:16Never spared myself.
00:57:18Well, I don't want any credit for that.
00:57:23I was reading Thackeray.
00:57:28I prefer the classics and books that have withstood the test of time.
00:57:33I must say I have no patience with contemporary light reading.
00:57:38I, I, I asked my wife, no, I, I think I, yes, what I did.
00:57:50And then they went off for a week, my daughters and my son.
00:57:53And there I was, left in the house all by myself.
00:57:57Was that fair, doctor?
00:57:58Tell me honestly what you think.
00:58:00It isn't that I make demands.
00:58:02The last thing I want to be is a burden to them.
00:58:05I never ask them to wait on me hand and foot the way some mothers do.
00:58:09But after all, I've devoted my whole life to them.
00:58:13Surely the least they could do is to show me a little affection.
00:58:16A little consideration.
00:58:53A little consideration.
00:59:00A little consideration.
00:59:02Hello?
00:59:14Hello?
00:59:15Victor, darling.
00:59:16Oh, hello.
00:59:17You said you'd call me up.
00:59:19I was just going to the phone.
00:59:21Is anything wrong?
00:59:22No, I'm fine.
00:59:24Well, aren't you coming? It's late.
00:59:26Uh, darling, I, uh...
00:59:28I can't understand it.
00:59:29You told Maxwell we'd be on the phone.
00:59:30I'll be there by nine. You made a special point.
00:59:32But I'm on my way.
00:59:34Oh. Oh, wait.
00:59:37What? Where are you?
00:59:38Where do you think? Home.
00:59:40Oh, no, that isn't what I mean, darling. Listen.
00:59:42Could you do something for me?
00:59:43Could you meet me at the Wellington?
00:59:45The Hotel Wellington? Yes, in the arcade.
00:59:48I'll have to make a call there. It'll save time.
00:59:50Well, are you going to be very long?
00:59:52No, I'll meet you in half an hour.
00:59:54Oh, darling. Yes?
00:59:57Um...
00:59:58I want you to stop in at the florist there and get yourself an orchid.
01:00:02An orchid?
01:00:03Yes, I want you to have it.
01:00:05Tell them to charge you to my account.
01:00:07All right. I'll meet you at the Wellington.
01:00:09Good. And don't forget the orchid.
01:00:32Good.
01:00:37Good.
01:00:40Good.
01:00:49Good.
01:00:53Good.
01:01:09What's going on?
01:01:10Weddings, weddings.
01:01:15Guess.
01:01:16Dobbing.
01:01:21You see?
01:01:22I got your orchid.
01:01:23Yes, I notice.
01:01:25They're probably wondering right now what happened to us.
01:01:27Better hurry.
01:01:29Yes, wait.
01:01:32What is it, Victor?
01:01:34Nothing.
01:01:34I was wondering, do we really have to go to Maxwell's tonight?
01:01:39Do we?
01:01:40You know those boys.
01:01:42If we don't show up, they'll think we're running out of them or something.
01:01:44Yes, they would, wouldn't they?
01:01:46Listen, who's going to be there tonight?
01:01:48What do you mean who's going to be there?
01:01:50Usual crowd.
01:01:51Yes, of course.
01:01:52Oh, darling, would you like to drive my car to Maxwell's?
01:01:55What?
01:01:56I thought you might enjoy it.
01:01:58Enjoyed?
01:01:58I'd love it.
01:01:59You know I've been wanting to drive that car for weeks.
01:02:02Well, all you had to do was say so.
01:02:06You're looking very well this evening, Victor.
01:02:10Am I?
01:02:11Mm-hmm.
01:02:12Very handsome.
01:02:13Thank you, dear.
01:02:15Shall we go?
01:02:21Good evening.
01:02:22Good evening.
01:02:23Good evening, Dr. Barthol.
01:02:24Good evening.
01:02:31Good evening.
01:02:43You're the best, ladies and gentlemen.
01:02:48Twenty-three, red.
01:02:50What's the matter?
01:02:52Nothing.
01:02:54I, uh, I was just going to say I've been cashing a lot of bonds lately, haven't I?
01:02:58Hello, Doctor.
01:02:59Hello.
01:02:59You always take a chance when you gamble.
01:03:02Good evening, Dr. Barton.
01:03:03Good evening.
01:03:03You're coming around to Maxwell's quite often these days.
01:03:06Two, three times a week, huh?
01:03:07I guess you're right.
01:03:08Take care now.
01:03:09Don't let them rob you.
01:03:10Good evening, Miss Taylor.
01:03:12Hello.
01:03:13Victor?
01:03:14Come along.
01:03:19Three, red.
01:03:22The same tonight, Dr. Barton?
01:03:24The same, Frank.
01:03:27I'll put it on your account.
01:03:29It's Harry.
01:03:31I'm sorry, Harry.
01:03:32Hi, Virginia.
01:03:33Hello, Marjorie.
01:03:35Sit down, Virginia.
01:03:38Make a play.
01:03:39Put them down.
01:03:46You know, it's very strange.
01:03:48I didn't think of it until just now.
01:03:51You didn't think of what, Mrs. Nielsen?
01:03:53Your methods.
01:03:54I don't know what it was, but they weren't quite the same today, were they?
01:03:59We vary our procedures from time to time, Mrs. Nielsen.
01:04:01We like to see what results we get.
01:04:04Well, I must say, the things went much smoother today, though, didn't they?
01:04:08Yes, I think so, Mrs. Nielsen.
01:04:11Goodbye, Doctor.
01:04:12Goodbye, Mrs. Nielsen.
01:04:38I told them to send up a tray around seven.
01:04:40You're really putting in long hours, aren't you?
01:04:42Yes.
01:04:43I guess I'll run along.
01:04:44Good night.
01:04:47Carolyn?
01:04:48Yes?
01:04:49Come here.
01:04:52What is it?
01:04:54Look at me.
01:04:55What?
01:04:56You've been watching me all day, haven't you?
01:04:58Have I?
01:04:59Is there anything peculiar about me?
01:05:02No, of course not.
01:05:04Then why do you watch me?
01:05:05What are you worried about?
01:05:07I don't know.
01:05:08Something troubling you?
01:05:10No.
01:05:13Yes.
01:05:15Well, tell me.
01:05:18You've been so strange.
01:05:19Really?
01:05:20You've been avoiding me.
01:05:23Do you blame me?
01:05:24What do you mean?
01:05:26What do you think I am, Evelyn? Don't I know?
01:05:28Know what?
01:05:28You've been seeing somebody.
01:05:30Oh, come now.
01:05:31All right, I don't mind. I was just curious.
01:05:35Well, isn't it true?
01:05:37No, it's not.
01:05:38Are you sure?
01:05:45Sure.
01:05:46Then why do you turn away? Does this embarrass you?
01:05:49I don't know what you want. It's late.
01:05:51What do you do? Give you a bad time?
01:05:53I don't want to stay here and quarrel. I don't feel like it.
01:05:56What happened? Did he hurt you?
01:05:58Do I look hurt?
01:05:59I should say you do.
01:06:00Oh, don't fool yourself. You don't get hurt these days.
01:06:02No?
01:06:02No, it's very simple.
01:06:04You never expect anything, so you're never disappointed.
01:06:06You're a bitter little lady.
01:06:08It's a bitter little world, full of sad surprises, and you don't go around letting people hurt you.
01:06:13I'll tell you.
01:06:14I'll tell you something.
01:06:15In all my life, I think I've only had one beau I was really willing to trust.
01:06:20You should have held on to him, married him.
01:06:22I wanted to, but I couldn't. He was 12 years old, and I was nine.
01:06:32Are you sorry for yourself?
01:06:34No, because for one thing, it's too late, and what's the use?
01:06:37Because you never can go back and start again.
01:06:39Because the older you grow, the worse everything turns out.
01:06:43You don't see it happening to you. It just happens.
01:06:46You wake up one morning, and there you are, and anything goes, and that's all right, too.
01:06:53Now, does that upset you, Dr. Bartok?
01:06:57It doesn't bother me at all.
01:06:59Anytime you say, I can quit.
01:07:01I would never let you go, Evelyn.
01:07:03That's nice. Thanks.
01:07:04I would miss you badly.
01:07:06You don't know how much I would miss you.
01:07:12They're not in business to worry about people of their whereabouts.
01:07:15They couldn't afford it.
01:07:17Maybe he knew people here.
01:07:18Had friends.
01:07:20If I could talk to them, I've got to find them.
01:07:24I don't know of any other place I can start from.
01:07:33Bartlett, Anderson.
01:07:34You know anything about a man named Muller?
01:07:36John Muller?
01:07:37The guy we fired a couple of months ago, thereabouts?
01:07:40Hmm?
01:07:41Mm-hmm.
01:07:43No.
01:07:44He doesn't know anything about...
01:07:45What?
01:07:47Oh, just a minute.
01:07:48Reference.
01:07:50Okay.
01:07:51Right, Bartlett.
01:07:52Thanks.
01:07:54You might try this place.
01:07:55The garage.
01:07:56Clover garage.
01:08:02You'll have a long wait.
01:08:03The patient just went in.
01:08:05That's all right.
01:08:06I'm afraid we never noticed the different hikers.
01:08:08To tell the truth, I don't know what made you think of coming here.
01:08:10Well, they told me at the garage the last call he went on was with Dr. Bartog.
01:08:14I suppose it was.
01:08:16He was gone for four hours that night.
01:08:18I heard about it.
01:08:19They fired him.
01:08:20Yes.
01:08:22Something may have happened.
01:08:23I don't know.
01:08:24It just might be the doctor remembers him.
01:08:26You see, my brother was interested in psychoanalysis.
01:08:29Went to medical school.
01:08:31Dr. Bartog might be able to give me some kind of lead.
01:08:34Nothing else to go on.
01:08:35Why don't you wait?
01:08:36Sit down.
01:08:39There he is.
01:08:41That's my brother.
01:08:52I'm sorry.
01:08:54The resemblance.
01:08:55For a minute I thought...
01:08:56What can I do for you?
01:08:59I came here...
01:09:01I'm trying to locate my brother.
01:09:02He worked for a garage you use.
01:09:05His name was John Muller.
01:09:09Do you know him?
01:09:10Do you know where he is?
01:09:11Miss Hahn.
01:09:12He went to Europe.
01:09:13To Paris.
01:09:14Don't go. Tell me.
01:09:15That's all I know. Leave me alone.
01:09:16Wait. Stay here.
01:09:18I'll be right back.
01:09:29Don't lose your nerve.
01:09:30Hold on to yourself.
01:09:31I should have known it from the start.
01:09:32So you know, so what?
01:09:33Only thing I expected you to find out sooner or later.
01:09:35Do you worry you?
01:09:35No.
01:09:36Why?
01:09:36What's the matter? Do you trust me?
01:09:37Sure you trust me. You're a fool.
01:09:39What can you do? Go to the police?
01:09:40You've got no more sense than that.
01:09:41What good would it do you or anybody else?
01:09:43What good will it do me if I don't?
01:09:44Plenty.
01:09:45The two of us together.
01:09:46Listen.
01:09:47Don't you see it?
01:09:48I'm Bartok.
01:09:49Who's going to know?
01:09:50Who'll ever find out?
01:09:50You killed him.
01:09:51I had to.
01:09:52I was in a jam.
01:09:52I had killers on me.
01:09:53It was the only way out.
01:09:54I took it.
01:09:55I had to take it.
01:09:55You don't have to explain to me.
01:09:56I'm not shocked.
01:09:57I'm not supposed to.
01:09:58Listen.
01:09:58I didn't give you a way, did I?
01:09:59I lied.
01:10:00What more do you want?
01:10:00Wait.
01:10:01Let me get rid of him.
01:10:02I've got a patient in the office.
01:10:03Wait for me.
01:10:17Well?
01:10:18Can I see her again?
01:10:19Can I talk to her?
01:10:19She told you everything she knows.
01:10:21You don't understand.
01:10:22No, I don't.
01:10:23My brother's in trouble.
01:10:24He's hiding out.
01:10:25He thinks they're killers after him.
01:10:27A man named Stancic.
01:10:28But they're not.
01:10:30What?
01:10:31Nobody's looking for him.
01:10:33What do you mean?
01:10:35I work for the government.
01:10:36I know people.
01:10:37They tip me off.
01:10:39They got this man Stancic.
01:10:41Income tax charges.
01:10:42They're deporting him in another month or so.
01:10:45They've already broken up his crowd.
01:10:49My brother's safe in the clear and he doesn't know it.
01:10:52There's no telling what he might do.
01:10:54You don't know him.
01:10:56He's smart.
01:10:57Got big ideas.
01:10:59Willing to take any kind of chance.
01:11:01I've got to stop him before it's too late.
01:11:06Don't worry about him.
01:11:08What?
01:11:09Take care of yourself.
01:11:10People like him don't need your help.
01:11:12I don't.
01:11:12I know them.
01:11:13I've studied their cases by the dozens.
01:11:15Whether we like it or not, the fact is they're the ones who know what they want.
01:11:19And they always get it.
01:11:20I've studied their cases too.
01:11:21I work in the welfare department.
01:11:22Perhaps you are right.
01:11:23It doesn't matter.
01:11:25I'm afraid there's nothing else we can do for you here.
01:11:27Miss Han doesn't know his address or anything like that.
01:11:34I see.
01:11:36I'm sorry for the trouble I've caused you.
01:11:40Not at all.
01:11:43Goodbye.
01:11:52Forgive me.
01:11:53I've kept you waiting Miss Nielsen.
01:11:54That's all right Doctor.
01:11:56I'm terribly sorry but I'm afraid we have to cancel this appointment.
01:11:58I had a call.
01:11:59An emergency.
01:12:00Oh.
01:12:00Well I understand.
01:12:02I'll see you tomorrow Doctor.
01:12:04Yes tomorrow Miss Nielsen.
01:12:05Goodbye Doctor.
01:12:06Goodbye.
01:12:13Evelyn!
01:12:21Evelyn!
01:12:40Hello?
01:12:42I'm rushed for time Virginia.
01:12:44What is it?
01:12:45No I can't go to Maxwell's tonight.
01:12:47What?
01:12:48I'll explain later.
01:12:49I can't talk now.
01:12:50No.
01:12:51No.
01:12:51Nothing is wrong.
01:12:52Of course I'm not going anyplace.
01:12:54What would that idea into your head?
01:12:56Call me later.
01:12:56Call me tomorrow.
01:12:57Goodbye.
01:13:20Call me tomorrow.
01:13:32Call me tomorrow.
01:13:35Call me tomorrow.
01:13:37Call me tomorrow.
01:13:38Call me tomorrow.
01:13:40Call me tomorrow.
01:13:40Call me tomorrow.
01:13:41Call me tomorrow.
01:13:43Call me tomorrow.
01:13:46Call me tomorrow.
01:13:56What happened to you?
01:14:03What are you doing?
01:14:09Honolulu, you're sailing tonight.
01:14:12What kind of a deal did you make?
01:14:14It's always a deal.
01:14:15Who did you talk to?
01:14:16Nobody.
01:14:17Did you turn me into the police?
01:14:17You don't have to worry.
01:14:21What are you running away for?
01:14:23How do you think I feel?
01:14:24Give it time.
01:14:25It passes.
01:14:25You'll get over it.
01:14:26You'll get over it.
01:14:27Sure.
01:14:28Use your head.
01:14:29I took all the chances.
01:14:30I worked it out.
01:14:31Now is the time to cash in, both of us.
01:14:33I don't want it.
01:14:34I mean that.
01:14:34It's not worth it.
01:14:35Oh, be smart.
01:14:36I'm sick of being smart, waiting for time to pass, waiting to get over it.
01:14:40Don't talk like a kid.
01:14:41I book passage on the first boat going out because I want to get away as fast and as far
01:14:44as I can.
01:14:45Why?
01:14:45Because I'm sick of being wise.
01:14:48What are you trying to give me?
01:14:49I'm tired of knowing all the answers.
01:14:51Where do you get off pulling this talk on me?
01:14:52Where did you learn it?
01:14:53You take care of yourself and that's all.
01:14:55A dollar's a dollar.
01:14:56Yes.
01:14:56Watch out for number one.
01:14:57Always pay it for yourself.
01:14:59That's right.
01:14:59Did they worry for you?
01:15:00Did they worry for Bartok?
01:15:01Did anyone bother to notice a difference?
01:15:02I hate it.
01:15:03Hate it or don't hate it?
01:15:04Who is asking you?
01:15:05This is the way it is and you know it.
01:15:07You've been around long enough.
01:15:08I hate everything I know.
01:15:09I hate everything in me.
01:15:10I hate you.
01:15:10I hate, I hate, I hate.
01:15:12I didn't make it that way.
01:15:13I can't change it.
01:15:15What do you want me to do?
01:15:42I'm going with you.
01:15:43Get up here.
01:15:46We'll go together tonight.
01:15:48You don't think I believe that, do you?
01:15:50Give me time.
01:15:52Let me fix it at the office.
01:15:54I don't want them to go looking for Bartok for me.
01:15:57You're Bartok.
01:15:58You've got it all now.
01:16:00You're not going anywhere.
01:16:02I'll meet you on the boat.
01:16:03You say it, but you won't.
01:16:05You've got a good thing now.
01:16:06It's rich.
01:16:07You'll never let it go.
01:16:09Not you.
01:16:10You've got too much sense.
01:16:13I'll be there.
01:16:14No, you won't.
01:16:31You won't.
01:16:34That's right, doctor.
01:16:35I've talked to the building superintendent.
01:16:37He'll give the keys to your secretary.
01:16:39Yes, you'll find the names and addresses of my patients in the desk.
01:16:43I'm sure you'll be able to handle them all between you, Dr. Hennig, and Dr. Crayman.
01:16:47Yes, sir.
01:16:48I'm afraid it was sudden.
01:16:49I wasn't at all prepared.
01:16:51Well, thank you very much for making it possible.
01:16:53Thank you, doctor.
01:16:54Good-bye.
01:16:56Good-bye.
01:17:16Dr. Bart.
01:17:19Excuse me, please, doctor.
01:17:22I hope you don't mind it if I talk to you.
01:17:24What do you want?
01:17:26The scar.
01:17:28It's so clear in my mind.
01:17:31I always somehow thought it was on the other side.
01:17:44Did you notice that?
01:17:46What?
01:17:48I know I'm mistaken.
01:17:51The scar, I mean.
01:17:53Of course I'm wrong.
01:17:57Yes.
01:17:59Good night.
01:18:02Good night.
01:18:03The doctor.
01:18:34Driver, I'm in a hurry.
01:18:36Step on it, will you?
01:18:37Okay.
01:19:08Hey, where can I get a porter?
01:19:11They're all busy.
01:19:11Ship's sailing in a few minutes now.
01:19:13Here.
01:20:00What is this?
01:20:01Where are you going?
01:20:02What do you want?
01:20:03What do you think?
01:20:06Where are you from?
01:20:07You know where.
01:20:09Maxwell's.
01:20:11Maxwell's?
01:20:12You owe us a lot of money.
01:20:14What?
01:20:1590 grand.
01:20:17What are you talking about?
01:20:19You didn't think we were going to let you run out on this just like that.
01:20:23Did you, Dr. Bartok?
01:20:26Wait a minute.
01:20:28You got the wrong guy.
01:20:29I'm not Bartok.
01:20:30You're not?
01:20:31I know Bartok.
01:20:32Look, I look like him, sure.
01:20:33But my name is Muller.
01:20:35Look, you fools.
01:20:35The scar.
01:20:36His is on the left side.
01:20:38What'll he do?
01:20:40Move over?
01:20:42Now, wait a minute.
01:20:43Let me go.
01:20:43I can square this thing.
01:20:44I'll send you the money.
01:20:45I'll bet you will.
01:20:48Let me go.
01:20:48I've got to make that boat.
01:20:50You're not getting on that boat, Dr. Bartok.
01:20:53Let me go.
01:21:01What happened?
01:21:02We thought we heard some shots.
01:21:03You did.
01:21:04The cops just caught him.
01:21:05Ran right into him.
01:21:06Well, did anybody get hurt?
01:21:06I don't know.
01:21:12I don't know.
01:21:15I don't know.
01:21:18I don't know.
01:21:19I don't know.
01:21:20I don't know.
01:21:21I don't know.
01:21:23I don't know.
01:21:24I don't know.
01:21:25I don't know.
01:21:26I don't know.
01:21:26I don't know.
01:21:26I don't know.
01:21:27I don't know.
01:21:28I don't know.
01:21:29I don't know.
01:21:30I don't know.
01:21:31I don't know.
01:21:32I don't know.
01:21:34I don't know.
01:21:35Come on.
01:22:05Come on.
01:22:37Come on.
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