00:00Hi guys, welcome to INS.
00:01First of all, Chambi, this is a beautiful, beautiful trailer that I have seen in the first time.
00:09It's very beautiful.
00:10The other thing, when you're making a real life story or a film,
00:14it becomes a different responsibility.
00:16It becomes a different pressure to give you justice.
00:19So how much of a pressure or responsibility is your shoulder?
00:27This is our film too.
00:30No, when you're doing your own work,
00:34it becomes a little less responsibility.
00:36It becomes a little less responsibility when you don't have a trustee.
00:39So I feel like in this film, everyone has worked very closely.
00:42Our directors, Ravinder Khairapaji, Chanaj Ji, Soraj Ji, everyone.
00:45Writers, everyone.
00:47Everyone has done it with honesty.
00:48So the responsibility was reduced.
00:49And that's why you're taking a film.
00:52What's your responsibility?
00:54So I feel like responsibility is very important in any work.
00:59So I don't have any problem with responsibility.
01:02So I took the whole responsibility and I didn't hold it well.
01:07So that's it.
01:08Can you tell me, do you have justice?
01:10See, pressure is necessary.
01:13And justice is necessary if you have pressure.
01:16So I took the whole pressure and justice too.
01:19The title is very beautiful, Rishk Nama.
01:22In your life, what do you want to give a title?
01:27What do you want to give a title?
01:27Rishk Nama?
01:30No.
01:31No.
01:31No.
01:32It's not that.
01:32The title is called Nirmal Nirmal Ji.
01:35The title is based on the incident of life.
01:39So I didn't have anything like that.
01:41I didn't have water cross for anyone.
01:42I didn't have any time to wait for anyone.
01:44I didn't have any time to wait for 40 years.
01:45Because I didn't have any time to wait for 40 years.
01:46I didn't have any time to wait for 40 years.
01:47So they've been 72 years old.
01:49And they've been waiting for 40 years.
01:51And they've been waiting for 40 years.
01:51And it suits their story to suit their story.
01:53And it's a very big name.
01:54And I feel like I won't give such a name on my story.
01:57I won't give such a name on my story.
01:58I mean, it's difficult.
02:00When it will become a story, I think it will become very interesting.
02:04So when it will become a story, I will tell you what the name is.
02:08And I will tell you, I think that you've been waiting for 40 years.
02:12And you've been waiting for 40 years,
02:14and there's a time where people are coming to birth.
02:16So you can't wait for a month to get a story.
02:18What do you think about the concept of online love?
02:23At a time when, I mean, you've been waiting for 40 years.
02:27But there, you've been waiting for something that exists.
02:29What's happening every minute?
02:31I think that Shinaraz is asked a question yesterday.
02:34He gave a great answer to it.
02:35He said that it isn't such a fact.
02:38that we don't love in today's time.
02:39We love today, and we love today too.
02:42But at that time, it was the one who was the one who loved us
02:46because there was no love in social media
02:47and there was no such thing that would reach people soon.
02:51So now, every second, you get information.
02:53Every second, you want to see what you want to see.
02:55Everything was happening before, but I didn't know.
02:58Now, I just started to know.
02:59And that's the love of today.
03:03What did you ask for?
03:04What did you ask for?
03:05No, at that time, when we are in a smile,
03:08and a smile, and a smile, and a smile.
03:11I think that love is a lot of ways.
03:16So, love should be.
03:19But, love should be.
03:22Love should be.
03:23Love should be.
03:24Whether it's today or tomorrow,
03:27that doesn't matter.
03:29But love should be.
03:31What the matter?
03:35Love should be.
03:36Love should be.
03:37There's a saying in English that
03:39distance makes your heart more fonder, more fonder.
03:43But is it really true that
03:44if you have a distance,
03:45you have more love,
03:46or you have to fade away?
03:47No, I think that distance is a lot of time.
03:50Then, the person starts to get a lot of time,
03:53that it will get so much time.
03:55But it depends on how your love is.
03:58Look, when the distance happens,
04:01then the value of love is increasing.
04:04Yes, the value of love is increasing.
04:06But I don't know what the person is doing behind it.
04:10The person is increasing.
04:13The person is increasing.
04:13The importance of the person is increasing.
04:16But if the love is increasing,
04:18then there is no need for space.
04:20It doesn't need to be.
04:21Yes.
04:22But I'm aware that
04:23India, Pakistan love story
04:25comes back to us
04:26and we always see a political lens.
04:28And it's actually sad.
04:29It's not that it's political agenda,
04:31that it's not that it's a political agenda.
04:33It's a political agenda.
04:46Yes, yes.
04:47Now, this is our story of 1982-1986.
04:51After 40 years, it's made a film.
04:53If it doesn't happen, it will also happen.
04:55So, it didn't happen.
04:56So, I think the agendas and all these things
04:59can damage those things,
05:01which are broken.
05:01They don't damage the truth.
05:05What was your question?
05:06When we talk about India and Pakistan,
05:10we have a political agenda.
05:13We have a political agenda.
05:14We have a political agenda.
05:15So, what do you think about human stories?
05:18What happens?
05:20It's a love.
05:22It's a political agenda.
05:26It doesn't seem to make these things.
05:28Because the love is such a thing,
05:30that it kills humans.
05:35So, if we die,
05:37you love us.
05:40But,
05:41when we ask,
05:44what are you doing?
05:46Do you want love stories
05:48that are meant to be remembered and completed?
05:50It doesn't happen.
05:51It doesn't happen.
05:52Love is too much.
05:53It doesn't matter.
05:55It doesn't matter.
05:58I think that we should live in the present.
06:01If we live in the present,
06:04people see the future,
06:05but sometimes it hurts.
06:07So, better,
06:09keep in the present,
06:10keep in the present,
06:11keep in the loyalty,
06:12keep in the present.
06:13That's it.
06:14But,
06:15again,
06:18undertones of India,
06:19Pakistan,
06:20that's it.
06:25But,
06:25even with your life story,
06:30somebody is actually going through this.
06:32I'll tell you.
06:33Comparison,
06:34see,
06:36there's a bad thing.
06:38I'm watching,
06:39everyone is doing with the comparison.
06:41But,
06:42I don't need to do comparison
06:42as long as we have seen a film.
06:45So, when you see a film,
06:47then you have to do a comparison.
06:48If you have to do a comparison,
06:52then we will understand your point of view.
06:55But,
06:55if we are judging the first film,
06:58then,
06:58then,
06:58then,
06:59you will see the film.
07:00It's available on TV.
07:02Yes,
07:02same as we have.
07:04You have to handle this set on a bomb.
07:07Which one?
07:08No, no, no, no.
07:10She's so funny.
07:12Yes,
07:13no,
07:13it depends on how you are.
07:15If you are good,
07:16then you are good.
07:17So,
07:18everything is good for you.
07:19It's not good for the set.
07:20It's not a bomb.
07:21It's not a...
07:23Yes,
07:25It's so good for the film.
07:26It's good for the film.
07:28It's good for the film.
07:28and it's good for the film.
07:31So,
07:32there's no option.
07:33We don't want to keep that in mind.
07:35So,
07:45we don't want to keep it as well.
07:50and then you come up with a film like Ishmael.
07:54People have always seen you on the fun side, the nicer side,
07:58but then there are films like Ikhodi and Ishmael.
07:59You always find a proof of something that you have.
08:02Look, there are two facets that you accept and that you accept.
08:06I am not trying to prove that I am not trying to do it.
08:09I am trying to prove that I am in my destiny.
08:12God is doing hard work for me.
08:14I am putting good scripts on my own.
08:16So, I am writing that I am writing.
08:19That's it.
08:20Also with you, you are a superstar and it comes to the action genre.
08:25So, taking up a film like Ishq Nama, was it also like,
08:27like, listen, it's an action.
08:29You have to be able to do other things.
08:33No, it is not.
08:35What Sana said, Shinaj, is that I am not trying to prove it.
08:38But I am not trying to prove it.
08:39It is different from the last film.
08:41It is a Punjabi film that is known in India.
08:45So, I am trying to make it to make it.
08:45When I am trying to make it to make it,
08:46I am trying to make it to make it to make it.
08:46I am trying to make it there every time.
08:47It is the script that it is the way that people saw in Hinduism.
08:50And people think, wow, it is a very good narration.
08:53So, I am trying to make it every time.
08:55Ok, I am trying to make it to make it.
08:57How would I watch Iyonyama?
09:00Why do you watch it?
09:04Ishkanaama...
09:04It's your purpose.
09:06Look, we're not forcing you.
09:08You don't want to watch it.
09:09No, not the audience.
09:10If you don't want to watch it,
09:13if you have time,
09:14take your family to the cinema.
09:18If it was good, then review it.
09:21But Ishkanaama,
09:22why do you want to watch it?
09:23Because it's a real story.
09:26It's the love of Nima Naseema.
09:27It's the love of Nima Naseema.
09:30It's the love of Nima Naseema.
09:31The novel was very popular.
09:35It was very popular.
09:36It's a story.
09:37If you want to watch it,
09:39we read books too.
09:42How many tickets?
09:441,500?
09:46300 tickets.
09:48If you get to read the whole book,
09:49how would you enjoy it?
09:50It's so good.
09:53It's the same.
09:54Very much.
09:58And thanks for my interview.
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