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Valle salvaje capitulo 445 MAGAZINESPAIN
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00:01Don Rafael, I want you to know that Maria...
00:03Maria is here.
00:08My treasure.
00:10How could we have been so irresponsible?
00:12for not having notified Don Rafael that Maria had disappeared.
00:15Luckily everything turned out well.
00:16But it might not have happened.
00:18We thought he would formally accuse Doña Victoria of pygamy.
00:22That's what someone told me.
00:24That was what I had initially decided.
00:26What made him seem so late?
00:27Although I don't have to give explanations.
00:30I'll tell you that I've spoken with more locals and witnesses.
00:32And there is one thing that everyone agrees on.
00:35The fact that?
00:36When everyone thought Don Dama Sospinosa was dead,
00:39not only her.
00:40I don't know how, but I have no doubt
00:42who has bribed the bishop.
00:44Isn't he questioning his good friend?
00:47God's minister?
00:48You were the one who gave Manuela the horse,
00:50Right, Don Hernando?
00:51Cousin, why didn't you tell me anything?
00:52Out of shame.
00:53What's happening to my cousin is that he's gotten it into his head
00:55that the two of us, well...
00:57What about the two of us?
00:58Well, we're falling in love.
00:59That's what he thinks.
01:02I'm afraid I would never have guessed that.
01:05This man is stupid.
01:07Under my protection no one can hurt you.
01:10I will love you forever, Victoria.
01:12Our love is eternal.
01:13I want the palace, the big house.
01:16He can't be serious.
01:17My children have nothing.
01:19More than a promise that one day the money owed to us will be returned.
01:25I suppose that if he leaves it's because he has already fulfilled his obligations.
01:29Fortunately, I haven't made such a terrible mistake.
01:31If he attempts to harm Doña Matilde's son, I will return immediately and tell everything.
01:38But do you think I don't want to marry you?
01:40I don't know, Pepa.
01:41You tell me.
01:42Of course.
01:43But I want to enjoy it.
01:45Do it slowly, calmly.
01:47If you ever pass near the valley, come and meet our little girl.
01:52Count on it.
01:53Didn't he take the money I gave him?
01:55She left me a note.
01:57What's happening?
01:57Has your color changed?
02:00I feel sorry for her, but we have to protect the girl.
02:03My sister would never hurt him.
02:05We feel obligated to tell Don Rafael the truth.
02:07No, wait.
02:09My sister is not sick.
02:10Nor did she give birth to any stillborn child.
02:13What did you say?
02:14And I have a very important secret to reveal to you.
02:20What secret are you talking about?
02:24But, it's like your sister didn't give birth to any stillborn girls.
02:31These sisters are going to drive us crazy.
02:34I know.
02:35I know, I know I'm very convoluted.
02:36No, you're the ones making things complicated, Leonor.
02:39Your sister is obsessed with Maria.
02:46If not for the reasons you told us, then why?
02:52I'd like to tell you, Luisa, but I just can't.
02:55What do you mean you can't?
02:57It's up to Rosalía whether I want to tell you or not.
03:00Enough with all this coming and going, Leonor.
03:02If your sister is here, it's because of you.
03:04So speak up.
03:08I'm sorry, Luisa, but I'm not going to give you the explanations you demand.
03:11This is the last straw.
03:12What time did you start working for my brother-in-law?
03:16Since you stepped into the big house, you've done nothing but lie.
03:18We don't want to hurt anyone, really.
03:21With a baby girl involved, I swear you have behaved clumsily.
03:25Especially Rosalía, now knowing that she did not give birth to any stillborn child.
03:28Nothing justifies her actions except her dementia.
03:30No, don't say that.
03:32Because my sister is just as sane as the three of us.
03:34No, treating my niece as if she were her daughter doesn't help us believe that she is truly herself.
03:38Leonor.
03:38Well, when you hear her story, you'll understand the reasons that led her to act the way she did.
03:41But, but what reasons?
03:42What reasons?
03:45Leonor, stop playing with us, I'm begging you.
03:48We will not tolerate another lie.
03:50Patience, Luisa, please.
03:51So that?
03:53So you have time to concoct another one of your lies?
03:55No, it won't be the truth, I swear.
03:59When you hear it, you'll understand, but it has to be Rosalía who tells what happened.
04:02We don't have to understand anything except you, who do have to understand.
04:06that we have been this close to losing Don Rafael's trust.
04:09Because of you.
04:13And yet he asks us
04:16that we have patience.
04:19Luisa, you're right, we've had enough.
04:23Or one of you can tell us what really happened.
04:26Either you prepare the carrier and disappear forever from Wild Valley.
04:47I have a wound that doesn't heal with time.
04:54Because of a betrayal that pierced my heart
04:59As if it were a dagger
05:02As if it were a dagger
05:04That?
05:08What trapped me in this torment?
05:13Of silence, of lies
05:15Everything I knew
05:18It's getting further and further away.
05:22I live dreaming
05:26With what fate decided to deny us
05:30Condemned to the taste of bitterness
05:34Dancing with madness
05:37Imagining that it's you
05:42I live dreaming
05:44Eternally waiting
05:46In this wild valley
05:49May your light illuminate me
05:51In this wild valley
05:53May your light illuminate me
06:04Be very careful with Doña Victoria
06:06Because he hasn't treated me well.
06:07And she's not a trustworthy woman.
06:10What does it say?
06:11Why does he talk like that?
06:11What happened?
06:12I haven't the slightest idea, Matilda
06:14Athanasius is warning us about something
06:18You think?
06:19Perhaps it doesn't refer to anything in particular.
06:22Anyone who deals with Doña Victoria
06:23She would realize what kind of person he is.
06:25And Matilda being a good woman
06:27Maybe it just happened
06:28We are obligated to warn ourselves
06:29Athanasius makes it very clear
06:31He hasn't treated me well.
06:32Did he do something to you?
06:33Doña Victoria doesn't treat anyone well.
06:35I already know that.
06:35But why would it prevent us from being benign?
06:37About Doña Victoria?
06:39Don't know
06:40Don't know
06:41But in any case
06:42And fortunately
06:43Doña Victoria does not count
06:45With the favor of Don José Luis
06:46Nor does he have the authority he once possessed.
06:48She's not a duchess
06:49Nor owner of any house
06:50He's nobody
06:51That doesn't make it any less dangerous.
06:52And after the humiliation
06:54That has suffered in the pavilion
06:55I have serious doubts
06:56That he still has the will to fight
06:58He only knows how to live by waging war.
07:00Well, here I'll be.
07:01To defend you
07:02And to our creature from his evil
07:05I won't take my eyes off him.
07:07And if he dares to commit any vile act
07:09First he'll have to face me.
07:11Are you ready for war?
07:13Excuse me, are you calling me old?
07:15No no
07:16But I'm calling you a charlatan.
07:18A charlatan
07:18Yeah
07:19Charlatan
07:19Very good
07:21I'm here watching over your safety
07:23And this is how you repay me?
07:26Very good
07:27This world is ungrateful.
07:28The one I've had to live in
07:30Poor
07:42I asked Francisco.
07:45After he wrote to me
07:46Giving me the good news
07:48But I'm still waiting.
07:49Please confirm the date.
07:51In order to request permission
07:53To my patron saint
07:54Because that event
07:55It would be impossible for me to miss it.
08:00Well, I wouldn't forgive him either.
08:02Besides, it would look weird.
08:04They all still believe that
08:05That your aunt is your mother
08:08Francis
08:09Son
08:12Did you hear me?
08:13That?
08:14Your aunt
08:15Son
08:15Sorry, I was distracted.
08:17What was I asking?
08:19Because of the wedding date
08:21We will confirm it when we have it.
08:23So what are you waiting for?
08:25Hey?
08:25Son
08:26I don't think so either.
08:27That it's so difficult
08:28Well, you know
08:28I haven't had time.
08:29To agree on it with Pepa
08:36That can't be.
08:40You're two steps away
08:41You see each other daily
08:42You've been like this all week or more
08:44And what do you want me to do?
08:46I don't know, then
08:47You take Pepa
08:48You sit her in front of you
08:49And you talk to her
08:51You get very serious
08:52And you tell him
08:53Look, Pepa
08:53We're not going to get up here
08:54Until we agree
08:55The wedding date
08:56And every time I try
08:57He has something to do.
08:58Hey?
08:59With everything that's going on
09:00In both houses
09:00Apparently, he doesn't have time.
09:01Thinking about our wedding
09:03Could it be because of what's happening?
09:04Yes, Father, yes
09:06God willing
09:06That's probably why.
09:08What is he implying?
09:10Forgive me, son
09:11I'm not implying anything
09:14That's probably it.
09:16What happens
09:16No, tell me
09:17What surprises him so much?
09:20Speak
09:20Don't keep it to yourself
09:22Yes, son
09:25Strange
09:25The lack of interest
09:27What does your girlfriend have?
09:28For her own wedding
09:30Girls usually
09:31Well
09:32They are usually eager
09:33Have it all as soon as possible
09:35But Pepa didn't
09:36But what about Pepa?
09:38Nothing, son
09:38Nothing
09:39Nothing
09:39Hey?
09:40Nothing
09:41Let's not look for the cat three times.
09:43He said so.
09:44As if she considered it
09:44Guilty of something
09:45I don't consider it so.
09:46Guilty of nothing
09:47Hey, Francisco?
09:49Besides
09:51I value her
09:51Don't even think about that.
09:53Opposite
09:54I think it's going to be
09:55A very good wife
09:55For you
09:57If that's all I want
09:59So?
10:02So
10:04I think that's the most sensible thing to do
10:06I would be
10:08Leave your wedding plans
10:09For later
10:10What is he saying?
10:11I want to get married soon.
10:12It's a wedding
10:13It takes two.
10:14And if Pepa has the head
10:15Elsewhere
10:16But I don't want to wait any longer, Father.
10:17That's it
10:17Okay, fine.
10:18Do whatever you want
10:19Know
10:19I'm just telling you
10:20That you could wait a little while
10:21AND
10:23View a new date
10:24Later
10:26I don't know
10:29It's not that something told me.
10:30Son
10:32It has to be the most beautiful day
10:34Of your life
10:42It's about punishing you
10:43It made no sense at all.
10:45The worst part of all
10:46It's that the night at the bandstand
10:47Nobody can take it away from her.
10:48As long as that's all it is
10:50I'll take that as good.
10:51No, it was a terrible injustice
10:53And they should make amends to her.
10:54Somehow
10:54I prefer to forget it, Barbara
10:56It's already happened
10:57And thinking about it
10:58It is painful for me
11:01But
11:03What are you now, aunt?
11:05First
11:06She married Don Damaso
11:07After
11:08He arranged with Don José Luis
11:10And now
11:11She becomes a wife again
11:12From Don Damaso
11:13That
11:14He would also be our uncle
11:18I wish I could answer you
11:20Clearly
11:21Pedrito
11:22I don't really know.
11:23What I am
11:24It is true that I got married
11:26With Damaso years ago
11:27But of course
11:28I don't feel like his wife
11:30It's complicated.
11:31Pedrito
11:33No no
11:33Yes, I understand that.
11:35But
11:38If they are still married
11:39To see how this all ends
11:41We'll have to let some time pass.
11:43As?
11:44What, it's not over yet?
11:49I would say it has only just begun.
11:53Well
11:54Don't worry
11:56Because
11:57For us
11:58He will still be our uncle
12:00That is indisputable.
12:02And we'll always be on your side, of course.
12:04Thanks Pedrito
12:07Everyone here
12:08We defended her
12:10And not because she was part of our family
12:11But because it was only right
12:13So my nephews defended me
12:16And not only us
12:17I have also listened to Doña Mercedes
12:19Defend her while
12:20The bishop was questioning her
12:23And to the same
12:25Yeah
12:27You also defended my aunt, didn't you?
12:30Yeah
12:30Yes, Pedrito
12:32I did it
12:33They asked me to tell the truth
12:34And that's what I did
12:35Nobody here knew
12:37That Damaso was still alive
12:40Do you see it, Auntie?
12:43Everyone in the house defended her
12:44Without exception
12:48The important thing is that everything turned out well.
12:50And you can go for another walk through the valley
12:52With our heads held high
12:53Whether people like it or not
12:55I don't know what I would do without you.
12:58Now yes
12:59Please excuse me
13:00I would like to retire to my bedroom
13:23What's happening?
13:36I was in his hands. He could have let me fall, but he didn't. Why?
13:45Because he didn't take the opportunity to finish me off.
13:49I'm wondering the same thing. I had the chance to get revenge for all the harm she's done, Victoria.
13:59Not just me. Also Doña Matilde, but especially my sister.
14:06But he took my side. Why?
14:11Well, because I don't know how you do, Victoria.
14:17I sent several letters to make sure he had a fair trial.
14:22I even convinced Rafael to do exactly the same thing.
14:29Please leave. I need to be alone.
14:31I still don't understand it?
14:33That?
14:35Why did he do it?
14:38After everything that's happened all this time.
14:41After so much hatred.
14:42From so many outrages.
14:45He had reasons to be against me.
14:47And I still have it.
14:50One day she will be condemned for what she did to my sister, Victoria.
14:57But this time she was going to be punished for a crime she hadn't committed.
15:02And as a woman, I cannot help but lament all the injustices committed against us.
15:09And that's why I defended her.
15:12For justice.
15:23Weren't you supposed to have me come here to meet with my son?
15:28There's nobody here.
15:29Can you tell me where he is?
15:32Ah, I see.
15:33He hasn't even given you an explanation.
15:35He thinks he can keep me waiting for him until he pleases.
15:42Don't dismiss it by saying the boy is not to blame for anything.
15:45He was calming Maria down.
15:47Wasn't it so important that we see each other?
15:51Yeah.
15:53That's why I made love to her today.
15:54But there is nothing that is above my daughter.
15:59You can leave.
16:06Good.
16:06What is it about?
16:11Something that affects our family, Mom.
16:13Let me guess.
16:14Aunt Enriqueta's extravagant request.
16:17Extravagant and offensive.
16:18If you'll allow me?
16:19I know that you and Alejo are fond of your aunt, although I can't explain why.
16:25And this is the result.
16:27You have extended a hand to him.
16:29A hand that, I remind you, has been eating for months and now demands the whole arm.
16:34That woman lives oblivious to reality.
16:36It has its peculiarities.
16:37Peculiarities worthy of a mental hospital.
16:41Honestly, Rafael, I can't understand how you haven't gotten rid of it yet.
16:46From her and her son.
16:48How can you allow them to continue here?
16:52Why don't I think their proposal is so misguided?
16:57What are you saying?
17:01Think about it.
17:02That makes perfect sense.
17:05You're not serious.
17:07I'm being very serious.
17:10I'm going to settle the debt you owed to Uncle Domingo.
17:12Rafael, listen.
17:13Aunt Anillat will receive every last penny.
17:16And if that means we have to consider alternatives that are more painful, then we will have to consider them.
17:22But do you really think your aunt is going to honor her word and let us live in
17:29What will happen to the house that has been ours until now?
17:32Count on her.
17:33And in what capacity?
17:39We are family.
17:40It's clear what that matters to him.
17:42He is looking out for his interests and those of his children.
17:45What interests?
17:46Don't you realize it's pure and simple ambition?
17:49A fair ambition in any case.
17:52And as for us staying here, don't worry, I'll take care of it.
17:56As?
17:58Because allowing it will only serve to humiliate us, to remind us every day that we are their guests.
18:06And have you forgotten that you grew up in this house?
18:10Have you forgotten how you used to come here to play with your brothers when you ran away from your mother after one of your...
18:18Did you play pranks and interrupt my work and meetings?
18:23No.
18:24You haven't forgotten how the money was, no.
18:28Well then, think a little about your mother too.
18:33In everything that this house meant to her.
18:37His grave is here.
18:39And Julio's too.
18:42And Adriana's.
18:45Are you willing to leave all that in the hands of your disturbed aunt?
19:01Long back, raise chin, lower shoulders, tuck the boat in.
19:07Come on.
19:08Let's get into position.
19:09AND...
19:10One, two, three, greetings.
19:13Very good, Braulio.
19:15Elegant.
19:16And one, two, three, chin up, shoulders down, let's go.
19:21And one, two, three.
19:23Oh my God, my bunions!
19:24Braulio, for God's sake.
19:26Keep a close eye on things.
19:28Just you.
19:30Five, six, seven.
19:32And one.
19:33Very good.
19:35You must learn to dance with elegance, with poise.
19:39And imagine that one day we go to a dance and we meet Miss Manuela.
19:44What would we do?
19:45Let's see that twist.
19:46Let's see.
19:47And with a little more refinement, less force, my son.
19:51You would be.
19:52I'm trying, Mom.
19:53I'm trying, but...
19:55I think I need a little more practice.
19:57Yeah.
19:58Me too.
19:59Come back.
20:01AND...
20:01Five, six, seven, and...
20:07You're seeing the same thing I am.
20:12Honey, look, let's do one thing.
20:15Look at your mother and she's exactly, exactly the same.
20:18Don't turn around looking all around, okay?
20:21You turn around looking at a point, which could be, for example, your partner's eyes.
20:26AND...
20:26One two three.
20:28And you place your hand.
20:30Ah, it's just that...
20:31Now I understand why you're the sensation of the carnival celebrations of the Marquesses of Sotomayor.
20:38But I don't understand how...
20:40Yes, yes, yes, it was.
20:42It was.
20:43But you can be one too, darling.
20:45Especially if you're arm in arm with Manuela.
20:51Look, just leave us alone.
20:55Are you making progress in courtship?
20:57None, mother, none.
20:59Okay.
21:00Look, what I need is a funeral procession.
21:03I really don't know what's wrong with you young people in this valley, you're becoming so gloomy.
21:09Mother, Manuela is drifting further and further away from me with each passing day.
21:18But it has been useless even to buy him a horse, which he doesn't even know it was me.
21:22Come on, he thinks it was his father.
21:23Oh, son, what am I going to do with you?
21:26But you told me...
21:27That's the problem.
21:29That's the problem.
21:30You take everything literally.
21:34I'm about to stop giving you advice.
21:36No, no, mother, don't do that, please.
21:37But what for?
21:39If I ask you to hold her and you throw her down the stairs.
21:42I invite you to surprise her and buy her a nag.
21:46Well, because you didn't invite me to surprise just anyone.
21:50You invited me to give you a big surprise.
21:53Yes, big surprise, even bigger.
21:55It's an elephant because you don't buy him one, son.
21:59You have to learn to find the middle ground.
22:03Look, you've taken after your father in your exaggerated behavior.
22:05Luckily, that's the only thing you have in common with him.
22:09It doesn't matter, mother.
22:11Honestly, I do try hard, but it doesn't matter what I do.
22:15I'm not going to get Manuela to notice me.
22:18Oh, oh, oh.
22:19Just a moment, just a moment.
22:22Are you hiding something from me?
22:24No, I didn't want to hide it from you, Mother.
22:28Well, at first you were getting close to Manuela because I pushed you to it, but it seems to me that
22:35nose that this has changed.
22:38What is he implying?
22:41I can see it in your eyes.
22:44I get the feeling that it doesn't take as much effort for you to try to win her over anymore.
22:49Well, so what if that were the case, Mother?
22:53I'd never get her to notice me.
22:59I have to go.
23:01No, no, no.
23:02Yes, I can't leave Alejo alone any longer. I have to get back to work.
23:04No, darling, we're not finished.
23:06Yes, mother, we're finished.
23:13No, no, no, no.
23:33Rosalía.
23:34You don't need to go on. I already know what you were going to tell me.
23:37Tell her to go and talk to Luisa and Miss Barbara.
23:40And will you do it?
23:42Well, when the job is done, this house isn't going to clean itself.
23:45Rosalía, less joking around. The situation we're in isn't a turkey's mouth.
23:49I know. When I'm done, I'll go get them.
23:52What will you tell them?
23:54Well, what you want me to tell them. Don't worry.
23:57And what?
23:59Well, I went out for a walk with the girl.
24:02She started crying and I tried to calm her down.
24:04And while I was doing that, I just kept walking.
24:06And when I realized it, well, I didn't know where we were.
24:08And then...
24:09I just don't know if it will be so easy for them to believe you this time.
24:14Well, I'll try to be more convincing, anything to see my little girl.
24:18No, Rosalía.
24:21You just won't be able to spend any more time with Maria.
24:24Don't give me that same old line, Leonor.
24:26I understand that you want to help me.
24:28But I will never hand over my daughter. Do you understand?
24:34This time it's different.
24:35With or without my help, I don't think you'll ever see him again.
24:39Why's that?
24:42Because it's very possible that at the end of the day you and I won't be here, in the valley.
24:46What are you saying?
24:48What you hear.
24:50That I could no longer maintain the lie.
24:52I'm sorry.
24:53But what have you told them?
24:54Don't make her look like a dead girl.
24:59So?
25:01Have you told them that she was born alive and that she was stolen from me?
25:03No, not that. I didn't dare.
25:06Because?
25:07Well, because I thought they wouldn't believe me if I told them how it happened.
25:09And I still think so. However we tell it.
25:16So what do we do?
25:18Given the current situation, it seems most prudent to me that we should leave.
25:25Should we leave?
25:26A while.
25:27It will take some time until we can figure out how to get your daughter back.
25:31I'm so sorry.
25:34What do you think?
25:36We're not going anywhere.
25:38I'm not leaving here without my little girl.
25:48Did Don Amadeo send me for dessert?
25:50Yes, yes, yes, yes.
25:51The man is quite nervous because he says he should have been at the palace a long time ago.
25:54I'm sorry.
25:55Is this it?
25:56Yes, I haven't had time to finish until now because I haven't stopped working.
26:00Okay, it's ready.
26:04What are you waiting for? Move it. It doesn't say he's waiting for it.
26:06You look unwell.
26:07And?
26:09What's going on?
26:10Well, I just told you that I've been going non-stop all day.
26:13And nothing else?
26:14And what more do you want? Isn't that enough for you?
26:16I haven't had time yet, nor has anyone else...
26:17If you don't want to tell me, don't tell me.
26:19But you don't need to deceive me.
26:20Well, I have nothing to tell you, especially not you.
26:23Except for me? Why?
26:24Because you're the last person who needs to listen to me in my series.
26:36What happened with Francisco?
26:37The one who was in a hurry.
26:39Tell me about it.
26:40Don Amadeo, wait for dessert.
26:41And I'm waiting for your answer and I'm not going to move from here until you tell me, that's all.
26:44that you will see.
26:46I just want to help you, Pepa. Don't think otherwise.
26:57It's because I'm not being the fiancée he expected, and I'm disappointing him.
27:02What are you talking about?
27:04I bet he's too good and has already thought out everything we need to do to organize the wedding.
27:09While I'm avoiding him, as if I don't care.
27:11But I do care. How could I not?
27:15Well, tell him.
27:17I've already tried it.
27:18And he doesn't listen to you?
27:20I haven't dared to because he's right in front of me and I can't find the words.
27:24Because?
27:27Because he's so excited.
27:31It's normal. It's their wedding.
27:33And mine too, but it's like someone is rushing him and he wants to know everything right now.
27:39The chapel, the venue, the guests, the date, everything, everyone wants to know now.
27:43I don't see anything strange about it, Pepa.
27:45I want to go slower.
27:47Organize everything differently.
27:49Not feeling rushed when there is no rush.
27:54And do you think that would take away his enthusiasm, or is it that you're not enthusiastic?
28:02Why are you asking me that?
28:04Just wondering.
28:05Just wondering.
28:10The truth is that, more than excitement, I feel like the world is crashing down on me.
28:13And it shouldn't be like that.
28:20Hey...
28:21I don't know, Pepa.
28:21In these matters, someone has to take the initiative, and in this case, it's him.
28:27Try to rein him in a little.
28:29If that's the problem, of course.
28:33The problem is that he understands it, and not just your mom.
28:35And why do you think he's going to take it badly?
28:37Because he told me that he felt he had to pull me along to make any decision.
28:41And I don't feel like it's pulling me, I feel like it's pushing me and pushing me and each time I'm
28:45more overwhelmed.
28:54Cousin.
28:55What are we doing here?
28:58It's Manola's horse.
28:59Already.
29:01Believe me, I know.
29:02A magnificent specimen, isn't it?
29:04Do you see it?
29:04Yeah.
29:06In the stables we have some that don't stay with the hoe.
29:09I'll choose the one you like best.
29:11So that?
29:11What would it be for?
29:12Braulio, to assemble it?
29:14Why don't you take Manola for a walk?
29:16Think about it, Braulio.
29:17Just the two of them, at sunset.
29:19No, cousin.
29:21That he has made a fool of himself enough.
29:23Braulio, if you only knew how many times I've made a fool of myself for love.
29:26Would I continue doing it?
29:28Well, not me.
29:31You still have a lot to learn.
29:35Wait for me here.
29:37Where are you going?
29:38I think this is the horse that will be ideal for you.
29:41What, I don't want a horse?
29:41Nice picture, good reins, you're going to like it.
29:46What, I don't want a horse?
29:47Alejo.
29:48Wait.
29:56Juan, my friend.
29:58That?
30:06These days I hope to close some deals that will allow us to win back some clients and be able to live like before.
30:12Mercedes.
30:13You won't hear me complain about how I live.
30:18He's still tormenting himself over how he acted towards Victoria, isn't he?
30:25I think I'll do it for the rest of my life.
30:28But Mercedes has nothing to reproach herself for.
30:31He acted in a way that suited us.
30:34And he can have a clear conscience.
30:37Everyone has been able to see the courage and greatness of the Duchess of Miramar.
30:43Greatness.
30:46Didn't she demonstrate it by defending an innocent woman like Victoria?
30:51And everyone who knows what existed between you all this time knows it.
30:59An admirable greatness.
31:02As much as, or even more than, her beauty.
31:12We've all come out ahead, Mercedes.
31:16The only ones who have lost are José Luis and Don Hernando.
31:20And that's what we wanted.
31:24No?
31:26Tamaso.
31:33I have bothered her.
31:34No, that's not it.
31:36Is...
31:37It's just that I'm not in the mood.
31:42I understand the fragility you are feeling.
31:46But don't worry.
31:48Under my protection,
31:51No one will be able to hurt her.
31:54I will love you forever, Mercedes.
31:59Our love is eternal.
32:02We are both married.
32:05That has not been an impediment so far.
32:08What prevents us from continuing to love each other?
32:12Ma'am, I'm so sorry.
32:17Right now I need to be alone.
32:21I understand.
32:24I won't bother her anymore.
32:43I should have been warned
32:44of how things were going to be.
32:46I would have bought you.
32:48No, don't get angry.
32:50You would be in the little stables.
32:52But do you know what you cost me?
32:54Fortune.
32:57What do you know?
33:01I'm getting a little carried away, aren't I?
33:03Talking to a donkey.
33:04Don't call my horse a donkey.
33:07What was I saying to him?
33:09Nothing.
33:10Was he talking to her?
33:12No, no, no.
33:14He was washing her with a pillow.
33:16He'd better.
33:17Because it's a very delicate horse.
33:19And things he shouldn't hear.
33:22Well,
33:24I'll let them talk.
33:25of whatever they want.
33:28I didn't take it that way, Braulio.
33:30I was just joking.
33:33If you wish to speak to him,
33:35Talk to him.
33:36He will understand you better than he will understand me.
33:38Ultimately.
33:39Are they of similar intellectual caliber?
33:42Chancea.
33:44I was serious.
33:48Braulio, you really have a temper.
33:51He takes everything the wrong way.
33:53I'm sorry.
33:54Isn't this the most beautiful horse I've ever seen?
33:59It is.
34:01It's understandable that my father chose him for me.
34:04He always had excellent taste in gifts.
34:06When I was very little,
34:09I remember that he always brought me the most beautiful things he could imagine.
34:14You must have been a very lucky girl.
34:17I believe it.
34:18And now I've grown up.
34:19And my fortune has not diminished.
34:22Because he is my father,
34:23the busiest man in the entire kingdom,
34:25He always makes time to give me gifts.
34:28Her father adores her.
34:30I can't deny it.
34:32Always think of me.
34:33This beauty.
34:35This delicacy.
34:37I feel indebted to him.
34:40How can I repay so much love and generosity?
34:45It's clear that her father is concerned for her happiness.
34:48My father, my father, my father.
34:50Why don't you recognize me?
34:52Who bought the horse?
34:54I?
34:58How do you know?
34:59Alejo has told me everything.
35:01All?
35:02Yeah.
35:03And that absurd idea of hers that I'm interested in him.
35:06But it isn't.
35:08Of course not.
35:10Who would come up with such nonsense?
35:14To you.
35:15Clear.
35:16What do I say?
35:17Well, I thought about it because I saw things.
35:20Things?
35:22Yes, I saw...
35:24Certain details.
35:27Could you be more specific?
35:30What details did you see, if I may ask?
35:33List them for me.
35:34Because I can't think of a single one.
35:37I already knew that he would be unable to answer me.
35:41You have to be a fool to say something like that.
35:43I like Alejo.
35:47Do you know who I really like?
35:50No.
35:51My horse.
35:53His horse.
35:55But, after my horse.
35:59I have no idea.
36:01My horse?
36:02His horse.
36:03And I could answer him 15 times.
36:07But on the sixteenth try...
36:10Do you know what I would answer?
36:12His horse.
36:15You cretin.
36:17You're the one I like.
36:20Oh...
36:20This kid doesn't understand anything.
36:27The next time he speaks to you, don't answer him.
36:30Don't pay any attention to him.
36:33It will simply be a waste of your time.
36:49Be careful where you put your hands, Pepa.
36:51On one side, clean, and on the other, stained.
36:59Excuse me, ma'am, but I'd like to ask you something if you don't mind.
37:05That?
37:08You know, a lot of things are said in this house.
37:11Well, in the house and in the valley.
37:13Things about him/her.
37:15And well, I'd like to know...
37:17Let's see, Pepa.
37:22It is true that you are innocent of everything you were accused of, right?
37:29You should worry more about your work and less about problems that don't concern you.
37:35Yes, yes, of course.
37:36You are right.
37:38Before you start on the living room, will you have cleaned the dining room?
37:41No.
37:41It's the first thing you see if you have visitors.
37:46I'm going to clean it right away.
37:48Make the whole house shine, room by room.
37:51Of course, ma'am.
37:55Answering your question.
38:00It's true.
38:02I am innocent of everything I was accused of.
38:05I always was.
38:30I have to be on top of you all day long to make sure you fulfill your obligations.
38:34Hey?
38:37I warn you.
38:38Those who do not satisfy me will be the first to find a job outside this house.
38:43So now let's get to work.
38:45Come on!
38:52And what's with all that smoke?
38:55They are lazy.
38:57But don't worry.
38:58Go to the kitchen, my father is alone.
39:01Am I going right now?
39:08Do you want something?
39:09Are you like this because you had an argument with Pepa?
39:11I just came from talking to her.
39:12If you already know, why ask?
39:14Well, to find out what's wrong with you.
39:15Martin, it's best if you don't get involved.
39:17Hey?
39:18It's our business.
39:21Francisco, Pepa thinks he's moving too fast with the wedding.
39:24Or at least faster than her.
39:25That's true, yes.
39:26And she feels guilty.
39:28Perhaps it would be good for you to take things more calmly.
39:31She would appreciate it.
39:32But after all, you're not in a hurry, are you?
39:33You're already talking like my holy father, Martin.
39:35It's because you all agreed on it.
39:36Yes, Don Amadeo and I think the same.
39:38Perhaps we are right.
39:39Don't you think you should listen to us?
39:41And what's it to you?
39:43When will I marry Pepa?
39:44Sooner or later?
39:45I'm not talking about myself, Francisco.
39:47I'm speaking with you in mind.
39:48If you're going to get married, I think you should both be happy with what you're doing.
39:52And it doesn't seem like it.
39:56I just thought I had to give you my advice.
39:58Sorry if I've bothered you.
40:00Wait a minute, Martin.
40:01Why won't you speak at my wedding?
40:03Are you still in love with Pepa?
40:25What is this paper?
40:26See for yourself.
40:33For the love of all that is holy, be very careful with Doña Victoria.
40:38Because she hasn't treated me well and she's not a trustworthy woman.
40:42Who's talking about me too?
40:45Benigna.
40:47And I'd like to know why?
40:52That's what we must do.
40:55Tell Don Rafael and let God's will be done.
40:57Yes, Luisa.
41:00You have no idea how much I regret not talking to him sooner.
41:04Rosalía has gone too far.
41:06And if there is one thing we cannot allow, it is that it could end up endangering Maria.
41:10No, we couldn't.
41:12We have no other alternative.
41:14We have to tell him everything we know about the sisters.
41:17By Mary.
41:19Yeah.
41:20We have to protect Maria.
41:22It is essential.
41:25Although I can't help but feel sorry for Leonor.
41:29She hasn't been honest with us either.
41:31Yes, and she did it to protect her sister.
41:33Yes, and when it comes to protecting those we are supposed to protect.
41:36To Maria, of course.
41:37So.
41:38But Leonor was genuinely worried about the girl, miss.
41:42And he didn't stop until he found her and brought her to the palace.
41:44We cannot forget either.
41:47Yes, but we also can't feel indebted to her for doing the right thing.
41:52Know that my sister loves that girl as if they shared the same blood.
41:59I think they wanted to talk to me.
42:02We are waiting for Mr. Rafael.
42:05So in that case, should I leave?
42:07No.
42:09In fact, since you're here, stay.
42:13As soon as it appears, we'll tell you everything, Rosalía.
42:17I understand.
42:19I would do the same in their place.
42:21But they're going to make a mistake.
42:24You understand it and you think it's a mistake.
42:27A mistake and an injustice.
42:29An injustice, you say?
42:31For my sister.
42:32Because he has done nothing wrong and he will pay the consequences.
42:35We can't leave her out when we talk to Don Rafael.
42:38Leonor is your sister who came to find you and got you a job at the palace.
42:43That is his only sin.
42:45Rosalía lied to us.
42:48To protect myself.
42:50You would have done the same with your brothers.
42:51And what does it protect you from?
42:54Are you still not telling us the truth?
42:57Because I can't.
43:01Because?
43:03Because they wouldn't believe me.
43:08You have made a decision.
43:10Wait for our transfer in Rafael, it can't be long.
43:14It's very easy for you because neither of you has suffered what I have.
43:17Rosalía, do not judge our suffering.
43:20If you knew what I've been through, it would scare you.
43:25How are we going to know what's wrong if you keep it to yourself?
43:29Should I tell you about my sufferings?
43:32Have you lost a child?
43:33Because I do, Luisa.
43:35My daughter was stolen from me.
43:37Did they steal it from you?
43:39Yeah.
43:42I gave birth to her alive and well.
43:44They took it from me to give it to the man they are waiting for, the duke.
43:49Wait a minute, Rosalía.
43:52You are...?
43:53I am the mother of Mary.
43:56The one and only true one.
44:08What on earth are you talking about?
44:10I'm talking about you hiding behind your apparent good intentions,
44:12behind your priestly face to hide the fact that you are betraying me.
44:14I think I knew very well what kind of person you were.
44:16And I think that when he wrote this to us he was trying to warn us about something.
44:20If that were the case, why didn't he tell her to her face?
44:23I looked for her everywhere.
44:25I swear I did it.
44:26But the girl had disappeared.
44:28I wanted to ask if you'd like to go horse riding afterwards.
44:33With you.
44:34Congratulations.
44:35You're taking a jewel with that woman, aren't you?
44:37Doña Victoria has always been very skillful.
44:40to disappear the moment the obligation arises.
44:43How are you?
44:44How am I feeling? That's none of your business, Victoria.
44:46I see that she's still angry with me.
44:48What is it that he wants?
44:49I just want to thank you.
44:50And that face? Has something happened?
44:53Would you like to go horseback riding with me?
44:56Now, I was just about to start reading a novel.
44:59Will he have to postpone it for Arbao?
45:00What's wrong? Let it go because it's burning you up.
45:03Are you worried because I'm focusing more on the wedding?
45:05That?
45:05Does it have to do with Martín still being in love with you?
45:08We will not recover the money from the debt.
45:10That's enough, mother! That's enough!
45:11Because he's not understanding anything and...
45:13What do I need to know?
45:14Well, about what's happening, mother.
45:15What do you want to talk about?
45:16I think after the conversation with Rosalía, you know what about?
45:20Rosalía told me that she confessed to the theft of her son.
45:22No, no. Don't believe everything you hear.
45:25I just wanted to tell her that my aunt would be incapable of hurting anyone.
45:28And much less to such a small creature.
45:32I don't intend to leave her alone until I tell her what I came here to tell her.
45:36You saved me.
45:38And I feel indebted to you.
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