00:00Hi, Dad. Adrian. Sorry about yesterday. I had a really hard day.
00:07Why do you think you like fishing so much?
00:10I'm an artist, so to the deep surprise of the ocean.
00:17First, there is a father, and he has a son.
00:21Then it starts all over.
00:23I am now the father, and I have a son.
00:26But something goes awry.
00:28Something goes off script.
00:31And then suddenly, you're gone.
00:40A Hollywood producer is interested in trying to remake my documentary, Sherman's March, as a fiction film.
00:47It always just stuck with me.
00:48I'd be elated. I just don't quite know how it can be done.
00:51Can a movie bomb twice?
00:53Turn it off.
00:54This is not art. This is life.
00:56The story I thought I was telling with my filmmaking, the story of lives lived over decades, is now disjointed.
01:04Let's go.
01:05The reels were all out of order.
01:07Don't film me right now.
01:18Do you ever think about reversing the role sometimes a bit more?
01:22It'll drop it.
01:23Why don't we turn it off for now?
01:25Sure.
01:26People don't want to see a film about me.
01:27They want to see a film about what I see.
01:30Memory is partly about connecting the past to the present.
01:36That's how you remember something. You care about it.
01:39Two, three.
01:42Yes, you're gone.
01:44Except you're not gone.
01:46Because I still have all these moments with you.
01:49Captured on film.
01:50Is that still coming on the film?
01:52It depends on whether I edit it out.
01:54I want you to keep it on.
01:55I want you to keep it on.
01:56I want you to keep it on.
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