Super Diva Episode 5 | Reality Show | 5 May 2025 | HSY | ARY Digital
HOST : HSY
GUEST : Faran Tahir
PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA
The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.
Host: Hassan Sheheryar Yasin (HSY)
Stylist: Tabesh Khoja
Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.
Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.
#superdiva #Fashionshow #HSY #hassanshehreyaryasin
#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt
HOST : HSY
GUEST : Faran Tahir
PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA
The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.
Host: Hassan Sheheryar Yasin (HSY)
Stylist: Tabesh Khoja
Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.
Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.
#superdiva #Fashionshow #HSY #hassanshehreyaryasin
#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt
Category
🎥
Short filmTranscript
00:27She's up.
00:29She's up.
00:29She's up.
00:31Guys, my eyes aren't open.
00:34We're late at night.
00:35My eyes aren't open.
00:37I don't know how my day will go.
00:40I'm active.
00:41My whole body is well.
00:44We've worked very hard.
00:46We'll try to do it tomorrow.
00:48Guys, I want to say that
00:51today's day is very difficult.
00:54The other thing is
00:55we're thinking
00:57what we're doing today.
00:59We don't have to do it anymore.
01:01We don't have to do it anymore.
01:04We don't have to do it anymore.
01:05The time comes.
01:06My eyes are very painful.
01:08Nine thousand.
01:09Nine thousand.
01:12Four hours.
01:14I'm saying that
01:16we're only three days.
01:19Three days are too difficult.
01:20My eyes are so painful.
01:24There's a lot of pain.
01:25I love the body.
01:26I love the body.
01:28I love the body.
01:28I love the body.
01:28My mind was the most important.
01:31I was the most important.
01:36But I always felt like I was doing it.
01:38I had to do it.
01:38I had to do it.
01:39I had to do it.
01:41I didn't get the money.
01:46I was thinking that
01:47I was just making the body.
01:49I think
01:50when I learned that
01:51I have my expertise.
01:56Yeah.
01:56Yeah.
01:59Oh my god.
02:01The fog.
02:02The fog.
02:04The fog.
02:05The fog.
02:06Five or four people.
02:07They came to the elimination.
02:09Did they not?
02:10No.
02:10But I think
02:11they did it.
02:13They did it.
02:13They did it.
02:13They did it.
02:15Yes.
02:16It was very obvious.
02:16The fog.
02:17The fog.
02:18The fog.
02:18The fog.
02:19The fog.
02:19The fog.
02:20They did it.
02:22Because they said.
02:23Highest and lowest.
02:24Yes.
02:24They said.
02:25The fog.
02:27Highest means.
02:28The fog.
02:28The fog.
02:30The fog.
02:31The fog.
02:31The fog.
02:34The fog.
02:34No.
02:36No.
02:37No.
02:37They said.
02:38Who scored the highest.
02:41Any who scored.
02:42Because the highest marks are the highest marks.
02:44The lowest marks are the highest marks.
02:45These four marks are the highest marks.
02:48Five.
02:48Five.
02:48Five.
02:49Five.
02:49The highest marks are the highest marks.
02:51It was her.
02:52Um..
02:52Rakeba her.
02:54Maah Manoush.
02:56Yeah.
02:56It wasn't the only time talking about the others.
02:59We were about 5.
03:00He was about to do it.
03:00Yes.
03:01I am especially with the itching of people.
03:03He was going to do it.
03:06That's the thing.
03:07You were going to do it.
03:09Just go ahead.
03:09But that's not.
03:10Yeah.
03:12I was going to do it.
03:13I was going to go home.
03:14I was going to go home.
03:15I thought it was okay.
03:17Okay, okay, now let me get rid of it. I'm going to sleep at home.
03:20I was going to sleep at home.
03:23How did you feel your outfits yesterday?
03:25My outfits were very good.
03:27I swear to God but I think I had to do it better in a better way.
03:32I told you I did it better in a better way.
03:34First time.
03:35Yeah.
03:36I think there are so many seniors, so many judges.
03:40They have caught up in the head.
03:42What's going on in his mind?
03:44Because so many people are never able to tell
03:47that I am indecisive or I am over-thinking.
03:49I am doing it.
03:50Both things are in my mind.
03:51Okay?
03:51I never thought they are going to catch so quickly
03:54that you are overthinking.
03:56And I was like, this is my personal trait.
03:59So, until I don't tell anyone, I don't know.
04:02But I think that we have to keep our expressions
04:07that no one can read, bro, what's happening?
04:10What's happening in his heart?
04:11What's happening in his heart?
04:11But these people, I don't know.
04:13But I think, according to the first time,
04:15I am at my first time.
04:17I really like it.
04:17I never walked, you know, in such an environment
04:20where you have to, you know, be in a proper choreography
04:23and then there's a certain attire on you
04:26and you have to compete, you know?
04:28If you want to ram,
04:28then in the mind, there's also an element of competition.
04:31Bro, I have to compete.
04:32If it's fun, you have to go from here,
04:35you have to do the designer and clapping and everything,
04:37it's a different feel.
04:38Yeah.
04:39But when you know that there's a certain sort of responsibility
04:42on your side, you have to prove yourself,
04:45you have to look pretty, you have to show the outfit,
04:48when you have to do so much, obviously, you overthink, bro.
04:51You think twice before doing anything.
04:53I mean, you think.
04:54Comparativeness, there's a lot of pressure on everything.
04:58I feel like that sisterhood is also finished.
05:00Exactly, that's what I'm saying.
05:01But I mean, I don't know.
05:03Like, I don't know how to do it.
05:05But because, obviously, there's also a relationship against it.
05:10Yeah.
05:10And at the end, the fact is that only one is going to win.
05:13Exactly.
05:14But I don't do anything about Allah.
05:16I don't care if I win or not.
05:18Like, I don't care if I win or not.
05:19I'm having fun.
05:20I'm having experiences.
05:21I also enjoyed it yesterday.
05:23I enjoyed it.
05:24I enjoyed it, I enjoyed it.
05:25But at the end, you know, three days,
05:28like, I got any bad remarks about anything.
05:31I mean, someone didn't tell me that you could do it.
05:33They were like, you were good.
05:34Okay.
05:35So, yesterday, when I first time,
05:36they told me that, bro,
05:38this is so good and then you can carry it.
05:40So, it just hit here.
05:42Yeah.
05:42Bro, what?
05:43What did I do?
05:44I could do it.
05:45I also knew that I could do it, obviously.
05:47Because for that 15 second walk,
05:50how much time did we do it?
05:51Exactly.
05:52At 8 o'clock, we did rehearsal.
05:54I played in rehearsal.
05:54I played, okay?
05:55Then, make-up did I sit there?
05:57So, that was so much pressure.
05:58Last minute, I need to use washroom.
06:00I had to go to washroom for a lot of hours.
06:02But I was unable to.
06:03Obviously.
06:03Because I can't just...
06:04Outfit was like that.
06:05Unprofessional could not be in the last moment.
06:07So, back of the mind,
06:08there were like five to six things
06:10that were going on for me.
06:12Let me tell you, Maham.
06:13Maham was standing right behind me
06:15when the ramp went on and
06:16we were two hours and we were talking about.
06:17You were pissed too.
06:18Yeah, listen.
06:19So, she was like,
06:20Noor, I'll tell you who could potentially go to today.
06:23I told you,
06:24I didn't have any name for anyone.
06:26She said, Shiza and Noor Fatma.
06:28And when the elimination happened,
06:31they both were there.
06:33I told you,
06:34And I told you,
06:35Maham, how do you get to know that
06:36this is going on?
06:37Yes.
06:38Fosia ma'am.
06:39Did she also get to know Fosia?
06:40Yes, I told her first.
06:42Fosia.
06:43She also told her that she was wearing one of her clothes.
06:44Listen, I've got to know Fosia.
06:46She also told her what was wearing Fosia in Fosia.
06:48She told her what was wearing Fosia in Fosia?
06:50Maham.
06:50It's getting too much now.
06:52It's getting on my nerves.
06:53Yeah.
06:54And then,
06:54I told you,
06:55like,
06:56I told you,
06:57that if,
06:58if Maham doesn't know,
07:01Shiza has performed so well,
07:03we couldn't say it.
07:04And I was like,
07:05I couldn't say it.
07:06But we are not.
07:07I couldn't say it.
07:08She said she couldn't say it.
07:10She is very talented.
07:11The one who is very pretty.
07:12And it's just dominant,
07:14I don't know who names are.
07:14I told you,
07:15I told you,
07:16I told you,
07:17who can go.
07:18Yes, tell me.
07:19Kati, Noor Fatma and Shiza.
07:21Noor, we are talking about it.
07:21Noor Fatma is talking about it.
07:23Noor Fatma is talking about it.
07:23And then,
07:23And then,
07:28Noor Fatma is talking about it.
07:28Noor Fatma is talking about it.
07:29She is like,
07:30She is like,
07:30She is like,
07:32I am just doing this.
07:34I am wearing a bag of clothes.
07:35I am wearing a bag of clothes on the side.
07:37I mean,
07:38they are not going to use it.
07:39They are not going to use it.
07:40They are not going to use it.
07:41But I am going to say,
07:42but if Maham doesn't know it,
07:44and she is playing with her mind,
07:45she is very intelligent.
07:46I will tell you,
07:47which I am angry at this point.
07:49We were sitting there,
07:51and we were talking about it.
07:53And we were saying,
07:54Maham was doing it.
07:56And Shiza went back,
07:57and she came back with water,
08:05and she says,
08:05that's cool.
08:10She goes back and she goes back and she says,
08:12You should have to watch the world.
08:13She does have to watch it.
08:13When you have to watch the series,
08:14you have to watch it.
08:14You have to see it.
08:15Shiza has to say that.
08:19That's why I realized that mom treats me.
08:22I'll tell you everything later.
08:23Like, they work together a few times and some people told me that she makes her like work around like
08:29a little.
08:30She's like, that's sad, dude.
08:32Yeah, you don't get the **** to get you water.
08:34I don't tell her to put you in a glass.
08:35I mean like, I've asked her once but that's because I was in the chair and then I said thank
08:39you so much.
08:40I said, I'll give you a bottle of water.
08:41No, if you're here, that's obviously different.
08:43But if you're not saying it, you don't need water.
08:45You don't need water.
08:46Put it down.
08:47Why?
08:48What the hell are you saying?
08:50Who are you, bro?
08:51Don't hold yourself.
08:53I mean, this is so rude.
08:54Very rude.
08:55What happened to her?
08:57There was cameras everywhere.
08:58I mean, when I'm like, if I say that, I'll give it to me.
09:03I'll give it to me.
09:04I'll give it to you guys.
09:06I'll give it to me.
09:08I'll give it to you.
09:09I'll give it to you all, but I'll give it to you.
09:13I'll give it to you.
09:14I'll give it to you.
09:15I'll give it to you.
09:16I'll give it to you.
09:17I'll give it to you.
09:20But I'll give it to you.
09:21I'll give it to you.
09:23I don't like this.
09:24It's personal.
09:25Sonia told her that she used the straightener.
09:28Yes, she was angry.
09:30And she was open and she had a switch there.
09:33And she said, yesterday, I got my hair.
09:35And I was like, no, don't touch my blood dry.
09:39I was like, damn.
09:40Yeah.
09:42That's not nice.
09:43It's not fair.
09:44You know what she was saying, like, it's okay.
09:47I think Khawji Sarna, like, heels,
09:49she had to give it to me.
09:51I don't know if someone gave it to me.
09:53And my mom gave it to me.
09:54I was like, this is my way.
09:57Do you know who was wearing the heels?
09:59Who was wearing them?
10:00You know.
10:01And when she changed, I think she wore it.
10:04Yeah.
10:05I wore it.
10:05I don't know.
10:07Three potential finalists.
10:08Look at the face of the face.
10:09If I was like, I was like, I'll give it to you.
10:12And if I was like, I'll give it to you.
10:14I'll give it to you.
10:15If I won't give it to you, I'll give it to you.
10:17Sure.
10:18Promise.
10:19We'll give it to you.
10:20Charles and Geet's bag.
10:21Charles and Geet's bag.
10:22You wanted to transfer it?
10:23Uh, yeah.
10:24I'll transfer it?
10:25F***.
10:28No, I don't think so.
10:30I'll go to the first flight.
10:31UK, London.
10:32But, hello.
10:33No, F***.
10:34Hsv said, if I had to take my RAM, I would have taken her.
10:37Aw.
10:38Celebrity move, bro.
10:41You know what Superdiva?
10:42Someone who could sing, act and model.
10:44Some people here can just act.
10:45They were like, cool.
10:46Just act.
10:47Body language is very important.
10:48Yeah.
10:48Like, you cannot be a celebrity.
10:51Hsv said that Superdiva will be a celebrity.
10:53The celebrity will influence.
10:54What will they influence?
10:54Like, who doesn't have sense to be a celebrity?
11:01What will they influence?
11:03You have done a very good thing.
11:08Like, you know, I'm talking with my eyes.
11:12We're all in the Bratz Club or something.
11:16Excited.
11:16I'm Edda.
11:17Excited.
11:18That's the scene.
11:19Excited.
11:20I'm Edda.
11:21I'm wearing my backpack.
11:22I'm wearing my backpack.
11:23I'm wearing my backpack.
11:23I'm wearing my backpack.
11:26I'm your host Hassan Sharyar Yaseen.
11:28And as you are watching, it is week two.
11:31And it is day one.
11:32Week one, it was all about fashion.
11:36It was about discovering yourself.
11:38To find your personality.
11:39To take your talent.
11:41But the most important thing for me was to show your hunger.
11:45Do you want to become Superdiva?
11:47Some people did a very good impression.
11:49Some people did a very good impression.
11:53But now, the game has changed.
11:56Now, our Superdiva is not only about fashion.
11:59But they will learn about acting.
12:01Because Superdivas are not just for fashion.
12:04They are for fashion, television, movies, and social media.
12:07In all areas, they have to encourage them.
12:10And today, the acting guys who are going to competition,
12:13who are going to give skills, who are going to give tuition,
12:16it is going to be amazing.
12:18Because we have a very big star.
12:19I will tell you about that.
12:21But first, let's go meet the girls and see,
12:23what is today in Willow of Dreams?
12:24What is the mood?
12:33Hello!
12:34Hi, boss!
12:35Hello, ladies!
12:36Hi, boss!
12:37How are you all?
12:38All right.
12:39Okay.
12:39All right.
12:40Please sit.
12:41Now, we will recap a little bit.
12:44First, please welcome you all.
12:45Week 2, Day 1
12:47Welcome
12:48Thank you
12:49Super Diva
12:50At this time
12:51There are a lot of fun competitions
12:54I thought that
12:57A weak contestant
12:59That has strengthened
13:00And I thought that
13:02There are very strong contestants
13:03That will be strong
13:04If you can sum up this week
13:07Do you describe it in one word
13:11How did you feel it?
13:12What will you say?
13:13Start with you
13:15Powerful
13:15I think thrilling
13:17Thrilling?
13:18Yeah
13:18What did you find the most thrilling?
13:21The rap
13:21It was like
13:23Very new and very fun for me
13:26Bravo
13:27Thank you
13:28How are you today?
13:30I'm fine sir
13:30I know that you fell in the middle of the night
13:34Sir, it fell in my head
13:36So I didn't even go to my head
13:38Look
13:40This is a horrible thing to happen
13:42Yes sir
13:42And I am sorry
13:43That you had to hurt
13:44That you didn't hurt anyone
13:45At Super Diva
13:47Your safety
13:48Your comfort
13:49And your well-being
13:51Our number one priority
13:52And you haven't forgotten this
13:54Because for me
13:55A contestant's mental health
13:58And their physical health
14:00Is very important
14:00Mental health
14:01You are keeping your focus on your mental health
14:03Because
14:03Yes
14:04Because what happens to be that we don't have a discussion in Pakistan
14:08We forget that mental stability, mental health, mental well-being
14:13Is very important
14:15And that's why
14:16I will tell you that
14:17After 4 days of watching
14:19I have decided that
14:20In the next coming days
14:22You will also take a mental health specialist
14:24To come and speak to you
14:26To help you
14:27To be able to find your way
14:29During this very tough competition
14:31Thank you
14:31Thank you so much
14:33Thank you so much
14:33My pleasure
14:35Fatma
14:36Sir, I have realized that I am very special
14:38Before I was very weak
14:41I was pretending that I am strong
14:43But I was not
14:44I would avoid them
14:47I would not avoid them
14:48I would face them
14:49Tell me
14:50The strength within you
14:51That you are still here
14:53This competition
14:54I am sure
14:55In the house
14:56A lot of people
14:57Will have done a lot of toughness
14:59But you are very strong
15:02And you need a lot of strength
15:05To be able to find someone
15:05Today
15:06No one doesn't believe their mistakes
15:08Or their weaknesses
15:09And we are all here
15:12You have to be able to find something
15:14But you have to find your strength
15:15And we will encourage you
15:17Well done
15:20How are you?
15:21I am good
15:21I would say
15:22Entertaining
15:23Not for me
15:24But I think
15:24For audiences
15:26Like me as well
15:28Like
15:28I am very entertaining
15:30Maham
15:31How do you feel like this week?
15:33Sir
15:34I have learned to be responsible
15:37I am very responsible
15:39I am very responsible
15:40I am working for 3 years
15:41I was working for 3 years
15:42I was just going to shoot
15:44So what do you want to do there?
15:47Before I was behind the camera
15:48The process of being behind the camera
15:49I never got to get a lot of mistakes
15:51I never did anything
15:52But I am here
15:54Behind the camera
15:55To be able to do everything
16:00Don't worry about me
16:01From any act
16:02And then
16:03After that
16:05To be prepared
16:05For time
16:06Then
16:06By the time
16:07I am going to be able to do that
16:08I have to achieve the task
16:11I think it was a mixture. So, I was very thankful that I am very thankful that he made me
16:22responsible.
16:22Well done. As-salamu alaykum.
16:25Tell me.
16:27So, I think that I was in my comfort zone and I heard that comfort zone will kill you, right?
16:34So, I feel that I have gone from that comfort zone. I mean, that was really amazing, the feeling.
16:40It is a beautiful feeling.
16:41This feeling was amazing, whatever I was feeling. I was lost.
16:45Good. I am glad that you have gone from the comfort zone. Well done. I am happy you have felt
16:49that way.
16:50Rameen, how are you?
16:51I am good, how are you?
16:53Good.
16:53I have learned this week that power of unity and time management.
16:58That is a good thing. What are you doing here?
17:01I am fine.
17:02You are fine.
17:03I am great.
17:04I would say...
17:05Isha, tell me.
17:06What did you learn?
17:06I have learned a lot of interesting things.
17:09I think that I have grown so much, that I have no mental fear.
17:12That, if it is a bad thing, if it is a bad thing, if it is a bad thing, it
17:16will increase my score.
17:16The last show, everyone has said that it is such a big project.
17:22If it is a bad thing, it will be so good.
17:24The project will be fired.
17:26This is a statement that says, teamwork makes the dream work.
17:31And this is a very true thing.
17:34And it feels very good that it is coming very soon.
17:36Now, it is very early in the competition.
17:40But this is a good sign.
17:41Sanze.
17:42Hello, boss.
17:43How are you?
17:44I am fine. Tell me about it.
17:45Tell me about it.
17:46Actually, when someone says something, my mind is very fast.
17:49My mind is very fast.
17:51My mind is very fun.
17:52We say that, be careful that you give your time and your time.
17:57Make your friends look at it.
17:59Make your friends look at it.
17:59Make your friends look at it.
18:01Aisha.
18:02Asalabh, YouTube.
18:03How are you?
18:04How do you feel about it?
18:05You are the people.
18:06You are the people.
18:08Are you suffering for it?
18:09Are you suffering for this?
18:12No.
18:13She is not well.
18:14Our roommate is not going to get up now.
18:17So I took her.
18:19I said that no.
18:20You have to come here.
18:21I have to get up.
18:22I have to get up.
18:23So I have to get up.
18:24I will be very hard.
18:26Aisha.
18:26I will talk a lot.
18:27If your faith is a little bit poor.
18:29A little bit poor.
18:31And if you want to take off one or two days, we will not push you in a bad way.
18:39If you want to take a break today, if you want to take a break for one day, go and
18:44rest in your room.
18:45Whatever we have learnt, I will repute you a team member and he will give you a lesson.
18:50And you can join us again tomorrow. Please go and rest.
18:54What have you learned?
18:56In our condition, we have to work. If we do, we will be successful.
19:00I have not said that I am in fever. I will not go out of my room.
19:11I do not work. I am not standing there. I am not standing there.
19:16But I am standing there. I said, no.
19:19Don't step back. If you want to be successful, stand there. I am standing there.
19:24I am standing there.
19:25Yesterday, it was very difficult for me.
19:27I have seen you.
19:28Team Ery was very helpful.
19:30Everyone is very helpful.
19:36Thank you team Ery.
19:38And thanks to you.
19:39You have appreciated me very much.
19:41Yesterday, you also appreciated me very much.
19:44Maybe your confidence you gave me.
19:47That's why I am standing there.
20:13Thank you so much.
20:14Okay.
20:15Yes.
20:17Sir, I have learned something about love and feelings.
20:20My friends are not my friends.
20:22One, two friends are not my friends.
20:23You have no friends?
20:25No.
20:26All my friends are not my friends.
20:27They are my friends.
20:30Yes.
20:30Yes.
20:30So, I am very alone.
20:33I am very alone.
20:34I am at home.
20:34I am at home.
20:35I am at home.
20:36I am not talking to anyone.
20:36I am just watching movies.
20:38I am using phone.
20:39I am sleeping at home.
20:40You are reading books.
20:41Yes.
20:42You are reading books.
20:43You are reading books.
20:44Yes.
20:44I am reading books.
20:46For a day, for a day.
20:47I am sleeping in the makeup room.
20:49I am sleeping.
20:50I I am sleeping.
20:52I am sleeping.
20:53And I am sleeping and sleeping.
20:53After some minutes I am sleeping.
20:56I am sleeping.
20:57I am sleeping in love.
20:58I feel my soul will be in love and one another.
21:00So, I am feeling that I am going to be doing good.
21:02That the thing I have learned, that for someone to be feeling and feeling
21:06that you are not sleeping with your heart.
21:08If someone has lost it, then you have to finish it.
21:13You don't have to keep anything in your heart.
21:15So, I learned something here.
21:17Excellent.
21:18Excellent.
21:19Lots to learn.
21:20I just said that this show is exciting to me because it's my business.
21:26I'm working from 30 years.
21:28But I've learned a lot from 30 years.
21:32But as I've learned from your strengths and weaknesses,
21:36I want to thank you for that.
21:37This has been so far an incredible experience.
21:40But now, time has come to change the gears.
21:44So, the opportunity we want to give you,
21:46which we want to level up next,
21:51you'll probably get a few people.
21:53If ever, you'll get a few days.
21:55You want to do such an activity
21:57where you'll learn everything about business.
22:01We have the most unbelievable star
22:04who has come all the way from Hollywood
22:07to come and give you a class.
22:12He is the star of Marvel's Iron Man.
22:17He has been in Disney's Jungle Book.
22:20He has been in Star Trek.
22:22He has been in Supergirl.
22:24He has been in shows like Grey's Anatomy.
22:28He is an incredible star.
22:31One of our Pakistan's biggest international stars.
22:35Who is it? I'll tell you too.
22:38But what will you teach?
22:40Are you ready?
22:41Yes.
22:41Yes.
22:42You have dialogue delivery.
22:44Okay.
22:45Expressions, understanding.
22:47You will write all of them collectively.
22:51To understand how the movie is written.
22:54So, you will understand acting.
22:56You will understand script writing.
22:58After script writing, you will be able to give you
23:01where you will also become director.
23:03You will also become actor.
23:05You will also become producer.
23:06From beginning to end,
23:08in three days,
23:09on the last day,
23:10you will also show me a telepilot
23:14or a pilot of a show
23:15or a theatrical scene.
23:19Shot, executed, produced, direct by you.
23:22Okay.
23:27For this challenge,
23:30I don't have interest in your makeup.
23:32That's why for the next few days,
23:34the makeup room is closed.
23:37No makeup.
23:38I need your raw, natural beauty
23:42and actual talent.
23:44This is a talent competition.
23:47So, without further ado,
23:49please give an incredible welcome
23:52to Farhan Tahir.
23:54Hello, hello, hello, hello, hello.
23:57How are you?
24:00Thank you, thank you, thank you, thank you, thank you.
24:03How are you guys?
24:04Good?
24:05Excited?
24:06Yes.
24:07Nervous?
24:07Yes.
24:08Yes, you should be.
24:10I think,
24:10I think,
24:11I think,
24:11I think,
24:12excitement and nervous should go hand in hand.
24:14Absolutely.
24:14Because when you have nervousness,
24:16you will try to do better.
24:18Right?
24:19Yeah.
24:20Let's do this.
24:20This is your chair.
24:21Oh, this is my chair.
24:22This is your chair.
24:23This is your chair.
24:24Alright, let's sit down.
24:25Before you start,
24:27ladies,
24:27I am going.
24:28Because you are in hands.
24:30When my heart is doing that,
24:31I am sitting here,
24:31I will teach everything.
24:33But,
24:33because I am not part of the Super Diva competitions,
24:36I will go.
24:37Farhan, all the best.
24:38Thank you so much.
24:39I'll see you in a bit.
24:39And ladies,
24:40all the best.
24:41Make sure you,
24:41take advantage of this opportunity.
24:44This is a once in a lifetime.
24:45Thank you, sir.
24:46All the best.
24:47Alright.
24:48So,
24:49Acting.
24:51What do you think of acting?
24:53that is acting?
24:54what do you think about acting?
24:55What do you think about acting?
24:57What do you think about acting?
24:58Say it.
24:59Sir, I think acting is going to be an emotional.
25:01Exactly.
25:01Now look, you have written a script and I will kill it, don't get out of your expression, don't get
25:10out of your emotion, then it's not acting.
25:14That's a very good question. And I'm curious about this.
25:19People think that acting is an expression and emotion.
25:23No sir.
25:25Acting is just truth.
25:26Yes, exactly.
25:28People think that we are acting as a joke. We are not talking as a joke.
25:32That's why I tell you that we all act every time.
25:35If you are sitting in your friends, then you will act as a joke.
25:39If your mother comes to you, then another character comes out.
25:43So we act every day and it doesn't mean that we are talking as a joke.
25:49It means that we are investing ourselves in that moment, in that moment.
26:05It doesn't matter.
26:06I'll show you a little example.
26:08If you are doing this character and you know this character, God forbid, that his mother has lost his mother.
26:17Now if your character is sitting in that moment, it's a valid choice.
26:24Yes sir.
26:26One more valid choice is that you get your news and you are in shock.
26:30You don't trust me.
26:31You don't trust me.
26:32You don't trust me.
26:33That it is a valid choice.
26:36That it is a valid choice.
26:36A valid choice.
26:37Yes sir.
26:38One more valid choice is that you can't be able to say that this is going to be possible to
26:41me.
26:42Okay.
26:42So, as actors, what do we do? We make a palette of choices. And then we choose the color from
26:52them. What color should we choose?
26:55I always say that the simplest choice for actors is the bravest choice.
27:04What do we do? We make things complicated. We make act. Be natural, be real. Exactly.
27:12And I think acting is all about your connectivity with people, with emotion, mental, physically. Absolutely. That's what it is.
27:21And the amount of believable it is for you, the amount of believable it is for the audience.
27:25And then people relate to that. That's what it is for me. Exactly.
27:30We have to get the idea that people can relate to that character. Exactly.
27:34The second thing is that character is a mystery. Exactly.
27:42And you have to keep the mystery, especially in today's time.
27:46The attention span is so small that the minute we solve something,
27:50your phone comes and we are texting.
27:53Okay. As an actor, what is your work?
27:55That you keep moving the dial a little bit.
28:00Whenever the audience or somebody thinks that they know what this character is about,
28:04you just shift it a little bit.
28:07So that the attention of the other person comes back to the character.
28:11If you don't want to run from the actor or you don't want to be scared,
28:14I think it becomes one of the most wonderful experiences.
28:17Because you're actually relating.
28:19One is this. The second thing is that you can't act in a vacuum.
28:24I've seen many actors who have their tones, their faces,
28:28all of them come from home.
28:31You need to practice your own research.
28:35But in reality, if you and me are in a scene,
28:40it's going to be you and me.
28:42Okay?
28:43What is the biggest thing I have to do?
28:45I have to listen.
28:48I have to see that I have to make this tone.
28:50I have to make this tone.
28:50I have to make this tone.
28:51But if you bring this character to me,
28:53then how do I adjust it?
28:55How do I adjust it?
28:56It has to blend in.
28:57Yes.
28:58And that spontaneity.
29:00Yes.
29:00In the moment.
29:01In the moment is what's wonderful.
29:03Sir, one thing is that,
29:04if you have something prepared,
29:08prepared and prepared lines,
29:10and you have to do one thing,
29:12you have to do one thing,
29:13and you have to do one thing,
29:14and you have to do one thing.
29:15If you get another situation,
29:17then what do you do?
29:18What do you do?
29:18You don't do actor.
29:19You don't do actor.
29:20Okay?
29:21We do two things in acting.
29:23One thing people say,
29:24characters arc.
29:26Arc what is it?
29:27That you have started,
29:30and you have to go here,
29:32the end of the play,
29:33the end of the film,
29:35the end of the arc.
29:36You have to do it.
29:39Because the story,
29:40the story we read,
29:41we have to do it.
29:43But I always say,
29:45make an arc,
29:46and make a matrix.
29:49In that matrix,
29:51you have to get the freedom,
29:52that you can choose things.
29:55That you can reach there,
29:56but how do I reach here?
29:58If you look at that scene,
30:01if you have to cry a lot,
30:03then the next scene,
30:04if you have to cry a lot,
30:05then it will end.
30:07Then there will be economy.
30:09Yes.
30:09Okay.
30:10So,
30:11these are small things,
30:12which we have to look into.
30:16What is that?
30:17There is a technical side to it.
30:19Emotions.
30:20Emotions.
30:39Emotions.
30:39I have to say,
30:40give me this bottle.
30:42Nothing complicated.
30:44I think acting is just,
30:45like we are sitting here,
30:46if we can pretend this on camera,
30:48naturally,
30:49this is what acting is.
30:50Absolutely.
30:51Absolutely.
30:52Like acting is all about being human.
30:53Body language is all about being human.
30:55It's all about being human.
30:57Exactly.
30:57All about that.
30:58And you, see,
30:59if you have any genre,
31:01if you are doing science fiction,
31:03then you cannot play science fiction.
31:05you cannot play it.
31:06Yeah.
31:07You play its reality.
31:08Exactly.
31:09Okay.
31:10The science fiction,
31:11that is for the audience to recite,
31:13that is for the audience to recite,
31:13that is for you.
31:14It's reality.
31:15Yeah.
31:15I am sorry,
31:17I am cutting you off.
31:18No, no, you are not.
31:19Like,
31:19when I say human,
31:20I am always watching movies,
31:22people say that
31:22there is a survival show,
31:24everyone is a fighter,
31:25and this and that.
31:26That character is very hate,
31:28and he is crying.
31:29But think about it,
31:29he is the only person
31:30who is acting human there.
31:32Exactly.
31:32We will go and we will cry
31:33in a survival show.
31:34Exactly.
31:35Okay.
31:35Now, when you have to cry,
31:36there are little tricks.
31:39If you have to cry,
31:41then try not to cry.
31:44Okay?
31:46There is a person who is coming
31:47and is trying to cry.
31:49He is trying to cry.
31:50That is acting.
31:51Exactly.
31:52That is fun.
31:53Yes, exactly.
31:54Because then,
31:56I always say that,
31:58I don't cry.
32:00In fact,
32:00you are going to cry to the audience.
32:02So, if I cry,
32:03and I cry so much,
32:04that the audience says,
32:05you are going to cry so much,
32:06then why am I cry?
32:06I cry.
32:08The accountability is more important.
32:10Exactly.
32:11Exactly.
32:11And you have to create that connectivity.
32:14One advice you gave before
32:16starting any kind of acting,
32:18anything,
32:19that one thing,
32:20that you have never forgotten,
32:21that you have to keep in mind.
32:22Before you start acting or anything.
32:25What you have to keep in mind,
32:27that you have to keep in mind.
32:28The sense of truth.
32:30Okay.
32:31Always find the sense of truth.
32:35You will go anywhere,
32:36as long as you understand,
32:38that there is a truth to this.
32:40This is not a lie.
32:42Yeah.
32:43Then it becomes easier.
32:44Our activity is going to be,
32:46would you try to teach us?
32:48Like, I need some classes from you now.
32:49Yes, yes.
32:50This is what we are going to do.
32:51Yes.
32:52We will do three or four things.
32:54We are going to work on our voice.
32:55Yes.
32:56How to get in touch with our own voice.
32:58Yes.
32:59Okay.
32:59We are thinking about speaking from here.
33:01No.
33:02We don't speak from here.
33:03Yes.
33:04We speak from here.
33:06We speak from here.
33:06The actual voice is here.
33:08So, we will work on the voice.
33:09Okay.
33:10We will work on some movement.
33:12How to,
33:13how to relax ourselves enough.
33:15Yeah.
33:16So that,
33:17it becomes easy for us,
33:19to let the character come through us.
33:21We will work on another thing,
33:23which is,
33:23how to empty ourselves out enough,
33:27that we can,
33:28let the character,
33:30also come and share this,
33:32this body with us.
33:33Yeah.
33:34We will work on that character.
33:36We will work on that character.
33:36Yes.
33:36And there is a bridge,
33:37which is always in you and in the character.
33:41Exactly.
33:42So, we will work on that.
33:43And then,
33:43we will work on another thing,
33:44which is,
33:46how to collect clues from the script.
33:48Okay.
33:49And finally,
33:50I will say this to you,
33:51and we will also work on that.
33:53that you will write your own,
33:55your own,
33:55little monologue.
33:57What is the topic on this topic?
33:59You can choose,
34:00simple to simple.
34:01Or,
34:02your own.
34:03After that,
34:04we will understand,
34:04what it is.
34:07Anyway,
34:08take a little break.
34:09And then,
34:10we will maybe go outside for a little bit.
34:11And,
34:12we will wrap this up.
34:13And then,
34:14wear comfortable clothes.
34:17Yeah.
34:17Okay, sir.
34:18And then,
34:19we are going to move around a little bit.
34:20We are going to do a few things.
34:22And,
34:23we will have fun.
34:24Okay.
34:24Alright.
34:25Let's go.
34:27Where are my wonderful,
34:29wonderful,
34:30super divas?
34:41Let's sit down.
34:42Okay.
34:43I have thought about it.
34:45I am thinking that,
34:47I am thinking that,
34:48because,
34:48we will have time for the episode,
34:52that,
34:52I will divide you from three groups.
34:57Oh!
34:58Okay?
34:58That will be easier for us.
35:00Yeah.
35:00Okay?
35:01And,
35:01I will make three or four situations.
35:03I will make them.
35:04Yeah.
35:05And then,
35:06you can decide how to do it.
35:08Okay?
35:09Okay.
35:10tell me,
35:10who is in the team?
35:12We are two.
35:13You are two and one.
35:15Tell me.
35:15I am,
35:16I don't know what everybody wants to do,
35:17but I want to do something intense.
35:19Okay.
35:19Okay.
35:20So,
35:21be with you.
35:21So,
35:22I can see.
35:23Because,
35:23you have to make three teams.
35:26So,
35:27who is in the third?
35:28Shanzer,
35:29do you want to be with us?
35:30It's your choice.
35:31Yeah.
35:31So,
35:32one group is in the third.
35:34One group is in the third.
35:36This is the third and this is the third.
35:37Yeah.
35:38Okay.
35:39Now,
35:40what are you doing?
35:41Illness?
35:41Yeah.
35:42Illness.
35:42Illness.
35:43Illness.
35:43What are you doing?
35:45The script I told you,
35:46like a strict household.
35:47Okay.
35:48And she is my older sister.
35:49And she is going to be like,
35:50very bossy.
35:51And she is going to be like,
35:53she is outside.
35:54And this and that.
35:56Bad influence,
35:56good influence,
36:26bad influence.
36:27that somebody goes into the background,
36:29just because,
36:31another person is being prominent.
36:32That's not how we are going to do it.
36:33And sir,
36:34if we copy it,
36:34if we do the best from the original,
36:36then what else is the best?
36:37Yeah.
36:38If we do the best from the original,
36:39you don't be more confident now.
36:41Yeah.
36:42you have to hold your character.
36:44Exactly.
36:45Okay.
36:45You are deciding?
36:46We will do that.
36:49But we will do that.
36:49We will do that.
36:49What is the relationship with the girls?
36:51What situation is going on in their house?
36:53Three wives are sick.
36:54So,
36:55what situation is coming?
36:56And what situation is going to happen?
36:57What situation is going to happen?
36:58One is going to love it.
36:59Okay.
37:00Yeah.
37:01Don't do the situation very complicated.
37:03Okay.
37:04Make a situation.
37:06After that, we have to make the characters.
37:09Okay.
37:10That these three characters will react in this situation.
37:14So, you will have illness.
37:16Now, I will leave you what to write and how to write.
37:18Okay.
37:18Tomorrow, you will write me.
37:19Tomorrow, you will write me.
37:22Now, this is our homework.
37:24Yeah.
37:24Exactly.
37:25That the script you are writing,
37:26you will write me first.
37:30Okay?
37:31If you have to adjust or give me some suggestions,
37:34I will give you.
37:34We need to change.
37:35You need to change.
37:36This is the time.
37:37And after this, there is no changing.
37:39Betrayal of best friends.
37:40Betrayal of best friends.
37:41Okay.
37:41Betrayal of best friends.
37:42You guys are?
37:43Marriage problem.
37:45Marriage problem.
37:45Okay.
37:46Marriage problem, conservative household and illness.
37:50Done.
37:50How many minutes are you doing?
37:521.5 to 3.
37:52Yes.
37:53That means, the lines are much less.
37:56It is so much written that they relate.
37:58Yes.
37:59Normal.
37:59Yes.
37:59That means, less than 1 minute.
38:01Yes.
38:01There is no more scene than 3 minutes.
38:04Okay.
38:04So, what are we doing today?
38:05We are doing warm-up first.
38:07Okay.
38:08After that, we will do some improvisation.
38:10Okay.
38:11We will take the improvisation of these scenes.
38:12We will take the improvisation of these scenes.
38:13And we will do improvisation of them.
38:16We will forget the script.
38:18Okay.
38:18Okay.
38:19Just to get this thing going in our bodies, in our minds, in our souls, in our spirit.
38:25After that, the words will be the big day.
38:29Yeah.
38:29We will perform them.
38:31We will perform them.
38:31We will perform them.
38:32When we do improvisation tomorrow, we will take the improvisation of these scenes.
38:36How will it be in the theatre?
38:39And how will it be in the screen?
38:40How will it be in the scene?
38:41It's not about right or wrong or good or bad.
38:44It's about having the confidence to make a choice and commit to it.
38:49Yeah.
38:49That's all.
38:50So, that's the assignment.
38:52Now you can write.
38:53Let me show you tomorrow.
38:54And then let's have fun tomorrow.
38:55Yes.
38:57I'm very excited.
38:58Alright.
38:58Awesome.
38:59Good.
39:03Let's have a good night.
39:05Thank you, sir.
39:06Thank you very much.
39:06I am excited.
39:07I hope you guys are.
39:08Very excited.
39:10Good.
39:10We will do it.
39:11We will do it tomorrow.
39:12Perfect.
39:12Inshallah.
39:14Alright.
39:14I am going to go.
39:15Bye.
39:16Bye-bye.
39:18Bye-bye.
39:19Good night.
39:20Good night.
39:21Good night.
39:22It's going to be one hell of a night.
39:24Let's just do.
39:25Hands go ahead.
39:29There are also chutney.
39:31It's so cute.
39:33I love it.
39:34Oh my god.
39:35I love it.
39:36Yo, yo, yo.
39:38Is that amazing?
39:39Who has demanded this?
39:40We have done it.
39:41You haven't done it?
39:42Yes.
39:43Paris line.
39:44The thing is that you have done it.
39:46You have done it.
39:47You have done it.
39:48Okay.
39:49Leave it for someone else.
39:51I have done it.
39:52I have done it.
39:53I have done it.
39:53I have done it.
40:02I have done it.
40:03And then,
40:04I am very good.
40:05Sonia.
40:06Sonia.
40:07Where are you?
40:08Sonia?
40:09I will give it.
40:09I have taken it.
40:10Sonia, tell me.
40:12Okay.
40:13Sonia, give me a plate.
40:15What do you want?
40:17Sonia, give me a plate.
40:19That's it.
40:20Give me a plate.
40:21Give me a plate.
40:21I am going to put it.
40:23Let's take a plate.
40:24One minute.
40:25Who is it?
40:26Guys, see.
40:27These are all the means.
40:29They have taken it for themselves.
40:30They have taken it for me.
40:31Look, I have taken it for myself.
40:32And I have not done it for me.
40:34Take a sandwich, baby.
40:36Keep it in the sandwich.
40:38You can see them all.
40:41What is it?
40:42They have to take the sandwich.
40:43Your love is the same thing.
40:43I have taken it for you.
40:44I have taken it for you.
40:46Don't give it to camera.
40:46I will take it myself.
40:48Don't give it to camera.
40:50Don't give it to camera.
40:50You do not record the camera when you show.
40:52That's it.
40:54No, I am doing it.
40:55I am doing it.
40:55I am doing it.
40:56I am doing it.
40:58It is necessary because you have to write and then you have to act too.
41:03You have to act too.
41:05You have to act too.
41:07You have to act too.
41:09You have to act too.
41:10Girls, let's move.
41:11I am glad.
41:12The camera is coming here.
41:16I told you that whatever you have to write is perfect.
41:21You have to act and see if you are doing it or not.
41:24You have to act too.
41:26You have to act too.
41:27I think we are lucky that we can practice in one room.
41:32It is an easy week.
41:33It is a difficult week to eliminate one person on acting.
41:37Do you know?
41:38So we have to give our best.
41:39Because one person on acting will be out of this week.
41:43In the next week, I feel like the ramp will start.
41:45The proper designers and everything.
41:47I have to walk and walk every week.
41:51So we have to make it.
41:52I feel like you have to act too.
41:55Your body language.
41:56We will eat it.
41:58Delivery, dialogue, delivery.
42:00And lastly,
42:02You are not being dull in your character.
42:05You have to add three people.
42:07Two people are overpowering and one person is dull.
42:11So you don't have to overshadow your character.
42:13You have to give your character pace.
42:15That's all.
42:17What is your character?
42:18You are my type.
42:20I don't like her.
42:22I don't like her.
42:22Then?
42:23I don't know.
42:24I have to give her character to her mother.
42:25That's why.
42:26Mother?
42:27What does she feel?
42:28What do I do?
42:29The way she is sitting here.
42:31And the way she is humble.
42:33Who is she?
42:34Who is she?
42:34Who is she?
42:34I have to tell her.
42:36Yes.
42:36I have to tell her.
42:37Yes.
42:38I am saying that in her face,
42:41with so much humbleness,
42:42I feel like her character is real.
42:44She is a real mom.
42:44I can be a mom.
42:45Like what is it?
42:46I don't know.
42:47She said,
42:48Do your voice down.
42:50Who is she?
42:51Bro, I am frustrating.
42:52I have not written a word.
42:54Everyone is working.
42:55I don't want to, you know.
42:58You have to do it alone.
43:00They are not cooperating with her.
43:02They didn't listen to me.
43:03What do you mean?
43:03Why is she trying to?
43:04That one person,
43:06But Chari Shiza,
43:07she is trying to,
43:08You know,
43:08She is trying to do it.
43:09I have told Shiza that
43:11Shiza is weak.
43:11We both do it.
43:13Shiza is a strong character.
43:14Exactly.
43:15She is going to do it.
43:16And one thing more.
43:16One thing more.
43:16What I have written.
43:17It is.
43:19She is able to understand.
43:19She is able to cry on demand.
43:21She is able to cry on demand.
43:22And she can cry on her own.
43:23And one of her,
43:24I have seen it and she is emotional.
43:27Two scenes they show that
43:29they can prove to you.
43:31But, if you don't want to listen, then what will I do?
43:34I will take them and take them to the camera and then I will see, everyone will come to me.
43:38Let me try it, right?
43:40I am gone, I will go from here, I will say, don't do that.
43:43I am in tension, my voice will be loud.
43:46I don't want to come.
43:47I don't want to depend on my points.
43:49I have said it.
43:50She said,
43:51I am pampered.
43:54But this is not your...
43:56Yeah.
43:57Relax, girl.
43:58Yeah.
43:58Yeah.
44:00We should also love them visually.
44:03And, you know, dialogues etc.
44:05I feel like if we start with this scene,
44:09that we are sitting like this and that is our starting.
44:12You know, like, if I am making it, then I am making it.
44:16So, like, sitting like this, I feel like a lot of people will enjoy it.
44:21That is what you are thinking, right?
44:23Now, tell me about it.
44:24I don't know what the story is, I don't want to show my acting.
44:26I don't want to show my acting.
44:27I am so excited that you focus on yourself.
44:32He is saying that the others are doing good.
44:34They are doing good good.
44:36You are doing good good.
44:37You are doing good.
44:38So, I know that I need to be perfect.
44:40I need to be perfect.
44:42Maybe they will put me with my team.
44:46Okay.
44:46I know that I am fighting.
44:48How do I have to live with number one?
44:49How do I have to live with number two?
44:51I don't want to live with number two.
44:52I can't afford number two.
44:54If I am doing good performance from the first day,
44:57then I was alone.
44:58I knew that I was fine.
45:00Now, I will be prepared for you.
45:03I will be prepared for you too.
45:03You will also see you too.
45:05Because I want to come with you.
45:07The main character is the main character.
45:11The main character is such that she does a lot of love from the child.
45:16This is a lot of love from the child.
45:19She does a lot of love from the child.
45:20She has made a compromise for the child.
45:23Now, the child is the baby.
45:26There is no gender.
45:28You can't say gender.
45:29You could say that you have to come to your house and you say that my daughter is my daughter.
45:35If I will die, who will do it?
45:37who will do the same thing in this life?
45:39Because in this life, girls are not alone,
45:45I am getting a little bit of a situation
45:47This is very emotional
45:49What did our teacher say?
45:51She said that
45:54the less you can do the dialogue
45:57you can do the performance
46:00you can do the performance
46:01the dialogue is mixed
46:02and we can do the ball
46:04you can focus on your acting
46:07When the dialogue is completely written
46:11it will be detailed
46:13Emotions also matter
46:14If there is dialogue, it will be an emotion
46:16Okay, let me tell you
46:18this whole situation
46:19I just wanted to live without writing
46:21I didn't write it
46:23I wanted to write it
46:24Now you can write it without writing
46:28because one person
46:30who is a writer
46:32It's not a team work
46:33It's not a team work
46:34I will not write it
46:35because I am writing it
46:38No problem
46:40Okay
46:42Let's do it
46:43I will ask you
46:43I will ask you
46:49if you want to join us alone
46:51If you want to join
46:52then your sister will listen
46:53We will also listen to you
46:55We will add the same
46:57Who will say that
46:58I will not come
46:58I will not come
47:00I will not come to anyone
47:01I will not come to anyone
47:02I will love everyone
47:03I will feel
47:04I will focus on me
47:07I will ask you
47:07I think you are looking
47:08that there will be a disease
47:10She is saying
47:11She is saying
47:11Okay
47:12I understand
47:13I will do it
47:14I will do it
47:14But she says
47:16I am so angry
47:17and I am so angry
47:19You are not taking the time
47:20You are not taking the time
47:21You are not taking the time
47:22Now
47:23quickly
47:24Discuss
47:25Do you have two lines
47:26Do you have two lines?
47:28Do you have three minutes?
47:29No
47:29No
47:30You are not taking the time
47:31You are not taking the time
47:31Monologue
47:32We are not doing monologue
47:34Monologue
47:35Activity is monologue
47:36The story line is complete
47:38and we will only use this line
47:39We will only use characters
47:41We will only use characters
47:41We will only use a scene
47:42It is not a monologue
47:43But it is not a monologue
47:44No, you know
47:45Monologue is not coming
47:46They are not coming
47:47They have used word monologue
47:49Monologue
47:49Monologue is very powerful
47:50We can do this
47:50You give a monologue
47:52Your monologue
47:53Can be the
47:54She said
47:55We have made three groups
47:56You have defined your character
47:58Monologue
47:58You have defined your character
48:00Monologue
48:01You have defined your character
48:02I have defined your character
48:04Ok, now
48:05You have done it
48:05We have to share it
48:06We have three minutes
48:07One minute
48:08One minute
48:09One minute
48:10One minute
48:10It is okay
48:13Lies
48:14Exactly
48:15Realize
48:15Realize
48:16Realize
48:20Realize
48:20Realize
48:20Realize
48:21It's good
48:22How are we going to pronounce
48:24in front of them
48:24Realize
48:25Realize
48:27Realize
48:28Realize
48:29Realize
48:29Yeah
48:30Dude this is it
48:32That's
48:33Realize
48:34And then we will say
48:35Realize
48:35We have to recognize
48:37We have seen
48:39We have seen
48:39We have seen
48:39We have seen
48:40We have seen
48:40And we have seen
48:41We have seen
48:42You are the girl's daughter
48:44You are my son
48:46Nand
48:47What are you doing
48:49What are you doing
48:49Tell me
48:49What are you doing
48:50You are the girl's daughter
48:52You are the girl's daughter
48:53What are you doing
48:54Do you keep
48:54Every brother
48:55Nand
48:56Nand
48:56Nand
48:57You are the girl
48:58You are the girl
49:00I can't
49:00I can't
49:01My dialogue delivery
49:03Very strong
49:04You are the girl
49:05You will have to say
49:05Dialogue
49:06You have to say
49:07Dialogue
49:07You have to ask
49:08This is teamwork
49:10You are not talking
49:12You have to say
49:14You have to say
49:14You have to say
49:29One woman
49:30And then when does it?
49:31After?
49:31You told me that I had to talk to you.
49:35Yes, yes, say it.
49:37I'm on the side.
49:38No, no.
49:40I'm on the side.
49:42I'm not on the side.
49:42I'm not on the side.
49:43I'm not on the side.
49:43You came to me alone.
49:45Look at me first.
49:47It's my character.
49:48I'm showing you.
49:49I'm telling you.
49:50Let's go and do it.
49:51I'm like this.
49:52It's okay.
49:53You're already sitting.
49:54You're already sitting.
49:55You're already sitting.
49:55Yes.
49:56You're sitting in your clinic.
49:58Yes, I'm sitting here.
49:59I'm sitting here.
50:01I'm sitting here.
50:02I'm sitting here.
50:03I mean, I'm sitting here.
50:04It's right.
50:06Hey, Isha after a long time.
50:08Where did she go after?
50:09Do you know from the first time?
50:12One minute, please.
50:13When you're saying,
50:14Hey, Isha after a long time.
50:16Where did she go after?
50:16What are your expressions?
50:18Are your expressions?
50:19No.
50:23How are you?
50:24You have to laugh.
50:25You have to hide.
50:26You have to count.
50:28I mean, when I'm crying.
50:31You have to hold my hands like that.
50:35No.
50:35I'm a fighter.
50:38You have to speak with the dialogue.
50:40You have to speak with your purpose.
50:41But you have to promote me.
50:43You don't have to write.
50:43Why do you say it?
50:45Why do you say it?
50:45I can't do it.
50:47I can't do it.
50:48I'm telling you.
50:49I'm telling you.
50:50You have to ask yourself.
50:51You have to come with me.
50:52Why do you say it?
50:53I'm telling you.
50:54I'm telling you.
50:55You don't come to me.
50:56I mean, you have to come to me.
50:58You have to come to me.
50:59You have to come to me.
50:59You have to come to me.
51:00When are you married?
51:01It's a normal conversation.
51:02You are going to be like.
51:03You are so sweet.
51:07You have to answer your answer.
51:09You have to answer your answer.
51:10Yes.
51:10But in this, the three, four things.
51:12We have to add more time.
51:15Look, we have to flip the situation.
51:18After you, this script has a little bitty.
51:21It's a little bitty too, because I can't left the other.
51:25I'm telling you.
51:25All of my girls are gay.
51:29Do you understand?
51:30Não.
51:31They will ask for you.
51:32We will not give anyone.
51:33No, it's not.
51:35We know what we know.
51:37They are here.
51:39We are on here.
51:40Now we have to go not here.
51:44We will show them that we are going.
51:45we are not doing what we are doing
51:48I don't have any intention
51:49so I will tell you to stop thinking
51:52and if you are in your mind
51:54you will stop thinking
51:59I will stop thinking
51:59and I will leave here
52:03and I will leave here
52:06Guys, where are you?
52:08Don't ask
52:09No, I'm taking reviews
52:12I will leave here
52:14No
52:15Go on
52:17Listen to me
52:18I have prepared for writing
52:20I will leave here
52:21I will leave here
52:24what is writing this script?
52:25Where is my hockey?
52:29Where is my hockey?
52:30I will leave here
52:31I will leave here
52:32I will leave here
52:36What do I mean?
52:37I will not make it for me
52:38I am not telling you
52:40I am still telling you
52:40I have seen the script
52:42and we have done the act
52:43It made a mistake
52:44I have not seen it
52:46it made a mistake
52:47It does not feel
52:48It does not feel
52:48It is amazing
52:50It is not true
52:51It is not true
52:53It is not true
52:56If I wrote it
52:56It is true
52:57It is not true
52:57It is not true
52:58It is not true
52:59It is not true
53:00I have told you
53:00When I asked the script
53:02you will speak this
53:03but it is not true
53:05But from words
53:06My honest it is the way. Here is your voice, your sound, your pronunciation.
53:10I just don't think we have to do anything.
53:13I am starting to feel something good and I am not going to do anything.
53:19I just don't feel anything right?
53:22Yes, I don't feel anything.
53:25I don't feel it.
53:27We are doing anything.
53:28You are done with Sprint.
53:31We don't don't do everything extra.
53:34I don't do it.
53:35Okay.
53:35He gave me a card.
53:37Yeah, I gave him a card.
53:38When we went to the bathroom, I called to say, oh my god, we need you on a shoot.
53:42And I said, oh my god, I'm going for a shoot.
53:44And then you say, okay, I'm going to go to my office.
53:47So, he feels like he's going to work, he's going to work.
53:49Why didn't I come to work?
53:51Exactly.
53:52I said that he started a little jealousy here.
53:55After that, when he's jealous, he will call me.
53:57And he will call me.
53:59And I'm doing my posing.
54:00You said, I got this project.
54:01Yes, and make a project.
54:03And we think, wow.
54:06I'm doing something.
54:08Can you see how you act?
54:10I'm doing something.
54:16I'm doing something.
54:16And I'm saying, oh my god, I'm so happy.
54:19And then he said, okay, sorry, I'm going to go.
54:21Then I'm going to go to darkness.
54:24Then I'm sitting in office.
54:26And then I feel like it's a lot more.
54:29She's like, okay, I got that and she's like, she's like, I mean
54:33What kind of topic is your concept?
54:36Your concept is strict household
54:38Are you the big sister?
54:40No, I'm the little sister
54:41She's in PR
54:42And she's like, all the characters of our house are you?
54:50Guys, I'm going to f*** you
54:53All the characters of our house are you?
54:57Why do they have two characters?
54:58It's not our, it's pure, soft, beautiful, beautiful love
55:02Which is just from our cousins
55:04Because you don't get the best out of the outside
55:06Yes
55:08I'm sorry, I don't support this
55:09You don't want to do that
55:11That's the same thing
55:12No, no, no, guys, cousins
55:15I just mean to say
55:20You're little girls and
55:22What kind of person comes to you
55:23But I think that you're safe in your home
55:25You're safe because your parents influence you
55:28You don't want to do your parents
55:29You don't want to do your parents
55:31Okay, if you feel good, that's fine
55:33You don't want to do your parents
55:35I'm saying that they're not watching acting
55:38They're not watching acting
55:40You don't want to do so long
55:42There's not such a long margin
55:56We don't want to do your parents
55:57You don't want to do your parents
55:59I don't want to do your parents
56:00We don't want to do your parents
56:00What do you want to do on TV
56:01You can tell her
56:03I'm saying that we have only married
56:03I'm saying that you have also said that
56:05Oh, it's okay
56:06We'll say that we are going to develop our characters
56:08I don't know, three of them. Who lives with my mother?
56:13Do you think mine are good?
56:15Little auntie.
56:16Hey.
56:18My poor auntie.
56:19Why don't we eat 5 minutes later?
56:20Why don't we eat this?
56:21You know, it's not like that.
56:24It's not like that.
56:25Yeah, okay.
56:29What is this?
56:32What is this?
56:34Give it to me.
56:36Oh sorry.
56:36What is this?
56:37It's like that.
56:38It's a good one.
56:39It's a good one.
56:40It's a good one.
56:42It's a good one.
56:42I don't know.
56:44Rice.
56:45What is this?
56:46Oh look, it's that dal.
56:47Oh you have a mushroom.
56:49Musar.
56:49Musar.
56:50Musar.
56:51Chawal Musar.
56:52Chawal Musar.
56:53It's with rice.
56:54Is this musar as well?
56:56No, chicken.
56:57I don't have a chicken.
56:59Where is it?
57:00In the camera.
57:01I've got to show you.
57:03I've got to show you.
57:03I've got to show you.
57:04I've got to eat a chicken.
57:04Yeah, yeah.
57:05Can I give rice a little rice?
57:07Please.
57:07Chawal, give it to me.
57:10Do they give it to us?
57:11Do they need rice?
57:12Yes, yes.
57:13Do they do rice?
57:15Do you need rice?
57:16Yes, do they.
57:17Do I give it to rice?
57:19Yes, I'm gonna add it.
57:19Yes, I'll add it.
57:20That's it.
57:21Do I give it?
57:22No, I can move it.
57:23It needs to help.
57:24It needs to help.
57:25and it's not easy to fight with it.
57:29It's so hard to fight with it.
57:31It's difficult to fight with it.
57:33You can be supportive and you can't do it.
57:36And I will explain that this is a disease that
57:40is a disease that is a disease in Pakistan.
57:43We can get it.
57:46Isha's line is written that...
57:50you are a doctor.
57:51Isha's line is written that Isha is working at the clinic.
57:58You are a nurse.
58:00Do you have a doctor?
58:02No, but you become a nurse.
58:04The reason is that I will also make motivation because of that.
58:08If a chemo therapy comes to this...
58:11So the nurse is fine.
58:14Sister's character is a very highlighted character.
58:17Best friend is a very strong character.
58:19Best friend is a sister.
58:21Okay, write it again.
58:23Coming clinic.
58:25Your dialogue.
58:27We have also written dialogue for Isha.
58:29We will have 4 or 5 dialogue.
58:31And you used very authentic words.
58:34You were talking about it.
58:35I thought it was good.
58:36You were very authentic and honest.
58:39Who?
58:41The inner topic I chose.
58:43Personally, I thought it was good.
58:45And I hope that
58:46you guys can do so much
58:47that you can do something with them.
58:50You can do something with them.
58:52Three minutes.
58:54What the hell was doing three minutes?
58:56Trust me.
58:57How will we do the whole thing in three minutes?
59:00I will tell you so much.
59:02In three minutes,
59:03one performance is too bad.
59:06I am not hungry at all.
59:09What is going on?
59:10I will tell you.
59:11I'll tell you.
59:11How will we tell you?
59:11I will tell us about the thing.
59:12I want to tell you about the thing.
59:17I am to tell you.
59:18You
Comments