00:00I've always tried not to be hypocrite about this, but there are doors that open.
00:10We didn't have to share a scene, because sometimes it's so,
00:15depending on the characters and how they interact with each other,
00:18but it feels that we are sharing a project,
00:22in the sense that we can talk about experiences,
00:24we are working with the same people,
00:27we have to visit the set when I'm not recording,
00:31so it's very nice.
00:32It's a great tool to build from there,
00:36I can tell you about what's going on,
00:38what's going on, how he lived the process,
00:40it was a great help in that aspect.
00:50She had to do a lot of time,
00:51there were a lot of balls and she ended up giving something in the ear,
00:55it was more than anything,
00:58it was to take care of that,
00:58when you're working with Salvas,
01:02you can take care of your ears,
01:04the truth is that we are more fragile than what we think.
01:07So, that was the only thing that I told you about.
01:18I've always tried to not be hypocrite about it,
01:21there are doors that open for that path,
01:24I think my job and where my job is to keep them open,
01:29I've also learned that with the time,
01:30not because they're going to keep them open,
01:33they're going to keep them open,
01:33unless there's effort and talent,
01:36and many things behind it,
01:36but I think the effort is the most important thing.
01:38I've been able to do it as a combustible,
01:40I have to try the double,
01:42but that's fine,
01:43that's fine,
01:44it leads me much more far from what Chance could reach,
01:49or where my own capacity
01:52or ego, Chance,
01:54I think that's the same doubt that there is of people
01:57that is valid,
01:59that's fine,
01:59but it makes me want to try it
02:00and that leads me much further.
02:03From the City of Mexico,
02:05Mezcal Entertainment.
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