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Don't miss a single moment of this captivating short drama. We bring you the best billionaire romance, intense revenge stories, and high-quality web series tailored for you.
🔔 Make sure to FOLLOW our channel so you never miss an update!
Disclaimer: All content is properly licensed and distributed.
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Short filmTranscript
00:00:01You have no experience. Why are you here?
00:00:07What did you film? Or were you planning to sell it to the media?
00:00:15Get out.
00:00:18I only have three days, or my brother won't make it.
00:00:21This is my last resort.
00:00:29You have no experience. Why are you here?
00:00:31You're too deep in character. Your micro-expressions are slipping.
00:00:41Say that again.
00:00:43You're about to crack.
00:00:44Stay. Let's see how long you can last.
00:00:51I have no way back.
00:00:58What gives you the right to analyze me?
00:01:00Because I need to survive.
00:01:01Mr. Thorne wants you to stay. Start now.
00:01:04Okay.
00:01:08Stand there. You said I'm too deep in character. Prove it.
00:01:14You're pressing the book too hard, suppressing an urge to strike.
00:01:17That smile? Your eyes didn't move. It's a threat.
00:01:22What gives you the right to analyze me?
00:01:24Because I need to survive.
00:01:32Too slow.
00:01:34Terrible. The temperature is off.
00:01:39If you're still not satisfied, I'll keep going.
00:01:44You said I can't hold it together.
00:01:46You better pray I do, or you'll be the first one to suffer.
00:01:51I'm not afraid of bad luck. I'm only afraid of being broke.
00:02:00This isn't just a job. I've just stepped into the abyss.
00:02:08I'm humiliating you. Not angry.
00:02:16How long did you sleep last night?
00:02:19Not enough.
00:02:20Feeling self-inspired?
00:02:23For the paycheck?
00:02:29What are you thinking?
00:02:32You want to drive me away?
00:02:35But for me, survival is enough.
00:02:41I'm humiliating you. Not angry.
00:02:45It's only humiliation if I accept it.
00:02:49Julian, your standards for assistance have dropped.
00:02:56How she is, is not for you to judge.
00:03:01One day left.
00:03:09Investigate her. I want to know what she's fighting for.
00:03:13Your mother needs immediate surgery.
00:03:15At least $300,000.
00:03:23Beverly Hills Cellar.
00:03:251990 Roman A. Conte.
00:03:27You go.
00:03:29Two hours.
00:03:30One minute late. Don't bother coming back.
00:03:40I have to get it. It's the only card I have left. Open up.
00:03:45Your mother needs immediate surgery. At least $300,000.
00:03:51On time.
00:03:55Are you insane?
00:03:58You'd risk your life for a bottle of wine.
00:04:04I won this round.
00:04:07But I'm one step closer to the edge.
00:04:11He's not just difficult. He's fighting something dangerous.
00:04:16You think this is a test.
00:04:19You could have said no.
00:04:21I need this job.
00:04:25You can take the day off.
00:04:27You can barely stand.
00:04:33I can still work. What's next?
00:04:42He's not just difficult. He's fighting something dangerous.
00:04:52Arya.
00:04:54Don't be late tomorrow. Don't die.
00:04:58Julian.
00:05:06Final 12 hours. Arya.
00:05:10I've stepped into the storm.
00:05:13I won't stop.
00:05:21Call an ambulance! Now!
00:05:24I told you not to die. Do you hear me?
00:05:32Three hours of sleep.
00:05:34Enough for you.
00:05:37Enough.
00:05:44This carpet costs $100,000. Why didn't you just give up?
00:05:47Because I need the money.
00:05:49Don't bring filth inside. I get it.
00:05:57Can't fall.
00:05:59Or small. At least not here.
00:06:04Action!
00:06:04See you tomorrow.
00:06:20Call an ambulance! Now!
00:06:24I told you not to die. Do you hear me?
00:06:29Don't move.
00:06:31If you want to die, don't do it on my carpet.
00:06:35Get a doctor now!
00:06:41You think you can stand?
00:06:42You're dying, don't you get it?
00:06:47Who's dead?
00:06:48What makes you fight this hard?
00:07:00Sorry, for slowing down the production.
00:07:03That's your first sentence?
00:07:05You really aren't afraid of dying.
00:07:08Ugh!
00:07:09Don't move.
00:07:10If you want to die, don't do it on my carpet.
00:07:13I'll be back at work tomorrow.
00:07:24I can't stop. If I do, I'm truly finished.
00:07:31I didn't say handle it. Just track it.
00:07:34Shut up.
00:07:41Someone like you even sleeps with thorns.
00:07:53One hundred and twenty thousand.
00:07:55Is this what you're dying for?
00:08:02Stupid.
00:08:04Track a debt.
00:08:06Aria.
00:08:07Of course. Should I handle it?
00:08:10I didn't say handle it. Just track it.
00:08:13Shut up.
00:08:16What time is it? I can't be late.
00:08:32Even if I only have one breath left, I'll pay that money back.
00:08:43Hurry up! We're losing the light!
00:08:49Miss Aria. Deadline's up.
00:08:52No money? Then let's talk another way.
00:08:56Stay back!
00:08:58Shut up!
00:09:06Let her go.
00:09:11Julian.
00:09:17Brave move touching my person on my turf.
00:09:20Do I look like I listen to excuses?
00:09:24Hand them over to the cops.
00:09:27Are you actively trying to get killed carrying expired spray?
00:09:31Are you actively trying to get killed carrying expired spray?
00:09:37Don't get the wrong idea.
00:09:39If you're out, my production slows down.
00:09:42Get in.
00:09:46He broke the boundary.
00:09:48And so did I.
00:09:51Your level of incompetence isn't even a mistake anymore!
00:09:55I'll do better.
00:09:57Do you think I sent them to jail just to give them another shot at you?
00:10:02What you need to do isn't buying lunch.
00:10:04It's making sure you don't get dragged away again.
00:10:08It took you 30 minutes to get lunch!
00:10:13Your level of incompetence isn't even a mistake anymore!
00:10:17I'll do better.
00:10:20No time to eat, or no money.
00:10:27Eat later.
00:10:33Arya, this is Mr. Thorn's lust overs.
00:10:35He wants you to dispose of it.
00:10:41In this abyss, he's actually the only light.
00:10:48Tomorrow is the final deadline.
00:10:52Whoever you are, what I owe you is no longer just about money.
00:10:58Mrs. Arya, all your debts have been cleared.
00:11:01The creditors have signed a termination agreement.
00:11:07Who did this?
00:11:11Mrs. Arya, we're sorry.
00:11:13The debt is settled.
00:11:14We won't bother you again.
00:11:19This kind of power, it can't just be some foundation.
00:11:27Did you happen to contact any charitable foundations?
00:11:31No.
00:11:43Letting a weed like you survive is far more interesting than crushing it.
00:11:55Whoever you are, what I owe you is no longer just about money.
00:12:03Don't come crawling to me when you can't take it anymore.
00:12:07I won't.
00:12:08I don't believe in luck.
00:12:10In my world, luck is just a more sophisticated scheme.
00:12:16My debt? Did you handle it?
00:12:20Do you honestly think I'd do something like that?
00:12:23No.
00:12:25Confirmation complete.
00:12:26Confirmation complete.
00:12:26I shouldn't rely on anyone.
00:12:33You want to eliminate variables, I am the biggest variable.
00:12:39Don't come crawling to me when you can't take it anymore.
00:12:42I won't.
00:12:52I won, so why am I not satisfied at all?
00:12:57For the first time, someone in the presence, and worse betached, someone actually stood in front of me.
00:13:07Sorry I'm late.
00:13:09Julian, it's been too long.
00:13:13Julian's standards really are hitting rock bottom these days.
00:13:17Seems like you haven't learned the rules yet.
00:13:20Like, never stand where you don't belong.
00:13:28Send convenience.
00:13:36What do you think you're doing?
00:13:39My hand slipped.
00:13:41Say that again.
00:13:43Whose direction did you slip in?
00:13:50For the first time, someone in the presence, and worse betached, someone actually stood in front of me.
00:14:00She's mine.
00:14:02I'm the only one allowed to touch what's mine.
00:14:07Say that again.
00:14:09What exactly were you doing just now?
00:14:15I told you.
00:14:16My hand slipped.
00:14:19Stand still.
00:14:20Don't you dare move.
00:14:25Julian, you're overreacting.
00:14:28She's just an assistant.
00:14:32She's mine.
00:14:34I'm the only one allowed to touch what's mine.
00:14:37Apologize.
00:14:38Now.
00:14:48Does it hurt?
00:14:49No blisters.
00:14:50You'll be fine.
00:14:53There's very little you don't know how to do.
00:14:58All right, let's get ready for the next shot.
00:15:01He said I belonged to him.
00:15:04Even if he used those harsh words.
00:15:09Interesting.
00:15:10A weed like this, actually controlling the wind.
00:15:17Julian, these headlines are a coordinated hit.
00:15:20The whole internet is telling you to get out of the industry.
00:15:23Don't suppress it.
00:15:25Let them post.
00:15:27I have a way to flip the narrative.
00:15:30This picture is worth more than any explanation.
00:15:35Did you forget the rules?
00:15:37Whose fire are you trying to put out?
00:15:42Some people are fighting for their lives, while others are just making up stories.
00:15:54You're more than just an assistant, Arya.
00:15:57Tell me, what is it you're really after?
00:16:10You're more than just an assistant, Arya.
00:16:10Tell me, what is it you're really after?
00:16:19He's locked in.
00:16:20It's character erosion.
00:16:21No one can pull him back.
00:16:25Phone's in.
00:16:26For the next two weeks, this place is your entire world.
00:16:36Shut up!
00:16:37Stop talking in my head!
00:16:40He's not acting.
00:16:42He's being eaten alive by that monster.
00:16:50He's locked in.
00:16:51It's character erosion.
00:16:52No one can pull him back.
00:16:56What do you think you're doing?
00:16:58Are you crazy?
00:16:59He won't recognize anyone.
00:17:00He won't lay a hand on me.
00:17:10Julian.
00:17:11It's me.
00:17:20You're not in that script.
00:17:21You're on set.
00:17:23You are Julian.
00:17:26You shouldn't be here.
00:17:28Get out!
00:17:50Is it over?
00:17:59It's fine.
00:18:00Let him rest.
00:18:05So that's how you use your camera.
00:18:07No.
00:18:08No.
00:18:08No.
00:18:08My anchor.
00:18:13In this world full of lies, this moment of yours belongs to me.
00:18:22You're still here.
00:18:25Does this count as work too?
00:18:30It counts.
00:18:33Take a look.
00:18:36What are you looking at?
00:18:39You're always playing someone else.
00:18:41But in this, it's just you.
00:18:44You stand on the edge, that's why you can come back.
00:18:49Recording the moment I almost lost it.
00:18:53Recording that you didn't.
00:18:56Because you needed someone to be there.
00:19:03Aria, don't go.
00:19:19In this world full of lies, this moment of yours belongs to me.
00:19:28I'm not tired.
00:19:30I can't sleep.
00:19:33I'm not tired.
00:19:34The desert doesn't allow precision.
00:19:37One gust of wind and everything changes.
00:19:40Including his fraying nerves.
00:19:47You haven't slept in two days.
00:19:51I'm not tired.
00:19:51I'm tired.
00:19:52I can't sleep.
00:20:01Don't stop.
00:20:03What?
00:20:04The typing.
00:20:05Keep going.
00:20:10So it turns out the only thing in this world that can calm him down, is my sound.
00:20:23I'm more than just an assistant now.
00:20:25I'm his anchor in this wilderness.
00:20:30Julian.
00:20:32Am I, I ma'am, your husband?
00:20:35Do you think I'm here to play games with you?
00:20:39I saw her organizing things alone earlier.
00:20:42Maybe she just misplaced it?
00:20:46The script was taken.
00:20:48That means you failed to guard it.
00:20:53It's my responsibility.
00:20:58You have too much free time.
00:21:00Shut up.
00:21:02We're stopping for 15 minutes.
00:21:09Explain.
00:21:10Why was this in your assistant's bag?
00:21:15Julian.
00:21:16Am I, I ma'am, your husband?
00:21:19Do you think I'm here to play games with you?
00:21:27On this battlefield, truth isn't won by excuses.
00:21:32It's won by power.
00:21:35Aria.
00:21:37Tomorrow's scene.
00:21:39Stay close.
00:21:40Copy that.
00:21:44I'm sorry.
00:21:50Accepted.
00:21:56Weren't you afraid I'd misunderstand?
00:22:02No.
00:22:04Because you wouldn't.
00:22:07Listen up.
00:22:11I have no reason to doubt her.
00:22:13She's far above your pathetic little games.
00:22:28Aria.
00:22:30Tomorrow's scene.
00:22:31Stay close.
00:22:32Copy that.
00:22:37I'm no longer fighting alone.
00:22:39Standing in his light,
00:22:41I've become the light too.
00:22:46I've already broken.
00:22:48Don't leave, Aria.
00:22:50Don't leave.
00:22:56What are you doing up here?
00:22:58Stargazing?
00:22:59What's there to see?
00:23:01Nothing much.
00:23:03But it's quiet.
00:23:04You're not gonna ask who cleared that debt?
00:23:07I asked.
00:23:09No answer.
00:23:11I don't like owing people.
00:23:12I'll keep an account of this.
00:23:21Put it on.
00:23:22Don't trust yourself too much.
00:23:23Thinking you can handle everything.
00:23:25People break.
00:23:27Do you break?
00:23:29I've already broken.
00:23:31Don't leave, Aria.
00:23:33Don't leave.
00:23:34Please.
00:23:36Don't.
00:23:43In this broken world,
00:23:45we've become each other's only coordinates.
00:23:50Mrs. Aria, your mother's condition is deteriorating.
00:23:53We need you here immediately.
00:23:55I need to leave.
00:23:56Now.
00:23:56You live too cleanly.
00:23:58Unlike me,
00:24:00I'm filthy to the core.
00:24:04That's your choice.
00:24:13Mrs. Aria, your mother's condition is deteriorating.
00:24:16We need you here immediately.
00:24:18I need to leave.
00:24:19Now.
00:24:20Can you please open the door?
00:24:23What a mess.
00:24:31Arrange a flight.
00:24:33To the hospital.
00:24:35Now.
00:24:41I know the price of this.
00:24:43But I have no way back now.
00:24:51I have no time.
00:24:53Every second determines whether my mother lives or dies.
00:25:01You're leaving now.
00:25:03Tomorrow is your key scene.
00:25:12Let her go.
00:25:13I said, let her go.
00:25:15I'll be back as soon as possible.
00:25:28Whatever.
00:25:30Prepare the plane.
00:25:32Nearest medical center.
00:25:33Now.
00:25:49I know the price of this.
00:25:51But I have no way back now.
00:25:57In this world, there's only one person who saves lives this ruthlessly.
00:26:02At least half a million dollars.
00:26:05A top-tier team normally takes a week.
00:26:07You wait?
00:26:08But if you're in a rush, it'll cost more.
00:26:19This is the last thing I have.
00:26:21But if it saves her life, I can lose everything.
00:26:28Miss Arya, the full medical funding has been cleared.
00:26:30The expert T-Bird team arrives in one hour.
00:26:32Who are you?
00:26:33Who exactly sent you?
00:26:41To the hospital.
00:26:43Avoid all media.
00:26:47This isn't a miracle.
00:26:51In this world, there's only one person who saves lives this ruthlessly.
00:26:57You'll never know how heavy this debt truly is.
00:27:02Arya.
00:27:05I want the top three teams in the country.
00:27:08I don't want to hear a single word about protocol.
00:27:13A $50 million donation.
00:27:16One condition.
00:27:18The team arrives within 12 hours.
00:27:21You can refuse, but I'll pull the funding immediately.
00:27:27If the family finds out you spent $50 million on an assistant, that's a problem for later.
00:27:33Drive.
00:27:37You'll never know how heavy this debt truly is.
00:27:41You'll never know how heavy this debt truly is.
00:27:41Arya, don't let me down.
00:27:48The world I want only turns when I command it.
00:27:55Everything free is just filled in another currency.
00:27:59Miss Arya, your mother was selected for our hospital's once-in-a-decade full subsidite program.
00:28:06You're very lucky.
00:28:08Was there any human intervention in this?
00:28:15No.
00:28:21This isn't luck.
00:28:23It's a contract.
00:28:25In this world, everything free is just filled in another currency.
00:28:32Surgery was a success.
00:28:34All vitals are stable.
00:28:42Julian Thornan, you didn't say a word, but I know it's you.
00:28:46And this debt?
00:28:50I've marked it.
00:28:55Don't die.
00:28:57Don't die.
00:29:06You think you can carry the whole world, but you're lighter than anyone.
00:29:15Cheap persistence.
00:29:17Useless stubbornness.
00:29:22Don't die.
00:29:24Don't die.
00:29:29Don't die.
00:29:30Don't die.
00:29:35I can't save your soul, but I can buy your life.
00:29:41In this coldest winter night, I actually felt a warmth that shouldn't exist.
00:29:50You didn't say a word, but I know it's you.
00:29:57This isn't the hospital's coffee.
00:30:00This temperature, this scent, I've smelled it before.
00:30:06No one signed in last night.
00:30:09Security is tight here.
00:30:10No one gets past us.
00:30:16Except for the man who could buy this entire hospital.
00:30:21You didn't say a word, but I know it's you.
00:30:38Move.
00:30:44You snore.
00:30:45I replaced it just to get some peace and quiet.
00:30:48I don't snore.
00:30:56You're back.
00:30:57Can you handle tomorrow?
00:31:01Yes.
00:31:02I can.
00:31:04You're not working tonight.
00:31:06Go sleep.
00:31:08You're unstable, and I'm not wasting time.
00:31:12Understood.
00:31:16This isn't standard equipment.
00:31:23Things like this don't just appear out of nowhere.
00:31:30You snore.
00:31:32I replaced it just to get some peace and quiet.
00:31:35I don't snore.
00:31:36I think...
00:31:37I think you do.
00:31:39What he gives me isn't tenderness, but another heavier kind of contract.
00:31:48Aria, you're annoying.
00:31:51But it works.
00:31:56You're spiraling.
00:31:58Come with me, or you're going to lose control again tonight.
00:32:07You brought me here.
00:32:09What's the point of a place like this?
00:32:15To help you live a little.
00:32:17I don't eat this.
00:32:19I don't know what you do, uh...
00:32:21I don't know.
00:32:28You need to do...
00:32:30I don't know.
00:32:32I don't know.
00:32:34I don't know.
00:32:40a god, and I'm no longer his footnote. You make me relax, without realizing it. That's
00:32:50dangerous for me. How old are you, buying junk like this? Old enough to live. It's not
00:33:06about the taste, it's about the feeling, the feeling of being alive. You think this
00:33:18works? Do you still want to smash things? No? Then it works. You make me relax, without
00:33:28realizing it. That's dangerous for me. But... What? I don't want to stay away. At this
00:33:38height, all the lies have lost their power. I don't depend on anyone. Never did, and I
00:33:46won't start now. Are you sure? Why do you think I need you? Because you've started to
00:33:51depend on me. You wouldn't let me stop the typing sound. I don't depend on anyone. Never
00:34:02did, and I won't start now. Are you sure? Fine. I'm used to you being there, and I have
00:34:09no intention of changing that. You could try being without me? I already have. When you
00:34:19weren't there. Once those words are out, there's no turning back.
00:34:34Aria, are you an accident, or are you my downfall? She doesn't need to drink. I said, she's
00:34:42not drinking. That's enough. You're not clear-headed. I'm wrapping this up for you.
00:35:01You're making decisions for me now? This is the last time I'll take care of you
00:35:10as an assistant. Why did you take that hit from me? No. Because you'd get in trouble.
00:35:21Do you do this for everyone? Aria, are you an accident, or are you my downfall?
00:35:29No. Then you're quite suitable to burn in hell with me. Confirming that you're not work.
00:35:50But I'm not finished confirming yet. I'm losing control. I won't guarantee what happens
00:36:01next, but I won't regret it. Someone's there. They caught us.
00:36:20Tomorrow will be a nightmare. Are you afraid? This isn't the worst thing that could happen.
00:36:42You don't make that call. I'll write the statement. She stays.
00:36:47Movie star meets assistant. Intimate photos leaked. Slum assistant climbs to the top.
00:36:54Step one, cut ties. Step two, fire her. This is damage control. The public doesn't care about
00:37:02the truth. You don't make that call. I'll write the statement. She stays.
00:37:22Scared? No. Therefore, you must follow orders.
00:37:38Explain. She is your scandal now, not your assistant.
00:37:47Your commercial value is bound to the group. Therefore, you must follow orders.
00:37:54So, I'm just an asset? Hmm? Hmm?
00:38:03Here's a suggestion for you. Don't touch her. You're going to war with me over her. You're
00:38:12going to war with me over her. Since I can't move you, I'll go for the weak link.
00:38:31I've never lived on favoritism. You'll have your answer by morning.
00:38:36Aria VO, I knew tonight wouldn't be easy. In this city, the higher you go, the thinner
00:38:42the air becomes. Leave Julian. As the head of Thorne Pictures, I am ordering you to manage
00:38:52this risk. Money. The condition is leaving his life.
00:39:05Don't mistake his favorism for your ability to change him.
00:39:14I've never lived on favoritism. You'll have your answer by morning. After tonight, I have
00:39:21to make the most painful choice. If I leave, will you let him go? As long as you leave cleanly,
00:39:30I won't touch him again. Five million. Disappear from his world, and this ends here.
00:39:46You're not living for yourself. You have debts, a past, and he is your only leverage.
00:39:59If I leave, will you let him go? As long as you leave cleanly, I won't touch him again.
00:40:13I understand. I'll take care of the rest.
00:40:22Half of this is over. The other half will be finished. At the most painful point.
00:40:34I don't belong in this position, nor do I belong in his life.
00:40:45I don't need the light. In the dark, I can see the true cost of those five million dollars.
00:40:53I don't belong in this position, nor do I belong in his life.
00:41:10Disconnecting. It only takes a second. Take my tools.
00:41:17Leave his favorpism behind. I'm not coming back.
00:41:29I won't look back.
00:41:33Aria, did you really think you could just leave?
00:41:40Resigning effective immediately. I am not suitable to stay by your side.
00:41:48Aria, did you really think you could just leave? Who authorized her to leave? There was no record. Whose car
00:41:56took her? It was Mrs. Thorns.
00:42:05Not suitable. Aria.
00:42:08Not suitable. Aria.
00:42:14You certainly have a flare for timing.
00:42:36You met with her, didn't you?
00:42:40What did she say to you?
00:42:41I thought walking into the rain would wash away the choice.
00:42:46I was wrong. The rain only makes the cost heavier.
00:43:01Where the hell are you going?
00:43:04Away.
00:43:06Are you overestimating yourself? Come back with me. Now. And I'm no.
00:43:10No. So that's with Drillitz.
00:43:12I'm not looking back in Smiley's.
00:43:17I'm not looking back.
00:43:29You're not going anywhere.
00:43:32You met with her, didn't you?
00:43:35What did she say to you?
00:43:40What did she say to you?
00:43:40The truth.
00:43:43You can't let me drag you down.
00:43:50Fine. Then leave.
00:44:02Don't move.
00:44:04What is it that you actually want?
00:44:07I want my own life.
00:44:13I'm tired of being your shadow.
00:44:15I'm tired of being your shadow, constantly waiting to catch you.
00:44:24Fine. Then leave.
00:44:26Fine. Then leave.
00:44:34The umbrella is warm, but the rain is cold.
00:44:42The last thing he gave me was a back that never turned around.
00:44:50Aria VO.
00:44:51This time, there's no one to block the rain for me.
00:44:57What exactly did she say to you?
00:44:59Nothing.
00:45:01You just overestimated my sincerity.
00:45:05I handed him a blade, thinking it would kill his hope.
00:45:08I didn't expect him to bring the edge right back to me.
00:45:11You're lying.
00:45:15What?
00:45:17You aren't the kind of person who quits just to live some normal life.
00:45:27What exactly did she say to you?
00:45:30Nothing.
00:45:31Nothing.
00:45:32You just overestimated my sincerity.
00:45:50But I can't hire you.
00:45:52I have a business to keep alive.
00:45:53You're that assistant from the photos.
00:45:58Sorry, we're not a good fit here.
00:46:01In this industry, disappearing isn't just about not showing up.
00:46:06It's when everyone's memory becomes a mandate of exclusion.
00:46:13I get it.
00:46:14I do.
00:46:15But I can't hire you.
00:46:17I have a business to keep alive.
00:46:26Sorton Foran, Sishini the Charin, Duran Wajidal, thank you for the confirmation.
00:46:31Now I know I've finally become a threat to you.
00:46:34It's not over.
00:46:36This silence is just the preenangle to the explosion.
00:46:41This isn't a lifeline.
00:46:45Three days, Aria.
00:46:46That's all you've got.
00:46:56We want to hire you as lead creative director.
00:47:00Start date is tomorrow, 9am sharp.
00:47:05This isn't a lifeline.
00:47:09It's a chain.
00:47:13I refuse to be defined by it.
00:47:20They thought they could erase me in a corner.
00:47:25I was just waiting for my path to open.
00:47:28I accept.
00:47:34How far she gets depends on her talent.
00:47:37How far she gets.
00:47:38Sever all direct contact.
00:47:43Jin.
00:47:44The lockout is lifted.
00:47:46A and J studio's funding was funneled through offshore trusts.
00:47:49The path is untraceable as the postcontinent crestists.
00:47:52The path is untraceable.
00:47:54Anyone who rejects her loses our resources.
00:47:57Who will they choose?
00:47:59The price of this man adverse.
00:48:01And is the loan.
00:48:08They will choose profit.
00:48:11Don't hide it.
00:48:14Let her dig.
00:48:16How far she gets depends on her talent.
00:48:20Sever all direct contact.
00:48:31Don't fall.
00:48:37I want you to stand at the very top.
00:48:39And then find your own way back.
00:48:42I thank to Nan Wheat who sent sea pants on the cheeses.
00:48:44You can read Zegall through the hands.
00:48:51Is her state stable?
00:48:53More stable than expected.
00:48:56Don't act.
00:48:59Don't act.
00:49:00Wilder's okay.
00:49:02Dial back the eyes.
00:49:04Let it go.
00:49:07She's improving.
00:49:12Is her state stable?
00:49:14More stable than expected.
00:49:19She's pushing hard
00:49:24Aria, what are you really looking at through their eyes?
00:49:28Don't push yourself too hard
00:49:32Will you listen? No, you won't
00:49:35I won't look back
00:49:38I can only watch
00:49:42She hasn't gone far. Keep digging
00:49:46Again
00:49:53This lighting is brutal. We're looking at a new top-tier talent
00:50:12Prep the next set. Now
00:50:15The lead has been confirmed. It's Aria. She hasn't gone far. Keep digging
00:50:21Again
00:50:27It's her
00:50:29Prep the shoot
00:50:35Mr. Thorne
00:50:36You're our presenter tonight
00:50:37I know
00:50:40You're finally back
00:50:53Tonight, I want the whole world to see
00:50:58Three years
00:50:59I am no longer anyone's shadow
00:51:02I am the light itself
00:51:10Mr. Thorne, you're our presenter tonight
00:51:12I know
00:51:24Who is that? The lead of A&J? Her presence. It's overwhelming
00:51:34You're on
00:51:36You're on
00:51:44Your lighting is different Aria
00:51:46It's got a brutal edge
00:51:48It's got a brutal edge
00:51:49Like it's trying to consume the viewer
00:51:57This is the most debated work of the year
00:52:00Because it captures
00:52:02Because it captures
00:52:02A certain kind of genuine fear
00:52:11You're on
00:52:13Yeah
00:52:22Next up, the visual art award of the year
00:52:42You won
00:52:44Yet sharper than any glow
00:52:46I never expected to see her here
00:52:54Aria Vio
00:52:55The next part isn't a workplace
00:52:57It's a social battlefield
00:52:58Before I open that door
00:53:00I must find my mask again
00:53:03Memorize the faces
00:53:05The connections
00:53:06The leverage
00:53:06That is all I need to do right now
00:53:10That is all I need to do right now
00:53:19There she is
00:53:20Half turned from the light
00:53:22Yet sharper than any glow
00:53:24Though, I never expected to see her here
00:53:28Long time no see
00:53:30Thank you
00:53:32Your work was impressive
00:53:33You handled yourself
00:53:36Steadier than I imagined
00:53:39We've worked together
00:53:41It's ancient history
00:53:49If it's war you want
00:53:51You've got one
00:54:01I didn't expect to see you still lingering in this circle
00:54:04Neither did I
00:54:05I didn't expect to make it all the way here
00:54:09Someone must be pushing you from the shadows
00:54:13These resources
00:54:14They look quite tainted
00:54:18Mother
00:54:20Is this conversation about my business?
00:54:22Or yours?
00:54:24She is the most exceptional photographer I've ever collaborated with
00:54:28Don't you put not did it go flussed
00:54:33If it's war you want
00:54:35You've got one
00:54:44You've finally learned how to defy me for an outsider
00:54:53How does a little assistant suddenly afford all this?
00:54:59Who is the sugar lad lurking in your shadows?
00:55:06Ma
00:55:11That investor
00:55:13Is me
00:55:14You're publicly challenging the Thorn family for her
00:55:17You're publicly giving the Thorn family she all their stake
00:55:20I'm simply
00:55:20I'm simply giving her back the path she earned
00:55:25I'm sending her back by family it's dirty
00:55:27She was never dirty
00:55:34You've finally learned how to defy me for an outsider
00:55:40She is not an outsider
00:55:54Secrets in the light can never be hidden again
00:56:01Now
00:56:02I have no use for this
00:56:09You must realize the cost of this admission
00:56:13Your inheritance
00:56:14It's all on the line
00:56:20Three years ago
00:56:21All trusts were transferred to Aria Miller
00:56:26I don't need that position anymore
00:56:33Now
00:56:34I have no use for this
00:56:43You shouldn't have made this decision for me
00:56:48This is the first time
00:56:49I've ever made a decision for myself
00:57:00A pawn?
00:57:02Or just a tool to prove your freedom?
00:57:05When that ring hit the floor
00:57:08I didn't hear the sound of metal
00:57:12I heard the sound of him tearing down his own godhead
00:57:19You've left yourself with no way back
00:57:22Why?
00:57:23Because you are standing here
00:57:32For me that is the only outcome
00:57:36What am I?
00:57:37What am I to you?
00:57:40What am I to you?
00:57:42A pawn?
00:57:44Or just a tool to prove your freedom?
00:57:52This
00:57:55But what I wanted
00:57:57Was to be standing here
00:58:00not because of you
00:58:05the crown has fallen
00:58:06but we are both
00:58:08shattered
00:58:11I'm not running
00:58:12I'm waiting for you to catch up
00:58:16and the winner for visual art
00:58:18piece of the year is
00:58:23gaze into the abyss
00:58:25Aria Miller
00:58:29I'd also like to thank
00:58:31one person
00:58:31someone who once held
00:58:34an umbrella for me on a rainy night
00:58:37I knew at that moment
00:58:41I didn't fall
00:58:46so this photograph
00:58:49belongs to him
00:59:01why are you running
00:59:03I'm not running
00:59:04I'm waiting for you to catch up
00:59:09Julian you absolute madman
00:59:14three years ago
00:59:15I thought this was charity
00:59:18Neza Pering
00:59:19and Ney Binglunk
00:59:20the family wages
00:59:22now I realize
00:59:24it was the shackle
00:59:25he broke for me
00:59:33I can't stop
00:59:34if I do
00:59:35I'll no longer be able
00:59:36to pretend
00:59:36that I don't need him
00:59:50don't you dare
00:59:51leave me behind again
00:59:52Aria
01:00:00Julian you absolute madman
01:00:10he's here
01:00:13now
01:00:14it's your turn
01:00:15to decide
01:00:15do you want this ring
01:00:17or do you want me
01:00:19I know he's there
01:00:22this distance
01:00:25I've waited three years
01:00:26for this
01:00:33how long do you plan
01:00:34on running
01:00:36you shouldn't have
01:00:37chased me
01:00:39you have nothing
01:00:40left now
01:00:46these last three years
01:00:47did you ever regret
01:00:49leaving
01:00:50yes
01:00:52every time I felt
01:00:53like breaking
01:00:53I wanted to turn back
01:00:54but I knew if I did
01:00:56I'd lose everything
01:01:03now
01:01:08it's your turn
01:01:09to decide
01:01:09do you want this ring
01:01:11or do you want me
01:01:16you're no longer
01:01:17anyone's shadow right
01:01:18I am just me
01:01:28it's good
01:01:29now
01:01:29I'm just Julian
01:01:38three years ago
01:01:39I ran away
01:01:40to survive
01:01:41now
01:01:42I come back
01:01:43to live
01:01:44as myself
01:01:56you're still here
01:01:58you're still here
01:01:59you came back too
01:02:10you're no longer
01:02:11anyone's shadow
01:02:11right
01:02:12I am just me
01:02:13we are both
01:02:15standing in
01:02:15in the light
01:02:16now
01:02:20we need an assistant
01:02:21room and board
01:02:22no salary
01:02:23sounds like a deal
01:02:27I won't
01:02:29no titles
01:02:29attached to our names
01:02:34house sold
01:02:36company gone
01:02:39I have nothing left
01:02:40so
01:02:42you're unemployed
01:02:43totally
01:02:48A and J studio
01:02:49we need an assistant
01:02:51room and board
01:02:52no salary
01:02:52sounds like a deal
01:02:54I won't say no
01:02:56how long is the probation
01:02:58how we're slady
01:03:00give you smitly
01:03:00can do feather promise
01:03:03for going to bouts
01:03:05for life
01:03:13no freeloaders today
01:03:14go get my camera
01:03:18probation period
01:03:20for life
01:03:20no resigning
01:03:29I used to think
01:03:31light was for
01:03:31illuminating characters
01:03:33now I know
01:03:34light is for
01:03:36illuminating the exit
01:03:44what's my job
01:03:45first
01:03:46learn how to stay
01:03:47out of my shot
01:03:48copy that boss
01:03:58do you still have
01:03:59insomnia
01:04:01only when you're not
01:04:02around
01:04:05probation period
01:04:06for life
01:04:07no resigning
01:04:11deal
01:04:27this isn't the end
01:04:30this
01:04:31this is only the beginning
01:04:32this is only the beginning
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