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Bas Tera Saath Ho Episode 20 | Digitally Presented by Diamond Paints & Vince Care Shampoo | 7 July 2026 | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Bas Tera Saath Ho Episode 20 | Digitally Presented by Diamond Paints & Vince Care Shampoo | 7 July 2026 | Farhan Saeed | Sana Javed | ARY Digital Drama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Timing : Mon & Tue at 08:00 PM Only On ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:00We will come back and come back and come back
00:06Just let you see
00:10You are my name
00:14Papa, will you tell me something or will you tell me?
00:18I will tell myself
00:21Papa, can you tell Papa so much?
00:25What do you mean?
00:26I can't take it. I have already transferred.
00:31Papa, Papa?
00:33What prayers are you giving, Anas?
00:36Look, I had to give you a wedding.
00:39Papa, you are my beloved daughter.
00:41I didn't give you.
00:42Now I have to come back to you soon.
00:45I would buy it myself and set it with my hands.
00:50Let's go, there is no one.
00:51Ansa will set it very well.
00:53Inshallah.
00:55Will you do, Ansa?
01:00Yes.
01:01Yes.
01:03Yes.
01:04No.
01:04Good thing.
01:05You don't say that.
01:07And even if you set your house, girls are so shocked.
01:12Look at Shazia, she is so happy.
01:16Yes.
01:18Good.
01:18I will call in the night.
01:21I will call in the night.
01:22And I will see the camera.
01:23It should be set.
01:25It should be set.
01:26Yes.
01:28Yes.
01:29I will call in the night.
01:30You will be set.
01:31Why not?
01:32I will call in the night.
01:34I will call in the night.
01:35If you need more money, tell me without a mess.
01:38Oh, you have given me so much money.
01:40I did not need to do it myself.
01:43I was going to do it myself.
01:43When I take it myself,
01:44then take it out and give me a hand and give me a hand.
01:47Did you understand it?
01:48Yes.
01:48Until this time, there will be no conversation about it.
01:50Okay, now let's go ahead and talk to my daughter's daughter.
01:56Who is your daughter?
01:58I'm just talking about it.
02:00I'm sorry.
02:03Hello, daughter.
02:05Welcome.
02:06You are my love.
02:07Mashallah.
02:08Mashallah.
02:12Assalamualaikum.
02:12Hello sir. Hello ma'am.
02:14What are you going to do?
02:15Yeah, we have a bedroom set, dressing table, dining table.
02:19We also have some new collections.
02:21You can also track this site.
02:22Let's take a look first and give your help.
02:25Yeah, of course.
02:25You can see it.
02:45Oh.
02:47Oh.
02:52Oh.
03:18Do you have a manga bed?
03:19Yes.
03:20Do you have a manga bed with your money?
03:23You can't take anything.
03:24Brother, listen to me.
03:27Yes, ma'am.
03:28Is this bed crown you made?
03:31No, ma'am.
03:33This is a fresh piece.
03:35Why do you keep the price?
03:37No, ma'am.
03:39Listen to me.
03:40You're welcome.
03:41You're welcome.
03:43Come on.
03:51Ansa.
03:52Yes.
03:52If we go without a bed,
03:54you don't know Papa's other flights.
03:57You need to buy it from here.
03:59Look, this bed has never been sold.
04:01It's so expensive.
04:04Look at all the prices.
04:05It's so expensive.
04:06It's so expensive.
04:08It's so expensive.
04:09Why are you so expensive?
04:11Nothing.
04:13I'll see Ansa Jameel's next day.
04:16Ansa Jameel?
04:17We've opened somewhere somewhere.
04:19Where did you get?
04:22There's no other thing.
04:24But I'll just look for you.
04:25I'll just look for you.
04:28Ansa Jameel.
04:29Ansa Jameel.
04:29Where?
04:30Come on.
04:36Come on.
04:36I'll see you.
04:37How did you get me?
04:37Ansa Jameel, where did you get me?
04:39Ansa Jameel.
04:39It's a workshop.
04:40It's all the stores here.
04:42How do you know?
04:43I know everything.
04:44My aunt is here.
04:45All the stores here.
04:49Uh...
04:49Uh...
04:49Uh...
04:50Brother, you know this table and chairs,
04:53what price will you give me?
04:54It's $300,000.
04:56$300,000?
04:56Yes.
04:57No, no.
04:57You're talking a lot.
04:59If you like things,
05:00you'll get less money.
05:02It's a cheap price.
05:03I'm doing a market.
05:04Because I know more people,
05:06I don't know anything.
05:08Expert enough.
05:09Uh...
05:10Good thing, Ansa Jameel.
05:11This...
05:11We need this whole set.
05:13Okay?
05:14And...
05:14I've seen a bed.
05:19What do we say?
05:20If not, Sidhu is the fool...
05:21What am I singing?
05:22If not, Sidhu is the fool.
05:29If not, Sidhu is the fool.
05:39If not, Sidhu is the fool.
05:41And lead the fool Fi see me around.
07:47Take it easy.
07:48Take it easy.
07:48Don't get hurt.
07:50Yes.
07:51Take it easy.
07:52Take it easy.
07:53Hey!
07:54Hey!
07:54Hey!
07:55Wait!
07:59Anas, please.
08:29Hey!
08:29Hey!
08:30Hey!
08:39Hey!
08:40Hey!
08:47Hey!
09:02Hey!
09:05Hey!
09:35Hey!
09:38Hey!
09:39Hey!
09:39Hey!
09:41Hey!
09:42Hey!
09:43Hey!
09:43Hey!
09:43Hey!
09:50Hey!
09:50Hey!
09:54Hey!
09:57Hey!
09:59Hey!
10:00Namaskar.
10:01Faham.
10:01Faham, Qureshi.
10:32Faham.
10:33Faham.
10:35Faham.
10:37Faham.
10:38Faham.
10:38Ayasai kertetik n'ok.
10:39Patau.
10:43Eda.
10:50Tum?
10:51Tum kya kari reo ya?
10:53Taiwa dharasalik bata kari reo di.
10:56Yaam.
10:57Bolao.
10:57Batao kya baat hai?
10:59Oop.
10:59Aray bolo kya baat hai?
11:03Oop.
11:03Kamre me.
11:05Kamre me store ka saman bhera pada hai.
11:07Rakhne ki jaga nahi hai.
11:08Nye saman khaa rakhye ham.
11:09Ji.
11:10Toh nyea saman khareedne ko maine kaha ta.
11:12Ha?
11:13Nain na?
11:13Ab jaha marzi rakhko.
11:15Lekin meray kamre ka saman na kahi jayega na koi chiz hilegi.
11:18Kyunke woh mera bohut zaroori saman hai.
11:21Semjha ghi?
11:34Abho, jab, menei aapko sach bata diya,
11:36toh,
11:36Aap mujhe sach bata diya,
11:37Aap mujhe sach kyun dekh rakhye hane?
11:38Kya sach shahe hi?
11:41Yeh sach ke kya nama is ka faham?
11:44Tumhara ideal hai.
11:46Yeh sach?
11:47Ji.
11:50Kya keheti ho, shaziyah?
11:53Hemarai ideal toh,
11:54Qahid-e-e-aazm,
11:55Or, or, or, ilamah-e-a-aqbal hua kertethe.
11:57Jinkke hem imtihhano meh mzmun likha kertethe.
12:00Tho, tumhari beeti,
12:01Faham meh mzmun likhe ghi.
12:03Abho, pehle,
12:04Aapko mera jhoot bolne se,
12:05Sach chupane se nafrit thi.
12:07Ab jub mehne aapko sach bata diya,
12:09Tho, aap mujh peh tans kar rahe hai.
12:11Tumne usse,
12:12Ideal kaha na?
12:15Yeh.
12:16Ideal ke mtlb janati ho.
12:19Eek mukemmel insaan,
12:20Jo khamiyoh se paak ho.
12:23Or, woh, jibke...
12:25Kauan?
12:26Faham Qureshi.
12:28Ideal kaha na, thik hai.
12:31Ab, kya eradah hai is ideal ke sath ha?
12:37Abho, kuchh puchh rahe hai, Shereen.
12:39Jawaab do.
12:44Thadah ne,
12:45Mere liye Anas ko chunha tha.
12:47Anas ka kya zikur esme?
12:50Vohi Anas,
12:51Jiske sar pe agar bulp kirer,
12:54Tho, woh hakla anna shurru kar dhe ta.
12:56Khol kar koh, kya kya na chari ho?
12:59Abho,
13:00Mujhe bhaadur ar dbang log achhi lakta hai.
13:06Yeh, wohi kari ji jume sumpa?
13:07Abho, aap usse mile hi kitni dfai hai.
13:10Ek dfai.
13:12Voh bhi us situation mein,
13:13Jab,
13:13Aap ke beethe nne uske bhai ka accident kiya tha,
13:16Tab uska itna rood ho na bantta tha.
13:18Eek dfai.
13:19Aur tum,
13:20Do dfai,
13:21Ya, čar dfai.
13:22Aur,
13:23Itna bada fesla.
13:26Tum to,
13:27Joutte bhi,
13:28Khariidne me,
13:29Hafta,
13:29Hafta laga dieti ho.
13:31Abho,
13:31Kyaunke,
13:32Tab mein doubt mein hoti ho.
13:34Lekin,
13:34Jab mojhe koji chiz pasand aachai,
13:36Tum usse othane mein dher nahi kerti.
13:41Es dfai,
13:41Tum na ghalit chiz pasand kar liya, Sheree.
13:45Aur,
13:46Yeh,
13:46Jouta nahi hai.
13:48Yeh,
13:49Tumhare,
13:49Sar ka taj hai.
13:51Aap hi kaise kia sapte hai.
13:54Aap usse sirf eek baar na liya.
13:58Jalal ki bhaanji yaad hai tumhai?
14:02O,
14:03Jou,
14:03Thuuri si saikotik hovay thi.
14:05Isi,
14:05Faham,
14:06Nye usse saikotik kiya tha.
14:43Anas,
14:43Yeh,
14:43Kabhi isse sara se set nahi hooga.
15:14Yeh,
15:14Hmm,
15:43Anas,
15:44Anas,
15:45Anas,
16:05Anas,
16:05Anas,
16:07Anas,
16:21Anas,
16:51Yeh,
16:53Chalo,
16:53Uthao yeh.
16:55Chalo,
16:55Come on.
16:55Lag jaegi tume.
16:56Aray,
16:56Kuchshi hota,
16:57Uthao na,
16:57Mäi keheri huu.
16:58Chalo,
16:58One,
16:59Two,
17:00Three.
17:00The eheh.
17:01The eheh!
17:02Well done.
17:04The eheh!
17:06The eheh.
17:33I don't understand what I'm going to ask for a question, but what is the question?
17:38I'm going to ask for a question that my daughter is telling me.
17:41talking to him, talking to him,
17:42and talking to him,
17:45sitting in his car.
18:00Shereem,
18:01I think that Jalal is saying it's okay
18:03because I remember that...
18:05Jalal can't understand it.
18:07But listen to me.
18:08Listen to me.
18:09Ami, you listen to me.
18:11Do you know what he didn't like to understand?
18:14That he listened to me,
18:16and he didn't forgive me,
18:17and he didn't.
18:17It's not, Shereem.
18:19Ami, you're not coming to understand any other thing.
18:25It's okay,
18:26but my heart is sad.
18:29Look,
18:30if a girl's brother
18:31went to accident my son
18:32and left her and left her,
18:34I don't see her and her family's face.
18:38You're very understanding.
18:39So tell me yourself.
18:40In two or four situations,
18:41someone can do such a big decision.
18:46Ami,
18:46Ami,
18:46Faista,
18:47I took my first look.
18:54Ami,
18:55you've seen how smart she is.
18:56Her voice,
18:57her personality,
18:58her attitude.
19:00You've forgotten her house.
19:01You've forgotten her.
19:02You don't think
19:03that your daughter
19:04deserves a house like that.
19:07You understand,
19:07Kureishi,
19:08living like life,
19:09living like life,
19:10I love you,
19:10and you know this.
19:11is right.
19:40Come on.
19:44Aray, stop, stop, stop, stop, I'll do this.
19:46I'm going to leave it. I'm going to leave it.
19:48I'm going to leave it.
19:49Where to leave it? Where to leave it?
19:51Aray, brother.
20:07Here.
20:21I'm going to leave it.
20:25I'm going to leave it.
20:28Come on.
20:31I'm going to leave it.
20:41Yes.
20:42Come on.
20:44Why are you sleeping on the sofa?
20:45Didn't you have a camera?
20:49I gave it to you the sofa.
20:50And a youth are sleeping on footpaths.
20:53I will give you a camera to you.
20:57Aray!
20:58Go up, Aras.
21:00Come on.
21:00You will have a camera of your house.
21:02I made this house.
21:05I don't know what you've done.
21:07I only know what I can do.
21:10Let's go.
21:10notice.
21:52Oh, light off, please.
21:55Oh.
22:10Oh, light off, please.
22:29What do we say to you?
22:30What do we say to you?
22:34You all know, know, know.
22:38You all know, know.
22:40You all know, know.
22:40You all know, know.
22:42You all know, know.
22:43You all know.
22:45I have written all your names.
22:53I have written all your heart.
22:57It's true.
23:00It's true.
23:03It's true.
23:05It's true.
23:06It's true.
23:07I have written all your names.
23:11My heart is true.
23:14My heart is true.
23:14You are my heart.
23:16I have written all your names.
23:18I have written all your names.
23:20Why is this my life?
23:25Your life?
23:29Wait, am I?
23:35You are my love.
23:38No!
23:39No!
23:42No!
23:43No!
23:46No!
23:47No!
23:48No!
23:49No!
23:49No!
23:49No!
23:50No!
23:51No!
24:08I was the one on my own.
24:10I don't want to do it.
24:15I won't try to do it again.
24:17I just try to do it again.
24:17Lotus...
24:18I can't do it anymore.
24:18Why don't you like to do it?
24:21You give me a question?
24:21I don't have to!
24:21Here we go.
24:21It's $2 billion.
24:22It's $2 billion.
24:29Do you think this color is beautiful?
24:32Yes.
24:34It's a beautiful color.
24:36Yes.
24:38It's a beautiful color.
24:43Keep this color.
24:48I'm seeing it.
24:49Well done, huh?
25:20Well done, huh?
26:08Well done, huh?
26:14Answer.
26:26Answer.
26:33What?
26:38Jai.
26:41You don't drink tea in the morning.
26:44I had tea.
26:45But I didn't drink tea.
26:51You're late.
26:53You're still sleeping.
26:55Why did you go to university?
27:07Answer.
27:13I told you something.
27:16I'll give you the answer.
27:18I told you something.
27:26I'm not a bad guy.
27:28I have to be the answer.
27:36I'm not a bad guy.
27:40I'm not a bad guy.
27:44And you said that if anyone says anything, then you will lose his mouth.
27:50You said it, right?
27:55Why do you think you want to break someone's mouth?
28:03No, nothing.
28:06Why are you holding hands on your hand?
28:12Why do you hold hands on your hand?
28:18I will...
28:21...and then I will drink tea.
28:42Do you want to go to university?
28:45It's late.
28:46I will drink tea.
28:53You're going to drink tea.
28:56You're going to drink tea.
28:58You're going to drink tea.
29:00You're going to drink tea.
29:05You're going to drink tea.
29:22You're going to drink tea.
29:31You're going to drink tea.
29:46Anis!
29:48Anis!
30:18You're going to drink tea.
30:18You're going to drink tea.
30:18You're going to drink tea.
30:29You're going to drink tea.
30:48And now this is my.
30:48What's happening?
30:50What's happening?
30:52What's happening?
30:52This is my opinion.
30:54And they have kept it out and kept it out.
30:57Where do you keep it?
30:58Tell me.
30:59I'll keep it.
31:00Where you keep it from, where you have got it,
31:02you will go.
31:03Keep it back.
31:06I've told you.
31:08There's no place in our house.
31:10There's no place in our house.
31:11So you should not put your house in your house?
31:13Put your house?
31:14Who told you?
31:15I told you.
31:17Where else?
31:17Where else?
31:19Where else?
31:20Where else?
31:21Do a job.
31:22Take it.
31:23Keep it back there.
31:24Where else?
31:25Yes.
31:29There's no place in the house.
31:31You can't go inside.
31:35I see how someone's stopping.
31:37No.
31:38Go away from the road.
31:41This is not a road.
31:42There's no place in my house.
31:43There's no board for you.
31:45This is my house.
31:47Your house?
31:48Not at all.
31:49Who told you?
31:51This house is only two people.
31:55One of my friends.
31:56One of my friends.
31:56One of my friends.
31:57One of my friends.
31:58The rest of you are living here.
31:59I'm sorry.
32:05Where is the house?
32:07You are living here.
32:09You're living here.
32:11You're living here.
32:14You're living here.
32:15Your son is trying to scare me in my camera.
32:20Does it mean that you know a girl?
32:23I don't know, uncle.
32:25I don't know your son.
32:28You know, it's not only to say it.
32:31If a girl says it once again,
32:33it's enough.
32:37Cheyenne,
32:39you go to my camera.
32:40But you also go.
32:41She's so angry with my mother.
32:43You don't listen to me.
32:45What did I say?
32:46Go inside!
32:51Who knows,
32:52he took a card and threw it out.
32:55It's not a card.
32:59Ursuline.
33:19What happened?
33:19Why are you looking like that?
33:26Do you want to dance?
33:27I don't want to dance.
33:33This thief is being thrown away from the girl.
33:36And you are watching the girl alone.
33:38So, what is she doing?
33:40She's doing my things out of the room.
33:42My things!
33:43My things!
33:46My things!
33:47I'm telling you.
33:48I'm telling you.
33:50I'm telling you.
33:51You stay away from the girl.
33:53You both!
33:54So, she's doing a job.
33:56She's doing a job.
33:57She's doing a job.
33:57I can't do anything.
33:59But I have to do a lot of things.
34:05Yes.
34:07I've only written my name in my car.
34:13To let me back my house.
34:14I will not meet my house.
34:16I will come off from my home.
34:18My home is lost.
34:19My house is out of my hand.
34:19The girl's name from the girl and the girl.
34:23If I have written my name from her,
34:24he would have written my name from the other side.
34:26He would have written my name from the other side.
34:27He would have written my name from him.
34:34I'm sorry.
34:35You're right.
34:37You're right.
34:37You're right.
34:38You can meet again.
34:39You can meet again.
34:40If your daughter comes back to her, then...
34:44What did I do?
34:45I told you, you're too late.
34:47My mother was doing a bad-tomiz.
34:49I'm standing up and I'm not saying anything.
34:51You're doing a bad-tomiz.
34:53What's your bad-tomiz?
34:54What's that?
34:55What's that?
34:56She's not a bad-tomiz.
34:58She's saying, do.
35:00She's saying, do.
35:00She's saying, do.
35:02What's that mean?
35:04I'm very understanding and understanding.
35:07You just have to do it.
35:11Ignore it.
35:12You can't do it.
35:14That's okay.
35:15You have to do it on a wall on a wall.
35:19Just...
35:19We're going to do it on a wall on a wall.
35:22You're going to be scared of a wall.
35:23You're going to be scared of a wall.
35:24You're going to be scared of a wall.
35:29I'm saying, Shayan.
35:30Then, don't say...
35:32...that you don't have to be treated with a daughter.
35:35And Shazia...
35:36...saught I'm saying.
35:38You're going to be tired and stop.
35:39You're going to be tired.
35:42This house is yours today and today will be yours.
35:46You'll stay yours.
35:48Otherwise, you'll have little patience...
35:51...and some more patience.
35:54When the beach comes, we wait for the fish to catch the fish.
35:57After that, we cut it.
36:00Do you understand?
36:01Do you want to go to the beach?
36:22Chana!
36:26That's right. Take it.
36:31They are sitting in front of me.
36:33Do you want to go to the beach or to the beach?
36:35No, it's the beach. It's on the other side.
36:38Okay.
36:39Okay, okay.
36:41Where are you going?
36:43Where are you going?
36:45Where are you going?
36:46Where are you going?
36:49Okay.
36:51Ansa!
36:53Ansa!
36:54What?
36:59What is it?
37:00Give me.
37:03Give me.
37:04This is a ticket.
37:05Where are you going?
37:15What?
37:19See you!
37:20Hello!
37:21Hello!
37:22I love you.
37:23I love you.
37:25I love you.
37:26I love you.
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