Interview With The Vampire S03e05 - Ep - FULL ✅ #fullmovie #engsub #tvseries #trending2026 #dramaseries #romancemovies #fullhd
Category
🎥
Short filmTranscript
00:00:00Watch The Vampire Lestat After Dark on AMC Plus or wherever you get your podcasts.
00:00:05Previously on The Vampire Lestat.
00:00:08Shall we do it?
00:00:09Shall we scorch the mortal world?
00:00:12Desolate.
00:00:13Together for our determined.
00:00:15Claudia, I look like her.
00:00:17You're the only one watching me like I'm Netflix.
00:00:19And a million guesses you would not guess.
00:00:21What happened to her?
00:00:22You can have a different life.
00:00:24What now, Daddy Lou?
00:00:25What about Greece?
00:00:26Hunt Springs.
00:00:27Those who must be captive.
00:00:28What was that?
00:00:29I have the blood of Akasha.
00:00:31Sorry, what the fuck is Akasha?
00:00:33Is there an evil older than you?
00:00:35You're a maker, Marius.
00:00:37My maker is dead.
00:00:38I've told you that already.
00:00:39Was Dubai bullshit?
00:00:41Me breaking you down.
00:00:42You knew everything the whole time.
00:00:44Loving Louie doesn't shut it off.
00:00:46It wasn't my love for Louie.
00:00:48Best.
00:00:49But it was love.
00:00:51You've been reaching them.
00:00:53Yes.
00:00:54They are lost and tired of enduring.
00:00:57Your music speaks to them.
00:00:59When's he going to make an album?
00:01:03When we are ready!
00:01:05You are listening to The Failures.
00:01:08Album 41.
00:01:09Side B.
00:01:20My first coffin had the likeness of my maker carved into its lid.
00:01:25Indecipherable Latin etched around the rim.
00:01:27And as I was an orphan vampire, my sleep within troubled.
00:01:33Again.
00:01:34I spent half of two decades in the silken embrace of a chestnut casket purchased for my French
00:01:40quarter townhome.
00:01:42Before it was hurled off a balcony during one of Mr. Duel X redirected moods.
00:01:47Again.
00:01:49What exactly are we going for here on take 17?
00:01:54We are going for again.
00:01:58Okay.
00:01:59I have slumbered in a variety of sarcophagi over the centuries, but if I had to choose
00:02:04a favorite, it would be the 7,000 square foot model I endured in the fall of 2025, while
00:02:11I recorded my posthumously produced album that Pitchfork would trash, and for which the
00:02:16world shouts in feeble attempts to explain away clearly attributable devastation, j'accuse.
00:02:24But I, Amel, digress.
00:02:27Again.
00:02:28Take 28.
00:02:30The deranged Wegmans produce manager, Beau Ridley, provided me the Frenchest of exits,
00:02:36and the good fortune of a second mass shooting with a higher body count occurring that same
00:02:40night made the faking of my death all the easier.
00:02:44Again.
00:02:46Take 46.
00:02:47An amnesia fund was created, and annual payments in perpetuity were issued to Jarda Klapik,
00:02:54a coroner, an obituary writer for the Czech Brodsheet Bravo, Di, Daniel, Fareed, and two
00:03:00dozen other collaborators, including Christine Clare, who bought a retirement villa and wallpapered
00:03:06her basement sex dungeon with billable hour invoices.
00:03:15Again.
00:03:17Take 61.
00:03:19Take 61.
00:03:19Four!
00:03:19I would leave this coffin only once in four months.
00:03:23I would butcher the band for bloom and marbling, fleece the muses of their animus, and stop
00:03:29at nothing until an album worthy of the long lurid life of Les Daudeliencourt burned into
00:03:35elegiac audio formats.
00:03:37And when that was achieved, I would perform it once live in that now infamous concert.
00:03:43And, well, we'll come to that later.
00:03:47But like Elvis or Andy Kaufman, rumors swirled of my survival, so Sophia Gabriela Deliancourt
00:03:53de Vecchia took over for Christine and whittled down my entourage to the essentials, which was
00:03:59her and the vampire Sam Barkley, whom she hired as a producer for three reasons.
00:04:04One, he had faked his death once before so he could be trusted to maintain the right.
00:04:09Two, he knew the board well enough from his own recordings.
00:04:12Big Bad Wolf vocals, take one.
00:04:15And three, she knew I hated him for his part in Paris, and that would keep me lively.
00:04:24I'm the Big Bad Wolf.
00:04:30Nice.
00:04:31Nice.
00:04:32Take one.
00:04:33Fabulous.
00:04:35Moving on.
00:04:36So, straighten your tie, inflate your lips, be it facial or labial.
00:04:40We are going to trace my self-taught musicianship back to its weird and haunting origin.
00:04:46That's right, I'm finally going to talk about the Queen.
00:05:10I'm the best of the future, the last of the sutures, the cool and dumb.
00:05:14Where the rock and roll is.
00:05:16Where the good time.
00:05:18Where the heart of me love and the face of the mother wear this stupid rhyme.
00:05:24Bang, bang.
00:05:25Bang, bang.
00:05:27Bang, bang.
00:05:28Bang, bang.
00:05:29Bang, bang.
00:05:37Bang, bang.
00:05:51Again.
00:05:53No.
00:05:55No.
00:05:58No.
00:06:00No.
00:06:00Again.
00:06:17A drum sounds like a drum.
00:06:19That's because it's a drum?
00:06:25The drums can't sound like a drum.
00:06:27Okay. What do you want it to sound like then?
00:06:33It has to sound like death approaching.
00:06:36Oh, my God.
00:06:37Like life emerging.
00:06:39Like, yeah, cool. Like life and death.
00:06:41Death, then life.
00:06:42Okay.
00:06:43A mewing babe extracted from a mother's womb.
00:06:46Okay. I, uh, I don't play metaphorical drums.
00:06:50Try.
00:06:51I can do faster or harder or shuffle, fill, blam, buzz roll like a drum.
00:06:57Is a drum a stick is a stick? I don't know what to tell you.
00:07:01It's because she's not a vampire.
00:07:02It's because her deepest wound is a man walking away mid-ceremony.
00:07:08Wow. Cool.
00:07:10Yoko Mirren.
00:07:13Guests at my deathbed.
00:07:16We are making an album about my life, which has been a three-century train wreck.
00:07:22Your drums are my heart.
00:07:26Your guitar is my hunger.
00:07:29Your, your bass, the night terrors that follow me to coffin.
00:07:36What's my guitar?
00:07:37Yes, please interrupt my flow, Larry.
00:07:41Your guitar is my frailty.
00:07:46Keep coloring inside the lines as you play and I'll nod a tempo mark to your life jacket.
00:07:52Blair, Blair.
00:07:54We are here to pull the plug.
00:07:57Hmm?
00:07:59Have some reverence.
00:08:01Kill me savagely.
00:08:04Yup, sure.
00:08:06Sam, let's jump to something else.
00:08:07TC's not ready.
00:08:08I'm fine.
00:08:09Can I hear when I call out your name?
00:08:10Vocal 12.
00:08:11Copy that.
00:08:20Blue is the sea.
00:08:28Tinctures of violence.
00:08:31Out of hell.
00:08:33Blue is the sea.
00:08:40He fished him from the wilds of a popper's grave.
00:08:46That was his mother.
00:08:48Loves.
00:08:51Loves her.
00:08:54He wanted to take care of her, as you say.
00:08:57No, he was there.
00:08:59She was not.
00:09:03Where am I?
00:09:04Thank you for pulling me from the earth.
00:09:06Thank you for saving me from starvation.
00:09:10Thank you for the warm blood shared.
00:09:12Yes, you're welcome.
00:09:13She told me where you were, and there you were, and there I was.
00:09:16I brought you back, and...
00:09:18Here we are.
00:09:22Who are you?
00:09:24I am Marios de Romanos.
00:09:27I am the keeper.
00:09:29Was the keeper.
00:09:31Now you are the keeper.
00:09:34Marios?
00:09:34Oh, an echo.
00:09:37Armand said that you were destroyed.
00:09:40He was wrong.
00:09:42Rotten boy.
00:09:46She likes music.
00:09:50Come.
00:09:59Don't you?
00:10:02They are the mother and father to all of us.
00:10:04And they must be kept.
00:10:07This one?
00:10:10Akasha.
00:10:12The storm.
00:10:13This storm.
00:10:14It's alive.
00:10:15Very alive.
00:10:19Very.
00:10:20Much alive.
00:10:27That's a very flattering offer.
00:10:31Sadly, we were only planning to do one in Memoriam concert.
00:10:38Okay.
00:10:39Nice to talk.
00:10:42Lawrence Welsh wants the Vampire Lestat to open for her.
00:10:45But he is two meters deep in Austria, huh?
00:10:48Well, she wants them after the album comes out.
00:10:51Sorry.
00:10:51Sorry.
00:10:51Can we do that again?
00:10:53Can I get a little bit more vocal in my ears, please?
00:10:56In the ear, down the throat, past the colon.
00:10:59Play it from your groin.
00:11:01Larry, please stop thinking about Alex eating burgers and enjoying Glenlivet again.
00:11:10More singers, Sam.
00:11:11Hold the head shrinking.
00:11:12From the top.
00:11:12Oh.
00:11:13So, you're gonna re-record his parts, then?
00:11:18Bury the rest behind the other three.
00:11:26That's a deep grave.
00:11:32Pretend I'm Armand.
00:11:35Or the telemasker.
00:11:37Be the spineless mole once more.
00:11:44You dig a hole in the burrow for Larry's guitar.
00:11:51This is the job, Sam.
00:11:54Fill the space with worldly things.
00:11:58Go into the noise and dust of the city.
00:12:01Bring back presence of the present.
00:12:05This is the job.
00:12:06I want a job.
00:12:07I want to die.
00:12:08But you didn't die.
00:12:09Eighty years faced down with a seaman you killed.
00:12:13Long enough to learn the depths of despair.
00:12:16Do the job.
00:12:17Learn to endure the depths of living.
00:12:21Find yourself, Luzdata.
00:12:23And I have lost myself.
00:12:26Bring me Luzdata, son of marvelous.
00:12:32From a tree of Oz, she chose you.
00:12:37A great honor.
00:12:39She likes music.
00:12:40She loves music.
00:12:42I don't know how to play.
00:12:43Recall your fledgling.
00:12:46Start with mimicry.
00:12:47I don't...
00:12:47Don't interrupt.
00:12:50Keep your hunts short.
00:12:51A quick sip of blood.
00:12:53A fast-fading warmth of the kill.
00:12:56Then back to them.
00:12:57Here.
00:12:57What happened to him?
00:12:58Interruption!
00:12:59You must bring one back.
00:13:02Burn them here.
00:13:03Use the ashes to keep her thriving.
00:13:09And no blood.
00:13:12Our blood overwhelms just the ash.
00:13:16Play her music.
00:13:20His name was Ayn Kill.
00:13:23How did...
00:13:24We burned in the sun, yes?
00:13:26Do you remember a night when your body burned under the moon?
00:13:30Yes.
00:13:32Uh...
00:13:33Yes.
00:13:34In Denmark, 1802.
00:13:36December, 19, 1802.
00:13:37Finished the job transporting them from one crypt to another.
00:13:42Two bottles of ginger flower gin in the veins of a celebratory meal.
00:13:46I woke up next to her, my body afired.
00:13:50Hadn't finished the job.
00:13:53Left him above in the sun.
00:13:56My mother and I were countryside.
00:13:59We ran ourselves into a bog.
00:14:01Oh.
00:14:02Took us months to recover.
00:14:04Bogs.
00:14:05Bogs are rare.
00:14:10And now you know...
00:14:13Why there are so few of us.
00:14:16I set us back ages.
00:14:20We are all connected.
00:14:24Through her.
00:14:25She is...
00:14:28She is the seed.
00:14:34And if she burns...
00:14:38We will burn.
00:14:39And you are her keeper.
00:14:41I don't like being alone.
00:14:44Ice...
00:14:45Trip...
00:14:46Stumble-fumble.
00:14:47It's my way.
00:14:47I am not worthy of this job.
00:14:48But you're not...
00:14:49Oh, leave now.
00:14:51The small becomes big and big becomes the end.
00:14:55The end will burn the tree of us.
00:14:57You are...
00:15:02Worthy.
00:15:08Let her tell you about herself.
00:15:16It will take time, Lucette.
00:15:19She is not on our o'clock.
00:15:21To me...
00:15:22Not a word for 22 years when I first took the job.
00:15:33Twenty...
00:15:35Three...
00:15:37You are listening to The Failures.
00:15:39Album 46.
00:15:41Side A.
00:15:42It's called Rev Par.
00:15:44Short for Revenue Per Available Room.
00:15:46It's been trending down, especially in high-end luxury property.
00:15:50Probably expanded too fast, but...
00:15:52There's padding now.
00:15:53So, I jumped on it.
00:15:55I got two more.
00:15:56One in Montreal.
00:15:57One in Boston.
00:16:00A place for us.
00:16:02Yeah.
00:16:03And them.
00:16:04There's not enough of us to make it profitable.
00:16:07But they can come watch if they want.
00:16:10If you don't want to be watched, then there's a private room in the back.
00:16:14Different menu in the back room.
00:16:16Little drinks.
00:16:19I missed you, brother.
00:16:22I missed you too, sis.
00:16:26Both of you.
00:16:28I wish we could stay longer, but you know Claudia always go-go-go.
00:16:34I got into something deep last night and it didn't clean good.
00:16:39Oh?
00:16:40What happened last night?
00:16:41We went to the Russian vodka room for karaoke when the understudies from Hooran Rouge walked in.
00:16:48Something about theater kids makes me moody.
00:16:52We pickled sateen, took it downtown to the cubby hall, sucked it dry in the gans of water and shoved
00:16:57it down the laundry chute.
00:16:58She's good.
00:16:59I actually played sateen on tour two years ago.
00:17:03No way.
00:17:03Yeah.
00:17:04This was really fun.
00:17:08So, we are here for two nights.
00:17:14And then...
00:17:29I think the whole thing's a fake.
00:17:31Total Milli Vanilli situation.
00:17:33It's Larry wrote all their songs.
00:17:34I was a yardophile.
00:17:36We knew that was his real name.
00:17:37When I heard him sing, it just hit me hard.
00:17:41I'm not saying it's a good thing the guy got shot, but I don't think he was even legally allowed
00:17:44to be here anyway.
00:17:46I got to go to dinner with him once at a white castle after the Hartford show.
00:17:50He was...
00:17:52It was so fucking hot.
00:17:54State your name for the camera.
00:17:56No names.
00:17:58Okay, random Manhattanite, what do you make of Lestat's exit?
00:18:03He faked us.
00:18:04High and dry when we needed him most.
00:18:07All cheap and easy non-fiction ends in death.
00:18:09Revolutions do not require a soundtrack.
00:18:12They only need numbers.
00:18:14And are you making more?
00:18:16Just one.
00:18:17I had a fang in his neck, but I was interrupted.
00:18:21Had to let him go.
00:18:23Sure. Happens.
00:18:24I tracked him down, planned to finish the work.
00:18:27But as I followed him, I found him...
00:18:31fascinating.
00:18:32I'd sit at the foot of his bed in derelict motel rooms as he slept off a fix.
00:18:38Gradually, over the next 52 years, I was interceding on his behalf.
00:18:46And when he blacked out under an overpass...
00:18:49Okay, Jesus.
00:18:49A junkie about to roll over him in an RV.
00:18:52Her wife Alice at home, pregnant at the time.
00:18:55Where the fuck are you, Dad?
00:18:5752 years?
00:18:58I wanted to tell you in Philadelphia, but I felt you were not in a space to receive it.
00:19:03That was my gag reflex, and I'm in love with you. Prove it.
00:19:09February 11, 1990. A reading at Amherst, Massachusetts.
00:19:14Four students attend. Three are there for extra credit. One is there for you to use.
00:19:19But you do, aggressively, in your rental car, in the garage of your Northampton hotel.
00:19:25I make sure the boy makes it home and forgets the event.
00:19:29May 15, 2002.
00:19:31You sneak away from your book research to attend your daughter's graduation at Rice University.
00:19:37She didn't ask you to come and mouse the words, fuck off, when she sees you approach.
00:19:42You respect her wishes and drive away in a daze, but I guide you to the Roscoe Chapel, where inside
00:19:50you unburden yourself and weep uncontrollably.
00:19:57The attending guard asks you to step outside, but I saw him a coughing fit, and you mourn your daughter's
00:20:04hatred for the next 30 minutes in peace.
00:20:14August 5, 2025. I don't plan to say, love, until I make profound amends for the harm I've caused you.
00:20:24Yeah, sure. It's a timing issue.
00:20:2752 years. I've watched you. Where you went, what you did, watching your sorrow, your modulating sexuality.
00:20:36And where was Louis at that time?
00:20:39At home, waiting to hear the minute details when I got back.
00:20:42Yes, you sainted him grey in your book, but he's calculating to the call. Methodically cruel.
00:20:48And here you are again, wearing the same set of horse blinders with Lestat.
00:20:54I signed a contract, I'm finishing a job.
00:20:57He cast you out, and still you carry his water. Let me help you finish that job.
00:21:02Yeah.
00:21:05Love between vampires can be one thing, or it can be countless things.
00:21:09I will never love.
00:21:10Like Lestat and Sophia.
00:21:14I want to be your maker.
00:21:16Finish the thought, Armand.
00:21:17I want to give you half your life back.
00:21:19Lestat and Sophia.
00:21:21Help you walk in the sun.
00:21:24I knew her as...
00:21:27Gabriella.
00:21:29She's Lestat's mother.
00:21:31What?
00:21:33Lestat lays with his mother.
00:21:39Did you say walk in the sun?
00:21:41Hmm?
00:21:42This ain't no good.
00:21:44This ain't no good.
00:21:45This ain't no good.
00:21:46This ain't no good.
00:21:47This ain't no good.
00:21:49Make more.
00:21:51Make more.
00:21:51Make more.
00:21:53Why did you leave me?
00:21:56Two months ago.
00:21:57No.
00:21:58In New Orleans.
00:22:00Both times.
00:22:02Both times.
00:22:03I was happy you left both times.
00:22:09By the river when you were three.
00:22:12New.
00:22:15Picked up the 9,000th stick that day.
00:22:19And I kept having to say.
00:22:22What does that stick to?
00:22:28You were a terrible mother.
00:22:31I was.
00:22:36In Spain.
00:22:40I didn't need you anymore.
00:22:43You don't need around you what does not need you anymore.
00:22:48Breaks the circle.
00:22:50Oh great.
00:22:51Rad.
00:22:51That was cool.
00:22:53Okay.
00:22:54Let's do another.
00:23:09You need me now?
00:23:11I do.
00:23:12Make more.
00:23:14Make more.
00:23:15Make more.
00:23:17Make more.
00:23:19Make more.
00:23:21Make more.
00:23:22Make more.
00:23:23Make more.
00:23:26Make more.
00:23:29Make more.
00:23:29Sounds awesome.
00:23:30Rad.
00:23:31Does this satisfy the request?
00:23:33What does it mean make more?
00:23:37Like make more what?
00:23:38I don't recall.
00:23:39Wow.
00:23:40Sounded cool.
00:23:45Elbow my way along the Minestracchi.
00:23:47There's a new shop.
00:23:49Jewelry in the style of the Byzantine and plates embossed with the head of Zeus.
00:23:54It's all in very poor taste.
00:23:56But then the colonialists all have very poor taste.
00:23:58So why don't feed it back to them?
00:24:00The city is modernizing in such velocity.
00:24:03Crude houses, narrow streets, dead monuments, and then electric trams.
00:24:10And this, I found this, a liver action ice cream dish.
00:24:20For ice cream.
00:24:22The merchant called it a scoop.
00:24:26A scoop.
00:24:30Scoop.
00:24:34Tickles the back of the throat when you say it.
00:24:36He's like an owl daydreaming he's a kingfisher.
00:24:41One final treasure.
00:24:43The young man with the bazooki out again.
00:24:46A new one added to his usual repertoire.
00:24:48And...
00:24:52And...
00:24:54And the G.
00:24:57Something like that.
00:25:02Scoop.
00:25:05Scoop.
00:25:12Scoop.
00:25:15So is this what time works on us?
00:25:17Will I bloodlessly bloom into a husk?
00:25:24If you were the first...
00:25:27Then who made you?
00:25:28Why do we exist?
00:25:31Why do we endure at all?
00:25:34Why did she leave me?
00:25:42Am I evil?
00:25:48Is my evil sanctioned by nature?
00:25:53Or divine error?
00:25:57Where is God?
00:26:07Who dies and who stays alive?
00:26:22Again, same place.
00:26:24One, two, three, four!
00:26:26Big boss gets to have fun.
00:26:28If you're a boo-boo then he doesn't want you.
00:26:31I hate his dick behind my back.
00:26:32Oh, don't you dare write down his history.
00:26:34A hundred and twelve, a hundred and fifty-five.
00:26:36If you know him then you won almost more.
00:26:37A hundred and seventy-nine, two hundred and eleven.
00:26:39Only the big boss gets to just die.
00:26:41Four hundred and twelve.
00:26:42Who stays alive?
00:26:52Why are we not gonna die?
00:26:53That's a great idea.
00:26:54That's a good idea.
00:26:55Are we ready?
00:26:56Are we ready?
00:26:57Bad idea.
00:26:59Ready.
00:27:02Everyone.
00:27:03Who stays alive?
00:27:12Again!
00:27:15Who stays alive?
00:27:19No.
00:27:20No.
00:27:20Who stays alive?!
00:27:22All right.
00:27:34moving on you are listening to the failures album 49 side b
00:27:41so how's it worked you and him how's it work where you're at with lemuel
00:27:49taking it slow holding hands for now yeah keeping it loose um sorry you don't you don't have to do
00:28:01the accent oh yeah it's it's it's hard the yeah so maybe just use my own voice yeah safe
00:28:12start again yeah what's it like with lemuel
00:28:20simple things like he asked me how i'm doing and i say i'm good and i ask him how he's
00:28:28doing
00:28:28and he says i'm hungry or put down that ipad and give me some attention
00:28:36um he doesn't count time like it's a badge i go nice i don't know where he is but i
00:28:44like it that
00:28:44way yeah taking it slow
00:28:59what you what you writing in there uh yeah just this and this
00:29:06all right you two don't make me call the police take the boat back to the dock we're gonna pretend
00:29:12this never you're doing that to him yeah
00:29:23do it to me
00:29:27nah let's just get out of nowhere come on make me a stone
00:30:04what did you let's just uh let's get out of here i can't hold him for too long
00:30:26here they come nicky
00:30:28herbo the clarinet the announcement the reprise the harmonic shift
00:30:40oh foreshadowing yes i can yes move to the subdominant but not yet not yet not yet
00:30:48not yet madame
00:30:49oh if i see you would have loved it competing strings father max the counterpoint
00:30:56is like uh trembling waterfalls it's like hungry peasants itching for a fight
00:31:08what do you think marius oh you're still on holiday i blame you armand's rotten guest
00:31:30perhaps if you finish the goddamn symphony it might have brought the choir in the final movement
00:31:34but um it's a signature blend of ottoman bicycle enthusiast and a swedish barrel maker
00:31:43from melmo who thought the acropolis looked drab
00:31:52and it became that kind of priority here in cal you like to watch
00:32:00oh don't look now but magnus his hand is wandering down my older brother's pants
00:32:07are you affronted by these intimacy's ankle my hand on your eve on the eve of a great century
00:32:28splash of red for the new year you have been exquisite in your years
00:32:53you're supposed to watch the music armand i don't know why i invite you worthless
00:33:10i
00:33:10i
00:33:10i
00:33:10i
00:33:11i
00:33:11i
00:33:11i
00:33:11i
00:33:11i
00:33:11i
00:33:11i
00:33:12i
00:33:12i
00:33:12i
00:33:12i
00:33:12i
00:33:12i
00:33:14i
00:33:15i
00:33:15i
00:33:15i
00:33:15i
00:33:15i
00:33:15i
00:33:15i
00:33:15i
00:33:16i
00:33:16i
00:33:16i
00:33:16i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:17i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:18i
00:33:19i
00:33:27i
00:33:27i
00:33:27i
00:33:27i ruined your party
00:33:28i ruined your party
00:33:28i ruined your party
00:33:54Come to me.
00:34:19Why are we here? Is it for nothing? Don't be a cavalier. Is it obsession? A deep love is spelled.
00:34:31I'm thinking of you now.
00:34:33How is it that they live with such harmony? The billions of stars.
00:34:48How is it that they live in such harmony, the billions of stars, when most men can barely go a
00:34:56minute without declaring war in their own minds?
00:35:03Something wrong, sir? No.
00:35:08No. Yes. Thomas Aquinas.
00:35:24Why did you take me to the witch's place?
00:35:28What? I was asking Sophia.
00:35:33She's taking a call, I think.
00:35:35Check your phone.
00:35:36What?
00:35:37Your phone. It's... bu... buzzing.
00:35:44Again, same place.
00:35:48Again, same place.
00:35:51Ready?
00:35:53No. No. Tune it down a whole step.
00:35:59What?
00:36:01Tune it down a whole step, A minor.
00:36:03You're gonna get him.
00:36:04Alright, let me uh, let me work that out.
00:36:07Beards to the floor, waiting for you to work it out, Larry!
00:36:13You tune it down a whole step!
00:36:19Everyone, tune it down a whole step.
00:36:23Lay it down without me, Sam.
00:36:25For our ears, not theirs.
00:36:33He's an asshole.
00:36:37And you suck.
00:36:39I suck. Everyone sucks.
00:36:42The singer sucks.
00:36:46Alive!
00:36:54Is this messing you up?
00:36:56I can stop. I can totally stop.
00:36:58Played these parts a million times, man. I'm just...
00:37:02Got that yips.
00:37:04Feel like I'm back in select, letting in grapefruits.
00:37:07You were a terrible boy.
00:37:09No, it's not good.
00:37:12It's your total shredder with an axe.
00:37:15And look, everything we've talked about.
00:37:18We're finally making an album that people might actually hear.
00:37:20And it's like...
00:37:23It's really good.
00:37:24It's good, yeah?
00:37:25Yeah.
00:37:27Put your mitts on.
00:37:29One take.
00:37:33And then rest.
00:37:37And then we played out scenes as if she had lived.
00:37:43Um...
00:37:44Was alive.
00:37:47But now it's all blurred.
00:37:50And I called her Claudia.
00:37:53But she's herself, too, now, I think.
00:37:58And I know it's not real.
00:38:02But is it?
00:38:03Is it her?
00:38:04Come back to me?
00:38:05I can't tell.
00:38:07And whole nights go by.
00:38:09Where I don't, uh, wanna be able to tell.
00:38:12And I just, um...
00:38:15Is it her?
00:38:19Can you go in there...
00:38:23And tell me...
00:38:24If it's her?
00:38:31I was shut in the streets when you didn't call.
00:38:34Selfish bastard.
00:38:36Anybody spends five minutes with me, they know that.
00:38:40I'm...
00:38:40I know you're gonna bring it up.
00:38:42Don't have an answer for it.
00:38:46I'm in the middle of recording my fucking...
00:38:52Yes.
00:38:54Okay.
00:39:08Chicken and waffle special.
00:39:10I wouldn't order it, but I gotta say it.
00:39:12Get you a water.
00:39:21You.
00:39:27The internet says you're dead.
00:39:29Huh.
00:39:30Then I must be.
00:39:34You know he has been there for an hour.
00:39:39Stop performing.
00:39:42What does he order when he comes here?
00:39:46I bring him anything about to go bad.
00:39:50What the cook's pushing.
00:39:51Then I'll have that.
00:39:55I'll do it.
00:39:55I'll try it.
00:40:03Hey.
00:40:29I had some debts to pay off, so is that beneficial, going in both?
00:40:33And if he's paying you what I imagine he's paying you, why do you still work here?
00:40:36Well, if things with us get too freaky, I just pick up a shift or two to get some real,
00:40:41real back into my life.
00:40:49He's bringing you in this now. That's his next thing, is it?
00:40:54We're going to be a family. Uncle Les.
00:41:00Find someone else to swing home.
00:41:02He's the one coming around here doing all this with me.
00:41:04I just wait for the bell to ring, or the blower to buzz, or the hundred texts a day.
00:41:09You're hurting him.
00:41:10Oh, I'm hurting Louis.
00:41:20I look like her. I look just like her, don't I?
00:41:24Your gait suggests a hip injury that she never suffered, and she had a heart murmur. You don't.
00:41:31But I look like her.
00:41:35Oh, I don't want to, and she's trying to get her.
00:41:37Yeah.
00:41:40I don't want to go.
00:41:42Oh, I'm sorry.
00:41:48Oh, I'm sorry.
00:42:05It's not her, it's not anything like her.
00:42:11The eyes.
00:42:12Yeah, the eyes, no spark, right?
00:42:18Don't see this person again.
00:42:23And next time someone tries to murder me, pick up the phone.
00:42:41I don't know.
00:42:44You are secret.
00:42:51You are secret.כול
00:43:13The day you were born
00:43:18I was shaking like a leaf
00:43:21On an old oak tree
00:43:28Then you stayed like a thorn
00:43:32Red roses raining down
00:43:36Till they flooded me
00:43:43Even when we parted ways
00:43:46You never turn, never turn your gaze
00:43:50And I can still, I can still hear you say
00:43:56Don't break that stair
00:43:59I'm burning in your mirror tonight
00:44:04Oh, don't you dare call your name
00:44:09It's the fear that I'm right
00:44:12Don't you try to forget
00:44:15All the things you regret
00:44:19In those stained glass
00:44:23Stained glass eyes
00:44:41Had our fun like a child
00:44:45Just a couple of knives
00:44:49Cutting through twenty years
00:44:52No one ever gets to keep my smile
00:44:59But you can't peel it off me
00:45:03Like one of your souvenirs
00:45:10Even when we parted ways
00:45:14You never turn, never turn your gaze
00:45:18I can still, I can still hear you say
00:45:24Don't break that stair
00:45:27I'm burning in your mirror tonight
00:45:32Oh, don't you dare call it yearning
00:45:36It's the fear that I'm right
00:45:39Don't you try to forget
00:45:42All the things you regret
00:45:46Like the ashes you spread
00:45:50Till you had nothing left
00:45:54Of those stained glass
00:45:58Stained glass eyes
00:46:13This doesn't sound like us
00:46:16How's it fit with Longface?
00:46:19It doesn't
00:46:20Longface is not going on the album
00:46:22That's, uh, that's our calling card
00:46:25And if that's the new sound
00:46:26Then neither is
00:46:27Why Do I Have to Feel
00:46:28Or Big Bad Wolf
00:46:29Or
00:46:30And you're just going to, what, re-record?
00:46:32The entire album
00:46:34Instruments play like metaphors
00:46:37Well, yeah
00:46:37It's a beauty, so
00:46:39Um, you shouldn't fire them
00:46:41That would be a mistake
00:46:43They can do it
00:46:46But I can't
00:46:47So, um, thank you for the ride
00:46:49Best two years of my life
00:46:50And, uh, I quit
00:46:52Larry
00:46:57So we're just
00:46:58We're just gonna, we're just gonna record the whole album again
00:47:01Not you
00:47:02It's for our ears
00:47:03Yeah, is it?
00:47:04You need to be a vampire to hear it, TC
00:47:09Yeah
00:47:12You need the blood
00:47:16Read our minds
00:47:17No
00:47:20We won it
00:47:21I've come to enjoy you all very much
00:47:23But let me tell you something about this blood
00:47:26Let me save you from myself
00:47:35I was on the shores of Spain
00:47:39When my great love left me
00:47:42I let myself be buried in a stranger's grave
00:47:48Until the queen took pity
00:47:51And summoned me to service
00:47:54I'm not
00:47:56I'm not
00:47:58I'm not
00:47:59In her arms that are open
00:48:02In her arms that are wide
00:48:03That are open
00:48:04That are always
00:48:05That must always be open
00:48:07And in the old ways
00:48:08And in the old laws
00:48:09This was arranged
00:48:10All this was arranged
00:48:12And who arranged it, Amel?
00:48:14What have you done?
00:48:17You drank of her
00:48:17You drank of me
00:48:19I drank of her
00:48:20That is what it means to be loved.
00:48:22That's why she died in the hospital.
00:48:24I'm back.
00:48:25It is always a man. It is often she will be dead.
00:48:27She drank the blood. She drank.
00:48:29And I drank and I have it up here for three days.
00:48:33To the land where the dead are kept, where the dead are worshipped.
00:48:36She was on this night.
00:48:38For centuries!
00:48:39It will take me years to get her back on it.
00:48:44Why the day is without an hour?
00:48:46And what am I for?
00:48:47What is this for?
00:48:49And what should the men do if not to her concern?
00:48:56The stairs!
00:48:59The stairs!
00:49:00My mother!
00:49:03And why are they throwing stones?
00:49:05And why is she curled on the ground?
00:49:07And why is it wound around with blood?
00:49:09It already owns you.
00:49:10Make madness or sunlight,
00:49:13And why did his fist and in my eyes his desire?
00:49:17And why is it desire, Amel's desire?
00:49:19And why does he tell her what God has said?
00:49:22And why Amel in their mouths?
00:49:23And why must my voice be smooth?
00:49:25And why must I sing so low?
00:49:27And why is she kept?
00:49:28Why must she be kept?
00:49:30And why in this place must she be kept?
00:49:32And what does it mean if you are not asked?
00:49:34And what does it mean if you are not answered?
00:49:37And what is it to see?
00:49:38And to know and to tell you have not seen,
00:49:40You have not known.
00:49:41And why is her tongue cut out?
00:49:44And why is her death prolonged?
00:49:46And when will it stop?
00:49:48And who will stop it?
00:49:50And why must they, must we, must I, must he, must they
00:49:54At the millennia unfold?
00:49:56Why the girl curled?
00:49:58Why her eyes lowered?
00:49:59Why on the side of the road?
00:50:01Why limp in the straw?
00:50:03I am the girl!
00:50:04I am the god!
00:50:06I am the voice!
00:50:07I am the song!
00:50:08I am the knight!
00:50:10And I can answer!
00:50:11I can arrange it!
00:50:13I can say rise!
00:50:14And I can say speak!
00:50:16And I am her!
00:50:17And I am she!
00:50:18And I, I, I, I am the answer!
00:50:31This is the metal sun inside my veins.
00:50:35This is the hell I unleash on all those near me.
00:50:40It cannot be restrained in the moment,
00:50:43Or tamed over time.
00:50:45It will drag you into depravity.
00:50:48And reward you with regret.
00:50:55So follow Larry to a better life.
00:51:05We're finishing the album.
00:51:15We're a fucking band!
00:51:21Make more.
00:51:38Larry?
00:51:39Larry Slater?
00:51:41Lead guitar?
00:51:42TVL?
00:51:43Uh, Jeff.
00:51:44Oh my god!
00:51:46Oh my god!
00:51:46Hey!
00:51:47I, I'm sorry.
00:51:48I'm so sorry about what happened to him.
00:51:51Oh yeah.
00:51:52Yeah.
00:51:53I, I play those videos all the time.
00:51:55The concert stuff, not the shooting.
00:51:57I mean, uh, so, uh, so what are you doing in New York with your guitar?
00:52:05Uh, I can't really say.
00:52:06Oh my fucking god!
00:52:07It's true, isn't it?
00:52:08You guys are making the album!
00:52:10I saw it online.
00:52:11You got his vocals!
00:52:13And, uh, I'm just thinking it's...
00:52:26I think it's wonderful because the world really needs to hear how beautiful he was.
00:52:31You know what I mean?
00:52:31Actually, I'm not in the band anymore.
00:52:34Oh.
00:52:34I don't even know if there is a band anymore.
00:52:36They're, like, laying down a record.
00:52:37I'm just, like, fucking tired.
00:52:41So...
00:52:41Oh.
00:52:43Oh my god.
00:52:44I'm sorry.
00:52:44I'm sorry.
00:52:45You do look tired.
00:52:47I'll, uh, leave you alone.
00:52:48A terrible goalie.
00:52:50With a total shredder with an axe.
00:52:54I'm sorry, what?
00:52:58She's right.
00:52:58You do look tired.
00:53:00You should probably get some rest.
00:53:04Do I know you?
00:53:12Rest?
00:53:14Rest.
00:53:20Rest.
00:53:27Oh my god!
00:53:30Oh my god!
00:53:32Oh my god!
00:53:34Oh my god!
00:53:36Oh my god!
00:53:38Oh!
00:53:38Oh no!
00:53:41Oh my god!
00:53:45Oh no!
00:53:46Oh!
00:53:47Oh no!
00:53:59Oh!
00:54:00wherever you stream music.
00:54:04Taylor and Travis.
00:54:06Have you set a date yet?
00:54:08Be damaged, be cabbage.
00:54:12When the curtains are here, be great.
00:54:15You reached out to the worst kind of witch.
00:54:17She is not like the rest.
00:54:21Armand's in town.
00:54:22He's going to try to disrupt things.
00:54:2550,000 of us out in the woods together.
00:54:28What could go wrong?
00:54:33The End
00:54:34Guests at my deathbed.
00:54:36We are making an album about my life,
00:54:39which has been a three-century train wreck.
00:54:42We are here to pull the plug,
00:54:44have some reverence,
00:54:46kill me savagely.
00:54:55I would leave this coffin only once in four months.
00:54:58I would butcher the band for bloom and marbling and stop at nothing until an album worthy of the long
00:55:05lurid life of L'Estaat de Liencourt burned into elegy audio formats.
00:55:10So episode five, they're recording the album.
00:55:12Big Bad Wolf vocals take one.
00:55:15His mother comes back to him and says, hey, why don't you be this other thing?
00:55:19She needs him to create a song that will speak to all the vampires lurking in all the shadows of
00:55:27the world.
00:55:28And so he makes the album to be this thing for her.
00:55:31But of course, he's really fastidious and obsessive artist.
00:55:35So you can't really help but take complete control over it and get lost in the creative process.
00:55:40But throughout that process, he's niggled by these memories that he can't quite reconcile with.
00:55:46Why did she take me to the burning of these teenage girls when I was a child?
00:55:51Why did she touch me in those inappropriate places when I was, you know, wounded?
00:55:57You were a terrible mother.
00:56:00I wasn't.
00:56:01In the moment, they definitely do find it hard to stop their complicated relationship.
00:56:09You need me now.
00:56:11I do.
00:56:18I missed you, brother.
00:56:21I missed you too, sis.
00:56:24Both of you.
00:56:25This show is really funny, intentionally so.
00:56:28I wish we could stay longer, but you know, Claudia, always go, go, go.
00:56:34There's lots of very dark humor, but also kind of, like, silly, fun humor.
00:56:40And then Off Off Broadway, Madeline is definitely very funny.
00:56:43Took a downtown to the Cubby Hall, sucked a dry in a gant of water, and shoved it down to
00:56:47the laundry chute.
00:56:48She's good.
00:56:49Beautifully played, but it's also very twisted.
00:56:52It was so weird, but, like, so comedically written that it was hard to not have fun with it.
00:56:58Something about theatre kids makes me moody.
00:57:00And I think Louis being on the other side of the table just made it that bit weirder.
00:57:07I think at one point I was literally sitting in my chair, like, and I was off camera, and I
00:57:11was, like, sitting there, like, make it stop.
00:57:17I know Jacob.
00:57:19It was very...
00:57:19I think it was uncomfortable for everybody because, obviously, we know the circumstance behind it.
00:57:25But for Regina, it's just another day on the job.
00:57:27Holding hands for now.
00:57:31Um...
00:57:31I'm sorry.
00:57:32You don't...
00:57:32You don't have to do the accent.
00:57:34Oh.
00:57:35Did you?
00:57:35Let's just, uh, let's get out of here.
00:57:46Can you go in there and tell me if it's her?
00:57:53I was shut in the streets when you didn't call.
00:57:56Selfish bastard, huh?
00:57:57There's a lot of things that keep haunting Lestart and then he meets Regina.
00:58:03I look like her.
00:58:05I look just like her, don't I?
00:58:07And that instigates a change in his music.
00:58:10Like the day you were born, I was shaking like a leaf on an old oak tree.
00:58:22That means he comes back and he writes a song about her that is more poppy and more truthful and
00:58:31more paid back and more honest than he's ever done before.
00:58:35And he presents that to the band and says, I think this is the sound. I think this is what
00:58:38we're doing now.
00:58:39So follow Larry to a better life.
00:58:43We're finishing the album.
00:58:45He no longer is trying to present himself and he's just being himself with his music.
00:58:53Don't break that stair
00:58:55I'm burning
00:58:57In your mirror tonight
00:59:00Oh, don't you dare call it yearning
00:59:05It's the fear that I'm right
00:59:08Don't you try to forget
00:59:11All the things you regret
00:59:15Like the ashes you spread
00:59:18Till you had nothing left
00:59:22Of those stained glass
00:59:25I think if he wrote Stained Glass Eyes at the very start of the tour and he played it to
00:59:31himself, I don't think he would have taken it seriously.
00:59:33But I think he's had to get to this point where he could write something very emotional and very raw
00:59:39To realize that his music is a personal conduit of his expression as an individual.
00:59:46And you're just going to let Marie record it.
00:59:48The entire album, instruments play like metaphors.
00:59:56We're about to shoot a katra and in fact our very last day.
01:00:00And so a high anticipation of just looking at her as Akasha and how she's going to play it.
01:00:08We're rolling whenever you're ready, Jared.
01:00:13It's a wonderful set.
01:00:15It's kind of like this underground storage unit with all of these pieces of history that Marius has collected to
01:00:22try and keep her entertained.
01:00:23It's been very fun to film in as a set.
01:00:27And it's been a remarkable setting for the introduction of Akasha to the series.
01:00:32It's alive.
01:00:33Very alive.
01:00:35This season played by Sheila Team, who is an extraordinary actor.
01:00:40She is the seed.
01:00:41And you are her keeper.
01:00:43Marius is there trying to keep her controlled.
01:00:46And Lestat being Lestat is much more about like, let's push and see what happens.
01:00:51He's also very lonely.
01:00:53A liver action ice cream disher.
01:00:57Anne Rice has Akasha awoken by Lestat.
01:01:00But we actually have Lestat stay within her crypt for, you know, ten years.
01:01:05In the book, he's there for a couple of days.
01:01:07He's cool.
01:01:10He puts on concerts for her.
01:01:12Where is God?
01:01:15And she wakes up.
01:01:23And then he's got the blood of Akasha in him.
01:01:25And then the way that that manifests in him is obviously he's like flying.
01:01:29And I was up on that rig.
01:01:31Hold him there.
01:01:32And he gives you some articulation.
01:01:35Yeah, great.
01:01:35Okay.
01:01:36It was a really fun thing to do, actually.
01:01:39That's so real.
01:01:40Oh, my God.
01:01:40I told you, man.
01:01:42Because I was upside down.
01:01:43And, you know, I was talking to Roland.
01:01:44He was like, what does it feel like to have the blood of Akasha cursing through you?
01:01:47So we were kind of like doing these jolting movements.
01:01:49And then they dropped me, which was like a proper ten-foot free fall.
01:01:53Wow.
01:01:54That's so much fun.
01:01:55What is this for?
01:01:57And what should the men do with it if not to answer?
01:02:02She is phenomenal and extraordinary as Akasha.
01:02:07And I, I, I, I am the answer!
01:02:13Where are you?
01:02:33Oh, no!
01:02:34It's gonna go get out to my shot.
01:02:35Oh, no.
01:02:38See you later.
01:02:38See you later.
Comments