FULL MOVIES ENGLISH SUB 2026
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Short filmTranscript
00:00:24Hey, how wants to take you to my place, baby doll?
00:00:27Sorry, I don't do poppy dances.
00:00:29She'll strip her money, but you won't fuck a guy?
00:00:32I'm not a hooker, she'll see respect.
00:00:36Fucking bitch, I'll show you respect.
00:00:38Mr. Morgan, I am so sorry.
00:00:41She's new here, I've got to trade her better.
00:00:43Just have a seat, we'll be with Jordan today.
00:00:46Sorry about that.
00:00:51You one great bitch.
00:00:54Remember who saved your ass?
00:00:55When you were knee deep in debt?
00:00:56Me!
00:01:02How are we doing with the search?
00:01:03Not good, boss.
00:01:04Still going.
00:01:06Find her.
00:01:08I don't care what it takes.
00:01:13I've found the perfect one for you.
00:01:14It's about time you settle down and get married.
00:01:16Her name is Carla.
00:01:18She's the daughter of a friend of mine.
00:01:19Dad, you've been over this.
00:01:21I don't need you to find me the perfect woman.
00:01:24Of course I do.
00:01:25You're an Ardoin.
00:01:26I have to make sure my son marries the perfect woman.
00:01:28So now all of a sudden you give a shit about me.
00:01:30You never care when you drove mom away.
00:01:33Or when you sent me to that orphanage all by myself.
00:01:35Silence!
00:01:36How dare you!
00:01:37It's for the Ardoin family business.
00:01:39Your American county Jennings.
00:01:41End of discussion.
00:01:48I paid your 500 grand debt.
00:01:50And I gave you a job.
00:01:52Now if you want to quit so bad.
00:01:54Pay me back.
00:01:56Get the fuck out of my club.
00:01:57Please you know I don't have $500,000.
00:02:00Just give me another chance.
00:02:01Well get the fuck back in there.
00:02:03Apologize to that nice gentleman.
00:02:05And do whatever the fuck he tells you to do.
00:02:08Now if I get any more complaints from our clients.
00:02:10You will be sorry.
00:02:12Got it?
00:02:14Is there a problem here?
00:02:16No sir.
00:02:17Everything's fine.
00:02:20She looks just like her.
00:02:29Will you marry me?
00:02:36Will you marry me?
00:02:40Let us tell my father I've chosen a wife for myself.
00:02:43Are you sure boss?
00:02:44She's a stripper.
00:02:46How about we make a deal?
00:02:48Name any price you want.
00:02:49Will you get married?
00:02:51I owe my boss $500,000.
00:02:53He's not going to let me know until I pay him.
00:02:59Anything else?
00:03:08This is your house?
00:03:10It's our house now.
00:03:12Welcome.
00:03:20Alright.
00:03:21Sign this agreement.
00:03:23We'll be contractually married for a year.
00:03:25After that, we'll file for divorce.
00:03:27Until then.
00:03:29Part of the richest family in the country.
00:03:43Part of the richest family in the country.
00:03:45I don't want you to know that I'm not attracted to you.
00:03:48Or to send a new married on paper.
00:03:52Not so.
00:03:53Well, don't worry.
00:03:55I'm not attracted to you either.
00:03:57I just wanted the money.
00:04:10Hey, where am I staying, by the way?
00:04:13In the guest room.
00:04:21Total jerk. This is bad.
00:04:29It's been over ten years.
00:04:33I miss you so much.
00:04:54Let's go.
00:05:05I need you to find out everything you can about the woman I've spared.
00:05:08Seriously, we're up in the same orphanage.
00:05:26Sorry, I didn't mean to.
00:05:28This is my bathroom.
00:05:30What do you think you're doing?
00:05:32I'm just trying to use your little tricks to get my attention.
00:05:35It's not going to work, though. Sorry.
00:05:38I wasn't trying to get your attention.
00:05:46Do you mind turning that off?
00:05:50I just dropped the carpet and you'll get some cleaning.
00:05:52You're here to be my wife.
00:05:54Not a maid.
00:05:57Who are you?
00:06:01Wait, you're that stripper.
00:06:04What are you doing in Edward's house?
00:06:07I am. Who are you?
00:06:09I am Edward's fiancé.
00:06:16Edward, you're marrying a stripper?
00:06:19I thought I was your fiancé.
00:06:21My father arranged for us to get married only for the sake of our families.
00:06:25We wouldn't be happy even if we didn't get married.
00:06:27But I would be happy.
00:06:29Carla, you know I have someone that I love.
00:06:33She's the one I'm waiting for.
00:06:37I don't know who the fuck you are.
00:06:39If you have a chance to listen to me, I'm done with my thoughts.
00:06:43Miss, get it straight.
00:06:46I'm not competing with you.
00:06:49Stop it.
00:06:51Edward, are you defending her now?
00:06:59Wow, not a lot of admirers, huh?
00:07:02Any more than to watch out for?
00:07:04Look, if you see me in the living room, don't show your face.
00:07:08Same will go for me.
00:07:09Your house, your rules.
00:07:11Big deal.
00:07:19Hi, I'm Velma.
00:07:22I've worked a lot of odd jobs in the city.
00:07:28Waitressing and working in nightclubs.
00:07:33All for a chance.
00:07:35That?
00:07:41I'm also looking for someone.
00:07:46And I hope...
00:07:49That one day he sees me on screen.
00:07:55That way he knows that I'm still here.
00:08:01I'm still here.
00:08:12Okay.
00:08:15I hope you see me.
00:08:17I hope you see me.
00:08:30That's okay, Sarah.
00:08:32Vumma doesn't need to die with me.
00:08:34Bring my food to my room and I'll eat there.
00:08:36Yes.
00:08:38It's fine.
00:08:39I usually don't eat with people anyway.
00:08:42By the way, I'm going out for a bit today.
00:08:46Well, you know, it's not of my concern.
00:08:49Fine.
00:08:53Is he always this big of a jerk?
00:08:56Excuse him, ma'am.
00:08:57He's just...
00:08:57She was timid and mom.
00:08:59I'm sorry, Sarah.
00:09:01It must be difficult dealing with him every day.
00:09:03It's okay.
00:09:09Yeah.
00:09:11I'll be right there.
00:09:25Okay.
00:09:27So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:34Is it true?
00:09:34I didn't know that he was a billionaire until half of the world.
00:09:38You're joking.
00:09:39How did you manage that?
00:09:40Shh.
00:09:41I just signed a contract.
00:09:44Okay.
00:09:44What?
00:09:45Who cares?
00:09:46What are you waiting for?
00:09:47Seal the deal.
00:09:48I don't know that I can't think about knowing where that I got.
00:09:52Gee, it's been ten years since you two escaped the orphanage.
00:09:56We don't work for anywhere.
00:09:57He could be dead.
00:09:58He's not dead.
00:10:00Okay.
00:10:00Um.
00:10:01It's okay.
00:10:02Sorry.
00:10:03So, what's your plan?
00:10:06Keep things the way they are, I guess.
00:10:09Except now I can focus more on acting and not dance in extreme clubs.
00:10:14Great.
00:10:15That's exciting, right?
00:10:16That's something you've always wanted to do since you were a kid.
00:10:19Is that audition today?
00:10:20Yeah.
00:10:28Hi, I'm here for the audition.
00:10:32You think you could just show up like that, you slut?
00:10:40You slut?
00:10:41Are you stalking me?
00:10:43Oh, don't flatter yourself.
00:10:45Am I the lead of this production?
00:10:47She's not auditioning.
00:10:49Sorry.
00:10:50You can't do this.
00:10:52I worked so hard for this opportunity.
00:10:54Oh, like stripping for men and fucking them in strip clubs?
00:10:58God, I was dancing.
00:11:00That's it.
00:11:01What's the fucking difference?
00:11:03I get girls like you're fucking breakfast.
00:11:06Let's go, Eric.
00:11:10No.
00:11:12Please.
00:11:13Wait.
00:11:14Wait.
00:11:20Quiet.
00:11:25Quiet.
00:11:26Quiet.
00:11:29Quiet.
00:11:29Quiet.
00:11:30Quiet.
00:11:31Quiet.
00:11:33Quiet.
00:11:34Quiet.
00:11:35Quiet.
00:11:35Quiet.
00:11:36Quiet.
00:11:36Quiet.
00:11:37Quiet.
00:11:37Quiet.
00:11:37Quiet.
00:11:37Quiet.
00:11:37Quiet.
00:12:00Boss, let's get the details and tell her, she went to high school not far from here.
00:12:06The girl down has an audition for films. She wore the night gloves to make a living. Bad relationship with
00:12:14her parents.
00:12:21But not an orphan. No name changes. I definitely never been to an orphanage.
00:12:36I wanted it to be her so bad. Of course I can't help it.
00:12:41They've been looking for this girl for ten years. I wish you someone more important to me than life itself.
00:13:01It is her.
00:13:08Find me the location where this photo was sent.
00:13:10Got it. The photo's been sent.
00:13:13Good. Where is she?
00:13:15Oh. Out like a lame.
00:13:19I guess marrying Edward won't solve your break day.
00:13:22I hope you've got it. Do whatever you want.
00:13:25I'll be in the back window.
00:13:44I've been searching for you for so long and you were right here.
00:14:01G'day Vu.
00:14:07Boss, he's gone!
00:14:09Find him. Keep this between us.
00:14:15Come on. I got you.
00:14:31I'm sorry.
00:14:33I can't tell you who I am. Not yet.
00:14:54We'll need your names once we're out of here, right?
00:14:58Yeah, we're starting a new life.
00:15:00I'll be Thelma. What about you?
00:15:04Algar. Helen! Where are you?
00:15:09It's hard, quick. Trying to escape again? I warned you, it's not gonna work.
00:15:15Looks like I gotta give you some real punishment.
00:15:18You go first. At least one of us needs to escape.
00:15:21No, you go.
00:15:23She's gonna kill you.
00:15:25I won't ever catch me. Just go, I'll find you.
00:15:28Let's meet the amusement park.
00:15:33I'll wait for you, Algar.
00:15:39Oh, you're going anywhere. I'll bring her back. Rest assured. After I'm done with you.
00:15:46No!
00:15:53I'll wait for you, Algar.
00:16:03What happened?
00:16:05Nothing to worry about. Just some issues with the film agreement.
00:16:09Why are you being so nice to me?
00:16:11No reason.
00:16:13Here. Take this card.
00:16:16It's unlimited.
00:16:18Spend it however you want.
00:16:19Why are you doing this? I don't want your money.
00:16:23Well, if you need money, just let me know.
00:16:26You can stop working for...
00:16:28...odd jobs.
00:16:32...odd jobs.
00:16:34Acting is my dream.
00:16:37I danced in strip clubs for a living, but...
00:16:40...people like you, born from a silver spoon, wouldn't understand that.
00:16:44That's not doing it.
00:16:46We're in a contract marriage, right?
00:16:49I won't interfere with your life, and you can't meddle in mine.
00:16:54Acting is something that I've always wanted.
00:16:58And besides...
00:16:59I'm not gonna take your money besides the number that we agreed on.
00:17:04I need to rest now.
00:17:09Do you mind?
00:17:30Look at this mess.
00:17:32Clean it up if you even think about going to bed.
00:17:50Get up. He must be starving.
00:17:52Okay.
00:17:55They probably work hard for this.
00:17:57Come on, take it.
00:18:03I can't believe she locked you out for three days and made you do all this.
00:18:07Did she even feed you at all?
00:18:09You made it easier for me.
00:18:11No, get back and force it easier.
00:18:32Excuse me, I'm calling to ask about my audition.
00:18:36I'm sorry.
00:18:37Your name has been picked Lisa from the production.
00:18:40What?
00:18:45I'm sorry.
00:18:46This is the building of the...
00:18:47I said it.
00:18:58How about a drink?
00:19:00There are two glasses of scotch there.
00:19:03Pick one.
00:19:03I'm sorry.
00:19:05I'm sorry.
00:19:06I'm sorry.
00:19:06I'm sorry.
00:19:07Just a friendly gesture from the boss.
00:19:11One more thing.
00:19:13Only one of those glasses is poison-free.
00:19:16You should've known better.
00:19:18That would happen.
00:19:20Here.
00:19:22I do it for you.
00:19:23All right.
00:19:27Go!
00:19:30Go!
00:19:34Go!
00:19:35Go!
00:19:37Go!
00:19:38Take him away.
00:19:45This is what I've become, Thumb.
00:19:49I hope you've never seen me like this.
00:19:52Ruthless.
00:19:54Merciless.
00:19:56Both glasses.
00:19:58I've silenced the men.
00:20:00I simply can't forgive him for what he did.
00:20:06Thelma, will you forgive me?
00:20:15What?
00:20:17What the fuck happened to you?
00:20:18How did he find you?
00:20:19What happened?
00:20:22Oh, you can't even talk now?
00:20:24God, you're fucking useless.
00:20:28Inform every production you can reach.
00:20:31Velma will never be an actress.
00:20:35Make sure of it.
00:20:38Go!
00:20:50Are you okay?
00:20:53I've been blacklisted by every production company,
00:20:56even the Actors Guild.
00:20:58What am I going to do?
00:21:00Hey, don't lose heart, okay?
00:21:01I happen to know of an audition going on today,
00:21:03if you're interested.
00:21:04Since when?
00:21:05Good friend of mine took me off.
00:21:07Now, come on, let's go.
00:21:09All right?
00:21:09It's better than moping around here.
00:21:11Come on.
00:21:14Here it is.
00:21:16So I can just go in there, just like this?
00:21:19Yes, I got everything set up, okay?
00:21:21Just go ahead, go in, and do things.
00:21:23You got this?
00:21:25Bring it away!
00:21:27Bring it away!
00:21:38Who is she?
00:21:46Who is she?
00:21:48Nobody.
00:21:49She's not here for the audition, too, is she?
00:21:53Well, in that case, we're in furniture.
00:21:58Carla, Jenny?
00:21:59You're up next.
00:22:18I can't believe it!
00:22:20It was you!
00:22:21Oh!
00:22:24That's right.
00:22:25I never thought you'd find me.
00:22:27But it must come to an end.
00:22:31Oh, no!
00:22:32No!
00:22:34Oh!
00:22:44Cut!
00:22:48I'm sorry.
00:22:49Were you shot, or did someone just step on your toe?
00:22:53Just trying again.
00:22:54I was just a bit nervous.
00:22:56Miss Jannings, we are making a thriller with a tragic ending.
00:23:01What you just did was borderline comedy.
00:23:04Excuse me?
00:23:05Do you know how close I am with your mister?
00:23:09Sir, she was indeed recommended for the role.
00:23:14May we give her another chance?
00:23:22Oh, no!
00:23:23No, no, no, no, no.
00:23:24We are creating art that appeals to our audience, and she is clearly not right for the role.
00:23:31Next!
00:23:32I'm sorry, Miss Jannings.
00:23:34That was great.
00:23:35Maybe another project, or another...
00:23:39Are we still doing it?
00:23:41I thought you were blacklist.
00:23:43So it was you.
00:23:44You know, if that's the best you got, then I'm not that worried.
00:23:48I don't think you're going to do better than me.
00:23:50Yeah.
00:23:52Anything.
00:23:54Yeah!
00:23:55Show us what you got!
00:23:57Thelma?
00:24:12So who was you?
00:24:15All this time?
00:24:17That's right.
00:24:19I never thought you would find me.
00:24:23But now it must come to an end.
00:24:27No!
00:24:29This can't be it for us!
00:24:38Well, that was amazing!
00:24:43You fully captured that role!
00:24:46Congratulations!
00:24:48You got the part!
00:24:49What?
00:24:50What?
00:24:56What about me?
00:24:57You promised me!
00:24:58Oh, come on.
00:24:59You have to admit.
00:25:00She was exceptional!
00:25:02She was perfect for the part!
00:25:03Girls!
00:25:04You killed it!
00:25:06You were great!
00:25:08I'm Alex!
00:25:09Looks like we're going to be zinc runners.
00:25:11Thelma!
00:25:11Hey, do you want to go somewhere more private?
00:25:13We can talk about the script.
00:25:15Yeah, sure!
00:25:29What the fuck?
00:25:31I'm hitting the wrong girl, buddy.
00:25:32Edward, what are you doing?
00:25:35I need to go talk to Thelma.
00:25:37How about you shoot another day?
00:25:43What are you doing?
00:25:44Can you explain yourself?
00:25:46I don't owe you any explanations.
00:25:49So you're seeing new guys?
00:25:53What?
00:25:54No!
00:25:54We were just acting out a scene!
00:25:56A scene where you two get real close?
00:25:58You get a couple?
00:25:59I was just doing my job.
00:26:00There's nothing wrong with it!
00:26:02And besides, even if I was seeing someone,
00:26:04it would be none of your business!
00:26:13Hey!
00:26:14You got the lead role.
00:26:16That's amazing.
00:26:17I need to kill it.
00:26:19Kill it.
00:26:20I'm going to do it.
00:26:21Who?
00:26:22Well, you know who I'm talking about.
00:26:24Oh, no.
00:26:25Um, I wish you still don't know, do you?
00:26:28Oh, boy.
00:26:31Well, he's actually the investor of this movie.
00:26:35This is his project.
00:26:43Why did you bring me here, then?
00:26:45Well, it was actually his idea.
00:26:47Oh, yeah.
00:26:51Hello?
00:26:53Hi, this is Jean.
00:26:54Who is this?
00:26:56This is Edward Arduin.
00:26:57I recently invested in a film project,
00:26:59and I want you to take her friend, Elma.
00:27:02I think she'll be great for a people.
00:27:04Wait, wait, wait, you're Edward Arduin?
00:27:07I wired the payment to your account.
00:27:09Wait, wait, wait.
00:27:14I still can't believe I spoke to the legendary Edward Arduin.
00:27:18I can't believe you knew all this time, and you didn't tell me.
00:27:22Oh, look, don't look at me.
00:27:24I'm just the middle man doing somebody else a favor, okay?
00:27:26And you still have to hear me do that.
00:27:29It's crazy.
00:27:31But, you know, a lot of people say that Edward's not very nice.
00:27:35It's like a still cool man.
00:27:37Why is he doing so good to you?
00:27:40Yeah, I don't get it either.
00:27:41I mean, women must be throwing themselves at him.
00:27:55Maybe he's falling for you.
00:27:58Come on, that's impossible.
00:28:00He said some pretty harsh stuff over the years.
00:28:02Yeah.
00:28:03Is that why you look all gloomy?
00:28:05What happened?
00:28:06Did you guys fight?
00:28:07And you saw me doing a scene with another actor.
00:28:13That's weird.
00:28:18Why do you care what he thinks, though?
00:28:21Come on, girl.
00:28:22This does not sound like you.
00:28:24Are you sure you have a problem?
00:28:27No, it's just...
00:28:29There's something about him that's...
00:28:32familiar, like...
00:28:36I've seen him before.
00:28:38Hmm.
00:28:58Hey, good to see you here, Helen.
00:29:00This place is depressing.
00:29:02I don't know if I can make it without you.
00:29:05You're the one protecting me.
00:29:08I can't stand watching you getting hurt.
00:29:10Yes, we have to sugar pee.
00:29:12Can I call you sugar pee?
00:29:13Sure.
00:29:14As long as I can call you my little rock.
00:29:17Why little rock?
00:29:18Because you make me feel safe.
00:29:20Like we're all fell in our break.
00:29:23Deal.
00:29:24I don't know.
00:29:31Edgar.
00:29:34What have you done to me?
00:29:40What have you done to me?
00:30:01Damn.
00:30:04Why are you being so nice to me?
00:30:10Look, I'm sorry about today.
00:30:13It was stupid of you to rant that way.
00:30:17No, I mean, why did you help me get the role for your film?
00:30:28Well, you won't take my money.
00:30:31And I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:37Oh.
00:30:38Okay, so that's why.
00:30:41Are all rich people this world themselves?
00:30:43What was that?
00:30:44Nothing.
00:30:45This is great.
00:30:51You know, you can eat a sweet sometimes.
00:30:54This is delicious.
00:30:56I'm glad you like it.
00:30:59Sweet pea.
00:31:04Good morning, man.
00:31:06Edward is left on me.
00:31:09Oh, I saw you cooking last night.
00:31:12I watched you turn the salt.
00:31:14Oh, yeah.
00:31:15It was Edward.
00:31:18He's the cook.
00:31:19Edward.
00:31:20Gotta go.
00:31:22Okay.
00:31:24Okay.
00:31:28What is going on?
00:31:31What are we waiting for?
00:31:32Let's get started.
00:31:33One of our lead roles is not here yet.
00:31:36Ugh.
00:31:37The one thing I ask everyone here is to be professional.
00:31:43Woo.
00:31:44Sorry, guys.
00:31:45Traffic was a nightmare.
00:31:47All right.
00:31:48I'm ready to start.
00:31:49Wait.
00:31:50I thought that she didn't get the part.
00:31:52Well, how about that?
00:31:53Looks like I'm going to be playing here.
00:31:56It's deep.
00:31:58After this, nobody's even going to remember you.
00:32:01We'll see about that.
00:32:05Three, two dozen, take two.
00:32:08Ready.
00:32:09And.
00:32:10Act.
00:32:11You have to leave now.
00:32:13Not without the love of my life.
00:32:15I'll wait for him no matter what.
00:32:23Cuts.
00:32:24Cuts.
00:32:25What do you think you're doing?
00:32:27She's playing my role.
00:32:29I love seeing you.
00:32:30She's playing my role.
00:32:31Carla.
00:32:32What the hell was that that wasn't even in the script?
00:32:36I was just adding so much to touch to her.
00:32:38You know?
00:32:39For the sake of art.
00:32:40Art?
00:32:41This slap doesn't make any sense.
00:32:44And who gave you the authority to change my script?
00:32:48It's fine.
00:32:49She can hit me.
00:32:50Oh.
00:32:52Zelda, are you sure about this?
00:32:54It's all good if it's all for the sake of the effect.
00:32:59I knew I was right in choosing you as my letter.
00:33:03Okay, okay.
00:33:04Uh, uh, back to one, please.
00:33:06Yes, thank you.
00:33:06Can you put it on my script?
00:33:09And action.
00:33:11You have to leave now.
00:33:13Not without the love of my life.
00:33:15I'll wait for him no matter what.
00:33:19Edward.
00:33:23Good to see you here.
00:33:26Are you watching me?
00:33:28I mean, Thelma will make a perfect D knowing.
00:33:31Jay, have these two switch roles.
00:33:33I want Thelma to do the slapping.
00:33:36Since it's all for the sake of art.
00:33:46But Thelma is the lead.
00:33:48Yeah, that wouldn't make any sense.
00:33:50We can't make more changes to the script.
00:33:52Ed, we're already behind.
00:33:54Better get right to it then.
00:33:56You don't have to do this for me.
00:33:58I'm not doing it for you.
00:34:00I'm doing it for my own investment.
00:34:06All right, uh, we have added a line to the script.
00:34:11So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:34:18Got it?
00:34:20All right, and, uh, action.
00:34:24You have to leave now.
00:34:25Not without the love of my life.
00:34:28I'll wait for him no matter what.
00:34:29But what if he's dead?
00:34:30What if he finds somebody else?
00:34:33You're just going to spend the rest of your life waiting for someone who will never come?
00:34:42Then I'll be sure to leave no room for regret.
00:34:47Cut!
00:34:50Oh, bravo, that was perfect, Thelma.
00:34:54You handled that perfectly.
00:34:56Thelma, were you not supposed to stop Carla after the line?
00:34:59Uh, no need for that.
00:35:02I think that my character is above that kind of pettiness.
00:35:13I'm going to expose you, Thelma.
00:35:16I'm going to expose you, Thelma.
00:35:17Sooner or later.
00:35:28Where are you, Little Rock?
00:35:32I'm doing fine.
00:35:34Don't you worry.
00:35:38Don't you worry.
00:35:45Pam, Helen's sick.
00:35:47That's, that's why she's going to fit in.
00:35:48Isn't that sweet?
00:35:50Too bad.
00:35:51She's getting more punishment because of you.
00:35:54Isn't that sweet?
00:35:56Well, if you so insist, you can take it for her.
00:36:00Oh, get off.
00:36:02You're okay.
00:36:15Find the worker only info to our computer, a manager who's worked with us for 20 years.
00:36:21What do we do with him?
00:36:24Uh, fire him.
00:36:26So, we need to connect to soil tea in the company.
00:36:30My woman and his family.
00:36:33So be it.
00:36:35Fine.
00:37:02Shhh.
00:37:04Get off her.
00:37:21Get off her.
00:37:25Shhh.
00:38:27Uh, nothing.
00:38:38I carried you to your bed last night and that was it.
00:38:43No, seriously, what are you doing?
00:38:46Nothing, sweet pea.
00:38:48What did you just call me?
00:38:49Uh, sweet pea.
00:38:53You sat in your sleep last night.
00:38:58I see. Well, don't ever do that again.
00:39:01Uh, sure.
00:39:17Hi.
00:39:18Hey, could you maybe explain this scene a little bit in the chair if I get it?
00:39:23I mean, it is pretty straightforward to just do what it says without improvising.
00:39:29Um, uh, you were so great yesterday.
00:39:33I want to go over this one part.
00:39:35Uh, now when you say this line, um, about...
00:39:38We'll say hello, nurse.
00:39:41Good.
00:39:42Nurse.
00:39:43What am I doing this afternoon?
00:39:45Well, it's kind of a very important need.
00:39:49Did you forget?
00:39:51Canceled.
00:39:52Send in my apologies.
00:39:53What?
00:39:56So, what do you normally do when you're not working?
00:39:58Uh, I do striptease.
00:40:01Oh.
00:40:03I was thinking more along the lines of going to the movies.
00:40:07There's actually a good one out right now.
00:40:09I mean, maybe if you're interested, we could try to catch it together.
00:40:13Sorry, but I really need to focus on this job right now.
00:40:16Oh, yeah, sure, sure.
00:40:19You're a really interesting person to talk to.
00:40:21You know that?
00:40:22Uh, Edward, are you here to see me?
00:40:28Are you a portal, Dad?
00:40:30Oh.
00:40:32Edward?
00:40:33It's not for you.
00:40:35I'm sorry.
00:40:36Why is she still talking about it?
00:40:38Go put the snacks in the lounge.
00:40:40Okay, boss.
00:40:47Edward?
00:40:48What's your name?
00:40:50Actually, it doesn't matter.
00:40:52What were you talking to my wife about?
00:41:03Oh.
00:41:05Thelma, I had no idea that you were married.
00:41:09Uh, oh, don't worry about that.
00:41:11We were just talking about stuff in the script.
00:41:13Is that right?
00:41:14Hey, so you must be Edward Arwen.
00:41:18I've heard a lot about you.
00:41:19I'm Alex.
00:41:20Cool.
00:41:21Bye, Alex.
00:41:23Yeah, um, I'll see you later.
00:41:26Don't mind.
00:41:26Yeah, you won't.
00:41:27Good.
00:41:28You guys are all here.
00:41:29Edward brought snacks.
00:41:31They're in the lounge if anyone wants them.
00:41:32Yes, I'll come.
00:41:36Snacks.
00:41:40Edward doesn't usually come to set this often.
00:41:43He's quite the busy man.
00:41:44I think he's here to see you.
00:41:46He's here to see Carla, not me.
00:41:48Oh, please.
00:41:49Can you not see the way he looks at you?
00:41:52Whatever.
00:41:53Oh.
00:41:54Speak of the devil.
00:41:56I will give you two some pride with me.
00:41:59No, don't.
00:42:06Drew, get any out of hand.
00:42:08Don't forget, I'm the one who hired you.
00:42:10Excuse me?
00:42:12Stay away from Alex.
00:42:14Got it?
00:42:14What are you talking about?
00:42:15There's nothing going on between us.
00:42:17Besides, you came here to see Carla.
00:42:22Sir Joss.
00:42:24What are you talking about?
00:42:25I'm not just...
00:42:36What are you doing?
00:42:38Carla and I are together.
00:42:40I'm here for you.
00:42:41You really expect me to believe that?
00:42:50Yeah, girl?
00:42:53What?
00:43:01Jean, are you absolutely sure?
00:43:03Yes.
00:43:04Positive.
00:43:05I used to know this guy from the streets,
00:43:06and he and Algram drifted around for months.
00:43:09So where is he?
00:43:11Well, they later got separated,
00:43:13so he has no idea out of that,
00:43:15but that's got to mean that Algram's still alive, right?
00:43:18Oh, my goodness.
00:43:20Thank you so much.
00:43:21You have no idea how much this means to me.
00:43:23It's been ten years.
00:43:26Don't forget, you're married, too.
00:43:29What are you going to do?
00:43:31I'll divorce him once our contract is up.
00:43:33I needed the money.
00:43:36Algram will understand.
00:43:38I don't know.
00:43:39Everyone seemed really into you.
00:43:42Actually, Jane,
00:43:44I think I should keep my distance from him.
00:43:56Are you okay?
00:43:58Yeah.
00:44:02You want to tell me what happened?
00:44:04I just want to be alone for a bit, okay?
00:44:09Is this about Carla?
00:44:11I told you I went to see you, not her.
00:44:14Edward, I don't care who you're seeing.
00:44:16We're only married on paper, right?
00:44:21This is because we're moving too fast.
00:44:30Is this about Carla?
00:44:33I told you I went to see you, not her.
00:44:36Edward, I don't care who you're seeing.
00:44:38We're only married on paper, right?
00:44:43Then this is because we're moving too fast.
00:44:48I just think that we should keep our distance.
00:44:51Please.
00:44:59I thought she was playing hard to get, huh?
00:45:01Maybe she doesn't want to seem too eager.
00:45:04I mean, why would anyone reject you?
00:45:07It's impossible.
00:45:09Good luck.
00:45:10Let's get to the set.
00:45:15Hey, Thelma.
00:45:16You'll be wearing this dress for the next scene.
00:45:18Is that okay?
00:45:18That's fine.
00:45:20Okay.
00:45:21Okay.
00:45:22Okay.
00:45:22So you think you could just take whatever you want?
00:45:30I thought this was my personal changing room, like it's always been.
00:45:35Carla, this room is for the lead role.
00:45:37Yours is outside.
00:45:39Well, actually, I'm all done here.
00:45:42Carla loves taking things that aren't hers.
00:45:44Be my guest.
00:45:45Use it.
00:45:47Oh.
00:45:49Aren't you quite generous then, hmm?
00:45:51Edward's not here, so he can drop the act.
00:45:54We actually need to get back to work, if there's nothing else.
00:45:58Actually, I can finish my makeup myself.
00:46:04Go on.
00:46:05What do you want to talk about?
00:46:07Let's make a deal.
00:46:08A deal?
00:46:12Who the fun do you think you are?
00:46:14Well, as far as I know, I'm Edward's wife.
00:46:22Gonna do.
00:46:23Stop picking fights with me.
00:46:25Stop giving me a hard time on set, and I won't take anything away from you.
00:46:28I'll actually help you with whatever you and Edward have going on.
00:46:35All right, deal.
00:46:37I'm done with this room, by the way.
00:46:39It's yours if you still want it.
00:46:41I don't need your pity.
00:46:55Don't you have, like, business to run?
00:46:57What are you doing here all day?
00:47:06Hey, um, actually, about what happened, I think that we should talk.
00:47:12Why don't you meet me in the lounge after we wrap up?
00:47:15Why can't we talk now?
00:47:17I wanted to be a surprise.
00:47:19See you later.
00:47:29What does she want to talk about?
00:47:32Well, she doesn't listen to me anymore.
00:47:34Hi, Edward.
00:47:37Carla?
00:47:39Why are you here?
00:47:41We're stalling.
00:47:42Where should I be?
00:47:45Maybe...
00:47:45What are you doing?
00:47:48Are you trying to set those two up?
00:47:50Yeah, and if they're together, then they'll have nothing to do with me.
00:47:55Sounds like a terrible idea.
00:47:57Well, if you have a better idea, then let's hear it.
00:48:04Edward!
00:48:07If they're together, then they'll have nothing to do with me.
00:48:11Well, as long as you're okay with this.
00:48:15Of course I am.
00:48:16Why wouldn't I be?
00:48:18I mean, now I can just focus on what really matters.
00:48:23I can try to find Algar.
00:48:26Edward!
00:48:27What the fuck are you doing?
00:48:37Look, whatever games you're playing, you need to stop.
00:48:39What are you talking about?
00:48:41You came here to see Carla, right?
00:48:44Delma, come on.
00:48:46Edward, we're going to be divorced really soon.
00:48:48So?
00:48:49So if you're attracted to somebody, then go for it.
00:48:52I want you to be happy.
00:48:53The only person I love is you.
00:48:59Edward, how could you?
00:49:03Everything I'll do for you, Carla.
00:49:06I'll do for your father.
00:49:08He'll look down for me, so this is me paying him back.
00:49:18I'm already in love with somebody else.
00:49:21It's never going to be you.
00:49:24But if that man didn't exist, would you consider me?
00:49:26Stop it, Edward.
00:49:27It's never going to happen.
00:49:34What do I do, Algar?
00:49:37I know you're out there.
00:49:39What do I do?
00:49:53Boss, you've been here for a while.
00:49:56Is everything okay?
00:50:00Why don't you tell her you're the one she's looking for?
00:50:04Do you remember what I did to return to the R1 family?
00:50:08No.
00:50:18About Algar.
00:50:21Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:50:27Yes.
00:50:28And now the old man wants him back.
00:50:31Oh.
00:50:32Another brat to share their inheritance.
00:50:35If I could only get rid of his mother, getting rid of him, she'd be well known.
00:50:41Madam, it's our fault.
00:50:43Please don't withdraw your donation to the orphanage.
00:50:47If we work together on this, I could even help you.
00:50:53Get rid of Algar.
00:50:55For good.
00:51:01Take care of it.
00:51:03But make sure we represent.
00:51:08Check out your house.
00:51:09What else is going on?
00:51:10Jess, please, thanks.
00:51:11I have to see it.
00:51:12It's drunk.
00:51:13I hope it is.
00:51:17I got rid of the woman who killed my mother and sent me to an orphanage.
00:51:23I eliminated everyone associated with her.
00:51:28Over the years.
00:51:35I did whatever it took to gain my father's approval.
00:51:40To secure my inheritance.
00:51:43My methods were ruthless.
00:51:46My conscience.
00:51:48Callous.
00:51:50You did what you had to do.
00:51:53But now I'm a different man.
00:51:55A monster she doesn't even recognize.
00:51:58If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:52:05I can't lose her again.
00:52:10So it was true?
00:52:13No.
00:52:13No.
00:52:14No.
00:52:17Argon and I.
00:52:20He roamed the city for a winter.
00:52:24A lot of people say he made some enemies.
00:52:28One night, under the bridge where we slept, he got stabbed.
00:52:33And he died.
00:52:35No.
00:52:37Did you mistake it?
00:52:38He always had a ring with him.
00:52:40It was a nice ring.
00:52:43I think it had the letters A and H on it.
00:52:48I told him he could pawn it for a few bucks, but he just kept it with him.
00:52:54No, he can't just be gone.
00:52:57He can't just be gone.
00:52:58It's okay.
00:52:59It's okay.
00:53:00It's okay.
00:53:09Oh, Thelma.
00:53:11It's okay.
00:53:12Oh, my God.
00:53:14Baby, you haven't eaten in three days.
00:53:17Can I get you something?
00:53:19Anything?
00:53:20It's not good for you.
00:53:23Look, it's okay.
00:53:25It's okay.
00:53:27It's okay.
00:53:29this is my fault
00:53:32she's burning up
00:53:34the doctor said it was from
00:53:35emotional distress and not eating
00:53:40go make her something light
00:53:42I'll stay with her
00:53:43yes
00:53:50you need to get some rest
00:53:52and let me handle this
00:53:53no it's ok
00:53:54leave it to me
00:53:57look I know you care
00:53:59I've never seen you do this for anyone
00:54:01and if the old lady were here
00:54:03she'd be heartbroken
00:54:06she'd be this exhausted
00:54:07don't worry about this
00:54:08you can go now
00:54:21I'm not hungry
00:54:26he's going to get better
00:54:27I'm not hungry
00:54:56Thelma!
00:54:57Are you okay?
00:54:59I've been trying to call you for ten times.
00:55:01You haven't done something stupid, have you?
00:55:03I can't find a reason to go.
00:55:07Stop saying that, okay?
00:55:09Don't listen to what that guy said.
00:55:11He doesn't know what he's talking about.
00:55:13They never found Algar's body.
00:55:15Maybe he's still alive.
00:55:18You've waited ten years, okay?
00:55:21Are you sure you're going to give up now?
00:55:23Don't you want to find out the truth for yourself?
00:55:26Yeah, you're right.
00:55:29I should keep going.
00:55:31Good.
00:55:32Now go get some sleep and get back to set, girl, okay?
00:55:35That is something that you've always wanted,
00:55:37and you're not going to screw it up, all right?
00:55:40Yeah, well, I understand.
00:55:45I'll keep going for Algar.
00:55:49I want that bitch done.
00:55:51You got that thing ready?
00:55:55Sure, I would do the job.
00:56:02All right.
00:56:04Don't mess this up.
00:56:05Ready for first stand?
00:56:07Coming!
00:56:08Coming!
00:56:10Coming!
00:56:18Uh, you wanted to see me?
00:56:20Yes.
00:56:21It is about the scene we were stabbed.
00:56:24We will be using this as a prop.
00:56:27So once the safety is clipped off,
00:56:29the blade will go back inside itself upon impact,
00:56:32so don't worry.
00:56:32It's not going to hurt you.
00:56:34See?
00:56:35Nice.
00:56:37Exactly.
00:56:43Uh, Thelma, Carla, all set.
00:56:47All departments ready?
00:56:51And action!
00:57:06Edward, don't die on me.
00:57:09Please.
00:57:10I know that my past is complicated,
00:57:13and I'm not worthy of your time or your love.
00:57:17What makes me so special?
00:57:22Okay, I admit.
00:57:24I think somewhere along the way,
00:57:26I became attracted to you.
00:57:28And I know that you keep this stone-cold face,
00:57:31but I know that that's not the real you.
00:57:36Please.
00:57:38Show me the real you.
00:57:40Let me in.
00:57:45Edward!
00:57:46Edward!
00:57:52What are you doing?
00:57:54That's not funny.
00:57:54I was wearing sick.
00:57:55What's the matter with you?
00:57:57How else could I get such a lovely monologue?
00:58:00Okay, you know what?
00:58:00I'm going to go get a doctor.
00:58:02No, no, no.
00:58:03I'm fine.
00:58:05No.
00:58:06Look, not even a scratch.
00:58:08Just need a minute.
00:58:09Are you sure?
00:58:10It seemed pretty serious.
00:58:12Yeah, the knife didn't even get to me.
00:58:15So they blocked it.
00:58:16Really?
00:58:17Where is it?
00:58:19Nothing.
00:58:21I'll, uh, find out what happened today.
00:58:23Meanwhile,
00:58:24be more careful on set.
00:58:26Yeah?
00:58:27No, don't worry about it.
00:58:28You're the patient.
00:58:29Just rest up now.
00:58:32I heard everything you were saying about it.
00:58:35Okay.
00:58:36You know what?
00:58:36I'm really giving you a doctor now.
00:58:38Just shut up.
00:58:50You saved my life.
00:58:55How you doing, boss?
00:58:57Oh, not so shabby.
00:59:01So, what do you plan to do with Carla?
00:59:04Oh, my God.
00:59:06Almost forgot.
00:59:08Let's get me back.
00:59:09Let's go.
00:59:12I'm not sure what we're going to do after your little incident.
00:59:16I'm sorry.
00:59:17I wasn't thinking.
00:59:18You're going to happen again.
00:59:19I promise.
00:59:20Jane, get a replacement for her role.
00:59:22She's done.
00:59:29Edward, what are you saying?
00:59:31I told you to stop pointing these tricks behind my back.
00:59:33I didn't do anything.
00:59:35Don't listen to her.
00:59:36She's making it all up.
00:59:38Carla had someone on the prop team switch the fake knife with a real one.
00:59:41She almost killed Thelma.
00:59:43And myself.
00:59:45Edward, I'm sorry.
00:59:46I messed up.
00:59:47Please, please give me another chance.
00:59:50I've given you plenty of chances.
00:59:53Really, Edward.
00:59:55After all these years, please stop me asking myself.
01:00:03Doing all of this for a man, I hope it's worth it.
01:00:08Edward, you know everything I did is because I love you.
01:00:12If you try hurting her again, you will be sorry.
01:00:22You had no room to the place.
01:00:27Well, now that that's over, we should talk about what you said to me earlier.
01:00:32Which is what?
01:00:35That you were attracted to me.
01:00:39No, we're not going to talk about that.
01:00:42That's not fair.
01:00:42You tricked me.
01:00:45God.
01:01:02What if the person you're looking for is me?
01:01:08Don't be ridiculous.
01:01:11Besides, you come from a rich and powerful family, and he's an orphan like me.
01:01:19And he's incredibly kind.
01:01:22He wouldn't even step on an ant.
01:01:25I can't say the same thing about you.
01:01:30People can change.
01:01:32I'll never stop searching for him.
01:01:35I'm afraid that you can't stop me.
01:01:37Do you remember?
01:01:39Do you remember the meaning?
01:01:43I'm afraid that you're going to be lonely.
01:01:43Love you.
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