- 9 minutes ago
- #belle
- #affairsoftheheart
- #enchantedapril
#belle #affairsoftheheart #enchantedapril
Pip is horrified upon discovering the identity of his benefactor and no longer wants anything to do with his great fortune. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
Pip is horrified upon discovering the identity of his benefactor and no longer wants anything to do with his great fortune. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
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Short filmTranscript
00:00. . .
00:27Whatever my fortunes might have been,
00:30I could scarcely have recalled my sister with much tenderness.
00:33But I suppose there is a shock of regret,
00:36which may exist without much tenderness.
00:39Under its influence, I was seized with indignation
00:42against the assailant from whom she had suffered so much.
00:45I felt that, on sufficient proof,
00:48I could have revengefully pursued all it to the last extremity.
01:00. . .
01:05They should all have come back here after the funeral.
01:09Why didn't they?
01:12Mr Pumblechook decided it would be wholesomer at the inn.
01:16Mr Pumblechook would.
01:18. . . .
01:24Mr Pip.
01:27Will you not change your mind, Mr Pip?
01:29Your old room is all ready.
01:30Thank you, but I must return to London before dark.
01:34And please stop calling me Mr Pip.
01:48How are you going to live, Biddy?
01:51I've been speaking to Mrs Hubbell.
01:55Together we'll be able to take care of Mr Gargery until he settles down.
01:59Then I'm going to try and get a place at the new school nearly finished here.
02:04I can be well recommended by all the neighbours.
02:10The new schools are not like the old, you know.
02:15Biddy, if you want any money...
02:16I don't.
02:24Biddy.
02:27I've not yet heard the particulars of my sister's death.
02:37She'd been in one of her bad states for four or five days.
02:46And then suddenly one evening at tea time,
02:51she just came out of it and said, Joe, quite plainly.
02:57She said it clearly?
03:02She hadn't said anything we understood for a very long time.
03:07I ran and fetched in Mr Gargery from the forge.
03:13She made signs that she wanted him to sit down close to her.
03:20And then she wanted me to put her arms round his neck.
03:26They sat there.
03:29So still.
03:32Her arms round his neck.
03:36And then presently she said, Joe, again.
03:42So quiet and content.
03:46And laid her head very gently on his shoulder.
03:53Stayed like that and...
03:55Until I thought she was asleep.
04:02But we found she was gone.
04:26But we found she was gone.
04:27Tee's ready, Joe.
04:37Biddy and I have been talking about the funeral.
04:40Oh, well, I mean to say.
04:43I'd in preference have carried her to the church myself,
04:45along with just you and Biddy.
04:48But Pumblechook thought that the neighbours would look down on such as.
04:52Why, then, in respect?
04:56I shall be down here again very soon, Joe.
04:59I shall try and come more often.
05:02You can never come too often, Pep.
05:06Never too often.
05:36I must apologise for disturbing you on a Sunday afternoon.
05:40Well, I rather had it in mind that you might drop in.
05:43Did you?
05:44You've made acquaintance with the aged pea, of course.
05:46Good afternoon, Mr Wemmick.
05:50I'm hard of hearing.
05:52You'll have to speak up.
05:55Might I present you to Miss Skiffins?
05:57This is Mr Pip, dearest, come to call.
06:00Miss Skiffins?
06:01I am a frequent visitor at the castle, you know.
06:04At the...?
06:05Ah, yes, at the castle, indeed.
06:08Mr Wemmick made it, you know, with his own hands,
06:12out of his own head.
06:14Shall I make tea, John?
06:16Oh, you will stay to tea, Mr Pitt.
06:26She's such a manager of fowls, you've no idea.
06:29Well, you shall have some ex for your tea and judge for yourself.
06:35Erm...
06:37Miss Skiffins and I are, erm...
06:42Engaged?
06:42Why, that's splendid, Mr Wemmick.
06:45Mr Jaggers might as well not know of it, mind.
06:47Might think my brain was softening or something of that sort.
06:50Mm.
06:51Well, Mr Wemmick, I came here this afternoon
06:54to inquire whether you had any news yet
06:57regarding the business transaction we spoke of.
07:00You preferred me not to mention it in Little Britain.
07:03Oh, indeed not, Mr Pip.
07:05Altogether a Walworth sentiment, don't you think?
07:07Hmm.
07:08Well, have you any news yet
07:09regarding the matter concerning Herbert Pocket?
07:13Good news.
07:14Well?
07:15I've found a ship owner called Clarica, not long established in the business,
07:19who's looking for a partner with capital.
07:21How much?
07:22£200 down to start with
07:24and then sundry other payments which will fall to you on certain dates.
07:28And can it all be done without Herbert being suspicious?
07:31Hmm?
07:32You'll have to sign certain articles, of course.
07:34Oh, er, tip him a nod now and then, Mr Pip,
07:38and he'll be as happy as a king.
07:43I'll do it.
07:44I'll sign the articles.
07:46Miss Skiffins has a brother who's an accountant and agent.
07:49I'll look him up and get a work for you.
07:51If he agrees to conduct negotiations,
07:53I think all you want may be done by degrees.
07:56I'm really very grateful, Mr Wemmick.
07:58I'm sure young Mr Pocket will be too.
08:01Ah, but he must never know that I've had a hand in this.
08:30She's such a good fellow, Mr Pip.
08:32You like her.
08:33My word, John.
08:35What about this haystack of butter?
08:38Don't you think?
08:53Isn't my Clara a charmer, Hamlet?
08:55Are you properly impressed?
08:56Might I have the pleasure, Miss Barney?
09:02Your fiancé is delightful, Herbert.
09:04She's a dear friend already.
09:05She's the most loving, innocent, and modest creature.
09:08It is.
09:08She's a lovely little,ess.
09:15She's a lovely little girl.
09:18She's a good one.
09:22She's a beautiful little girl.
09:23She's a lovely little girl.
09:23Sometimes she takes care of the woman.
09:23Then a hair is a great.
09:23little girl....
09:27Little girl, I'm sure she takes care of her.
09:27you're hurting me.
09:30Well, Pip.
09:31Would you like a glass of punch?
09:32No.
09:33you must be tired it's quite late is that all did you drag me so rudely away
09:39from my friends to say that I'm so sorry I interrupted your conversation perhaps
09:43you were recounting tonight's triumphs I wasn't aware there'd been any that man
09:48over there the man staring at us look at him why should I what is there to look
09:51at indeed yes that's the very question I wanted to ask you I know him Estella
09:56he's an ill-tempered stupid brute I know him too I invited him
10:05makes me wretched that you encourage a man like that he's despised by everyone this is foolish Pip it's
10:10not worth discussing yes it is are you going to allow him to hover about you all night all sorts
10:17of ugly creatures hover about a lighted candle can the candle help it but you can perhaps if I choose
10:25to he's got nothing to recommend him but money and a ridiculous role of adult-headed predecessors well
10:31how can you throw yourself at a bore like that the lowest in the crowd I can bear it
10:36don't be so proud and inflexible
10:45will you never take warning of me a warning not to be attracted by you is that what you mean
10:51if you
10:52don't know what I mean by now you're blind the way you looked at him where you smiled never
10:59smiled at me like that Pip do you want me to deceive and entrap you is that what you're doing
11:06to
11:06drummle yes and many others all of them but you
11:40now my young friend I am going to have a word or two with you what do you suppose what
11:50do you
11:50suppose you are living at the rate of at the rate of sir at the rate of I don't know
12:01I thought not now
12:04mr. Pitt pretend if you please you've been drawing pretty freely here your name occurs pretty often in
12:10Wemmick's cash book but you are in debt of course I'm afraid I must say yes sir you'll know you
12:18must say
12:18yes don't you I don't ask what you owe because you don't know and if you did know you wouldn't
12:22tell me
12:24take care this piece of paper unfold it tell me what it is this is a bank note for 500
12:40pounds that is a bank
12:41note for 500 pounds and a very handsome sum of money too you consider it so undoubtedly you consider it
12:48undoubtedly a handsome sum of money that is a present to you Pip in earnest of your expectations
12:55you will now take your money affairs entirely into your own hands you will draw from Wemmick the sum of
13:01125 pounds per quarter until you are in communication with the fountainhead and no longer with the mere agent
13:08mr. jaggers those are my instructions I consider them injudicious but I am not paid for expressing any opinion on
13:14their merits mr. jaggers please convey my gratitude
13:17I am not paid to convey your words to anyone and now I have letters to write
13:55Mr. Wemmick is that you
14:38herbert who's down there
15:18Who is it?
15:29Who is it?
15:30Lister Pepp.
15:32Yes, that's my name. What's your business?
15:34I wish to come in, Master.
15:40It's very late. Is anything the matter?
15:44There's nothing the matter.
15:46I wish you no harm, Master.
15:51Very well.
15:58Explain yourself. What do you want?
16:02You're a Gaiman and no mistake.
16:05Oh, I'm glad you growed up a Gaiman.
16:09What do you want?
16:12Who are you?
16:15If the night wind had driven away the intervening years,
16:18I could not have known my convict more distinctly than I knew him now.
16:21You?
16:24I've come back, Master.
16:30Keep away! Keep away!
16:33Huh?
16:42Why?
16:44Why have you come back?
16:45How did you find me?
16:48Half a minute.
16:49I'm speaking half a minute.
16:54I've been looking forward for so long.
16:59So distant.
17:03After coming so far.
17:22Will you drink some wine before you go?
17:25Why are you acting to open up all those shivering marshes?
17:30Please, take a wine.
17:32I shall never forget it.
17:35Oh, thank... thank you.
17:47How are you living?
17:53I've been a sheep farmer.
17:55A stock breeder.
17:58Other trades besides.
18:00Away in the New World.
18:02A thousand miles of stormy water off.
18:07Well, I hope you have done well.
18:09Oh, I...
18:09I've done wonderful well.
18:13Others will not longer be done well too,
18:15but...
18:16No man's done nigh as well as I have.
18:18I...
18:19I'm famous for it.
18:21Well, I'm glad to hear it.
18:26If you thought
18:27I really deserve to be thanked
18:29for something I did when I was a child,
18:31then I'm extremely grateful
18:32that you came all this way to thank me.
18:36I'm sorry if I spoke harshly to you just now,
18:39but you must understand.
18:42I don't mean to repulse you.
18:44You... you ain't looked slowly forward to this...
18:47this moment like I have.
18:49You must understand.
18:50Under these different circumstances
18:52I do not wish to renew your acquaintance.
18:56For them's hard...
18:59hard words, master.
19:02It's not your fault.
19:05You don't know yet.
19:06No?
19:07Know what?
19:10Might I...
19:11might I make so bold as to ask
19:13how you've done?
19:17I have...
19:18expectations.
19:19When I am 21,
19:20I shall succeed to some property.
19:22Might a mere varmint inquire
19:24as to, uh...
19:25whose property?
19:26What property?
19:29I don't know.
19:30Concerning a guardian, maybe,
19:32there ought to have been some sort of guardian
19:33or some such when you was a minor...
19:35Well, yes, but...
19:36A lawyer by the name of...
19:39Jaggers.
19:42Yes, dear boy, it were me.
19:44I made you into a gentleman.
19:48No.
19:49No, no, no.
19:51Miss Havisham is my benefactor.
19:52Miss who?
19:53No, lad, it were me.
19:54I'm the one that stood at me.
19:56I'm your second father.
19:59You're my son.
20:02Oh, how good-looking you, grown-up.
20:05But I don't understand.
20:06How could it be you, a convict?
20:10When I were hired out, shepherd, in Australia,
20:13not seeing faces except sheep
20:17until I forgot what men's and women's faces looked like,
20:21I seen your face, Pip.
20:24Oh, many of the time, Pip.
20:25I've seen your face.
20:27Just as plain as I seemed
20:30on the misty marshes.
20:32I swore if I got rich, you'd get rich.
20:37No sooner do I in a guinea, that guinea should go to you.
20:41I lived rough, dear boy, so you would live smooth.
20:45I worked hard, so you would be above work.
20:50I saved money, just so you could spend it.
20:56And I...
20:57Did...
20:57Did you never...
20:59Never once think it might be me?
21:05Huh.
21:08I got money left to me by my master who died.
21:12I got my liberty and...
21:15I went...
21:16on me own.
21:18And it all prospered wonderful well.
21:21I'm famous for it.
21:24And if the horses of them colonists
21:26took dust on me as I walked,
21:30I said to myself,
21:31All right, you all own land and stock.
21:36But which of you owns a brought-up London gentleman?
21:41And then when one of them says to another,
21:43Oh, he was a convict a few years ago.
21:46And still an ignorant fella for all he was lucky.
21:49What do I say to myself?
21:51If I'm not a gentleman,
21:53I'm the owner of such.
21:57That way...
21:58I kept myself a-going.
22:02I held it steady in my mind.
22:05That one day...
22:07I'd come back.
22:10I'd see my boy.
22:12And make myself known to him.
22:14On his own ground.
22:20And...
22:21And I've done it.
22:23At last I've done it.
22:26It weren't easy, Pip, for me to leave them parts.
22:31Nor safe neither.
22:35I need sleep now, deep and long.
22:38I've been sea-tossed and sea-washed for months and months.
22:46You've got to put me somewhere, dear boy.
22:49Where will you put me?
22:53Here.
22:56We'll add caution as necessary.
22:58Caution? How do you mean, caution?
23:00Caution?
23:01It's death if I'm caught.
23:04Why? What have you done?
23:06I was sent to Australia for life.
23:10It's death to come back.
23:14If I'm took, I shall be hanged.
23:36I'm Mary Grubber, lad. Always was.
23:41I don't even know by what name to call you.
23:44Margaret. Chris Nabal.
23:46And are you known here in London?
23:49I mean, is there any chance someone might identify you in the street?
23:53I hope not.
23:55But you were tried here.
23:57Hmm.
23:59What...
24:01What were you tried for?
24:04What I done is worked out and paid for.
24:19We shall have to take precautions to guard you from the danger of being seized.
24:24Well, the danger ain't so great.
24:25I don't intend to advertise myself in the newspapers.
24:35How long do you intend to stay?
24:39How long?
24:42I ain't a-going back, dear boy. I'm here for good.
24:45To go back would be worse than standing ground.
24:49But where will you live? Where will you be safe?
24:51Well, there's disgusting wigs to be bought and, uh, air powder and spectacles.
24:58No! No, that will be Herbert!
25:00Herbert?
25:01He's my dearest friend. These are his rooms.
25:06If he lives here, why don't he let himself in?
25:14Who is it?
25:16Night watchman, Mr Pitt.
25:17One moment.
25:19In there.
25:21Don't make a sound.
25:30What is it, Pointer?
25:31There was a stranger asking after you, Mr Pitt, just after you got home.
25:36Only you haven't seen him go out again.
25:38My uncle from the country.
25:39He'll be staying with me for a day or two.
25:41Good night, Pointer.
25:43Likewise the person with him, Mr Pitt.
25:45What person?
25:46Well, I judge the person to be with your uncle.
25:48He took after him so quick.
25:50What kind of person?
25:52Well, sir, I can't rightly say.
25:53I didn't have no reason to attach any weight to his appearance,
25:56so I didn't look too close.
25:57Gent, I'd say, sir.
25:59Quietly spoken and well-dressed.
26:01I took this way after your uncle, like I said.
26:04Well, nobody else has come here.
26:06Good night, Pointer.
26:07Must have slipped out again without my noticing.
26:09Yes.
26:10Still up?
26:11I'll say good night, Mr Pitt.
26:13Mr Herbert.
26:14Good night, Pointer.
26:20Hello, what's this?
26:22Oh, put your knife away!
26:23This is my friend Herbert.
26:25What is this handle?
26:27Herbert?
26:29Well, something very strange has happened.
26:32This...
26:34This is a visitor of mine.
26:38Here, Pips Comrade.
26:40Take this in your right hand.
26:42What is it?
26:43You've never seen a testament before.
26:45Take it!
26:46Go on, Herbert, please.
26:48We'll have him on his oath, see.
26:51Now, Pips Comrade, kiss the book.
26:55And now you're on your oath.
26:57Lord, strike your dead if you ever split on me.
27:08I'll never take another penny from him, never.
27:10He's strongly attached to you, Handel.
27:12Are you really so set on renouncing his patronage?
27:14Of course I am.
27:15How can you doubt it?
27:16Well, think what it would do to him, Handel.
27:19He comes here at the peril of his life, and after all the toil and waiting, you cut the ground
27:24from under his feet and destroy his hopes.
27:26It would make all his gains worthless.
27:29How do you think he's going to behave if you disappoint him in that way?
27:33If you forsook him now, I think he'd deliberately allow himself to be captured again.
27:37Could you have that on your conscience, Handel?
27:39Could you?
27:43That's the power he is over you.
27:47Well, what's to be done?
27:49You're quite convinced you can take no further benefits from him.
27:52Surely you'd feel the same if you were in my place.
27:55Yes.
27:55But you do have a certain tenderness for the life he's risked on your behalf.
28:06Yes.
28:09Sit down, Pip.
28:13Mr Jaggers, I have come here only to assure myself that what I have been told is true.
28:19And what have you been told?
28:20I have been told by a person named Abel Magwitch that he is the benefactor so long unknown to me.
28:31Did you say told or informed?
28:36Told would seem to imply verbal communication.
28:41You can't have verbal communication with a man in New South Wales.
28:45So it is true.
28:47Told or informed, Pip?
28:49Abel Magwitch is not in New South Wales!
28:51Don't tell me any more, Pip. I don't want to know.
28:54Mr Jaggers...
28:54No, Pip!
28:57Don't commit yourself.
28:59Don't commit anybody.
29:01I'm not even curious.
29:04Sit down and join us.
29:05But I always supposed Miss Havisham was my benefactor.
29:08Take nothing on its looks. Take everything on the evidence.
29:12No better rule, eh, Wimmick?
29:18The banknote for £500 that you gave me.
29:22I cannot accept it.
29:24And I shall accept no more money from Abel Magwitch!
29:40Sit down.
29:55I communicated to Abel Magwitch in New South Wales
30:01when he first wrote to me from New South Wales
30:07and the caution that he must not expect me
30:10ever to deviate from the strict line of fact.
30:14He appeared to me in his letter
30:16to have obscurely hinted at some distant idea
30:22he had of seeing you in England here.
30:27I cautioned him I must hear no more of that.
30:30That he was not in the least likely to obtain a pardon.
30:33that he was expatriated for the term of his natural life
30:37and that his presenting himself in this country
30:40was an act of felony
30:42rendering him liable to the extreme penalty of the law.
30:49I gave Magwitch that caution a long time ago, Bev.
30:55I'm afraid he didn't guide himself by your advice.
30:59And that is precisely why I must be told no more of the matter.
31:26So, Pip, some other news.
31:31I hear our friend the spider has played his cards
31:35and may win the pool.
31:39Bentley Drummle.
31:42Promising young fellow in his own way to be sure
31:45though he may not get it all his own way.
31:48The stronger will win in the end
31:49but the stronger has to be found there first.
31:53Well, here's to Miss Estella
31:57and may the question of supremacy
31:59be settled to the lady's satisfaction.
32:11Mr. Jaggers is a wonderful man
32:13but I always feel I have to screw myself up
32:16when I dine with him
32:17and I dine more comfortably unscrewed.
32:20I wouldn't say that to anybody but yourself, of course.
32:24Mr. Wemmick.
32:25Hmm?
32:26Do you remember you once told me
32:28to take special notice of Mr. Jaggers' housekeeper?
32:31A wild beast tamed, you called her.
32:35Did I say that?
32:36Yes.
32:37Well, how did Mr. Jaggers tame her?
32:38Oh!
32:40Astonishing it was.
32:41The way he worked her case at the Old Bailey.
32:43Astonishing.
32:45It was the making of him.
32:47On trial for murder she was
32:49about 20 years ago.
32:51Who was murdered?
32:52Another woman.
32:53Choked in a barn near Hounslow Heath.
32:57And after she was acquitted
32:58she went into service for Mr. Jaggers?
33:01She did.
33:04Did Molly have a child?
33:07Oh, bless me, yes she did.
33:09Boy or a girl?
33:11Said to have been a girl.
33:12Little might of two or three.
33:14Died soon after the trial I believe.
33:18I believe.
33:19I believe not.
33:25Herbert.
33:28Herbert.
33:29Who is it?
33:30It's Pip.
33:31Open the door.
33:35Has anything happened?
33:36A transformation.
33:52It had to be done, Handel.
33:55Disguised, dear boy.
33:56In that old slob suit he was much too conspicuous.
33:58All he knew was a parrot on his shoulder.
34:00But he looks...
34:02He looks...
34:03Something between a dean and a dentist?
34:05Out of keeping.
34:09What have you done to his hair?
34:11Cut and powdered.
34:13It's like rouge on the dead, Herbert.
34:15He looks awful.
34:17Where did you get those clothes?
34:18At home.
34:19They belong to my grandfather.
34:20Are you mad?
34:22Nobody saw me take them.
34:23You mean you left him here alone to go to Hammersmith?
34:25My dear Handel, whatever else your uncle is, he's not an imbecile.
34:29I was gone for less than an hour.
34:30Yes, well the clothes could have waited.
34:32I think not.
34:34He has to be moved from here as soon as possible.
34:36If he was followed last night we can expect another visitation.
34:39Where can we move him?
34:41On my way back from Hammersmith, I took the liberty of securing a room in a lodging house
34:45almost within hailing distance of these windows.
34:47You see, I've not been sitting idly by.
34:50What others have done afore to you, boy, others can do again.
34:54You take it very smoothly now.
34:56Last night you swore it was death.
34:58Oh, I'm an old bird.
34:59I was down all manners of traps since he was first fledged.
35:03Are you to fear to perch on no scarecrow, eh?
35:09And if there be death hid inside that old scarecrow,
35:15let him come out, I'll face him.
35:17We can take him to the lodging after dark.
35:19He's to be known there as Mr. Provis.
35:25I've never felt a stronger urge to enlist for India as a private soldier.
35:36Well, dear boy, Pip's comrade, I'll give him your life, short and handy.
35:44In jail, out of jail.
35:46In jail, out of jail.
35:50They've got it.
35:51That's my life.
35:54Till such time as I was shipped off after Pip stood my friend.
36:01I'd been done everything to, nearly.
36:04Except hanged.
36:07I'd been locked up tighter in a silver tea kettle.
36:13Carded here, carded there.
36:17Showed out of this town, out of that.
36:20Stuck in the stalks.
36:22Whipped, worried, drove.
36:23Who?
36:26When I were Mr. Raggy, little creature,
36:29I got that name for being hardened.
36:33Real hardened, this one, they'd say, to prison visitors, picking out me.
36:38Might be said to live in jail, this boy.
36:43Tramping, begging, thieving.
36:46Working a bit when I could.
36:50Bit of a poacher.
36:51Bit of a walker.
36:54Bit of most things that lead nowhere and make trouble.
37:03About 20 years ago, we had some races.
37:08I made the acquaintance of a man whose skull I'd crack with a poker if I had it on Jan
37:15Hobb.
37:15And, uh, his name was Comperson.
37:21Yes, dear boy.
37:23That was the man who seen me a-pounding there in that ditch on the marshes.
37:29He set up for a gentleman did Comperson.
37:32He had learning.
37:36But he had...
37:39...no more heart than an iron file.
37:43He was as cold as death was Comperson.
37:49His business was...
37:54...forging.
37:57Fraud.
37:58Stolen banknote passing.
38:00Sort of thing.
38:03I went in with him as his partner.
38:06You worked with him?
38:08Ah, a poor tool I was in his hands.
38:12It would take a week to go through the things that he planned and I did.
38:19That'd be enough to say to your boy and Pip's comrade that...
38:24...that man got me into such nets as...
38:28...turned me into his black slave.
38:31I was always in his debt.
38:34Always under his thumb.
38:38Anyway, him and me were charged with felony for...
38:43...passing...
38:44...stolen banknotes.
38:46Well, what happened?
38:50Wenidim has got...
38:52...seven years and me 14.
38:55Oh, but that's monstrous.
38:56Wenidim was recommended for mercy for good behaviour and...
39:00...bad company.
39:03I'm giving all the information he could against me.
39:10It's all right.
39:12I am going to be low.
39:16Anyway, him and me was in the same prison trip.
39:20He escaped in his blind terror...
39:23...to get away from me and my murderous intentions.
39:27And I went after him.
39:33I...
39:33...were resting...
39:34...on the gravestones when I...
39:37...first see my boy.
39:43I...
39:44...I know it's time to go in.
39:46Give me a minute, Pip.
39:48Just a minute.
39:49After we had seen Magwitch safely established in his own dark little room...
39:53...Herbert and I felt the need of something to lighten our spirits.
39:56To...
39:57Rise.
39:59Rise again!
40:01Had I but timing...
40:03...as this fell sergeant death is strict in his arrest...
40:06...but let that be.
40:09Oh, good Horatio, if ever...
40:11...the word is told me in my heart...
40:14...absently from...
40:17...absently...
40:20...from Felicity a while...
40:22...to tell my story...
40:24...oh, I die, Horatio...
40:28...the potent poison quite o'ercrows my son...
40:33...I cannot live to hear the news from England...
40:53...the election lights on 14 hours...
40:57...he has my dying voice...
41:04Oh!
41:04Oh, good Horatio...
41:08...I die...
41:11Oh, good Horatio...
41:16...I die...
41:19Hey!
41:20Hey!
41:21Hey!
41:22Hey!
41:25Oh!
41:31Oh!
41:33Oh!
41:42When you come to the grave...
41:43...or you show the cloak off beautiful...
41:46Mind you, judging from the wing...
41:48...it seemed to me...
41:49...you might have made more of the stockings...
41:50...when you seen the ghost.
41:52Silence!
41:53I have just seen a young friend of mine...
41:55...leaving the theatre.
41:55His name is Mr. Pip.
41:57You will find him and his companion...
41:59...in the hostelry next door, I imagine.
42:01Go bring them to me.
42:05Mr. Walden Garther.
42:07Gentlemen, I'm proud to see you.
42:09I hope, Mr. Pip, you will excuse my sending over for you.
42:12I had the happiness to know Mr. Pip in former time, sir.
42:14Drama has always had a claim on the noble and the affluent.
42:18Mr. Walden Garver, you must forgive me.
42:22I'm afraid I don't...
42:23Forgive me, Mr. Pip.
42:24Please, won't you be seated, gentlemen?
42:27Please.
42:31One has such a frightful perspiration in princely sables.
42:37Mr. Wopsle!
42:39Why, no wonder I failed to recognise you.
42:42That wig and the name.
42:44Professional, Mr. Pip.
42:45One cannot revive the drama with a name like Wopsle.
42:49We should crush it with a name like Walden Garver.
42:51Mr. Wopsle, this is my friend, Herbert Pocket.
42:54How do you do?
42:55Charm.
42:56Joe Gargery told me you'd left the church and gone into play acting.
43:00Drama, Mr. Pip. Drama.
43:01I believe he even left us one of your playbills.
43:04You can't be...
43:05You're surely not THE Mr. Walden Garver.
43:09The celebrated provincial amateur, that Mr. Walden Garver.
43:13You've heard of me, Mr. Lockett.
43:14Pocket.
43:15I do believe I did occasion a minor sensation in local dramatic circles.
43:19Now, you sit there quietly in your chair, Mr. Walden Garver,
43:22and leave the stockings to me.
43:24Got to skin them off or he'll bust them.
43:27Bust them and you'll be busting five and thirty shillings.
43:31Oh, Shakespeare never was complimented with a finer pair.
43:36How did it seem to you to go, Mr. Pip, in front?
43:39What?
43:39Ah, well, as a matter of fact, Mr. Wops...
43:42Mr. Walden Garver...
43:44It went capitally, we thought.
43:46How did you like my reading of the character?
43:49Massive.
43:50Wasn't it, Handel?
43:52Massive.
43:54And concrete.
43:55Massive and concrete.
43:57I'm glad to have your approbation, gentlemen.
44:00A unique performance, I thought,
44:02in the highest tragic tradition of our national bard.
44:05Thank you, Mr. Rocket. Most kind.
44:06I'll tell you one thing, you're out in your reading
44:09when you get your legs in profile.
44:11The last Hamlet I dressed, he made the same mistake.
44:14Facing the front, you should have been.
44:17My view might be a little classic and thoughtful for them here.
44:20I'm surprised that you spotted us in all that smoke and gloom.
44:23Oh, I saw you all.
44:24All?
44:26But there are just the two of us.
44:27Yes, it is very strange, yet I could swear to it.
44:30Whether I should have noticed him at first but for your being there,
44:33I can't be positive. I think I should, though.
44:35Whom did you see?
44:36I had the ridiculous fancy.
44:38He must be with you
44:38until I saw you were quite unaware of him standing there behind you.
44:43Mr. Watson, please, who was it?
44:45I dare say you wonder at me.
44:47Ah, it is very strange.
44:48I could hardly believe my eyes.
44:51You remember, Mr. Pip,
44:52when you were quite a little boy,
44:54a certain day I dined with you at Joe Gargery's,
44:56the day soldiers came to get handcuffs mended.
44:58Yes, yes.
44:59And you remember that chase after two convicts
45:02and a scuffle between them in the mud?
45:05Yes, I remember that very well.
45:07Well, Mr. Pip,
45:08one of those two prisoners was standing right behind you tonight.
45:11I saw him over your shoulder.
45:15Ah, but it can't have been.
45:17Of course not. We've only just left him.
45:19I'm supposing he followed us down from his room.
45:22Mr. Waldengarver,
45:23you saw this man's face clearly.
45:25A big man, dark complexion, spectacles...
45:27There was no mistaking that scar.
45:29A scar. There, you see. A complete strange...
45:33It was the other one, Herbert.
45:35Yes, Mr. Pip.
45:37The convict with the scar.
45:39I swear to it, he was watching you.
45:42It could have been a coincidence.
45:44Oh, no. It's no coincidence.
45:47The compasson is here in London.
45:49And knows about Magwitch.
45:51Well, the simplest way to release himself from the dreaded enemy
45:54is to become an informer.
45:55Then why has he not done so?
45:56What's he waiting for?
45:58His caution can only be for one reason.
46:01He lives in mortal fear of Magwitch.
46:04Well, he must be terrified that even if he does inform on him,
46:06Magwitch might somehow evade the authorities and kill him.
46:09Sit down, Hattel.
46:10I have an idea.
46:15Clara's father has a small boat at Millpond Bank.
46:18Will you and I both good watermen?
46:20We could take Magwitch down the river ourselves.
46:22At least well beyond Gravesend.
46:24And then what?
46:25What, Hattelburg, Rotterdam, Antwerp, any foreign steamer will do.
46:29No, I don't think Clara should be involved in this, Herbert.
46:32It would be too dangerous to hire a boat for the purpose.
46:35And if we move fast enough, neither Clara nor her father need be troubled.
46:39You could go with Magwitch on the steamer
46:40and I could find a fellow to help me row the return journey.
46:44We'll give it out here that your uncle's been summoned unexpectedly to Dover.
46:49Dover? Why Dover?
46:51Confusion. The more that we can cause, the better.
46:53Well, if I'm to go with him, to go abroad, I mean, I must see Estella first.
46:57Oh, Hattel.
46:57Well, Herbert, it may be months before I return.
47:01I understand.
47:01Look, I've still got time to catch the early morning coach.
47:04Will you take charge of Magwitch till I return?
47:07I'll be back before dusk.
47:08With any luck, Comperson will follow you all the way to Satie's house.
47:12Oh, Herbert, I don't know what I might have done but for your friendship and affection.
47:21My poor dear Hattel.
47:28Hello there!
47:30Open the gates!
47:32Hello!
47:41I was angry with Miss Havisham.
47:43I knew now that she had never had any intentions towards me.
47:47She had allowed me to believe that she was my benefactor.
47:50She had allowed me to suffer in this house as a convenience.
47:54A model with a mechanical heart to practice on.
47:57Sharpest and deepest pain of all.
48:00Sharpest and deepest pain of all.
48:00She had allowed me to think that Estella was part of my expectations.
48:10Are you tired of me already?
48:12I thought I heard a door close.
48:15Speak the truth, you ingrate.
48:17You are tired of me.
48:22You stone.
48:25You cold, cold heart.
48:28You reproach me for being cold.
48:31You.
48:32Well, are you not?
48:34I am what you made me.
48:38So hard and thankless.
48:40What is it you want from me?
48:42Love!
48:44How can I give you what you've taught me not to feel?
48:46I must be taken as I have been made.
48:52So cold and hard.
48:58Pip, what wind blows you here?
49:05Something that certainly won't displease you, Miss Havisham.
49:10I'm as unhappy as you can ever have meant me to be.
49:16Well, I found out who my patron is.
49:21It isn't a fortunate discovery, Miss Havisham.
49:25It isn't likely to enrich me in reputation.
49:28Who is it?
49:31There are reasons why I must say no more of that.
49:38When you first caused me to be brought here,
49:41and how I wish now I'd never left that village.
49:45I suppose I did really come by chance.
49:47You did?
49:49As a kind of servant to gratify some whim of yours.
49:51You were liberally paid for your attendance.
49:54And Mr Jaggers?
49:56Jaggers had nothing to do with it.
49:57So the fact that he's your lawyer and also my guardian
50:00is nothing but a coincidence?
50:02I imagine he holds the same relation with a number of people.
50:06But when I thought it was more than mere coincidence,
50:10you led me on.
50:12Was that kind?
50:15Kind?
50:16Who am I, for God's sake, that I should be kind?
50:27That was a horribly cruel thing to do, Miss Havisham.
50:32To torture me through all these years with a vain hope and an idle pursuit.
50:42I have asked these questions only for my own information.
50:48What follows has another purpose.
50:52In humoring my mistake, Miss Havisham,
50:55you punished,
50:58practiced on your relations,
50:59or perhaps you'll supply whatever term expresses your intention.
51:03They made their own snares.
51:06I happen to have been amongst some of those relations
51:09since I went to London.
51:11And most of them are as self-seeking as you suspect.
51:14They have no liking for you.
51:17But you deeply wrong both Mr Matthew Pocket and his son Herbert.
51:21If you suppose them to be anything but generous, upright and open.
51:27Of course you would say that.
51:29They are your friends.
51:32Whether or not you're inclined to give credence to it,
51:34I know that they are incapable of anything designing or mean.
51:39They may be of the same blood as Sarah Pocket and the rest,
51:43but believe me, they are not of the same nature.
51:48And what do you want for your friends?
51:53Only that you shouldn't confound them with your other relatives.
51:57What do you want for your friends?
52:03Miss Havisham,
52:05Miss Havisham,
52:05if...
52:08if you would spare the money
52:10to do my friend Herbert Pocket a lasting service in life,
52:16but without his knowledge,
52:20I would show you how it could be done.
52:23Why must it be done without his knowledge?
52:25Because I began the service myself
52:27and I don't want to be betrayed.
52:30And why do you fail in your ability to complete it?
52:36I can't explain that.
52:41And is there anything else?
52:45Yes.
52:50Estella,
52:52I know I have no hope now that I shall ever call you mine.
52:57I'm ignorant what may become of me,
52:58how poor I may be or where I may go.
53:02But you must know
53:04that I love you.
53:07I've loved you ever since I first saw you in this house.
53:10And I shall always love you.
53:14It seems there are certain sentiments I am unable to comprehend.
53:18When you say you love me,
53:20I know what you mean as a form of words,
53:22but nothing more.
53:24You touch nothing here.
53:27Nothing at all.
53:30I have tried to warn you of this before now, have I not?
53:33But I thought and hoped that it couldn't be true.
53:37Well, it isn't natural, Estella.
53:39You're so young and untried and beautiful.
53:41It is natural to me.
53:47Is it true that
53:49Bentley Drummle is pursuing you?
53:52Yes.
53:54And that you encourage him?
53:55Quite true. I dine with him tonight.
53:57But you can't love him.
53:59Pip,
54:01what have I just told you about love?
54:04Do you really think I don't mean what I say?
54:09I am to be married to Bentley Drummle.
54:14Dearest, dear Estella.
54:16Oh, don't let her lead you into this fatal step.
54:20Can't you see that's what she's always planned?
54:23Well, put me aside forever if you must.
54:25But bestow yourself on someone worthier than that means to be-
54:28We shall be married quite soon.
54:34You and I will never understand each other, Pip.
54:38I am tired of the life I've led.
54:40It has few chance for me and I want to change it.
54:44But as Mrs. Bentley Drummle...
54:47I shall do well enough.
54:48And so shall he.
54:51And now please excuse me.
54:54Goodbye, Pip.
55:02God bless you.
55:04And God forgive you.
55:15You will get me out of your thoughts in a week.
55:18You'll see.
55:19Out of my thoughts?
55:22You are a part of my existence.
55:24You're a part of myself.
55:27You have been in every line I've ever read, every prospect I've ever seen.
55:30On the river, on the marshes, in the clouds, in the wind.
55:35To the last hour of my life you cannot choose but remain a part of my character.
55:47All done.
55:48All gone.
55:50So much in that moment was done and gone.
56:00To the last
56:10Moving on.än
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