#GaySeries #GayMovie #LoveIsLove #GayRomance #GayDrama
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Short filmTranscript
00:00:13Stop that.
00:00:15Stop what?
00:00:16It's just weird when you just stare at me like that.
00:00:21But you're so beautiful in the morning.
00:00:23Oh, yeah, beautiful.
00:00:24I feel like a foot.
00:00:28Logan, come on.
00:00:29No, like a foot that's like, you know, like a foot that has like hairy knuckles and, you know, like
00:00:34a weird infected toe, right?
00:00:37That's disgusting.
00:00:38Enough.
00:00:40Why do you always have to ruin the moment?
00:00:42Oh, ruin the moment?
00:00:43What do you, why do you always have to turn everything into a sappy chip flick, huh?
00:00:50Casual misogyny.
00:00:51Oh.
00:00:53I'm starting to see the hairy knuckle foot thing.
00:00:55Stop that.
00:00:56Don't look at me.
00:01:02I see you crying during those movies.
00:01:05Lies.
00:01:06Bossards.
00:01:07Your masculinity is such a fragile flower.
00:01:10Yeah, I'm a fragile flower.
00:01:11Will you please hold me?
00:01:25You liked those chick flicks as much as I did.
00:01:29I never told you this, but I would see you tear up at the endings.
00:01:33There was a sucker for a happy ending.
00:01:37Too bad life doesn't work like that.
00:01:43Yeah, don't talk about your dad.
00:01:50Okay.
00:01:54You need to break up now.
00:01:56Don't you?
00:02:25Don't come back.
00:02:25I don't know.
00:02:55You're the reporter that's here to do a story?
00:02:58Hi, uh, Logan Hill.
00:03:01Yeah, yeah, me. That's me. Yes.
00:03:03You look different in person.
00:03:06Excuse me?
00:03:07I mean, you don't look like you do in the photographs.
00:03:09Okay, well, you don't look like a reporter.
00:03:11And also, how did you get into the building?
00:03:13A lock isn't going to stop with a journalist.
00:03:15And I can tell we're not getting off to a great start.
00:03:18Okay, do you always insult the subjects for your interviews before you talk to them?
00:03:22Only if they deserve it.
00:03:23Is there some place you'd like to sit?
00:03:28Yeah.
00:03:38I probably should go put on some clothes.
00:03:41I would really appreciate that.
00:03:43Yeah, I'll be right back.
00:03:45Why, so much.
00:03:46Like, a lot.
00:03:48Uh-huh.
00:03:50Uh-huh.
00:03:54Uh-huh.
00:04:02Uh-huh.
00:04:03Uh-huh.
00:04:04Uh-huh.
00:04:04Uh-huh.
00:04:04Uh-huh.
00:04:04Uh-huh.
00:04:04Uh-huh.
00:04:05Uh-huh.
00:04:05Uh-huh.
00:04:05Uh-huh.
00:04:06Uh-huh.
00:04:07Uh-huh.
00:04:13Uh-huh.
00:04:27What are you doing?
00:04:29Sorry, just seeing how the great Logan Hill lives.
00:04:34Yeah, okay.
00:04:35Did the publishing house send the most condescending reporter that they could find?
00:04:39You know, I'm sorry.
00:04:40This is just...
00:04:41I mean, did you want to maybe do this someplace else?
00:04:43There's a coffee shop down the street that I'm sure that we could go to.
00:04:46No, they burn the coffee and call it a espresso.
00:04:49No, thank you.
00:04:51So here, then.
00:04:54Um, I heard you made a reporter cry a few weeks ago.
00:04:57Care to comment?
00:04:58You know what?
00:04:59Yes, actually, I do.
00:05:01She's not a reporter.
00:05:02She's a blogger.
00:05:04Everyone's talking about how you treated her.
00:05:06It's not a good look.
00:05:07Well, who even read that article, anyways?
00:05:09Millions of people.
00:05:10Her article went viral.
00:05:11She was on The View.
00:05:12Okay, well, I've been called the voice of my generation, so I could just call up any other
00:05:17news outlet, not The View, and get a story with them.
00:05:21I'm not worried about it.
00:05:22So you do read what people write about you?
00:05:26Are we doing this interview or not?
00:05:28I'm sorry.
00:05:29I was under the impression that this was your office address.
00:05:31I didn't think that I'd be...
00:05:33You're invading my home.
00:05:34Yeah, this feels really...
00:05:36Unprofessional.
00:05:38Oh, maybe I should go.
00:05:40Yeah, maybe you should.
00:05:46Oh, wait.
00:05:47Okay, wait, wait, wait, wait, wait, wait, wait.
00:05:52You're just going to write another hit piece.
00:05:54Oh, yeah.
00:05:54Yeah.
00:05:55I was thinking of starting it like the voice of a generation met me at the door in his boxers
00:06:00while the smell of crusty takeout filled my nostrils.
00:06:04Sound good to you?
00:06:06I think I need to call my editor.
00:06:08I think you need to call a housekeeper.
00:06:10Okay.
00:06:12Okay.
00:06:13You know what?
00:06:14I think that we got off on the wrong foot.
00:06:16Clearly.
00:06:16And I would like to hopefully start over.
00:06:20And I don't need another bad article written about me, obviously.
00:06:24And if I do, then my agent, editor, and everybody else at the Griffin Press will skin me alive.
00:06:36Okay?
00:06:37On one condition.
00:06:39Condition?
00:06:40What do you mean?
00:06:41Is it true you finished your second book?
00:06:45Um, yes, but what the fuck does that have to do with anything that we were just...
00:06:49Six months ago, I was traveling to Washington, D.C. to write stories about congressmen and senators
00:06:54and legislation that meant so much to the lives of so many people in this country.
00:06:59And now, I'm here.
00:07:03Standing in your shitty apartment, writing a puff piece about the publishing world's news golden boy.
00:07:09I don't care that you've been on the New York Times bestseller list.
00:07:12Oh, yes.
00:07:13And Amazon's best fiction.
00:07:15And I'm also up for the Booker Prize, actually.
00:07:17Let me read your next book or I'll walk.
00:07:20And I'll write how utterly miserable you and all of this is.
00:07:24And let me warn you.
00:07:26I'm not that little blogger.
00:07:28I'm a real reporter, and I have gotten the truth out of people a lot bigger and meaner than you.
00:07:38This is blackmail.
00:07:39Is this blackmail?
00:07:40This is, like, not a Watergate kind of situation.
00:07:42Hey, you've got your way, and I've got mine.
00:07:47Okay.
00:07:48Well, you're a real cutthroat.
00:07:57Hold on.
00:08:06So, what's it going to be, oh, great laureate?
00:08:13Voice of a generation.
00:08:19Are you serious?
00:08:21Is my book going to be safe in your hands?
00:08:24Guard it with my life.
00:08:25You better.
00:08:28And what was your name again?
00:08:30Parton Moore.
00:08:32Sorry, I got lost in the whole robe thing.
00:08:34Oh.
00:08:36Thanks for this.
00:08:39Bye.
00:08:39I guess.
00:08:42I guess.
00:09:17You know what I love about you?
00:09:23Oh, I don't know.
00:09:25Um, my chiseled jawline, my unwavering love, my big, girthy, thick horse cock.
00:09:35Don't give yourself too much credit there.
00:09:38I feel attacked.
00:09:39You should.
00:09:41No, really.
00:09:46What?
00:09:47What is it that you love?
00:09:50That you love being the little spoon?
00:09:52Oh, really?
00:09:53Okay, yeah.
00:09:54Well, don't tell anybody, because what if they find out?
00:09:57Oh, no.
00:09:57Come here, my cute little spoon.
00:09:59Come back to your rightful place.
00:10:00Oh, my rightful place?
00:10:01Okay, what?
00:10:02Are you trying to ruin my street credibility?
00:10:05Street cred?
00:10:06You?
00:10:07The man who refuses to take shortcuts.
00:10:09Okay, this again.
00:10:11Okay.
00:10:12We do not need to walk down a dark alley when there is a perfectly good alternate, well-lit
00:10:18path.
00:10:19That is how you get jumped and taken and human trapped.
00:10:23Okay?
00:10:24I don't see you fetching top dollar on the black market.
00:10:27Um, excuse me?
00:10:28Have you seen me?
00:10:28I would do great on the black market.
00:10:30Okay, I'm grade a black market man-meet.
00:10:33All right?
00:10:33Come here, let's go.
00:10:34Come on.
00:11:00I could stay like this forever.
00:11:17I'm sorry.
00:11:22I'm sorry.
00:11:24But you can.
00:12:01I could stay like this forever.
00:12:12are you kidding me no no jones this is not a negotiation i don't care what her agent said
00:12:21i mean does it look like we have money we publish books if she wanted to make more money then
00:12:27she's
00:12:27in the wrong business between bookstores dying every day and a new social media app coming out
00:12:33every five minutes designed to shrink the attention span of the average asshole she's lucky to get any
00:12:39type of advance she needs to sell more books i told her to do the book tour and she said
00:12:47no so
00:12:47here we are i don't argue with terrorists yes yes i am calling that sullen egomaniacal lazy gen z
00:13:02a terrorist in my day you know i'm not going to do this my doctor said i have too many
00:13:08stressors in
00:13:09my life my other appointment is here yes well fuck him too if her agent has an issue tell that
00:13:18castrated blood-sucking ass to get her to sell more books
00:13:25and have a nanny pick up rob after piano i know you have a reservations i need you to stay
00:13:31late
00:13:31tonight we all have obligations honey to cancel your plans and happy birthday bye
00:13:47well
00:13:50well
00:13:52what'd you think
00:13:53i think i have another bout of heartburn coming up
00:13:57that is clear what did you think about my book
00:14:01oh your book yeah your book your book reminds me of my ex-husband good foreplay strong effort at
00:14:12first great in the middle but it finishes before you can reach your climax so you're left cold and
00:14:22in your own sweat with a cramp in your foot just waiting for him to start snoring so you can
00:14:28finish
00:14:29yourself off before you have to get up for work the next morning
00:14:34thank you so much for all of that sad and what i am sure is semi-autobiographical imagery
00:14:42um but what does that have to do with me oh you want me to send you my note sure
00:14:50it's a decent book the prose is tight the voice is distinct without being gimmicky in fact it's
00:14:59better than most of the authors on my current roster yes well we both knew that that would be
00:15:04easily true so what is your problem my problem is i know you're better than decent logan my problem is
00:15:13the ending it sucks it's contrived and you know that and if i didn't tell you that i wouldn't be
00:15:20doing my job and i always do my job and you know that okay well that doesn't seem very fair
00:15:28fair
00:15:29this is not a court of law we're not fair here this is publishing in the 21st century our livelihood
00:15:36logan is one mere catastrophic event away from going up in smoke you're a good writer logan and
00:15:43you could easily be great and it is my job to push you there try harder okay try harder okay
00:15:49what does
00:15:50try harder mean to you what do you need an attaboy speech or something i mean i don't know ray
00:15:55perhaps
00:15:55a shred of empathy would be kind of nice once in a while if your ego was not directly connected
00:16:01to
00:16:01my revenue sheet i would tell you to go yourself i'm not good with the motherly comfort thing my son
00:16:08and his increasing anti-social behaviors will confirm that but here's what i do have for you
00:16:14i have for you the truth the truth i know that you're having performance anxiety with your second
00:16:21book but this novel could be exceptional it could be better than your first one i like you logan you're
00:16:29a
00:16:29cocky rebellious little and you have the balls to back it up your first novel was
00:16:36crass it was unrelentingly candid this while technically good and deftly constructed it lies
00:16:44to me it it pulls punches it's afraid okay i'm not afraid see there's the lies
00:16:53i know you had a rough two years okay i know you did with what happened with your
00:16:59partner or your boyfriend or whatever okay we are not going to talk about that right now that's
00:17:06not what i came in for today okay fine i need the ending reworked by the end of the month
00:17:13excuse me the end of the month did you spend all of your advance yes then the end of the
00:17:18month
00:17:20the reason that i brought you down here is in regards to the article that that blogger wrote
00:17:25about you you're playing a very dangerous game are you looking to get cancelled i'm not looking to get
00:17:31cancelled i am not that answer because it's one thing if you want to i don't know jeopardize your
00:17:37career but once you start messing with my money that's where we have a problem and i wanted to look
00:17:42at you directly in the eyes and tell you not to mess it up with this reporter because if you
00:17:47do
00:17:47fuck up one more press event logan your balls will no longer be attached to the rest of you got
00:17:55it
00:17:57great are we down here am i excused are you excused good god get the out of my office
00:18:14do you always do that do what find conflict where none exist not always or is that just something you
00:18:21do with reporters you extorted me to get your hands on a copy of my second book what do you
00:18:28think that my
00:18:29editor my publisher and everybody else at the griffin press would think they weren't mine now
00:18:34spare me the drama just cut to the chase you want my opinion no
00:18:45okay yes fine what did you think but i'm just a lowly reporter and you're the voice of a generation
00:18:50okay well actually i did look you up and i know that only half of that statement is true you
00:18:56are not so
00:18:56lowly after all aren't you right i should have probably done some research and i probably should
00:19:01have watched how you talk when you're speaking to me
00:19:09something like that yeah
00:19:16okay so you read it are you flattering me for a favorable review i would expect you to be
00:19:25nothing but forthright with me it was nearly perfect oh well you don't really strike me as
00:19:34someone who is worried about telling the truth or being honest or or preserving other people's
00:19:39feelings i need your trust if i'm gonna write a story about you okay well i would love the truth
00:19:45fine your ending sucked
00:19:50okay this again that answer sucks all right i was with you all the way until our heroine dies at
00:19:56the
00:19:56end it seems cynical half-assed i think it i think that it's realistic please don't tell me that you're
00:20:04one of those pessimists that think that their negative outlook makes them smarter or edgier than the rest of
00:20:08us well i never pegged you for a pollyanna don't insult me cynicism is the easy way out you don't
00:20:15have to
00:20:15try you don't have to care you don't have to feel it's a cop-out and candidly antithetical to the
00:20:20themes
00:20:21found in your book it comes out of left field it doesn't make sense is that clear enough for you
00:20:32i mean yeah actually that feedback is pretty clear it is your heroine should choose hope
00:20:40she should not choose self-sacrifice hope is always the harder choice
00:20:46okay are you trying to impress i'm certainly not trying to blow smoke up your ass okay well
00:20:53my editor hates it too and she's given me till the end of the month to change it all and
00:20:59fix
00:20:59everything which i think is completely absurd and rather unfair honestly now that i mention it all
00:21:05of this does kind of seem unfair you know you a lot about me um almost uh everything you're one
00:21:13of
00:21:13the few people who have read my book in one of its rawest states okay and yet i know next
00:21:18to
00:21:19you nothing about you i mean i guess i did look you up and then you are a reporter with
00:21:23some
00:21:23impressive bylines you know everything about me and i don't i generally like to keep it that way okay
00:21:29okay okay well come on give me give me something right like you've seen me in my vulnerable state
00:21:37you've seen my book and it's a vulnerable state i mean what do you want to know
00:21:44i don't know um
00:21:49do you have do you um do you have a girlfriend are you serious boyfriend
00:21:57no no i was wrong no no there's there's no one every time there has been someone i've
00:22:04been required to make myself small so i'm not with him anymore
00:22:12yeah
00:22:14well of course um if your partner can't handle having an independent having i've never belonged
00:22:22to anyone and you should watch yourself logan oh really because i'm the one being unprofessional
00:22:30completely you know i almost took it as a compliment but besides i um i have not been the most
00:22:37professional we could use that word i am i shouldn't have a oh blackmail bane
00:22:43i wouldn't use that word but uh take an advantage of me so that you could read my
00:22:47book uh my vulnerabilities yeah my honesties yes i am sorry i was totally out of line and i've
00:22:54come to tell you i can get another reporter to write your story oh just when i was starting to
00:23:00like you okay how about this how would i play the reporter uh let me ask you some questions how
00:23:07about
00:23:07that hmm okay okay so why did you do it i think i should go because you're the reporter you're
00:23:20the only
00:23:20one that can ask the hard-hitting question i like it like that but um okay come on come on
00:23:26come on
00:23:29i was in a dark place when i was breaking up with my ex-boyfriend and
00:23:37your last book it guided me out of it and so naturally i left a chance when given the opportunity
00:23:44to reach
00:23:45your second oh so you're a fan mm-hmm you're a fan don't flatter yourself had her any bigger
00:23:57weight in the neck brace okay okay okay let me ask one last reporter question to my biggest fan make
00:24:05it
00:24:05a good one oh well hi then make me come all the way out here i mean we could have
00:24:12done this via email we
00:24:14could have you could have texted me you i mean you could have gone up to the top of a
00:24:17mountain and
00:24:18given me smoke signals or something wow judging by your pale complexion in the state of your apartment
00:24:24you seem like the kind of guy who could use the fresh air oh oh so this is all just
00:24:28a big act of
00:24:29charity yes but how about i take you out for a drink as a real apology fine
00:24:49so
00:24:54so
00:24:55so
00:26:27I got it.
00:26:31I shouldn't be here.
00:26:32Oh.
00:26:33And yet, here you are.
00:26:35No, I don't do this type of thing.
00:26:37And what type of thing is that?
00:26:38I don't act like one of the self-destructive, hedonistic characters in one of the novels.
00:26:43Hedonistic?
00:26:44Hedonistic to the core.
00:26:48Is that what it is?
00:26:49Life imitating art and art imitating what?
00:26:51Something like that.
00:26:52Mm-hmm.
00:27:02Mm-hmm.
00:27:57Good morning, babe.
00:28:05Hey, hey, hey.
00:28:07So are they okay?
00:28:10No.
00:28:11No.
00:28:11I'm sorry.
00:28:12I don't understand.
00:28:13I know.
00:28:14Sorry.
00:28:14We shouldn't have.
00:28:15We shouldn't have.
00:28:16I shouldn't have done this.
00:28:17I shouldn't have.
00:28:20Okay.
00:28:20No, no.
00:28:21I'm sorry.
00:28:22No.
00:28:22This is all my fault.
00:28:25No.
00:28:25No.
00:28:26No.
00:28:26Wait, wait.
00:28:28Wait.
00:28:29Just stop talking.
00:28:30This was a mistake.
00:29:01This was a mistake.
00:29:02Now, let me get this right.
00:29:03She's talking to Kuiper Law Offices.
00:29:06Well, what the hell did our attorney say?
00:29:08She can't possibly have a case.
00:29:10How can we be keeping money away from her when the money doesn't exist?
00:29:14This is a publishing house, not a slot machine in Vegas.
00:29:20Maybe if that imbecilic twit didn't spend all of her time going live on Instagram and focused
00:29:27on writing and selling books, we wouldn't be here.
00:29:31I mean, if stupidity could kill, she would be six feet under and food for maggots.
00:29:38Look, I'm going to need you to stay until six tonight.
00:29:42I know you have a doctor's appointment.
00:29:43You're going to have to reschedule.
00:29:46Oh, come on.
00:29:48The itching can't be that bad.
00:29:49You've managed to make it this far.
00:29:51What's a few more hours?
00:29:53Yep.
00:29:54Yep.
00:30:02Will you pass me the anacid over there?
00:30:06Sure.
00:30:07Yes.
00:30:07I'll do it.
00:30:09I'll do that for you.
00:30:10Yeah.
00:30:21Good.
00:30:23Good.
00:30:26So, I'm assuming you got my new pages.
00:30:29Yep.
00:30:31And we, the publishing house, have a problem.
00:30:38Okay.
00:30:41Your colleague and fellow writer has decided to consult Kuiper Law Offices, and I'm sure
00:30:49you're not familiar with them.
00:30:50You can't say their name three times in a row because they'll sue you and leave nothing
00:30:55left but a husk.
00:30:56These lawyers eat glass for fun.
00:31:00Cute.
00:31:02What does that have to do with me?
00:31:06You're cute.
00:31:08If we, the publishing house, don't have any money, then that means you, Logan, don't have
00:31:21money.
00:31:24Oh.
00:31:25Okay.
00:31:25Okay.
00:31:26Well, can I talk to this colleague?
00:31:28Oh, God in heaven.
00:31:30No, absolutely not.
00:31:32No.
00:31:33Throw it out of your mind.
00:31:35I need you to focus on your book.
00:31:36Yes.
00:31:37The book.
00:31:37The book is why I'm here.
00:31:40Mm-hmm.
00:31:42Did you like the new ending?
00:31:44No.
00:31:45It is worse.
00:31:50Worse how?
00:31:51How much time do you have?
00:31:53Do you hate your main character?
00:31:54How many semicolons can you possibly write in one sentence?
00:31:59What's happening on page 387?
00:32:03Do you think you're being helpful?
00:32:05Do you know what's not helpful?
00:32:07This ending.
00:32:09Well, thankfully, I still have some time to fix it.
00:32:13Ah, see, that is why you're here.
00:32:15You don't have any more time to work through your self-indulgent existentialism.
00:32:23Because of this pending lawsuit, your book needs to go to print.
00:32:29Well, it is not ready to go directly to print.
00:32:32In order to absorb this hit, we need your book out there, selling.
00:32:38Okay, well, Ray, I think that it does need some more time.
00:32:41Then why did you send me this new ending if you already knew that?
00:32:46I hate when people waste my time.
00:32:48This is the exact reason I'm divorced.
00:32:51Um, I'm sorry that that whole divorce happened to you.
00:32:58Okay, but I, unlike your ex-husband, have never let you down, right?
00:33:03Have I?
00:33:04Outside of this, never.
00:33:07I think that it does need some more time, and I would just be so thankful if we could
00:33:12just have just a smidge, just a little bit more time so that I might be able to make the
00:33:16adjustments that you seem to so eagerly desire.
00:33:20You have until the end of the week.
00:33:22The end of this?
00:33:24It's Tuesday.
00:33:25So the end of this week?
00:33:26Friday?
00:33:27I need a mirror.
00:33:28Do you have a mirror?
00:33:30Because there must be something on my face that makes me look like a person you can negotiate
00:33:34with.
00:33:35Logan, allow me to be candid with you.
00:33:38Have you ever been anything but?
00:33:40Did you have any idea how much spin the publishing house had to do when the media found out your
00:33:47boyfriend overdosed in your apartment?
00:34:01The end of this week is the end of this week, and I thought that we made that very clear
00:34:08that that was
00:34:09something that we would not be speaking about.
00:34:12This is the problem right there.
00:34:13You need to deal with this.
00:34:15Logan, you have a very large platform.
00:34:17You could actually help people.
00:34:20Well, I'm frankly not interested in helping people.
00:34:24I'm not interested in a platform, and I'm not interested into this psychology session.
00:34:30What I am interested in is an editor, and I would love for you to be that for me.
00:34:36I beg to differ.
00:34:38You do need a psychologist.
00:34:40You are all grief, and you're all trauma.
00:34:42You need to focus on it.
00:34:44You need to deal with it, and you have until the end of the week, Logan.
00:34:53Allé, allé.
00:34:57Well, this has been fun.
00:34:59It sure has.
00:35:00Yeah.
00:35:00Gotta go.
00:35:01Okay.
00:35:02Get to writing.
00:35:03Okay.
00:35:05Okay.
00:35:07Okay.
00:35:07Okay.
00:35:07Okay.
00:35:08Okay.
00:35:09Okay.
00:35:37Allé, allé, allé.
00:35:46Why are you here?
00:35:49Uh, I did it.
00:35:51I finished the ending.
00:35:52Really?
00:35:53Well, yeah.
00:35:54I mean, I tried.
00:35:55At least I think I finished it.
00:35:57Um, I don't know.
00:35:58My publisher is making me go to print by the end of the week, so...
00:36:04That's crazy.
00:36:06Yeah.
00:36:08Okay, look.
00:36:09I know that the last time that we saw...
00:36:12No, I should have known better.
00:36:14I...
00:36:16I know what happened with your last relationship.
00:36:19Of course you do.
00:36:20And I swear that nothing like this has ever happened with anyone I've ever...
00:36:23Okay, can you just read this?
00:36:25You're one of the few people on the planet that has read this already, and I was just wondering if...
00:36:30Um...
00:36:31I was just wondering if you could...
00:36:34I'd love to.
00:36:55Are you going to watch me?
00:36:58Oh, yeah.
00:36:59That was the plan.
00:37:07This is weird.
00:37:10Yeah.
00:37:20Well...
00:37:20I...
00:37:37I...
00:37:40I don't know.
00:38:09Could you look more suspicious?
00:38:14Here's the one who wanted to meet in a fucking alley.
00:38:19What's going on?
00:38:21Shit's been tough lately.
00:38:24Are you okay?
00:38:26Are you in danger?
00:38:28Danger.
00:38:30So what if I am?
00:38:33How's junkie going to protect me?
00:38:38You're my favorite client.
00:38:40Lucky me.
00:38:42Perks include insults, creeping around rat-infested alleys, and poor product.
00:38:47Poor product.
00:38:48That wasn't my fucking fault.
00:38:50Oh, right.
00:38:51Shit's been tough, no?
00:38:54You have my money.
00:39:01You're lucky I'm here.
00:39:03I know you cut that shit with flaxseks.
00:39:08Oh, damn.
00:39:10Here I am, striving for five-star customer service.
00:39:15You have so much doubt.
00:39:17Try some.
00:39:18No, I'm fine.
00:39:19Motherfucker, I said try some.
00:39:24Oh, now you're scared.
00:39:25After talking all that shit.
00:39:40It's good, ain't it?
00:39:43Huh.
00:39:45Yeah.
00:39:46It's pure.
00:39:48Special for you.
00:39:50How sweet.
00:39:52I almost think you like me.
00:39:54Yeah, you're alright.
00:39:56For a client.
00:39:57No homo.
00:39:58No homo.
00:39:59Did you get that book signed?
00:40:02Yeah.
00:40:04I can't believe you wanted that.
00:40:06What, you think I don't read?
00:40:07Yeah.
00:40:09I mean, no.
00:40:10I don't know.
00:40:11Fuck you.
00:40:12Logan Hill is the truth, man.
00:40:15This shit was so real.
00:40:17I can't believe my drug dealer is a fan.
00:40:19They call him the voice of our generation.
00:40:23Besides, this might be worth money someday.
00:40:26Oh, I'm sure.
00:40:28Must be wild being with someone that smart.
00:40:31Oh, he has his stupid moments, but...
00:40:37I love him.
00:40:40I really love him.
00:40:43Look, man.
00:40:44I'm going to have to find another hookup.
00:40:46He might not be around for a while.
00:40:50Shit.
00:40:52You're really in trouble.
00:40:55Occupational hazard.
00:40:57Are you being followed?
00:41:00Something like that.
00:41:02Why?
00:41:03Are you scared?
00:41:05No, but you clearly are.
00:41:08Yeah, you would be too if you knew these people.
00:41:10I'm not trying to go out like that.
00:41:13Death comes for everyone.
00:41:17You're going to sit here and tell me you're not afraid of dying?
00:41:19Telling me that you read my boyfriend's literary fiction novel?
00:41:23Twice, motherfucker.
00:41:25And if someone came over here and killed you right now, you wouldn't be afraid.
00:41:28Surprised, sure, but not really afraid.
00:41:31That makes no sense.
00:41:36I'd be afraid of what happens next.
00:41:40I'd be afraid Logan have to identify my body.
00:41:50I'd be afraid he'd be left in this fucked up world alone.
00:41:58I don't know how good he is with me.
00:42:03But he's even worse alone.
00:42:06I wouldn't want that for him.
00:42:09Yeah, this is getting too deep.
00:42:10You've got to go.
00:42:13You're right.
00:42:15I should.
00:42:16I wouldn't want to run into your friends.
00:42:18You ain't funny.
00:42:20Get out.
00:42:24Hey.
00:42:25That shit's strong.
00:42:27Be careful.
00:42:38I don't want to run into your friends.
00:42:49I don't want to run into your friends.
00:43:01I don't want to run into your friends.
00:43:28Hey, did you eat that extra Chinese food or what?
00:43:36Ian?
00:43:40Ian, there's nothing in here for me to eat.
00:43:42What am I supposed to do?
00:43:46I guess we're going to order again.
00:43:48Ian?
00:43:57Ian?
00:44:03Ian?
00:44:04Ian?
00:44:05Ian?
00:44:05Ian?
00:44:06Ian?
00:44:06Ian?
00:44:06Wake up.
00:44:07Ian?
00:44:09Buddy, wake up.
00:44:14Ian?
00:44:19Ian, what did you take?
00:44:22Ian, what did you take?
00:44:24Ian, what did you take?
00:44:27Ian, what did you take?
00:44:31Ian?
00:44:43I need an ambulance right away, please, please send me an ambulance, please help me, please help me, please help
00:44:51me, please help me, no, no, no, no, no, no, no, no.
00:45:03No, no, no, no, no, no, please, please help me, please help me.
00:45:40I'm going to go to the bathroom.
00:45:45Okay.
00:45:48Okay.
00:45:49You're okay.
00:45:50You're okay.
00:46:01You're okay.
00:46:02What the fuck am I doing?
00:46:04What the fuck am I doing?
00:46:06Fuck.
00:46:06Okay.
00:46:12What's going on?
00:46:15Oh, I was just...
00:46:18Are you trying to leave?
00:46:19No.
00:46:20I mean, yes.
00:46:22Maybe.
00:46:22I don't know.
00:46:22I really can't believe you.
00:46:24Parker, I am...
00:46:27You know what's remarkable about this whole situation?
00:46:30It's the complete and utter lack of foresight.
00:46:33And I would be remiss if I didn't take my part in the blame of all of this.
00:46:37This was my...
00:46:38Oh, please don't do that.
00:46:39Don't insult me.
00:46:40Don't flatter yourself.
00:46:42You know, just because you've written a bunch of well-received novels
00:46:45does not make you the intellectual authority in every situation, Logan.
00:46:49And before you say it, don't think that I let you bend me over because I'm a fan.
00:46:54But that is not what I meant.
00:46:57Then what do you mean?
00:46:59What does that mean?
00:47:00For the love of God, what do you mean?
00:47:02Why do you come over here all desperate, needing my opinion, needing my feedback?
00:47:07Why kiss me?
00:47:08Why fuck me again?
00:47:12I mean, if you just wanted sex, you could have just asked me.
00:47:16I mean, it has been a while and I have certainly settled for less.
00:47:25Parker, I really like you.
00:47:26No, no, no, no, no, no.
00:47:27Don't.
00:47:29Don't do that.
00:47:29Don't say things you don't mean.
00:47:31And don't say things that, oh shit, you can't back up.
00:47:41I really fucked up.
00:47:42Oh shit.
00:48:03You know, you write so beautifully, with so much consideration.
00:48:16Your second ending to your novel, it's on par with your first, if not completely surpassing it.
00:48:25I'm sincerely baffled by you, Logan.
00:48:31You would think that all that writing would give you some insight into humans, into people.
00:48:39But no, you're just as cruel as you were when I first met you.
00:48:46And I thought, it's an act.
00:48:49It's a form of protection.
00:48:52Because of what happened to you.
00:48:54Because of what happened to your boyfriend.
00:48:57But no.
00:48:59It's just the truth.
00:49:00No.
00:49:01No.
00:49:02You do not get to talk to me about what I have been through, and you do not get to
00:49:06talk to
00:49:06me about him.
00:49:07Is he the reason your first ending sucked?
00:49:15I'm a journalist, remember?
00:49:18I ask questions.
00:49:21Yes.
00:49:23Parker.
00:49:25Yes.
00:49:27Okay.
00:49:30Because I walked in on him after he had been slumped in an armchair for four hours.
00:49:36Jesus.
00:49:38What am I supposed to do with that, Logan?
00:49:41Parker, I will stay here.
00:49:44I will sit with you and I will...
00:49:47Maybe I should just write that article about you after all.
00:49:50Parker, you were the first person that I had been with.
00:49:57You were the reason that I was able to cobble this ending together.
00:50:01And what's that supposed to mean?
00:50:02Is that supposed to absolve you for just ghosting me?
00:50:13So what, this is all just going to go into your article then?
00:50:20That's what you're concerned with.
00:50:22You think I'm going to go and I'm going to tell everyone about the truth.
00:50:27That you're a cynic.
00:50:29That beneath all the beautiful words and stories is a heartless asset.
00:50:39But don't you worry.
00:50:43Your secret's safe with me.
00:50:46But I will offer the mixed journalist you'd interview with a professional warning.
00:50:54You wanted to leave.
00:50:56So go.
00:51:09I'm really sorry.
00:51:10Don't you worry.
00:51:11I'm worried.
00:51:13I don't feel afraid.
00:51:13Why don't you worry.
00:51:14I'm afraid.
00:51:19I'm afraid.
00:51:28I'm so afraid.
00:51:32I'm afraid.
00:51:37I'm afraid.
00:51:56It's okay to let yourself cry.
00:52:01No, I'm fine.
00:52:04You're such a shitty liar.
00:52:07It's one of the things I love most about you.
00:52:20Why?
00:52:22Why did you...
00:52:26Say it.
00:52:32Why did you leave?
00:52:34Why didn't you tell me how bad it got?
00:52:36How could I not have seen how bad it got?
00:52:39Because I'm a good liar.
00:52:46God is so angry with you.
00:52:52How could you leave?
00:52:53How could you...
00:52:55How could you give up on me, on us?
00:52:59I wanted to stop.
00:53:02But I couldn't.
00:53:04You know that.
00:53:08It's time.
00:53:11It's time to let me go.
00:53:13Ian, no.
00:53:15I can't.
00:53:18Damn, you're a bad liar.
00:53:23You're here.
00:53:23You're ready.
00:53:24I see where you are with Parker.
00:53:25No, it's not like that.
00:53:27It's okay if you like him.
00:53:29I like him.
00:53:32And I don't want you to be alone.
00:53:39It's time to let me go.
00:53:41Oh, no.
00:53:45You're alive, Logan.
00:53:48You have to live.
00:53:50You have to live because I can't.
00:53:53Do you understand me?
00:54:05Let me go.
00:54:08Let me go.
00:54:24Let me go.
00:54:24Oh, no.
00:54:31If you did, I'll be on you.
00:54:31Let me go.
00:54:48If you have to live, where did you live?
00:54:48If you have to live, where did you live?
00:57:44What are you doing here?
00:57:46No, I'm not going to stop with a journalist.
00:58:05I'm sorry.
00:58:07I read you now.
00:58:13Okay, listen, I'm not perfect.
00:58:16And honestly, I'm kind of a mess.
00:58:22But you were just the first person that I...
00:58:25I'm not going to...
00:58:25I'm not good.
00:58:40I'm not good.
00:58:58All right.
00:59:24so
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