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LA REYNA DEL FLOW 3 | CAPÍTULO 24
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00:22I wander in a world lost in a dream
00:26I always listen to my heart
00:31And even though I don't have a penny in my pockets
00:37You chose this dreamer
00:40I can be a star, a singer
00:45The most important thing is that I am the only one for you
00:51Although there are no treasures to give you today
00:56The most important thing is that you are the light for me
01:02You changed my life, it's become interesting
01:06That was the missing piece, that was the important one
01:08The inspiration for a work of art
01:11I can't stop looking at you
01:14I'm a crazy person who never stops dreaming
01:16And what does the world want? To get you to travel
01:22When I told Freddy to work for me, in front of him.
01:26That he would give me information about Mike
01:29What a mess
01:29And the man didn't fade.
01:31He told us that Mike was going to leave before it happened or not.
01:34In that way?
01:35Are you guys thinking that Mike's daughter figured it out first and told him to go bankrupt or what?
01:39It's a possibility.
01:40It's a possibility, and you know it.
01:43Calm down!
01:43It's just that Sky is giving me grief.
01:45And let him know
01:46Find out what?
01:48Ah, relax, buddy.
01:50It's not that his head gets the better of him
01:51Child, child
01:52We're talking about Mike
01:54The more I think about it
01:55I'm sure it was him
01:57Well, so what if that was the case?
01:59Freddy was quite grown up, brother.
02:01Or did you put a metal rod on his head to make him help you or what?
02:06No, but...
02:07But what?
02:08But nothing
02:09Besides, that old man left this world doing the right thing.
02:12That it was about clearing your daughter's name with you
02:15Yes, but if I don't convince him
02:16The one who works for me would surely be alive.
02:18And that's something neither you, nor I, nor anyone else will see, my brother.
02:22So don't stress about things you can't control
02:31Friends
02:34I was really looking forward to sending you this first message
02:38Outside of prison
02:41I have two main things to tell you.
02:44The first
02:46Right now, I'm super focused on working.
02:50As I have done all my life
02:52But to my followers
02:55My friends that I still have
02:58I want to tell you something confidential.
03:01Because I had to file a lawsuit against Mr. Cruz
03:08For defamation
03:10And for assault
03:12Both verbal
03:13As a physicist
03:17I also learned in prison
03:19May justice prevail.
03:21He does his job.
03:24And that I, as a music producer
03:26I have no other choice.
03:28What to do with mine
03:31That's why I have good news for you.
03:33It's almost here!
03:35Very little
03:35For the launch
03:37De Parse Music
03:38My new production company
03:41With which I'm going to discover
03:43And launch
03:44The most talented singers in Colombia
03:46To the world
03:49Stay tuned, my friends.
03:51Because this May Rivera
03:53It's coming with such force.
03:57So much nuclear energy
03:58Like a train at full speed
04:01That no known force
04:03At least
04:04He will be able to stop
04:06Listen to this gonorrhea
04:08It seems people have forgotten.
04:09That rat that is May Rivera
04:10Or what?
04:11Not everyone, Charlie
04:13That's what's important.
04:14But it seems like she's taking it like that
04:16Because they took him out of the hole.
04:17Very fast
04:17Well
04:18That he got out of jail
04:20We can't fix it
04:21But what you and I talked about
04:22Yeah
04:23Come with me
04:25Um, it seems like...
04:28Morales is from the country
04:29What are they saying about us?
04:31Not everything is mysterious there.
04:45The hurricane stopped blowing
04:47His passionate wind
04:49In the direction of the stone
04:50And as we all know
04:51To a dead fish
04:52For another position
04:54Because that's what they call Trejos
04:55New singer
04:56That has been won
04:58The heart of the hurricane
04:59Once
04:59Are you seriously watching this?
05:00All this gossip?
05:01They are ugly
05:01No, I only saw one video.
05:03That arrived
05:04Ah, yes
05:04Why not?
05:05Today everyone
05:06He gives his opinion on things he doesn't know.
05:08Do me a favor
05:09And stop looking at this device
05:11Don't do that to yourself
05:12No, you're right
05:13All good
05:14I'm fine
05:15Irma has already gone her way
05:16He's doing whatever he wants.
05:17Now it's my turn to do the same
05:24They've already locked him down.
05:26Now then, Your Majesty
05:28Straight to Medacho
05:40Dog, we have to catch him
05:42He's making a stupid face at her.
05:45Don't you think I'll be saved?
05:51They are chasing us
05:55Who?
05:56The Severe
05:58But what is he doing?
06:07Watch out, we're going to crash
06:08Be careful
06:10No, wait
06:11No, no, no
06:11Don't both turn around
06:12He's going to kill us
06:14You already know
06:15Half the money is yours
06:16And the other one for me
06:17Severe Quilo
06:18A deal's a deal
06:19We already have an agreement.
06:20Oh, watch out for twisting your arm
06:21Because I'm burned out
06:22And like a dead man
06:22Here's the important part
06:24It's about using the ruler
06:24Samudia and the other
06:25What an idiot
06:26Let him see
06:27Let's get those dogs
06:28Okay, let's go, let's go
06:30Hold on tight
06:31I'm going to get sidetracked
06:32Go hard
06:33Go hard
06:34Oh, you're losing it.
06:36Stupid
06:36You're losing it
06:37Come on
06:39The video game must be
06:41In First Person Shooter
06:43It should be done in modules.
06:44And interface changes
06:45For the gamer
06:46Keep following his steps
06:47To the Queen
06:47On their musical tours
06:49Until he gets on the plane
06:50And she dies in shock
06:52I'd love to
06:53That a magician as a plotter
06:54I can do this idea
06:54Reality
07:01Hello, Commissioner
07:02For me, what's going on?
07:03With the IP report
07:04That I asked him
07:04We need the lord
07:05Exactly to proceed
07:06Almost there, commissioner
07:07So, be careful with that.
07:08Do it
07:08As an order
07:08You know what?
07:09Is everything alright?
07:11Some good ones
07:12Ostruo?
07:13What else, gentlemen?
07:14How are we doing?
07:15Mine
07:15All good
07:16All good
07:16We want to know
07:17What happened to Freddy?
07:18Do you know anything?
07:20Trauma
07:21By blunt object
07:22Trauma
07:23Because what, what, how
07:24Well, apparently
07:25He was working
07:25There at the laundromat
07:26Most likely
07:27There was somewhere
07:28A bare wire
07:28And that electrocutor
07:30He went against
07:30A fuse box
07:31Don't mess with me
07:33What story
07:33Did my son search me?
07:35Angel, you don't believe that.
07:36Neither you, man
07:37There are no cameras there.
07:38Let them confirm that.
07:38Or what?
07:39It's that every prison
07:40It has autonomy
07:41To investigate
07:41And that was the report
07:42That they gave us
07:44Did you know?
07:45Let me speak
07:46With a couple of buddies
07:47What I have there
07:48So they can find out
07:48What happened
07:49How great!
07:50Did you know?
07:51That's something not to tell Riquel.
07:52And I'd put the cats there
07:53To find out about one
07:54That's a good idea.
07:56If you have
07:57How to find out the topic
07:58Well, it would help us all.
08:00That's where we could
08:01Let's get started again.
08:02Count on it, son.
08:03All good?
08:04I'll make that call right now.
08:05But
08:05In a good way, then
08:20What happened?
08:21That?
08:22Wisdom?
08:23Wisdom?
08:24She is dead
08:24She is dead
08:25He killed her!
08:26He killed her!
08:27I didn't mean to do this, Jamie.
08:28I didn't mean to do this
08:28It was the husband
08:29That he wanted to kill us
08:30Ugh, life smells like shit.
08:43What are you doing?
08:44What is he going to do?
08:46What are you doing?
08:48What are you doing?
08:52We have to leave her to be buried.
08:53We must be humanitarian.
09:00You're going to kill me, aren't you?
09:03Jamie
09:03Look
09:05If I wanted to kill you
09:06I would have killed you already
09:07You know it
09:09You know it
09:10We're finally rid of those rats.
09:13Hey, look at me
09:14Look at me, I want to take you
09:15With your family
09:17Do you want to see Alma?
09:18Oh, do you want to see them?
09:20I'm going to take you
09:21With your family
09:28Don't leave me
09:31Wait for me
09:32Don't leave me
09:47Don't fall on me
09:48Don't fall on me
09:58Don't fall on me
10:00Turn it on, turn it on, turn it on
10:03Turn it on, turn it on
10:04Turn on
10:08Turn on
10:09Give it to him
10:09Come on!
10:10Come on
10:11Have you already gone home?
10:13You've already been to your family
10:23How are you?
10:26Here I go
10:27Well
10:28It weighs heavily on me.
10:29Seeing them like that
10:30My mom is so sad
10:32Well
10:33Soraya is wearing it.
10:34How can
10:34TRUE?
10:37And you?
10:41Here I go
10:41Here I go
10:45You seem more worried
10:46For them
10:47That's why you
10:50You feel
10:52That's how it has to be.
10:53Besides
10:54What good is crying?
10:55You are welcome
10:58Do you know what it's for?
11:00So that you let go
11:01What you feel
11:04I know you're suffering
11:07The absence of a father
11:08It is a void that
11:09It cannot be filled
11:11But to vent
11:12Aid
11:13That you speak
11:16And that's what I'm here for.
11:19Whenever you want to talk
11:21Or you feel like this
11:22Sad
11:23Let me know
11:26Thank you
11:27Thank you
11:28To be honest no
11:29It hasn't been that easy
11:30Well
11:32All
11:32Everything I had
11:34Pa
11:35This is not safe
11:37Pa
11:37This is not safe
11:39Pa
11:41This is not safe
11:41Pa
11:42Don't do this to me
11:42This is not safe
11:52Pa
11:55It's great that you're coming
11:56This is tough
11:57Stubborn
11:58Yes, I imagine so.
12:00Especially for you
12:03In that way?
12:05No, nothing
12:10You're going to give me a scene
12:11Why was that evil happening to me?
12:12Condolences, Erick?
12:14It's supposed to be the funeral
12:15Sky's dad, right?
12:17Yeah
12:19And it really does remind me
12:22Do you remember that my dad died?
12:23Or not?
12:25Sorry
12:26Plague, pardon
12:27Yes you're right
12:28No, leave it like that.
12:29Sorry, but
12:30Leave it like that.
12:34First, I want to thank you.
12:36By
12:36For taking the time to come
12:38Thank you for joining us during this difficult time.
12:44My dad
12:46He was
12:48He was a very tough man
12:49Yeah?
12:51Outside
12:52But
12:53Inside he was a very sweet man
12:56I think it was a little more about doing than saying
12:59AND
13:00Suddenly, in that respect, I'm a little similar too.
13:05He tied her up
13:07I think everyone has done it at some point in their life
13:09Yeah?
13:11But what I think is that
13:12The important thing in this life is wanting to redeem oneself
13:16And he wanted
13:18I'm sure he wanted it
13:19Because he told me so.
13:21Yeah?
13:23Except that suddenly he didn't have enough time.
13:26He didn't have enough time.
13:27But
13:28I decide to keep that
13:31I am sure that we
13:33That we decided to keep that
13:35With how beautiful it is
13:38With the dad who took care of us
13:39That He loved us
13:40That
13:41She was always there for us.
13:43With how much I wanted to be better
13:45With everything he did
13:47For
13:47To set up that workshop for us
13:49To give us a better life
13:51So that we would be okay
13:53But I'll stick with the one who loved us.
13:56Until the end
13:58That's why
14:01I decided to sing her a song
14:03Because
14:04He liked it a lot
14:06That I would sing it to her
14:09He tells you this
14:21And so much loneliness.
14:25Unfair loneliness
14:28It's like karma that I'm paying for.
14:31And I don't know why that is.
14:34And all that evil
14:37Unfair reality
14:40He wants to defeat me.
14:42He wants to defeat me.
14:42Although forever
14:44I'm going to fight
14:46A light has gone out
14:49Heaven has called you
14:51And your absence hurts more
14:55And it hurts that you're not here
14:58So much loneliness
15:01Unfair loneliness
15:04It's like karma that I'm paying for.
15:08And I don't know why that is.
15:15So much loneliness
15:18Go on, go on, Skye
15:20Come on
15:26Vela, come
15:36Please help me, yes
15:46Help me
15:47It's like karma that I'm paying for.
15:49Without knowing why it will be
15:52And all that evil
15:55Unfair reality
15:58He wants to defeat me.
16:01Although inside
16:03I'm going to fight
16:06A light has gone out
16:08Heaven has called you
16:12And your absence hurts more
16:16And it hurts that you're not here
16:19So much loneliness
16:22Unfair loneliness
16:25It's like karma that I'm paying for.
16:28Without knowing why it will be
16:38And the farcerine
16:40Very good
16:41Partner
16:42Thank you
16:43Thank you
16:44Thank you
16:44Thank you
16:50Thank you
17:02And what are you doing here, friend?
17:06And you don't see me rehearsing
17:10Hey, Nea
17:12Shouldn't you be at home?
17:13With your family, homie?
17:17Are you going to be at home?
17:18That's useless
17:20My mom doesn't want to cry anymore.
17:22Every time you see us
17:23It gets worse.
17:26Your sister
17:29Tori
17:31She deals with the pain
17:32In their own way, yes
17:34And me with mine
17:35So everything's fine
17:36No problem
17:38Pay yourself, you're going to get burned, yes
17:46Thank you
17:47Really
17:49Believe me, this works for me.
17:51This helps me a lot
17:52I swear to you, then
18:04What is this, Nea?
18:05You know
18:06A ringing and a puff of smoke
18:09I'm fine
18:13Go away, then.
18:13I don't want to cry
18:14Further ahead of you
18:21Okay, guys
18:22Pay attention to me
18:23I already spoke with my people
18:24AND?
18:25Confirmed
18:25To Freddy
18:27They skinned him.
18:28Why not, man?
18:30Well, apparently
18:31They set a trap for him.
18:32They took him to the laundromat.
18:34And the dung didn't last
18:35Not even 15 minutes
18:36Okay, so who were they or what?
18:39No idea
18:40What do you mean, no idea?
18:42Nobody in jail
18:43Do you know what happened?
18:44There's no trace.
18:45But everything indicates
18:46That May had her eye on him
18:49I knew
18:49That bastard
18:51He was the one who killed him
18:51Calm down, man
18:53Now that I've calmed down
18:53Mike killed Freddy
18:55It's my fault.
18:55To Sky's dad, you idiot
18:57I need to tell him
18:58That?
18:59It's like lying.
19:00What am I waiting for?
19:01What am I waiting for?
19:02Let him know?
19:02On the other hand?
19:03No, on the other hand, no, child
19:05So you
19:05He's going to get away with that story
19:06What's going to happen
19:07With the beloved relationship?
19:08Friendship
19:09Everything goes to hell
19:10Whatever happens, happens.
19:12But let her decide.
19:13I need to tell her the truth.
19:14And Freddy's death
19:16We're going to investigate it
19:17Hey!
19:19She's here
19:21In that way?
19:23And that bald woman
19:23What are you doing here?
19:24Didn't you just bury
19:25Fart to Dad?
19:26Well, I told him the same thing.
19:28What are you doing here?
19:29I'm rehearsing
19:30And the bald one
19:31He says that's how it is
19:32Release the penalties
19:33Plot
19:33That life is very bad.
19:34They're crying, bitches.
19:36He came to rehearse
19:38And it wasn't crying.
19:40Buddy
19:41So I don't have to be at home
19:42And you're going to come
19:43With that story
19:44Good
19:45Huh?
19:47I need
19:49Tell him the truth
19:51Spot
20:01You understand me?
20:04One, four, five, five, six, seven
20:06Another, four, five, six, seven
20:10One, two, three, four, five, six, seven
20:16Escai
20:16Four, five, six, seven
20:19Escai
20:19Hey
20:19Not right now, I can't
20:20Hey, calm down
20:21I'm busy
20:22Can't you see me?
20:22I need to talk to you
20:23Calm down for a second
20:24By propap charisma
20:24I don't have time right now, Charly.
20:26Can't you see me?
20:27Can you stop?
20:28One second?
20:29Please.
20:32I need to talk to...
20:33I don't care what you need.
20:35I'm busy.
20:38Listen to me, it's important.
20:40Hey, what opus?
20:41I'm fine, I'm fine.
20:42Are you OK?
20:43Yeah.
20:43Huh, what opus?
20:47Are you OK?
20:48Hey, Sky.
20:49Hey, look at me.
20:50Are you OK?
20:50Hey.
20:52Breathe.
20:53No, impossible.
20:54We can't fly like this.
21:04We won't be able to fly.
21:06You have to get off.
21:07Because?
21:08That?
21:08What's happening?
21:09No, they're not messing with the engines there.
21:13Well, I mean, he's more into turbulence than I am, right?
21:16No, no, I'm not going to fall in another plane, don't forget.
21:19It's a joke.
21:20Look, I got paid to get you home safe and sound.
21:22And it was really hard to find you, wasn't it?
21:25So we're not going to take any risks.
21:29That's really you, tell me the truth.
21:33A simple server?
21:38No, I don't really believe you.
21:43What a pity.
21:46But that doesn't really matter now.
21:50I just know that when he's with his family, he'll thank me for it.
22:04I don't know what happened to me, then.
22:06You fainted.
22:07That's what happens when you don't stop.
22:10Whoever you are.
22:12I'm feeling better now, you know?
22:14No, calm down, whirlwind, the doctor said you need to rest.
22:17So relax.
22:19You beat me.
22:20Yes, to rest for eternity, then.
22:22And the doctor's order and the order from your boss, which is me.
22:27Look, boss, I demand so much of myself because I don't want to fail.
22:32Yes, and I think I've already wasted a lot of time in my life, then.
22:35And nobody here is getting younger.
22:38And isn't all this because of your dad's death?
22:50Could be.
22:52Since he's been gone, I'm used to doing what I can with everything, you know?
22:58The one who faces everything, the one who never gets tired, the one who is okay.
23:01And in that we are alike, but everything in excess, the bad kind.
23:06First comes health, you have to take care of yourself.
23:09Come on, something else, call your mom, come on.
23:12No, no, no, no.
23:12Come on, what's the key to this, then?
23:13Or what's your problem with him?
23:14Face ID, huh?
23:15Let's see.
23:15No way.
23:16Call her, then.
23:17We're not going to call my mom and worry her, I'm fine now.
23:20I know what you need: to get away, to disconnect from everything, far away.
23:26I know, I know, from here to the house.
23:30Listen, my aunt, from here you're going to the workshop, I know you perfectly.
23:35Shirley, look, I need to occupy my mind too.
23:38One can rest like this too.
23:40No, no, what you need to do is disconnect from everything, from everyone.
23:44And I'll give you a really cool house on the outskirts.
23:46For a really cool house in the outskirts.
23:49No, that sounds very nice.
23:50Do I have that?
23:52No.
23:52No, no, but I do.
23:54Yes, remember that I'm rich.
23:57And among the many things I have, I have a really cool house in Guatapé.
24:02Oh, how blessed.
24:03For you, so you can rest, so you can relax.
24:07Thanks, thanks for the offer and everything, but no, I'll pass you because I'm going to be driving like that.
24:11Your house in Guatapé.
24:12No, it's not a question, it's an obligation.
24:15Doctor's order and my order, since I'm your boss.
24:18What's more, I'm going to take you personally to force you and leave you there.
24:21Are you serious?
24:22Oh really?
24:24You can't be told no, right?
24:26Never.
24:27What are you doing?
24:28So you can rest.
24:30Okay, come on, leave it here, relax.
24:33You're not going to...
24:34You're not going to call your mom, that's fine.
24:36Put this on, bundle up well, I don't want you to get sick.
24:39That's it, look.
24:43I don't understand.
24:44Are you going to meet up with Sky there in Guatapé?
24:48What's that?
24:48Okay, Mom, tell me, how's the girl?
24:52How did your class go?
24:53What did he say?
24:54Me too, and don't change the subject on me.
24:56No, but you treat me like I'm a little kid, man.
24:58I already told you, Sky is tired, she fainted, I offered her the house in Guatapé.
25:03So what's the concern?
25:05So beloved, so considerate.
25:07Be careful what you're implying.
25:09Be careful what you're implying.
25:11You're not answering the question I asked you.
25:14It's not the question, it's the tone you use, like you're trying to stir things up, like I'm some little brat, like
25:18if I were a child.
25:19Look, listen to me, I'm your mom, I can ask you whatever I want, whenever I want.
25:24as I please, in whatever tone I please.
25:27And I don't understand, how are you going to go, what, as a driver, to take this little girl around?
25:32from Sky?
25:32Why didn't you send Ramiro?
25:34Look, no, explain that to me, it's doing a disservice.
25:37Let's see, let's see, first of all, Ramiro is working in Solambás.
25:42And second, do you like it or not?
25:44Sky, who is part of the family, who is part of Solambás, is tired, she fainted.
25:49Where? In Solambás.
25:51Doing what? Working.
25:52What to think?
25:53I offered him the house in Guatapé so he could disconnect, so he could rest.
25:57So what's the real problem?
26:00Well, none.
26:02Thank you.
26:03That?
26:07Although I don't think it's as simple as you say.
26:10No.
26:11Let's see.
26:14I know you've relied on that girl a lot, because of everything that's happened to you and all.
26:18And we know why she does it, right?
26:22So, I want you to make the right decisions for the right reasons.
26:27And whatever you're feeling for that girl, make sure she knows it.
26:33And above all, you too, please.
26:35And that's it.
26:37You pooped in my arepa.
26:38Come on, that's what I'm telling you.
26:40You threw away my arepa.
26:42You threw away the arepa, ma.
26:43Thank you.
26:49Ma, don't worry, what happened to me was just a consequence of tiredness and nothing more.
26:57No, but they should have told me when Charly took you to the clinic.
27:00Why didn't he call me?
27:03Because I didn't let it go.
27:05If I'm already fine, look at how you're acting.
27:09The important thing is that this didn't escalate.
27:12But, come on, what exactly is Charly's proposal?
27:18Well, how come? I already told you.
27:20Rest.
27:21Okay, he has a...
27:22But why don't you rest here?
27:24I just don't understand. This is your house.
27:26You have a home.
27:28I'll pamper you, I'll bring you food in bed.
27:31Well...
27:32Let's see, let's see, Mrs. Brenda.
27:33Stop it there.
27:34What's going on?
27:36What's your nerve?
27:37No, well, nothing.
27:39Mom, I just want a change of scenery. That's all.
27:42As long as it's just that.
27:43Ah, I see.
27:45That's what you're really worried about, isn't it?
27:47Let me explain.
27:49Charly is going to pick me up.
27:50He takes me to the house, which I don't know exactly where it is, well.
27:54But he leaves me settled in and goes back.
27:56I'll stay alone with God.
27:57Already?
27:58And was I born yesterday?
27:59Oh, ma.
28:00Bellara, you are already very old.
28:02So it's up to you what you do.
28:04But in any case, do me a favor and take care of yourself.
28:07Well.
28:08About what?
28:12Oh, God.
28:13Well.
28:14The other thing is that I did want to ask you a favor.
28:17You know I'm not much of a...
28:18Don't worry.
28:20Your sister won't find out where you're going or who you're going with.
28:23Stay calm.
28:25Yes, ma.
28:27I just don't want him to cause a scene.
28:29And since she's so sensitive, well, I would like to take care of her with that.
28:34Yeah?
28:34Uh-huh.
28:35Thank you.
28:37Can you help me pack?
28:40I'm going to look for something else.
28:42Oh, God.
28:49Sir, we have an official report of where the idea for the video game Death to the Queen was supposedly sent.
28:55Computers of Wendell, Monsalve, better known as Axel and Mayor.
28:58We also have an email with a different name and more messages.
29:01Is that what we came here for, or is that what we were taught?
29:04That's what we thought, and now how do I fix it?
29:07Understanding that losing is liberating, unlearning in order to find oneself.
29:13I'd like to always be myself, and what's the problem with that?
29:15That social rules make me afraid.
29:18Imprudence stops me, and I move in an environment of respect for the emblems.
29:24I love what I do, not what surrounds it.
29:26I pay with tears so that they may later see laughter.
29:29Virtual reality shows one face.
29:31Sometimes an alter ego that my head triggers.
29:35Sometimes real, sincere, and visceral.
29:37When I let out things that young people don't want to miss.
29:40Axel.
29:41Hey, Marino.
29:45What else, good or bad?
29:46Hey, what's up, Angelito? Good or what?
29:48Very good.
29:50Do you have a moment to chat, Axel?
29:52Sure, passer.
29:53Hey, what's up? Did you find out anything about Frey or what?
29:56Is this the moment we can talk... but alone?
30:00Hey, Marino.
30:01Talk to me about it.
30:02Should we keep hitting him now or what?
30:03Hey, but don't give me the cold shoulder, man.
30:04No, it surprises me.
30:05Is everything alright, Angel?
30:06Good girl.
30:07Thank you.
30:09Hey, that's your computer.
30:12Can you bring it? Please.
30:31Hey, open your email for me. Do me a favor, Axel.
30:55Axel, you know I've known you for a long time, right?
30:58And I know the kind of person you are.
31:01But I need to show you something that is compelling.
31:05She's scaring me. What happened, then?
31:09We have information that the idea for the video game "Death to the Queen" came from someone who sold a clog to
31:14Javar
31:14He left this computer.
31:16From my computer?
31:18What are you talking about, Angel?
31:22And now it's my turn.
31:25I have it here in pre-order.
31:27Read it with me.
31:29The video game must be a first-person shooter.
31:32And that the player, chasing the queen through different places,
31:35following in his footsteps on his musical tours,
31:37until she boards the plane and dies from the impact.
31:39I would love for a magician like Tramador to be this reality.
31:43Hey, Angel.
31:45I've never seen such a stupid message in my life, man.
31:49Huh?
31:50Are you thinking I made this crap up, or what?
31:53That's not what I'm saying.
31:54What I'm saying is that it came from that computer, Axel.
31:57And what do I care, huh?
32:00Who am I going to give my password to?
32:03Calm down, man, calm down.
32:04It's because hackers could have done it.
32:06There's the IP address. That's very simple.
32:10Hackers? IP address?
32:12Angel, who do you think you're talking to?
32:13You're speaking Chinese to me.
32:15Do you think I'm capable of hurting Jamie?
32:17Or are you going to someone from here, from Solán?
32:19I know that's not the case.
32:20It's our turn to intervene in the team.
32:22The chimba.
32:23That could lead us to new...
32:25Axel has new clues about who might have done that.
32:28And if I don't want to, what then?
32:33Well, you have to do it.
32:36Here is the work.
33:03I'm very sorry, Axel, brother, but that's my job.
33:20We're almost ready to fly.
33:22What happiness.
33:24I still can't believe it.
33:27Cabeza will fall backwards when he has the queen cockroach in front of him.
33:32Yes, it's going to happen, Squirrel.
33:34You heard, but you did take a look at the suite we have for you.
33:38Yes, I only left him a broom to sweep his own palace.
33:42Will the queen be able to do it, or will she consider it too low a social standing for her?
33:49Well, that's worthy of a cockroach, isn't it?
33:52Rabbit, tell me the truth.
33:55You have everything under control.
33:58Yes, yes, of course, Squirrel.
34:00Look, the only thing that worries me is the whole logistics of transporting this van.
34:04For the francs?
34:06Because they can recognize her?
34:09No, no, no, no.
34:10It's not that.
34:12So?
34:17I do see her as very weak.
34:19Which weak one?
34:20She's probably faking that malparity.
34:23Well, that could be it too.
34:25They already tried to escape once and everything.
34:27But it is weak, that's for sure.
34:30Well, then I'll shoot you in that leg.
34:32And we gave it to Mike incomplete.
34:34What are we going to do?
34:36No, we can't take any risks either, Squirrel.
34:39But precautions must be taken.
34:42So listen to me, look, this is what we're going to do.
34:46It's in the game, people, because today Mero Power is a river.
34:49Yes, folks, I had to swim into the station.
34:52Our dearest Pesco is here, and, buddy, welcome.
34:56Hello hello.
34:57It's a pleasure to land here, greet you all, and look you in the eyes, old Hugo.
35:02Hey Simba, you're here, this is your house, bro.
35:05But anyway, without further ado.
35:06What did you come to tell us? Go ahead.
35:07It's very simple.
35:09All the dreamers, all the bald men and women of the commune who want to live from art and want to dream
35:14big,
35:15Join the Jamie Montoya Foundation.
35:18Everyone is invited.
35:20Jamie Montoya Foundation, that sounds very nice.
35:23That's right, owl.
35:24My mom was born in the commune.
35:25And I know that what would make her happiest is if we helped all the bald people, to
35:30the bald ones, the dreamers, the talented ones, those who want to get ahead.
35:35And that would truly fulfill his purpose in music.
35:38Jamie Montoya Foundation said.
35:43How ridiculous.
35:45Anything with that name is born dead.
35:50Well, I don't understand.
35:51What do they have in mind with that?
35:53Nothing.
35:54If you don't have a mind, you're certainly not going to have anything in your mind.
35:57This is all a lie.
35:59They make them believe that they are creating art.
36:02And that's impossible.
36:04Mediocre artists.
36:05That's all.
36:06They seek applause from mediocre people to feed their ego.
36:12Fish, Coy.
36:15Little fish.
36:16Fishbowl.
36:19Ridiculous.
36:20He needs three more lives to become a dragon.
36:23Look, baby, find out everything you can about that plan.
36:26And as soon as I find out, I'll cut off his legs.
36:30Can you do that without your conjoined twin?
36:33What did you think?
36:35Living for a dream Without measuring, without thinking about failing yourself
36:41I'm not the owner. It's for you, I won't let you down.
36:48Living for a dream Without measuring, without thinking about failing yourself
36:55I'm not the owner. It's for you, I won't let you down.
37:00I am not the owner. Without measuring, without thinking of failing you.
37:01Hey, hey, hey, that's the flow, that's the flow, that's the way it is
37:09The idea is that we keep pushing forward, we're going to have meetings
37:12We're going to organize this properly so you can really
37:15To live off music, so they understand blackness
37:21Tell me something, with all due respect, gentlemen.
37:24Who taught you to applaud amateur opinions?
37:30Come, come, come
37:33What's happening?
37:35Do you want to break my face?
37:38That?
37:41No, that's not how I do things.
37:43Hey, let's go
37:43What, as your old man, you mean?
37:48Yes, my dad has more than enough compelling reasons to respond to the war you yourself have created against him.
37:55I have no idea what you're talking about.
37:58And I don't have time for paranoia either.
38:01Anyway, don't worry, I didn't come to talk to you, I came to talk to you all.
38:07No?
38:08Because I really wanted to tell you that if you pay attention to what the fish says here...
38:16That has very little experience
38:19You will only be left, you will only be left with the illusion
38:26Nothing else
38:27Listen, Esteban doesn't even know what he's saying
38:29I am a producer, composer, and many other things in general terms that you won't understand today.
38:35Because in your life you have composed a melody, a lyric
38:38And they know you're good.
38:40That you're an expert
38:41In stealing credit from others
38:43You'll be just like your dad
38:45And they have to be very careful because of the same thing, because of slander.
38:51I filed a lawsuit against him
38:53Ah, very good.
38:55And actually, if you're going to partner with Soul & Buzz
38:59They need to know that it's a company riddled with scandals.
39:04In addition to the lawsuit I just filed
39:06And now he appears
39:08The fishing
39:10Rookie
39:11Novice because he could have produced, well, songs for himself
39:14But from there to producing other talents
39:18Don't be fooled
39:19That has a great, a great distance
39:22And here's what's behind it
39:24Let me speak
39:26Do you know what I'm going to say?
39:27What's really going on here is that you want to trick him.
39:30That's what you want
39:31You want to sweet-talk him
39:32Listen, this guy is saying a lot of things that aren't true, guys.
39:35I came here to accompany you.
39:37So that they can create their own project and make a living from music
39:39But seriously?
39:40To build, not to destroy
39:42That's the only thing this man knows how to do.
39:44Listen, what you want to do is flatter
39:46It's to cajole
39:48Because, come on, show me
39:49Show me
39:51What should I tell them?
39:53Pure promises
39:54Empty words
39:55Because that's what Vivaldi wants.
39:58It's about profiting from everyone's talent
40:02That's it
40:03Guys, listen carefully
40:05What I propose is
40:07A signed contract
40:09And money in his pocket
40:11How are you?
40:12See?
40:13That's what we're getting at, guys.
40:14That's what we're going to do.
40:15Don't get confused
40:16Don't wash your hair
40:17The idea is that in the medium term you can generate royalties
40:20Give presentations
40:23Collaborations
40:23Collaborations?
40:24That's the idea
40:24Collaborations
40:25The collaboration is a farce
40:27A farce
40:28Total
40:29Eimex
40:31What a handcrafted way you have of proposing a business!
40:35Need
40:36For God's sake
40:37But anyway, it's not my topic.
40:38What I propose is
40:40A signed contract
40:42And silver
40:44In cash
40:45To be advanced
40:46Listen, don't believe this man
40:47Nothing he says is in good faith.
40:49Well
40:50This man only has bad intentions.
40:52Let's see, good faith
40:54Bad faith
40:55Do you eat that?
40:56Do you eat in good faith or bad faith?
40:59Do you know why you're saying that?
41:00Because they put everything in your mouth
41:01But hey, you do whatever business you want.
41:04There are idiots who believe you.
41:06But what I propose to you is this
41:08The talent
41:09And the work
41:10They are paid
41:11And even with that
41:13They can provide the initial payment
41:15For a little house
41:17For the family
41:18What do you think?
41:19That's how I work
41:20The one who wants
41:21He's coming with me now.
41:22We are going to sign a contract
41:23And to produce
41:24To make money
41:25Come on guys
41:25They don't pay any attention to that guy
41:26I know what I'm telling you
41:28The easy way
41:29It brings nothing
41:31Come on
41:31The path of music
41:32Listen, think about it carefully
41:33The path of music
41:34Go sell lottery tickets somewhere else.
41:37Sink into your ship of poetry
41:39Sink
41:39Come on guys
41:41Come on
41:42So, let's go like this.
41:44She's doing very well.
41:51Mister
41:52The route is already behind schedule.
41:53And this unit has everything the doctor asked for.
41:55Come here, my lady
41:58And the doctor is a relative of mine.
42:01Yes, something like that.
42:02I opened the door
42:03Come on, call her
42:03Put the moon on for me, call
42:05I talk to her
42:06No, no, what a shame
42:07Her teacher can't now
42:08I'm going to speak suddenly
42:08I remember that.
42:09There are some very dangerous people.
42:11He wants to hurt you.
42:11Little foot here, little foot here
42:13Go
42:15Peaceful
42:15There are some very dangerous people.
42:17And we can't take that risk.
42:19No, no, wait
42:20No, let me see her
42:21None of my relatives are here.
42:23Hey, Jane
42:24Listen, listen
42:25Listen
42:26Do you want to see your daughter?
42:27Do you want to see your family?
42:28And your husband?
42:29Yes, ready.
42:29And you have collaborated
42:31That it has been very difficult for him
42:32Dispilas
42:50What are you doing?
42:51Quiet
42:51Oh, leave me alone
42:52I want to sit down
42:53Awhile
43:01Jimmy
43:03You're not just any singer
43:06You are the queen
43:08That's why now
43:10I am no longer alone
43:14I can say that my sentence ends today
43:21I want to hold your hand
43:25And that we may meet again
43:28Because this love is wounded.
43:46Hey, baby
43:47I have to confess to you here
43:49How crazy
43:52I always wanted to meet you
43:54I heard you sing
43:56And I started to dance
43:58With that flow
44:00The rhythm of that Dumbo
44:01I was your princess
44:04And I almost died of love.
44:06You were my idol
44:08My first love
44:09You were my inspiration
44:14And now it's different.
44:16You are in my heart
44:17Because it's you
44:19She put it in my room
44:21That it was always made of paper
44:23But now I can see you
44:25And you are here
44:27That stole my heart
44:29I want to stop the clock
44:31Or that someone says no
44:50I can see you
45:03Thanks for watching the video.
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