Enjoy Lost Honeymoon (1947), a delightful blend of romance, comedy, and mystery from Hollywood's Golden Age. Filled with witty dialogue, charming performances, and unexpected twists, this classic film follows a heartwarming story of love, mistaken identities, and adventure. Perfect for fans of vintage cinema, classic comedy, and timeless storytelling.
This film is presented for classic movie enthusiasts who appreciate the charm and elegance of classic Hollywood productions.
#LostHoneymoon #ClassicMovies #ClassicComedy #ComedyMystery #RomanticComedy #VintageCinema #OldMovies #ClassicHollywood #BlackAndWhiteMovies #GoldenAgeOfHollywood #ClassicFilm #RetroCinema #PublicDomainMovies #FullMovie #1947Movies #HollywoodClassics #ClassicEntertainment #TimelessCinema #MysteryMovie #ClassicRomance
This film is presented for classic movie enthusiasts who appreciate the charm and elegance of classic Hollywood productions.
#LostHoneymoon #ClassicMovies #ClassicComedy #ComedyMystery #RomanticComedy #VintageCinema #OldMovies #ClassicHollywood #BlackAndWhiteMovies #GoldenAgeOfHollywood #ClassicFilm #RetroCinema #PublicDomainMovies #FullMovie #1947Movies #HollywoodClassics #ClassicEntertainment #TimelessCinema #MysteryMovie #ClassicRomance
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Short filmTranscript
00:00:00To be continued
00:01:36Oh, take me to the fair, Johnny.
00:01:40Take me to the fair.
00:01:43There's fun and frolic there, Johnny.
00:01:47Oh, take me...
00:01:53And to the fair.
00:02:01Amy! Amy Atkins!
00:02:04Oh, Tom, it's so good to see you again.
00:02:07Oh, let's have a look at you, dearie.
00:02:10Oh, I'm all done in. Slow train. Gracious, what a mix-up.
00:02:14I've got the kettle on.
00:02:16How does it feel to be back in London?
00:02:19Wonderful.
00:02:21Tubs, this room hasn't changed a bit.
00:02:24I haven't done a thing to it.
00:02:26Not since you lived here with Tilly.
00:02:28Come now, Tubs.
00:02:30You haven't done a thing to it since the Boer War.
00:02:35Have a spot of tea?
00:02:36Mmm, tea.
00:02:38Here.
00:02:39Let's have a shot of rum.
00:02:41It'll keep the fog out.
00:02:42No, thanks.
00:02:45Tell me about Tilly.
00:02:47It was very sudden, wasn't it?
00:02:49Oh, just like that.
00:02:50She was planning to leave for America.
00:02:54She had her tickets and her passport and everything.
00:02:59All ready to sail tomorrow.
00:03:02And then she got the grip.
00:03:04And in three days, she was gone.
00:03:08Good Tilly.
00:03:10What's become of her children?
00:03:12I have them here with me.
00:03:13They're asleep inside.
00:03:14You know, a landlady feels a kind of responsibility
00:03:18for things her tenants leaves behind.
00:03:21I know, Tubs.
00:03:24May I see them?
00:03:25Oh, certainly.
00:03:27Come on.
00:03:29Come on.
00:03:37They're adorable.
00:03:38Twins they are.
00:03:40This one's Joyce,
00:03:41and that one's Johnny Jr. after his father.
00:03:48I never met Tilly's husband.
00:03:50What was he like?
00:03:51Oh, Johnny Gray wasn't like some of them Americans,
00:03:54boasting, bragging, and blowing like a tea kettle.
00:03:58She must have loved him very much, Tubs.
00:04:00She did.
00:04:01And I couldn't blame her.
00:04:03He was a soft-spoken gentleman.
00:04:06Lots of times.
00:04:07No matter how hard I listened,
00:04:09I couldn't hear what he was telling her.
00:04:12Does he know about Tilly?
00:04:14No, not yet.
00:04:16She was trying to locate him through the Red Cross.
00:04:19She cabled his division,
00:04:21but they'd gone back to America,
00:04:23and him with them, most likely.
00:04:25But surely he would have let her know.
00:04:27No.
00:04:27Oh, that's why she was going to America,
00:04:31to try and find him.
00:04:32But he couldn't have just sneaked off.
00:04:35I didn't think it of him,
00:04:37but lots of them did.
00:04:40Only last Sunday,
00:04:41I was listening to one of them
00:04:43soapbox orators, you know,
00:04:44in Hyde Park.
00:04:45Oh, he was ruddy to make the situation.
00:04:50Fifty thousand of our good British girls,
00:04:53he says,
00:04:54married American GIs.
00:04:56Lend leases all right in this way,
00:04:59but are we lending our girls,
00:05:01or are they leasing their boys?
00:05:03Moreover, he says,
00:05:06I'd like a glass of beer,
00:05:07or a good day at the races,
00:05:09for every girl was left behind.
00:05:12Kids and all.
00:05:15But how about those children?
00:05:17Yes, how about them?
00:05:19What can we do with them?
00:05:20We can't just turn them over to the state.
00:05:23What then?
00:05:24They have a father.
00:05:26He should be made to look after them.
00:05:28Yeah, but who, Miguel?
00:05:30Who's going to make him?
00:05:32Bevin?
00:05:33The Labour Party?
00:05:35Or the United Nations?
00:05:37No, Tums.
00:05:39I am.
00:05:40Huh?
00:05:41You're barmy.
00:05:43Don't be idiotic.
00:05:45I'm going to do that for Tilly.
00:05:46She'd have done it for me.
00:05:48How?
00:05:48I'm going to use her passport
00:05:50and her passage
00:05:51and take those children to their father.
00:05:53Have a little money staved up.
00:05:54It's not much,
00:05:55but it'll see me through.
00:05:56But her picture's on the passport.
00:05:58Then I'll put my picture on it.
00:06:00But that's a criminal offence.
00:06:01Not nearly as criminal
00:06:02as putting those children in an orphanage.
00:06:04You can't fool the army
00:06:06and the Red Cross and everybody.
00:06:08Can't I, though?
00:06:09Who's to say I'm not Mrs. Johnny Gray?
00:06:12Mr. Johnny Gray.
00:06:32That sure is a beautiful library
00:06:33you doped out, Mr. Gray.
00:06:34What do you know about libraries, Frank?
00:06:36I'll bet you borrow all your books
00:06:37from your friends.
00:06:38We're sure going to feel proud
00:06:39when that building is out.
00:06:41Well, you can tell your children
00:06:42you worked right alongside
00:06:43the man who built it.
00:06:44Oh, did you get those blueprints for me?
00:06:46Oh, gee, I forgot, Mr. Gray.
00:06:48Well, you'd better get them
00:06:49or you'll be lying to your kids
00:06:50when you tell them you worked with me.
00:06:51Yes, sir.
00:06:54Oh, hello, Miss Ellen.
00:06:55Hello, dear.
00:06:56Lois, darling.
00:06:58You look beautiful.
00:06:59Why shouldn't I?
00:07:00My best fellow sent me orchids
00:07:02and he's taking me out to lunch.
00:07:03Don't think nothing of it.
00:07:04I haven't seen your new office yet.
00:07:06Hmm, not bad.
00:07:07It's almost as large as Father's.
00:07:08Well, I don't mind if his is larger.
00:07:10After all, he started the business,
00:07:12he's entitled to it.
00:07:13The new library.
00:07:17It's lovely.
00:07:18I'm proud of you, John.
00:07:20You're only out of uniform a year
00:07:21and you've designed the new library.
00:07:23Thanks.
00:07:24If you want to belong,
00:07:24I'll get you a card.
00:07:26Sliding ceiling.
00:07:27That's perfect.
00:07:29Yes, you've been reading the sunlight
00:07:31and if you don't like the book,
00:07:32you can toss it through the roof.
00:07:35You have such wonderful ideas, John.
00:07:38You're the best one I ever had.
00:07:40Tell me,
00:07:41how do you account for your success, Mr. Gray?
00:07:43You mean with you or in business?
00:07:45Both.
00:07:46Well, I was born in this town
00:07:47with nothing in my pockets but my hands.
00:07:49Then one day,
00:07:50I met a girl named Lois.
00:07:51That's where I decided
00:07:52to take my hands out of my pockets
00:07:53and put them to work.
00:07:54I got one around her shoulder
00:07:55and one under her chin
00:07:57and she was such a weak character
00:07:59that when I asked her to marry me,
00:08:00she said yes.
00:08:01And that, my dear,
00:08:02is how I became
00:08:03the greatest success story of our time.
00:08:05Oh, you idiot.
00:08:08And if I don't run this business
00:08:10into the ground in 10 years,
00:08:11it won't be because I haven't tried.
00:08:14Yes?
00:08:15A cable, Mr. Gray.
00:08:17A cable?
00:08:18You see?
00:08:19You're becoming international, darling.
00:08:34Anything wrong?
00:08:37No.
00:08:41No one could ever accuse you
00:08:42of having a poker face.
00:08:44No, no.
00:08:45It's nothing.
00:08:47Well, if it's nothing,
00:08:48let me see it.
00:08:48No, it's business.
00:08:51Personal business.
00:08:53Just remember that
00:08:54two can play at that, John,
00:08:55and you've started it.
00:08:56Hello, Lois.
00:08:57Hello, Father.
00:08:58Come on, you two.
00:08:59I'll take you to lunch at the club.
00:09:00Well, I'm afraid
00:09:00I won't be able to go.
00:09:02I just had an important inquiry
00:09:04from Europe.
00:09:05Inquiry?
00:09:05Yes, from England.
00:09:06I've got to find out about it.
00:09:07Do they want you to go over there?
00:09:08No, they want to come over here.
00:09:10Well, turn it over to your assistant.
00:09:11No, I can't turn this over.
00:09:12Oh, come on.
00:09:13It can wait.
00:09:14No, it can't.
00:09:15Lois, I'm afraid John
00:09:16is going to be just like I am
00:09:17about his work,
00:09:18and you want to watch him.
00:09:19He's liable to turn out
00:09:20to be a tired businessman.
00:09:22I may turn out
00:09:23to be just like Mother.
00:09:24I may tire quicker than he does.
00:09:40Yes, Mr. Gray.
00:09:41Call Dr. Davies.
00:09:43Tell him I'm on my way
00:09:44over to his office.
00:09:45It's an emergency.
00:09:49Bob?
00:09:50Hello, John.
00:09:51How's the bridegroom?
00:09:52Don't look like an emergency
00:09:53case to me.
00:09:54Well, I am.
00:09:55So don't be so darn cheerful.
00:09:57Sit down.
00:09:57Thanks.
00:09:59Oh, what's the trouble?
00:10:00Bob, you're my best friend.
00:10:03Oh, that's bad.
00:10:05Well, if you're putting it
00:10:06on a personal basis,
00:10:07I suppose I can't charge
00:10:08for the visit.
00:10:09What would you say
00:10:10if I told you
00:10:10I might have been married
00:10:11a couple of years ago?
00:10:13What?
00:10:14Yes.
00:10:15And you're afraid
00:10:16Lois might find out
00:10:17you're divorced?
00:10:17But I might not be divorced.
00:10:19Huh?
00:10:20Oh, I know it sounds complicated.
00:10:21That, my friend,
00:10:22is the understatement
00:10:23of the century.
00:10:24But what would you say?
00:10:26If you might have been married
00:10:27and might not have been divorced
00:10:28on Sunday at high noon,
00:10:29you might be a bigamist.
00:10:31I just got this cable
00:10:32from the Red Cross
00:10:33in London.
00:10:36Your wife, Tilly Gray,
00:10:38and family have sailed
00:10:39aboard the SS Archangel
00:10:40in the United States.
00:10:41American Red Cross.
00:10:43Wife and family?
00:10:45You didn't lose
00:10:45very much time.
00:10:46But I don't know
00:10:47this Tilly Gray.
00:10:48Tilly.
00:10:49Pretty name.
00:10:50I don't even know
00:10:51if I married her.
00:10:52You know,
00:10:53John Gray
00:10:54is a very common
00:10:54American name.
00:10:55There must have been
00:10:56thousands of them
00:10:57in the Army.
00:10:58Probably a hundred
00:10:58in your division.
00:10:59Just tell the lady
00:11:00she's barking up
00:11:01the wrong Gray.
00:11:02Anyway,
00:11:03the minute she sees you,
00:11:04she's going to know
00:11:05you're not her husband.
00:11:06But maybe I am.
00:11:07Maybe she'll know I am,
00:11:08and I won't know
00:11:09what she is.
00:11:11Oh, now,
00:11:11slow up, fella.
00:11:12I'm just an M.D.,
00:11:13not an analyst.
00:11:14If you want my advice,
00:11:15come clean
00:11:15and stop talking
00:11:16in riddles.
00:11:17I'm ashamed
00:11:17to tell this story.
00:11:19You know,
00:11:19everybody thinks
00:11:20I was a hero,
00:11:21wounded in action
00:11:22and reported missing.
00:11:23When you came home,
00:11:24the whole town
00:11:24turned out for you.
00:11:25You see,
00:11:26the night before
00:11:26my division left
00:11:27for France,
00:11:28I had dinner
00:11:28in the Kit Kat Club
00:11:29in London.
00:11:30On my way home
00:11:30in the blackout,
00:11:31I heard an air raid siren.
00:11:33I was running
00:11:33for shelter
00:11:34when I bumped
00:11:34into a lamppost
00:11:35and knocked myself cold.
00:11:37That was the bad wound.
00:11:38But I lost my memory
00:11:39completely.
00:11:40For six weeks,
00:11:41I dropped out of the world.
00:11:42That was the reported missing.
00:11:44Then I was picked up
00:11:45in a suburb of London
00:11:46and taken to
00:11:47the American hospital.
00:11:48So instead of being a hero,
00:11:49I never got out of London
00:11:50and I never got out of bed.
00:11:53You had a complete amnesia, huh?
00:11:55Complete?
00:11:55Those six weeks
00:11:56are a total blank.
00:11:58Bob,
00:11:58is it possible
00:11:59that while I was out
00:12:00of my mind,
00:12:00I got married?
00:12:02That's the time
00:12:03most people do it.
00:12:05But could I have married
00:12:07and had a family
00:12:07and not recall a thing?
00:12:09Well, of course,
00:12:10with amnesia,
00:12:11anything is possible.
00:12:12But why didn't
00:12:13she look you up?
00:12:14Well, it was just
00:12:15before D-Day.
00:12:16She must have thought
00:12:16I was with my outfit
00:12:17in France.
00:12:18And you don't remember
00:12:19anything about her?
00:12:20Nothing about her
00:12:21or myself
00:12:22or anything that happened.
00:12:24You don't even remember
00:12:25your honeymoon?
00:12:26Honeymoon?
00:12:27I don't remember
00:12:28saying I do.
00:12:29You don't?
00:12:29No, I don't.
00:12:30And what's more,
00:12:31I don't even know
00:12:32if I did.
00:12:33You've been robbed.
00:12:35Yes, you're in
00:12:36a little trouble,
00:12:37all right.
00:12:37A little trouble.
00:12:39I'm going to lose
00:12:39my fiancée.
00:12:41I'm going to have to
00:12:41live with a wife
00:12:42I've never even met
00:12:43and bring up a family
00:12:44I'm not sure is mine
00:12:45and you say
00:12:45I'm in a little trouble.
00:12:47Brace up, John.
00:12:47You'll come through.
00:12:48I'll come through
00:12:49with a wife and family.
00:12:51How many kids
00:12:52can a man have
00:12:53in six weeks?
00:12:53I think a fellow
00:12:54in Canada holds the record.
00:12:56Quintuplets.
00:12:57Now look,
00:12:57I'm running in.
00:12:58I'll have six.
00:12:59If it's six,
00:13:00he'll make a fortune
00:13:00from postcards alone.
00:13:02I could jump
00:13:03right through that window
00:13:05if I didn't think
00:13:06it'd hurt your practice.
00:13:11I'll have six.
00:13:14I'll have six.
00:13:23I'll have six.
00:13:25I'll have six.
00:13:27I'll have six.
00:13:28I'll have six.
00:13:29I'll have six.
00:13:31I'll have six.
00:13:32I'll have six.
00:13:33I'll have six.
00:13:34I'll have six.
00:13:34I'll have six.
00:13:36I'll have six.
00:13:36I'll have six.
00:13:37I'll have six.
00:13:38I'll have six.
00:13:39Where's Stan?
00:13:41You'll be here in a minute.
00:13:43Deary, this is my area I've been telling you about.
00:13:46Mrs. Gray and I share the bunk on the boat.
00:13:48How do you do?
00:13:49You bet.
00:13:50Hasn't your old man shed up yet?
00:13:51Oh, we should be along any minute.
00:13:53Mrs. Gray's gonna live in Rochester.
00:13:54We'll be in Tucson, Arizona.
00:13:56That shouldn't be far.
00:13:57I hate to walk it in my bare feet.
00:13:59Well, cheerio, and good luck.
00:14:01Cheerio.
00:14:02Cheerio.
00:14:02You bet.
00:14:04Cheerio.
00:14:08Well, Mrs. Gray, it's strange your husband isn't here.
00:14:12We cabled you a sailing a week ago.
00:14:13I don't know what to make of it.
00:14:15Something must have gone wrong.
00:14:17Maybe I could go to him.
00:14:19Is Rochester far from here?
00:14:20Rochester, New York?
00:14:22Is there another one?
00:14:24There's Rochester, Minnesota.
00:14:25Two cities with the same name.
00:14:27I suppose this country's so big they ran out of names.
00:14:30Which is his home?
00:14:32New York.
00:14:34Did that take long?
00:14:36About six hours.
00:14:37You take the 615 and you arrive about midnight.
00:14:40And then you could surprise your husband.
00:14:44Yes, sir.
00:14:45I could.
00:14:45Couldn't I?
00:14:49Mr. Gray, I've located another John Gray.
00:14:52Oh, good.
00:14:52Where can I reach him?
00:14:53He works at a gas station.
00:14:55They're getting him on the phone now.
00:14:56How many Grays does that make?
00:14:58Uh, six all told.
00:15:00And I'm the lucky sevens.
00:15:03Hello, Mr. Gray.
00:15:04Hold on.
00:15:05Mr. Gray, Mr. Gray.
00:15:06Mr. Gray.
00:15:07This is Mr. Gray, Mr.
00:15:10Mr. Gray.
00:15:11Yeah, European Theater.
00:15:13Sure, I was in London.
00:15:15Old thing.
00:15:16Well, Mr. Gray, your wife and family are arriving from London today.
00:15:20My wife and family?
00:15:21Hey, what number do you want?
00:15:23Now, you got the wrong Gray.
00:15:26I did not have no children whilst I was in the army.
00:15:30Look, buddy, I don't take that insinuation from no man.
00:15:34I happen to have a wife and family right here, see?
00:15:37And I wish they was in London.
00:15:42Are you sure we've exhausted all the Grays in town?
00:15:45A big town like this?
00:15:46Yes, you're the only one left.
00:15:48Just because I'm the only one left is no reason to pin them on me.
00:15:56Sandwiches again.
00:15:57Oh, John.
00:15:58Well, there's so much coming up, I'm afraid to leave the office.
00:16:02After tomorrow, I'll take over your diet.
00:16:04Yes, thanks.
00:16:05Among other things.
00:16:06Why?
00:16:06What else is wrong with me?
00:16:07Oh, I don't know you're such a dreamer.
00:16:09You're always thinking of something far away.
00:16:12Well, that's not fair.
00:16:13After all, you're judging me at the office.
00:16:15I'll be a different man at home.
00:16:17Well, since you won't be dragged out, I'll be running along.
00:16:21See you at dinner.
00:16:22But, darling, I told you the boys are giving me a bachelor dinner tonight.
00:16:25Oh, darn it. Can't I go?
00:16:27No, it's 100% stag.
00:16:29They'll just kid the pants off me and pull a lot of practical jokes.
00:16:32Ooh, sounds ghastly.
00:16:34Well, let them have their fun. They were single once.
00:16:37A telegram, Mr. Gray.
00:16:58Oh, the boys. They started to kid me already.
00:17:02The boys.
00:17:05Funny as all that?
00:17:06Oh, it's funnier than that.
00:17:09What's it all about?
00:17:11Well, it's not the kind of thing a man can tell his fiancée.
00:17:15I'm surprised Western Union would take it.
00:17:17Oh, Western Union will take anything.
00:17:18Well, maybe they will, but I won't.
00:17:21Darling, it'll be years before you think this is funny.
00:17:23Perhaps you can tell me on our wooden anniversary.
00:17:26I'll stop by for a drink before the party.
00:17:28Don't bother. You'd have to rush, though.
00:17:30Take your time.
00:17:31Be with the boys.
00:17:33You're all such fun together.
00:17:53Come in.
00:17:55John?
00:17:56I'm in here, Bob.
00:18:02I brought this along just in case.
00:18:05I've got it all figured out.
00:18:06First of all, what's the most important thing?
00:18:08The phone you're waiting.
00:18:09No, no. I mean about the situation tonight.
00:18:12You've got to meet Tilly.
00:18:13My wild English bride.
00:18:14And your family.
00:18:15The train arrives at 1215.
00:18:17You can sneak away from the party and head her off to the station.
00:18:20Take her to the York Hotel if you like that.
00:18:22It sounds English.
00:18:23I called up and got a room in your name.
00:18:26Thanks, oh, man. That's very nice of you.
00:18:28Just use my name any time.
00:18:33Thanks.
00:18:35Now, when you get back to the party, stand in the doorway and signal to me.
00:18:39If there's one kid, hold up one finger.
00:18:41Two kids, two fingers.
00:18:42And so on.
00:18:43And if there's a family resemblance.
00:18:45I mean, if they happen to look like me...
00:18:48I'll give you this.
00:18:52You have a Mr. John Gray staying here?
00:18:54Yes, madam.
00:18:55Suite 720.
00:18:57Well, this is Mrs. Gray and their children.
00:18:59You may go up to his suite if you like, and he can register for you later.
00:19:02Would you take those bags up to Mr. Gray's suite, please?
00:19:05Oh, no, really.
00:19:06I'd rather not.
00:19:07Not quite yet.
00:19:07But why not?
00:19:09Well, I don't look presentable.
00:19:11I want to freshen up a little and...
00:19:12Well, the children know how it is.
00:19:15But you can bathe in it, suite.
00:19:17But I'd rather not.
00:19:20Why don't I get a room and freshen up a little
00:19:23and give myself time to compose myself and fix the children properly?
00:19:29Well, if you'd rather.
00:19:30Mrs. Gray will take a room.
00:19:37I'll get her.
00:19:40Hello?
00:19:42Hello.
00:19:42Are you there?
00:19:43Are you there?
00:19:45It's her.
00:19:46She.
00:19:48Ooh.
00:19:49Tilly.
00:19:52Yes?
00:19:53Put me through to Johnny Gray, please.
00:19:56This is he.
00:19:57Him.
00:19:58He.
00:19:59Where is she?
00:20:01Where are you?
00:20:02New York?
00:20:03No, I'm here in Rochester.
00:20:07At the station?
00:20:09No, here at the hotel.
00:20:14She's here at the hotel.
00:20:16You can't get a room in any hotel in the country, but she got one.
00:20:19Oh, they'll do anything for you here.
00:20:22We're very disappointed you wanted the boat to meet us.
00:20:25I was sick.
00:20:26I couldn't make it.
00:20:28You're not well.
00:20:29Oh, how beastly for you.
00:20:30I'm so sorry.
00:20:31We missed our train and the Red Cross put us on a plane.
00:20:34Our first flight.
00:20:35The children loved it.
00:20:36How many, uh, in your party?
00:20:40Are you joking?
00:20:41No, no, I'm not joking.
00:20:43How many children did you bring with you?
00:20:46Justin Joyce and Johnny Junior.
00:20:49Would you like to talk to them?
00:20:52Can they talk?
00:20:53Of course.
00:20:54Here, darling, say hello to Daddy.
00:20:57Hi there, Daddy.
00:20:58I'm Johnny.
00:21:00Won't you come to see us, Daddy?
00:21:02Well, soon, Johnny.
00:21:04Hold on.
00:21:05I'll send you a big kiss.
00:21:10Here you are, George.
00:21:11Speak to Daddy.
00:21:13Are you here, Daddy?
00:21:15I'm George.
00:21:16Can you see it?
00:21:17I see a big kiss.
00:21:19Hold on.
00:21:26Affectionate, aren't they?
00:21:29Well, tell your mother not to leave the room, and I'll phone her later.
00:21:35What did she want?
00:21:36Me?
00:21:37What do you think she wanted?
00:21:38Life's catching up with you, John.
00:21:40It's way ahead of me.
00:21:42It's a funny feeling, talking to kids for the first time when they may be yours.
00:21:46Too bad you missed the period when they were crawling.
00:21:48That's when they're cute, isn't it?
00:21:49Yeah, isn't it?
00:21:50What are you going to tell Lois?
00:21:52Well, I can't tell her I got them for a wedding present.
00:21:54People are in love.
00:21:56People are in love.
00:21:57Nobody can't deny.
00:21:58Nobody can't deny.
00:22:00There's nobody can deny.
00:22:02Police are in love.
00:22:04Police are in love.
00:22:06Were you looking for someone?
00:22:07Yes, Mr. John Gray.
00:22:09He asked me to wait in my room until he telephoned.
00:22:11But it's getting so late.
00:22:13Just a moment.
00:22:14I'll speak to the manager.
00:22:15The police department has been swamped with work since John Gray's engagement was announced.
00:22:20Women all over the city are lining up to sue him for a breach of promise.
00:22:26Now, John Gray, you're going to have to answer the charges of all these cast-off women.
00:22:31Riley, let them in.
00:22:32Come on, girls.
00:22:41Twins?
00:22:42She said she was told to wait in her room until she was called.
00:22:45Say, I'll bet she's a payoff to all those girls the chief of police dug up.
00:22:50That's a very funny gag.
00:22:54Mr. Bruce, this is Mrs. Gray and the children.
00:22:59Hello.
00:23:00Well, how aren't they cute.
00:23:02They look just like Mr. Gray.
00:23:03You think so?
00:23:04I'll bet someone had to scour the town for a pair like that.
00:23:07Just follow me, please.
00:23:08Scour the town?
00:23:15Now, there's your daddy, children.
00:23:18Just run up to them, throw your arms around them, and yell, Daddy.
00:23:21Do you think they should disturb him now?
00:23:22Oh, sure.
00:23:23Now's the time.
00:23:23The other act finished.
00:23:24Act?
00:23:25Go ahead, kids.
00:23:26Now.
00:23:27Daddy!
00:23:39Well, they carried it off fine.
00:23:47It's all over.
00:23:47You can go and get the kids now.
00:23:48Yes, I think I'd better. They seem to be annoying him.
00:23:53Don't you think it's bad taste?
00:23:54It's just a gag.
00:23:57I'm the Toastmaster, Dr. Davies.
00:24:01This is Mr. Evans.
00:24:02How do you do?
00:24:03Good evening.
00:24:04And of course, you know this man, John Grave.
00:24:06As you say, of course.
00:24:08Hello. I suppose you want to put the children to bed. It's very late.
00:24:12Won't you be seated now?
00:24:12No, thank you.
00:24:13Let's go and have a drink, Mr. Evans. This way.
00:24:16These are fine kids you have here.
00:24:17Don't you mean fine children you've got?
00:24:20Please, not here.
00:24:21Exactly as you say, not here.
00:24:23Charming of you to use the children for a joke like this.
00:24:25It wasn't my idea, and this is far from a joke.
00:24:29This is your bachelor dinner, isn't it?
00:24:30Yes, it is.
00:24:32So you're getting married again.
00:24:33Well, that was the general idea.
00:24:35How horrible.
00:24:36How could you forget the woman you loved so quickly and your two beautiful children?
00:24:40Madam, believe me, you've got the wrong man. I haven't any children.
00:24:44Oh, how miserable of you, denying your own flesh and blood.
00:24:47Why are you so sure they're my flesh and blood?
00:24:49Are you or are you not John Gray of the 18th Airborne Division, Rochester, USA?
00:24:53I'm the John Gray of all those things, but I'm not the one you're looking for.
00:24:56Oh, yes, you are. And these are your children.
00:24:59I thought you'd be proud of them and want to bring them up as real citizens.
00:25:03Now, look. If it'll do any good, I'll have my lawyer comb this country for your husband.
00:25:08And if you'll just let me know what the trip cost, I'll be glad...
00:25:10That won't be necessary.
00:25:12I thought that when you saw these children, that it would bring back your bad memory.
00:25:16But since it hasn't, I'll go to the Red Cross and the Army,
00:25:19and I'll see that your children get justice, even if I have to go to the Supreme Court.
00:25:44Is she still here?
00:25:46Yeah.
00:25:46She's taking the chair and leans against the elevator.
00:25:49She's picketing you, John.
00:25:51Well, how am I going to get up to my room?
00:25:55Just go right past her.
00:25:57I can't go past the picket line.
00:26:00You could if you wish. She didn't have the right.
00:26:02If I could just remember.
00:26:04I'm here on in. She isn't going to give you a chance to forget.
00:26:08And I had a photographic memory.
00:26:11You don't start remembering. You're going to have a photographic finish.
00:26:15Well, the kids aren't mine. I'm positive.
00:26:17All gone, John. The only fools say they're positive.
00:26:20Are you sure about that?
00:26:22I'm positive.
00:26:25Say, John.
00:26:28I'm not an analyst, but maybe I can help you remember.
00:26:31How?
00:26:32Now, just lie down here and relax.
00:26:35Let your mind drift back to 1942.
00:26:37Drift back? Is it all right if it floats back?
00:26:40What does the word drift bring to your mind?
00:26:42Drift brings draft, and draft brings beer.
00:26:46Come on. Let's have a drink.
00:26:49Do you recall being drafted?
00:26:50I was the first number out of the fish boat.
00:26:53You remember the boat?
00:26:54The boat?
00:26:58The Atlantic Ocean. Boy, was I sick.
00:27:02Remember Ireland?
00:27:03I was the greenest thing in Ireland that day.
00:27:06Do you remember arriving in London?
00:27:08Sure. Here's to good old London.
00:27:11Did you meet any girls there?
00:27:13I met one at the canteen. I danced with her.
00:27:17Well, come on. Let's dance. Maybe the action will help you remember.
00:27:36Can you think of what you said to her?
00:27:38No, but I remember she walked off the floor and left me in the middle of the dance.
00:27:43Can't you recall what you said?
00:27:45It must have been personal.
00:27:48You better take it easy, John. You've got a big day tomorrow.
00:27:51Forget tomorrow. I'm trying to remember yesterday.
00:27:54The alcohol won't help you. Down is the brain.
00:27:57Not my brain. When I've had a couple, my brain clicks like a button.
00:28:01I can hear it click. Sometimes it clicks so loud it wakes me up.
00:28:05Does your brain feel clear now?
00:28:08Here it click.
00:28:10You're in London.
00:28:11Oh, yeah. Camp outside of London.
00:28:14You're in training. Commando tanks.
00:28:17Hit the dirt!
00:28:26Just a minute, soldier. You follow me. I'm a captain.
00:28:30Oh, pour in your rank, I'll be on it.
00:28:33Deploy.
00:28:54Retreat. Retreat never. Strategic withdrawal.
00:29:03What's the objective?
00:29:05The objective is to get to my room.
00:29:14Oh, Lord.
00:29:17What's the matter?
00:29:18That beachhead's too dangerous.
00:29:22Is she still there?
00:29:24Yes, but she can't outlast me.
00:29:26I'm going out through the back.
00:29:28There's only one solution.
00:29:30Get plaster.
00:29:32Then another lamppost.
00:29:33Get amnesia again and forget the whole thing.
00:29:38You ever have amnesia?
00:29:40I ain't had magnesia since I was a kid.
00:29:43Not magnesia.
00:29:46Amnesia.
00:29:47What's that? Nature spelled sideways?
00:29:50Amnesia is a loss of memory.
00:29:53You don't know who you are or what you're doing.
00:29:56One more of those and you wonder who you are or what you're doing.
00:29:59It's like stepping onto a brand new planet.
00:30:04No responsibilities.
00:30:06What a time.
00:30:08Only you can't remember.
00:30:11Why, I may have been married.
00:30:13I may have had kids.
00:30:16All in six weeks.
00:30:19What could top that?
00:30:21Sounds like six lost weekends.
00:30:24Amnesia.
00:30:25That's for me.
00:30:26How do you get it?
00:30:27Black market?
00:30:29First you're supposed to be getting plastered.
00:30:31Well, you're off to a good start.
00:30:33What's next?
00:30:34Then you go out and find yourself a lamppost.
00:30:37It ain't hard to find.
00:30:38There's one on every corner.
00:30:40Then you get about ten yards away.
00:30:43And you gotta remember to keep your head down.
00:31:05Miss, didn't you?
00:31:06Well, it's not so easy when you're out of practice.
00:31:09Yeah, I guess there's a knack to it.
00:31:19Hey, Mary!
00:31:21What's the matter with him?
00:31:24Magnesian.
00:31:34Hello.
00:31:36Are you Mrs. John Gray?
00:31:42Yes, 3rd Precinct.
00:31:44Police Department.
00:31:45Mr. Gray has just been brought in.
00:31:47He was in an accident.
00:31:48An accident?
00:31:49He's your husband.
00:31:50You better get over here right away.
00:31:52Is he badly hurt?
00:31:53He ran into a lamppost.
00:31:55Was he driving the car?
00:31:57There was no car.
00:31:58He was walking.
00:32:02Who is he?
00:32:03What's his story?
00:32:04His name's Gray.
00:32:05He's got a bad bruise.
00:32:07Looks like he was talking when he should have been listening.
00:32:10Drunk is the Lord.
00:32:10Riley said he was drinking magnesia.
00:32:12What?
00:32:13And he hit a lamppost.
00:32:14Well, he must have started it.
00:32:16Lampposts only hit back in self-defense.
00:32:18He claims the lamppost pulled a knife on him.
00:32:20His wife's here.
00:32:21Oh, she can come in.
00:32:22You better pull yourself together.
00:32:24Your wife's here.
00:32:27Is that your husband, madam?
00:32:29Yes.
00:32:29Is he badly hurt?
00:32:31He'll live.
00:32:32Can you identify yourself?
00:32:33Um, I have my passport.
00:32:37But would you mind telling me what for?
00:32:39For the records.
00:32:41Yeah, Tom, you'd better get a receipt for a valuable package like that.
00:32:45Are you a British subject?
00:32:47Yes, but my husband's an American.
00:32:51One of those GI brides?
00:32:52There's a story in this and that.
00:32:54If I got a wife, I got amnesia.
00:32:58That is in London during the war.
00:33:00He even had a family, they tell me.
00:33:03Did he have amnesia in England?
00:33:05This is the first I've heard of it.
00:33:08Twins.
00:33:09Boy and a girl.
00:33:11You can take him home if you want to.
00:33:13Hey, let me out of here.
00:33:17Place is full of cops.
00:33:19Oh, Mrs. Gray, don't let him go around Denton City property.
00:33:22You want to take better care of him.
00:33:24Yes, I think I'll be able to take much better care of my husband from now on.
00:33:30That hyper will knock him out.
00:33:31Don't take any phone calls and don't let him see anyone.
00:33:34He has to have complete rest.
00:33:35I'm leaving you in charge.
00:33:37Was there anything in the papers this morning?
00:33:38It was too late for the morning edition.
00:33:40He's lucky it's Sunday.
00:33:41I was worried about that.
00:33:43But Monday's paper comes out this evening.
00:33:45Monday's new Sunday.
00:33:47Strange country.
00:33:49If you need me, please call.
00:33:52I'll be right back.
00:34:16All right.
00:34:28I'm Miss Evans. Are you the lady I've been speaking to on the phone all day?
00:34:31Yes, I am.
00:34:31I've got to see, Mr. Gray, before Father gets here.
00:34:33I'm sorry, he's asleep. And Dr. Davies said no one...
00:34:36I don't care what Dr. Davies said. I must see him. I'm his fiancée.
00:34:40I'm his wife.
00:34:43His wife?
00:34:46Where is he?
00:34:48I'll fix him.
00:34:49Please, sir. There's a sick man in the next room.
00:34:52He'll be a darn sad sicker when I get my hands on him.
00:34:55You can't go in there.
00:34:56What are you doing here?
00:34:56She's his wife. That's who she is.
00:34:58Oh, then she's the one. The mother of children.
00:35:01Children? The loveliest twins.
00:35:03It's all in the paper. We're disgraced.
00:35:05He's made us the laughingstock of Rochester. The whole world.
00:35:08British bride and G.I. reunited in jail.
00:35:11Mrs. John Gray arrives in England with twins to greet husband in jail.
00:35:16Oh, this is awful.
00:35:17Yeah, he's just a non-sculpulous gangster taking advantage of your inexperience.
00:35:22Please be quiet. You'll waken him.
00:35:23I hope I do.
00:35:24But if I don't, when he does wake up, you tell him we're through with him.
00:35:28I'll expect his resignation in the morning.
00:35:31Come in.
00:35:34Mrs. Gray, the manager told me to move you and the children into Mr. Gray's suite.
00:35:38What? He only gave you the other room temporarily.
00:35:41Come on, Lois. Let's get out of this.
00:35:58Good morning.
00:35:59Good morning.
00:36:00Morning, children.
00:36:01Morning, Doctor.
00:36:02How are we doing?
00:36:03He hasn't stirred since you left.
00:36:05He's slept for 28 hours.
00:36:07I'll snap him out of it.
00:36:08Poor fellow.
00:36:09I'm sorry, but I can't sympathize with him.
00:36:11Why not?
00:36:12He's got a lot of things any man would envy him for.
00:36:15Children, you.
00:36:16Oh, please.
00:36:17Let's leave me out of it.
00:36:19I see.
00:36:21Well, what else happened to the poor fellow?
00:36:23Oh, everything.
00:36:24He's been asked to resign from the architect's club, the luncheon club.
00:36:28Mr. Evans sent him a paper to sign, and several newspaper men called.
00:36:32He's in for some terrible shocks.
00:36:34I'll try to break it to him gently.
00:36:40John.
00:36:41John, wake up.
00:36:45Come on, Johnny.
00:36:48Hey!
00:36:49What's the idea?
00:36:51Snap out of it, John.
00:36:52What year?
00:36:53What day is it?
00:36:55It's 11 o'clock Monday morning, this year of grace.
00:36:58Oh, disgrace.
00:36:59Did Lois phone?
00:37:00What happened?
00:37:02Nothing.
00:37:02Now, don't worry.
00:37:03Everything's all right.
00:37:04Miss Evans postponed the wedding.
00:37:06To when?
00:37:07That's up to you.
00:37:08Was she upset?
00:37:09What did her father say?
00:37:11They were very upset you were ill.
00:37:12You said you'd even come back to the office till you're all well and straightened out.
00:37:16I'll never be straightened out again.
00:37:18I see that you are.
00:37:19I'll be right here.
00:37:21Right where?
00:37:21The children and I have moved into your suite.
00:37:24What?
00:37:24What for?
00:37:25There's a shortage of rooms in the hotel.
00:37:27But you'll have to get off.
00:37:28There'll be a scandal.
00:37:29If the newspapers ever link our names, I'm ruined.
00:37:32Besides, Lois and her father might drop up.
00:37:34They won't.
00:37:36Mr. Evans left this paper for your signature.
00:37:42You to ill health, which will keep me away from business for some time, I hereby tender.
00:37:47This is a resignation.
00:37:51Well, I guess I'll resign from the family, too.
00:37:54Maybe it's just as well if she'd walk out on you like that.
00:37:57Yeah, walking out on a guy when he's sick in bed.
00:38:00Count your blessings.
00:38:01You've got your health and two of the loveliest children in the world.
00:38:54Are you going to read, Daddy?
00:38:57Yes, if you give me a chance.
00:38:59What are you going to read, Daddy?
00:39:01The foreign situation.
00:39:03What's that?
00:39:05Nobody seems to know.
00:39:07Let's play hard to go see, Daddy.
00:39:09You're it, Daddy.
00:39:10You're it, Daddy.
00:39:12I'm it, all right.
00:39:15You try to find us, Daddy.
00:39:17All right, but don't go too far.
00:39:21Give me that room.
00:39:23Ever see a guy?
00:39:24See a room?
00:39:27Give me that.
00:39:29Daddy, Daddy.
00:39:30Daddy, Daddy.
00:39:32Daddy.
00:39:32Daddy.
00:39:32Daddy, Daddy.
00:39:32Hey, hey, what's the matter here?
00:39:35He broke my balloon.
00:39:37Come on, I'll fight the three of us.
00:39:39Me, I, too.
00:39:40Go on, get out of here, you little muck.
00:39:44What's going on here?
00:39:45They ganged up on me.
00:39:47Three against one.
00:39:48What's the idea of shoving my kid around?
00:39:50Well, keep him away from my kids.
00:39:52He broke my balloon.
00:39:54He's still stressed.
00:39:56He's alive.
00:39:57You're a cry, baby.
00:39:58Go on, you little brat.
00:40:00Whose kid are you calling a brat?
00:40:02Yours.
00:40:21Who are you calling an old man, you brat?
00:40:23Come on.
00:40:24What happened?
00:40:25How could you?
00:40:26Well, he broke Johnny's balloon.
00:40:28The big brute hitting a man half his size.
00:40:30Half whose size?
00:40:31Why did you do it?
00:40:33Well, his kid was picking on these kids.
00:40:36And naturally, you had to protect your children.
00:40:39Not naturally at all.
00:40:40It's a question of fair play.
00:40:43It's supposing Johnny and Joyce had been wrong.
00:40:45But they weren't.
00:40:47But they could have been.
00:40:48Couldn't they?
00:40:49No, they couldn't.
00:40:50They're not that kind of kids.
00:40:56Feeling better?
00:40:57Yeah.
00:40:59You know something?
00:41:00You're very soothing.
00:41:02When I'm near you.
00:41:04Why do you say that?
00:41:05You forget me so soon.
00:41:08Well, I didn't mean to.
00:41:11Someday I'll tell you all the things that have been going through my head.
00:41:14Yes, you must.
00:41:16Right now, I'd like to give it as much rest as I can.
00:41:20Can I put it there?
00:41:21But what?
00:41:22Where?
00:41:24My head.
00:41:25Here.
00:41:31When did I first meet you?
00:41:33It was in Selfridge's department store.
00:41:35You came in to buy a pair of gloves for a lady.
00:41:38You were in uniform and you looked very handsome.
00:41:41For a lady, huh?
00:41:42Well, I was certainly making the army a social success.
00:41:45You told me her hands were my size.
00:41:48I tried them on and you said, keep them.
00:41:50I know no other lady in London.
00:41:53Then did we get together?
00:41:54You were waiting for me outside the employee's entrance.
00:41:57You took me to dinner and we went to a cinema.
00:42:00I was really putting on a campaign.
00:42:02We saw each other every night after that.
00:42:05Until we were married.
00:42:07What was the honeymoon like?
00:42:09We went to Brighton.
00:42:10Three beautiful days.
00:42:13Wonderful, balmy night.
00:42:14It would be my luck to forget weather like that.
00:42:17We were really happy.
00:42:19Ecstatically happy.
00:42:21Were we?
00:42:23Yes.
00:42:24We were happy then.
00:42:27And all the time I never knew you were having amnesia.
00:42:30Neither did I.
00:42:32I didn't know what I was having.
00:42:35Strange.
00:42:36It's like being with a total stranger, not a husband.
00:42:39That's the way I feel too.
00:42:43It was like a dream.
00:42:47Are you sure it wasn't a dream?
00:42:51I think I hear choice.
00:42:54Did you hear anything?
00:42:56No.
00:42:59I guess it's an old dream.
00:43:01Those kids are real all right.
00:43:04Until you've had children, you've never really lived.
00:43:07Yeah, but you've never really lived until you've really lived.
00:43:13What a beautiful night.
00:43:15It sort of reminds me of Brighton.
00:43:17Now don't start thinking about Brighton again unless I can be alone.
00:43:21Maybe I shouldn't tell you this, but I loved you the first moment I set eyes on you.
00:43:27You did?
00:43:29Don't you believe me?
00:43:30Yes, that's the awful part.
00:43:32I do believe everything you told me about our marriage, our honeymoon, everything.
00:43:38You sure picked one heck of a husband.
00:43:40I'd never been sorry.
00:43:47Johnny, you mustn't kiss me.
00:43:49Why not?
00:43:51Not yet.
00:43:52We haven't the right.
00:43:53But we're married, aren't we?
00:43:55Yes, but you don't love me.
00:43:57You were going to marry that Evans girl.
00:43:59Oh, that's all, love.
00:44:01Look, we're man and wife.
00:44:02That makes it all right, doesn't it?
00:44:04No.
00:44:05It's only all right if a man and wife love each other.
00:44:08There's not one case in a million.
00:44:13John, I've got to be sure you love me.
00:44:16But didn't I buy you a pair of gloves,
00:44:18take you to the movies, on a honeymoon, and marry you?
00:44:21But you didn't even know what you were doing.
00:44:24I know what I'm doing now.
00:44:26Johnny, you mustn't kiss me.
00:44:28It doesn't feel right.
00:44:29It does to me.
00:44:30Johnny, please.
00:44:32Why don't you just relax?
00:44:34You'll live longer.
00:44:36Please, sit down over there and drink your coffee.
00:44:40No, it'll keep me awake.
00:44:43We've got to adjust our lives.
00:44:45We've got to get acquainted all over again.
00:44:48After all the trouble I went to in London?
00:44:51It'll take time.
00:44:52Time?
00:44:53I've got to devote all my time to starting a new firm.
00:44:56I'm getting up at 8 o'clock tomorrow morning to look for officers.
00:45:01And so, Mrs. Gray, it's time we were getting some sleep.
00:45:11I'm not tired.
00:45:12I'll read a while.
00:45:13You're going to ruin your eyes reading at night.
00:45:16I'll turn on all the lights.
00:45:17But that'll wake the kids.
00:45:19They've had a hard day in the park.
00:45:21They're growing kids and they need their rest.
00:45:23And so do you.
00:45:25Why, I've never known you to be so stubborn before.
00:45:28I'm not stubborn.
00:45:29But I never knew what I was doing before.
00:45:31No.
00:45:32You didn't even know you were marrying me.
00:45:34What makes me feel so strange?
00:45:36But you said you loved me.
00:45:37Yes, I did.
00:45:39Then how can you forget your promise?
00:45:41Promise?
00:45:42To love, honor, and obey.
00:45:44I love you.
00:45:45I respect you, but...
00:45:46But you won't obey me.
00:45:48Obey you?
00:45:49Yes.
00:45:50I'd like to get some sleep.
00:45:52Well, go ahead.
00:45:53Don't let me stop you.
00:45:54You see?
00:45:55That's what I mean.
00:45:56I'll even obey you.
00:45:58Some fine day.
00:45:59Some fine day.
00:46:01Is that a way for a wife to talk?
00:46:02Some fine day.
00:46:04What's the matter with now?
00:46:05Johnny, it's going to take time.
00:46:08You told me that already.
00:46:10Let's talk this over calmly.
00:46:13Honestly.
00:46:14Seriously.
00:46:15Practically.
00:46:16Reasonably.
00:46:16Oh, John, please be reasonable.
00:46:18Reasonable?
00:46:19I am being reasonable.
00:46:20Look, I'm your husband.
00:46:22I'm the father of our children.
00:46:23You're my wife, aren't you?
00:46:25Yes.
00:46:26Then let's get some sleep.
00:46:34Oh, dear.
00:46:37Oh, dear.
00:47:53That's what I thought.
00:48:59She has a right to see if she loves this other personality, this new character who struts around in John
00:49:05Gray's body.
00:49:06You make me sound like a secondhand car.
00:49:09And she has the right to trade you in.
00:49:10Trade me in?
00:49:11The way I feel now, she couldn't get a good deal from me under the table.
00:49:15It's hard to be worthy of a girl like Amy.
00:49:17I'm past being worthy.
00:49:19She's the mother of my children.
00:49:20Why do you think I married her?
00:49:21I'm wondering why she married you.
00:49:24She's a wonderful girl.
00:49:27Well, you like her, huh?
00:49:28Mm-hmm.
00:49:30She's a wonderful girl.
00:49:31You said that.
00:49:33Now, look, Bob.
00:49:34I'm asking you to think of something for me, not you.
00:49:36I am thinking of you.
00:49:37But if she doesn't love you, why don't you leave her alone?
00:49:40Aren't you overlooking a few small items?
00:49:43What about our twins?
00:49:44Well, if she decides not to stick, you could each take one.
00:49:50Not on your wife.
00:49:51She's not going to break up the set.
00:49:57I'm so sorry I kept you waiting, but I dressed as quickly as I could.
00:50:01Mrs. Osgood, my director, asked me to bring you to our office.
00:50:03Would you mind coming along?
00:50:05Of course.
00:50:06Is anything wrong?
00:50:07Something the matter?
00:50:08Well, I'm sure I wouldn't, no.
00:50:09But I have my station way aside.
00:50:11Shall we drive down and see?
00:50:12Of course.
00:50:15Now then, Miss, since we know this passport was issued to Mrs. John Gray,
00:50:20nay, Tilly Loomis, would you mind telling us who you are?
00:50:25I'm Amy Atkins.
00:50:27We lived together, Tilly and I.
00:50:29And yet you never saw her husband?
00:50:31During the Blitz, I was in the south of England.
00:50:34When the children were evacuated from London, we organized schools for them.
00:50:38I taught in one of those schools for three years.
00:50:40Then why were you so sure this particular man was the father of her children?
00:50:45Oh, I'm sure he's the right man.
00:50:47Perfectly ridiculous.
00:50:48Do you realize that you have ruined an innocent man and brought scandal to one of our best families?
00:50:53But I'm sure, so sure.
00:50:56If I weren't, it would be awful.
00:50:57The name John Gray in America is almost as common as John Bull in England.
00:51:04Yes, I know.
00:51:06And the two Rochesters in America.
00:51:08You admit forging a passport, making illegal entry.
00:51:12Unfortunately, you have committed a crime.
00:51:14And since you're still a British subject, you will be deported to your country, where your case will be handled.
00:51:20You will return the two children in question to the Red Cross in London.
00:51:24Is that clear?
00:51:26Yes.
00:51:27Perfectly.
00:51:32Perfectly clear.
00:51:36Would you please tell Mr. Gray we've gone?
00:51:38Yes, Mrs. Gray. Are you leaving us?
00:51:40Yes.
00:51:41When is Daddy coming?
00:51:42All right. Ladies and gentlemen.
00:51:44Any forwarding address?
00:51:45No, no, none.
00:51:47Have a pleasant trip.
00:51:49You'll be very comfortable at the York Hotel.
00:51:51And it's only for one night anyway.
00:51:53Mrs. Gray?
00:51:54Yes?
00:51:55Mrs. Gray, there's a letter for you.
00:51:56A letter?
00:52:00It's from Tubbs.
00:52:13Good old Tubbs.
00:52:14What is it?
00:52:16Have you ever seen that man before?
00:52:18Well, yes, of course.
00:52:20That, Mrs. Jenkins, is the Mr. John Gray in question.
00:52:23Mrs. Tilly.
00:52:24She was such a sweet girl.
00:52:26This was taken on their wedding day.
00:52:29He was one of the twins when they were six months old.
00:52:32I should say that sort of changes things, shouldn't you, Mrs. Jenkins?
00:52:36We'd better go down to headquarters and find out.
00:52:38But these are his children.
00:52:40These pictures are proof.
00:52:41They'll be returned to him.
00:52:42But your status is still the same.
00:52:44Illegal entry, you know.
00:52:47Yes.
00:52:47No.
00:52:49But it was so worthwhile.
00:52:52I knew John couldn't be guilty of a thing like that.
00:52:54It was a great shock to me.
00:52:56You know, I pride myself on my judgment of men.
00:52:59If he was guilty, it would have been the first time I've ever been wrong about a man.
00:53:03Oh, Father.
00:53:04I think I knew him better than you did.
00:53:05After all, I was engaged to it.
00:53:07He should be here any minute.
00:53:08It's going to be a little embarrassing after the way we tossed him out without giving him a chance to
00:53:12explain.
00:53:12Forget it.
00:53:13That's the past.
00:53:14And stop walking up and down.
00:53:15I feel as if I'm at a tennis match.
00:53:17Oh, all right.
00:53:18But I hate to start off with him in the driver's seat.
00:53:20Well, maybe you'll have to content yourself with being a backseat driver like your mother.
00:53:25Yes?
00:53:26Mr. Grant here.
00:53:27Oh, yes.
00:53:28Send him right in.
00:53:30Hello, John.
00:53:31Come in.
00:53:32Hello, John.
00:53:33Hello, Lois.
00:53:35Sit down, son.
00:53:39You can't imagine why I've sent for you.
00:53:41No, I can't.
00:53:43We owe you an apology.
00:53:44Let me tell it, Lois.
00:53:46As a man of over 50 years, I speak from long experience and observation.
00:53:51I've never gone wrong in my judgment of men.
00:53:53I judged you as the type of man I wanted in my family.
00:53:56And I'm glad to say that my judgment is vindicated.
00:53:59Well, that's fine.
00:54:00But what father's going to say when he gets around to it is that the case of that adventurous has
00:54:05been investigated.
00:54:07Adventurous?
00:54:07What adventurous?
00:54:08That English woman, a complete imposter.
00:54:11She saw a good thing try to kick you into marriage in the support of her children.
00:54:15Just a minute.
00:54:16You're being ridiculous.
00:54:17I have the proof.
00:54:21A signed statement.
00:54:22She confesses to forging a passport, posing as another woman.
00:54:25She's being deported.
00:54:27Deported?
00:54:28Father, I wish you'd let me speak with John alone.
00:54:31Very well.
00:54:31I've got work to do.
00:54:33Take her in your office, John, my boy.
00:54:43John, you may kiss me.
00:54:47Thanks.
00:54:48She certainly fooled me.
00:54:50Oh, darling, you're so naive.
00:54:52Any pretty woman could fool you.
00:54:54Yeah, I guess so.
00:54:55Now we can pick up where we left off.
00:54:57We can thumb our noses at everyone who laughed at me and get married after all.
00:55:02Uh, yes, of course.
00:55:06Unless you've changed your mind.
00:55:08Who, me?
00:55:09Oh, darling, I was sure you hadn't changed.
00:55:12Look, Lois, I've got to call the hotel.
00:55:15Go ahead.
00:55:15No, not here.
00:55:17I don't want to use this phone.
00:55:19Why not, silly?
00:55:20It's going to be your office again.
00:55:23Is it?
00:55:25John, are you by any chance in love with that girl?
00:55:29Are you trying to put ideas in my head?
00:55:31Well, then don't be so vague.
00:55:33Don't you want to marry me?
00:55:35Sure.
00:55:36Then let's get married right away.
00:55:38Tomorrow, we can get ready.
00:55:39Yeah.
00:55:40No elaborate wedding this time.
00:55:41I'm just a family and a few friends.
00:55:42Yeah, a few friends.
00:55:44Then it's all settled.
00:55:56Sorry to disturb you, Mr. Gray.
00:55:57I'm just returning your children.
00:55:59Then I'll go.
00:55:59My children?
00:56:00Yes, the Red Cross has checked them.
00:56:03Checked them?
00:56:04Poor darlings, they're asleep.
00:56:05Where shall I put them?
00:56:07On the daybed.
00:56:08But I thought the Red Cross said...
00:56:10We have definite proof now that they are your children.
00:56:45Good night, and good luck, Mr. Gray.
00:56:48You're splendid children.
00:56:50Good night.
00:57:14Daddy.
00:57:16And don't let anybody tell you differently.
00:57:19Have you been asleep, Daddy?
00:57:21Yes, but I'm awake now.
00:57:25Night-night.
00:58:02Hey, Bob, wake up.
00:58:04Wake up.
00:58:04You've got to help me.
00:58:06Can't you get into enough trouble during the day?
00:58:08Do you have to wake me up every night?
00:58:10Well, do you think I like doing this?
00:58:11But honest, Bob, it's...
00:58:13If you'll say an emergency, I'll strangle you.
00:58:16And tomorrow I'm getting you another doctor.
00:58:17Look, that cinches it.
00:58:19I was married, all right.
00:58:21Married?
00:58:22Who's this wife?
00:58:23She isn't yours.
00:58:24Yes, but that's another wife.
00:58:25How many wives do you want?
00:58:27You're marrying Lois tomorrow.
00:58:28I know.
00:58:29Well, that'll make three.
00:58:30Even with inflation, the government only allows one wife to a customer.
00:58:33Don't worry about it.
00:58:34It's simple.
00:58:35What simple?
00:58:36Read that.
00:58:36I'm a widower.
00:58:37But I thought you said the other night you were convinced Amy was your wife.
00:58:40Yes, but I found out today she isn't.
00:58:42Well, what was she?
00:58:43Just an innocent bystander?
00:58:45No, she wanted to bring my kids over to me.
00:58:48Oh, I see.
00:58:50She's a great girl.
00:58:51Well, they're deporting her.
00:58:52I wouldn't have believed it myself till I saw her statement of the Red Cross.
00:58:55I've got to help her.
00:58:57You've got to help her?
00:58:58Oh, we've got to help her.
00:58:59Can't you square it through Evans?
00:59:00Yeah, that's a fine favor to ask your future father-in-law.
00:59:03Oh, you'll have to tell Lois.
00:59:05You can't say you've got those two kids through a mail-order house.
00:59:07What will I do?
00:59:08I don't want to see her deported.
00:59:11She won't be.
00:59:12She won't?
00:59:13No, because if I have to, I'll marry her myself.
00:59:16What?
00:59:18Oh, no, I couldn't let you sacrifice yourself like that for me.
00:59:22It won't be a sacrifice.
00:59:24It'll be a pleasure.
00:59:25What?
00:59:26Amy's a wonderful girl, and I happen to think enough of her to marry her, if she'll have me.
00:59:31Why, you hypocrite, trying to steal my wife, advising me all the time you're in love with
00:59:37her yourself.
00:59:38You couldn't fall in love with Lois.
00:59:40Oh, no, she isn't good enough for you.
00:59:42You have to fall in love with my wife, the mother of my children.
00:59:46The only woman I ever loved.
00:59:48You, my best friend.
00:59:50My doctor.
00:59:52Well, this is the end.
00:59:53I'm through with you.
00:59:54You can get yourself another patient.
01:00:02What a spot.
01:00:04How can I pull a couple of kids on a girl who thinks she's marrying a bachelor?
01:00:09Especially Lois.
01:00:10She always wants to do everything herself.
01:00:13Well, I'll have to tell her.
01:00:14Lois, they're my children.
01:00:16I only found it out myself last night.
01:00:19But she's liable to say, well, if they're yours, John, I'll love them, and I'll bring
01:00:23them up.
01:00:24Those twins may grow up to be president.
01:00:27And I can't run out on her again.
01:00:29I'll have to marry her.
01:00:30But how can I, when I love Amy?
01:00:33And if I don't hurry up, that sneak Bob is going to get her.
01:00:36I can't let that happen.
01:00:38She's too good for me.
01:00:39Well, I suppose she's too good for me, too.
01:00:42But she's used to me.
01:00:47Hey, you.
01:00:50Huh?
01:00:51Walking in your sleep?
01:00:53No, officer.
01:00:54I was just taking my constitutional.
01:00:56Don't you know what ain't constitutional?
01:00:57To be walking around the streets in your long drawers?
01:01:00Well, I had to get out of bed in a hurry.
01:01:02Huh?
01:01:03I didn't have time to dress.
01:01:04These are pajamas.
01:01:06Well, if they're pajamas, you ought to be in bed.
01:01:09Not necessarily.
01:01:10I'm wearing a raincoat, but it's not raining.
01:01:13Oh, got your kiddin' pants on, huh?
01:01:15No, they're pajamas.
01:01:17You look very familiar to me.
01:01:20Ain't I seen you someplace but...
01:01:22Oh, it's you.
01:01:24You're gray.
01:01:26I wouldn't be surprised if I am with all the trouble I've had lately.
01:01:30I must have turned gray overnight.
01:01:32Huh?
01:01:32I wouldn't bat an eye if you told me I was white.
01:01:35Well, get off the streets and go to bed, or your name will be mud.
01:01:38It's no use.
01:01:39I can't sleep.
01:01:40I got insomnia.
01:01:41You've got more high-class diseases.
01:01:43The last time I seen you, you had amnesia.
01:01:49Officer, I wouldn't admit this to everybody.
01:01:52But I not only don't know who I am, I don't know who you are.
01:01:57What, again?
01:01:58Go on, Scram.
01:01:59Where?
01:01:59Where am I Scram to?
01:02:09Hello, this is Mac.
01:02:10Ask her if she's got a friend.
01:02:13Get me to City Hospital.
01:02:32I can't look here, sir.
01:02:41Where's John?
01:02:42Oh, he'll be here soon.
01:02:44Well, I hope he's more punctual at the office.
01:02:47Oh, here she is.
01:02:47Yeah.
01:02:57Well, where is he?
01:02:58We've phoned every police station.
01:03:00Bob's contacting the hospital.
01:03:02Well, I hope you're satisfied.
01:03:06Oh, Judge Henderson.
01:03:08Oh, Lois, my dear, you look lovely.
01:03:10Good morning, Frank.
01:03:11Good morning, Humphrey.
01:03:11This is a happy day.
01:03:13Thank you, Judge.
01:03:13You see, Lois?
01:03:14It was to be.
01:03:15Oh, to step inside and join the guests.
01:03:18Where's the lucky bridegroom?
01:03:20Oh, he's on his way.
01:03:21Well, Frank, we've waited a long time for this occasion.
01:03:24Yes, we have.
01:03:25I'm pretty happy.
01:03:27And we're still waiting.
01:03:28What are we going to do now?
01:03:30They're all here, even the judge.
01:03:31Where is that lunatic?
01:03:33I hope he hasn't had an accident.
01:03:34An accident's too good for him.
01:03:37I've located him.
01:03:38He's on the way.
01:03:39They're bringing him over.
01:03:39Who is?
01:03:40Where?
01:03:40City Hospital.
01:03:41The hospital?
01:03:42What happened?
01:03:42It's just a temporary lapse.
01:03:44Lapse of what?
01:03:45Memory.
01:03:46Amnesia.
01:03:47What, again?
01:03:47Oh, I'm sure he'll snap out of it.
01:03:49He did before.
01:03:50That's the end.
01:03:51He can't be out of his mind.
01:03:52He never had one.
01:03:53John has a good mind.
01:03:54Well, then why is he always going out of it?
01:03:55Don't shout at me.
01:03:56You're his best man.
01:03:57Who else can I shout at?
01:03:58Father, control yourself.
01:03:59Control myself, please.
01:04:01I advise you to control yourself, too, Laurie.
01:04:03Ha!
01:04:03That's the funniest medical advice I ever heard.
01:04:05My wedding at noon, my house full of guests,
01:04:07the groom hasn't shown up,
01:04:08and when he does, he'll think he's somebody else.
01:04:12There's the ambulance now.
01:04:13Here comes the groom.
01:04:15A fine way to go to your wedding.
01:04:17When my time comes, that's the way I want to go.
01:04:22Come in.
01:04:24Hey, what's going on here?
01:04:25A wedding.
01:04:26Anyone I know?
01:04:27Your coat, sir?
01:04:28I'm Dr. Davis.
01:04:29You can leave him in my charge.
01:04:31Right, doctor.
01:04:31Hey, don't leave me alone in a strange place.
01:04:34John, don't you know me?
01:04:35Have we met before?
01:04:37Don't you know what day this is?
01:04:39Friday.
01:04:40I had fish for breakfast.
01:04:41Don't you know what Friday?
01:04:43Well, I know it isn't good Friday.
01:04:44Nothing good's happened to me since it started.
01:04:46My man's mad.
01:04:48I've heard him.
01:04:49Don't you remember we're to be married today?
01:04:51Are you looking at me?
01:04:53Of course she's looking at you.
01:04:54You're the groom.
01:04:55Who, me?
01:04:55Yes, you.
01:04:57Well, I'll do anything to oblige you,
01:04:58but I can't get married in these.
01:05:00I brought your clothes.
01:05:01Oh, you did.
01:05:02They're in here.
01:05:02Snap into them.
01:05:25Don't you...
01:05:28Don't you...
01:05:28Some dichter?
01:05:31Maybe, but not this one.
01:05:33Darling, I'm so glad I found you.
01:05:35The Red Cross is picking me up in a little while.
01:05:38I'm catching the afternoon train.
01:05:39Darling, you can't do that to me.
01:05:41For the children.
01:05:43I know they're not yours.
01:05:44They're mine, but what's mine's yours.
01:05:46No, Johnny, I can't.
01:05:48I have no other choice.
01:05:49Amy, wait!
01:05:50Please.
01:05:51No, no, you mustn't.
01:05:53Amy, wait there for me.
01:05:54Don't leave the hotel.
01:05:56Goodbye, Johnny.
01:05:59Cheerio.
01:05:59Amy, wait there for me.
01:06:03Hurry up, John, will you?
01:06:04Mr. Evans, the police are outside.
01:06:06The police what for?
01:06:08The motorcycle escort for the bridal couple, sir.
01:06:10Good.
01:06:10That is nice of the chief.
01:06:11Something tells me we're going to need a police escort.
01:06:15All right, let's go.
01:06:17Oh, John, you're not dressed.
01:06:19Well, the invitation said informal.
01:06:21That settles it.
01:06:22Get him out of here.
01:06:23Who, me?
01:06:24You're too irresponsible and crazy to marry anybody.
01:06:26You mean you're not going to marry him?
01:06:27I most certainly am not.
01:06:29Well, who asked you to?
01:06:30Let me handle him.
01:06:31Let you handle him.
01:06:32Get out.
01:06:33Get out before I kick you out.
01:06:35Oh, no.
01:06:36You sent for me.
01:06:37I didn't send for you.
01:06:38Where are you?
01:06:50Chief and Evans are pals.
01:06:51It's Evans' daughter.
01:06:52We only go to the airport.
01:06:55We only go to the airport.
01:07:15We only go to the airport.
01:07:37We also go to the airport.
01:07:38We only go to the airport.
01:07:40We only go to the airport.
01:07:44We actually go to the airport.
01:07:57The End
01:08:27The End
01:08:50He was delirious when they brought him in. He kept repeating your name.
01:08:53Is he badly hurt?
01:08:54No, he's just shot.
01:08:55He hit his head on the field, most likely.
01:08:58Amy, darling!
01:08:59Oh, John, darling, you all right?
01:09:01Yes. You're not going to leave this room. We're going out of here together.
01:09:05We're getting married.
01:09:07I'm going in there. Orders or no orders?
01:09:09Get behind the screen.
01:09:11My Miss Fiance, you've got to let us in.
01:09:13You're as crazy as he is. You're not going in there.
01:09:15Oh, yes, I am. This accident could have cured him.
01:09:18I'm his doctor, Miss.
01:09:19Oh, very well, Doctor.
01:09:20John, what happened to you?
01:09:24I just got twins.
01:09:40I just got twins.
01:09:41I'm sorry.
01:09:41I'm sorry.
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