Biryani Episode 16 | Digitally Presented by Surf Excel , VGO Tel , Head & Shoulders & Skin White | 6 October 2025 | Khushhal Khan | Ramsha Khan | ARY Digital
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of " BIRYANI "➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFwALlLbunilaCMsCYxkRQ9
Biryani revolves around Meer Meran played by Khushhal Khan and Nisa Majeed, played by Ramsha Khan along with Sarwat Gilani, Yousuf Bashir Qureshi, Laila Wasti amid others.
Writer : Zafar Mairaj
Director : Badar Mehmood
Cast :
Khushhal Khan
Ramsha Khan
Sarwat Gilani
Laila Wasti
Javed Rizvi
Yousaf Bashir Qureshi
Mahnoor Pervaiz & others.
Watch Biryani Monday & Tuesday at 8:00 PM Only On ARY Digital
#biryani #khushhalkhan #ramshakhan #sarwatgilani #arydgital
Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of " BIRYANI "➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFwALlLbunilaCMsCYxkRQ9
Biryani revolves around Meer Meran played by Khushhal Khan and Nisa Majeed, played by Ramsha Khan along with Sarwat Gilani, Yousuf Bashir Qureshi, Laila Wasti amid others.
Writer : Zafar Mairaj
Director : Badar Mehmood
Cast :
Khushhal Khan
Ramsha Khan
Sarwat Gilani
Laila Wasti
Javed Rizvi
Yousaf Bashir Qureshi
Mahnoor Pervaiz & others.
Watch Biryani Monday & Tuesday at 8:00 PM Only On ARY Digital
#biryani #khushhalkhan #ramshakhan #sarwatgilani #arydgital
Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Category
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Short filmTranscript
00:05Oh
00:06Oh, you're crazy. You'll be proud of your daughter in the world.
00:10What do you do? Why don't you tell her to die?
00:13Oh, there's nothing to happen to you.
00:17Oh, come on, come on, come on, come on.
00:20You're right. You're right.
00:23Nisa, Nisa, Nisa!
00:28Nisa!
00:29Nisa, Nisa!
00:46On.
00:48Nisa, Nisa, Nisa, Nisa, Nisa.
00:58Nisa, Nisa, Nisa, Nisa, Nisa.
01:29Nisa, Nisa.
01:36Nisa, Nisa, Nisa, Nisa.
01:37I can't believe you, but I can't believe in Gulmher's mother.
01:48She was born as a mother.
01:52And with Harun's children, she doesn't work.
01:59What do you know?
02:02This is the cause of the other child that comes from the other child.
02:06So, she doesn't want to do the other child.
02:12If you want to trust your daughter, you start to trust your daughter.
02:17It will probably be a problem.
02:20She was there in the water.
02:22She died.
02:23She died.
02:23She died.
02:26If you have any effect on the water, then it will increase to your mother.
02:30Look, Masha Allah, first of all,
02:33we have two people who have eaten.
02:35Now, the other people are eating.
02:38I feel any other thing.
02:41What's the other thing?
02:45Are you thinking that something has been burned?
02:52I'm thinking that something has been burned down.
02:54I'm thinking that something has been burned down.
02:55I was pregnant for my little child.
02:57I'm sitting there.
02:59Yes, my child.
03:01When we're going to the mountains and villages,
03:03it can never be a big effect.
03:08Yes, maybe something is burned down.
03:13Come on.
03:14No, please.
03:14Oh my God, you were doing something wrong, Mamoo-chan.
03:20No, it was a thing to do without.
03:25Yes, Mamoo-chan.
03:28Where are people without without?
03:31Who are bad.
03:35They kill their feelings.
03:48What's your hand in your hand?
03:51This is Mamoo-chan, Balan.
03:53He took the kitchen from the kitchen.
03:55I called the Tipo brother and he got me.
03:57So I took Balan.
03:59I took the door to the door.
04:01What?
04:02What?
04:03What?
04:03What?
04:04What?
04:10Sorry.
04:29Serious.
04:30Your coeur iscape.
04:31Let's take the wood.
04:31Come on!
04:34Now let's see the card.
04:46ORCHESTRA PLAYS
05:05As you know, we are discussing mainly the economics and we are going to talk about an important segment of
05:16economics.
05:17It means, in other words, we can say this is the combination of economics with special reference to finance.
05:52So, I was telling you that we are going to discuss financial economics today.
05:57ORCHESTRA PLAYS
06:27ORCHESTRA PLAYS
06:30Oh
06:30You saw it. You saw it.
06:34Oh
06:34You saw it.
06:55You're not in your own.
06:56I'm not.
06:58You stay in your own self.
07:02What is his servant with me?
07:06What is his servant?
07:09I heard that.
07:11What's his name?
07:14Gulmeher?
07:15He's a man with him.
07:17He's still with him.
07:20You're doing what you're doing.
07:22You're doing what you're doing.
07:25You're doing what you're doing.
07:27You're doing what you're doing.
07:30You're doing what you're doing.
07:32You're doing what you're doing.
07:32You don't see him.
07:33He doesn't know him.
07:36Oh, my God.
07:38I've never seen any old man
07:41who has a reward for him.
07:43You understand him.
07:47But I'm telling you,
07:48I'm telling you,
07:50how many years I've come from?
07:52You've got a little time
07:55to prepare for this
07:59so that he's going to go to university.
08:21I'm telling you,
08:24there's nothing wrong...
08:34Do you dare logically
08:37ask me that
08:38but
08:38thinking
08:39..
08:41The night is the same
08:47No one is alone in the world
08:52There is only one thing in this world
09:18There is only one thing in this world
09:46There is only one thing in this world
09:48All the dreams of you
09:50And what I can see
09:58Every moment, every moment
10:01I can't believe you
10:04Mira, I can't see anyone
10:09Please, I'll read it
10:11There is only one thing in this world
10:24Oh, you, oh, you, oh, you
10:30Oh, you, oh, you, oh, you
10:42You, oh, you, oh, you move
10:50Where did you come from?
10:51Get out!
10:52Dumpfruud, my brother!
10:55Get out!
10:56Give me a break.
10:58Get out.
10:59Get out!
11:00Get out!
11:01Get out!
11:02Get out!
11:02Get out!
11:03Get out!
11:05Get out!
11:07Get out!
11:08Get out!
11:12Get out!
11:15Get out!
11:24Yes, I'm going.
11:25Wa alaikum, Samaham. Peace.
11:28Thank you for coming.
11:31What was the emergency?
11:33I had to come to my sleep on Sunday.
11:37Did you talk to me about this?
11:39Oh, no, Baba.
11:41I don't know where I was going.
11:42I don't know where I was going.
11:44I have an offline app.
11:45I don't know where you have sent me to the planet.
11:51Why?
11:53What happened?
11:55We broke up.
11:57What?
12:01Do you want to order something first?
12:03Excuse me?
12:09What?
12:11I don't know.
12:12I'm giving you the breath.
12:13I'm giving you the breath.
12:15You're giving me the breath.
12:20Are you looking at me?
12:22Oh, no, Baba.
12:24This is your mother's death.
12:26We're listening to your family's voice.
12:27Listen to me.
12:28Ami-jaan, why don't you leave me at ease?
12:32No.
12:33What kind of sleep is your whole life?
12:35When you come to bed, you've got to sleep.
12:37What do I do?
12:39Tell me.
12:41What do I tell you?
12:43You've left your own work.
12:47I feel like you've kept a lot of stuff.
12:53Yes.
12:55It was a lot of places.
12:58Which place?
13:00The house.
13:02I think you've felt something.
13:05You've been running away from there.
13:08It's good taste.
13:10It's a good taste.
13:12I'm asking you.
13:14Ami-jaan, please tell me.
13:16What you've told me is it's not coming to us.
13:20It's my heart.
13:23It's not coming from me.
13:25You've been running away from me.
13:29You've been doing a lot of things.
13:30You've been doing a lot of things.
13:33You've been doing a lot of things.
13:34It's a lot of things.
14:15You've been doing a lot of things.
14:24You've been working from me.
14:45You've pressed every day, people.
14:46You've come to yourself.
14:47No, it's not. It's the same thing that you took with yourself.
14:52It was very good.
14:54There is a tank.
14:56There is a tank.
14:58There is a tank.
15:00But there is a tank.
15:03I didn't know this.
15:05I still can't believe it.
15:07You never came to your brother.
15:11When he was taking his name,
15:13there was no feeling.
15:17No, I'm going to take notes.
15:23There was nothing like that.
15:28There was no relationship between a husband and wife.
15:34Even the wife was very cheap.
15:36Because it wasn't that simple.
15:41I mean, in the circumstances, I was married.
15:44Also, as a mentor...
15:48As a mentor, she was like that.
15:49She was a...
15:51She accepted.
15:53She accepted that couple in the stable.
15:55I accepted it.
15:57She accepted it.
15:57She accepted it.
15:58She accepted it.
15:59She accepted it.
16:00She accepted it.
16:03I know, Maheen.
16:04I know.
16:04She accepted it.
16:06She accepted it.
16:08Got it. Got the point.
16:09The staff and the students will all get accepted.
16:12However, Nisa never will never get accepted.
16:17His mother will never get accepted.
16:19Not with her mother will never get accepted.
16:22They're very different.
16:24is that there is no concept in her house in the hospital, even further and further,
16:30there is no concept of another marriage.
16:34I should tell you first that you are married.
16:41But it's complicated, no?
16:46So don't tell Nisa about your complication.
16:48What do you mean?
16:51It was the same discussion.
16:53I mean, it was the same for me when I told you about it.
16:58So that was the whole point.
17:00This is also a kind of cheating.
17:03Emotional manipulation?
17:05No.
17:08It's not a project.
17:09It's not a project.
17:10And it doesn't happen that you have a proper,
17:12your feasibility,
17:14your comfort zone,
17:15all these things start by looking at it.
17:18It's just...
17:19It happens.
17:25But...
17:26I'm very sad for Nisa.
17:28It's not a part of the first love.
17:30It's a part of the last, of the last, of the last, of the last.
17:32You're being in a frame of love, right?
17:36Don't do that.
17:39Wafaa, bwafaae, you know...
17:42Fast...
17:43Whatever, all of these things.
17:45You don't want to talk to Gulmher.
17:48But if you're so comfortable,
17:51she tells her mother-in-law that
17:55you don't have a relationship between both of them.
18:02And...
18:03There's no end in love.
18:06If there's no end of love,
18:10then the end will be made in shape.
18:13Hope for the best.
18:15Raya, Nisa,
18:17understand our...
18:18complication.
18:23Inshallah.
18:27Hope for the best.
18:37But you're taking this thing and sit down.
18:40Does this feel like a small thing?
18:43How can you tell us?
18:44Does this feel like a small thing?
18:45There are so many things for them.
18:48And they give them the ability to go home for their own children,
18:51whom are with the importance of their own children.
18:54Why don't you go home?
18:56If you are watching two or four TV dramas, you don't want to play so much.
19:05I don't know what the hell is going to happen.
19:08If you look at the books and see it, you will know something.
19:12This is a common thing in these houses.
19:16These people don't want to go outside.
19:19What?
19:20What?
19:20They give their children a little bit.
19:23They give their family a little bit.
19:27No, Nisa, what's wrong with you?
19:32Is her mother a victim of Miran?
19:35Is there something wrong with Miran?
19:37Is there something wrong with Miran?
19:40Why are you wrong with Miran?
19:42In my opinion, there is only one problem.
19:46She has no child.
19:48She has married four years.
19:51She has no hope for her.
19:55She will give her another daughter.
19:58What?
19:59She will give her another daughter.
20:00That's not a big deal.
20:00You are not as saying.
20:05She's making a plan.
20:08She needs her.
20:12She's very angry.
20:14She has won the army.
20:16I'll see her a lot.
20:18What about you, Nisa?
20:27I'm sorry.
20:29I won't listen to my lips.
20:30No.
20:32I'm going to listen to you.
20:34She was so frustrated.
20:36They seem to have any effect on you.
20:40Maybe they are like that.
20:41I will not get my eyes.
20:43I'm not able to face it.
20:46You are regretting it.
20:50But it's not his fault.
20:53You have to start her asking.
20:55I'm not asking.
20:56You are helping.
20:56And she will go abroad.
21:00Why are you blaming yourself?
21:02How can you be stupid?
21:09Come here.
21:10I'm going to go.
21:12I'm drunk.
21:54I'm sorry.
21:56I'm not going to go abroad.
21:58But you?
21:59You forgot everything.
22:01Your social status, culture.
22:06You asked all the questions.
22:08Where are you from?
22:10Where are you living in people?
22:12What are you doing?
22:14You forgot everything.
22:19Where are you living in people?
22:20I have no idea.
22:23You cannot do this, if you hate me.
22:25I will go out with you.
22:27Because the love of you.
22:28It can't ignore everything.
22:30There come here.
22:32Come.
22:32What do I have to hear?
22:33I can not hear you.
22:34Go here.
22:35He cheated.
22:36He insulted you.
22:38He is doing great with you.
22:39He's doing great.
22:40Did he hear me?
22:52It's all about cultural differences. And this one, it's a huge difference.
23:11It's all about cultural differences.
23:12Because love matters.
23:17This is a love. It's all about the status and culture.
23:24It's all about the differences.
23:28It's a huge mistake, biggest mess.
23:32It's all about the forgiveness.
23:34And if you don't love love,
23:36it's not the least of the little mistakes.
23:39I don't want to blame myself.
23:44I said...
23:45You don't want to hear anyone.
23:47You hear yourself.
23:50You love me.
23:52No.
23:53My mistake is a big mistake. How are you, auntie?
23:56Okay.
23:58What do you want to get Simon?
23:59I'll send you.
24:05You don't need me.
24:09Do you want to give her a button?
24:11Yes, give it.
24:14Oh, mahin. Come here, sit.
24:20What are you saying?
24:23Why are you so frustrated?
24:26I haven't seen her.
24:30Four samosas, three samosas, and a plate of a plate.
24:34And you're saying the situation?
24:35No, mahin.
24:36She was making a plate of a plate.
24:38How did she make it?
24:41You need to give her a button.
24:42I'll give her a button.
24:44Okay.
24:45Let's go.
24:47Button?
24:47Okay.
24:48I'll give her a movie.
24:54That's not a common thing.
24:57I didn't have my name on the first day.
24:59I have never put him to go to university.
25:03And if you're so true,
25:04I want to take two samosas,
25:07and two and four samosas,
25:08and one of them ate it in the last three days.
25:09And I don't know.
25:13Today, the first time I got out of my room on my bed, I mean...
25:18I don't know if I can see the child.
25:20I don't know if I'm worried about you.
25:24What do I do, son?
25:28Aunty, she got out of her bubble.
25:34That's why...
25:35Do you know what to get out of the bubble?
25:37What do you want to get out of the bubble?
25:39What kind of bubble?
25:41What kind of bubble have you put in the bubble?
25:46Aunty, everyone's own bubble.
25:50And Nissa's also.
25:53She's a bit upset because she's always remember her.
25:57And if someone doesn't understand her, she's upset.
26:01She's upset of the year.
26:05Actually, she went to Miran's side of the project.
26:10And she's fought with her group.
26:14That's why she's upset.
26:16She'll be fine in 2-3 days.
26:18Don't worry about it.
26:26Well, I'm sorry.
26:26No, thank you.
26:28Okay.
26:29Take that.
26:39Let's go.
26:59Let's go.
27:42Hello?
27:46You're talking about Nissa's mother?
27:49Yes, yes.
27:51I'm talking about Gulmeher.
27:52Who?
27:54From Miran's house.
27:57I'm sorry.
28:00I don't understand you.
28:02You're talking about our house tomorrow.
28:04Look at me.
28:06No, no.
28:07There's no such thing.
28:08How are you?
28:09Thank God.
28:10I'm fine.
28:11Everything is good at home.
28:13Yes.
28:14Everything is good at home.
28:16Look, I didn't even know that you would call me.
28:21There's no problem.
28:22There's no problem.
28:23I've been calling Nissa many times.
28:27But it's not going through.
28:29Yes, yes.
28:30I don't know what happened.
28:31His phone was wrong.
28:33And he also called Mamoo-chan a few times.
28:37So if he didn't take it,
28:38I took your number from Miran.
28:41Yes, Mamoo-chan is sleeping.
28:43And I'm tired from tomorrow morning.
28:49That's very kind of him.
28:51As a matter of fact, Baba Sahi was remembering them.
28:55If I vote, then I'll tell them.
28:57Yes.
28:59Baba Sahi told Nissa that
29:02we'll talk to someone with your appointment.
29:15Not gonna lie.
29:27At this point.
29:33Over the years,
29:34I have never to find it the same way.
29:40That's why Siphaah was there.
29:42Very long,
29:42Why are you dying?
29:43Why are you dying?
29:43I am dying.
29:43And I'm dying.
29:47She asked me if my phone was closed.
29:50Mamoo-chan, I thought she was asleep on my phone.
29:54She sent me to Mir Miran.
29:58You didn't tell her about my feelings?
30:01She was crazy.
30:02What happened?
30:09My mother was saying okay.
30:12She was a very very cute girl.
30:16She was talking about a doctor.
30:18She was coming from the outside.
30:24My check-up is coming.
30:28She gave me a doctor for 5 hours.
30:29It's time for me. I've been told so much that I'm not listening to you.
30:33Don't...
30:34Take care of yourself.
30:36I don't know.
31:07I don't know.
31:35I don't know.
31:39Wow!
31:43Haroon, what are you doing?
31:45It's the clothes of Baba Saini.
31:49I'm not going anywhere.
31:51Look, Baba Saini's bag.
31:53They are going to Islamabad.
31:56Where can I leave you alone?
31:57Where can I leave you alone?
32:00What have you done?
32:02Look.
32:10Come here.
32:11Come here.
32:11Sit here.
32:15I don't get angry with you.
32:19Look, two weeks later,
32:21you and I will go to Meero.
32:23Karachi.
32:25Okay.
32:27Then you will pack it.
32:30Who will do this?
32:34Gul.
32:36Of course.
32:37Haroon can help me.
32:40Yes.
32:41Haroon.
32:42Take care of these.
32:47It's a shame.
32:51Who is it?
32:53Who is it?
32:57Who is it?
32:59Who is it?
33:08Miran?
33:09Miran? What are you...
33:11What does it?
33:13Miran?
33:19Miran, what's happened? What's happened?
33:21What's happening?
33:22Sociest我有.
33:22Miran?!
33:23What's happening?!
33:23Brad speed!
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