This short drama has everything—romance, betrayal, obsession, revenge, and shocking plot twists.
#mafia #darkromance #drama #romance #obsession #betrayal #love #movie #dangerouslove #revenge
#mafia #darkromance #drama #romance #obsession #betrayal #love #movie #dangerouslove #revenge
Category
🎥
Short filmTranscript
00:00:02Tina.
00:00:03Adore.
00:00:04Who is Edward Davis and why did you break up?
00:00:07He was a beer to a conglomerate.
00:00:09I was just ordinary.
00:00:11You're not changed at all.
00:00:12We're in a rush.
00:00:14Two whole fours on foot just to dodge an ex.
00:00:16Do you want your jobs or not?
00:00:17The client is here.
00:00:20Julica.
00:00:21She's a junior member.
00:00:23She's hardly qualified.
00:00:24Tina, you'll eat this.
00:00:26He forced this campaign on me.
00:00:28Gave me only three days.
00:00:30Almost like he wants me to fail.
00:00:33Giving the campaign to Tina.
00:00:34Mr. Davis, are you joking?
00:00:36Tina is in charge and only Tina.
00:00:39Do you still have feelings for him?
00:00:41A nobody with no background
00:00:42could never end up with Edward.
00:00:45Stop dreaming.
00:00:46We're screwed. Our key visual and copy all replaced.
00:00:49By making things hard for Tina, you make things very hard for me.
00:00:52But what are you two now?
00:00:54Tina.
00:00:55Strictly work, Mr. Davis.
00:00:56Mark my words, she's going to fail miserably.
00:01:00Isabella, you're pathetic.
00:01:02Enough!
00:01:05I want you to know that we can start again.
00:01:08Definitely still has feelings for you.
00:01:10You should have told him you did all that.
00:01:11We hope this event shows women their true potential.
00:01:14She's a fraud and a liar.
00:01:18A liar!
00:01:19Once she's made her mind up on something, she never changes it.
00:01:23I have to ask.
00:01:26Can we?
00:01:26No, no.
00:01:50There too.
00:01:56There was no way.
00:01:59Tina.
00:02:03Peter's doing this on purpose.
00:02:04Your gender equality proposal has been revised seven times and is still candid.
00:02:08He's the director, what choice do I have?
00:02:10Director or not, you've gone months without full pay.
00:02:12Doing charity work or care homes? When does it end?
00:02:15Just help Judy, if we keep moping around, I'll miss the meeting.
00:02:17Tina, have you ever thought of chasing the market instead?
00:02:19If you did, your pay and prospects would look a lot better.
00:02:22If I believe in the idea, prospects and salary don't factor.
00:02:24When you say that, it still feels unfair.
00:02:32Adory.
00:02:37Adory.
00:02:39Long time no see.
00:02:41Must have been years since you broke up with me.
00:02:43Ex-boyfriend?
00:02:44No, I don't know him.
00:02:48You don't?
00:02:49Edward Davis.
00:02:50Yes.
00:02:52Her one and only ex.
00:02:54Former brother-in-law?
00:02:57Did you stop messing around?
00:03:00After all these years and you're still clumsy.
00:03:05I was working.
00:03:07Unlike you, who's never touched a dirty dish.
00:03:10She's usually picture perfect.
00:03:11Today was a rush.
00:03:12Picture perfect?
00:03:14More like, overtime chic.
00:03:18We're in a rush.
00:03:19We should go.
00:03:20Well, I'm going to use the elevator if you guys want to use it.
00:03:23No, the stairs will be just fine.
00:03:25Thanks.
00:03:34You won't change at all.
00:03:35You won't change at all.
00:03:37You won't change at all.
00:03:55Ex?
00:03:56Just an old classmate.
00:03:58Two floors.
00:03:59Treated as morning cardio.
00:04:01Worst excuse ever.
00:04:03He said he was your only ex.
00:04:04Only!
00:04:05Spill.
00:04:06Who is Edward Davis and why did you break up?
00:04:09Judy, priorities.
00:04:09We still don't know if her proposal is going to pass.
00:04:11Focus on that.
00:04:13Okay, well, I heard today's client is the boss of bosses.
00:04:15Ten million for one deal.
00:04:17Ten million!
00:04:18That would keep almond afloat for three years.
00:04:20Even the more reason to nail it?
00:04:21Tina, Judy, do you want your jobs or not?
00:04:25The client is here.
00:04:26You almost blew the meeting schedule.
00:04:39Hey!
00:04:44Edward, you again?
00:04:48Edward, you again?
00:04:51Watch your tongue.
00:04:53That's our client.
00:04:54The owner of Lightspeed.
00:04:58Peter, why let just anyone in?
00:05:01Just anyone?
00:05:02I'm Fulman's event planner.
00:05:04Same as you.
00:05:05You're not worthy of the title.
00:05:08Apologies, Mr. Davis.
00:05:10She's a junior member.
00:05:11She can't even dress herself properly.
00:05:13She has no respect.
00:05:15Your personal visit is our greatest honor.
00:05:18It's fine.
00:05:21And your name?
00:05:23I'm Isabella.
00:05:24I'm Owen's chief planner.
00:05:26My proposal-
00:05:28I'll remember your name.
00:05:32Lightspeed wants a creative, thoughtful campaign to launch our new lifestyle brand.
00:05:38We're not just selling clothes.
00:05:40We're selling an idea.
00:05:42Female empowerment.
00:05:45Our street-style check-in campaign taps into youth culture.
00:05:50We partner with shopping malls, host splash mob battles, and bring influencers to Ignite Buzz.
00:05:59Tina?
00:06:01Your thoughts?
00:06:04Me?
00:06:13I'm not impressed.
00:06:15Why not?
00:06:18Your new line targets professional women.
00:06:20Challenging the notion that office wear must be uniform and dull.
00:06:24Your campaign should focus on how women express themselves.
00:06:27Breaking molds at work.
00:06:28Mirroring the product ethos.
00:06:35Tina.
00:06:37You'll need this.
00:06:39What do you mean?
00:06:40Hand the campaign to Tina?
00:06:42Giving the campaign to Tina.
00:06:45Mr. Davis, are you joking?
00:06:47She's a junior planner.
00:06:49You'd be squandering millions of dollars.
00:06:51Isabella?
00:06:52Is it?
00:06:53Mind your time with Tina, while the deal is off.
00:06:57What kind of drama is this?
00:07:00Mr. Davis.
00:07:02Tina is a bottom-of-the-chart performer.
00:07:05She's hardly qualified.
00:07:07Isabella's campaign is market-tested and ready to roll out now.
00:07:11Exactly.
00:07:12My proposal could launch immediately.
00:07:15Tina is leading this campaign.
00:07:17I won't tell you again.
00:07:25If Almond can't accept my decision, then Lightspeed will pull funding.
00:07:30Withdraw funding?
00:07:32That's a nine-figure deal.
00:07:35You have three days to complete this.
00:07:38Can you do it?
00:07:41You should say thank you to Mr. Davis.
00:07:43This is an enormous opportunity.
00:07:45Three days?
00:07:46Impossible.
00:07:48Please.
00:07:48Her and her sidekick couldn't do it if they had 300 days.
00:07:53Fine.
00:07:55I'll take it.
00:07:57On one condition.
00:07:59Complete autonomy.
00:08:01No interference from anyone else.
00:08:04If you cannot promise this,
00:08:06the project goes to Isabella.
00:08:08The project goes to Isabella.
00:08:11Problem?
00:08:13No.
00:08:14No problem.
00:08:16Good.
00:08:17Then I expect the final plan in three days.
00:08:32Hey!
00:08:34Don't think Edward's backing is going to save you if you blow this.
00:08:37You know the consequences.
00:08:41Tina, a multi-million dollar account we can finally shine.
00:08:44Back to the benefits.
00:08:45Now.
00:08:46Now?
00:08:48Contact every care home and community center we've worked with.
00:08:51And gather the latest leader on workplace gender equity.
00:08:53Great.
00:08:55Another three nights sleepover at work.
00:08:58Well, well, well, our chief planner, playing researcher.
00:09:02Three days to turn stone into gold.
00:09:04When the funding crashes, you'll be Allman's pariah.
00:09:08You?
00:09:09Can we help you?
00:09:10I'm just here to watch you crash and burn.
00:09:12Then we'll get to work.
00:09:14Judy?
00:09:15Let's catch your first concepts.
00:09:22What is wrong with you?
00:09:27If you linger here and slow down our project, you'll be the first to blame.
00:09:32Blame?
00:09:33You're going to fail.
00:09:35I'll just do my best.
00:09:37As for the outcome, time will tell.
00:09:41Well, aren't you a shameless brager?
00:09:45You've got great ends.
00:09:48Talk is cheap.
00:09:49Time is everything.
00:09:52Another sleepless night?
00:09:54Is that obvious?
00:09:56How did you guess?
00:09:57Your face says it all.
00:10:00It's that project about him, right?
00:10:03Yes.
00:10:04And no.
00:10:05It's odd.
00:10:06He forced this campaign on me.
00:10:08Gave me only three days.
00:10:09It's almost like he wants me to fail or make a fool of myself.
00:10:15Well, since you accepted, stop overthinking.
00:10:19It's just work.
00:10:21Work you believe in.
00:10:23I know, but I just...
00:10:24Tina, my dear, don't be so hard on yourself.
00:10:27It will only make it worse.
00:10:30Ask yourself one thing.
00:10:33Do you still have feelings for him?
00:10:41Some ties don't sever easily.
00:10:44You're stubborn, child.
00:10:46Please.
00:10:47Too much separates us.
00:10:50Class.
00:10:52Status.
00:10:54My disappearing without a word back then.
00:10:57He has every reason to hate me.
00:10:59I don't think so.
00:11:02After all these years?
00:11:05Don't rush your answer.
00:11:08He will show you.
00:11:15Mr. Davis, shall we begin?
00:11:18Ask Tina first.
00:11:19That's absurd.
00:11:20She's a junior planner.
00:11:22She doesn't deserve to start.
00:11:23If you're not willing to listen to Tina's proposal, then please...
00:11:27Leave.
00:11:31Fine.
00:11:33Let her play.
00:11:34I'll stay and watch the show.
00:11:39Tina.
00:11:41Are you ready?
00:11:43Three days have passed.
00:11:45It's time for Tina to present her campaign proposal.
00:11:52Today, I'm not here to advertise Lightspeed's products.
00:11:56I'm here to expose the real state of women in the workplace.
00:12:02I'm here to expose the real state of women in the workplace.
00:12:07You should really focus on your campaign.
00:12:10Peter!
00:12:11Please take this lady out of this meeting and let her rest.
00:12:15Lady?
00:12:16Her name is Isabella.
00:12:18Sorry, I've forgotten your name.
00:12:21Please leave.
00:12:23She knows what she did wrong.
00:12:26It won't happen again.
00:12:28Please.
00:12:29Tina, go on.
00:12:31Latest data shows over 30% of illegible women leave the workforce due to family and childbirth pressures.
00:12:37This systemic inequality squanders talent and cause society dearly.
00:12:44Lightspeed will sponsor the initiative.
00:12:45The new professional line becomes a narrative threat.
00:12:48So everyone who supports the cause learns the brand's story.
00:13:02What are you two now?
00:13:04That's Mr. Davis' coffee. Put it down!
00:13:07Mr. Davis gave it to Tina.
00:13:09Why are you in such a hurry?
00:13:30I'm in turning department.
00:13:32Tina speaking.
00:13:34Tina, it's me.
00:13:36Mr. Davis.
00:13:38Have you eaten?
00:13:40Is there something work-related?
00:13:42Well, regarding the collaboration, within three days, I want a refined budget and I want clear projections.
00:13:48I'll need more specifics.
00:13:50Could we have a detailed brief?
00:13:52Well, as you're the head planner, you should be able to source and perfect your own information.
00:13:55Effective research comes from reliable data.
00:13:58If your input is vague, I can't fabricate numbers.
00:14:01I don't know why I talk to you about work. You take work so seriously.
00:14:04If there's nothing about my work, goodnight, Mr. Davis.
00:14:08Do you know why I insist on this project?
00:14:14Do you know why I insist on this project?
00:14:17Lightspeed needs a breakthrough and sharper positioning.
00:14:20Apart from that?
00:14:22Beyond that?
00:14:24I'm unaware.
00:14:26You know exactly what I mean.
00:14:28Strictly work, Mr. Davis.
00:14:32Fine.
00:14:33Make a plan and I'll wait for you.
00:14:40Who's that?
00:14:42No one.
00:14:43Just a tricky client.
00:14:46Clients?
00:14:47It's the middle of the night. What clients?
00:14:50If you've rested enough, get up and get back to work.
00:15:02Squirrels.
00:15:03Cute.
00:15:04Squirrels.
00:15:07That one with the papers is basically us.
00:15:10And the tail snipped one, unreasonable demands.
00:15:14He'll understand.
00:15:16He?
00:15:17You mean, Mr. Davis?
00:15:21Never mind.
00:15:22Check that spreadsheet, please.
00:15:25So, what are you two now?
00:15:28Not just client and agency, that's for sure.
00:15:31Overthinking. Strictly work.
00:15:33Did he give you squirrel merch?
00:15:35Did you raise a squirrel together?
00:15:37Because I could write an 80-page drama on this, so spill.
00:15:44University days.
00:15:45I sketched during lectures.
00:15:48Edward always knew what I'd draw.
00:15:50Said my pictures, spoke louder than my words.
00:15:53Aha!
00:15:53So he assigned this project to you to stay in your orbit.
00:15:57Not what you think.
00:15:58That chapter is...
00:16:00closed.
00:16:02Closed, my foot.
00:16:03Details, please.
00:16:06Those days...
00:16:08I'll never forget them.
00:16:11So, library meet-cute?
00:16:13Society activity?
00:16:15Me either.
00:16:15Debate and contest.
00:16:17He was affirmative.
00:16:18I was negative.
00:16:20Sparks flew, eh?
00:16:21He was brilliant.
00:16:22Almost demolished me.
00:16:24And then?
00:16:26That was when I decided I would stop at nothing to win his heart.
00:16:32I started provoking him.
00:16:36I started provoking him.
00:16:36Sled across him from study hall.
00:16:38Slipped him notes.
00:16:40Extra evidence.
00:16:41Nitpicks and...
00:16:43my phone number.
00:16:44Academic veneer romanticor.
00:16:48I called it seeking intellectual combat.
00:16:51And...
00:16:52maybe a boyfriend.
00:16:53And...
00:16:54poker face...
00:16:55melted!
00:16:57So...
00:16:58how did it end?
00:17:03This is the final flat you met.
00:17:05I bought it.
00:17:07It's the closest one available.
00:17:09No more crowded buses for you.
00:17:11And...
00:17:12we could turn the entire floor into your own private library.
00:17:15I'm so thoughtful.
00:17:17On time.
00:17:19Private library.
00:17:21He was the heir to a conglomerate.
00:17:23And...
00:17:25I was just...
00:17:27ordinary.
00:17:29I knew I'd just be a...
00:17:31brief joke to his life and...
00:17:34I thought it would be best to end it early.
00:17:36That's fear.
00:17:38Not logic.
00:17:41So you dumped him?
00:17:43Yes.
00:17:44How could you?
00:17:47And you loved each other.
00:17:53Morning.
00:17:54Sleepy head.
00:18:02All finished?
00:18:04Fresh off the press.
00:18:06Needs saving to the folder.
00:18:11This is...
00:18:13excellent work.
00:18:14You two have done very well.
00:18:16Why don't you go get some rest?
00:18:18We'll tidy this up.
00:18:19But...
00:18:20the meeting's this afternoon.
00:18:21I still have to prepare my presentation.
00:18:23Don't worry.
00:18:24Get some rest.
00:18:25You need to have your energy for this afternoon's meeting.
00:18:29You're right.
00:18:31Thank you, director.
00:18:48He doesn't look thrilled.
00:18:50No.
00:18:51Go on.
00:18:52Tina, look.
00:18:56Tina, look.
00:18:58That's our proposal.
00:18:59But it says Isabella's name on it.
00:19:05Someone care to explain?
00:19:08Mr. Thompson?
00:19:10Is this your latest proposal?
00:19:13Indeed, sir.
00:19:14Ms. Carter poured her heart into it.
00:19:16An all-nighter, in fact.
00:19:18It's my very best work.
00:19:19Well...
00:19:21Her heart is...
00:19:23Unimpressive.
00:19:24What?
00:19:25Inaccurate data.
00:19:27Fuzzy positioning and...
00:19:29Scattered targets.
00:19:30How could you bring this to me?
00:19:32Edward, you can't say that.
00:19:33There's never been anything wrong with my proposal.
00:19:36Surely this is a misunderstanding.
00:19:39I don't misunderstand work.
00:19:42Since you don't know what women need in the workplace...
00:19:45I'll show you.
00:19:47That's your art!
00:19:48Tina!
00:19:50That's the career handbook that was in the papers recently.
00:19:53I recall...
00:19:55So many companies offered to buy the rights, but...
00:19:59The author wouldn't sell.
00:20:01Of all people...
00:20:03It was Tina.
00:20:05Correct.
00:20:06This is the career guide that won so many fans on campus.
00:20:09And it was written by...
00:20:12Tina Green.
00:20:14Impossible!
00:20:15Who does she think she is?
00:20:17This project belongs to her.
00:20:22If it wasn't for Tina Green, I'd pull this project immediately.
00:20:26What right does she have?
00:20:27She's just some junior planner.
00:20:29She doesn't even have a proper title.
00:20:31She can't possibly be qualified to take on such a big project.
00:20:35I'm the chief planner!
00:20:35Your company's benchmark for chief...
00:20:38Is questionable.
00:20:42Surely there's a misunderstanding here.
00:20:45At Almond, we pride ourselves on our commitment to collaboration.
00:20:49Mr. Thompson, I have two conditions.
00:20:51One, Tina has full authority.
00:20:53And number two, I will only work with the chief planner.
00:21:02The chief planner at Almond.
00:21:04Colleagues.
00:21:06Today, Ms. Tina Green is officially promoted to chief planner at Almond.
00:21:11Hello!
00:21:12This is a great company!
00:21:17So, can chief planner Tina now represent your company in handling this project?
00:21:28Tina, you ready yet? Hurry! We still have location scouting.
00:21:35Tina!
00:21:37You okay?
00:21:41Oh my god!
00:21:42Tina!
00:21:43What happened?
00:21:44My stomach hurts so much.
00:21:47I'll get your medicine. Where is it?
00:21:49Sure.
00:21:50Bedroom.
00:21:52Bedroom.
00:21:52Dillon.
00:21:54Later!
00:22:05Which drawer?
00:22:06I can't find it!
00:22:07Tina. I can't find it, what do I do?
00:22:11Um...
00:22:11Wait!
00:22:13Wait!
00:22:16Ssh.
00:22:19Ssh.
00:22:26Tina?
00:22:28Tina, are you okay?
00:22:30Mr. Davis!
00:22:32Tina's sick!
00:22:33Really bad stomach pain, I can't find her men!
00:22:35What's her address?
00:22:37Flat 4B...
00:22:3827 Ravens Croft Road.
00:22:40Okay, I'll be the right way.
00:22:41How do you know the address?
00:22:43Hello? Hello?
00:22:47Tina?
00:22:48Oh my god.
00:22:49Oh my god!
00:22:49Tina!
00:22:50Tina!
00:22:53Tina!
00:22:54Tina!
00:22:54Tina!
00:22:56Mr. Davis, how'd you get here so fast?
00:22:58How'd you get this bad?
00:22:59Tina!
00:23:01Edward.
00:23:02Edward.
00:23:02It's bad.
00:23:28Mr. Davis.
00:23:32Mr. Davis.
00:23:33Uh, but...
00:23:40Tina.
00:23:41Uh huh.
00:23:42Hey, take this.
00:23:43You'll feel better.
00:23:46Heat patch.
00:23:47Painkillers.
00:23:49How did you know where everything was?
00:23:51She's always had this.
00:23:54Always?
00:23:57One time at uni, she fell into an icy lake and ever since her periods have been brutal.
00:24:05So that's why she's always in pain.
00:24:09She keeps him in there.
00:24:12She's the type that once she's made her mind up on something, she never changes it.
00:24:19Even if she decides to leave you.
00:24:34Good morning.
00:24:35What are you doing in my apartment?
00:24:38Last night you...
00:24:39Who let you in? Judy?
00:24:43Or...
00:24:44Was it me?
00:24:45Judy called me on your phone.
00:24:48Oh, was it because...
00:24:50Wait, you can remember my address.
00:24:52Well, I...
00:24:53Tina, are you awake?
00:24:55I brought breakfast.
00:24:58Uh, hi, Mr. Edward.
00:24:59You're here too.
00:25:01Um, I hope I didn't come at a bad time?
00:25:03Uh, well...
00:25:17You have no idea.
00:25:19Last night, you were white as a sheet.
00:25:22He dashed in and scooped you up into his arms.
00:25:26It was more touching than any TV drama.
00:25:30That heat patch.
00:25:32Painkillers.
00:25:32He knew exactly where they were.
00:25:34And he stayed by your sight all night.
00:25:37Rubbing your stomach.
00:25:39His eyes were bloodshot.
00:25:42Definitely still has feelings for you.
00:25:48Who did that?
00:25:53See, I told you you still liked to.
00:25:55You just walked in.
00:25:56Feeling any better?
00:25:58Much better.
00:25:59Uh, what's this?
00:26:02You bought all this...
00:26:04for me?
00:26:05I always did this for you.
00:26:07And I would like to keep doing it for you.
00:26:10If you let me.
00:26:12Wow, Mr. Davis, you are thorough.
00:26:15I brought you tampons.
00:26:19I just remembered.
00:26:20I have a rush amendment back at the office.
00:26:23Mustache.
00:26:24Bye.
00:26:27Yeah, let me take that.
00:26:34I got you some hot milk.
00:26:37You still remember my favorite?
00:26:40I always remember.
00:26:48Why?
00:26:48We broke up years ago.
00:26:50Some things are kind of hard to forget.
00:26:54Let's not rehash the past.
00:26:57We work together now.
00:26:59Nothing else.
00:27:00Just work?
00:27:01Okay, then show me the proposal.
00:27:05It's not polished yet.
00:27:07It needs revision.
00:27:11Break the mold.
00:27:12No, Edward.
00:27:13Women's undefined power of women at work.
00:27:16Look, okay, all right.
00:27:18I'll see it eventually.
00:27:19Why don't we just sit down?
00:27:25How are you feeling?
00:27:28Still a bit dizzy.
00:27:45The star is my heart.
00:27:47Edward, may it follow you wherever you go.
00:27:50You have my word.
00:27:51I won't disappoint you.
00:27:54I won't disappoint you.
00:27:58You still wear it.
00:28:00After all those years.
00:28:03I thought you forgot.
00:28:06I wear it to remind myself of what you did to me.
00:28:11I wear it to remind myself of what you did to me.
00:28:16What I did to you, I simply faced reality.
00:28:21Reality?
00:28:23Reality is you cast me aside like I was nothing.
00:28:26And you didn't even give me a chance to explain myself.
00:28:29What good was explaining?
00:28:30We were never from the same world.
00:28:32From the same world?
00:28:34That's all I get after all these years.
00:28:37Rich people like you will never understand what regular people like me go through.
00:28:41You need to forget that this was ever a thing.
00:28:46And that isn't yours to wear.
00:28:48You are still so stubborn.
00:28:52Look at you.
00:28:54Tailored suit.
00:28:56Lightspeed CEO.
00:28:57You're fine.
00:28:59Do you think I asked for these titles?
00:29:01Do you think I wanted to be CEO?
00:29:04From start to finish, you never understood what I really wanted.
00:29:08I do understand.
00:29:17Out!
00:29:47How about this one for you?
00:29:50And whose is that one?
00:29:52Mine, obviously.
00:29:54Couples key chains.
00:29:55If you accept it, you know what it means.
00:29:57What does that mean?
00:29:59That we're a couple.
00:30:00Couple?
00:30:01Did I say yes?
00:30:03Too late.
00:30:03You already took it.
00:30:04That's consent.
00:30:17Why do you keep all this tired?
00:30:28Hello?
00:30:29Why do you keep all this tired?
00:30:37Tina!
00:30:38Oh gee, you bite here?
00:30:39What happened?
00:30:40Isabella's father slash board member just arrived.
00:30:43Our project might change hands.
00:31:01Wrong well, if it isn't all in the star platter.
00:31:05Cycling to work?
00:31:06How cute.
00:31:08Your canvas totally matches your status.
00:31:10My attire has nothing to do with my proposal.
00:31:13You have no right to...
00:31:14No right?
00:31:15I'll show you exactly what right means.
00:31:19Why are these two useless humans in my way?
00:31:25Tina!
00:31:25Are you okay?
00:31:33Oops.
00:31:34I'm so sorry.
00:31:36My bodyguard can be a little clumsy.
00:31:38You don't mind though, do you?
00:31:40I guess you can't very well have a stained shirt in the meeting.
00:31:44Go buy her a new one and make sure it costs ten times more than what she's wearing.
00:31:48It'll probably be the priciest thing she ever wears.
00:31:51Yes, miss.
00:31:57She did that on purpose.
00:31:59It's fine.
00:32:00It's fine?
00:32:02How are you going to face everyone?
00:32:04The meeting starts in a few minutes.
00:32:07No time to change.
00:32:10A planner wins with skill, not style.
00:32:26Almond project review, now in session.
00:32:36Next, please welcome one of our chief planners, Ms. Isabella, to present her Women's Employment
00:32:43Empowerment Project.
00:32:50I am delighted to present my carefully crafted plan on the Women's Employment Empowerment Project,
00:32:56titled Breaking the Mold, Unbinding Her Power.
00:32:59That's our proposal title.
00:33:02Our project aims to break conventional employment and workwear concepts,
00:33:06giving women equal opportunities and appropriate attire for every workplace.
00:33:10Therefore, our core strategy is to hire only women and create a fully female work environment.
00:33:18That was amazing, honey.
00:33:20Isn't my daughter great?
00:33:21You!
00:33:23What's up?
00:33:24Judy, some lofty opinions?
00:33:27Or Tina, perhaps you have some objections to my plan?
00:33:32Yes, I have something to say.
00:33:37Yes, I have something to say.
00:33:39Some may find our strategy too bold, but only boldness proves Almond's resolve and forges
00:33:45a unique market edge.
00:33:47I think it's excellent.
00:33:52Any different views?
00:33:58Given the project's nature and Almond's status, only boldness will give shocking effects,
00:34:04something a slogan shouting Tina could never achieve.
00:34:10Isabella's bold strategy is indeed shocking.
00:34:15So shocking that Almond may wear the label of reverse discrimination.
00:34:20Reverse discrimination?
00:34:21That's serious!
00:34:24Tina, what do you mean?
00:34:25Do you mean to seize power you would abandon your persona and speak for men?
00:34:29My meaning is clear, Isabella.
00:34:32Using extremes to fight injustice only breeds new injustice.
00:34:36Tearing apart a society that needs unity.
00:34:42Isabella, your woman-only charter may grab attention, but it pits women against men on another scale.
00:34:50I have 50 corporate endorsements and resources.
00:34:55They'll post women-only ads and supply jobs.
00:34:59Tina, what do you have?
00:35:01That's not empowerment.
00:35:02It just shoves women into another extreme, labeled privilege.
00:35:06When a trend fails, the backlash will be harsher.
00:35:12True equality comes from fair systems in hiring, benefits, and promotion.
00:35:17From blind, gender-neutral assessments.
00:35:21Not from gender privilege.
00:35:23Otherwise, the public will mock us.
00:35:27True fairness comes from blind selection and gender-free evaluation.
00:35:36Lightspeed values, fairness, and efficiency.
00:35:40If a project is founded on reverse discrimination, it cannot gain respect.
00:35:47You're denying Almond's efforts.
00:35:49I'm stating facts.
00:35:50A flawed plan remains flawed, however shiny.
00:35:55Dad!
00:35:56Mr. Davis, haven't you taken this all too far?
00:35:59It's the truth.
00:36:01And remember, Isabella was never my chosen planner.
00:36:07It was always Tina.
00:36:11Edward, what do you need?
00:36:13Stop wasting time.
00:36:15Tina is my planner.
00:36:17Continue these tricks, and Lightspeed will stop any collaboration.
00:36:21Peter, why keep changing planners?
00:36:24Uh, proposal re-evaluation.
00:36:28Meeting adjourned.
00:36:30Call me.
00:36:34You are amazing!
00:36:36Mr. Davis had your back.
00:36:37He simply spoke truth.
00:36:41Why is he leaving so fast?
00:36:43Did he have a fight?
00:36:44No.
00:36:45Why did he leave without saying goodbye to us?
00:36:49Maybe urgent business?
00:36:50I don't know.
00:36:56I don't know.
00:36:56Tina, we're screwed.
00:36:58What is it?
00:36:59Our key visual and copy all replaced.
00:37:00What?
00:37:01With what?
00:37:01What makes an elite woman?
00:37:03Check your mail.
00:37:08What is this?
00:37:10The design team said that director Isabella ordered it overnight.
00:37:17What did you do?
00:37:20What did I do?
00:37:22Just a planning director's duty.
00:37:24Those sponsors are my resources.
00:37:27They pick the materials.
00:37:28So if you object, well, impossible.
00:37:33Isabella, don't go too far.
00:37:35Too far?
00:37:36I'm just showing you the workplace isn't simple.
00:37:39Just wait, Tina Green.
00:37:41This is only the beginning.
00:37:43I think this wins you the project.
00:37:44I'm just showing you reality.
00:37:47Do you really think your shabby proposal will please him?
00:37:50Edward's favor is not going to help you at all.
00:37:53The Davis family has been rich for generations.
00:37:56Have you ever heard of being well-matched?
00:37:58Shut up.
00:38:00Have I hit a nerve?
00:38:01A nobody with no background could never end up with Edward.
00:38:06Stop dreaming.
00:38:07You're not worthy.
00:38:09Sure.
00:38:10I'm no spoiled brat like you.
00:38:13No rich father to wreck other people's hard work.
00:38:16Everything I have, I earned.
00:38:19Isabella, you're pathetic.
00:38:22Enough.
00:38:25Enough.
00:38:27Isabella, let me make this clear for everyone's sake.
00:38:31My company has not a single connection to the Davis family.
00:38:34Lightspeed was founded entirely by me.
00:38:37With my own money, you have no right to meddle in my business or my choices.
00:38:44You?
00:38:45Alone?
00:38:47How?
00:38:49Family shackles once cost me the most important person.
00:38:53I used to believe that if I worked hard enough, I could escape anything.
00:39:01But reality has shown me.
00:39:04Once you're bounded by the shackles of family, it's almost impossible to break free.
00:39:10Your well-matched talk means nothing to me.
00:39:14Impossible.
00:39:16You could never have started a company without your family.
00:39:19Lightspeed must link back to them.
00:39:21From day one, Lightspeed has had one shareholder.
00:39:25Me.
00:39:26No Davis assets were involved.
00:39:30Edward, you did all that.
00:39:32You should have told me you did all that.
00:39:34Every step I take is so I could stand in front of you.
00:39:38Me?
00:39:39You.
00:39:40And just you.
00:39:43Tina.
00:39:43Tina.
00:39:45I want you to know that we can start again.
00:39:51Tina.
00:39:52I want you to know that we can start again.
00:39:56Even if Lightspeed is clean, didn't you seduce Edward?
00:40:01Are you clean, Tina?
00:40:03Your behavior is absolutely unprofessional.
00:40:07Spreading lies in public?
00:40:09Publicly defaming women's character?
00:40:11Where is this noble virtue you so proudly pretend to have?
00:40:14I'm just speaking the truth.
00:40:16Do you care to deny it?
00:40:17By bringing your personal vendettas into the workplace, you are proving to be an unfit planner.
00:40:23I demand that you step down from this project immediately.
00:40:26On what grounds?
00:40:27On the grounds that I'm project leader.
00:40:29Don't be smug, Tina Green.
00:40:31I will show you the cost.
00:40:33Every step you take now ruins your future.
00:40:36I'm chief planner.
00:40:37She stole my project.
00:40:38Stole?
00:40:39I never stole.
00:40:41You're arrogant, conceited, and pitiful.
00:40:47You've taken this too far.
00:40:49Fine.
00:40:51I'll make you regret this, Tina Green.
00:40:54I will make sure you never have any standing in this industry.
00:41:04Could you fix those fairy lights, please?
00:41:09Go home, Judy.
00:41:10It's fine.
00:41:11I'll finish up.
00:41:12Sure.
00:41:13Go rest.
00:41:14Thank you so much.
00:41:29Hello?
00:41:33Anyone?
00:41:35There?
00:41:39Hey, hey, Tina.
00:41:41It's me.
00:41:54You're okay?
00:41:56Edward.
00:41:59Why are you here?
00:42:01The power cut out, and I wanted to check on you.
00:42:05How did you know I was insane?
00:42:08I wait for you here every day.
00:42:10Every day?
00:42:12Yeah.
00:42:13Every day.
00:42:14And you're always the last one to leave.
00:42:16You really don't have to.
00:42:30Something's wrong.
00:42:33Uh, yeah.
00:42:36Um, I'll go check.
00:42:40Wait.
00:42:42Come with me.
00:42:52Something's wrong.
00:42:53Someone sabotaged it?
00:42:55Yeah.
00:42:56These wires aren't from the same batch.
00:42:59Whoever it rolls wants you to fail.
00:43:01Could it be Isabella?
00:43:06It could be.
00:43:07What now?
00:43:09The doors are electric.
00:43:10We're trapped.
00:43:13Hey.
00:43:15Tina.
00:43:17Tina.
00:43:32It's been so long since I've held you.
00:43:35How long has it been?
00:43:38Years.
00:43:40It feels like yesterday we were on campus together.
00:43:43Do you still remember?
00:43:45I remember everything.
00:43:50What do we do now?
00:43:52I'll figure something out.
00:43:58So, do you really wait for me here every day?
00:44:02Yeah, well, I kind of get worried something might happen to you.
00:44:05You really don't have to.
00:44:06Yeah, I do.
00:44:07Do you remember what happened at uni?
00:44:09In the library?
00:44:10Mm-hmm.
00:44:10Yeah?
00:44:11And the lights cut out and you dived under the table?
00:44:12I did not.
00:44:13Yes, you did.
00:44:14I was looking for you everywhere.
00:44:15And when I found you, you were under the table like a kitten.
00:44:17Don't pretend like you weren't scared.
00:44:19You were screaming my name the whole time.
00:44:20Yeah, but I was just worried for you.
00:44:23I thought you'd run away.
00:44:27How could I?
00:44:29I waited for you every day.
00:44:37That wasn't your only silly moment.
00:44:39Oh, yeah?
00:44:41Remember when you tried to steal that book from me and spilled coffee all over the professor's paper?
00:44:45Yeah, but that wasn't just my fault, if you remember.
00:44:48You yucked the book so hard that it just fell out of my head.
00:44:51Oh, right, so it's all my fault.
00:44:53Yeah.
00:44:53We spent the whole week cleaning that library.
00:44:58Back then, I thought we'd always stay that way.
00:45:05Tina.
00:45:09When you left, I was stunned.
00:45:13I pictured our whole life together.
00:45:17I never thought you wouldn't be in it.
00:45:19We belong to different worlds.
00:45:22You're brilliant.
00:45:24Your future is bright.
00:45:26And I'm just ordinary.
00:45:29I felt, um, staying with you would only hold you back.
00:45:37Tina.
00:45:39Can we start over?
00:45:46Tina.
00:45:48Can we start over?
00:45:53I bought the necklace.
00:45:56I hope the money lasts for a month and...
00:45:58I need another job.
00:46:01Tina.
00:46:03Edward.
00:46:04Here.
00:46:06What's this?
00:46:08For me?
00:46:09Mm-hmm.
00:46:10Aw.
00:46:11Match it.
00:46:13Birthday present.
00:46:14I saved up for it, but I bought it.
00:46:17The star is my heart.
00:46:19Edward, may it follow you wherever you go.
00:46:22You have my word.
00:46:24I won't disappoint you.
00:46:29Oh, you said you wanted to flatten your campus, right?
00:46:32I did my homework.
00:46:34I found a cheap one here.
00:46:36We could turn the living room like this, and turn the balcony into a garden, and we could...
00:46:41I bought it.
00:46:43This is the final flat you meant.
00:46:44Yeah.
00:46:45Look.
00:46:46I bought it.
00:46:48No more crowded buses for you.
00:46:50Closest one available.
00:46:51We could turn the entire floor into your own private library.
00:46:55I'm so thoughtful, aren't I?
00:46:57Private library.
00:47:05I have to ask.
00:47:09Can we?
00:47:11Edward.
00:47:12Stop.
00:47:14I have to ask.
00:47:17Can we?
00:47:28Power's back.
00:47:30Good.
00:47:33Now the expo can proceed smoothly.
00:47:35But, Tina.
00:47:36I'll double-check the lights before the show, and Mr. Davis, if you have any other requests,
00:47:41just let me know.
00:47:41I'll refine the plan.
00:47:42All right.
00:47:44If there's nothing else, I'll be off.
00:47:47Why are you leaving in such a rush?
00:47:49It's late.
00:47:50I have to finish tomorrow's work.
00:47:53And, oh, Mr. Davis.
00:47:58Try to get some rest.
00:48:02Good night.
00:48:05I almost gave in.
00:48:18Can we really go back?
00:48:43Tina, the expo black house hit local news.
00:48:46You okay?
00:48:49Are you okay?
00:48:52I'm fine.
00:48:54Edward stayed with me.
00:48:55Edward?
00:48:56What was he doing there?
00:48:58It's nothing.
00:48:59But he asked me if...
00:49:02Asked what?
00:49:04If you have a boyfriend?
00:49:05If you miss out?
00:49:06He asked me if we could start over.
00:49:11OMG!
00:49:12Start over?
00:49:13That is a request for reconciliation.
00:49:16I should be sailing.
00:49:17I've moved.
00:49:18It's not what you think.
00:49:20I told you he likes you.
00:49:22He basically said, can we start again?
00:49:24No.
00:49:25The lights came back on.
00:49:26He didn't finish.
00:49:26So?
00:49:27Message received.
00:49:29And what about you?
00:49:31Do you still love him?
00:49:38Tina, you didn't answer me.
00:49:40Do you still love him?
00:49:42I...
00:49:44I don't know.
00:49:46I don't know.
00:49:47Listen to yourself.
00:49:49That necklace, you still wear it.
00:49:51Isn't that affection?
00:49:53That's all in the past.
00:49:54I...
00:49:55The past?
00:49:56You're all tied up in knots right now.
00:49:58Edward might be sharp-tongued and even ice cold, but he did stay with you for the whole blackout.
00:50:04And he gave you that half-line.
00:50:07Tina, you're in his heart.
00:50:10But we split because we're from different worlds.
00:50:13What matters is genuine feeling.
00:50:16Mutual support.
00:50:18You think.
00:50:19He became your client just to back you up.
00:50:22Not every boss would do that.
00:50:24That's confusing.
00:50:27Confusion equals love.
00:50:30Stop overthinking.
00:50:33Just say it.
00:50:34Do you still love him?
00:50:43Hello, Edward?
00:50:47Hello, Edward?
00:50:50Mr. Davis?
00:50:53Ah, Tina.
00:50:54Sorry for calling late.
00:50:55I was, um...
00:50:56I just wanted to talk about the expo.
00:50:58We've had the wires checked and we've got new lights fitted, so...
00:51:02No more...
00:51:03incidents.
00:51:04Oh!
00:51:06Um, I should have handled that.
00:51:08Sorry to trouble you.
00:51:09Oh, yeah.
00:51:09It's fine.
00:51:12You once, uh, told me that you like that patisserie's cake.
00:51:18I was wondering if...
00:51:21Maybe...
00:51:21You would like to go together?
00:51:27You could buy one and bring it over to my place.
00:51:30We could eat together.
00:51:33Wait.
00:51:34What?
00:51:35Say that again.
00:51:36I...
00:51:37I said...
00:51:38Deal.
00:51:40You're trapped now.
00:51:43Tina.
00:51:46We could...
00:51:47I said you could bring it over.
00:51:51Oh, my God.
00:51:52She said it.
00:51:53She really said it.
00:51:55Oh.
00:51:57All right.
00:51:59I'd really like to see you.
00:52:04Are...
00:52:04Are you okay?
00:52:05What awful lines.
00:52:06Stop making it worse.
00:52:09So, tomorrow then?
00:52:11I'll wait for you.
00:52:13Mm-hmm.
00:52:15Good night.
00:52:23Girl, you are in love!
00:52:25No!
00:52:28Nonsense.
00:52:29Look at you.
00:52:31That necklace will wear away.
00:52:48I'll see you tomorrow, Tina.
00:52:57I'll see you tomorrow, Tina.
00:52:57Shift panel A, three centimeters left.
00:53:01Sound, background volume lower.
00:53:06All staff for his guests arrive in time.
00:53:13Edward.
00:53:16Surprised to see me?
00:53:17What are you doing?
00:53:19I told you I'm...
00:53:20I'm here to witness a top man's birth.
00:53:23I want to see every step of your success.
00:53:26Edward, you know what?
00:53:27I know.
00:53:28Therefore, I'm a guest.
00:53:30Heading in.
00:53:33Well, well, well, well, Tina.
00:53:36This whole show, and yet you still need your boyfriend to prop you up.
00:53:41I guess some women just can't do anything without a man.
00:53:44Isabella, by making things hard for Tina, you make things very hard for me.
00:53:49Those who spend their lifetime slandering others shouldn't really think about focusing on themselves.
00:53:59God, your stage is waiting.
00:54:05All departments, expo local medicine.
00:54:15Planetina, audience response is huge.
00:54:18What's your unique take on not being defined is the definition of a profession?
00:54:23I believe women power is limitless.
00:54:26Employment is not only for survival.
00:54:28It's self-realization and freedom.
00:54:31We hope this event shows women their true potential and pushes them to step forward.
00:54:36What made this event so successful?
00:54:39Team effort at Allman.
00:54:40And special thanks to Lightspeed and President Edward Davis,
00:54:44whose trust made the new professional women's vision possible.
00:54:55Look, you did it.
00:54:56You're number one.
00:54:58It's time.
00:55:05Mark my words.
00:55:07She's going to fail miserably.
00:55:16Wait.
00:55:18This whole expo is a pure show.
00:55:22Allman and their distinguished planner, Tina Green, have stolen my concept.
00:55:27She has no right to host this event.
00:55:31What's going on?
00:55:32Breaking news.
00:55:32Who is this woman?
00:55:35Let Tina talk.
00:55:36Stay out of it.
00:55:40Look.
00:55:42These are my slides from my private meeting with Mr. Edward Davis.
00:55:48Tina Green plagiarized my original concept.
00:55:53She's a fraud and a liar.
00:55:56A liar.
00:55:59Liar.
00:56:00Liar.
00:56:02Please be quiet.
00:56:04I'm Tina Green.
00:56:06Planet Allman.
00:56:07What you see today is my own project on women's employment.
00:56:13She says I stole her idea.
00:56:16That I lack qualifications.
00:56:18Yes.
00:56:19Inside Allman, I've been inexperienced.
00:56:22Even suppressed.
00:56:22My proposal was killed again and again.
00:56:28Seven times.
00:56:30Seven complete rejections of my work.
00:56:44I have no backing.
00:56:46Only effort and persistence.
00:56:50I started with tiny charity events, building experience piece by piece.
00:56:54Every project is my blood and sleepless nights.
00:57:00There is no fakery.
00:57:01No theft.
00:57:04If you doubt me, show real evidence.
00:57:09Otherwise, I will pursue legal action.
00:57:16Is there internal suppression at Allman?
00:57:18The truth is being hidden?
00:57:21Tina, why are you so angry?
00:57:23Everyone can see your guilty panic.
00:57:26She may hide behind powerful corporations and men, but she is exploiting women's issues for clout.
00:57:35Dream on if you think this event whitewashes the truth.
00:57:39Serious allegation.
00:57:41So that's the story.
00:57:43Yes.
00:57:45As you suspect, Tina Green has climbed the corporate ladder on the arms of a man, Edward Davis, her ex
00:57:54-boyfriend.
00:57:55She's used every trick in the book to shove someone with far superior credentials out of the way.
00:58:04Don't believe her nonsense.
00:58:06Stop filming.
00:58:08People like her have no place in our industry.
00:58:16Ladies and gentlemen, may I say a few words?
00:58:21Ladies and gentlemen, may I say a few words?
00:58:24I'm Hartley, director of the nursing home, and I would like to speak of Allman and Miss Tina's unseen contributions.
00:58:34Mrs. Hartley, what are you doing here?
00:58:36For a long time, Tina has driven the women's re-employment support program inside Allman, never giving up, despite setbacks.
00:58:46That's not Allman's prior publicity.
00:58:49And that's not what Isabella just said.
00:58:51Well, here are names.
00:58:53Women who've been laid off during pregnancy or unjustly terminated.
00:58:58Tina contacted us, secured jobs.
00:59:01Lisa, our carer, she was fired when she was seven months pregnant.
00:59:07Tina found her work.
00:59:10Charlotte.
00:59:11Oh, Charlotte.
00:59:12She wasn't able to return after giving birth.
00:59:14And Tina said a woman's value is not defined by marriage or childbirth.
00:59:22This list is a record of all the women that Tina has helped re-employed, far more than just those
00:59:29few I've mentioned.
00:59:31That's impossible.
00:59:32If this isn't genuine action for equality, what is?
00:59:37Do you choose to believe someone who has done genuine nursing care for three years, her quiet dedication, earning her
00:59:46the praise of every woman that she helped?
00:59:49Or will you erase her efforts and trust the slander that you've heard?
00:59:55I now return the floor to the woman who truly helps women, Miss Tina Green.
01:00:05Miss Green, any defense?
01:00:08Facts speak louder.
01:00:11Allman invest greatly in the Women's Support Plan.
01:00:14This is a team, even company effort.
01:00:26Not being defined is the new definition of a profession.
01:00:30Allman and Lightspeed want every woman from different backgrounds and different ages to choose their path freely.
01:00:37Go.
01:00:37Huh?
01:00:38I got my slides.
01:00:46It's Edward Davis.
01:00:52I'm Edward Davis, founder and CEO of Lightspeed.
01:00:59Tina's project aligns with our mission to empower women.
01:01:03Therefore, Lightspeed will add a $1 million fund to Tina's program.
01:01:09That is an unprecedented level of support for a public welfare project.
01:01:13Lightspeed is pretty bold.
01:01:15As long as you're willing to share your employment story and use the tags hashtag BreakTheMold, hashtag UndefinedProfessionals,
01:01:24you will be eligible to share in this $1 million fund.
01:01:29We encourage women to share their story, successes and setbacks alike, so that the world can hear your voice.
01:01:46Let go, you're my bodyguard.
01:01:49I'm loyal to Allman.
01:01:50Please cooperate.
01:01:54Congratulations, Missouri.
01:01:56Thanks, Mr. Davis.
01:01:58Media friends and guests, due to this event's success, the board has decided to remove Mr. Peter Thompson as marketing
01:02:09director.
01:02:09What?
01:02:11And Ms. Isabella Carter as planning director.
01:02:15What?
01:02:16You can't do that.
01:02:17I'm the board director's daughter.
01:02:19Yeah, and Mr. Carter, you're removed too, sir.
01:02:24This is ridiculous.
01:02:26Let go.
01:02:27I can go myself.
01:02:30You'll regret this, Tina.
01:02:32You witch.
01:02:34You witch.
01:02:35Bear!
01:02:36Bear!
01:02:41Ladies and gentlemen, the launch is now concluded.
01:02:46Tina, I need to talk to you.
01:02:51Tina, we did it.
01:02:53Yes, we did.
01:02:58Where's Edward?
01:02:59He said he needed to...
01:03:00He's probably busy.
01:03:02Oh, let's tidy up.
01:03:03Ignore him.
01:03:05Be honest.
01:03:08About...
01:03:09After all he's done, how do you feel now?
01:03:15I...
01:03:15I guess I never really let go.
01:03:19Back then, I thought we'd be impossible.
01:03:21He was a golden boy and I was just...
01:03:24Ordinary.
01:03:25Parallel lines.
01:03:27I thought breaking up with him would just set him free.
01:03:31Now you know.
01:03:32He only cares about you.
01:03:35Yes, but...
01:03:36I'm still scared it's all an illusion.
01:03:39Happiness is here.
01:03:40Will you miss it again?
01:03:42What?
01:03:49Ready to talk?
01:03:56Tina.
01:03:58Years ago, you told me you didn't want to be Cinderella to someone's prince.
01:04:01I wished I could have given you the life my parents gave me.
01:04:05But now I see you just wanted equality and freedom.
01:04:12I never thought our biggest barrier would be...
01:04:14My birth.
01:04:19I built Lightspeed for seven years.
01:04:22So I could stand next to you.
01:04:29Edward, I never thought we'd stand a chance.
01:04:34I've replayed my moments countless times and...
01:04:37Every time it feels like a dream, but...
01:04:40When the dream ends...
01:04:42There's nothing left.
01:04:45It was never a dream.
01:04:48If a prince abandons his castle...
01:04:53Will you still accept me?
01:04:59Are you proposing?
01:05:02Let me care for you.
01:05:04Let me love and protect you forever.
01:05:08Oh, Edward.
01:05:13You can go anywhere you wish.
01:05:16Do anything you want.
01:05:18Let me support you.
01:05:20Will you let me live this life with you?
01:05:24Tina.
01:05:35Will you marry me?
01:05:41Edward, I've spent so long running from what I wanted most.
01:05:45But you walked out of that castle and...
01:05:49I'm ready to meet you halfway.
01:05:51So, yes.
01:05:53I'll marry you.
01:06:06This time...
01:06:08I won't run.
01:06:11I won't run.
01:06:14I won't run.
01:06:15I can also...
01:06:21I won't run.
01:06:21I won't run.
01:06:24I won't run.
01:06:32I won't run.
01:06:33You
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