Doughboys (1930)

ReelMovies

Elmer (Buster Keaton) is a privileged and affluent young man who has never wanted for a thing in his whole life. Then he falls for a beautiful USO performer named Mary (Sally Eilers), who finds his lack of concern for his fellow man deeply appalling. After Elmer mistakenly enlists in the military, he is offered a second chance with this lovely lady, though he has some stiff competition in the form of the suave and tough Sgt. Brophy (Edward Brophy).

Transcript

00:00:00.

00:01:28Would you have lunch with me today?

00:01:30How often do I have to tell you no?

00:01:49Oh, Mr. Military Man!

00:02:05We'll be the next fight for old Uncle Sam.

00:02:07Come on, up in the bandwagon, and we'll all go down to the recruiting office.

00:02:11Handsome!

00:02:12Come on, baby!

00:02:13I could get you a better uniform than that!

00:02:15Come on!

00:02:19Good evening.

00:02:21May I drive you home?

00:02:23No, thank you.

00:02:24Why?

00:02:25Are you going to begin that all over again?

00:02:28No.

00:02:30Yes.

00:02:31Please, Mr. Stuyvesant, I hate to keep turning you down this way.

00:02:35Then why do it?

00:02:37Because you Rolls Royces seem to think that every girl that works in the store is just dying

00:02:42to step right in your car and go places.

00:02:44There may be some girls like that, but I'm not one of them.

00:02:47So please don't keep asking me, will you?

00:02:51And you won't bother me anymore, will you?

00:02:55Well, I'm glad that's understood.

00:02:58I hate to be forced into being so rude.

00:03:01But I simply can't go out with you.

00:03:03Now you understand, don't you?

00:03:06That's fine.

00:03:07Goodbye.

00:03:09How about a little dinner and a show?

00:03:12Oh.

00:03:33Us!

00:03:34¡Acapres!

00:03:36competitive air for Accio!

00:03:37Active air for Accio!

00:03:40Nevermind!

00:03:46Utah.

00:03:47Yes, sir?

00:03:48There seems to be the trouble.

00:03:50But now I'm not sure if I've gone away from us.

00:03:53discharge it. Yes, Mr. Stuyvesant. But I can't drive the car. No. No, I can't. There must

00:04:02be an employment agency around here. Shouldn't we get another one? Very good, Gustav. I

00:04:20don't have to go. Some place he doesn't have to go. Not a very nice looking place. Oh, you

00:04:36just walk in so you find everything you need in there. What's your name? Elmer J.

00:05:05Stuyvesant. What's the J for? Why, it was named after my father. What's his name? Elmer

00:05:13J. Stuyvesant. All right, Jack. Julius. Julius. Who is your nearest relative? My sister. She

00:05:28lives right around the corner. Is it necessary that I answer all these questions? It's not

00:05:34only necessary, but imperative. Where were you born? St. Vincent's Hospital. What's the

00:05:41matter? Were you sick? I don't remember. I was quite young. How old are you? 23. Married? No.

00:05:52I know. I know the sweetest girl. Not married. Most beautiful eyes. Do you know that if you're

00:06:00rejected by any reason of disqualifications known to conceal from the accepting officer,

00:06:03she will not be furnished to return to a special place of acceptance? I do. Sign here, please.

00:06:12You know, I've never done this sort of thing before. If you don't mind, I would like immediate

00:06:18action. Oh, you'll get it, all right. Let go, please. Oh, a better selection.

00:06:39All right, take off your clothes. Huh? Take off your clothes. I beg your pardon. Come on,

00:06:46don't stall around. Get those clothes off. Why, there's some mistake. Your name's Stuyvesant,

00:06:50isn't it? Yes. Well, come on, get them off. I will not. Come on, get that clothes off. What's

00:06:56the idea? Oh, you can't get right. You can't. Oh, you mean. You ought to be ashamed of yourself.

00:07:06No, we have to be ashamed of ourselves. No, let me in love. Excuse me. Now, wait a minute.

00:07:31I don't want to show for any how I am, can I? Put your eyes to the front. Don't be

00:07:39gazing

00:07:39around. Stand still. Wipe that smile off your face. This ain't funny. You'll find out.

00:07:52A fine-looking bunch of mugs. Why, the enemy will probably laugh themselves at that when

00:07:57they look at this outfit. Listen to me, you birds. You're in the army now. Do as you're

00:08:05colon, do it quick. Don't try to think. That's what I'm here for. You got two feet. Right

00:08:11and left. Remember which is which. That's all you got to remember for a while. Now, answer

00:08:17to your names and step one page to the front so I can get a look at you. Colin. Get

00:08:28in there.

00:08:35What is this? The wholesale house of an army? Get back in the range. Except you. Say, General,

00:08:43any time you want to shoot fresh, I'll press our bell like nobody ever pressed the bell. Get

00:09:02back in the range. Now, there's a picture. Get back in the range. Here am I, broken hearted.

00:09:31What's your name? Don't you know who you are? I'm not myself, sir. Well, I got your number.

00:09:41Will you call me up sometime?

00:09:44Get back in the ranks!

00:09:47Stuyvesant!

00:09:52Stuyvesant!

00:09:54Elmer Stuyvesant!

00:09:56Did you want Junior or Senior?

00:09:59Which of you?

00:10:01I'm Junior.

00:10:02Well, I'll take Senior.

00:10:05Hey, who do you think you want?

00:10:08Elmer Stuyvesant, the second.

00:10:09I don't care if you're Henry VIII.

00:10:12Oh, but I'm not.

00:10:13Who said you was?

00:10:18What did you do before you got in the army?

00:10:21I'm associated with my father.

00:10:25What did he do?

00:10:26He's retired.

00:10:32Fall out!

00:10:34Draw your equipment!

00:10:36All right, come on.

00:10:37Get down on the street.

00:10:43Haven't you anything smaller?

00:10:44Oh, yeah, sure.

00:10:48All right, now.

00:10:49Get that stuff and follow the man in front of you there.

00:10:59Hey!

00:11:02Hey!

00:11:04Hey!

00:11:05Who's leaving this office?

00:11:07What's this going on?

00:11:09Who's in there?

00:11:09Come here, you!

00:11:10Hold it!

00:11:11Hold up!

00:11:12Hey!

00:11:13Who told you to go up there?

00:11:15What?

00:11:16Get down on!

00:11:19What?

00:11:20What?

00:11:23Who's starting it just here?

00:11:28All right!

00:11:29Take company!

00:11:31Fall out!

00:11:31Come on!

00:11:32Come on!

00:11:33Get off the feet!

00:11:34Come on!

00:11:36I got rifle!

00:11:37Come on!

00:11:38Fall in here, you!

00:11:39Marvelous!

00:11:40Come on, dress up on a man in front of you.

00:11:42Give me that asshole.

00:11:46Put that rifle on the ground there.

00:11:48Get it next to you.

00:11:49That rifle around.

00:11:51Get it on.

00:11:55Listen, wise guy, I'm laying for you.

00:11:57Your life's not going to be worth a nickel.

00:11:59Get that rifle on the ground.

00:12:01Get those feet together.

00:12:03Get it over here.

00:12:04Come on.

00:12:06Get that hat on.

00:12:09Get your fine, cockeyed-looking army.

00:12:13Every uniform tailored to fit,

00:12:15and you got them on backwards, upside down.

00:12:19After a few instructions, I want you to get them on.

00:12:21Get them buttoned up.

00:12:22Get looking like soldiers.

00:12:24Get in there.

00:12:24Of course you're here.

00:12:25Put them again.

00:12:26What are you doing with two guns?

00:12:30Where's your gun?

00:12:33Who's got that gun?

00:12:36What are you guys doing?

00:12:37What are you trying to do?

00:12:37Fray me.

00:12:38You got a fraternal order here?

00:12:41Straighten up.

00:12:42Get that gun together.

00:12:44Button up those glouses,

00:12:45and get yourself looking like soldiers.

00:12:48Spit it out.

00:12:49Spit it out.

00:12:51Why are you a worm?

00:12:53Sergeant Brophy has a way of his own.

00:12:56With new men.

00:13:01Now, this is your rifle, a Springfield rifle.

00:13:05Springfield, Illinois, or Massachusetts?

00:13:09What's the difference?

00:13:10Oh, there's a vast difference.

00:13:13For instance, did you see,

00:13:14the Illinois Springfield would probably be

00:13:16similar to the Ohio.

00:13:18Mm-hmm.

00:13:19Now, of course, around the back bay section,

00:13:21around Boston.

00:13:21How long?

00:13:22Of course, you know that.

00:13:23Yeah, how long since you've been in bed?

00:13:26Break up that meeting before I bash your brains out.

00:13:29Now, listen.

00:13:30I'll do all the instructing here.

00:13:33Well, Sergeant,

00:13:35we'll have to give them a little hook, Bill.

00:13:37Take them out to parade ground

00:13:38and see what these smart guys will do.

00:13:41Left face!

00:13:42Forward!

00:13:43March!

00:14:09No, Father, I don't think I'll stay in the Army.

00:14:12The other chaps don't seem to recognize

00:14:14my social position.

00:14:17Yes.

00:14:18Yes.

00:14:19So I think I'll resign.

00:14:20Yeah.

00:14:23Yeah.

00:14:39Now, I'm not going to sing.

00:14:41Now, I won't sing.

00:14:42Oh, come on.

00:15:03Why, Mr. Stuyvesant,

00:15:05it's not really you.

00:15:08Well, it's me, all right.

00:15:09But it can't be you.

00:15:12Don't you like it?

00:15:14Oh, it looks great on you.

00:15:17Balloon Corps?

00:15:18Well, I like that.

00:15:20No, I'm in the entertainment division.

00:15:23Maybe I'll get to France.

00:15:26I'm afraid I will, too.

00:15:28You know, this is the last place on Earth

00:15:29I expected to see you.

00:15:31I didn't expect it myself.

00:15:34But you enlisted.

00:15:35The draft hasn't started yet.

00:15:37Well, I enlisted.

00:15:39I didn't mean to.

00:15:40I know.

00:15:41You were swept off your feet.

00:15:44Yeah.

00:15:45I know just how you felt.

00:15:47All the boys felt the same way.

00:15:49Only you didn't weaken.

00:15:51You went through with it.

00:15:52And you didn't use your family influence

00:15:54to get a soft job in the Army.

00:15:56You started from the bottom.

00:15:58I started below the bottom.

00:16:00Below?

00:16:01Yeah, I've been digging ditches

00:16:03for three weeks.

00:16:05Not a manicurist in the camp.

00:16:07The Army's done you

00:16:08a lot of good already.

00:16:11With you?

00:16:13Well, it hasn't hurt you

00:16:14in my estimation.

00:16:15Come on, Mary.

00:16:16The car's waiting.

00:16:17I'll be right outside.

00:16:18Well, hurry up.

00:16:18Hurry, Mary.

00:16:19Come on over also.

00:16:20Come on, Mary.

00:16:21Bye.

00:16:21Oh, Mary.

00:16:21Come on.

00:16:24Oh.

00:16:40What do you think, Scott?

00:16:41What?

00:16:42I got my transfer and standing orders

00:16:43and I leave for plants tonight.

00:16:45Splendid, old man.

00:16:47Congratulations.

00:17:01All right, let's try it.

00:17:07En garde!

00:17:10Advance!

00:17:12Advance!

00:17:14Monk, point!

00:17:17Oh, nothing like it.

00:17:19Nothing like it.

00:17:20As you walk, get back, you monk.

00:17:22Get back.

00:17:24Boy, you look like a lot of fun dancers

00:17:27charging in there.

00:17:30Where's your penis?

00:17:38Why, you stupid lug?

00:17:40Pick it out.

00:17:41Pick it out and get it on.

00:17:42It's guys like you

00:17:43that make work for stretch affairs.

00:17:45What do you think you guys

00:17:46are doing with them bain-ups?

00:17:47Staving pickles at a church festival?

00:17:50This is bain-at-work.

00:17:52Cold, steel, bloody business.

00:17:55I want you to show the tiger

00:17:57that's in you.

00:17:57I want you to come in crawling.

00:17:59I want you to give a real crawl.

00:18:01Like this.

00:18:03And then as you lunge for your man,

00:18:05growl again.

00:18:07That's what I want.

00:18:09It's ferocious of the wild,

00:18:10beast of the jungle.

00:18:11Because when the enemy sees

00:18:13a charging bunch of fighting,

00:18:14snarling, growling,

00:18:16fighting men coming in

00:18:17with cold steel,

00:18:18ready to rip and tear

00:18:19through flesh and bone,

00:18:21they don't like it.

00:18:22They don't like it, I tell you.

00:18:25He said they don't like it.

00:18:29Well, I can understand that.

00:18:31Silence in the ranks.

00:18:34Now, let's see the tiger that's in you.

00:18:35You, Elma J. Stuyvesant, Jr., the second.

00:18:40En garde.

00:18:42Pick it up.

00:18:43Pick it up.

00:18:47Get it on.

00:18:49En garde.

00:18:50Come on, come on.

00:18:52Advance.

00:18:53Woof.

00:18:54What do you call that?

00:18:56You said the grouse.

00:18:58Is that a grouse?

00:19:00Boy, you got him.

00:19:02You got me scared right now.

00:19:03Scared that I'll have to wrap this around your skull

00:19:06and lose my chevron.

00:19:08Get in there.

00:19:12Now, the second movement

00:19:14in modern vein of quirk

00:19:15is called the short thrust.

00:19:18Rip your rifle like this.

00:19:20You get right up.

00:19:21You'll probably use this in close quarters.

00:19:23This is what you'll use in the trenches.

00:19:26Get this blade right up

00:19:28against the enemy's blade.

00:19:30Rip it short.

00:19:31Get it around.

00:19:32Under his chin.

00:19:33Ready to give it to him in the gullard.

00:19:35Man to man.

00:19:36Body to body.

00:19:38Eye to eye.

00:19:39You can feel your hot breath

00:19:40swimming right through the enemy.

00:19:42Look at that.

00:19:43Slick, shiny steel.

00:19:45A man's weapon.

00:19:47Every one of you.

00:19:48And if you use it like men,

00:19:49you'll come out like soldiers.

00:19:51Not like a lot of dead ones.

00:19:54Now, watch me.

00:19:57All right, then.

00:19:58The enemy's advancing.

00:20:00He's coming to you.

00:20:01What do you do?

00:20:02You suck him.

00:20:03You get on to his gullard.

00:20:05And you get it on him.

00:20:06Right through the gullard.

00:20:07Then you get a short grip.

00:20:09Turn your rifle.

00:20:10Rip and tear.

00:20:11You can't get it out.

00:20:13What do you do?

00:20:14Put your shoulder against him.

00:20:16Work it.

00:20:16Tear, rip.

00:20:17You can feel his hot blood.

00:20:19What do you do?

00:20:20It infuriates you.

00:20:22And you're ripping your tear.

00:20:23There may be a guy next to you.

00:20:25And you've got to get him.

00:20:27So you get it out.

00:20:28And you get it on him.

00:20:30That's what I want.

00:20:49Hello.

00:20:50How do you do?

00:20:54How are you?

00:20:55Oh, I'm fine.

00:20:56How are you?

00:20:58Oh, I'm just fine.

00:20:59How have you been?

00:21:01Oh, I feel pretty good.

00:21:03How are you?

00:21:05Won't you come in and sit down?

00:21:07Oh, I can.

00:21:09I've got to go back and drill some more.

00:21:17Hi, Ben.

00:21:20Are you going to start that all over again?

00:21:22Then will you have some gumdrops?

00:21:28Thanks.

00:21:33You're welcome.

00:21:35What'd you say?

00:21:40You're welcome.

00:21:47How about seeing as you see it at your house sometime?

00:21:53I don't know.

00:21:57Well, gee, well, you know, it's part of your job to keep us soldiers happy.

00:22:06Well, if you put it that way, I guess I'll have to say yes.

00:22:10When?

00:22:12Well, it can't be before tonight.

00:22:15I'll be there.

00:22:16Where?

00:22:17Your house.

00:22:18You don't even know the address.

00:22:20Don't have to know.

00:22:23I've been by there a hundred times.

00:22:26Have you really?

00:22:35Bugler will be the best.

00:22:37Bye.

00:22:38I'll see you tonight.

00:22:41I'll be over early.

00:22:43You know, I'm beginning to like you.

00:22:47In military clothes.

00:22:50Oh, I'll wear them the rest of my life.

00:22:56Sergeant, line the company.

00:22:57I'll probably end a second.

00:23:01Who was that soldier that just went out the window?

00:23:05One of the boys.

00:23:07Oh.

00:23:12Our name?

00:23:13The name's Mary.

00:23:15But don't be formal.

00:23:16Just call me Kid.

00:23:19Gee, you know, that's sweet of you, Mame.

00:23:23Kid.

00:23:24Oh.

00:23:27You know, I'm keeping my eye on you.

00:23:29I don't want any of these guys to pull any rough stuff.

00:23:32I don't appreciate that.

00:23:33See, I'm perfectly capable of taking care of myself.

00:23:36I know, I know.

00:23:38But I was afraid some of these rookies might not know that you're my girl.

00:23:42Oh.

00:23:43Am I your girl?

00:23:45Sure.

00:23:46Didn't I tell you so yesterday?

00:23:48That's right.

00:23:49I'd forgotten all about it.

00:23:50If I see any of those worms hanging around your house,

00:23:52why, they'll never live to die in France.

00:24:13Everybody having a good time in there?

00:24:15Oh.

00:24:16Yeah.

00:24:18Everybody off set?

00:24:20Yeah.

00:24:21There and a go.

00:24:23All got your passes?

00:24:25Yeah.

00:24:26Well, that's great.

00:24:28Tear them up.

00:24:29All passes have been revoked.

00:24:31Well, I'm going to shove off any minute.

00:24:34Mother, wait a minute.

00:24:35Mine has personally been signed by the captain.

00:24:40Yeah.

00:24:41That's the captain's signature.

00:24:43That's not any good either.

00:24:49Well, boys.

00:24:50Pleasant dreams.

00:24:52Reveille at 4.30 as usual.

00:24:57Oh.

00:25:09Oh.

00:25:10Who there?

00:25:10Sergeant of the Guard.

00:25:12Remember your special orders.

00:25:14All passes have been revoked.

00:25:21Where do you think you're going?

00:25:23Well, I was just going out for a walk.

00:25:25Where's your pass?

00:25:29Where's yours?

00:25:33Don't get fresh with me, soldier.

00:25:35Sneaking out.

00:25:36Going AWOL, hey?

00:25:38Same as you.

00:25:45Where was you going?

00:25:47Oh, listen, Sergeant.

00:25:49I just had to see my sweetheart to tell her goodbye before we sailed.

00:25:54So, you know, Stuyvesant, you're not a bad little guy.

00:25:57To tell you the truth, I was a bit romantic myself tonight.

00:26:00I was going out to see her skirt, too.

00:26:03Skirt?

00:26:04Yeah, cookie.

00:26:06Cookie.

00:26:08Which way are you going?

00:26:10Oh, I got to go down this way.

00:26:12Fine, I'm going down there, too.

00:26:13Let's go together.

00:26:14And keep your eye out for the MPs.

00:26:18MPs.

00:26:20I hope my girl doesn't fall in love with somebody else while I'm in France.

00:26:25You know, I think a guy has an awful rat that would go out with another fellow's girl while he's

00:26:30soldiering.

00:26:30Why, you ought to be shot.

00:26:32Shot?

00:26:32Why, shooting's too good for him.

00:26:34It's a painless sort of a debt.

00:26:37Do you like throwing under trains?

00:26:40Well, throwing under trains ain't bad, but it's over too quick.

00:26:44Well, you could pick out a slow train.

00:26:47Yeah, but you know, if I caught a guy red-handed going out with my girl, why, I'd tear him

00:26:52limb from limb.

00:26:55That's cute.

00:26:57Yeah.

00:26:58Well, so long, Sarge.

00:27:00This is as far as I go.

00:27:03Say!

00:27:05Is this your girl's house?

00:27:16You want to meet her?

00:27:18Yeah, I'd love to meet her.

00:27:20All you'll like her.

00:27:21She is beautiful.

00:27:23The sweetest.

00:27:31Hello?

00:27:32Do you know this mug?

00:27:36I never saw him before in my life.

00:27:39What?

00:27:41Are you trying to make a liar out of my girl?

00:27:43Get out of here.

00:27:49Get away with that mug.

00:27:51Hiya, baby.

00:27:53Come on in.

00:27:54Sit down.

00:28:14And furthermore, if you don't stop forcing your attentions on me, I'm going to tell the commanding officer.

00:28:18I hope that's clear.

00:28:21Okay, sister.

00:28:22Have it your way.

00:28:26But remember, you're passing up an awfully good bet.

00:29:07I'm going to get out of here.

00:29:08OK, sir.

00:29:20I'm going to get out of here.

00:29:21I'm going to get out of here.

00:29:25You're going to get out of here.

00:29:32Have you met again by chance?

00:29:37You'll never really stand out.

00:29:38I guess you'd part at the height of your romance.

00:29:45But something in the air tells me that she don't care.

00:30:28I guess you'd part at the height of your romance.

00:30:38I guess you'd part at the height of your romance.

00:30:38What does your name mean by a MES-desperation?

00:30:42I feel my time.

00:30:47It gives it a low light of your romance.

00:31:13Oh

00:31:58We are about to enter the submarine danger zone you all know your boat state no matter where you are

00:32:05Or what you are doing report it once to your proper boat station and stand by for further orders

00:32:12sergeant

00:32:12Miss the company

00:32:18Attention

00:32:20All you swimmers don't forget to have those water wings with you

00:32:25Dismissed

00:32:37Mary

00:32:42That's your baby Mary I don't care

00:32:47What I don't care I said that's Mary your girlfriend sorry

00:32:54What's the matter with you you he's great no I'm not interested that's all

00:33:01I'm absolutely through with dames they're all traitors

00:33:06Well I'm going down below and police up the nice pretty white lily body

00:33:13So whoops to a sailor

00:33:52Don't be alarmed, it's only a bug drill.

00:34:07Sergeant. Speak to this man. What do you mean, falling in looking like that?

00:34:20Orders are orders. Why, you sleepy-looking pelican, go below and wrap something around that torto before I wrap this

00:34:26around you. Company, dismissed.

00:34:36Company, dismissed.

00:34:57Why, Elmer!

00:35:01Oh, Elmer, I want to see you.

00:35:04Oh, no you don't.

00:35:06Come out here. Elmer, I want to see how you look in your overseas outfit.

00:35:14Oh, you'd be surprised. Go away, I don't want to talk to you.

00:35:20Elmer, I want to explain to you about that evening.

00:35:24I don't want to hear about it. Go away.

00:35:28If you don't come out here, I'm going to come in there with you.

00:35:31Oh, oh, oh, oh, oh, oh, oh.

00:35:38I want to see you.

00:35:39The Frenchman, with his dummies, a woman who is so brave and so well.

00:35:45And we're very proud to meet you.

00:35:47The Frenchman is proud to meet some of the Frenchmen, being a man of the very brave men.

00:35:48Well, we're proud to meet you in your sunny France.

00:35:57I

00:36:36You

00:37:03What do you think you're doing?

00:37:13Don't talk back to me

00:37:16I'll I'll have you arrested for a disrespect to an officer

00:37:20I'll have you put in irons you

00:37:23Fat

00:37:24Fathead you

00:37:27The idea

00:37:42Here you'll be all right in a couple weeks

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01:13:28Say, if we had 20 more men like him, this war would be one in a week.

01:13:41Get ready here.

01:13:45Elmer!

01:13:45Mary!

01:13:46What are you doing up here?

01:13:48Oh, I'm so glad you're not hurt.

01:13:50I want to tell you how sorry I am.

01:13:52I shouldn't have done this terrible thing.

01:13:54I shouldn't have listened to it.

01:14:01Get out of here.

01:14:02Get these men to the rear.

01:14:08Ambulance driver.

01:14:09Ambulance driver.

01:14:11I'll drive it myself.

01:14:20Where's my truck?

01:14:21I don't know.

01:14:21Some soldier took it down the street.

01:14:23Holy smoke!

01:14:24That truck is loaded with an ammunition.

01:14:36I'd better take these men right straight to the base hospital.

01:15:01See, look back and see how the boys are.

01:15:06Elmer, it's ammunition.

01:15:08Huh?

01:15:12Hey, go away.

01:15:14Mary's in here.

01:15:15Mary's in here.

01:15:38Is it gone, Elmer?

01:15:43Are we going to be safe here?

01:15:45Yes.

01:15:45Oh.

01:15:46Oh.

01:15:46I think so

01:16:16Is that over?

01:16:47Here

01:16:50Here

01:16:54Here

01:17:00Here

01:17:03Here

01:17:04Here

01:17:06Here

01:17:06Come on

01:17:07Come on

01:17:09Come on

01:17:14You know where we are?

01:17:16No.

01:17:17I do.

01:17:21Pick up that other box back there.

01:17:23And you feed it through this way.

01:17:25Yes.

01:17:25Make sure it goes through that way.

01:17:26And no matter what happens, save the last bullet for yourself.

01:17:35I appreciate it.

01:17:37Mr. Stuyvesant.

01:17:38The blob is over.

01:17:40Huh?

01:17:41The blob is over.

01:17:44Elmer, it's over.

01:17:45Yes, great.

01:17:46Mr. Stuyvesant, couldn't I get my chalk back with you?

01:17:51Oh, yes, yes.

01:17:54In fact, you can start immediately.

01:17:56I'd polish this up a little bit too, Slay.

01:17:58I said.

01:18:04Good day, gentlemen.

01:18:06Good afternoon, gentlemen.

01:18:07Okay.

01:18:08I'll run into you from some other war sometime.

01:18:11I'll be there with two thousand minutes.

01:18:21Elwynn.

01:18:28Elwynn.

01:18:29Elwynn.

01:18:32Elwynn.

01:18:33Sorry, Mr. Stuyvesant.

01:18:34Well, that's all right.

01:18:35Just clean it up.

01:18:37My associates, we introduce to the waiting world the Nescafec gold medal ukulele.

01:18:44The pride of a Stuyvesant manufacturing company.

01:18:47Uh, Scott.

01:18:47Yes, Mr. Stuyvesant.

01:18:54Oh, Mary.

01:18:56You look beautiful.

01:18:58Wait just a second, dear.

01:18:59Uh, if you'll sign right here, please.

01:19:02Really?

01:19:02We'll complete the transaction.

01:19:09Stuyvesant, you whine.

01:19:11Boston, I'll watch.

01:19:12Get your feet off me, nigger.

01:19:14I'll bite your leg off.

01:19:15Yeah.

01:19:15All right.

01:19:19Okay.

01:19:25Thanks for your visit.

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