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00:09:21My father never said one word.
00:09:26He was very close with me, very good.
00:09:30But I had a tremendous freedom.
00:09:35My desire was to lose.
00:09:38I was afraid.
00:09:39I was in the hospital.
00:09:41We were young, young.
00:09:43We were able to live after 5,000 meters.
00:09:45Very far.
00:10:05My life was very close.
00:10:09I was afraid.
00:10:12My life was loved.
00:10:13I was afraid.
00:10:15I was afraid.
00:10:16I was afraid.
00:10:16I was afraid.
00:10:17I saw a child.
00:10:19I was a five-year-old boy.
00:10:20I remember that one was a cosmic space.
00:10:21I fell into the sea and fell into the molo, which was 5 meters tall, and I could hear him.
00:10:28I remember, that was nice, that was this place.
00:10:32And I fell into the sea, and all of them fell into the sea, and I could hear it.
00:10:40The music, the pantalons, etc.
00:10:43From a kid I had a big mania.
00:10:46The car was a good song and a good song.
00:11:19I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:11:46and we are all together.
00:12:02I was surprised when I was on the road
00:12:04and we played it and played it.
00:12:07I had to go to the police station
00:12:10and I had to go to the prison.
00:12:12I was 17 years old, and he told me that he was a boy.
00:12:19And he gives me one black hole and he will kiss me.
00:12:22And I was the first boy.
00:12:24And I give him it to my head.
00:12:27I'll kiss him in the head and say,
00:12:29And he's gone to the ambulance and he's gone and he's gone and I'll say,
00:12:33And I'll say, the other day, I don't know, two years.
00:12:36I'm a soldier of Michalis.
00:12:42I started to play the kids of FARA's and collect the material for my book with the Rebetica.
00:12:48With other words, photographs, drawings, musical organs, discs, old car postal,
00:12:54and all of these books were linked to the lives of all these people.
00:13:04In 1957, in 1958, when Petropoulos came to the market, he asked me to find him.
00:13:11He said, I'm Petropoulos, so, so, so, so, so, so.
00:13:17He came to my home, so I started to tell him about the first book.
00:13:23He came all day.
00:13:24We went home, we came all day, we came all day, we came all day,
00:13:28and we came all day, we came all day, we wrote the first book.
00:13:52And now, it was the beginning of the 20th century,
00:13:54the land of the 20th century was a big sailor,
00:13:56in the village and in the west.
00:14:00In the beginning of the 20th century the land was a great,
00:14:02there were no waiting for him to be in the village,
00:14:02there was no waiting for him to be in the village,
00:14:02The song was a great joy in the 1960s.
00:14:33in the Scatoupoli,
00:14:34you know what is Scatoupoli?
00:14:36The Scatoupoli,
00:14:37the Scatoupoli,
00:14:38here they were working
00:14:41different,
00:14:43of the second category,
00:14:45and they were the Falerico.
00:14:47The Falerico was so much
00:14:49and then they fell down.
00:14:51They heard three songs
00:14:54all in the room,
00:14:56all in the room,
00:14:57and then they said
00:14:59and they fell down.
00:15:02And they fell down.
00:15:04The Scatoupoli
00:15:05is a скatoupoli
00:15:09and it fell down
00:15:09to the good праздник
00:15:15and it fell down.
00:15:17I need my strength
00:15:20to become the little bit
00:15:23of the small.
00:15:25I love you
00:15:26my only son
00:15:28And I was like to be a child
00:15:32I like to be a child
00:15:36And I was like to be a child
00:15:43I was like to be a child
00:15:49To be continued...
00:16:16and even with my exodus and without the lack of poetry in the period of the dictatorship.
00:16:26My book costed me a five-month prison and a beautiful burial.
00:16:32The burial and the burial gave me the freedom.
00:17:01The war was difficult for me, because I was left, I had a job at Spaniards.
00:17:09At some point, I worked as a family in the park at Seysu.
00:17:12There was a lot of people who knew about it, and I heard the first time I heard the Kalliarnda,
00:17:19the grossness of the homophilous people.
00:17:23In 1968, after the investigation for the book with the Rebetica, I decided to do the Kalliarnda,
00:17:30the first word in the world for the long time of Kalliarnda.
00:17:39When I was the secretary of Kalliarnda, I went to the Kalliarnda's facebook for the next order of the Kalliarnda
00:17:45his royal angels spirituality, temple rolls and kainas, the other hand.
00:17:52From the coast of Kalliarnda and the heroine of Kalliarnda had a little of distance for the neighborhood of Kalliarnda,
00:17:55and I found the branch next year, and then he found it where I was at in Kalliarnda.
00:18:04I wanted to ask you to have a huge deal of money.
00:18:09I wanted to make a deal of money.
00:18:13To have his face, I didn't like him.
00:18:20I was always aلم. I didn't feel anything.
00:18:24I was lying there and I was in the middle of the camp.
00:18:28The cave that was in the village was in the Kalliarda.
00:18:34We had a table with a table with a table with a table with a table.
00:18:39I was known for Petropoulos, it was a night after 1.00pm.
00:18:44I was 15, 15.30am.
00:18:47I was first of all, a trap.
00:18:49You know, I was not a trap as it is today.
00:18:52We had a little bit of our clothes, put a bag and went on to the streets.
00:18:56And I made a stop with my head, I don't remember, and I told him to stop the Palaamu and
00:19:02go to the Omonia.
00:19:04And suddenly a Volkswagen stopped and I saw him go inside.
00:19:07And as I said, I would have talked to him with the other one.
00:19:10When we were back, Petropoulos was standing next to him.
00:19:13I would have talked to him.
00:19:15I don't remember exactly what we talked to him and he would have talked to him.
00:19:18He said, it's not like that, the girls are like that.
00:19:22So, I came home.
00:19:24I came home.
00:19:25I was like a kid that came and he was a kid.
00:19:28He was a kid.
00:19:29He looked at me like that, and he had a mirror.
00:19:31He looked at his face.
00:19:32He looked like that.
00:19:35He said, he was a kid.
00:19:36I was like, what did he do?
00:19:36He died, he had a baby.
00:19:38He came home.
00:19:40He was like a word, how do you say?
00:19:42The cigar, how do you say?
00:19:44The bag.
00:19:45The cigar, how do you say?
00:19:47Just a minute.
00:19:49These words ended.
00:19:49They ended up all the words.
00:19:50I ended up with all the words.
00:19:52Then I made a lesson.
00:19:54Then I started to ask him to learn.
00:19:57And I said, Tony,
00:20:00I said,
00:20:00I said,
00:20:00I said,
00:20:00I said,
00:20:01I said,
00:20:02I said,
00:20:02I said,
00:20:03I said,
00:20:03I don't think I did anything.
00:20:05I would ask him to say no.
00:20:07I said that,
00:20:08I don't have to be a better person.
00:20:12I was a man who was a man.
00:20:15I thought he was a man.
00:20:17He was a man.
00:20:18I'm 25 years old.
00:20:19I don't have to be a man.
00:20:21I didn't have to be a man.
00:20:23I wrote that.
00:20:29You don't have to be a person to relax him?
00:20:32I am with my own self.
00:20:35With your own self?
00:20:37How?
00:20:38He has been working.
00:20:39Are you with him?
00:20:41Yes.
00:20:41How many years?
00:20:428 years.
00:20:43Are you happy?
00:20:45Yes.
00:20:45Yes.
00:20:46I am happy.
00:20:48I am happy.
00:20:50I am happy.
00:20:52I am happy.
00:20:53I am happy.
00:20:57But what are you doing?
00:20:58Come on.
00:20:59I am happy.
00:21:03I am happy.
00:21:04We have been having trouble with this.
00:21:07I have been happy.
00:21:09I am happy having trouble with every single person.
00:21:13Well, it was a great deal.
00:21:20I am happy.
00:21:21First of all, I have had trouble with taking these people's lives.
00:21:23Correct.
00:21:23I have had trouble with him.
00:21:29for me I am a very important photographer.
00:21:32What I have read is the breadth of the full-lengths,
00:21:37and the full-lengths of all the political parties of the time,
00:21:41and the full-lengths of all the other things,
00:21:43and many other things that have changed in Greece,
00:21:47and that I wanted to explain some people how Greece was this period,
00:21:52I think they are more limited.
00:21:54They don't want to be able to see anything like that and they will see all of them.
00:22:05In the case that I did for the Calardat, I was invited as a pornographer.
00:22:10For me, the photography had to be taken away from the university and to follow the streets of my heart.
00:22:19I started to understand that the path I had chosen was difficult and unique...
00:22:25...but at the same time was very emotional.
00:22:33I think it was in the beginning of the first month of 1972...
00:22:40...and I met in the prison of the Korydalou.
00:22:44I was in the prison of the Korydalou, where I was in the prison...
00:22:47...and immediately brought me the Petropoulos.
00:22:50It made me an impression that I didn't have any relationship...
00:22:53...with the political parties.
00:22:55At the same time I came and had something in my heart...
00:22:59...and they had the prisoners and they were standing together...
00:23:03...and they were talking together, they were talking together...
00:23:06...and I asked him what he was doing.
00:23:08He said, I don't do the prison, I do research.
00:23:25The prison of the Korydalou.
00:23:42He doesn't have the right to talk about the lives of the prisoners.
00:23:57The prisoners of prison are not in touch with anything.
00:24:01They are in front of each other.
00:24:02One time, the prisoners are in trouble.
00:24:04They are in touch with each other.
00:24:08I had a great friend with Niko K.M.G.
00:24:13In the prison, he understood the veteran that this moment
00:24:17he was in the middle of his head,
00:24:18and he was in the middle of his head.
00:24:23This is the typical situation of the victims.
00:24:26He was in the middle of his head,
00:24:28and he wrote what I read around and around,
00:24:30and the strategies,
00:24:31and he said hello, hello.
00:24:35I told him, hello, and I wrote him.
00:24:38He told me, you are what you are.
00:24:41He was a man who was a great man.
00:24:44What is your name? What are you waiting for?
00:24:48I said, you are the one who wrote this.
00:24:52I said, you are the one who wrote it.
00:24:55I told him, you are the one who wrote it.
00:24:55And they said, you are the one who wrote it.
00:24:59I replied, you are the one who wrote it.
00:25:05He said, you are the one who wrote it.
00:25:10I told him, he said, you are the one who wrote it.
00:25:11And then I recognized him.
00:25:13And I saw him as a good man.
00:25:17And he was the one who wrote it.
00:25:19And I gave him something to him.
00:25:22Until we came back to Thessaloniki,
00:25:25it was good.
00:25:26He was not a painter.
00:25:29He was a man.
00:25:31a man.
00:25:32A painter.
00:25:33A painter.
00:25:34He was a painter.
00:25:35A painter.
00:25:37He was a painter.
00:25:38In a cuticle.
00:25:39In a painting.
00:25:41And a painter.
00:25:47He is a painter.
00:25:48"...I am not a man who said that I am already concerned about what they are called."
00:25:58It is not a man, I haven't been a man of a man...
00:26:01...and I write the expression that he is about a man of faith...
00:26:07...is an individual person...
00:26:09...and the Father, of course, the Father, and the Provost...
00:26:18It is very easy to put on a chasikla, but the chasikla is for me very much more than a
00:26:28chasikla.
00:26:31I love the Tzolánia and the chasiklas, the chasiklas, the puttas, the puttas, the rebetas and the pushtas,
00:26:37because they have every form of a man and love them more because they are a bit of a chasikla,
00:26:44the chasikla, the chasikla, the chasikla, the chasikla.
00:26:52I don't know.
00:27:24Στα 1975 αποφασίζω να εγκαταλείψω την Ελλάδα.
00:27:29Είχα κουραστεί να μπαινοβγαίνω στις φυλακές
00:27:31και άρχισα να αναρωτιέμαι για τη ζωή μου σε αυτή τη χώρα.
00:27:36Είχα σπαταλήσει ατέλειωτες ώρες στις αίθουσες των δικαστηριών και στον πλευτοπόλεμο με το κράτος.
00:27:43Κανένας δεν καταλάβαινε αυτά που έγραφε
00:27:46και όλοι με θεωρούσαν δαιμονισμένο,
00:27:48ίσως γιατί νόμιζαν ότι έτσι θα απαλλαγούν από την παρουσία μου.
00:28:00Έφυγα για το Παρίσι όπου συνέχισα να γράφω για την πατρίδα μου
00:28:03με μεγαλύτερο πάθος.
00:28:07Μακριά από την Ελλάδα μπορώ να γράφω ελεύθερος
00:28:10και να εξφενδονίζω τα βιβλία μου σαν χειροβοβίδες.
00:28:42Υπότιτλοι AUTHORWAVE
00:28:54Υπότιτλοι AUTHORWAVE
00:29:02Υπότιτλοι AUTHORWAVE
00:29:04Υπότιτλοι AUTHORWAVE
00:29:32Υπότιτλοι AUTHORWAVE
00:29:34Υπότιτλοι AUTHORWAVE
00:29:38Υπότιτλοι AUTHORWAVE
00:29:41Υπότιτλοι AUTHORWAVE
00:30:35Υπότιτλοι AUTHORWAVE
00:30:46Υπότιτλοι AUTHORWAVE
00:31:17Υπότιτλοι AUTHORWAVE
00:32:06With the marion we're going to go
00:32:13To the world we're going to go
00:32:22To the marion we're going to go
00:32:26To the marion we're going to go
00:32:34To the marion we're going to go
00:32:37To the marion we're going to go
00:32:45Elias Petropoulos, when he defended
00:32:47that Greek civilization was influenced by the Ottoman civilization,
00:32:54he met a lot of reactions from the Greek
00:32:58Just because it was hurt
00:33:02It was hurt
00:33:03He was the only one to say it at the time
00:33:06Now there are maybe other people who support this thesis
00:33:10But at the time he was alone
00:33:11It was for that he lived in Paris
00:33:13And he felt more free to say what he thought
00:33:17And it was hurt
00:33:19The nationalists
00:33:20It was hurt
00:33:21The power
00:33:22That it was hurt
00:33:24That the two countries
00:33:25To eat their necks
00:33:27To increase the defense budget
00:33:30He had great anger
00:33:33Against what happened in France
00:33:37And in Greece
00:33:37And the United States
00:33:38It was anger
00:33:40It was anger
00:33:41It was anger
00:33:42I never liked this type of anger
00:33:46Because I think I did too
00:33:48And I loved it
00:33:51This type of anger
00:33:53It's not a thing
00:33:54It's not a thing
00:33:55It's not a thing
00:33:55It's not a thing
00:33:56It's a thing
00:33:56I don't think it's necessary
00:33:57In these societies
00:33:58Where they are
00:34:00The people who are
00:34:03The human beings
00:34:03Who try to
00:34:05To be
00:34:06To be
00:34:08To be
00:34:09To be
00:34:11To be
00:34:11To be
00:34:20To be
00:34:22To be
00:34:22To be
00:34:27To be
00:34:28To be
00:34:28To be
00:34:29To be
00:34:30To be
00:34:31To be
00:34:32To be
00:34:32To be
00:34:32To be
00:34:33To be
00:34:35To be
00:34:36To be
00:34:36To be
00:34:36To be
00:34:36To be
00:34:37To be
00:34:39To be
00:34:45To be
00:34:52and the results of the children are slowly slowly.
00:34:56In other words, if there is a child who has two or three years to the best,
00:35:03then we may see some difference after about two years.
00:35:10That's how long the children are.
00:35:12But it's the only engine that we use.
00:35:15When this engine comes to the hands of the police,
00:35:18we arrive there.
00:35:22The key of the world is only human.
00:35:31After marriage to Paris, the villagesans in Greece should have been sent.
00:35:36At his opinion, he showed pride in the state and in the system.
00:35:41The books, however, were mixed freely.
00:35:45And the way that exists in terms of the church,
00:35:48I continue to work academically.
00:35:55I have no idea how to do it.
00:36:21Of course he was a wise man, but he used a person, a person of light,
00:36:34because he knew that he would do things that would not agree with this wise man.
00:36:44He said that he was wise and he was really a wise man.
00:36:51He could have had a good life.
00:36:53He could have had a good life.
00:36:56To come back to the level of the previous year,
00:37:01without the bond, you know.
00:37:02You had a bond, you had a good life, and you had a good life.
00:37:08It was difficult.
00:37:10It was difficult for people with a great memory.
00:37:12You know it's difficult to get back to them.
00:37:15I have the impression that all of these were more strategic progress.
00:37:21It was a very strong love for the world,
00:37:28even if it was a period of time.
00:37:30I have the impression that he did his actions.
00:37:33He wanted the other to continue to be with him.
00:37:38And if I was here, I would say,
00:37:41that this was the action for the actions.
00:37:46It was a action, not from a stone, not from a stone,
00:37:49but to see how someone could meet with such a logic.
00:38:11That was his report.
00:38:20There were none of these roles as a romantic stardomist,
00:38:22which was to still be able to build up in the communal society,
00:38:27which we live,
00:38:29had to get a new mindset.
00:38:33And inside it was a fruit, like the litchi, the Chinese, which had the eggs outside.
00:38:48And when you open it, there was a very small and small amount of water.
00:39:01That's what it was. But it was not the lichis e-kombosta.
00:39:05Because the lichis e-kombosta is a sweet flavor, which I like to all,
00:39:11while the fresh lichis is difficult to open it.
00:39:18As a character, as a man, he had something that could be interesting.
00:39:25That's what it means to me.
00:39:28That's what it means to me now.
00:39:30How important it is to all be all of us.
00:39:32We all have made it a little bit like a machine,
00:39:35we have done things with just a criteria of whether it comes to us or not.
00:39:41I think that at this point, it could not only be one of the people of Petroulos,
00:39:45but even even one of the people of Petroulos,
00:39:47I would say.
00:39:54Something that I used to call Louisville is really good and that's why he did a lot of work.
00:40:14I couldn't find a job.
00:40:15Oh, my God.
00:40:17What's your name?
00:40:17Oh, my God.
00:40:20Oh, my God.
00:40:21That way, I lost all the things just when I was working on my job.
00:40:23In order to find a job.
00:40:24Here, here you work, from here you start all, here.
00:40:30And until 6.30-7, he worked with a tremendous speed.
00:40:36Everything alone, everything closed.
00:40:40No one can't be able to put it here, no one can't be able to put it here,
00:40:46except if someone came from Greece or someone had to phone.
00:40:50And they couldn't see him the night, and they came to play for work,
00:40:56only for work, for nothing else.
00:41:10Without a computer, without electronic notes,
00:41:13they had never been able to put it on the basis of evidence.
00:41:20The only basis of evidence was that he was himself,
00:41:23and the news that he had written, who held himself.
00:41:25Now I have a microbead, I hope so. I hope so, October, November.
00:41:31Because while I'm here, I can see the dossier, dossier, and other dossiers,
00:41:38things, things, things.
00:41:40I don't have written anything in my life for the findings,
00:41:45which are the findings.
00:41:46Not only for the findings, but for the findings,
00:41:50I have written a letter from the university,
00:41:52which says that they died, they died,
00:41:55they died, they died, they died, they died, they died.
00:41:58And I have one, among them,
00:42:00which is in 1925-1938.
00:42:04He had a lot of issues in his mind.
00:42:08Only the issues we have to write in a document,
00:42:12to see what will come and continue to come.
00:42:15You have to write the solution.
00:42:20There are no wrong TPVs.
00:42:21Even if you try to get this word back on day loud for everyone,
00:42:23however, but now, we have each other's different ñ
00:42:24linguistic, linguistic, linguistic,
00:42:27whatever, and lary on the gross view of Olivia,
00:42:30and the methods he could tell in the age range,
00:42:35never of anyone in theircessive comment nether Date on a Ganze,
00:43:04I don't know.
00:43:08I don't know.
00:43:38I don't know.
00:43:41I don't know.
00:44:14I don't know.
00:44:20I don't know.
00:44:23I don't know.
00:44:25I don't know.
00:44:59I don't know.
00:45:01I don't know.
00:45:12I don't know.
00:45:42I don't know.
00:46:13I don't know.
00:46:14I don't know.
00:46:57I don't know.
00:46:59I don't know.
00:47:03I don't know.
00:47:03I don't know.
00:47:05I don't know.
00:47:07I don't know.
00:47:08I don't know.
00:47:08I don't know.
00:47:09I don't know.
00:47:11I don't know.
00:47:13I don't know.
00:47:17I don't know.
00:47:41I don't know.
00:47:47I don't know.
00:47:51I don't know.
00:48:06I don't know.
00:48:10I don't know.
00:48:14I don't know.
00:48:22I don't know.
00:48:37I don't know.
00:48:39I don't know.
00:48:40I don't know.
00:48:41I don't know.
00:48:42I don't know.
00:48:45When you take love,
00:48:48that means things and things in life,
00:48:53there's no difference between erotism, pornography and love.
00:48:59That, at first, the barriers and barriers are penetrating.
00:49:04Elias wanted freedom to factor those boundaries.
00:49:07And the politics and the moral order, it's the moral order that puts the barriers between the pornography, the erotism
00:49:17and the platonic love as we call it.
00:49:40Dans ma revue, j'ai réuni des êtres qui n'avaient pas peur de la réalité, et je pense que
00:49:45ma rencontre avec Elias, c'était aussi cet hommage de quelqu'un qui n'avait pas peur de la réalité.
00:49:51Or, cette réalité, lorsqu'on l'exprime même, fait peur. Il suffit de parler du sexe de la femme pour
00:49:58que ça fasse peur.
00:49:59Ce qui est absurde, parce qu'on vient de là et on y retournera chaque fois qu'on pourra.
00:50:07Je ne sais pas.
00:50:3318 January, 18, after the police department, I was frustrated.
00:50:43And from the political and the family life, and from my studies,
00:50:47from the university, and all of them, I was frustrated from everything.
00:50:52And I had no interest for anything.
00:50:54And the Elyias gave me life.
00:50:57His face, that he had to do things with his own dance.
00:51:02He spoke to me immediately about the land.
00:51:04The first thing I said was that I wanted to do this for the land
00:51:07and I heard him with great patience.
00:51:10And he said to me that the first time they hear me
00:51:12because the others are crying or they are crying.
00:51:16They seem strange.
00:51:18However, I also had a special experience with my father
00:51:21from the time when I had my father, a little child.
00:51:25I went and I often went to the nursery.
00:51:27I was a friend. I was frustrated with this story of the land
00:51:33and it was very interesting to me.
00:51:35I said to myself, I'll come with you.
00:51:38I'm going to die.
00:51:39I'm not going to die.
00:51:40He spoke a lot about the land.
00:51:42He spoke a lot about the land.
00:51:44He spoke a lot about the land.
00:51:45He spoke a lot about the land,
00:51:50but he was very deep,
00:51:53he was a man.
00:51:59He spoke a lot about the love and the death.
00:52:02They were two very basic places in life.
00:52:05When I knew him, I didn't know anything about him.
00:52:10I didn't know anything about him.
00:52:11And I remember him.
00:52:13He was one of them.
00:52:15He was one of them.
00:52:17He was one of them.
00:52:18He was one of them.
00:52:19I was very different.
00:52:20There was a lot of different things in the sky.
00:52:24He was one of them.
00:52:26He was one of them.
00:52:35towards the sky. And this was, let's say, the Athenians.
00:52:40We took photographs, and we went all over all the places to photograph
00:52:47other places, let's say, of the Athenians, and this was the first impression.
00:53:01This is how he was ready, and how he got all of it.
00:53:05He was only with his hands.
00:53:14For a half a year, we went all over Greece with information,
00:53:19and walked with the Educational Halls, with the shoes, and we went all.
00:53:25This is the help of Greece.
00:53:27These are the turtles, the mountains and the hills, all over there.
00:53:33Before we were away, one time we opened a town and arrived,
00:53:37a reptile with a nymph.
00:53:42We stopped working,
00:53:44I was in the country of the country.
00:53:46Different countries were very frustrated.
00:53:50They were told us,
00:53:52what are we, what work we have,
00:53:54are you some of you known?
00:53:55We said yes.
00:53:56We said yes, yes, yes,
00:53:58so we can move forward.
00:54:01We were so frustrated,
00:54:02we were not familiar with the gala
00:54:03and we were so confused.
00:54:07We had many problems.
00:54:09It's not just an idea that it was always in the Necrotafia.
00:54:15But to go to Necrotafia with Petrovsk was not to go to the Necrus.
00:54:25It was to find a friend who were in Siopilus.
00:54:32Nothing else.
00:54:38In 1982 I was in the Verolyno for a series of dialects about the Greek tradition,
00:54:45when the Verolyno was still locked in with the door.
00:54:52The whole city with its memory made me angry and to gather the victims and the dead people of the
00:54:59war.
00:55:02In the Verolyno I saw all the victims of the Verolyno.
00:55:05I took photos of the victims of the Verolyno.
00:55:08And I gave up to my mind for another one, my father.
00:55:17From my back I looked at the Marianne Platz.
00:55:21It is 30 October and it is now,
00:55:24just before 39 years ago that I killed my father.
00:55:29I looked at my father's dead,
00:55:31with thousands of young people,
00:55:33who were angry,
00:55:34afraid,
00:55:36and afraid.
00:55:37I did not find my eyes ever before.
00:55:40And so I remained all my life orphaned.
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