- hace 2 días
La Promesa - Capitulo 857
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00:00:05No, yesterday Ciro told me that he had managed to pay the invoices for the first installment of the works.
00:00:12of the renovation of our house.
00:00:14Did you have anything to do with that?
00:00:16No, Juliet, don't worry about that. Focus on getting better.
00:00:22It's moving for the zucchini and for the pepper.
00:00:24Well, if this is a safe child.
00:00:28I wanted it to be a girl.
00:00:29And me too.
00:00:30If we have already promised it to Dillito.
00:00:33I'm sorry, but the pendulum has spoken.
00:00:35You kissed another man. That's not betrayal.
00:00:38I tried to stop it in time, but I can't control my feelings. What do I do?
00:00:41But we're dating, you and I.
00:00:42Now I think the most important thing is to know if what you felt for that man was fleeting or if it
00:00:49You still feel.
00:00:50Well, now the important thing is that you're together forever.
00:00:54God expects a wonderful future.
00:00:56A future that will pass through Madrid, right?
00:00:59To be honest, I don't really feel like going to Madrid.
00:01:03Well, you'll have to talk about that.
00:01:05Vera's father, the Duke of Carril, is still at large, and we already know what that wretch is capable of.
00:01:10Doña Simona, I know. But Madrid is a very big city.
00:01:15Yes, it's easier to go unnoticed there. But I think it's important that you talk to Vera as soon as possible and that
00:01:19Don't assume what she wants.
00:01:22I'm not in a position to confront Don Cristóbal. If he had supported me, I would have accepted the position.
00:01:29without thinking.
00:01:29But with his opposition, it's impossible. I also wouldn't want to go back on my word in front of Mr. Márquez, and I've already turned down the position.
00:01:37Should I have given birth?
00:01:39Well, I'm still small. Maybe it takes a little longer to have a baby. I don't know. What pressure!
00:01:44Could we spend some time in your life? And that's how you finish your law degree?
00:01:49Could that be okay?
00:01:50I know how important it is to you.
00:01:52I asked Martina directly if there was still any kind of relationship between her and that man.
00:01:57And just as he was about to answer, he slipped away. Because at that very moment, the butler arrived.
00:02:01Adriano, do you think there's still something between them? Do you think Martina still has feelings for that man?
00:02:06I don't know, Don Jacob. I don't know.
00:02:08Can you live in the Baron of Linaja's palace?
00:02:11Living in the Baron of Linaja's palace, knowing what he was like, isn't what I'm most looking forward to.
00:02:16the world, the truth.
00:02:17We also haven't ruled out moving to the capital.
00:02:19Madrid is very far away. We would hardly ever see each other.
00:02:22I have lived almost my entire life far away from you.
00:02:24Have you heard that Vera and I...
00:02:26Yes, that was clear.
00:02:27That you and Vera were made for each other.
00:02:29I wasn't so sure.
00:02:31I even started to think that I had stopped believing in myself.
00:02:32Fortunately, you were wrong.
00:02:34And let's lay our cards on the table to plan a future together in Madrid.
00:02:37Well, maybe we'll meet there.
00:02:39And so?
00:02:40Angela and I are also planning to live in the capital.
00:02:43Instead of admitting your mistakes, you refuse to claim the full amount of money.
00:02:46And Manuel, who is sometimes naive, instead of telling you to get lost,
00:02:50It gives you money to pay off your home renovation debts.
00:02:53But this is as far as we've come.
00:02:54If you continue with your impertinence and absurd demands,
00:02:57I will be forced to throw you out of my palace.
00:03:22You can't imagine how happy it makes me to see that you've finally found the strength to go for a walk.
00:03:29Juliet?
00:03:30Juliet?
00:03:32Are you OK?
00:03:33Did you get dizzy?
00:03:35No no.
00:03:35I'm not well.
00:03:37But it has nothing to do with my health.
00:03:40But...
00:03:42Do one thing.
00:03:43Sit down.
00:03:43No, I don't want to sit down, Manuel.
00:03:45But why not?
00:03:46If you've just lost your balance.
00:03:49I'm going to notify the doctor right now.
00:03:50No, Manuel, no.
00:03:53I'm not well.
00:03:54But it's because of the displeasure I feel.
00:03:57As?
00:03:58You have paid the first installment for the renovation work on my house.
00:04:08I'm sorry for keeping it from you.
00:04:09It's just that you've kept it from me.
00:04:10You lied to me, Manuel.
00:04:12I asked you directly.
00:04:14And you lied to me.
00:04:16You've done it again.
00:04:17But this time it was for a good cause, I swear.
00:04:20I was going to tell you everything.
00:04:22When?
00:04:22When you were feeling better.
00:04:25Julieta knew this was going to affect you.
00:04:27And it's clear I wasn't wrong.
00:04:29Already.
00:04:32Sorry.
00:04:34I swear that all I wanted was for you to recover.
00:04:37I just can't wrap my head around how Ciro could have been so shameless as to ask you for money.
00:04:42That's an abuse.
00:04:43It's blackmail, Manuel.
00:04:44I prefer to think that I got him out of a very big bind.
00:04:47Ciro shouldn't have asked you for a single cent.
00:04:50Because you don't owe him anything.
00:04:52And instead of being grateful for your and your father's hospitality, what he does is...
00:04:56It's biting the hand that feeds you.
00:04:58Forget about that.
00:05:00Please.
00:05:03You know, if you think about it, it's not that big of a deal.
00:05:07I wish everything in this world could be solved in such a simple way.
00:05:11With a little money.
00:05:12No.
00:05:13Don't downplay it.
00:05:15What Ciro has done is very wrong.
00:05:18Leave it be, please.
00:05:20Your recovery is what's important now.
00:05:26You're still in it for the money, don't worry.
00:05:29I'm not going to give him another penny.
00:05:32Do you promise me?
00:05:34I would give anything for you to be okay.
00:05:39And for your recovery.
00:05:44Alright.
00:05:46Alright.
00:05:56I don't know how you do it, but you have the power to calm me down, no matter how upset I am.
00:06:18You can't imagine how happy it makes me to have that power over you.
00:06:43I don't know if I can tell you
00:06:47The things that have happened since I saw you
00:06:51The lights that have danced through our garden
00:06:55New rumors between the heart and the walls
00:07:01In the promise
00:07:03There will be particles of love in motion
00:07:07There will be secrets that will never come out.
00:07:11It will be as beautiful as the flight of an airplane
00:07:18In the promise
00:07:20In the promise
00:07:20Goodbyes are like tattered rags on the ground
00:07:24Even the flowers will dance in their own way
00:07:29Tightrope walkers between fear and passion
00:07:34And we're like a saint on the count of three
00:07:38We are love when life or death is at stake.
00:07:42A long road ahead
00:07:46In the promise, it will all come down to luck.
00:07:50We're like a jump on the three
00:07:54We are love when life or death is at stake.
00:07:59A long road ahead
00:08:03In the promise, it will all come down to luck.
00:08:15Gold has risen again
00:08:18I should have invested months ago
00:08:20When the man from Albatana recommended it to me
00:08:26Have you bought gold lately?
00:08:33What were you saying?
00:08:35I, Javier, you are not here
00:08:37Is something wrong?
00:08:42Well, it turns out that my daughter and Curro
00:08:45They are considering moving abroad
00:08:48To the capital, more or less
00:08:54But Curro is now going to be the Count of Linaja
00:08:59I thought he would stay in the old palace of the man
00:09:01Not even then
00:09:03Well, I thought I'd want to enjoy that house
00:09:06Me too?
00:09:08Imagine, a palace just for the two of them.
00:09:11But it seems they don't like that your father-in-law lived there before.
00:09:15If I had to like everyone who's been through here
00:09:20This generation doesn't know how to value what they have.
00:09:24And you say they plan to settle in Madrid?
00:09:26In a second stage
00:09:29Initially they want to go to Switzerland
00:09:31So that Angela can finish her law studies
00:09:35I don't think that's a bad thing.
00:09:36And I'm surprised that you think so.
00:09:38You have always insisted that he finish his studies
00:09:41If it doesn't seem far-fetched to me, Alonso
00:09:43That my daughter finishes her studies
00:09:46That seems very good to me
00:09:47But I could also do it closer to here
00:09:51I don't know, in Seville
00:09:53He doesn't have that long to go before graduating either.
00:09:56They would soon be back
00:09:57And as I said, afterwards they would go to Madrid
00:10:00Because they believe they would have a better chance of prospering there.
00:10:06They have a point there.
00:10:09But they are counts
00:10:11I think they wouldn't lack opportunities nearby either.
00:10:18She should stay with her mother
00:10:22Don't worry
00:10:24They are just speculations
00:10:25If there were anything certain, Curro would have already told me.
00:10:29Maybe I haven't told you anything
00:10:30Because he knows you're not going to take it well.
00:10:32I think he trusts me enough.
00:10:34As if you could tell me something like that
00:10:35No, I'm sure he'll tell you at some point.
00:10:38But...
00:10:39Perhaps he's waiting
00:10:40Until after the wedding
00:10:41And why would I wait so long?
00:10:43Obvious
00:10:44This will save you from seeing me angry for weeks.
00:10:48No no
00:10:49I don't think Curro is thinking about that
00:10:52Alonso
00:10:53Maybe Curro
00:10:55He doesn't trust you
00:10:56As much as you think
00:11:07Proof
00:11:23But what?
00:11:24What leaves you speechless?
00:11:26Anything, kid?
00:11:30Are lentils not good or what?
00:11:34They're delicious!
00:11:36But I think it could use a little more ham.
00:11:39To make them tastier
00:11:40And a splash of vinegar to balance it out
00:11:42Hmm...
00:11:43If you have a palate
00:11:44Do you see it?
00:11:45I told you, Simona
00:11:46That ham bone was very small
00:11:48Angela, it was the only ham bone we had
00:11:51Did they give it to you?
00:11:53Hey?
00:11:53There was still plenty of ham left over.
00:11:54But let it be known that the lentils are delicious.
00:11:57But that's life.
00:11:57Well, there's always room for improvement.
00:11:58Of course!
00:11:59Let's see where the vinegar is.
00:12:01Here
00:12:03And now that I've given you some advice about lentils
00:12:07Could you give me some advice about life?
00:12:09Of course, López
00:12:10I'm the best at giving advice.
00:12:12No, I don't see that I've lived that long.
00:12:13I have a good repertoire
00:12:16Has something already happened with Vera?
00:12:18No, no, no
00:12:19Everything is fine with Vera.
00:12:20I didn't know what the council wanted.
00:12:23It really does have to do with Vera
00:12:25But it's not a bad thing at all.
00:12:26It's just that now we're starting to think about our future
00:12:29And she's not convinced about coming to Madrid
00:12:31Of course, that's a very big life change.
00:12:35Already
00:12:36What worries me is that we see the future differently.
00:12:40Well, as long as you watch it together
00:12:41One after the other
00:12:43That's difficult too, Doña Simona
00:12:46Because I have to go back to work soon.
00:12:49And Vera doesn't want to break her promise for now.
00:12:51And in fact, so you won't continue?
00:12:53More or less
00:12:54And not even afraid after everything that's happened with her father
00:12:56That's why he doesn't want to leave here
00:12:58Of course, she'll feel safer here.
00:13:01Of course, besides, I don't think his father is a big deal.
00:13:02May it have the right to peek out through the promise
00:13:04With the Civil Guard on guard
00:13:05In contrast, in Madrid
00:13:06She will feel even more vulnerable now.
00:13:08Well, I don't agree with you.
00:13:10Because Madrid is a very big city
00:13:12And there we would go unnoticed
00:13:13But you have to understand
00:13:14That she finds it difficult to take that step
00:13:16Besides, she has all her friends here.
00:13:19And there I'll be.
00:13:21Because what is clear
00:13:21I have to go back to Madrid for work.
00:13:24Lope, couldn't you shut up for a week or two?
00:13:26Until she changes her mind?
00:13:28I just can't stretch the rope any further.
00:13:30And what I don't want is for us to separate again.
00:13:32And even less so thinking about one thing at a time.
00:13:34Because it would be like not having made any progress.
00:13:35No, that's not how it works, okay?
00:13:37Caras brought good
00:13:38And when you came back
00:13:39She didn't even want to look you in the face
00:13:42Now, Lope
00:13:43You have to put yourself in Vera's shoes.
00:13:46It's understandable that he's afraid
00:13:48That her father finds her in Madrid
00:13:51However big Madrid may be
00:13:52Besides, you're still working
00:13:54For the Duke of Carvajáis and Fuentes
00:13:56If that scoundrel finds out I'm dating someone
00:13:59Well, it won't be complicated anymore.
00:14:01Find your daughter
00:14:02Well, following that thread
00:14:03I know.
00:14:09But it's my job
00:14:11Yes, Lope, but...
00:14:14What matters most to you?
00:14:17The work
00:14:18Or be with Vera
00:14:21And at that point, we can't advise you.
00:14:24Neither of them, huh?
00:14:25Because that decision has to be made by oneself.
00:14:28With her own cesarean section
00:14:53Maria
00:14:53I'm bringing blankets from Doña Leocaria
00:15:00This whole thing is becoming a huge undertaking for me, isn't it?
00:15:02Well, with that big belly you have, Maria, it's normal.
00:15:05You should go to bed and rest.
00:15:07I'm not going to start again.
00:15:08No, well, I am going to start, yes
00:15:10Because I have spoken with Mrs. Arcos and with Carlos
00:15:12And I've been told you're past your due date, Maria
00:15:15Although that's what they're saying, huh?
00:15:17No, yes, I've calculated it and it's true
00:15:19Well, it's not that important.
00:15:21Of course it's important, Maria
00:15:23If you take a long time to give birth
00:15:24We're going to have to encourage that kid to go out.
00:15:27As far as I know, you are neither a midwife nor a doctor.
00:15:29The baby will come when it's meant to come, that's all.
00:15:32Very good, very good, you're right.
00:15:33I'm not an expert
00:15:34But I have given birth once
00:15:35And I helped many women give birth, Maria
00:15:37And if the baby doesn't come out
00:15:39He has to be forced to leave
00:15:40Ah, no, I don't intend to force him
00:15:42I don't want my child to come into this world in a hurry.
00:15:45I say this because I care about you.
00:15:47Yes, Mrs. Pia, well, I know that my baby is very comfortable inside the tummy.
00:15:52He will leave when he deems it appropriate.
00:15:53What I'm saying is that sometimes we have to help them.
00:15:56Nobody can understand her, can they?
00:15:58The other day she laughed at me because she thought I had gone into labor
00:16:01And now he wants to force me to give birth
00:16:03Maria, Maria, really
00:16:05I just want to help you.
00:16:07I appreciate your concern for me.
00:16:10But because you had a difficult childbirth
00:16:11That doesn't mean the same thing will happen to me.
00:16:15Maria, don't you realize?
00:16:17If the baby takes a long time to be born
00:16:20It could even be dangerous for both of them.
00:16:21Well, I think it's more dangerous to force it.
00:16:24Because a woman from my town, Ana la Pájaro
00:16:26Her delivery was also delayed
00:16:28And they wanted to provoke him.
00:16:29And they gave him something like ergot.
00:16:31And they almost took her to the other side.
00:16:32To her and the child
00:16:32Nobody here is talking about giving you anything, Maria.
00:16:34And much less ergot.
00:16:36No, no, no
00:16:37Nobody's going to give me anything.
00:16:38Because that woman, Ana la Pájaro
00:16:40She went blind after that.
00:16:41No, and I believe you, I believe you
00:16:43But there are things that are not dangerous
00:16:45They can't help the baby come out, Maria
00:16:47We need to encourage him
00:16:48Doña Pía
00:16:49My baby will come out when he feels like it.
00:16:51When nature decides.
00:16:53And that's all there is to it.
00:16:54That's it
00:17:05When Jacob asked me
00:17:07If she still felt something for the man she kissed.
00:17:09I didn't know what to say
00:17:13Thank goodness Christopher came
00:17:14And I managed to slip away
00:17:15Because if not
00:17:19I don't know if Jacobo himself told me.
00:17:22Really?
00:17:22Yeah
00:17:26We were annoyed by the whole thing
00:17:28I don't know
00:17:28Clear
00:17:30I have to do something
00:17:32I have to tell him.
00:17:36Martina, do you think that would be the best thing?
00:17:41Yes, but I...
00:17:43I lack the courage to do it.
00:17:49It's not easy to deal with something like this.
00:17:51I understand, of course.
00:17:51It distresses me just thinking about it.
00:17:54Really
00:17:56But...
00:17:56Let's think about something else
00:18:00For now
00:18:01How's your eyesight?
00:18:06Have you made any progress?
00:18:08Yeah
00:18:09Well, some...
00:18:11Some intermittent improvement
00:18:14But nothing definitive.
00:18:15Neither for good nor for bad
00:18:18Let's do one thing
00:18:20I'm going to put on
00:18:24Between
00:18:24You
00:18:28And the window
00:18:30To see if you can
00:18:32Distinguish my silhouette
00:18:35Good
00:18:48Do you see anything?
00:18:50Do you see anything?
00:18:51I see a...
00:18:53I see light
00:18:54Uh-huh
00:18:57And in the middle, a shadow
00:18:59Clearly in the shadows, that's me.
00:19:03Now I'm moving my arm
00:19:06Do you see it?
00:19:08No, I don't know, Martina.
00:19:10No problem
00:19:11No problem
00:19:12I'm going to get a little closer
00:19:22Yeah
00:19:23I've noticed something
00:19:27That?
00:19:30A lump
00:19:31Clear
00:19:32The lump is my hand
00:19:34Very good
00:19:37Anyway
00:19:39In less than a minute
00:19:40You called me
00:19:41Shade
00:19:42And bulk
00:19:44How very gallant
00:19:46It's not on your part
00:19:47Martina
00:19:48Because I see your silhouette
00:19:49Like a lump
00:19:53That's it
00:19:57But that
00:20:04What do I remember?
00:20:05Very good
00:20:05What was it like?
00:20:07The form
00:20:08From that bundle
00:20:16The color
00:20:17From your eyes
00:20:22The form
00:20:23From your
00:20:24From your lips
00:20:25AND
00:20:29And that nose
00:20:30So pretty
00:20:31What do you have
00:20:32That
00:20:37I remember it
00:20:38Perfectly
00:20:45What are you doing?
00:20:47We were
00:20:48Well
00:20:50I was trying
00:20:50To stand up to the light
00:20:51To see if
00:20:52Yeah
00:20:54I could distinguish
00:20:56My silhouette
00:20:57As?
00:20:58Sorry
00:20:59Is it perhaps
00:20:59You can see something
00:21:01Well
00:21:02No, no, no
00:21:02I can see
00:21:03Some light
00:21:04Some lump
00:21:05Oh well
00:21:06Oh well
00:21:07That's fantastic!
00:21:08Why hadn't he told me anything?
00:21:10Because I wanted to tell him
00:21:12Don Jacobo
00:21:12When
00:21:12When I had the chance
00:21:14Adequate
00:21:15For
00:21:15Already
00:21:16Well
00:21:17And neither are you.
00:21:17You haven't told me anything
00:21:18But I thought
00:21:19That I would love you
00:21:20Tell him
00:21:21You see?
00:21:21That in the end
00:21:22The one
00:21:22On the other hand
00:21:23But that barely
00:21:24Don Jacobo
00:21:24I can distinguish
00:21:25The shadow
00:21:26And that I don't want
00:21:27To get my hopes up
00:21:28With this
00:21:28I don't want to give people false hope.
00:21:29To no one
00:21:30From the family
00:21:31I understand now.
00:21:32Understand
00:21:33But that's true.
00:21:33To Martina
00:21:34Yes, he wanted to give her hope.
00:21:35Hey?
00:21:36Because he realized
00:21:38By chance
00:21:39It could not be hidden
00:21:41Clear
00:21:41Come on
00:21:41It was pure chance.
00:21:43Really
00:21:43Yeah
00:21:44Clear
00:21:44Clear
00:21:45Well
00:21:46I'll leave you now.
00:21:46Keep going
00:21:47Your evidence
00:21:48Let's see if
00:21:49There is still progress
00:21:50And don't worry about me
00:21:51Adriano
00:21:51I won't tell him either.
00:21:52Nothing to anyone
00:22:21You're finished
00:22:22Did I sweep it already?
00:22:24Almost
00:22:26The thing is
00:22:26The wood
00:22:27It left me with many
00:22:28Pills
00:22:33Already
00:22:33That's it
00:22:38What's happening?
00:22:40Nothing, nothing
00:22:41I need to mop the floor
00:22:42And it's better.
00:22:42If it was first barricaded
00:22:44What do you have to do?
00:22:46To a deaf person
00:22:46Mop the floor
00:22:47Clean it
00:22:48Add water
00:22:49And that's it.
00:22:49Leave it clean
00:22:50Already Maria
00:22:51I know what it is
00:22:51Mop the floor
00:22:52What I don't know
00:22:53It's like you come up with it
00:22:53Do it to you
00:22:54Well then
00:22:55That's what it says in the quadrant
00:22:56And that's just how it is.
00:22:57So come on
00:22:58Remove all these things
00:22:59Wait, wait
00:23:00I had already heard
00:23:01That the quadrant
00:23:02This week
00:23:02It was a mess
00:23:03And I can see it now.
00:23:03That a maiden
00:23:04It cannot be put
00:23:05To mop the floor
00:23:06Maria
00:23:06That's something for maids.
00:23:07Hey?
00:23:08And especially not you
00:23:08In your state
00:23:09Well, that's how it is.
00:23:10What do you want me to do?
00:23:13Let's see, Maria
00:23:14To mop the floor
00:23:15You need to move flowerpots
00:23:16You have to carry buckets
00:23:17Carlos, I know perfectly well
00:23:18What I have to do
00:23:19Okay then
00:23:19You will know perfectly well
00:23:20That you in your state
00:23:21You can't do it
00:23:21Hey?
00:23:22And who should know?
00:23:23He is also Mr. Ballesteros
00:23:24So I'm going to talk to him
00:23:25Yes, standing still
00:23:26That's quite confusing.
00:23:27These things
00:23:28So you can get them tangled up.
00:23:29Even more
00:23:29But Maria
00:23:30That you can't
00:23:31Neither but nor anything else
00:23:31If you really think it's wrong
00:23:33Let me do the job myself
00:23:34You can always help me
00:23:35No?
00:23:36Yes, yes
00:23:36I'll help you, I'll help you
00:23:37Of course I'll help you
00:23:39Well then, what are you doing standing there?
00:23:41Run and get a bucket of water
00:23:42Come on
00:23:43Like a pitcher
00:23:44Go
00:23:44Go
00:23:45What a genius
00:23:46My God
00:23:46Look, I hope our son
00:23:47Nazca with a little more calm
00:23:50Our son will be born
00:23:50Whenever I feel like it
00:23:52Is that clear?
00:23:53Yeah
00:23:54That's clear to me.
00:24:04What are you doing alone?
00:24:06You should have asked
00:24:07May a maiden accompany you
00:24:08It's not necessary
00:24:10I also wanted us to be
00:24:11Just you and me
00:24:24You'll be happy, Ciro.
00:24:27You almost got your uncle
00:24:29He cast us out of the promise
00:24:30What are you saying?
00:24:32Ciro, don't lie to me
00:24:34I don't know what they told you
00:24:35Nobody has told me anything
00:24:37I was present
00:24:39I was in the hallway
00:24:40And I myself heard
00:24:41Because your uncle criticized your behavior
00:24:43Ciro, you're absolutely right.
00:24:45And if I didn't intervene
00:24:46It was because I was falling out
00:24:46The face of shame
00:24:48Those who should fall
00:24:49The face of shame
00:24:50It's my uncle and Manuel
00:24:52That you were about to
00:24:53To die because of him
00:24:54No
00:24:55Neither Manuel nor Alonso
00:24:56They had nothing to do with that
00:24:57And you know it perfectly well.
00:24:59I have a different opinion.
00:25:00The only culprit
00:25:01It was the Duke of Carril
00:25:03No one else fired
00:25:04With that gun
00:25:05That's one way to look at it.
00:25:07I have a very different one.
00:25:08Besides, I don't know
00:25:09What does that have to do with anything?
00:25:10Cyrus
00:25:10By asking Manuel for money
00:25:11So that they pay us.
00:25:12The renovation of our house
00:25:13Everything is connected
00:25:16They must compensate us
00:25:17Because of what they've done to you
00:25:19To compensate ourselves
00:25:21You're setting a price
00:25:23You're setting a price
00:25:24To my life Ciro
00:25:29Juliet
00:25:30Everything has a price.
00:25:36Thank you!
00:25:40Thank you!
00:25:42Thank you!
00:25:57Thank you!
00:26:24This is very unfair
00:26:32Yes, indeed, Doña Simona
00:26:35But it's no use.
00:26:36Let him think about it more.
00:26:38Of course
00:26:39This one is smarter
00:26:40But the thing is
00:26:41My blood is boiling
00:26:43In any case
00:26:44In any case
00:26:44We must move forward
00:26:45Mr. Arcos
00:26:46And why that man
00:26:47Has he shut you out so much?
00:26:49Yes, what happened?
00:26:50This makes absolutely no sense.
00:26:54Well, if you want to tell us.
00:26:56Clear
00:26:57You have no obligation
00:26:59Teresa doesn't have it.
00:27:00But almost, huh?
00:27:02That we are friends
00:27:02And we'll tell you about it.
00:27:03All of it
00:27:05Alright
00:27:07Close the door
00:27:08Mr. Arcos
00:27:16The point is that
00:27:18As you know, lately
00:27:19Mr. Ballesteros
00:27:20Was
00:27:20Marking very closely
00:27:22To Mrs. Pia
00:27:23Yeah
00:27:23Absolutely.
00:27:24It does nothing but
00:27:25Scolding her
00:27:26And to find fault with it
00:27:27Everything he did
00:27:28Yes that's how it is
00:27:29And I'm not saying that sometimes
00:27:31I had no reason
00:27:32To do it
00:27:32But
00:27:33Many others
00:27:34He crossed the line
00:27:35Well yes
00:27:36She took it out on Mrs. Darre
00:27:38So much
00:27:38Like now
00:27:39She's picking on you.
00:27:41Yeah
00:27:43So
00:27:45I did what I could
00:27:46To defend her
00:27:47And that's why he took your job?
00:27:52Something else also happened
00:27:53With
00:27:54With a letter
00:27:55That I was writing
00:27:56Doña Pía
00:27:57And what's so serious?
00:27:59What happened?
00:28:00Well, Mr. Ballesteros
00:28:01She saw how he wrote it
00:28:03During working hours
00:28:04And he confiscated it.
00:28:06Oh well
00:28:07Did that man really think he was something?
00:28:08He has no right
00:28:09Well, precisely
00:28:10That's exactly what I told him.
00:28:11I asked him to give it back.
00:28:13Several times
00:28:14But he didn't
00:28:14So let's say that
00:28:18That I recovered it
00:28:22Did you get it back?
00:28:24Come on, Teresa
00:28:26You stole it
00:28:27Well, I didn't want to use it either.
00:28:30That word is so harsh.
00:28:31Mrs. Arcos
00:28:32But if
00:28:34I entered his office
00:28:35AND
00:28:35I took it
00:28:37You were brave
00:28:38Unconscious
00:28:40And also reckless
00:28:41Very reckless
00:28:42I know
00:28:43But at that moment
00:28:44I thought it was what I had to do
00:28:46And of course
00:28:47When Mr. Ballesteros found out
00:28:48He flew into a rage
00:28:50A basilisk
00:28:51A hydra
00:28:52Yeah
00:28:54He got very angry
00:28:57AND
00:28:59And that's the reason
00:29:01Which is why we've gotten here
00:29:04There it is
00:29:23All this time
00:29:25We've been wrong
00:29:27He wasn't the captain of the bush
00:29:29Who killed Hannah?
00:29:34I don't know if it was him
00:29:35Who shot
00:29:36Against her
00:29:37But
00:29:39But Hannah died of poisoning.
00:29:45And I have discovered
00:29:47Who poisoned her?
00:29:51It was Doña Leocasia
00:29:56Now I'm sure
00:30:01To Hannah
00:30:02She killed her
00:30:02Leocadia de Figueroa
00:30:18Annoying?
00:30:21No, no, no
00:30:22With this, I finished ironing.
00:30:25I was going down because
00:30:27Because I wanted to talk to you
00:30:32Well, I've also been like this for a while.
00:30:36I want to talk to you.
00:30:38Curro
00:30:40Alright
00:30:40But let me start
00:30:42Please
00:30:43Yeah
00:30:45Sure, whatever.
00:30:45Thank you.
00:30:52You look very happy.
00:30:53It's because it's already arrived for you
00:30:55The title of count
00:30:57No, it hasn't arrived yet.
00:30:59But if
00:30:59Yes, I'm happy.
00:31:00Yeah
00:31:01Because it gets closer every day.
00:31:02My wedding day
00:31:04And to think about life
00:31:05Angela and I will take it.
00:31:06Married
00:31:07I'm excited
00:31:08Okay, fine.
00:31:09It will be a wonderful life.
00:31:10Clear
00:31:12But you know what?
00:31:13I've realized
00:31:14I've thought a lot about it.
00:31:15What would my life be like?
00:31:16After the wedding
00:31:17But I haven't thought
00:31:18At the wedding
00:31:19In itself
00:31:21You don't have time for that, do you?
00:31:23What would the ceremony be like?
00:31:26EITHER
00:31:27How would I get there?
00:31:28To the altar
00:31:32And it occurred to me
00:31:34Nothing better
00:31:35That I arrive arm in arm with you
00:31:38That's what I wanted to tell you
00:31:40That?
00:31:44What do you want?
00:31:45Let me walk you down the aisle
00:31:49Curro, for God's sake.
00:31:50That's crazy
00:31:51I know that's the same
00:31:52Someone gets annoyed
00:31:53But I don't care.
00:31:55No, he won't be upset
00:31:56Someone in isolation
00:31:57Curro
00:31:57Most people are going to be upset
00:31:59Especially the captain of the thicket
00:32:00He's going to raise hell.
00:32:01Well, to annoy him
00:32:02I will find it pleasant
00:32:04It's not just him
00:32:05Yes, yes, it's going to be a scandal
00:32:08Can
00:32:09But I want it to be you
00:32:11Whoever will walk me down the aisle
00:32:12Doña Pía
00:32:13And there's nothing for me
00:32:14That makes me more excited
00:32:15Curro
00:32:17But it can't be.
00:32:19Because I am only
00:32:21A simple maid
00:32:22No?
00:32:23No
00:32:24To me, you are much more than that.
00:32:26Yes, but not in the eyes of society
00:32:29Curro
00:32:30It's going to be a lavish wedding.
00:32:31With noble people
00:32:33Very important people
00:32:34But for me, you
00:32:35It's more important
00:32:36That any nobleman
00:32:36That I can attend the wedding
00:32:38Curro, no
00:32:39That I don't
00:32:39I'm not going to ruin your wedding
00:32:41No
00:32:42On the contrary, Doña Pía
00:32:44It would fulfill my wish
00:32:46Please listen to me.
00:32:47Please
00:32:48I know how these things work.
00:32:49Really
00:32:52Okay, okay
00:32:54Look, let's do one thing
00:32:55Let's not rule it out
00:32:56And we'll talk about it later.
00:33:00Well
00:33:01Yes, I hope so by then.
00:33:02You realize that
00:33:03That no
00:33:04That it's nonsense
00:33:05That can't be.
00:33:05Yes, I'll take a look at it.
00:33:10Well, I've already told him my story.
00:33:11What did he want to talk to me about?
00:33:20Well, I wanted to know if
00:33:21Yes it's true
00:33:22That's what I heard
00:33:23About what
00:33:24That after
00:33:27From the wedding
00:33:28Miss Angela
00:33:29And you're going to live far away
00:33:31From the palace
00:33:32That's what you were
00:33:34Oh
00:33:36I see that news travels fast.
00:33:37Well, you know
00:33:38It's a possibility.
00:33:41But I haven't said anything to him.
00:33:43It's because it's not safe.
00:33:44Yeah, well in that case
00:33:46I'm going to miss you a lot
00:33:50Doña Pía
00:33:50Whatever we decide
00:33:52You'll be the first to know.
00:33:53Thank you
00:33:56Oh, and don't rule out walking me down the aisle.
00:33:59No, they are talking, and say so.
00:34:14Which is not to say
00:34:14It's not that
00:34:28What else am I telling you?
00:34:28It's not that
00:34:29It's not that
00:34:29You could argue while shouting like that.
00:34:32Did you hear us?
00:34:33It's impossible not to do it.
00:34:39My wife always has something to criticize me for.
00:34:43When it's not one thing, it's another.
00:34:45And always on the side of Wuhan.
00:34:46It's always been like this, hasn't it?
00:34:48A liquor?
00:34:49No.
00:34:51And do you know why?
00:34:53Because you haven't even put yourself in your place,
00:34:55You haven't put her in her place either.
00:34:57Despite being completely right, as is the case.
00:35:01They have to compensate me for what the Wuhan people did to me, right?
00:35:04It's obvious.
00:35:06You were practically thrown into the arms of the Duke of Carril.
00:35:09And then, as you have rightly pointed out,
00:35:11They did not prevent him from returning to his promise to take revenge.
00:35:14And it was his duty to protect the house properly.
00:35:17And what did they do? A damn botch job.
00:35:18And so it was, damn it.
00:35:20And unfortunately, you are the only one who thinks like me in this palace.
00:35:24They're blind, Ciro.
00:35:28Above all
00:35:31because your little wife
00:35:32She's playing the martyr
00:35:34despite the fact that she was injured.
00:35:37Is that what you think, Captain?
00:35:39You only have to look at her.
00:35:41She seems to have recovered.
00:35:42But every chance she gets, she takes the opportunity to put on that victim face.
00:35:47Yeah.
00:35:49Could be.
00:35:50Listen to me.
00:35:53That's what he uses to manipulate you.
00:35:56And you shouldn't allow it.
00:35:58Remember this.
00:35:59Being a victim
00:36:00You're not right.
00:36:05I don't know.
00:36:08I don't know.
00:36:10But she has the marquis and my cousin behind her.
00:36:13They always support her.
00:36:16It's amazing how those two have always managed to be on the wrong side.
00:36:34We're here now, aren't we?
00:36:35Yeah.
00:36:36Good.
00:36:48Whenever you can
00:36:49See a little more
00:36:52You're going to love it
00:36:53the faces Rafaela is making.
00:36:56She's so funny.
00:36:58And I faint, huh?
00:36:59Oh well,
00:37:00For now, I'm content with her laughter.
00:37:02that for me is
00:37:03Joy for the soul.
00:37:05Those two creatures are just so beautiful.
00:37:08And they grow so fast.
00:37:09Come on, I'll warn you,
00:37:10because when you can see them again
00:37:11You probably don't recognize them anymore.
00:37:13Already.
00:37:13Well, it's best not to get your hopes up about that.
00:37:16because maybe I'll never see them again.
00:37:18Yes, you will see again.
00:37:19Already.
00:37:20You cannot lose hope.
00:37:23I hope so, Martina.
00:37:26Anyway, there's one issue that...
00:37:30that worries me.
00:37:32Apart from the sight.
00:37:34Already.
00:37:35But not...
00:37:36No...
00:37:38You don't have to worry
00:37:39because
00:37:40Jacobo will get over it very soon
00:37:42anger
00:37:43for not having told him
00:37:44about the eyesight.
00:37:46He adores you.
00:37:48He can't get angry with you.
00:37:50AND...
00:37:51And he does all that.
00:37:52even more painful.
00:37:55Martina,
00:37:55he...
00:37:57He tells me everything.
00:37:58because he considers me his friend,
00:38:00his...
00:38:00his confidant.
00:38:03He's already used me as a shoulder to cry on.
00:38:04with the mysterious man from the board.
00:38:08And that was a long time ago.
00:38:10If you only knew how long I've been lying.
00:38:12My God.
00:38:14The only thing you're trying to do
00:38:16It's about supporting him.
00:38:18No, Martina.
00:38:20Don't put on warm compresses
00:38:22who know very well
00:38:22what I'm doing.
00:38:23What we're both doing.
00:38:25Already.
00:38:25Already.
00:38:27If only...
00:38:31I lie to his face
00:38:32And on top of that, I allow myself the luxury
00:38:34to give him advice,
00:38:35please.
00:38:37That I...
00:38:38I am converting
00:38:39in a despicable traitor.
00:38:43I feel terrible too
00:38:44with everything that's going on.
00:38:50I don't know how long.
00:38:51I'm going to put up with this for a while longer, huh?
00:38:57Many times Martina
00:38:58You come to vent to me
00:39:01and I feel like I am
00:39:03plunging a dagger
00:39:04from behind.
00:39:08And I feel anxious.
00:39:12and I feel like I have it.
00:39:13to tell at some point.
00:39:16No?
00:39:23I'm being a coward.
00:39:31Of course I want to tell you
00:39:32what I feel for you,
00:39:33but every time I have
00:39:34the opportunity
00:39:35to do it
00:39:36I am petrified.
00:39:41I could too
00:39:42take the step forward,
00:39:43But the thing is
00:39:44I'm going through the same thing as you.
00:39:45that I can't.
00:39:47Can't.
00:39:50The thing is...
00:39:51We would hurt him so much
00:39:53that...
00:39:58which I prefer
00:39:59continue loving you
00:39:59secretly.
00:40:03Likewise
00:40:04We are hurting him.
00:40:07And we are
00:40:08causing harm
00:40:08us.
00:40:11Because all this
00:40:12It is turning us
00:40:13in worse people, Martina.
00:40:29Doña Pía,
00:40:30hang on a minute.
00:40:31Where is she going with those rags?
00:40:32So dirty at this hour?
00:40:33And I should be having dinner.
00:40:34Well, there you have it.
00:40:34It was his turn to wash them
00:40:35to another person,
00:40:36He hasn't done it
00:40:36And now it's my turn.
00:40:38I really don't understand.
00:40:39the mess
00:40:40that's in this house.
00:40:41Don't laugh, okay?
00:40:42Don't laugh,
00:40:43This is a misgovernment
00:40:44very much, my lord.
00:40:47And is that
00:40:47What is bothering her so much?
00:40:49Or is there something more?
00:40:52No, well,
00:40:53It's just that I'm...
00:40:53I'm quite tired...
00:40:56And you?
00:40:57When are you returning to Madrid?
00:41:00Are you already looking forward to it?
00:41:00Should I leave?
00:41:01No.
00:41:02Do you know enough?
00:41:02no?
00:41:05Not long from now.
00:41:07I have to go back soon.
00:41:08to Madrid
00:41:09or I'll have problems
00:41:09with the duke
00:41:10by Carvajal and Cifuentes.
00:41:11Already.
00:41:12And Vera
00:41:13Is he going to stay here?
00:41:17We don't know
00:41:18What are we going to do?
00:41:19with our future.
00:41:20But you've talked about it.
00:41:23Yeah,
00:41:24but we didn't arrive
00:41:25to none
00:41:26agreement.
00:41:29Doña Pía,
00:41:30I'm going to be very honest with you,
00:41:31I don't know
00:41:31What do I have to do?
00:41:33Lope,
00:41:34Take a moment
00:41:35and...
00:41:36and...
00:41:36tell me
00:41:37What is worrying you?
00:41:38please.
00:41:43I love Vera very much.
00:41:45I'm in love with her
00:41:46up to the gills
00:41:46and I want to spend my whole life
00:41:47next to her.
00:41:49But?
00:41:51But I also like
00:41:52my work a lot
00:41:54and I don't want to leave it.
00:41:55after what it cost me
00:41:56to get there.
00:41:56but she
00:41:57doesn't want to move
00:41:59to Madrid.
00:42:02Not at the moment.
00:42:06Vera is afraid
00:42:07from his father
00:42:07And here's the promise
00:42:09She feels safer.
00:42:11Already,
00:42:11It stands to reason.
00:42:12I don't think the Duke of Carril
00:42:13thinks
00:42:14come this way
00:42:14knowing that the promise
00:42:15It is under surveillance
00:42:17by the Civil Guard.
00:42:18So, that's it.
00:42:19That's the dilemma.
00:42:21Already.
00:42:21On the one hand
00:42:22I don't want to be separated from Vera
00:42:23But on the other hand
00:42:24I don't want to leave
00:42:24my job in Madrid.
00:42:27Look.
00:42:29So...
00:42:31Help me
00:42:32to get out of this,
00:42:32please.
00:42:33I don't...
00:42:35No, no, Lope.
00:42:36I can't search
00:42:36The solution is with you.
00:42:38You have to look
00:42:39the solution
00:42:39with another person
00:42:40and that person
00:42:41It's Vera.
00:42:42I know.
00:42:43Yeah,
00:42:44Tell him how you feel.
00:42:46Well, your wishes,
00:42:47your hopes...
00:42:50You have to be honest
00:42:51with her, Lope,
00:42:52because in the end
00:42:52The lies...
00:42:54Lies destroy
00:42:55relationships.
00:42:58Look,
00:42:58I'm sure that if you sit down
00:42:59with my heart on my sleeve
00:43:01you find a good solution
00:43:02for both of us.
00:43:04See?
00:43:08Thank you.
00:43:11To hear someone
00:43:11that always goes
00:43:12with the truth upfront
00:43:13It's always appreciated.
00:43:17and go have dinner.
00:43:18Go.
00:43:19Go.
00:43:26The truth,
00:43:27they don't know
00:43:27What a day we've had.
00:43:29Suddenly there was
00:43:29three people
00:43:30for ironing
00:43:30and nobody
00:43:31to clean the dust.
00:43:32Or a single person
00:43:33to go to Luján
00:43:34to buy
00:43:34and return loaded
00:43:35of packages.
00:43:36Really,
00:43:36complete madness.
00:43:37And how am I going to manage?
00:43:39Well, by improvising.
00:43:41Each of us has done
00:43:42what we could do.
00:43:43It's turning out
00:43:44that Mr. Ballesteros
00:43:45He doesn't know how to make a quadrant.
00:43:47But if it's not about
00:43:48about that,
00:43:49Doña Simona.
00:43:50It's about
00:43:50has been overcome
00:43:51with all the tasks
00:43:52of the servants
00:43:53And it turns out that with the samples...
00:43:54In this man
00:43:55The solution is there.
00:43:57As?
00:43:58Well, the service
00:43:59of this house
00:44:00It's sleeve-over-shoulder.
00:44:02And you would have
00:44:03that having accepted
00:44:03the position
00:44:04second butler.
00:44:06And so there would be no
00:44:06this adjustment.
00:44:11No,
00:44:11really,
00:44:12Mr. Pellicer.
00:44:13I haven't told them
00:44:13absolutely nothing.
00:44:14No, no, no.
00:44:16Simona and I
00:44:17we haven't found out
00:44:17that you didn't want
00:44:18the position
00:44:18on the other hand.
00:44:19But come on,
00:44:20It doesn't matter.
00:44:21Because in one way
00:44:22or another
00:44:22we always
00:44:23we found out eventually
00:44:23of everything.
00:44:24That's true, yes.
00:44:25It's chamomile
00:44:26What's it to him?
00:44:26that it helps me a little.
00:44:27No, no, go ahead.
00:44:28No, but in return
00:44:29You have to tell us
00:44:30Why didn't he accept?
00:44:31the job.
00:44:33Because everyone
00:44:34it would come to us
00:44:34really good
00:44:35have it
00:44:35second butler.
00:44:37Well, not me.
00:44:38And Mr. Ballesteros
00:44:39neither.
00:44:40He doesn't love me
00:44:40in that position
00:44:41and would be against it
00:44:42from day one.
00:44:44Well, not that either.
00:44:45It has to be this way.
00:44:46Well, I'm not interested.
00:44:47that you know
00:44:49that man
00:44:49better than anybody
00:44:50and she knows how she operates.
00:44:51Yes, but maybe
00:44:52with a man
00:44:54misbehaves
00:44:54as he has done with me.
00:44:55No way.
00:44:56It's not the same
00:44:56whether male or female.
00:44:58She would make my life impossible
00:44:59and since it is above me
00:45:00His hands would be tied.
00:45:02How can that be?
00:45:03That arrogant man?
00:45:04He's bitter.
00:45:05And the one who is bitter
00:45:06in the end it ends
00:45:07embittering everyone else.
00:45:08I'm just saying
00:45:09that I don't want to work
00:45:10next to him.
00:45:11I am much better
00:45:12like a mere lackey.
00:45:13That's understandable.
00:45:14But how this chaos
00:45:15It won't be fixed,
00:45:16soon half the service
00:45:18He's going to lose the oars.
00:45:19There's nothing I can do about it.
00:45:21So I beg you,
00:45:22please,
00:45:22that they should stop insisting.
00:45:24I will not accept the position.
00:45:36The truth,
00:45:36I don't know how that man
00:45:37She won't get off her high horse.
00:45:38and he sees that he can't handle everything.
00:45:41Well, now I could open my eyes
00:45:42as soon as possible.
00:45:43Yeah.
00:45:44And on top of that, he has the nerve to do it.
00:45:45of scolding us
00:45:46when it is found
00:45:47an undone task.
00:45:48But how will it be made?
00:45:49with the quadrants
00:45:50What is he giving us?
00:45:51That makes me the angriest
00:45:52Ricardo resigns
00:45:53to a better position
00:45:54for not confronting
00:45:54to Mr. Ballesteros.
00:45:56Yeah.
00:45:57That really gets on my nerves.
00:45:59It would also be good for him
00:46:00for, I don't know,
00:46:01as consolation
00:46:02try to overcome
00:46:03the tragic death
00:46:05of his son.
00:46:07I'm telling you no...
00:46:09There is no consolation
00:46:10when a child is lost,
00:46:11Mrs. Dar.
00:46:13That goes without saying.
00:46:14Mr. Arcos.
00:46:14But, I don't know,
00:46:16I think it would be helpful.
00:46:18No, then more salary.
00:46:19more recognition.
00:46:22Yes, seen, yes.
00:46:23In addition, Mr. Pellicer
00:46:24He deserves that and more.
00:46:28Do you know what's wrong with me?
00:46:30Every time I cross paths
00:46:31with Mr. Ballesteros
00:46:32It's like...
00:46:34I feel like
00:46:34a twinge here in the chest.
00:46:38Hate.
00:46:39I'm afraid so.
00:46:41And I don't like feeling that way at all.
00:46:42because it's terrible
00:46:43to hate one's neighbor,
00:46:44But I can't help it.
00:46:46But you
00:46:47He does not hate his neighbor,
00:46:48Mrs. Dar.
00:46:50He only hates
00:46:50to Mr. Ballesteros.
00:46:52And they will have their reasons.
00:46:53for that purpose.
00:46:53I don't know why
00:46:54does everything it does.
00:46:56Yes, it doesn't make any sense.
00:46:57Because, well,
00:46:58What does he gain by taking away his job?
00:46:59Teresa?
00:46:59Or harming Don Ricardo?
00:47:01Nothing.
00:47:02Winning doesn't win anything.
00:47:03loses.
00:47:04Look at all the work
00:47:05that has been thrown
00:47:05over the shoulders.
00:47:06Well yes,
00:47:07with so much work,
00:47:08clear,
00:47:08makes mistakes.
00:47:09He'll take care of it.
00:47:10of blaming us
00:47:11to the rest
00:47:11of the mistakes he makes.
00:47:13What truth
00:47:14What did you gain from being annoying?
00:47:16Sometimes I think
00:47:17that would be able
00:47:18of that man
00:47:19of cutting off an arm
00:47:19if with that
00:47:21thought it would bother someone.
00:47:23Well, I could already
00:47:23to cut off one's head.
00:47:26No, that's not going to happen.
00:47:29I don't know,
00:47:30I think we should too.
00:47:32talk to him.
00:47:33And then no.
00:47:35Oh, no.
00:47:36No no.
00:47:37So that?
00:47:37To end up arguing.
00:47:39Yeah.
00:47:40Because the more
00:47:41Let's ask that man
00:47:42do one thing,
00:47:43They will try harder
00:47:44to do the opposite.
00:47:46So it's better that
00:47:49Let's be quiet
00:47:50and let's keep eating corner by corner
00:47:52until all of this explodes.
00:47:53Yes, because it's going to explode.
00:47:54That's for sure.
00:47:55Yeah.
00:47:57There it is.
00:47:59There's nothing else to it.
00:48:10Your turn, Father?
00:48:15No, no, no.
00:48:16He just doesn't realize it
00:48:18which I've already done
00:48:18Checkmate.
00:48:19Look, my queen
00:48:20and my bishop.
00:48:21Yes, yes.
00:48:23I don't know what I was thinking.
00:48:25Already.
00:48:26That's what I've been wondering.
00:48:27throughout the entire game.
00:48:30I haven't been very focused,
00:48:31the truth.
00:48:33And what is
00:48:34What's causing it to be like this?
00:48:37It's true that you're going to leave.
00:48:39from Andalusia
00:48:39after the wedding.
00:48:43It's possible.
00:48:48Then Leocadia
00:48:50He was right.
00:48:51I thought it was
00:48:53one more of his exaggerations
00:48:54to annoy me.
00:48:56To bother him?
00:48:58Does it bother you?
00:48:59Angela and I
00:49:00Let's think about living
00:49:01far from here?
00:49:03Actually
00:49:03It bothers me
00:49:04find out from others.
00:49:06Already.
00:49:07Yes, you're right about that.
00:49:10Look, it's just that
00:49:10I haven't said anything to him.
00:49:12It's because it's not safe.
00:49:15Angela and I
00:49:16we are considering
00:49:17a lot of things.
00:49:18And if,
00:49:19It is true that
00:49:20we have spoken
00:49:21of the possibility
00:49:21of leaving.
00:49:23Because
00:49:24we want to travel
00:49:25and to see the world.
00:49:27Apart from that
00:49:28she first
00:49:28It has to end
00:49:29their studies.
00:49:31Not me
00:49:32I don't find it that strange.
00:49:34No?
00:49:35No no.
00:49:36It isn't.
00:49:37I don't know.
00:49:39It doesn't matter.
00:49:43Let's see,
00:49:44What's wrong with him?
00:49:49Well, that's always the case
00:49:50I had imagined
00:49:51my future
00:49:52linked to that of my children.
00:49:53Here, with me.
00:49:57But it's obvious
00:49:58that I was wrong.
00:49:59And the story
00:50:00it repeats
00:50:00again and again.
00:50:03He says so
00:50:04by
00:50:04Leonor
00:50:05and
00:50:05Catalina.
00:50:09Well,
00:50:10Manuel
00:50:11It's still here.
00:50:13And who
00:50:14he tells me
00:50:14that he's not going to leave
00:50:15Any day?
00:50:18Already.
00:50:20The thing is
00:50:21I don't understand
00:50:22that you have
00:50:23leave
00:50:23far away now.
00:50:25You will receive
00:50:26a title,
00:50:26a palace,
00:50:27some lands.
00:50:28No no.
00:50:29It's because Angela
00:50:29He doesn't want us to live
00:50:30in the grandfather's palace.
00:50:32And you?
00:50:33What do you want?
00:50:35Because it's not always the case.
00:50:36we have to put
00:50:37the wishes
00:50:37from the other
00:50:38to our people.
00:50:43Me
00:50:44anything
00:50:45I'm doing well
00:50:46as long as we are
00:50:47next to Angela.
00:50:50That
00:50:50It's my priority.
00:50:54I understand.
00:50:57I only ask you
00:50:58that when you have
00:50:59made a decision
00:51:00Tell me about it.
00:51:01Yeah.
00:51:01And don't have
00:51:02than to find out from someone else.
00:51:03Don't worry.
00:51:04I'll tell him right away.
00:51:05And that will be it.
00:51:06a decision.
00:51:07no vagueness
00:51:09like now.
00:51:11It's because Angela
00:51:12I wouldn't have
00:51:12that you should have told him
00:51:13nothing to his mother.
00:51:15It would have been better.
00:51:19Irame.
00:51:25No.
00:51:27No.
00:51:29No.
00:51:41No.
00:52:00Oh, you're tickling me.
00:52:02I will not forget the tickles on your neck.
00:52:05That's because it's been too long since you kissed me.
00:52:07Too much? Because a day without kissing you feels like an eternity.
00:52:10You're corny, but I like it.
00:52:18We should never separate again.
00:52:23Lope, yes. But...
00:52:25We need to keep talking about that.
00:52:29What are we going to do with our lives?
00:52:31Because I can't stay here much longer. I have to go back to Madrid.
00:52:34And you don't want to come with me?
00:52:36No, Lope. It's not a question of whether he wants to or not.
00:52:38So?
00:52:40What do you want?
00:52:42To take refuge in the promise eternally?
00:52:45He thinks that the Civil Guard isn't going to be guarding the Palace forever.
00:52:48At some point they'll have to leave. You already know that.
00:52:51Don't think I haven't thought about it.
00:52:54Furthermore, we cannot continue to abuse the hospitality of the Luján family.
00:52:57I know that too.
00:53:00So what have you thought?
00:53:02Because I'm sure you've thought of something. You have a solution for everything.
00:53:06Yes. Yes, I have thought about it.
00:53:08But I'm afraid to tell you, that you won't like it and that it will distance us again.
00:53:15That will never happen again.
00:53:18Whatever you've planned.
00:53:20I promise you.
00:53:22Well then, I think my only way out is to disappear.
00:53:26Like I did when you found me in the woods.
00:53:29Disappear?
00:53:29Yes, disappear, change my name, my appearance, become someone else.
00:53:34Become a ghost, beautiful.
00:53:36But don't worry, you'll still hear from me.
00:53:39And that way you can continue your career as a chef.
00:53:43So, we would have to separate again.
00:53:45Lope, but I will write to you.
00:53:46And when all this is over, we will meet again forever.
00:53:51No, no, no, Vera, no.
00:53:53I've spent a lot of time away from you.
00:53:56This has been the saddest time of my life.
00:53:59I'm not going to let that happen again.
00:54:02So...
00:54:03If you want to become a ghost...
00:54:09I'll do it with you.
00:54:13But what about your career and your dreams?
00:54:15My dream is to be with you.
00:54:19So to hell with my career.
00:54:22I will never leave you again for anything in the world.
00:54:26Lope, are you sure?
00:54:29Yeah.
00:54:32As sure as what I'm about to do.
00:54:36Which is something I've been wanting ever since I came back from Madrid.
00:54:40No, no, no, no, no, no, no.
00:55:15Enough.
00:55:16As you wish, sir.
00:55:20Thank you.
00:55:22Carlos, how is Maria?
00:55:24Is the birth imminent?
00:55:26Yes, yes.
00:55:27In fact, she's already past her due date.
00:55:30But she...
00:55:31It's still there.
00:55:32Working.
00:55:34What do you mean, working?
00:55:36It just can't be.
00:55:40I'm going to talk to the butler without fail so that he doesn't assign her any more tasks.
00:55:43Well, it's more her fault than the butler's, sir.
00:55:48Maria insists on continuing to work.
00:55:50But she must be about to give birth.
00:55:52Yes, that's what we've all told him.
00:55:54But Maria wants to live a normal life until the very last moment.
00:55:57Well, I don't think she can lead a very normal life with that belly.
00:56:01Yeah.
00:56:02But hey, she thinks so.
00:56:04He's got that idea stuck in his head and there's no way to get it out.
00:56:09Maria.
00:56:15Alright.
00:56:16If I can help with anything, let me know.
00:56:19Well, you already know Maria.
00:56:21Yes, it's not about asking for help.
00:56:23And even less so to accept the one she hasn't asked for.
00:56:26But well, perhaps if you spoke to her...
00:56:29Serve me in the liquor too.
00:56:31And then leave us alone.
00:56:33Right away, sir.
00:56:37So you want discretion, huh?
00:56:41That can only mean two things.
00:56:43Either you want to throw something in my face or you're going to ask me for more money.
00:56:52Thank you, Carlos.
00:56:58Shouldn't you have said something like that in front of a servant?
00:57:01Well, I've said it.
00:57:04You know, Manuel?
00:57:05I think you have a very mistaken idea of me.
00:57:08I don't believe it.
00:57:10Almost every time we talk it's to complain about something or to ask me for money.
00:57:15I'm wrong.
00:57:18My complaints are always justified.
00:57:20And if I asked you for money, it's because it was appropriate.
00:57:23But now I don't want either one.
00:57:25Oh, no?
00:57:28So what are you here for?
00:57:31I've just come to ask how things are going at your company.
00:57:35And this sudden interest?
00:57:37Well, you're my cousin.
00:57:40And also, I would like to learn more about the world of aviation.
00:57:43I think it has a lot of potential.
00:57:45Ah.
00:57:49Alright.
00:57:51I'm doing well, cousin.
00:57:53Very good, indeed.
00:57:57And are you satisfied with my wife's performance?
00:58:00Julieta is a very good worker, isn't she?
00:58:03It is.
00:58:04Besides, I've never been good with paperwork or accounts.
00:58:08However, Julieta is wonderful at them.
00:58:11If he were allowed,
00:58:13We would control every last peseta we are spending on the works.
00:58:16You would have saved yourselves a lot of money, I'm sure.
00:58:20And have you already thought about finding someone to replace Julieta?
00:58:25No.
00:58:28I prefer to wait until he recovers.
00:58:33Moreover, it's doing it very quickly.
00:58:36Well, you'd better find someone.
00:58:41Because, unfortunately,
00:58:42He's not going to work for you again.
00:58:46Because?
00:58:48Julieta is much better.
00:58:50That's precisely why.
00:58:53It's about time we stopped making promises.
00:59:04I don't want my daughter to leave.
00:59:06I want them to stay too.
00:59:08But they have the right to make their own decisions.
00:59:10Curro says they haven't made any decision yet.
00:59:13Let them fly.
00:59:14And preferably that they crash.
00:59:16I'm not up for that kind of thing.
00:59:18I'm not feeling well.
00:59:20Are you exaggerating?
00:59:22You're exaggerating, Ciro.
00:59:22I was shot.
00:59:24I need to regain my strength before I step outside of the promise.
00:59:27It's decided.
00:59:29We'll leave in four days.
00:59:30Don't look at me like that.
00:59:31This is all your fault.
00:59:32Now you can't cry in the corners because your little girl is leaving you.
00:59:35You will never understand a mother's suffering
00:59:37upon learning that her daughter wants to leave her.
00:59:39But he's been away from you all his life.
00:59:40We are not going to reach any agreement
00:59:42And all you're going to do is put me in a bad mood.
00:59:45That's precisely why I'm bringing this up.
00:59:46I need to keep an eye on Maria Fernandez.
00:59:48I don't understand, Carlos.
00:59:49She's been due for a few days now.
00:59:50And Maria doesn't seem to accept it.
00:59:52What do you mean he refuses to accept it?
00:59:53She doesn't want to know anything about childbirth.
00:59:55nor hear of the matter.
00:59:56But well, that would almost be the least of it.
00:59:58Ah, but what else?
00:59:59I think you're behaving like a spoiled brat.
01:00:02I think this escape is simply a tantrum.
01:00:05You pressured Manuel in a deceitful way
01:00:06And yet you still haven't gotten your way.
01:00:09And you also don't accept being told the truth to your face.
01:00:11But the worst part is that you make this decision
01:00:13without taking into account your wife's health.
01:00:15You know I trust you,
01:00:17But it's a secret that doesn't belong to me.
01:00:19And it is precisely that silence that is killing me.
01:00:21I know I should go with the person involved.
01:00:23I want to tell him the truth, but I'm incapable of it.
01:00:25I just can't tell him without ruining his life.
01:00:28It will sink again and I don't know if it will be able to get out.
01:00:30If it's as important as you say,
01:00:32That person needs to know.
01:00:33I wanted to ask who the woman who just left is.
01:00:36A possible candidate for the position of housekeeper.
01:00:39I cannot take on those duties without getting hurt.
01:00:41And someone has to replace Mrs. Villamil.
01:00:44That's why I'm doing interviews.
01:00:46I don't want you to be far away from me.
01:00:51I didn't want to be separated from you either.
01:00:55Never.
01:00:55I don't want you here.
01:00:57I don't want you here.
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