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Igra sudbine Epizoda 1815,Igra sudbine 1816,Igra sudbine 1815,Igra sudbine Epizoda 1816, Igra sudbine Epizoda 1815,Epizoda 1816 Igra sudbine ,Epizoda 1815 Igra sudbine
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00:13How can I get my friends?
00:16I get my friends.
00:20When I get my friends.
00:21How can I get my friends?
00:21The story is a good person.
00:23The story is a good person.
00:24Hey, do you know who I am a man?
00:26No, it's a really terrible person.
00:26Now, I'm not telling you.
00:26I can't say the truth.
00:28That woman is so toxic to me, she is back and sometimes I ask what happens in her stupid head.
00:36What are you doing?
00:44Here, as you can see, heckla me milje.
00:50Javre panci.
00:56I took half a glass and nothing.
01:00I don't care.
01:02What are you doing?
01:12I don't know, I don't know where to start.
01:16Let's go slowly. Do you want a bottle of water? Do you want anything to give me?
01:19No, no, no, I can't. Thank you.
01:22I'll stay there.
01:24You're going to kill me.
01:27Let's go. Sit down.
01:29What are you doing?
01:33What are you doing?
01:36What are you doing? What are you doing?
01:38What are you doing? What are you doing?
01:39I killed the gun from the rocket.
01:41My God.
01:42My God.
01:44My God.
01:45You're nervous. You're nervous.
01:47You're starting to get drunk with water.
01:50I don't have to go, Petar. You know I'm trying to push.
01:53I'm interested in who I am.
01:55I'm interested in who I am.
01:57That's why I'm nervous.
01:59What do you mean, who is the other?
02:01Who?
02:01Who?
02:02If someone knows the judge, it's the judge, he will convince someone who doesn't accept it or will find someone
02:09else who will accept the case.
02:10And that's it.
02:11Wait, why would you do that for me?
02:13Who would you do that if not for me?
02:15Thank you. Thank you. Thank you.
02:17Thank you. Thank you.
02:18I'll wait for you first to see what may happen.
02:25What may be possible.
02:28There is no help, my hope.
02:31It's just a失望.
02:35What may I say.
02:36And that's how to imagine.
02:41All that might happen.
02:44I'll try to recognize you.
02:46I'll try to see you.
02:47I'll refuse you.
02:48And that's why I came here to remind you.
02:52Wait a minute, who can I tell you now?
02:56Well, I don't know what this means. This is a huge jungle, or what I'm thinking.
02:59No, I don't know who is in a healthy brain.
03:04Just tell me, what did Aurelian have done in the radio so that you can't pass him over to him?
03:13Uroša, I pray for you, or I will get to you and I won't talk to you anymore.
03:21Okay.
03:24Okay, Uroša, nothing else. We finished it. I'm going now.
03:30Stay.
03:33But I want something else to talk about.
03:37Do you know what it is?
03:42No.
03:42No.
03:42Are you sure?
03:43No.
03:44Who is it?
03:44Let's look at it.
03:47How was it for treatment? You don't talk about anything. It's really interesting.
03:51What do we talk about treatment after treatment?
03:54What do you have to talk about?
03:56Do you have any photography of that institute?
03:58I've been a whole life with a medical worker.
04:01I'd like to see what it looks like in the world.
04:04I don't know what photography is.
04:06I'm really focused on talking with doctors.
04:09I don't know why I would have taken care of.
04:13Okay.
04:14What did the doctors say?
04:15What did they say?
04:18What's happening?
04:19It's nothing.
04:20It's nothing.
04:38It's nothing.
05:07Sous-titrage MFP.
05:11Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mi da.
05:24Igra sudbine, kao kolo sreće, nekoga hoće, nekoga baš neće.
05:33Kao na lume, tu sei se o preče, a mi svolta o ti.
05:43Skoje sudbine.
05:50Skoje sudbine.
05:54Skoje sudbine.
06:03Skoje sudbine.
06:04Skoje sudbine.
06:05Skoje sudbine.
06:15Skoje sudbine.
06:17Skoje sudbine.
06:20Skoje sudbine.
06:22Skoje sudbine.
06:24Skoje sudbine.
06:26Skoje sudbine.
06:50Skoje sudbine.
07:20Skoje sudbine.
07:50Skoje sudbine.
08:01Skoje sudbine.
08:25Skoje sudbine.
08:28Skoje sudbine.
08:30Skoje sudbine.
08:57Skoje sudbine.
09:08Skoje sudbine.
09:27Skoje sudbine.
09:29Skoje sudbine.
09:30Skoje sudbine.
09:34Skoje sudbine.
09:50Skoje sudbine.
09:53Skoje sudbine.
09:54Skoje sudbine.
09:58Skoje sudbine.
09:59Skoje sudbine.
10:01I don't know if you had a visit before.
10:04What visit?
10:06Where did someone come to you?
10:08I don't know. What do you think?
10:11Mateja.
10:12Ah, yes, Mateja. Yes, yes.
10:16He left me with this company.
10:18Our old friend from childhood.
10:20Yes, our old friend from childhood.
10:23And from now to now, many things have changed.
10:29Wait, wait, I don't understand.
10:31What has changed?
10:34It was sweet and sweet when we were in clinic.
10:38But from that moment to today,
10:41things have changed drastically.
10:43Okay.
10:44Tell me specifically what has changed.
10:47I don't understand what you think.
10:49I can tell you,
10:51because it's so good for all of us.
10:52But I pray to me when I pray.
10:55Because I don't want you to get into any new relationship with them.
11:00Look, Juroš, I'm not a clinic.
11:03You can tell me what I can, what I can, what I can,
11:06what I can, what I can, what I can, what I can, what I can,
11:07what I can, what I can.
11:08And the rest, you're not my father.
11:13I know I know that you will be able to react.
11:14What do you think?
11:16You are not a child, I can do anything I can, what I want.
11:22You know what you can miss?
11:24Who am I with you?
11:24On who I?
11:25On Rely.
11:29You should miss me on a son of a woman.
11:31And that is now another topic.
11:33Suna, I pray that...
11:36Is that all?
11:37We've finished now, or I can go now.
11:39I'm free.
11:41You can protect yourself.
11:42No.
11:43Bye.
11:44Bye.
12:09Let's go.
12:19Let's go.
12:23Yes?
12:25What are you saying, come on?
12:28I'll be right back.
12:30I'll be right back.
12:31I don't know how the situation is going to change.
12:36He wants to give up a little bit, right?
12:41It looks like he is.
12:43Did you talk to him?
12:45Who?
12:46With him?
12:48It's true that it's Orah.
12:50He won't talk about anything.
12:51It's only about him to know who the critic is and who has lost his plan.
12:59It's really good that we got out of this little cellulite.
13:04Is it clear how the Karambol would have done what he did?
13:10I don't know whether it's clear or not, but it's only red in front of his eyes.
13:17Sorry, I'm sorry, but it's hard to say.
13:21I don't know if I'm sorry.
13:22I don't know if I'm sorry.
13:23No.
13:26But this attack of the Reds, I don't remember anything.
13:30What? And the racquet?
13:34What?
13:36Now Milet has tried to racquet the Reds and they are pushing for 10,000.
13:44And who is the team?
13:47No.
13:48I won't say anything.
13:50I don't understand him.
13:52I'm sorry.
13:53We are all about the racquet.
13:55I'll see what I can do.
13:57How can I help him?
13:59I have to do that.
14:15I have to take a break.
14:20You understand? To let the dim machine go.
14:22When I'm going to dance, I'm going to have some water.
14:25It's the symbol of a star, you understand?
14:28And then, the reflector, the reflector.
14:30I mean, people have to be mad.
14:33Yes, they have to be mad, but from the big dim, Ksenija.
14:36Ivona, you never understand anything.
14:41Really...
14:42Do you want me to stop talking about your thoughts?
14:44Stop it.
14:46You see, three go-go-plesačice.
14:50One, two, three.
14:51Four, five.
14:53One with golden corsets, with golden pearls.
14:57Nhišu se, nhišu se.
14:58Svi look like on them.
15:00And then, the song starts.
15:02And then, I'm coming.
15:04Where do you go?
15:06In the middle, Ivona.
15:08You understand?
15:09In the dark, elegant, and white.
15:12And the white microphone with a black, with a black face.
15:16You know?
15:17Ksenija, I'm going to change a little experience.
15:20Ivona, I don't want to change a experience.
15:24I have to think about it because it's a law.
15:29What law?
15:30My law.
15:32My law.
15:33The law of megalomania.
15:35You have to think about a big thing, so big things will happen.
15:39When you think about a small thing, then small things will happen.
15:44That's right.
15:45Hello, Angela.
15:47And you?
15:47Where is the gazda?
15:49You are leaving before half of the hour, so that you can get a new age tomorrow and get to
15:53the search.
15:54And you can find a way.
15:54Very, very.
15:56And I'm loving it that I see you again.
15:58And me.
15:58And that I see you again.
16:01That's what you see again.
16:03I mean, with my best friend and friend and friend, I'm ready to be prepared for the first time.
16:09You know, football.
16:11And who'll be here, really?
16:13And I'm really honored to be.
16:15Okay, we haven't already talked about it right now, but soon. Very soon.
16:22Soon, not soon. I'll be the destroyer of the action.
16:28Here, Gudonice will destroy everything.
16:30And when Ksenija becomes a star, he has to forget you.
16:33Like that, Ksenđo?
16:37She's not like that. Is that right, Ksenđo?
16:40Of course not.
16:41I'm not. When I become a star, you will all have a little place in my heart, and in the
16:51first order, special.
16:53That's right, that's right. You see? A famous girl.
16:57A famous, famous, just to not remember too much.
17:16What can you do for Milita?
17:21What? How can you help someone who doesn't want to help himself?
17:28I don't know. I'll talk to him. I'll try to understand him.
17:33Milita, Kupus.
17:34You will learn the head of Kupus to speak, than what you will understand him.
17:38Manigar, or...
17:40What about you with that?
17:44I'm not...
17:45I'm not supposed to lie with you.
17:48I'm not going to talk about pictures, I'm not going to admit.
17:52I'm not going to admit that you're lying.
17:55You think she's been crushed?
17:57I don't know if she's crushed, but she's angry.
18:00Like I have a stone in my head that, at every minute, can't shake me.
18:06I totally understand, but what do you do?
18:09Keep it and keep it.
18:11She has to be wrong with us.
18:13She has a concentration.
18:14She will send it to her and she will send it.
18:19But that's not all.
18:22She gave me a new request.
18:25Who?
18:25I'm sorry.
18:27I'm sorry.
18:38Oh.
18:42I'm not going to see you.
18:44I'm not going to see you.
18:59I've never told you how much I want to be here.
19:03You didn't really?
19:04No.
19:06Listen, according to your number of visits,
19:08I think I can only bring some conclusion.
19:11Yes?
19:13Okay.
19:14I'm asking if it's because of the couch or the atmosphere of the couch.
19:18I think it's because of the couch.
19:20I don't remember how you measure it.
19:24But listen, there is no theory to tell you where I bought it.
19:27So, I'll stay at the moment.
19:30See this.
19:31I've seen the etiquette.
19:32So, yes.
19:34I've seen it until you were in the couch.
19:36Oh, damn.
19:37You're stuck in my intimate room when I'm not here.
19:40And when you're here?
19:42Listen, I've had a very productive conversation with Gal.
19:47Is that?
19:48Yes.
19:49We came to the idea to invite a friend.
19:52I'm going to invite a friend.
19:54I'm going to invite a friend.
19:56I'm going to invite a friend.
19:57Okay.
19:58If you don't need any mannequin, I can give you a good answer.
20:02I know you can.
20:03You can do everything.
20:04But I'll try to help you.
20:07I'll try to help you.
20:08I'll try to help you.
20:09If you need help, I know my number of phones.
20:14I'll try to help you.
20:16I'll try to help you.
20:18I'll try to help you.
20:19What's your name?
20:20I'll try to help you.
20:23You're a good son of the house.
20:24I'll try to help you.
20:40You're not sure.
20:41You're a good son of the house.
20:42You're a good son of the house.
20:43I don't know.
20:43I've seen him somewhere.
20:46I've been to him for a long time.
20:50I'm a good son of the house.
20:50Who are you?
20:52I won't believe you.
20:55I won't believe you.
20:57I won't believe you.
20:59I believe in the house of the day of Mraza,
21:00who's flying flying in the dark.
21:01Let's talk about it.
21:02I don't know what I'd say to you,
21:04but it's from the past.
21:07In my own time, Ada Kanački
21:09used to travel to Paris
21:12and fought there quite a lot.
21:15Of course, I was there with her.
21:17Then I started with different pictures,
21:20and talked about the actions.
21:22In general, I was so happy about this.
21:29I was surprised by myself.
21:30Especially because he had some connections with Kanački.
21:34But now,
21:36I wouldn't be able to remember the names
21:38or the names of him.
21:41I don't understand anything.
21:44I don't understand anything.
21:45I don't understand anything.
21:47I understand that this is something you think.
21:50Do you have some associations?
21:53Do you want to think about it?
21:54I don't want to talk about this.
21:58I'm not sure.
21:59I'm not sure.
22:00I'm not sure.
22:02I'm not sure.
22:04I don't remember the names.
22:09But this will be the same.
22:10It will be the same.
22:11Do you have another picture?
22:14This one?
22:14Yes, that one.
22:16But there's no more.
22:19Then I have to find something
22:20on my old belt.
22:22I'm sure there's something.
22:23You will be sure.
22:25You will be sure.
22:25You will be sure.
22:27Do you remember?
22:27No.
22:28No.
22:29I don't have to do that.
22:31I can't remember.
22:32I have to look at the names.
22:34I have to remember the names.
22:35I have to remember the names.
22:35I have to write their names.
22:37And I have to remember.
22:40And then I will write them together.
22:41I will remember the names.
22:43If you're not, I'll remember the names.
22:46And I think that is all the names.
22:50And I can't remember what to do.
23:07me.
23:07Durruriš, I don't know what's so important to see.
23:10It's important to me when I'm in trouble, and it's very important to me.
23:16I understand. I think that's nice.
23:20But I want to say that there is another way to talk about something else.
23:25What do you say?
23:27To allow her to live her life.
23:30She has enough memory in her head to decide what is good for her and what is not.
23:35In the end of the day, she says that you love her.
23:39I understand the perception of her.
23:42You don't know her.
23:43I have a real fear that if she doesn't take that woman, she will die in life.
23:51What do I think?
23:54What?
23:57I think you're a lot under pressure.
24:00Yes, I'm humorous.
24:02I have such intense conversations.
24:05Yes.
24:08And I think that's why...
24:10What?
24:10You need a little bit to leave her.
24:13Yes.
24:14What kind of way?
24:16I don't know.
24:17We will think of something.
24:18Yes?
24:19Yes.
24:19And then, as you see, you want to be a survivor of my life?
24:48Yes.
24:48Yeah, exactly like that.
24:49You don't need to do it at all.
24:52That's not bad.
24:54That's not bad.
24:55What are you talking about?
24:57I'm talking about this because I'm working here.
24:59Let's go, you're going to break it up.
25:01I don't care what you think.
25:02So, I take you to my own, I have people in Germany,
25:06we go to the starbaiters' scene.
25:08There are a lot of money, and you're the right star.
25:12I'm the girl, and I'm the right star.
25:15I'm sorry, my friend.
25:18I'm the best friend of mine.
25:18I'm sorry, my best friend of mine.
25:21I'm making you a service, and you put me a service.
25:26Bye.
25:27Bye.
25:28Bye.
25:29Bye.
25:30Bye.
25:33You didn't have to.
25:35Okay.
25:36Ivona, you often don't understand anything,
25:38but I really don't want to give you anything.
25:52Bye.
26:02Chris says,
26:03Hey.
26:06Bye, bye.
26:06Bye.
26:07Bye.
26:09Bye.
26:10Bye, bye.
26:10Bye.
26:13Bye.
26:18Alexa, we have to talk about it, but now it's really important.
26:25You look like it's going to be like this.
26:27It's not going to be like this, but we die.
26:33Let's go, let's go.
26:37Let's hear what happened.
26:41Alexa, we can't stop the lie. It doesn't go.
26:45What the lie?
26:46The lie in my treatment, the laser, the ordinances, it doesn't go.
26:51We don't have any evidence that we've been there.
26:54We don't have any records, names of institutions, treatments.
26:58We're constantly talking about something.
26:59God bless you, it's all more.
27:01I know it's hard, but you have to take a little bit.
27:04Okay, see, what would it be when you would say that?
27:09And one.
27:11Alexa, what would it be when you would say that you would pay that Lengkin outkup?
27:17That's a slave, that's a human.
27:19I don't see it.
27:21Why did you save a life?
27:23Yes, I saved my wife, and I love it without her knowledge.
27:28I think that Lengkin would have to know that Lengkin would have to know.
27:31No, Lengkin wouldn't have to know that everything is complicated.
27:34But Gabriela...
27:35Gabriela, especially, we don't have to know.
27:37If she knows, I'm ready.
27:39Okay, okay. That's why we'll hear it.
27:41Okay.
27:42People say that everything will be done.
27:44Just give us a little understanding.
27:46And when we have a new topic, we'll forget everything.
27:50Okay.
28:03I like it.
28:06You're so good.
28:08I saw you with the Uroše.
28:11I heard that something wasn't okay.
28:15Yes.
28:17What happened?
28:22What happened?
28:24We talked about everything.
28:28But...
28:28Because of the pain?
28:29Yes.
28:30Of course, because of the pain.
28:32But there's something else.
28:34What happened?
28:36It's a certain point.
28:39I can see who I can see.
28:41Who?
28:41No.
28:42I really heard that I will stop talking to them
28:44if I can do this.
28:46Yeah.
28:47Uroš...
28:47He...
28:48He just looks good.
28:50And is the best way to do it.
28:52I know.
28:53But I'm not more of Klinka.
28:54And he's waiting for me to see me with Mateo.
28:58Under some stupid comments.
29:00Lea.
29:00He's not just a man.
29:03He's changed something.
29:04He's changed something.
29:05You know what I mean?
29:06That Uroš thinks that you're his little sister.
29:10And that's what you've lost to him.
29:13That's right.
29:14That's right.
29:14You can think.
29:15He's changed something.
29:16He's changed something.
29:16He's changed his young brother.
29:18He's changed something.
29:19You've talked about it?
29:21It's better not.
29:23Did you hear him?
29:25I called him, but he didn't have to tell him.
29:28He'll tell him.
29:29He'll tell him nothing.
29:30He'll tell him.
29:31I'll tell him.
29:32I hope he will.
29:33I can't even bring my brother in this house.
29:37I don't want to lie to my brother.
29:38He's not a mess when I just think about it.
29:39I know.
29:42He's changed.
29:44He's changed something.
29:56He's changed something.
29:58So, he's changed something.
30:03He's changed something about it.
30:03As a result, when the former one was supposed to be in the sand,
30:05he had to put the
30:06head, no matter of his dick.
30:09He's changed something.
30:10He's changed something.
30:10He's changed his son.
30:11I am a man who gave a huge amount of money for her former girl.
30:14What do you think when she knew it? How would she say it?
30:17I would say it as love.
30:21Yes, as love for a woman and as a woman.
30:24And when she knew it, she would have been transformed
30:26so that she would have destroyed the company and this family.
30:29Do you think she would like it?
30:31I don't want to stand on the dark side of Gabriel.
30:34That's right. We'll hear it.
30:37Okay, thank you. We'll solve this quickly.
30:41As you can see on the other topic, that's enough.
30:45Okay, but...
30:47That's not the only problem. There's something else.
30:50What kind of problem?
30:51What kind of problem is that?
31:06Yes, he couldn't pay some bills.
31:11He couldn't pay any bills.
31:13So, he couldn't pay any bills.
31:13Yes, and he couldn't pay some bills.
31:16Stop, I don't know where they are.
31:20Yes, I think about it.
31:22And then they saw that their registration came out and all that.
31:27And all that.
31:28Well, yes. You know how they all go in order to look for it?
31:32To look for it, to get out of it.
31:34There was a waste of unpaid charges.
31:38Relia was unanswered, he didn't have any records.
31:41And he went back to the house.
31:43Yes.
31:45Now he's in the house in the house and I'm looking for how to get out of it.
31:52It's strange to me.
31:53You know, son of a small manager, so he doesn't have a record.
31:56I thought I was going to ask you to write a record on the money,
32:01pay taxes and regular record.
32:05Yes, yes, yes.
32:07They were asked for us.
32:09But Relia, you know, is a little wrong.
32:12But I'm still brother.
32:13Yes, I know that you're brother.
32:16You know what I remember?
32:18What?
32:19What did that newspaper do before a few days in the company?
32:23Maybe he could help me?
32:25Yes, he would surely write a good text about the law of the house.
32:43What did you call a doctor?
32:48Yes, and that's it.
32:49That's it.
32:49We're talking about the fact that we always mention some lasers, some modern treatments,
32:55and all of them are worse.
32:57We really need something concrete to do with this question.
33:00We don't want to lie.
33:03Lisa, it's a shame that I ask you to ask you this,
33:06but do we have some money for the treatment or not?
33:11I'm at the moment, I'm at the hospital.
33:13The hospital?
33:13Now I've given my money for the treatment, so I have to wait a little while we don't get rid
33:21of it.
33:22I understand.
33:23But as soon as I get to the money, the treatment of Ivanova is going to be great.
33:28Thank you, people, for understanding and support, and also for silence.
33:33We'll solve everything, but until then...
33:37Okay.
33:40What a beautiful family group.
33:44What a beautiful family group.
33:46I'm not interested in what you're talking about.
33:48I'm not interested in what you're talking about.
33:49I'm coming to you to tell you that you're going to do another family group there.
33:54In a daily room.
33:56I'm waiting for you.
33:59Do you want to tell you that you're not going to stop?
34:16I'll wait for your help.
34:17Bye.
34:35All right.
34:36Let's go.
35:12Let's go.
35:13Let's go.
35:41Let's go.
35:45Let's go.
35:47Let's go.
36:17Let's go.
36:19Let's go.
37:01Let's go.
37:31Let's go.
37:34Let's go.
37:36Let's go.
38:04Let's go.
38:17Let's go.
38:18Let's go.
38:55Let's go.
39:09Let's go.
39:40Let's go.
39:44Let's go.
39:46Let's go.
39:47Let's go.
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