- 2 days ago
Sadali is faced with a difficult decision, as if he must choose between holding on to memories or moving towards a new beginning.
Category
😹
FunTranscript
00:00:06Thank You.
00:00:30That's where I met the first heartbeat of love, Arnaza.
00:00:37Sadali, so you're my son-in-law, huh?
00:00:44Then I went to Jogja.
00:00:47They say, there dreams can gather like flowers.
00:00:54I'm just looking for a room, sis. Not a house.
00:00:57But what I rent is a house, not a room.
00:01:00But if I take a look first, is that okay, sis?
00:01:02For?
00:01:03Who knows, maybe I'm not wrong and find what I'm looking for.
00:01:05Do you know where this house is being rented from?
00:01:07Know from your news.
00:01:09Oh, you are this kid.
00:01:11My father and mother's child, sis.
00:01:13Puno is really joking you.
00:01:16I'm red.
00:01:18I plant hope.
00:01:20But what grew was a new love.
00:01:25Red.
00:01:26This complicated and strong woman is the source of everything in my life.
00:01:31Paintings, writings, and hopes.
00:01:39Arnazah, I hope my letter doesn't reach you millions of light years away.
00:01:43Thank You.
00:01:45You know, for starlight to reach Earth it has to travel millions of light years.
00:01:50When it arrives on Earth, its own star is already dead.
00:01:58But reality does not always align with expectations.
00:02:03Red disappeared, as if swallowed by the earth.
00:02:07I searched for him, but every trace I found stopped in silence.
00:02:14It seems like he really doesn't want to be found.
00:02:23Then, this is where my trouble is now.
00:02:26Hoping time can help forget.
00:02:28Even though it was quiet, I knew.
00:02:31What we want to forget is actually what remains the most.
00:02:40This is my first solo exhibition, bro.
00:02:42So the group has never been there.
00:02:44Yes, I have never had a solo exhibition.
00:02:47Always with other painters.
00:02:49Because I'm a little scared.
00:02:51So, what will you be voicing in your upcoming solo exhibition, Mr. Dali?
00:02:59Still felt.
00:03:07The deceased, sir, this much sympathy.
00:03:09See the report drawing looks like this.
00:03:17I'm starting to forget what it feels like to be anxious.
00:03:19I stopped worrying.
00:03:22Stop hoping.
00:03:23And finally, I stopped feeling anything.
00:03:28Whatever.
00:03:47And finally, I stopped feeling anything.
00:03:52Thank You.
00:03:58Nas, what are you doing here?
00:04:02Mr. Akbar, boss, Uda, do you like painting?
00:04:05Yes, this is what he wants to give a welcoming speech.
00:04:08Come on
00:04:26This is a partner
00:04:33Aha, Gustofa
00:04:34How are you?
00:04:36Yes sir, this is my wife sir.
00:04:37Hello, sir
00:04:39Mother
00:04:39Hello mom
00:04:40How about it? Are we having fun?
00:04:42Exciting, exciting, so exciting
00:04:44What's the atmosphere like?
00:04:46It's so exciting, isn't it?
00:04:49How about we go inside?
00:04:51Come on, sir, ma'am.
00:04:51Wari, wari
00:04:52Yo
00:05:35Over time the table became thin
00:05:39I scribbled, then I erased it
00:05:41Then I realized I crossed it out again
00:05:43Then I deleted it again
00:05:44So don't delete it
00:05:46Mr. Hal, that's Sadali's scribble
00:05:48This is a talk to my boss
00:05:50Yes, how far have you studied?
00:05:55Painting you?
00:05:57Just start to lubricate
00:06:04What's the point of playing around somewhere?
00:06:06Yes, later if you are involved
00:06:08Yes, later if you are involved
00:06:32Later if involved
00:06:35Pack
00:06:35Pack
00:06:37Want some beer?
00:06:40I haven't had a drink in a long time
00:06:42I haven't had a drink in a long time
00:06:43Come on, just follow along
00:06:45Wait a minute, please
00:06:47Since when haven't you been drinking, bud?
00:06:49An hour ago
00:06:52Ma'am
00:06:53In Jakarta changed me for the better
00:06:55I
00:06:58Thanks
00:07:01You've been fine since you were still drinking, right, bud?
00:07:17I met Ms. Mir in Jakarta
00:07:19I met Ms. Mir in Jakarta
00:07:24He is in Jakarta now
00:07:31Possible
00:07:31Where is the noise
00:07:33We just passed each other for a moment
00:07:51Mother
00:07:57Mother
00:07:59O
00:08:02Why didn't you come home so late?
00:08:04Yes
00:08:07Mother
00:08:07Yes
00:08:08Who won the painting hole at school?
00:08:10It's not you, is it?
00:08:11I am mother
00:08:13Where is the painting?
00:08:14In the long run at school
00:08:15Wow
00:08:17What are you painting?
00:08:19Favorite objects
00:08:20What is your favorite object?
00:08:24Come on, guess
00:08:27Oh pineapple
00:08:28It's mother
00:08:30Mother?
00:08:31Time
00:08:32Mother is an endless source of inspiration
00:08:34Wow
00:08:36Who said that?
00:08:37I am not telling you
00:08:39Want to drink?
00:08:40You know
00:08:40Pineapple, huh?
00:08:41Yes
00:08:51Kikan
00:08:52Hi Jess
00:08:53Hi Kikan
00:08:55Hi Mom
00:08:55Hi Sweetheart
00:08:56How are you?
00:09:06What's wrong with your face?
00:09:08Normal
00:09:09I'm getting along well with your dad again
00:09:11Yes
00:09:14Okay then
00:09:15Mom, go ahead, okay?
00:09:26Nas
00:09:30Nas misses Buki, huh?
00:09:35I'm going there tomorrow
00:09:36Nas always misses Buki
00:09:42But there's no need to go there
00:09:46Besides, I'm already busy
00:09:57Or
00:09:58Nas wants to go on holiday?
00:10:00Hmm?
00:10:06Are you not busy anymore?
00:10:08Right?
00:10:10Nas wants to go on holiday, come on
00:10:13Look, his face immediately became cheerful.
00:10:19When?
00:10:21And I'll let you know
00:10:23Wait, Mustafa can come here first from his office.
00:10:26Nas, you just come here first
00:10:28We went for a walk together
00:10:29Has Nas just joined you?
00:10:32Hmm interesting
00:10:34But it's allowed, Indah, and Sudah
00:10:37Just take the medicine first, Nas
00:10:41Well that's that then
00:10:42Eh
00:10:44Your breath Nas
00:10:45Why?
00:10:47Sigh people need a vacation
00:10:51What is Fa?
00:10:54Fa, that's it for now.
00:10:55Okay, Nas, just ask, okay?
00:11:10Okay then
00:11:13Already
00:11:13Already
00:11:14Already
00:11:22Already
00:11:33It's true you painted it
00:11:38There's no you in the painting
00:11:48Two months
00:11:50You have two months
00:11:52It's not a long time
00:11:53I remember now
00:12:17Just me
00:12:22Thank You
00:12:33Yes sir
00:12:35Nas
00:12:41I miss you too
00:12:43You are very beautiful
00:12:44Sir too
00:12:50Please
00:12:51Thank you sir
00:12:54So we only have a little time.
00:12:56Before Mustafa followed
00:12:58Yes
00:12:59That's why I'm taking leave tomorrow.
00:13:01So we can hang out all day
00:13:03Yes
00:13:05Yes
00:13:06Come on
00:13:10Your style
00:13:12Still spoiled
00:13:13Like this
00:13:14Like this
00:13:15Why did you let me go here first?
00:13:18Actually, Mustafa already wanted to go here with me.
00:13:21But it's just normal office business.
00:13:23Instead, he told me to postpone it.
00:13:26Nas, don't want to
00:13:27Nas, just went straight to the family earlier
00:13:29Like spoiled, Nas
00:13:39I've realized that I still come here often
00:13:45It's crazy how I hold myself back
00:13:47Indah said to him
00:13:49Hey
00:13:50This woman you once hurt is my friend.
00:13:56Nas, is Indah already heartbroken?
00:14:00Pakien
00:14:03I know you, Nas
00:14:05That's why I'm confused
00:14:07It's like Nas accepted Mustafa's proposal
00:14:15Thank You
00:14:23Should I talk?
00:14:30Miss Merah carries my motorbike
00:14:34Don't ask
00:14:35Who knows, he might need it later.
00:14:37For his wedding motarp
00:14:39What you want to hear
00:14:45Hopefully
00:14:50All my attitudes
00:14:56The best part
00:15:01I stopped looking for him a long time ago
00:15:06That means it's been a long time too
00:15:08Have no desire
00:15:09To explain the incident
00:15:10Three years ago
00:15:11I am responsible
00:15:16You just stay with me
00:15:19There are many ways
00:15:24Just arrived
00:15:25Arrive
00:15:25You take a photo over there
00:15:26Okay
00:15:28Again
00:15:34Hopefully
00:15:38All my attitudes
00:15:42One, two, tih
00:15:43The best part
00:15:45That's how it is
00:15:48From others
00:16:02Mother
00:16:02This morning I read the newspaper
00:16:05There is Uncle Dali
00:16:08Uncle Dali wants to have a solo exhibition here
00:16:15Mother
00:16:16Huh?
00:16:18Yes, I heard
00:16:31Latifah?
00:16:33Horeh
00:16:34Hey bro
00:16:35Here you are finally
00:16:38Hello sir
00:16:39Hello, Miss
00:16:40Sir
00:16:41We want to join Kosmukis straight away, bro.
00:16:43Can
00:16:44Oh yes, you can.
00:16:44Can
00:16:47Come on, come on
00:16:47Come on, come along
00:16:48You still can't
00:16:50Naja
00:17:07This is also good this
00:17:09You should be sure, sis.
00:17:11You should be sure, sis.
00:17:12Yes, sir
00:17:18Finish it yeah
00:17:19Yes
00:17:20Still the same
00:17:23The scent of confusion you bring here
00:17:54Sir
00:17:55The problem
00:18:00I've already decided to stop looking
00:18:02Stop being angry
00:18:04Stop missing
00:18:08So how do I start everything, bro?
00:18:14It's hard
00:18:15If you believe
00:18:16That woman will not come back again
00:18:26Who talks about women
00:18:28What other creature could make you like this?
00:18:31It could be a cat
00:18:33Or worms
00:18:38Now I ask you
00:18:41Do you love the worm?
00:18:46Or do you hate this worm?
00:18:51No problem
00:18:53Yes sir
00:18:54No wonder
00:18:56Banyu Snewen
00:18:58The artist is not ready for the exhibition
00:19:03Love
00:19:05Same hate
00:19:07Different dang
00:19:08Even though you know that, you can't answer.
00:19:13Yes
00:19:14But the difference between them is only a fraction of a millimeter, bro.
00:19:29Okay
00:19:32This
00:19:37You don't want to take a motorbike taxi, do you?
00:19:39I saw it earlier, mom
00:19:40You'll be late later
00:19:41This painting class from there is said to be open every day.
00:19:44So you can just come and enter
00:19:46Okay
00:19:47But tomorrow if you want to take me there, just take the garden car, okay?
00:19:50Yes yes
00:19:52But what happens next?
00:20:21Mr. Dali
00:20:21Don't mess around again, okay?
00:20:23Poor employees get scolded by their boss
00:20:25Besides, if Mas Dali is scribbling, there has to be a signature.
00:20:28Your nagging is going up
00:20:31Tatiwa
00:20:37Want to order food or drink?
00:20:40Mardali juice one
00:20:41Juice?
00:20:43Sumbin usually doesn't eat, doesn't drink, just scribbles
00:20:52Try
00:20:53Okay, mango juice
00:20:56Why was he so sure I ordered mangoes?
00:20:58Doesn't Mr. Dali really like mango juice?
00:21:00What does one mango juice mean?
00:21:04Sir
00:21:04Already
00:21:12Sir
00:21:14Sir
00:21:23How are you, bro?
00:21:26Good
00:21:28How are you?
00:21:31Good
00:21:31Good
00:21:36Father mother
00:21:37Healthy?
00:21:39Thank God
00:21:40Healthy
00:21:48Sir
00:21:49Come here alone
00:22:03Sir
00:22:05Yes?
00:22:09What happened three years ago
00:22:10Oh, Nas Indah wants to talk about that.
00:22:12Yes, but we haven't had a chance to talk yet.
00:22:13Let's talk about other things first.
00:22:16Okay
00:22:19The price of chilies is expensive now, right?
00:22:27Yes, that's it
00:22:28Rice too?
00:22:32Yes, everything is expensive
00:22:35Yes, but what's the problem for Sudah Sadali
00:22:38Everything can be bought by selling just one painting
00:22:42Thank God, if there is still enough to buy chilies
00:22:45Because of Sunar, my brother
00:22:46Diana likes spicy food
00:22:48Sunar?
00:22:50What do you like?
00:22:51Sunar likes bitter
00:22:52That's why I like peeling oranges
00:22:54Skin
00:22:59So
00:23:24Sunar
00:23:25Skin
00:23:27Have you got that inspiration, bro?
00:23:34It turns out there are many things in my life that are unfinished, Mer.
00:23:38And it should all be possible to solve it on canvas.
00:23:58Good morning mom.
00:24:00Morning.
00:24:02You Ben read the newspaper, the glass is lazy, the newspaper is full of politics.
00:24:06Yesterday's newspaper?
00:24:11That's what Sadali said when met at the Darstana community arts house.
00:24:19So because of this, you suddenly want to join painting outside of school?
00:24:23Yes, who knows, maybe we'll meet.
00:24:25Don't you miss me?
00:24:27You.
00:24:28No.
00:24:31Do you know.
00:24:34Yes, after looking for the newspaper yesterday, you almost read the news about the invitation?
00:24:38Yes, right?
00:24:44You are still small.
00:24:46Don't understand anything yet.
00:24:48Three years ago, I was even smaller.
00:24:51You don't understand.
00:24:54Fish.
00:24:54Mother.
00:24:56Okay, if you really want to paint at Darsana, you go by yourself.
00:25:03I don't want to drop you off.
00:25:06Okay, it's me and Jessica.
00:25:13Fish
00:25:14Yes
00:25:14Let us both meet our own paths okay?
00:25:20Do you understand?
00:25:21No
00:25:23He said he was already big
00:25:25You should understand, right?
00:25:48What happened, Mom?
00:25:51Everything just feels wrong now
00:25:53What's wrong?
00:25:54Yes, everyone
00:25:55Who?
00:25:56What?
00:25:56We?
00:25:57We were wrong
00:26:02I don't want to use you just to fill my free time, Sadani
00:26:09Don't feel like being used, Red
00:26:12You will only be trapped in my life which is already tangled up
00:26:17And I deliberately trapped myself for what
00:26:21Who knows, maybe I can unravel the tangle, Red
00:26:33I won't be able to
00:26:39Everyone let me try
00:27:06Marasimas
00:27:14So
00:27:15Three years of Nas's business as Udasa Dalil collapsed overnight
00:27:20So what is the official's goal, Nas?
00:27:24It's not because you miss me, right?
00:27:31For three years Nas' heart was beating, sir.
00:27:36A pounding that doesn't feel good at all
00:27:39Just jump to conclusions
00:27:42Because I already know everything
00:27:45Yes, Nas came here to escape from that kind of heartache, Fa
00:27:50While Nas knows
00:27:52Here
00:27:53Nearby there is Udasa Dali
00:27:57What kind of escape is that?
00:28:02Yes, Nas just needs a solution from Udasa Dali
00:28:06Yes, so what?
00:28:07This was completed last night
00:28:09Malan Nas ulur-ulur
00:28:14Running away from memories
00:28:16All the memories were brought here
00:28:28I have to go to the airport in a moment
00:28:31Please pick up Mustafa
00:28:39Where are you going straight away?
00:28:42Yes, those who don't know
00:28:44He said there was a mandate from his boss
00:28:47Why has Nas been invited?
00:28:50Nas who doesn't want to come
00:28:53I'm lazy if I join a job candidate like that
00:28:56Well that's that then
00:28:57Then I'll go back to work first, okay?
00:29:01Hmm
00:29:23How could you forget, Nar, Sir, to call?
00:29:27Sorry, bro.
00:29:29Sorry too, sir
00:29:30Mustafa yes
00:29:32No problem
00:29:33The important thing is that I didn't become a dusir
00:29:36Please sit down, Dan
00:29:37Yes
00:29:38It's been a long time since I worked with Mr. Akbar, Dan
00:29:40Yes, the last three years
00:29:44That was the first time I met Mr. Akbar.
00:29:47Collective exhibition time in Singapore
00:29:50He bought several paintings
00:29:54Including my paintings
00:29:56Hmm
00:29:58Yes, that's why when I found out I wanted to go to Jogja
00:30:01He told me to stop by in Magelang to meet you
00:30:05Okay, who knows, maybe there's something else I can buy.
00:30:10He looked at Uda
00:30:11Beautiful
00:30:12He just asked for photos of your work, and
00:30:15That is if possible
00:30:19I can give you my exhibition invitation, in two months.
00:30:22Oh yes
00:30:24The exhibition is only two months away, right, Mas Ya?
00:30:27Come on, sir.
00:30:28Thank You
00:30:33So there are no paintings that can be shown to Mr. Akbar yet.
00:30:38If you wait a few more days, that's fine
00:30:41Don't mind going to Magelang again?
00:30:44Yes
00:30:45We'll wait again later
00:30:49My father definitely won't believe it, it turns out I'm a painter
00:30:53Well, he doesn't believe me in anything.
00:31:08No, this is good.
00:31:09My father certainly won't believe it, it turns out I'm all things, in two months
00:31:42Okay, wrap it up.
00:31:50Already
00:31:52That's all, bro.
00:31:54Nothing else
00:31:57Just continue
00:32:01Mas Banyu doesn't want to comment on anything like that, anything longer
00:32:07My job is to convince galleries and buyers
00:32:15Not convincing mani art
00:32:23See you in the next video
00:32:38See you in the next video
00:32:53Enjoy
00:33:25See you in the next video
00:33:26See you in the next video
00:33:41See you in the next video
00:33:51See you in the next video
00:34:05See you in the next video
00:34:22Uncle Dali, later after this car business is finished,
00:34:25take mom home, okay?
00:34:26I went first with Jessica's dad.
00:34:29Okay, right?
00:34:30Mother.
00:34:37Okay, there you go again.
00:34:38Be careful.
00:34:40Bye.
00:34:41O.
00:34:42Thank you, Paul.
00:34:43Yes.
00:34:44Goodbye, Red.
00:34:45Goodbye.
00:34:46Goodbye.
00:34:47Bye, mom.
00:34:48That's enough, darling.
00:34:54Who are they?
00:34:56My neighbor.
00:35:01Fish and Jessica have been best friends since we moved back.
00:35:08Fish feels he is so meti Jessica,
00:35:10because Jessica lives alone with her father,
00:35:13The fish lives alone with its mother.
00:35:23How are you, Red?
00:35:44No.
00:35:51Realize, after my car business is finished, I can go home alone if I take my car.
00:35:56You don't have to take care of me, okay?
00:35:57I'll just accompany you, Mer. I'll deliver it later.
00:36:00Don't. My house is almost to Jogja. It's far.
00:36:08Far away, where is your home with the past, Mer?
00:36:12Not now, Sadali.
00:36:17Yeah, not right now. But maybe later, right?
00:36:20In fact, your car will be finished in an hour.
00:36:41Bro, share the cigarettes, okay?
00:36:43Yeah. Okay. Unturned, yeah.
00:37:01Since when do you smoke?
00:37:06Since I rarely eat.
00:37:08Since when have you rarely eaten?
00:37:12Since my tongue can't taste anything?
00:37:15Since when can't you feel anything?
00:37:21Since...
00:37:21Bad habits must be stopped.
00:37:26Smoke?
00:37:28And don't eat.
00:37:30You'll be thin later.
00:37:32Not to mention lung disease.
00:37:38How about thinking about you, Red?
00:37:41Is that a bad habit?
00:37:47Are you still thinking about me?
00:37:54Thinking about you doesn't make my lungs hurt.
00:37:57But another pain.
00:38:15You definitely won't ask me to come in.
00:38:17It's already evening and the fish will be disturbed.
00:38:20How about you, Red?
00:38:22What?
00:38:26Still think about me sometimes.
00:38:28Not anymore?
00:38:40Mr. Dali remembers, okay?
00:38:43Should...
00:38:46You stop all your bad habits.
00:38:50Including thinking about me.
00:38:57Actually, that was the first thing I did.
00:39:00That's why after that I couldn't feel anything.
00:39:03Your reasons are trivial.
00:39:05Isn't it just because of a woman that you keep...
00:39:08Red.
00:39:09You.
00:39:12You are the reason for everything I do.
00:39:16And you are far from trivial, Red.
00:39:19If it makes you like this, it's sad.
00:39:32It's better if we don't meet again, Sadali.
00:39:48Thank You.
00:40:02Thank You.
00:40:15Thank You.
00:40:27Thank You.
00:40:33Thank You.
00:40:35Thank You.
00:40:42Thank You.
00:40:46Thank You.
00:41:03Thank You.
00:41:17Thank You.
00:41:19Thank You.
00:41:24Thank You.
00:41:35Thank You.
00:41:53Thank You.
00:41:56Thank You.
00:41:57Thank You.
00:41:59Thank You.
00:42:09Thank You.
00:42:12Thank You.
00:42:14Thank You.
00:42:14Are you busy?
00:42:21Nas is gone.
00:42:26Nas, go away.
00:42:33Nas is lonely, sir.
00:42:35Yes, this is just a walk, Nas.
00:42:39Still, Nas himself.
00:42:41Okay, just come here again.
00:42:43Eat here, accompany me to work
00:42:50Everyone looks fine
00:42:53Sis, paint, sis
00:42:54Yes, sorry
00:42:57Oh, I know
00:42:58So I'm conscious again
00:43:05Is it okay to be with Tifa?
00:43:06Yes, I want to finish what hasn't been finished yet
00:43:10But the promise is finished, okay, Nas?
00:43:21How are you? Any difficulties?
00:43:27I actually can't draw, bro.
00:43:29It doesn't matter
00:43:31You are not here to learn to draw
00:43:35But let out all the emotions
00:43:38Through pictures
00:43:43Nothing bad, nothing good
00:43:46True false
00:43:49Come on
00:43:50Okay, Sir
00:43:54Nothing bad, nothing good
00:43:59Why don't you say anything?
00:44:01You use stable, come on?
00:44:02Yes, this is for the community children
00:44:05Bro, I'll be at home
00:44:06Oh yes
00:44:07Okay, thank you
00:44:10Sir
00:44:16Bro, here too
00:44:20Yes
00:44:22I smell the scent of a complicated past
00:44:28It's just a smell, bro.
00:44:36Just stay there, okay?
00:44:40Yes
00:45:04Bro, I want to color the iklopak red
00:45:15No, sir.
00:45:17Bro, you don't like flowers.
00:45:20Yes
00:45:23Because it's easier to draw it than to maintain it.
00:45:31Thank You
00:45:35People are angry
00:45:38Already
00:45:56Already
00:46:00Already
00:46:04Do not forget.
00:46:14Do not forget.
00:46:16Do not forget.
00:46:24Do not forget.
00:46:39Do not forget.
00:46:40Do not forget.
00:46:40It's very late, Nas.
00:46:47Yes, that's it.
00:46:51Earlier, Nas, he was lucky.
00:46:55Then help Atifah at her restaurant.
00:46:59Until once.
00:47:06Have you called and no one answered?
00:47:10Have you called?
00:47:19Sorry, Nas didn't realize it.
00:47:22The TV restaurant was very busy.
00:47:24So Nas Indak opened his hand.
00:47:30Yes, Uncle. It's okay.
00:47:33I've apologized, okay?
00:47:37I miss you too, Nas.
00:47:39Walking together with Nas.
00:47:46Sorry, Nas.
00:47:55Enjoy.
00:47:57Thank you, sir.
00:47:59Yes.
00:48:15Sir.
00:48:17Sir.
00:48:17Earlier, it was with the bracelet.
00:48:19So where have you been?
00:48:22It's the boss's business.
00:48:27Greetings form.
00:48:29Mr. Akbar, Hida.
00:48:30Oh yes.
00:48:31I'll tell you later.
00:48:34Dali.
00:48:35Hmm?
00:48:40What is Anida?
00:48:41Photo of my wife.
00:48:43If possible, you can paint it.
00:48:46Sorry I didn't receive your message.
00:48:54Dali.
00:48:57I just want to make my own wife.
00:48:59First.
00:49:03Ust. Dali.
00:49:05Any progress?
00:49:07There are guests, sir.
00:49:08There is no progress.
00:49:09Lots.
00:49:10Mustafa.
00:49:12I'm taking my leave.
00:49:16Ketir was on his way earlier.
00:49:24Who's that?
00:49:26A man who loves his wife very much.
00:49:33Gunnar!
00:49:36Someone is looking.
00:49:41Mas Blanyu, look for me.
00:49:43Okay, just stay.
00:49:50I'll go straight to the cafe.
00:49:51Already.
00:49:57It should be here soon.
00:50:01That?
00:50:07Yes, sir. Okay.
00:50:09Yes yes.
00:50:12Yes. Maybe later, sir.
00:50:14Yes. We'll meet later.
00:50:16Yes, yes, yes, yes, yes.
00:50:18Yes sir.
00:50:19Yes yes.
00:50:22What a shame, huh?
00:50:23Yes, sir. Yes.
00:50:25Yes
00:50:28Oh.
00:50:29Okay, sir. Okay, okay, okay.
00:50:37Yes sir.
00:50:37So, what do you think of the painting?
00:50:43Very aware.
00:50:47Very aware.
00:50:50What does it mean?
00:50:53I see confusion and suffering.
00:51:02It's your father, Yu.
00:51:04Who can translate.
00:51:06You are the best at translating Sadali's works.
00:51:11But,
00:51:12I think it is more appropriate to call it
00:51:15unfinished painting.
00:51:17Ha ha ha.
00:51:26Very aware, right?
00:51:29Ha ha ha.
00:51:34Ha ha ha.
00:51:37Yes
00:51:38Yes
00:51:40Okay, sir. Okay.
00:51:46Okay, sir. Okay, okay.
00:51:51Yes, sir. Thank you, sir.
00:52:01Sorry, Nas.
00:52:03Mr. Berle took a long time to call.
00:52:07Delicious, Nas.
00:52:17Nas,
00:52:19Let's finish some work tomorrow, okay?
00:52:23We just started walking in the afternoon.
00:52:27Tomorrow, Nas wants to go alone.
00:52:30Where to?
00:52:31There's something Nas needs to finish before he goes home the day after tomorrow.
00:52:35The day after tomorrow?
00:52:36We're still here for a few days, Nas.
00:52:38It's useless for a few more days here.
00:52:41Nas doesn't feel like a vacation, does he?
00:52:43Nas,
00:52:44I promised
00:52:45Tomorrow is the last time I'll work.
00:52:48After that...
00:52:49The day after tomorrow!
00:52:54Nas.
00:52:57Angry, you.
00:52:59I've apologized, Nas.
00:53:01I promised.
00:53:02Later.
00:53:04Make a promise.
00:53:11Sorry, Nas.
00:53:15Nas.
00:53:16Nas.
00:53:18Nas.
00:53:20Nas.
00:53:21Nas.
00:53:22Nas.
00:53:23Nas.
00:53:35Nas.
00:53:37Nas.
00:53:37Nas.
00:53:38Nas.
00:53:39Nas.
00:54:05I know I'm a bit of a disappointment because I haven't returned to Bukit Tinggi as I promised.
00:54:10I just found what I've been looking for, new dreams and hopes, it feels hard to leave that behind
00:54:19all at this time.
00:54:22Sorry I haven't had time to write a letter to Arnaza, if he gets bored waiting for me, it's no problem if he wants to cancel the wedding
00:54:31We.
00:54:44Where are you going, Mom?
00:54:45Hi, there's a meeting with the restaurant owner, one of our clients.
00:54:51Mom, I'll stay here okay?
00:54:54Yes, of course, where's your dad?
00:54:55Pali day back, happy.
00:54:58Oh, why weren't you invited?
00:55:01He invited me, but I refused rather than continue fighting there.
00:55:05My boyfriend is at school, I'm at school.
00:55:07Okay.
00:55:08Okay, bye.
00:55:10Okay.
00:55:11Be careful, Mom.
00:55:12Yes
00:55:17Mom, are you okay?
00:55:19You asked like that?
00:55:21After that Mam Dali, Mother...
00:55:22Shh, no need to discuss it, right?
00:55:25Yes, there's no need to discuss it with me.
00:55:27Yes, maybe it needs to be discussed with Mam Dali.
00:55:29You, you're acting so wise, where did you learn that?
00:55:34Mom, ah, cook.
00:55:37Bye.
00:55:38Yes.
00:55:39Drink.
00:55:41Fine.
00:55:43Fine.
00:55:50Sir.
00:55:51Mr. Dali.
00:55:53Mas Chandra just called.
00:55:55He said someone was waiting for Mas Dali at the darsana.
00:55:58Her name is Arnazza, if I'm not mistaken.
00:56:04I've been waiting for it for a long time, bro.
00:56:20I was waiting upstairs, bro.
00:56:21On.
00:56:22Okay.
00:56:35Sir.
00:56:44Let's talk about what's unfinished, okay?
00:56:48Now?
00:56:51Tomorrow.
00:56:52Nas will come home tomorrow.
00:56:54In such a hurry.
00:56:55For Nas this has been too long.
00:57:11I want to apologize for what happened three years ago.
00:57:17Excuse me.
00:57:21Sorry for ruining everything.
00:57:26Already.
00:57:29Yes.
00:57:32The wound I caused Nas may not have healed yet.
00:57:42If we were to meet today.
00:57:50I'm going to look for Nas to apologize.
00:57:59Yes.
00:58:06I might have done it on purpose, Nas.
00:58:14Who?
00:58:16Who is that woman already...
00:58:19Are you still in touch with him?
00:58:36I really can't ask Nas to forgive me that quickly.
00:58:43But if Nas is angry,
00:58:47Nas can hit me now.
00:58:50O'clock.
00:58:53It looks.
00:58:58No.
00:59:11No, no.
00:59:41No.
01:00:25No, no.
01:00:54No, no.
01:01:24No, no.
01:01:26No, no.
01:01:56No, no.
01:02:26No.
01:03:19No, no.
01:03:48No, no.
01:03:51No, no.
01:04:20No, no.
01:04:49No, no.
01:04:52No, no.
01:05:25No, no.
01:05:26No, no.
01:05:46No, no.
01:05:48No, no, no.
01:05:53No, no, no.
01:06:22No, no.
01:06:24Fuck you.
01:06:27Well that's that then.
01:06:30I am home.
01:06:31I promised Kikanmu I would bring him food.
01:06:34Jessica is also staying at home.
01:06:41Kadali.
01:06:42Red.
01:06:44Stop teasing me.
01:06:45Then stop making me want you.
01:06:48Yeah stop wanting me.
01:06:50Ever been.
01:06:52But half of me died.
01:06:54There's still half left, right?
01:06:57The other half of life can only mourn the dead.
01:07:02You are a man, don't be a crybaby.
01:07:05What's wrong with a whiny guy?
01:07:07The important thing is that the reason for crying is clear.
01:07:12You're still the same as before.
01:07:14Always have a justification for all your actions.
01:07:20Only when I fall in love with you.
01:07:27I ran.
01:07:28Miss Mer.
01:07:30There was an incident.
01:07:31There was an incident in Bali.
01:07:33Bomb.
01:07:33Dude.
01:07:37I used it earlier, sir.
01:07:38Try.
01:07:39Bomb.
01:07:41This lucky boom sparked a sedanelaub fire.
01:07:44Vaports valued.
01:07:45In surprising remember guests in front of sedanelaub.
01:07:49Apart from that, there are dozens of buildings within a radius of 10 to 20 meters from the location.
01:07:55This is it sir, this is another big order sir
01:08:02Thank you sir
01:08:14Yes yes
01:08:27Oh
01:08:31Bika
01:08:32Jessica
01:08:35Mother
01:08:37Mother
01:08:39Mother
01:08:39Mother
01:08:39Mother
01:08:40Mother
01:08:41Mother
01:08:51Mother
01:08:52Mother
01:08:59Mother
01:09:03Mother
01:09:04Nas
01:09:07Nas, where have you been?
01:09:15Already worried, Nas
01:09:27See you.
01:10:16See you.
01:10:29See you.
01:10:57See you.
01:11:13See you.
01:11:44See you.
01:11:45See you.
01:12:02See you.
01:12:05See you.
01:12:16See you.
01:12:47See you.
01:12:49See you.
01:13:00See you.
01:13:01See you.
01:13:06See you.
01:13:33See you.
01:14:03See you.
01:14:06See you.
01:14:35See you.
01:15:35See you.
01:15:49See you.
01:16:20See you.
01:16:47See you.
01:16:58See you.
01:17:03See you.
01:17:12See you.
01:17:47See you.
01:18:16See you.
01:18:22See you.
01:18:33See you.
01:18:39See you.
01:19:08See you.
01:19:15See you.
01:19:18See you.
01:19:20meet his father again.
01:19:22From France, Kikan will meet her father in America.
01:19:27Looking for, to be more precise.
01:19:32So?
01:19:33So, I'll come along.
01:19:40Accompanying Kikan on her quest.
01:19:50So what if you've found it?
01:19:56Kikan's search isn't just about her father,
01:19:59but it has a broader meaning than that.
01:20:04I'm sure you understand what I mean.
01:20:20Don't ask me to be you, Mel.
01:20:25Being you is my hardest task.
01:20:34So, why didn't you get married in the past?
01:20:45That time I chose you.
01:20:50Dali would disappoint father greatly and greatly.
01:20:58In Yogyakarta.
01:21:05Dali found the woman he loved so much there.
01:21:19Then ever everything.
01:21:28Dali wants to cancel Dali's marriage with Mas.
01:21:32Excuse me.
01:21:41I'm back in Jogja.
01:21:45But I can't choose you.
01:21:50Choose.
01:21:56Two women at once.
01:22:00It's great that you realize that.
01:22:06Stupid.
01:22:07Not great.
01:22:08Yes
01:22:09Stupid.
01:22:12And selfish.
01:22:24Then what are your own plans now, are you aware of?
01:22:34I will stay here.
01:22:39So you know where to pretend not to look for me.
01:22:46It seems impossible for me.
01:22:47Ask you to forget me.
01:22:53But I ask.
01:22:57You don't have to wait for me, okay?
01:23:03Yes, I will probably be a grandmother when I get back.
01:23:09How old are you planning to be, grandma?
01:23:1290.
01:23:14You are 90 years old.
01:23:16I'm already 80 years old.
01:23:17I'm already a grandfather too.
01:23:19It's the same, there's no difference.
01:23:22So I will be introduced to your wife and children, budu?
01:23:29Yes
01:23:37Yes
01:23:57Meet me, this is red.
01:24:00She is a woman who...
01:24:03Once.
01:24:06Let me introduce you, this is Sadali.
01:24:09He is a man who...
01:24:14almost.
01:24:35He is a man who dulacam jrena.
01:24:41He's a male.
01:24:44He's Manong Pitcher Jacket's man.
01:24:48He's a man in my opinion.
01:24:49He's a male.
01:24:50He's a man of several.
01:24:50he is a man for example.
01:24:55he is a man1.
01:24:57He's a male.
01:24:58He's a male.
01:24:59He's a male.
01:25:00He's a male.
01:25:01He is a man keléf Mohal banden
01:25:01He is a man.
01:25:02He is PAL-male
01:25:03He is a Memory man.
01:25:23Thank You.
01:25:33Here she is again, Onsara.
01:25:35You just stay here for a while, okay?
01:25:49Should I speak?
01:25:53Life has too much of you.
01:25:55But everything is neatly stored in what I said.
01:26:00Now what remains in me are memories.
01:26:03Yes, there you are always.
01:26:05You are with me.
01:26:10Hopefully.
01:26:15All my attitudes.
01:26:20The best part.
01:26:25From others.
01:26:28Okay.
01:26:34I am responsible.
01:26:40You just stay with me.
01:26:45There are many ways to live better with me.
01:26:56Hopefully.
01:26:59Hopefully.
01:27:01All my attitudes.
01:27:07The best part.
01:27:12From others.
01:27:17How does love begin?
01:27:20Love is...
01:27:22Al-hubu Awaluhu Zikrun wa Akhiruhu Fikrun.
01:27:28What does it mean?
01:27:29In love, all explanations actually die.
01:27:34But what it means is that the beginning of love is saying, after that it is thinking.
01:27:44Hopefully.
01:27:47Hopefully.
01:27:49Hopefully.
01:27:51Hopefully.
01:27:51Hopefully all my attitudes.
01:27:55The best part.
01:28:00From others.
01:28:05hopefully all my attitudes are the best part of the others
01:28:28as we love, so we will be loved
01:29:00enjoy!
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