00:00The way Beckett plays into this death is so dramatic
00:04and such a cool way for it to happen.
00:06I was curious what it was like to film that
00:07and what it kind of meant to you
00:09to have Beckett be such a big part of this.
00:11I just thought people are going to hate me.
00:16Because I put him on the ground
00:18and then put him in the hands of...
00:20I think at one point it was, yeah.
00:25But it's that thing,
00:27because there's so much love for this
00:29for the show, for the characters and so on.
00:32I thought, oh my God.
00:33But also that makes me kind of laugh too.
00:37But no, it was...
00:41The father-son thing is kind of interesting
00:43and it's come up again.
00:45It's interesting how Barry talks about it, for example,
00:47and how Killian talks about it
00:48because they actually are coming from
00:50very different perspectives.
00:51And then when you were talking about your mum
00:52and all of that.
00:56And I suppose there are moments
01:00that come up in the film
01:01where I present a parental element
01:10to Duke and to the audience too.
01:14And I found that to be intriguing
01:16and kind of interesting in itself.
01:18And you didn't overwrite it,
01:20didn't overplay it.
01:21It just was dropped in, dropped in, done.
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