- 2 weeks ago
The Crown S02E04 [Full Movie] [English Subs]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47Oh, they're not averse
00:03:53Oh, my God
00:03:59And I'm my old faithful
00:04:05And I'm my old faithful
00:04:06I've got to go
00:04:06I'm my old faithful
00:04:06Oh, my God
00:04:10Oh, my God
00:04:12Oh, my God
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:04Yes.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:12Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:07:26I have a nice book.
00:08:33I'm not sure how I feel about a Russian satellite circling the Earth.
00:08:39Just above our heads.
00:08:41What's it doing up there?
00:08:43Notionally, it's providing information about the density of the Earth's upper atmosphere.
00:08:47Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:57The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:09Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right.
00:09:32You know, after the war, they said that I...
00:09:33We're absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage.
00:09:48As in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:54Rather, in the same way that a doctor examines a patient...
00:09:58They say that listening is important.
00:10:00But this is really quite a simple...
00:10:01In any marriage.
00:10:03First try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:24Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:33How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:10:56Yes, it is.
00:11:00Well, let's go.
00:11:06Well, let's go.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:05What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:17I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:42Indeed, your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:54So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:25Into a fantasy.
00:13:32Later, she will step out of her house in a new neckerchief, perhaps.
00:13:39For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, your Royal Highness.
00:13:49And to the ideal which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:00Ding dong, the bells are ringing.
00:14:03Ding dong, the bells are ringing.
00:14:06Ding dong, the bells are ringing for you and I.
00:14:12Ding dong, the bells are ringing.
00:14:15Ding dong, my.
00:14:17Ding dong, the bells are ringing.
00:14:20Ding dong, the bells are ringing.
00:14:21In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36What?
00:15:06Ma'am, Lord Blanford just telephoned to apologise and say that Mr Wallace may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41The Royal Highness, the Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend Tennant rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word, duel, was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:36stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night, but we faced the dawn with clear
00:16:54heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:26Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46Why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the center of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32Pathetic.
00:18:35Weak and contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity.
00:18:45Or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:02Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:13This is what the next forty years of your life will look like.
00:19:26Margaret.
00:19:28Margaret.
00:19:31Margaret.
00:19:44I've been asked to tell you that Princess Margaret will not be announcing an engagement this evening.
00:19:51Our Royal Highnesses should explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably, they see that hidden part of you.
00:21:27One ends up knowing more about one's partner than they know about themselves.
00:21:33And it can be pretty tough to keep quiet about it.
00:21:37So you have to...
00:21:38You have to come to an accommodation, an arrangement, a deal,
00:21:45if you like, to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:04that is where you find the treasure.
00:22:09So I would like to propose a toast.
00:22:14In the name of love.
00:22:18In the name of our beloved country.
00:22:21In the name of steadfastness.
00:22:24In the name of another ten marvellous years.
00:22:30I give you...
00:22:33...my petty shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:53the Queen.
00:22:55The Queen.
00:22:55For my dear name!
00:22:57The Queen.
00:22:59El Farnham.
00:23:02Roar.
00:23:12Chorn.
00:23:13I don't know.
00:23:46I don't know.
00:24:14I don't know.
00:24:26I don't know.
00:24:28I don't know.
00:24:30I don't know.
00:24:39I don't know.
00:25:03I don't know.
00:25:21I don't know.
00:25:39I don't know.
00:25:41I don't know.
00:26:16I don't know.
00:26:24I don't know.
00:26:45I don't know.
00:26:49I don't know.
00:27:15I don't know.
00:27:20I don't know.
00:27:30I don't know.
00:27:41I don't know.
00:27:54I don't know.
00:28:27I don't know.
00:28:32I don't know.
00:28:49I don't know.
00:28:55I don't know.
00:29:08I don't know.
00:29:11I don't know.
00:29:20I don't know.
00:29:30I don't know.
00:29:34I don't know.
00:29:39I don't know.
00:29:42I don't know.
00:30:03I don't know.
00:30:10I don't know.
00:30:14I don't know.
00:30:19I don't know.
00:30:20I don't know.
00:30:20Hello.
00:30:20Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:33Oh, there's a Dudley.
00:30:35Oh, God, Jane.
00:30:40You must have to turn around.
00:30:43You must have to turn around.
00:30:46I've got to turn around.
00:31:11Feeling a little left eye
00:31:15You're thinking to yourself
00:31:18These dabblers and freaks all seem to know one another very well
00:31:28Then you'd be absolutely right
00:31:32Now be honest
00:31:35Can you remember any of the names?
00:31:41No, not really
00:31:42Can't remember me either
00:31:44You know what we've met?
00:31:46We have
00:31:48Where have we met?
00:31:50Perhaps they'll come to you
00:31:52Now, where to begin?
00:31:55Huh
00:31:56Far corner
00:31:57The irresistible so-and-so with the mustard-colored pearly neck
00:32:02Irresistible?
00:32:02Oh, come on
00:32:04A nine, surely?
00:32:05Seven
00:32:07It's called Jeremy
00:32:08He's heir to a chocolate fortune
00:32:09Married to the blonde beauty opposite
00:32:14Oh, she doesn't eat
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do
00:32:20They don't disappoint in private either
00:32:22More of that another time, I think
00:32:24Who's next?
00:32:26Who's next?
00:32:27Ah, yes
00:32:27Our flushed and fleshy friend in Paisley
00:32:30His name's Ken Russell
00:32:31Makes documentaries for BBC
00:32:33Travels everywhere on a bus
00:32:38You've probably never been on a bus, have you?
00:32:43No
00:32:44You know
00:32:45Pity
00:32:46You really do meet the best people
00:32:51Tell me about the woman with the, uh, extraordinary eyes
00:32:57Brown as Frankenstein
00:32:59Brown as Frankenstein
00:33:00She played opposite Boris Karloff in that movie, you know, actress
00:33:04Yeah
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician
00:33:13No
00:33:13His name's John Perfumo
00:33:16Fucking dull
00:33:17It's true
00:33:18It's true
00:33:18But
00:33:20The older gentleman
00:33:22Beside him
00:33:23Oh, no, no, no
00:33:23I know who that one is
00:33:24That's John Becham
00:33:25The poet
00:33:26Um
00:33:29Books from Boots and Country Lanes
00:33:31Free speech, free passes
00:33:33Class distinction
00:33:36Distinction
00:33:39Democracy
00:33:40Democracy
00:33:40Democracy
00:33:41And
00:33:42Robber dreams
00:33:45Just so
00:33:50Is it really true he has two wives?
00:33:54I hope so
00:33:56Better if he has three
00:33:59We don't want anyone conventional around here
00:34:10Now, tell me about you
00:34:11Oh God, you really don't remember?
00:34:14No
00:34:15I'm a photographer
00:34:18Oh, the wedding photographer
00:34:20Ah, that was a favour, it's not my normal line of work
00:34:23What is?
00:34:26This
00:34:30Ah
00:34:31What, these are yours?
00:34:34Yes
00:34:36Portraits
00:34:37Mmm, I don't like that word
00:34:39It's so stuffy and traditional
00:34:41Oh, sorry
00:34:43What are they then?
00:34:45Mmm, people
00:34:46Faces
00:34:47They're the most interesting subject that I've found so far
00:34:52If you can think of anything more interesting, do let me know
00:34:57Oh, I like them
00:35:00As if there's no camera at all
00:35:03Caught them off guard
00:35:05It's all luck really
00:35:06Made the ugliness beautiful
00:35:08I despise posturing and pretentiousness and humbug
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:20Maybe
00:35:23Maybe it's just a good way to get behind closed doors
00:35:25Somebody's door in particular?
00:35:28Just doors generally
00:35:29The facade is only useful as a mark-up or something one has to get behind or beyond
00:35:34The surface is so dreary, don't you think?
00:35:37What people want to show themselves, the idealised version of no interest to me
00:35:41What people hide
00:35:44That interests me
00:35:49But you get so close
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes
00:35:57That's exactly what photography is
00:36:00I use a small Leica nothing fancy
00:36:03A natural light which means that I can prowl around
00:36:06All the while I'm getting closer and closer
00:36:09In the end it's kind of like
00:36:11It's a
00:36:13Intrusion
00:36:17Intimacy
00:36:38How would you feel about taking my photograph?
00:36:41Well I'd consider it
00:36:43On one condition
00:36:46Go on
00:36:47When you come to my slum studio
00:36:50Leave the titles and princess outside
00:36:53Happy to
00:36:54And for the duration of the session
00:36:56You do everything I say
00:37:00Don't look like that
00:37:03You're dying to, miss
00:37:07Dying to what?
00:37:09Be a supplicant
00:37:13I can tell
00:37:14I can tell
00:37:18It was the first room I'd ever been to
00:37:21Where nobody got up
00:37:22Bowed
00:37:23Curtsied
00:37:25Some just carried on having conversations
00:37:27If I wasn't there at all
00:37:28Those that did talk to me
00:37:30Did it with such
00:37:32Indifference or
00:37:34Nonchalance it verged on
00:37:36In pertinence
00:37:38There was this one
00:37:39In particular
00:37:41Tony
00:37:42Anthony, surely
00:37:43No, he insisted
00:37:45Tony
00:37:46Armstrong Jones
00:37:47This is
00:37:48Photographer
00:37:49Like Cecil?
00:37:50No, nothing like Cecil
00:37:52Couldn't be less like Cecil
00:37:54Well maybe a bit like Cecil
00:37:56He's obviously queer
00:37:58Interestingly, Elizabeth denies it
00:38:00Elizabeth who?
00:38:02Cavendish
00:38:03I called him when I got home last night
00:38:05I interrogated her
00:38:05What are the five most important things?
00:38:07I need to know about that man
00:38:09Why five?
00:38:10I don't know, it felt like the right number
00:38:12Why not three?
00:38:14It's more interesting than three
00:38:17So what did she say?
00:38:19One, it is Welsh
00:38:21Is that interesting?
00:38:23No, not particularly
00:38:24Well he had polio as a child
00:38:27He has a passion for inventing things
00:38:30And he would never dream of being anything as straightforward as simply queer
00:38:34What on earth does that mean?
00:38:37What on earth does that mean?
00:38:37Not altogether sure
00:38:39But
00:38:41I'm also not even curious to find out
00:38:43What was number five?
00:38:45You can go
00:38:46You can go
00:38:46That was five
00:38:47No Margaret, that was four
00:38:48It was alright
00:38:49Five is...
00:38:52I liked him
00:38:54Yes
00:38:55I can tell that
00:38:58There's a contempt in him
00:39:00What for?
00:39:04For me
00:39:05For me
00:39:06For us
00:39:08For everything we represent
00:39:14I actually think you'd like it
00:39:17That's what's so dangerous about him
00:39:19Upstairs
00:39:48Upstairs
00:40:01Right
00:40:07Wait now
00:40:13Back in a minute
00:40:19But
00:40:31That looks like
00:40:33To me
00:40:42While
00:40:48Out
00:40:49I don't know.
00:41:21I don't know.
00:41:53I don't know.
00:42:24I don't know.
00:42:51I don't know.
00:42:52Don't smile like that.
00:42:54It's lovely, eh?
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:02Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, though I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:16Because you have no idea who you are.
00:43:19Up to the window?
00:43:21Sir, I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:46That's because we keep feeding you the fairytale.
00:43:49No.
00:43:56Like this.
00:44:04Oh.
00:44:08Jesus.
00:44:10I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Oh, he's been good for the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:33Yes.
00:44:41But their business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:46:02Do nothing.
00:46:04Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So...
00:46:51This is...
00:46:53Home.
00:46:57It's marvellous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23A friend?
00:47:25What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39The word is, it is not.
00:47:41This is Bob Boothby's love child.
00:47:43No.
00:47:4630 years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:06Oh.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile. Get off.
00:48:20Sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What?
00:48:37People have signed their names.
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:21All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:53Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:12Well, it's sad.
00:50:13A little bit.
00:50:14How's your name coming?
00:50:15How do we go?
00:50:21A little bit.
00:50:22I can't.
00:50:29Well, we'll leave you there.
00:50:54All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:03You, um, you want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:21You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:29Me?ебry
00:54:36was never shown to be a cute between Um Baruch. For fingers!
00:54:41You're so
00:54:41thrilled to be a young man! A girl named
00:54:53Drawf a Grace.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32You made it to go on, rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:56:07Definitely not queer.
00:56:13Keep it.
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