00:00:05L'amour est une oiseau rebelle, elle ne peut t'apprévoir-y.
00:00:13Mais c'est bien à la vague à peine, si il convient de refuser.
00:00:20If you have made threats to prayer,
00:00:25talk to me well.
00:00:27The other one I prefer is the other one I prefer.
00:00:33There's nothing to do if I'm sorry.
00:00:39And love, and love,
00:00:45let us know in our hearts.
00:00:49Oh, my God, love and love are you in need of love.
00:00:56There's never, never a law.
00:01:00If you don't like me, I love you.
00:01:04If I take care of you, if you don't like me, I love you.
00:01:16If I take care of you, if I take care of you.
00:01:35If I take care of you, if I take care of you, if I take care of you.
00:01:43If I take care of you, if I take care of you.
00:01:49If I take care of you, if I take care of you.
00:02:06Oh
00:02:34If I look at you, if you love me, if you love me, if you love me, I love you.
00:02:50If I love you, if I love you, I love you.
00:03:09So, the night might be cool, but the music is hot.
00:03:14And it doesn't get hotter than the Spanish heroine of Bizet's opera, Cardamon.
00:03:19What you're going to hear now is what I'm thinking of as the TikTok version of Come,
00:03:23really just the essentials of the love triangle that is at the heart of this opera.
00:03:28Cardamon, tonight a seductive Indiana Schneider, sings a habanera.
00:03:34Cardamon is giving you a heads up. Loving her is perhaps not the wisest idea.
00:03:41Then the toreador, a swaggering Leon Viticianis, sings his own victory anthem and firmly catches Carmen's eye.
00:03:51And then poor Don José, a soulful Elias Wilson on stage, sings of a time when he was happy from
00:03:59his cousin's cell.
00:04:00With a wilted flower that was thrown at him by the woman he thinks used to love him.
00:04:08Cardamon, what a minx. Please welcome to the stage, Indiana Schneider.
00:04:12That was a good one.
00:04:13Thank you very much.
00:04:40Daniel.
00:35:12Yes.
01:21:04Congratulations.
