00:00Subhoji, first of all, welcome to INS.
00:02And first of all, you would like to know that
00:07Neem Karoli Baba, like spiritual and powerful personality,
00:10how was it emotionally challenging and how did you personally be transformed in this journey?
00:19All of us, we are very happy that we are so much.
00:23And we have been waiting for many days.
00:26And for many years, we are seeing that
00:30to be able to learn about Baba's father,
00:35many people from India and outside of India.
00:38Many people from India go to India.
00:41So first of all, the pleasure of being here
00:45our producer and director,
00:48made their own culture in their life and
00:51It is important to be able to perform the Lord.
00:57To perform any saint is a very difficult task.
01:02Because people see them from a very spiritual way.
01:05They go to their darshan and give them a place in their mind.
01:11So, to perform any saint, this is a very difficult task.
01:18It is not easy until you have any merit of the Lord.
01:24So, I understand that I have been able to perform the role of the Lord,
01:28because the Lord had any merit of the Lord.
01:30I have been casted by the Lord of the Lord.
01:35So, when the Lord came to me and took this film,
01:39I do not know much about the Lord.
01:42I will never hear the Lord about the Lord.
01:42Because I have been a good friend of mine in the industry,
01:46who often have been treated.
01:48So, I have always heard of them.
01:50But I had never heard of them.
01:53I had never heard of the Lord.
01:53Never heard of him.
01:55So, I did not know the whole way.
01:56I didn't know anything. But when Sharadji told him about his life and he said that we want to do
02:04his work,
02:06I was happy that I had a feeling that either Sharadji or someone from his team or someone from his
02:15team,
02:16So how did this come to me? So I understood that no artist doesn't see any person's role.
02:24I understood that Maharaj has made me feel that he has made me feel that he has made me feel
02:35that he has made me feel that he has made me feel that he has not done.
02:38So what I heard about Sharadji, what I heard about his friends, what I heard about his friends,
02:45So all of these things are in your mind and in your mind.
02:48And when you portray them in front of the camera, you can see all of these things in front of
02:56the camera.
02:58Sir, as you said that he was chosen for you, so what set was a movement that you had spiritually
03:04uninstalled?
03:05Why did you see that?
03:07My first day, when we started in the Prahyadaraj.
03:11We started in that house, where the Maharaj allows us to be.
03:15He was the only house of his friends.
03:19It was made of his own house.
03:21He was made of his own friends.
03:21In that house, where the Maharaj had been sleeping,
03:24He was living in 4 times,
03:28He was living in the house.
03:31He was living in the house,
03:31He was living in the city for the Maharaj.
03:34people came to the church.
03:36So the first time we went to the church,
03:40I took them to the church.
03:44And those who have come there,
03:47who have seen the maharaj ji,
03:50who have experienced the experience,
03:53they were all there,
03:55who were very big in my life.
03:58So they have sent me there.
04:00The kambal maharaj ji was in his life.
04:03The kambal gave me the kambal to my body.
04:08And then, someone put me a hand,
04:11someone put me a hand,
04:12someone put me a hand,
04:13someone put me a hand,
04:14someone put me a hand,
04:15someone put me a hand,
04:16someone put me a hand.
04:17So they understood that it was for the maharaj ji.
04:21So when the whole scene was happening there,
04:25in the actual scene,
04:27we feel that the kambal is in your body.
04:30I have been on the stage,
04:31and that the fire was very positive.
04:34The fire was very positive.
04:35People were very loving,
04:37and people were very familiar.
04:39And I think it was very important,
04:41because of that place,
04:43we also experienced the fire.
04:45And then the whole journey was very easy.
04:47Sir, let's talk about the name Garoli Baba's simplicity and calmness.
04:53What do you have to control the actor inside?
04:57As I have said, there is no such big actor,
05:00that he can take advantage of the Holy Spirit in any way.
05:06It is not possible until the Holy Spirit is given to him.
05:11So, I think it was the only thing we have seen,
05:16I don't want to control the actor.
05:20Sir, one more question.
05:21When we play the role of spiritual personalities,
05:25some of the people in the mind of the audience,
05:27you said that you have to raise their shoulders.
05:34You think that when you do other things,
05:37you have to do something in your personal life.
05:44Like Arun Govil,
05:47when he was in Ramayan,
05:49he saw a cigarette in the airport.
05:52So, he was very nervous about how you can eat.
05:56So, this is an actor's responsibility.
06:00Do you think you have to do something or not?
06:04What do you say about this?
06:05I think that this is a person's life.
06:09It is a way to live our lives.
06:13So, I will also do many of these people,
06:18who may not like people.
06:20It is not necessary that I will be a saint or a human being.
06:24There will be many people who are very deadly villains,
06:29who kill people.
06:31or so,
06:32I find that that lady has made her face.
06:35There is a lot of trauma.
06:37There is a lot of passion.
06:38There is a lot of pompous and but there is a lady by the woman.
06:42And now I am not the man.
06:44Please come to the president of the woman.
06:46I am the woman who has seen him in the world.
06:48People will see their faces.
06:49In the real life,
06:52you must harm them as the family or not.
06:54Do it or not.
06:55But then, you need to keep some of the things away from you.
06:58Because people also see you.
07:01I didn't want to take their name,
07:03but they were a very big player,
07:06a sportsman,
07:07who came to press conference.
07:09And as they came to press conference,
07:11they saw that they had a soft drink on their table.
07:14What did they do?
07:15They took the soft drink and took a bottle of water.
07:19What happened to them?
07:21In two days,
07:22the shares of the soft drink
07:24had so many losses
07:27that they didn't give up.
07:29So as a sportsman,
07:30they wanted to give up
07:33that people would want to go
07:35to your body
07:36to drink a lot.
07:39So if we are a public personality,
07:42we should not do those things in the public,
07:44from which people
07:47reach out to the public.
07:49So that's what we keep.
07:52Sir, one more thing.
07:54Today,
07:54in a commercial cinema scenario,
07:57the spirituality is also glamorous.
08:00How did you maintain the balance of authenticity in this film?
08:02How did you maintain the balance?
08:04I think this is all the credit
08:06from the writer and director,
08:07Sharat Singh Thapurji.
08:09Since 4-5 years ago,
08:11they shared all the research
08:12and the whole team with their actors.
08:15And with their research,
08:18keeping their trust,
08:20keeping their trust,
08:20keeping their trust,
08:20keeping their trust,
08:21keeping their trust,
08:22keeping their trust,
08:22keeping their research
08:32and keeping their trust.
08:33So what does the pressure
08:35increase in this responsibility?
08:37What do you think?
08:39I don't have any pressure
08:39to take my trust.
08:41I don't have any pressure.
08:42When you take the pressure,
08:43the person gets away from you.
08:45You get away from the person.
08:47You get away from the person.
08:49You get away from the person.
08:51You get away from the person.
08:52I say that
08:52I am not listening to them.
08:54I don't have anything.
08:55So whatever you do,
08:56you do.
08:57I am very small.
08:59So don't believe
09:00that I am going to increase
09:01anything.
09:02If you believe
09:03that this is my body,
09:04that there is nothing to do,
09:05then I am going to do it
09:06with his hands.
09:06I am going to do it.
09:08So this is not my responsibility.
09:10Because you are very small.
09:11Sir,
09:12like you said,
09:14you said,
09:14like Dr. Kashinaat Ghanekar,
09:18like Real Life Legends.
09:20So,
09:20Neem Karoli Baba,
09:21And how are theyés with each other?
09:24And what are theyés with?
09:26They are ahead of these.
09:27Because the role of the freedom fighters.
09:30And the role of the theatre of the future,
09:31Kashinaat Ghanekar,
09:32and the role of the theatre.
09:33And the role of the master of the plants,
09:37and the role of the psychic andbble.
09:41are a great character of the powerful
09:42So many people are involved.
09:44And the role of all the roles.
09:46And the role of the spiritual arts,
09:48And the father of the son is a great lady.
09:56It was a different way to look at their lives, or to look at their bodies, or to look at
10:02their bodies.
10:04So, I think that we can do the whole film with the research.
10:11Sir, historical and biographical characters, do you follow the facts or emotional interpretation?
10:20Look, the facts are necessary, but the emotional interpretation is necessary because we don't have a book on it.
10:28We don't have a book on it. This is not a documentary of Maharajji.
10:31We don't have a book on it. We don't have a book on it. We don't have a book on
10:36it.
10:36So, the facts are necessary, but we create a scene.
10:42What will happen?
10:43We imagine a director by creating a scene.
10:48So, definitely, the facts are responsible, but there is an emotional interpretation of the facts.
10:53Sir, do you think that the audience has more subtle and sound performances?
10:59I don't think this is something.
11:02Because we watch films from other countries,
11:05some people are loud, some people are very subtle,
11:08some people are doing videos.
11:10So, I think the emotions are important.
11:14Acting in any way.
11:16Sir, I think that in regional cinema,
11:18the content of the cinema is more strong.
11:28Hindi cinema is also a big star.
11:31Look, every film is a big time.
11:35So, in the years, there have been a lot of films in Hindi cinema.
11:41I say that in all countries, there have been a lot of great films in India.
11:45Whether it is Hindi, Bandali, Tamil, Telugu, Malayan, Kanad, Marathi,
11:52Udiya.
11:53So, in every language, there is a time that a lot of good directors, writers, actors,
11:59that in the years.
11:59Sometimes the people come together with the audience
12:01and they are made in a lot of amazing films.
12:03So, you can see that in Hindi cinema,
12:05they are looking for themselves and trying to find themselves,
12:09trying to explore themselves.
12:10So, in Hindi, the small films that they are making are making,
12:14they are are making very amazing films.
12:15The Malayan film, that is made in Awards, is also very good.
12:18And in Marathi, there are really good films.
12:20And with Bandali, there are really good films.
12:22And with Bandali there are really good films.
12:22And in Tamil, there are also those great films.
12:25So it comes in every language, in every culture, and in every culture.
12:31So that's the same phase in the Hindi film industry.
12:33Sir, if you talk about young actors,
12:35you focus on social media and regular PR machinery.
12:40Do you think that there is a craft compromise?
12:44Yes, I don't think that many people in social media have become a very important part of your life.
12:51So many youngsters who are watching videos,
12:53have become a part of the workshop.
12:58There are many workshops that are not in Mumbai.
13:02There is a workshop in Karnataka,
13:04in a village for 12-20 days.
13:07I also see many youngsters there.
13:10So it's not that they don't have seriousness.
13:12I think that they have more available sources of my generation.
13:18If there are social media in our generation,
13:20we are also working on them.
13:22So there is no mistake.
13:23There is a mistake.
13:24There is a mistake.
13:24There is a mistake.
13:25If you talk about it.
13:26But even today,
13:28the new generation,
13:29they are exploring themselves in different ways.
13:33They are looking for themselves.
13:35They are looking for themselves.
13:35So I think that they need to give a push.
13:36I think that they need to give a push.
13:40I think that they need to give a push.
13:40What do you think about the dedication of the patients of today's actors and today's actors?
14:06What do you think about them?
14:07I think that every person has a journey.
14:11A journey of oneself.
14:12it's a different journey.
14:14It's a different journey,
14:14a different character's journey.
14:15They see a different view of the artist.
14:18I see a different view of the artist.
14:20What is your intention?
14:21And what is your intention?
14:23I think that it's a huge attitude to your journey.
14:27So for me, it's more minor in commercial cinema or in art films.
14:33I do the same thing that I like.
14:36Sir, Neem Karolili Baba's miracles and teachings are famous all over the world.
14:40How do you connect with his thoughts?
14:44I think that his whole life is connected.
14:49Because those little things that Neem Karolili Baba has learned from all of his life,
14:58if you look at that story, you will understand what you want to say.
15:03Sir, how do the teachings of Neem Karolili Baba's stressful and fast-moving generation are so relevant?
15:10It's very important.
15:11First of all, make sure that what is happening is happening with someone.
15:15What is happening is happening to you.
15:17What is happening is happening to you.
15:19What is happening is happening to you.
15:20And if you understand this, you will be very positive.
15:26Sir, you have given the importance of performance in our career.
15:30So, do you think that the mainstream opportunities are found?
15:36I don't think so.
15:37Whatever you get, I'm very happy.
15:40Lastly, sir, what are the future projects?
15:42Can we see you in Ramayana?
15:44Ramayana?
15:45Ramayana?
15:46Ramayana?
15:46There are many Ramayana.
15:47Ramayana?
15:47Sir, what is Ramayana?
15:49No, it's been a shooting film.
15:52There are many films.
15:54There are many films, there are many series,
15:56there are also.
15:57There are also films, there are also.
15:58There are also Hindi and Marathi.
16:00There are all of them.
16:02So, every actor is so excited to me as much as the Maharaj's actor is so excited to me as
16:08much as the fiction actor is so excited to me as much as the actor is so excited to me
16:13as much as the actor is so excited to me.
16:14Sir, what would you like to give a message to the audience?
16:17Since this film has been released in the whole world, you must go to the cinema, go with your family,
16:24and make this film with your father's son.
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