Rita Hayworth
Margarita Carmen Cansino (Brooklyn, 17 de octubre de 1918-Manhattan, 14 de mayo de 1987), más conocida por su seudónimo Rita Hayworth, fue una actriz, bailarina y pin-up estadounidense. Alcanzó la fama en la década de 1940 como una de las principales estrellas de la Edad de Oro de Hollywood y apareció en 61 películas en total a lo largo de 38 años.
La prensa acuñó el término «La diosa del amor» para describir a Hayworth, luego de que se convirtiera en el ícono cinematográfico más glamuroso de la época.
Fue la principal chica pin-up de los soldados durante la Segunda Guerra Mundial y ocupa el puesto 19.º en la lista del American Film Institute de las grandes estrellas del séptimo arte.
Gilda, su mítico personaje de la película homónima, es considerado un arquetipo de la belleza femenina y marcó el inicio de una serie de criterios estéticos y culturales en la mujer que perduran hasta la actualidad.
#viralvideo #trending #Video2025 #Entretenimiento #Tendencias #Cine #Viral #movie #película
Margarita Carmen Cansino (Brooklyn, 17 de octubre de 1918-Manhattan, 14 de mayo de 1987), más conocida por su seudónimo Rita Hayworth, fue una actriz, bailarina y pin-up estadounidense. Alcanzó la fama en la década de 1940 como una de las principales estrellas de la Edad de Oro de Hollywood y apareció en 61 películas en total a lo largo de 38 años.
La prensa acuñó el término «La diosa del amor» para describir a Hayworth, luego de que se convirtiera en el ícono cinematográfico más glamuroso de la época.
Fue la principal chica pin-up de los soldados durante la Segunda Guerra Mundial y ocupa el puesto 19.º en la lista del American Film Institute de las grandes estrellas del séptimo arte.
Gilda, su mítico personaje de la película homónima, es considerado un arquetipo de la belleza femenina y marcó el inicio de una serie de criterios estéticos y culturales en la mujer que perduran hasta la actualidad.
#viralvideo #trending #Video2025 #Entretenimiento #Tendencias #Cine #Viral #movie #película
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00:00Se congrega para dar su último adiós a la estrella de la pantalla, Rita Hayworth.
00:05Diosa del amor de la década de los 40, fallecida a la edad de 69 años a consecuencia de la
00:10enfermedad de Alzheimer.
00:12Rita Hayworth, nacida Margarita Carmen Cancino, actuó en cerca de 60 películas.
00:17Era una brillante bailarina, una belleza resplandeciente, encantadora y provocativa, perfecta e insinuante.
00:42¡Suscríbete al canal!
01:00¡Oh, Johnny! ¡Por favor, déjame ir! ¡Por favor, déjame ir! ¡No puedo detenerlo más!
01:17Rita Hayworth
01:21Bailando en un sueño
01:26La infancia perdida
01:29Brooklyn, Nueva York, 1918
01:31Los hijos de las familias inmigrantes llenan las calles
01:34Una de esas niñas llegaría a convertirse en una estrella de Hollywood
01:37Pero su ascensión tendría un precio
01:41She talked of her early days of the work and the hard work and that she worked so hard as
01:46a child.
01:47She did talk of that and with some resentment and on the other hand, she would, she was also quite
01:57proud of it.
01:58So, I think she was, had mixed feelings
02:09Margarita Carmen Cancino se crió en Broadway y su carrera comenzó a una edad temprana.
02:13Su padre, Eduardo, que era español, cortejaba a su madre, Elisa, en los escenarios de los Bodeviles.
02:18Su nombre artístico era The Dancing Cancinos.
02:261927
02:26El cine es la oportunidad de oro para los estadounidenses
02:29Y Eduardo Cancino decide aprovecharla
02:32Traslada a su familia de Brooklyn, Nueva York, al soleado Hollywood, en California
02:44Allí, abre una escuela de baile en Sunset Boulevard, en pleno centro del espectáculo
02:49Ambicioso y sagaz, Cancino se llevó a su familia a Chula Vista, junto a la frontera mexicana
02:53A un paso de las agitadas calles de Tijuana y de los muelles californianos
02:57Donde conocer y comprar a la persona adecuada
02:59Significaba tener acceso a los casinos flotantes anclados a tres millas de la costa
03:04Eduardo, tras reorganizar a los dancing Cancinos, los frecuentaba todas las noches
03:08Y arrastraba consigo a su nueva pareja de baile, Margarita, que por entonces tenía 13 años
03:13Era una niña maquillada y adornada con un rizo español
03:18She looked ten years older, which of course is the impression they were trying to make
03:22She was such a quiet, reserved girl
03:25And spent most of her free time sitting out on the front porch
03:28And she almost looked frightened
03:30Her eyes widened like a deer
03:31Of course, she never smiled much anyway
03:33She was quite a, um, I don't, I hate to say sad exactly
03:39Because she seemed happy enough when she was just sitting around with her brothers
03:44But there was always an expression on her face of
03:46Oh, what should I call it?
03:48Not, wistfulness, uh, I don't really know what to call it
03:52Almost sad
03:55She did not have wonderful, fond, loving feelings toward her father
04:01That I remember her ever seeing
04:05He demanded, uh, demanded blood from her
04:15Well, we weren't allowed in the house when the parents were home
04:21But we would, uh, stand at the windows and watch
04:25They would rehearse in the afternoons
04:26He'd put on this old, uh, you know, Victrola affair
04:30And they'd get out there, cast a nest
04:32And, uh, rehearse routines
04:35We could hear Mr. Cancino
04:36And he'd yell at Rita, you know
04:37Don't do that, don't do that, do it this way
04:39Like a little banny rooster strutting him around
04:42And we thought he was kind of mean
04:44She didn't say much, except when her father would criticize her
04:47And then she'd just put her eyes down and say
04:49All right, I'll try
04:51That was about it
04:54La ciudad de los sueños es todo calma este fin de semana de 1934
04:58Los ejecutivos y celebridades de Hollywood se han marchado a agua caliente
05:01El espectáculo que se presenta en la sala principal siempre despierta expectación
05:05Y este fin de semana sus protagonistas son Eduardo y la encantadora Margarita de Dancing Cancinos
05:13I remember going to Caliante with my parents when I was 16
05:17And they announced the Dancing Cancinos
05:21And this man came out and danced with this beautiful lady
05:27And I couldn't get over the beautiful lady
05:30And my mother said
05:33The beautiful lady is old enough to be your mother, Jimmy
05:36For goodness sakes
05:38Later
05:39I just happened to be
05:42Near these two people
05:43And I realized, no, he wasn't married to this woman
05:47This was his daughter
05:50Well, my mother asked Vernon
05:52How come that his mother left them alone at night
05:54And he told her
05:55He said, well, she has to go and take care of Rita
05:57He said, my father would get drunk
05:59And I'll take care of her
06:01And also that he would gamble away their paychecks
06:04And she had to go and make sure they got the money
06:06Because that was their
06:06They paid their rent, their food
06:08That was their livelihood
06:11Pardon me
06:11And also, he mentioned that there were men
06:18When you ask me, what is the dark side?
06:20I say, there's a whole dark side, you see
06:23That I think there is in most of our lives
06:26That we keep well hidden
06:27And one day I answer the door
06:29And who's at the door but this attractive gentleman
06:34And he said to me, I'm Rita's father
06:38I know I should probably have called
06:40But I'd like to see her
06:45And I said, well, come on in
06:47He said, no, I'll wait here
06:49I went back, told Rita
06:52That her father's at the door
06:54And she said, tell him
06:55That I do not want to see him
06:58I stood there and I said, I can't tell him that
07:00You tell him that
07:01She said, tell him I do not want to see him
07:05And I knew her now well enough to know that
07:07With that
07:09So I told him
07:10I think the trauma in my mother's childhood
07:14Was the fact that she had to work
07:20She was forced to work
07:21It was something that there was no choice
07:24She had no choice
07:27She didn't have a normal childhood
07:31I mean, how could she when she was dancing, training, performing
07:36There was no time for the fun things of childhood
07:42She just, she wasn't allowed to have that
07:45And I think, yes, she was robbed
07:48Estamos de nuevo en Agua Caliente, México
07:51La agente cinematográfica Winfield Shannon
07:54Ha estado aquí este fin de semana
07:55Para proponerle a Margarita Cancino
07:57De 16 años
07:58Un contrato de 6 meses con la Fox Pictures
08:02Shannon le ha explicado que su primera película
08:04Será La nave de Satán
08:05Obra concebida para el lucimiento de Spencer Tracy
08:07Tendremos que prestar atención a esta chica
08:09Parece que tiene futuro
08:39La nave de Satán
08:52Actriz principiante
08:54En el centro de la ciudad de los sueños
08:56Siros, el Players Club y el Macambo
08:57Donde charlamos con el afamado millonario
08:59Del petróleo tejano Eddie Judson
09:00A su lado, la muñeca que bailaba en la nave de Satán
09:03Rita Cancino
09:07Desde que la Fox le rescindió el contrato
09:08Judson, un personaje de lo más equivocado
09:10Dice que le ha conseguido a Rita
09:12Muchos papeles sin importancia
09:15According a Barker
09:16He wants Wells
09:17To get him a girl
09:18To act as entertainer
09:19In his saloon
09:21And to work with the gang
09:23It looks like a job for me
09:25What am I to do?
09:27Just this
09:28It's up to you
09:29It's up to you
09:29To find out how they operate
09:31It's up to you
09:58It's up to you
10:00It's up to you
10:00To find out how you do that
10:01Eddie Judson, en order to use a cliché expression,
10:08would leave no stone unturned to have his wife become successful.
10:15And if that meant that he had to close his eyes while she went to bed with a film executive
10:21or an important male star, I believe, I don't know, I believe that he would do it.
10:28I never saw him put his arms around her and kiss her.
10:33They seemed to have a business relationship.
10:36And he brought me in as one of the people who conceivably could help.
10:40Part of the campaign was that we wanted to make sure that people knew who she was
10:46and that people became aware and saw her.
10:49You can't do that if the woman stays home every night.
10:53So they would go out and I would alert the photographers ahead of time
10:59that Rita Hayworth and Eddie Judson were going to be at Ciro's at 11 o'clock this evening.
11:06Be sure to take their picture.
11:08Anoche, the stars gave birth to Ciro's, and among them, the most flutillants were Gable and Lombard,
11:13the favorite couple of North America.
11:15On the dance track, all the faces converged on the inflamed debutante latina Rita Cancino.
11:20The result of all this was that in four to six weeks, Rita Hayworth,
11:26this unknown actress, was on the cover of Look Magazine.
11:30And this was, in my opinion, the launch of the press career, at least, of Rita Hayworth.
12:04I first met Rita on the set, on the first picture that I saw.
12:11She was part of my life, and I liked her, by the way.
12:18I liked Rita.
12:20There was a nice, gentle quality about that woman.
12:28Something a little sad, too, if I think back.
12:33I don't know if she was ever able to find herself.
12:37Someone was always guiding her, weren't they?
12:39I mean, for the father, and then Harry Cohn, and then a husband here and there.
12:46Grooming was constant.
12:49When you weren't shooting a picture, you were making still pictures.
12:55If not, you were out on the beach in a bathing suit doing leg art.
13:00All that was part of it, part of it, just never stopped.
13:05What?
13:20I love you.
13:22What?
13:33¡Vamos!
13:53We were considered property, chattel, yes.
13:59It's all just a wonderful trick of fate or luck of fate that a person comes out with the absolute
14:07physiognomy that's right for the camera.
14:09That's what Rita had.
14:12That's the least of what she had, you know.
14:16It wasn't her.
14:17It was just great luck, you know.
14:19Had she been homely or not particularly attractive, we wouldn't be sitting and talking about her.
14:24A great deal of what happened to Rita came as a result of a face and a body that men
14:30wanted to own.
14:32People often ask me my concept of the most beautiful woman in the films.
14:37I constantly say Rita Hayworth.
14:39It had a very good palate to start your work with.
14:43There was a slight imperfection, and the only one I could ever find in her face.
14:50One of her eyes was a little smaller than the other.
14:53So it's like saying she has lovely legs, especially the right one, you know.
14:57I mean, it's that kind of a...
14:59She did have that low forehead, of course, and electrolysis was suggested.
15:05Before, it was just jet black hair and a low hairline, and he was there every minute, and he directed
15:13the whole operation.
15:39Rita Hayworth, con su llamativa melena pelirroja, estuvo anoche en Siros.
15:44Antes, se llamaba Rita Cancino y tenía el pelo negro.
15:48Eddie Judson está encantado con la nueva imagen de su protegida.
15:53Gran animación reina en los estudios Columbia.
15:56La interpretación de Rita Hayworth en Solo los ángeles tienen alas ha conmovido los corazones desde Seattle hasta Savannah.
16:02Tal vez Harry Cohn haya dado por fin con la mujer explosiva que andaba buscando.
16:06Desde luego, este curtido jefe de estudio no está perdiendo el tiempo.
16:09Corre por ahí la broma de que Cohn está negociando en secreto con Darryl Sanoc,
16:13que cuatro años atrás despidió a Rita de la Fox para ofrecer a la Hayworth la oportunidad de reincorporarse triunfante
16:19a su antiguo estudio.
16:48Gracias por ver el video.
16:53Una nueva estrella brilla en el firmamento de Hollywood.
16:56La interpretación de Rita Hayworth, la actriz de pelo inflamado en sangre y arena,
17:00ha conferido un sentido nuevo a la palabra tentación.
17:03Esta es la película de lanzamiento que aguardaba Eddie Johnson.
17:07Harry Cohn puede jactarse de haber descubierto una mina.
17:33La actriz de la fuerza en la fuerza en la fuerza en la fuerza en la fuerza en la fuerza
17:48en la fuerza.
17:48Hara convertido en una persona que era muy fuerte y muy muy fuerte.
17:53In spite of this beauty that we talk about
17:55And this magic on the screen
17:59I'll bet you that it made her feel
18:02Always inferior
18:06Two
18:08I'll bet you
18:09Because when you have to try to please somebody all the time
18:12You're going to feel inadequate
18:17They're always wanting you to do more
18:19To be better than they are
18:21There's no way you can find me
18:25Please
18:25You're always saying
18:26Did I do all right?
18:28Am I okay?
18:35Super estrella
18:40Se magnifique
18:41Eso dicen los franceses de la adorable Rita Hayworth
18:44Y esto no es más que el comienzo
18:46Donde quiera que triunfe el cine triunfa la diosa del amor
18:48Pero América no tiene por qué preocuparse
18:51Rita no se va a marchar
18:53Sigue siendo la chica de Brooklyn que ganó los corazones del público
18:58Well one evening she called me said come on over
19:02Said she would do just casually
19:05And I said fine I'll come over
19:06And so I rang the doorbell
19:10She came to the door
19:13And she opened the door
19:15And she didn't say a word
19:16And she had castanets
19:18And then she started to click them
19:20You know and just dance around
19:22And down around the room
19:24And I said
19:26That's wonderful
19:27She didn't say a thing
19:28She just kept dancing
19:29And she danced for about four or five minutes
19:32Finally she said
19:34Hello sit down
19:36But she was like that
19:39You know just a little girl playing
19:41Tommy let's have the second 24 bars
19:44Ready
19:44One and two and
19:47Ready
20:08We know
20:09We know
20:09Hey
20:09Hey
20:10You know
20:13Me
20:13Honey
20:14Don't
20:14Don't
20:14You know
20:15You know
20:15I understand
20:17Fred Astaire loved the way Rita danced.
20:22He would call me, I wasn't on the picture,
20:25but he'd call me and say, oh, that Hayworth, she's so great.
20:30It's a pleasure to work with her, you know.
20:34And he used to tell me, you used to kid her, you know.
20:39And he would put his hands in ice water,
20:44and she had a midriff on,
20:46and he would finally say, Rita, let's try this step,
20:50and he put his cold hand on his midriff,
20:53and she would scream.
20:577 de diciembre de 1941.
20:59Estados Unidos ha entrado en guerra,
21:01pero los soldados estarán bien acompañados.
21:03La nueva pareja de Fred Astaire, la incomparable Rita Hayworth,
21:06ocupa la portada del Live Magazine de este mes.
21:09Desde el Pacífico hasta el Cairo, las tropas la adoran.
21:16De la ciudad de los sueños nos llega el estreno
21:19de Ciudadano Kane de Orson Welles.
21:21El chico prodigio del Mercury Ciotter
21:22se ha empeñado en seducir a la adorable Rita
21:24y en casarse con ella.
21:25La empresa parece abocada al fracaso, pero quién sabe.
21:29Well, we were very close and very good friends
21:32and blasted all through all of her husbands.
21:37Knew them all.
21:39Some I liked, some I didn't like.
21:41Some were good for her, some were, most of them were bad for her.
21:44Eddie Judson sort of used her too, because he...
21:50I heard that he confiscated her salary at Fox
21:56and she had no money.
21:58And she used to come to my house with the secretary Pat
22:03and she said
22:04Have you got anything to eat?
22:06I said, sure, come over.
22:10Noticia de última hora.
22:12El divorcio más desagradable del año
22:13ha sido el de Rita Hayworth y Eddie Judson,
22:15marido y mujer durante cinco años.
22:17Rita se presentó en el juzgado
22:19acompañada por su madre, Volga Cancino,
22:21pero le valió de poco.
22:22La alianza familiar saltó por los aires
22:24cuando Rita, que dice estar arruinada,
22:26fue condenada a compensar económicamente a Judson.
22:29Mientras tanto, Orson Welles sigue esperando.
22:33Dreams were never lovelier
22:36Pardon me if I stare
22:39Down the sky the moonbeams fly
22:44To light your face
22:48I can only say they chose
22:52The proper place
22:55You were never lovelier
23:00And to coin a new phrase
23:03I was never luckier
23:08In my palmiest days
23:11Make a note
23:14And you can quote me
23:17Armor bright
23:19You were never lovelier
23:24Than you are tonight
23:29He gave her things of interest
23:33She became politically involved
23:35And met different strata of people
23:40And found that there was another life
23:44Other than the film business
23:48La familia Welles
23:49Tiene buenas noticias
23:50Su hija Rebeca
23:51Nació el 17 de diciembre de 1944
23:53Y la madre y la niña
23:55Se encuentran bien
23:56Pese a todo
23:56Rita aún encuentra tiempo
23:58Para dedicárselo
23:59A sus admiradores especiales
24:00La reina indiscutible
24:01Del erotismo
24:02Durante la segunda guerra mundial
24:03Está sacando fuerzas de flaqueza
24:05Para darles ánimos
24:06A los muchachos
24:31Y un comentario al margen
24:33Dos astros se estrellan
24:34En esa ciudad proclive a los terremotos
24:36Se ha visto al enfant terrible
24:38De la ciudad de los sueños
24:39Orson Welles
24:39Recorriendo los clubs nocturnos
24:41Mientras la adorable Rita
24:42Y su bebé Rebeca
24:43Languidecen en casa
24:44La inminente separación
24:46Está dando mucho que hablar
24:47She respected Orson
24:51Felt that he was an incredible genius
24:54Talked of him that way
24:57Talked of his genius
24:59He was dominant in her life
25:01And he needed to be protected
25:04And to be cared for
25:06And to have that feeling of security
25:11And after a while
25:12She would become quite disappointed
25:14Nobody goes through life
25:15Without some problems
25:16But she would not know it
25:17She never brought it to work
25:19When I was on the lot
25:21Guys came up to me
25:23That I had never met
25:24Grips
25:26Carpenters
25:28Lighting guys
25:29Prop men
25:31And they would come up
25:32And they'd say
25:33You won't remember
25:34So I'm going to give you this note
25:35I came with about 50 notes
25:38From guys on the lot
25:40That hadn't seen Rita for years
25:42But had worked with her in pictures
25:44All saying
25:45Rita
25:45Hey
25:46Love
25:46Pete
25:47Whatever
25:48These notes
25:49One after another
25:50I had a whole envelope of them
25:52That is the kind of lady
25:53Now I don't know anybody else
25:54That I've ever heard
25:56Anything like that happen
25:58And to me
25:58That's the greatest tribute
26:00She could possibly get
26:03It was after the war
26:04I'd come back
26:05After I'd been away a long time
26:07I was in the Marine Corps
26:08And it was the second picture
26:10I did after I came back
26:11And I
26:12I guess that's when I
26:14I loved her very deeply
26:16At that time
26:17So Gilda would be my favorite
26:20It's a
26:21Strange
26:23Relationship
26:24Hate
26:24Love
26:25Hate
26:25Relationship
26:26But as we
26:27We discussed it
26:28Right here
26:29We discussed
26:30That that's the most exciting
26:31Kind of a
26:32Love
26:32You know
26:33On that razor's edge
26:39Gilda
26:40Are you decent?
26:42Me?
26:51Sure
26:52I'm decent
26:55Put the blame on me
26:58Put the blame on me
27:03Name did a dance
27:05Called the hitchy crew
27:07That's the thing
27:10That slew my groove
27:12Put the blame on me
27:15Boys
27:16Put the blame
27:20On me
27:26Es el éxito de 1946
27:28Si Rita Hayworth
27:30Ya era una gran estrella
27:31Ahora debe considerársela
27:33Una superestrella
27:33Basta decir que a partir de ahora
27:35La tentación tiene un nombre
27:37Para los hombres
27:38Y ese nombre es
27:39Gilda
27:43It's very possible
27:45That men
27:47Saw my mother
27:48As Gilda
27:50And not as
27:51Rita Hayworth
27:53Did they have
27:55As many interviews
27:56As they do today
27:57On television?
27:58No, they didn't
27:58So maybe they
27:59Couldn't see the real person
28:03And there was such hype
28:05From the studios
28:09Harry Conn
28:10Ha marcado el mayor tanto
28:11De su historia de éxitos
28:12Se dice que Conn
28:13Se ha prestado a rescatar
28:14La conflictiva producción europea
28:16De Orson Welles
28:16A cambio de que Welles
28:17Dirija una película
28:18Para los estudios Columbia
28:20¿Y quién va a protagonizarla?
28:22Ni más ni menos
28:22Que la diosa del amor
28:23La esposa desairada
28:24Se rumorea que Welles
28:26Está reescribiendo el guión
28:27Y redefiniendo el personaje
28:28De Rita
28:30¿Y qué le parece eso a Conn?
28:31Eso a nadie le preocupa
28:34Lo que todo el país quiere saber
28:35Es si todas las mujeres ricas
28:36Juegan a este tipo de juegos
28:42Of course
28:43Killing you
28:43Is killing myself
28:46It's the same thing
28:49But you know
28:50I'm pretty tired
28:51Of both of us
29:03Oh Michael
29:07I'm afraid
29:11Michael
29:14Come back here
29:16Michael
29:18Please
29:21I don't want to die
29:24I don't want to die
29:33En la cúspide de su fama
29:35Y de su popularidad
29:36La superestrella Rita Hayworth
29:38La diosa del amor
29:39De los años 40
29:40Ha tomado una decisión inaperable
30:06Agotada por el exceso de trabajo
30:07Y con los nervios desechos
30:08Por su conflictivo matrimonio
30:10Con Orson Welles
30:10Rita ha decidido tomarse
30:12Las primeras vacaciones
30:13Que se concede en muchos años
30:18Decadencia
30:20Aunque Rita Hayworth
30:22Haya desaparecido de la pantalla
30:23Sigue siendo noticia
30:24Después de haber asistido
30:25A un suntuoso baile
30:26Celebrado por Elsa Maswell
30:27En la Riviera
30:28Y qué sorpresa
30:31Entre las marquesas
30:32Y los condes
30:33Rita ha encontrado
30:34A un príncipe
30:35Alican
30:36Playboy
30:36Y deportista internacional
30:38Hijo de la Gakan
30:39Poseedor de una fortuna
30:41Fabulosa
30:41Y dirigente espiritual
30:42De la secta islámica
30:43Ismaili
30:44Parece que Rita
30:45Y el príncipe
30:46Están locamente enamorados
30:47Este podría ser
30:49El romance del siglo
30:53Es decir, el romance del siglo
31:20Mi madre era una muy preocupada.
31:23Ella me hablaba de mi música,
31:26y ella cuidaba muy mucho
31:30sobre dónde íbamos,
31:33dónde íbamos,
31:34qué tiempo íbamos.
31:36Siempre estaba encima de la situación.
31:40Nos íbamos muy chumos,
31:44muy cerca.
31:46Mi madre y mi padre
31:47era muy romántico.
31:51Ellos tenían un bondo muy fuerte.
31:56Ella entró en su mundo,
31:59que era un mundo mágico,
32:03un mundo para ella,
32:05porque ella estaba mucho más
32:07en tierra,
32:09y trabajó en Tijuana,
32:11y tenía una vida totalmente diferente.
32:16Si ve una foto de una mujer
32:19de un aeropuente,
32:20con Ali Kahn,
32:21uno de los ríos del mundo,
32:22caminando a las escalas,
32:23y a las personas flingando flowers
32:24a sus pies,
32:25y a sus vestidos,
32:26y a sus vestidos,
32:26y a todo el mundo.
32:28La impresión de nosotros
32:29sería,
32:30¿cuál es genial?
32:31¿cuál es una vida increíble?
32:33Cuando, en realidad,
32:34lo que va a pasar a esa persona,
32:35es,
32:36¿cuándo voy a salir de la carro?
32:37¿cuándo voy a salir de esto?
33:05¿cuál es lo
33:10también, él adoró a mujeres.
33:15Probablemente no puedo recordar esto porque era un niño,
33:19pero desde lo que he escuchado y lo que he leído,
33:23y esto fue algo que mi madre no podía entender
33:28o lidiar con.
33:39El silencio y el abandono reinan en la asuntuosa mansión
33:42que Alican tiene a orillas del Mediterráneo.
33:44La princesa Rita se ha marchado llevándose consigo a sus hijas.
33:50Al llegar al puerto de Nueva York, Rita dirige unas palabras
33:53a sus admiradores y a la prensa.
34:16Han pasado tres largos años, pero Hollywood sigue esperando a Rita.
34:22She had a commitment at Columbia, if I'm not mistaken,
34:25that Cohen was absolutely holding her to.
34:28Having a princess, you know, it was a plus for Harry Cohen
34:32and he certainly wasn't going to let her go.
34:34She told me that she had $330,000 when she married him
34:38and when she came back she was broke.
34:40Her contract was in abeyance for the three years she was married to Alican.
34:45But when she came back, all she did was walk into Columbia
34:48and said I'm back and they had to put her back on salary
34:50because her contract wasn't broken.
34:53She couldn't work anyplace else, by the way.
34:57The first meeting was arranged by Harry Cohen.
35:00He told her that I was going to direct her next picture.
35:04She said very little at that first meeting, seemed very shy
35:08and a little bit frightened, I think, at the approach of doing a picture.
35:15She hadn't done anything in several years.
35:17And afterwards, Cohen, he said to me,
35:20Now, I want to tell you, he said, she's very good on reacting.
35:27And he said, give the other people the dialogue,
35:31but when you get to her, he said, just get her reaction.
35:34He said, she's a great reactionary type.
35:37So I said, okay, I'll try to remember that.
35:51Steve, the things you believe about me, they're not true.
35:57Forget it. You don't have to count to me for anything.
36:00But I want to.
36:03Why didn't you tell me about the crest, about Fabian, about everything?
36:06What is it between you and him?
36:08There's nothing between them.
36:10Is that why he looks at you the way he does?
36:13Like you can't wait to get his arms around you?
36:15I can't help how he looks at me, but his arms have never been around me.
36:21Nobody's armed. Not for a long time.
36:27I think the thing that I remember particularly about her was one night,
36:33I was having dinner with her and the writer.
36:36And the writer left early, went back to the office to work.
36:41I promised to join him a little later.
36:44And we talked.
36:45She told me a little bit about experience with living with Ali,
36:48when she was married to Ali Khan, etc.
36:52And at one point, after about a half hour, I said,
36:54Rita, I'd like to talk to you more, but I better get back to the office
36:59and help Jimmy on the script.
37:01And she looked at me and said, you're bored with me, aren't you?
37:04And I said, no, no, of course not.
37:07And she said, yeah, she said, I know.
37:10She said, I can always get a man, but I can't keep him.
37:39She made a lot of money and it was all taken from her.
37:42Beginning with Judson and going forward from there.
37:46She took not a penny from Prince Ali Khan.
37:52She got nothing in that divorce settlement.
37:56So her earnings as an actress, you know, the living is high.
38:02And her financial situation towards the end wasn't that sensational.
38:06Have you plans for a picture in the immediate future?
38:10Do you want to make another film?
38:11I'd love to make another film.
38:15Why did you leave Honolulu?
38:17Guess I wanted a change.
38:19Got a job waiting for me in New Caledonia.
38:21You wanted a change.
38:22I'll tell you why.
38:23Listen, I don't know why I'm getting all this attention.
38:25You're going to New Caledonia to carry on your trade.
38:28I don't know what you're talking about.
38:30I'm talking about why you had to leave Honolulu.
38:31You're a prostitute.
38:34What?
38:35Who do you think you are calling me names?
38:37You're a dirty rotten liar.
38:39I want to give you a chance to redeem yourself.
38:40Where do you get off with that kind of talk?
38:42A chance to find salvation before it's too late.
38:44You're no priest or missionary.
38:45You try to act like one, but the color don't fit.
38:47Insulting me won't help you.
38:48I've listened to you all I'm going to.
38:49Now you listen to me.
38:51You lay off, or I'll show you what it means when I start to get mad.
38:58How do you like that?
38:59Double talking, no good.
39:01Manning me a line like that, if he starts that guff again, I'll really tell him off.
39:06I'll stitch his eyes!
39:08It was difficult for my mother to go through the aging process.
39:14She was very concerned about her looks.
39:19And she was mad about makeup and creams.
39:23And would, in fact, tell me that I'd always have to take care of my skin
39:27and make sure that I put cream on my face and to avoid the wrinkles.
39:35She had a difficult time aging.
39:38I think it was hard for her.
39:58She knew where it was coming from. She knew that it was Harry Cohn, and not me.
40:02She was always charming and gracious.
40:04Remember when I went, actually, I think I was going to a fitting, and she, she appeared in a most
40:09gorgeous blouse.
40:10Black leather, tight fitted suit, and just looked absolutely gorgeous.
40:15And I thought, God, I'd die to look like that.
40:18She was so beautiful and so spectacular.
40:20Whatever she was feeling inside, because I knew what pressure she was under from Harry Cohn,
40:24she wasn't about to let anybody know something was getting to her.
40:29There were certain needs, maybe at the time in her life, she needed affection and attention, more so than any
40:37other time.
40:38And then, at that point, you're more vulnerable because you need the affection and you need the love,
40:44that you, you look to love in a human being that maybe isn't the most desirable, such as Dick Haine.
40:59Historia de amor en Nevada. La estrella de la pantalla, Rita Hayworth, se une al cantante Dick Haines en Las
41:04Vegas.
41:05Las hijas de la novia, Jasmine de tres años y Rebeca de ocho, parecen disfrutar en la breve ceremonia civil.
41:11Para la novia como para el novio, este es su cuarto matrimonio.
41:39La trayectoria descendente de Dick Haines como cantante no augura nada bueno a su nuevo
41:43esposa. Se dice que Dick se ha empeñado en que la adorable Rita, que arrastra a las multitudes allí donde
41:49va,
41:49deje a las niñas en casa para acompañarle en todas sus actuaciones.
41:54I don't understand how she could fall into those things. She's intelligent enough.
41:59But anything he wanted, she did. She appeared at the immigration hearings, everything for him.
42:07Anything for Dick Haines at that point.
42:09I think if a man loved her, she existed. It's that simple for her. If she was loved and looked
42:18after and cared for, she existed.
42:21And you know how I mean that. In her deepest sense of herself, she did not exist unless it was
42:29in the arms of, the face of, the eyes of, or at some time,
42:34and certainly on a lot of occasions, the brutality of a man.
42:37There are people who can cope with the ups and rather mostly the downs in life.
42:44And she was really not strong enough to deal with the blows.
42:54The length of time consumed was because Judge Smythe very properly, in our opinion,
43:01wanted to examine Mrs. Haines as to her competency and fitness to act as the mother and guardian of her
43:08children.
43:09And in listening to the statements made for and on behalf of Prince Ali Khan, that the custody of Yasmin
43:17should be with Rita Hayward.
43:19Mother had a drinking problem. When something would be so difficult for her, she didn't have a platform underneath her
43:28to support her.
43:29She didn't ever build her ego and her self-esteem, I think. I think that was essentially missing and therefore
43:38it would throw her and then she became so upset she'd go to the bottle.
43:49She accumulates the bad news for Mr. Haines.
43:52The Columbia has presented a request for the contract to Rita Hayward, which left them in the middle of a
43:58row.
43:58Saying that D. Haines is interfering in what should be a simple negotiation about the right to visit her daughter,
44:05the Prince Ali Khan has asked to the tribunal that also give the protection of her daughter Yasmin.
44:09The professional career of the singer D. Haines continues its descent curve despite the appearances of Rita Hayward in her
44:16actions in the nightclubs.
44:18Against all evidence, Rita continues to proclaiming that they don't have any problem.
44:22She wanted that quality of a simple man to be a simple life, but she was too far gone, she
44:33was too big a star and too famous to get into that simple life.
44:40After being vapoured in public by her husband, Rita has presented a demand for divorce, claiming physical and mental cruelty.
44:54The Prince Ali Khan has died.
44:56A week after her visit to her daughter Yasmin and her ex-mujer Rita Hayward, the diplomatist of 44 years
45:01old died in an automobile accident.
45:04I'm all worn out.
45:07I've been passed from hand to hand.
45:11I've had to submit to things that nice young American boys couldn't conceive of in their wildest nightmares.
45:18I've lived among the ruins.
45:24Armies have marched over me.
45:30Armies.
45:36I've been debased.
45:40I look in the mirror and I say, what a lie.
45:46At the first glance, face looks like the face of a human being.
45:56There was no push from Rita
45:58It just came out
46:00She had had failed relationships
46:03You know, one after another
46:07Already
46:09In her life
46:10In other words, I think that
46:12It was
46:15The kind of thing that
46:16Which basically for an actor he loves
46:18It's a bit delicious when you read
46:20A good scene
46:22As the character who's in it
46:24And you, the actor, you get through reading it
46:26And say, oh boy, I've been there
46:28I know, I don't have to wonder
46:30How am I going to play this
46:32I've been there, I know
46:38La Caída
46:39My mother's marriage to James Hill was
46:43I think at first
46:45A wonderful
46:47Supportive
46:48Loving
46:50Relationship
46:51And then it
46:52Over a period of time
46:53Turned into
46:56Almost a
46:58Sort of a
47:00Alcoholic
47:01And drinking
47:02Partnership
47:03Partnership
47:05El productor Jim Hill
47:06Socio de Harold Hedge
47:07Y de Bar Lancaster
47:08Ha dado un papel a su nueva novia
47:10En la versión cinematográfica
47:11De la obra teatral de Terence Rattigan
47:13Mesas Separadas
47:14Compartir el reparto con colegas
47:16De la talla de
47:17Bar Lancaster
47:17David Niven
47:18Y Deborah Kerr
47:19Supone un verdadero desafío
47:21Para la adorable Rita
47:25I was delighted
47:27Because I was so tired
47:28Of seeing her
47:31Playing
47:33Things that really
47:35She had so much more talent
47:37Than anybody had exposed
47:38Up until then
47:39Please don't be angry
47:40With me
47:41I had to see you
47:42I was desperate
47:43To see you
47:44What for?
47:44Why?
47:45To help me?
47:46You wouldn't think
47:47Of telling me the truth
47:47No
47:48You had to have
47:48Your conquest
47:49Your unconditional surrender
47:51And if you could do it
47:52By lying and cheating
47:53So much the better
47:55I knew you were going
47:56To get married
47:56But I
47:57And I should have
47:58Said so from the beginning
47:58But I
48:00I still have some pride
48:02Left
48:02Pride?
48:07Yes
48:08I can see the makeup
48:09Now, all right
48:11The lines
48:12That weren't there before
48:14The beginning
48:16Soon there'll be
48:16More and more
48:17And then one day
48:18This face will begin
48:19To decay
48:19And there'll be
48:20Nothing left
48:20To make a man grumble
48:21To make him want to
48:23Why don't you?
48:33Don't
48:35Don't leave me now
48:37She began to
48:40Unwind
48:40These strange things
48:42Would happen
48:44It must have been
48:45A restaurant
48:46Because I remember
48:47Her at a
48:47At a booth
48:49Yes
48:50I saw her
48:51And came across to
48:51I don't know where
48:52I don't know where it was
48:56And said hello
48:58It was exciting
48:59To my God
49:00There's Rita
49:01And went over
49:02To say hello
49:03And it was just
49:06Nothing happened
49:09Ann Miller and myself
49:11Were invited to a house
49:15And in the middle
49:16Of the dinner
49:17And she suddenly said
49:18I don't like
49:19Either of you
49:20Get out
49:21Just like that
49:24And Anne
49:25And Anne sort of
49:25You know
49:28Smoothed it over
49:29And so
49:29We left
49:32A little later
49:33She called me
49:33Up and said
49:35Well hello honey
49:36How are you
49:37You know what's new
49:37She had forgotten
49:38All about it
49:41She would become forgetful
49:45She would
49:47Hallucinate
49:48In the house
49:50Think that she would
49:51Hear voices outside
49:52In the middle of the night
49:54And would call the police
49:55And the Beverly Hills police
49:56Would come in the middle of the night
49:57And we'd look around the house
49:58And there would be no one
50:01And she did this quite often
50:15By the time we got to our picture
50:17She was having trouble memorizing
50:19So everything had to be written
50:21On cue cards for her
50:22And she couldn't retain a line
50:24Past
50:26Past the cue of it
50:27Why are you here?
50:30Because God is here
50:32That man is not God
50:35I've come to kill him
50:36Then kill me too
50:37There was a man laying at her feet
50:39Off camera
50:40And I would ask her the question
50:42And the man would give her
50:43Her line
50:44And then she'd say her line
50:45Because she couldn't retain it
50:47They took us three or four hours
50:48To get that scene
50:50Hay una nota triste
50:52En las noticias de esta noche
50:54Tras dar muestras de excentricidad
50:56En diversos incidentes públicos
50:57Rita Hayworth
50:58Ha sido ingresada
51:00En el Hog Memorial Hospital
51:01De Newport Beach
51:04She was really a broken person
51:07She was just totally exposed
51:09And helpless
51:11Totally, totally helpless
51:14And looking to me for support
51:18And for help
51:19I just understood her
51:21To have a drinking problem
51:23And that obviously had
51:24A psychological effect
51:25And at the time
51:27I didn't know it was Alzheimer's
51:29They had transferred her
51:31From the psychiatric ward
51:32To a regular bedded room
51:36And while I was there
51:37The phone rang
51:38And it was Yazzie
51:38From New York
51:39Saying
51:42You're coming to New York
51:43I'm sending you some clothes
51:44Or you're going to be nice
51:47And it'll be great for you
51:48She hung up the phone
51:50And she was a different woman
51:51I mean her face just blossomed
51:53You know
51:54And it was the old Rita
51:54That I knew
51:55I mean it was
51:56All of the sanity came back
51:58And she knew where she was
51:59And everything
51:59She was going
52:01You know to New York
52:01And I thought to myself
52:03I didn't know Yazzie as a woman
52:04I knew her as a little girl
52:06And I thought
52:07God what a wonderful thing
52:08To have that child
52:09You know
52:09That is now going to
52:11Take care of her mother
52:11It was natural for me
52:14Maybe it's not natural
52:15For other children
52:18Other people to do
52:19It was natural for me
52:20It wasn't something
52:21That I had to make
52:23A conscious decision
52:24Am I going to do this
52:25Or you know
52:26What will the consequences be
52:28If I do this
52:28It was just
52:29Something that I did spontaneously
52:31It was a normal thing
52:33For me to do
52:33On every occasion
52:35When I came to New York
52:36I would always call
52:37And see Rita
52:39And I watched her
52:43Sinking
52:44From this Alzheimer's problem
52:49And she went by private jet
52:52From Los Angeles
52:53To New York
52:54And at that time
52:58She barely
53:01Had an understanding
53:02Of the people around her
53:03And so on
53:04With each visit in New York
53:06I could see her condition
53:07Become worse and worse
53:09If you're lucky
53:10As you get older
53:11You begin to drop
53:13A lot of the things
53:14You need to keep away
53:15From yourself
53:15And you find yourself
53:17Probably around the time
53:19That Rita would have
53:20Blessedly begun
53:21To find her true self
53:22This disease
53:23Got in the way
53:28She would
53:30Pace the room
53:31She would
53:32Shuffle her feet
53:33And pace the rooms
53:34And
53:35And
53:38And
53:39Ring her hands
53:41She would stop
53:42And look in the mirror
53:43And talk to herself
53:44In a language
53:46That was
53:46Totally strange
53:48It was
53:48Really a mumble
53:49Jumble of words
53:50Something that
53:51I couldn't understand
53:52That perhaps
53:53She could understand
53:53The most painful
53:57Thing for me
53:58Was that
53:59I couldn't
53:59I felt helpless
54:00To see her
54:03Lose the ability
54:05To
54:06To communicate
54:09To just
54:10To have that
54:10Loss of communication
54:11I just felt
54:12So
54:13So terrible
54:14Really miserable
54:15Very painful
54:19To see her
54:20So helpless
54:22Pundit Nehru
54:23Of India
54:25Gave me a rose
54:25One time
54:26And he says
54:27I want you to
54:27Look at that rose
54:29And
54:29Think about it
54:30And
54:31Keep it
54:31For a long time
54:32And I'll see you again
54:34And he did
54:34See me
54:34The next year
54:35He said
54:36What did you
54:36Think
54:37And I said
54:38I kept seeing the rose
54:39And he says
54:40Even when the petals
54:40Were falling off
54:41I still saw
54:42That beautiful rose
54:44He says
54:44That's the whole point
54:45I'm making
54:45Glenn
54:45He says
54:46Even you have
54:47This beautiful rose
54:48And if you love
54:48That rose
54:49Truly
54:50Even though the petals
54:51Fall off
54:52And it withers up
54:53You still see
54:54The beautiful rose
54:55You still see that
54:57That you loved
55:02Every day
55:02Was
55:03You know
55:04I felt
55:04I thought
55:05Well
55:06Is it today
55:07You know
55:08I'd worry
55:08I was always worried
55:09About
55:10Whether she was
55:11Going to die
55:12Just lived with it
55:14Really
55:14Because you become
55:15Used to it
55:16In a way
55:18And when she
55:19Did die
55:20The nurse
55:21Had told me
55:21She died
55:22Very peacefully
55:23She
55:24Was changing her
55:25In her bed
55:28And she had rolled her
55:30From her back
55:31To her side
55:31To change her
55:33And at that moment
55:36My mother took a sigh
55:38And died
55:42Los Angeles
55:44California
55:45Ayer fue una jornada triste
55:46Para millones de personas
55:47De todo el mundo
55:48Las multitudes se congregaron
55:50Para asistir al paso
55:51Del entierro
55:51De la estrella cinematográfica
55:52Rita Hayworth
55:53Fallecida a los 69 años
55:55A causa de la enfermedad
55:56De Alzheimer
55:57En días como este
55:59No hay nada que decir
56:00Simplemente
56:01Derramar una delicada lágrima
56:03Por una dama delicada
56:04Que por fin ha encontrado
56:06La paz
56:06Que siempre había buscado
56:08Gracias Margarita
56:10Y ve con Dios
57:04Gracias Margarita
57:36¡Gracias!
57:59¡Gracias!
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