00:01:30Es como pedirle a la compañera su ocasión
00:01:36¡Negra!
00:01:38¡Mueve bien los pies!
00:01:40Que esta cumbia negra es para bailar hasta el amanecer
00:01:47¡Mueve!
00:01:48¡Tu cintura también!
00:01:50Mientras que yo grito
00:01:52¡Wepa, Wepa!
00:01:54¡Wepa, Wepa!
00:01:56¡Eh!
00:02:03¡Vamos!
00:02:07¿Y, quéjen?
00:02:18¡Hum!
00:02:18¡Mueve bien los pies!
00:02:25¡Mueve bien los pies!
00:02:26¡Negra!
00:02:29¡No!
00:02:56¡Uepa! ¡Uepa! ¡Uepa!
00:03:08¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa!
00:03:39¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa!
00:03:57¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa!
00:03:58¡Uepa! ¡Uepa! ¡Uepa! ¡Uepa! ¡Uep
00:04:12¡Gracias!
00:04:46¡Gracias!
00:05:07¡Gracias!
00:05:08¡Follow me, Bill!
00:05:09¡Gracias!
00:05:13¡Gracias!
00:05:14¡Get the lights, Bill!
00:05:17¡Ok, let's get started, Janine!
00:05:20¡That's our plan!
00:05:21¡Gracias, Colombia!
00:05:23¡It's one of the largest in Latin America!
00:05:25Now, that entire village
00:05:27virtually is supported
00:05:28by those employees.
00:05:30Now, if the plant stops working,
00:05:32the village stops living.
00:05:34But more important to us,
00:05:36if one of our big plants stops operating,
00:05:39we lose money.
00:05:40Lots of money.
00:05:44Oh, that's a shot of Pete.
00:05:46I think you met him in Peru.
00:05:47He runs the plant.
00:05:49Next slide, honey.
00:05:52Now, Bill, this is a slide of Maria Reyes
00:05:55the year her husband was killed.
00:05:57Now, she maintains
00:05:58that a large animal climbed out of a tree
00:06:01and killed him at night.
00:06:02She called it a monster.
00:06:04This is what she looks like today.
00:06:06Now, there's a group of people
00:06:08who think she's a witch.
00:06:11Please, Al.
00:06:13Mr. Barnes.
00:06:15All right, Miss Torres.
00:06:17Next slide.
00:06:19Now, this is where I think our trouble is.
00:06:22This is Victor Sanchez.
00:06:24He's been raising hell all over South America
00:06:27with his anti-American and anti-big business bullshit.
00:06:30Now, I think he is our problem.
00:06:33He's been spreading stories
00:06:35about the witch and the monster,
00:06:37stirring up the natives
00:06:38to get them to get us out of the country.
00:06:40Now, you and I don't believe in that monster crap.
00:06:43But Sanchez sure as hell is using it.
00:06:46Now, every animal that's dead,
00:06:48every person that's missing,
00:06:49is killed by some monster, according to Sanchez.
00:06:53Now, we scare a lot of people out of town.
00:06:56And the production of the plant has slowed down.
00:06:58And I want to know what's happening,
00:07:00what's causing it.
00:07:02And I want it stopped.
00:07:04That's why I'm sending you to Columbia.
00:07:07Put on the next goddamn slide.
00:07:09Now, we ain't got enough with Sanchez.
00:07:12We gotta put up with this bitch.
00:07:13Now, she's been filming and recording
00:07:16all our problems for a network
00:07:18that we advertise with
00:07:20to the tune of over $4 million every year.
00:07:23And we can't stop them.
00:07:36This is Patty Clark coming to you
00:07:38from the small lakeside town of Chimayo, Colombia.
00:07:41We are extremely fortunate to have arrived here
00:07:43at the height of Chimayo's celebration
00:07:45of its founding by Spanish missionaries.
00:07:48But don't let the festivities fool you.
00:07:50Chimayo has its problems.
00:07:52And there is the problem.
00:07:55Or at least one of them.
00:07:56The Dorado Cement Plant,
00:07:57operated by an American corporation
00:07:59and discharging its raw waste
00:08:01directly into Lake Chimayo.
00:08:04The fishermen have put away their nets.
00:08:06Pollution has taken away their livelihood.
00:08:09And that pollution comes from that cement plant.
00:08:13The few fish that are caught
00:08:15are almost unfit for consumption.
00:08:20Go on, Chikai.
00:08:21Go get it.
00:08:25That a boy.
00:08:29Come here, boy.
00:08:30Come on, Chikai.
00:08:36Good boy.
00:08:39Are you ready, God?
00:08:40Yeah, go ahead.
00:08:42Go on, Chikai.
00:08:43All right.
00:08:45All right.
00:08:58Angela, look.
00:08:59Look!
00:09:04Where?
00:09:05What?
00:09:05What is it?
00:09:07Nothing now.
00:09:08They're gone.
00:09:09What's gone?
00:09:10I don't see anything.
00:09:12Remember me telling you
00:09:13I'd seen something in the lake a couple of times?
00:09:15Yeah.
00:09:16Well, I just saw it again.
00:09:18And there were some big ripples.
00:09:20Something was swimming under the water.
00:09:22Ha!
00:09:22I know.
00:09:23It's the old monster in the lake bit again.
00:09:26Grrr!
00:09:27You're as bad as the others.
00:09:29Monster, huh?
00:09:31Hey.
00:09:32They're starting the bull run.
00:09:33Let's go.
00:09:58beloat!
00:09:59Waah!
00:10:00Waah!
00:10:01Waah!
00:10:02Waah!
00:10:02Waah!
00:10:13Waah!
00:10:14Congratulations, Mayor Mantero.
00:10:16Thank you, Mayor Mantero.
00:10:17Thank you, Secretary Clarke.
00:10:18I would like to met my daughter, Juanita.
00:10:20She's the one that flies the helicopter for the shoulder.
00:10:24Hello.
00:10:24How are you?
00:10:25Hello, Juanita.弟
00:10:26Es muy agradable de meeting you.
00:10:28Estoy sorprendida que habéis hablado tan hermoso inglés.
00:10:30Por favor, gracias.
00:10:31He spent several años en los Estados Unidos.
00:10:33Es un buen caro.
00:10:54Yes, this is the glorious day for Chimayot.
00:10:57The good Lord and his infinite wisdom
00:11:00has blessed us with 200 years of communal life.
00:11:04On his wondrous earth.
00:11:06He has given us bountiful crops,
00:11:09abundant sunshine,
00:11:11and a beautiful lake overflowing with fish.
00:11:15Yes, praise the Lord, for he giveth.
00:11:18And he taketh away.
00:11:25Ants in the streets,
00:11:27fill your bosoms with the juice of the grape,
00:11:29the fruit of the vine,
00:11:32ye shall repent.
00:11:38He watches over us.
00:11:40He shall protect us from the foreign intruders
00:11:43who pollute our skies and our waters.
00:11:46He commands us to return to the soil,
00:11:49his pure, unpolluted soil,
00:11:52his cool and sustaining waters
00:11:54which Satan has plucked from us
00:11:57with his creature of evil.
00:11:59This is an admirable day for you, town.
00:12:02Voice of the Lord.
00:12:03200 years.
00:12:04It's a long time.
00:12:05All I need to drive off.
00:12:06See, but with what is happening,
00:12:08will there be 200 more?
00:12:11They praise the right.
00:12:13It is up to us to drive this evil from your town
00:12:16so that our country may live in peace.
00:12:20Carlos and his friends are with you, Igor.
00:12:22But it is you who must put an end
00:12:25to these evil doings.
00:12:28The priests here speak the truth.
00:12:31Of the two evils which I say
00:12:32the intruders must be driven out.
00:12:36You must do what you believe is right.
00:12:40I must do what I have said how to do.
00:12:42See, together, we join forces.
00:12:48Together, Carlos,
00:12:50we will see that he celebrates
00:12:51our 200 years of freedom.
00:12:54Freedom from the evil foreigners
00:12:55and freedom from the demons they have created.
00:13:00You restrain your sinful souls
00:13:02and drive out these evil creatures.
00:13:13Preparedness!
00:13:14Barれons!
00:13:29Bar…野li!
00:13:30Barreons!
00:13:32Barreons!
00:13:32Barreons!
00:13:33Barreons!
00:13:34Barreons!
00:13:34Barreons!
00:13:35Barreons!
00:13:35Barreons!
00:13:40Barreons!
00:13:42Barreons!
00:13:42Barreons!
00:13:57¡Gracias!
00:14:17¡Gracias!
00:15:06¡Gracias!
00:15:06Juanita Montero, I'm happy to meet you.
00:15:08My goodness Montero, my name is Travis, Bill Travis.
00:15:10Where's our pilot?
00:15:12I'm your pilot, senor.
00:15:14Really?
00:15:14Well, okay, lead on.
00:15:29Helicopter 7A-94 Sierra, ready for takeoff.
00:15:33Heading north to Jemayo.
00:15:359-4 Sierra, clear for takeoff.
00:15:56I am the nephew of Chicago.
00:16:0714-15-15-25-33
00:16:08I'm the nephew of Chicago.
00:16:10You're the nephew of Chicago.
00:16:10...so he's the nephew of Chicago.
00:16:10¿Qué pasa?
00:16:12¡Claro!
00:16:13No, no, no, no.
00:16:14¡Tengo cuatro al día!
00:16:17¿Qué pasa?
00:16:19¿Qué pasa?
00:16:20¡Claro, señor!
00:16:24¡No!
00:16:30¿Cómo está ahí?
00:16:33¡Claro!
00:16:40¡Claro!
00:16:41¡Claro!
00:16:41¿Qué pasa?
00:16:42¿Qué pasa?
00:16:44¿Ruvalso?
00:16:47Claro, ¿Claro?
00:16:48¿Qué pasa?
00:16:49¿Cuándo hay de acuerdo?
00:16:51¿A cómo se atreve?
00:16:54¿Para?
00:16:56No, no, no, pero para saber si acaba?
00:17:02¿A qué pasa?
00:17:06No.
00:17:07No.
00:17:08No, no, no.
00:17:09¡Claro!
00:17:09We've been over all of that a million times
00:17:11Well what cooled you off all of a sudden
00:17:13I was good enough for you all this time
00:17:16Laura for God's sakes
00:17:17Hold it down I'm sorry
00:17:20I'm sorry if I hurt you
00:17:21I'm sorry if you made more out of it than you should have
00:17:23If I made too much out of it
00:17:25You didn't talk that way the last time
00:17:27We made love down by the lake
00:17:31Alright
00:17:33Look
00:17:35Laura
00:17:36You'll always be the best thing
00:17:37That ever happened to me
00:17:39But you've got to understand that people change
00:17:41Oh come off it Pete
00:17:43You're just trying to dump me
00:17:44What happened did you find some local girl to scratch your back
00:17:50Okay since you brought it up
00:17:51Yes I have
00:17:53You're a big girl Laura
00:17:54You've got to face it it is over
00:17:57It was fun all the last it
00:17:59Fun
00:18:00You son of a bitch
00:18:01Is it all it was huh fun
00:18:03Wait a minute I didn't mean that the way it sounded
00:18:05For God's sake stop twisting everything I say
00:18:08Okay Pete
00:18:09I'll back off
00:18:10But I want to know who the competition is
00:18:14Well if you really have to know
00:18:16I've been seeing Juanita
00:18:17Juanita?
00:18:18You mean Juanita Montero?
00:18:22You've got to be kidding
00:18:24She's a babe in the woods
00:18:25The virgin of virgins
00:18:28I'll bet
00:18:29She thinks you get pregnant from kissing
00:18:31Well you certainly know you can't don't you
00:18:35Just back off Laura
00:18:37Poor Pete
00:18:39One man and two women want to
00:18:41What a predicament for a man to be in
00:18:45Well
00:18:46Looks like I'll be taking those midnight swims alone
00:19:09Mr. Travis
00:19:10Patty Clark
00:19:11WNAC-TV
00:19:12I'd like to have a word with you
00:19:14Are you down here about the pollution problem?
00:19:16Can you tell me exactly what you intend to do?
00:19:19No
00:19:19No?
00:19:20No what?
00:19:22Look lady they're your questions
00:19:23You figure it out
00:19:25Listen Travis
00:19:26You don't seem to understand
00:19:27There's a pollution problem down here with international overtones
00:19:30And the public has the right to some straight answers
00:19:32Well how about it?
00:19:34Look Ms. Clark
00:19:35I traveled 6,000 miles to get here
00:19:37And the way I feel right now
00:19:38You don't want to put it on your little TV camera
00:19:40But I'll answer your first question
00:19:42Until I figure out what's going on around here
00:19:45There'll be no interviews
00:19:46Okay?
00:19:51Well there you have it folks
00:19:52They create a situation down here
00:19:54And then they don't want to discuss it
00:19:56This is Patty Clark from Chimayo, Colombia
00:19:59Cut it Bob
00:20:26And then they don't want to discuss it
00:20:32Laura?
00:20:45Laura?
00:20:47Laura?
00:20:47Laura?
00:21:00Laura?
00:21:19You know what's going on?
00:21:28Oh my god
00:21:29Oh my god
00:21:58¡Gracias!
00:22:15I don't know what the hell's the matter with me.
00:22:21I really don't.
00:22:30Look, Laura, I came down here tonight to apologize for the way I talked to you today.
00:22:39I don't want to hurt you.
00:22:43You've just got to understand that I didn't come down here to make it with you.
00:22:48I just wanted to be sure that...
00:22:58You've got to face it, Laura, it's over.
00:23:00It's finished.
00:23:02Look, it's...
00:23:05It's completely finished.
00:23:07And I'm sorry about tonight.
00:23:09I feel like a real shit.
00:23:16I didn't intend for it to end like this.
00:23:21Things got out of hand.
00:23:30I'm sorry.
00:23:37I'm sorry.
00:23:47No, no, no.
00:24:35No, no, no.
00:24:56No, no, no.
00:25:10No, no, no.
00:25:34No, no, no.
00:26:09No, no, no.
00:26:42No, no, no.
00:26:48No, no, no.
00:27:01No, no, no.
00:27:17No, no, no.
00:27:23No, no, no.
00:27:26No, no, no.
00:27:39No, no, no.
00:28:07No, no, no, no.
00:28:43No, no, no, no.
00:28:46No, no.
00:29:16No, no, no, no.
00:29:19No, no, no, no.
00:29:29No, no, no.
00:29:45No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:08no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:30:14¿Qué es eso?
00:30:41¿Qué es eso?
00:31:11¿Qué es eso?
00:31:13Son, es difícil de crecer stories sobre...
00:31:17...harks, monstruos, e elephants, y lakes.
00:31:20Taddy va a matar a los que no se stopen estos monstruos.
00:31:23¿Qué es eso?
00:31:38¿Qué es eso?
00:32:39¿Qué es eso?
00:33:14¿Qué es eso?
00:33:19¿Qué es eso?
00:33:20¿Qué es eso?
00:33:24¿Qué es eso?
00:33:32¿Qué es eso?
00:33:34¿Qué es eso?
00:33:39¿Qué es eso?
00:33:48¿Qué es eso?
00:33:50¿Qué es eso?
00:33:53¿Qué es eso?
00:33:54¿Qué es eso?
00:33:55¿Qué es eso?
00:33:55¿Qué es eso?
00:33:55¿Qué es eso?
00:34:04¿Qué es eso?
00:34:06¿Qué es eso?
00:34:15¿Qué es eso?
00:34:21¿Qué es eso?
00:34:29¿Qué es eso?
00:34:42¿Qué es eso?
00:34:47¿Qué es eso?
00:34:48¿Qué es eso?
00:35:00¿Qué es eso?
00:35:07¿Qué es eso?
00:35:17ни
00:35:18si
00:35:18¿Qué es lo que yo creo que es?
00:35:53¿Qué es lo que yo creo?
00:36:19¿Qué es lo que yo creo?
00:36:27¿Qué es lo que yo creo?
00:36:47¿Qué es lo que yo creo?
00:36:50¿Qué es lo que yo creo?
00:36:58¿Qué es lo que yo creo?
00:37:01¿Qué es lo que yo creo?
00:37:08¿Qué es lo que yo creo?
00:37:14¿Qué es lo que yo creo?
00:37:15¿Qué es lo que yo creo?
00:37:17¿Qué es lo que yo creo?
00:37:19¿Qué es lo que yo creo?
00:37:22¿Qué?
00:37:25¿Qué es lo que yo creo?
00:37:27¿Qué es lo que yo creo?
00:37:33¿Qué es lo que yo creo?
00:37:37¿Qué es lo que yo creo?
00:38:00¿Qué es lo que yo creo?
00:38:08¿Qué?
00:38:09¿Qué es lo que yo creo?
00:38:16¿Qué es lo que yo creo?
00:38:20¿Qué es lo que yo creo?
00:38:21¿Qué es lo que yo creo?
00:38:24¿Qué es lo que yo creo?
00:38:28¿Qué es lo que yo creo?
00:38:30Bueno
00:38:31I'm gonna tell you
00:38:31I want her ass
00:38:33Out of there today
00:38:35What do you mean you can't?
00:38:38Listen
00:38:38we pay your network
00:38:40over four million dollars
00:38:41a year in advertising
00:38:42Now either you get
00:38:44her ass out of there
00:38:45or we
00:38:46cancel
00:38:48Oh I can't?
00:38:50Read your fucking contract
00:38:52Asshole
00:38:59El problema de la polución se va a resolver muy pronto, pero no sé qué hacer con esta superstición.
00:39:05No sé qué hacer con esto.
00:39:07Señor Travis, no sé por qué todo esto está sucediendo en la ciudad de Chimayón.
00:39:13Tal vez, tal vez, es el culo para Dios.
00:39:18Mayor Montero.
00:39:19Señorita Clark.
00:39:20Señor Travis.
00:39:21Señor Clark.
00:39:23Quiero que ustedes saben que entiendo la situación aquí y la explosividad de ella.
00:39:28Pero es news.
00:39:30As a television reporter, it's my job to get that story to the public, and I want that story.
00:39:35And I want the tape.
00:39:37Okay, I know how your company feels, but I also know what they try to pull.
00:39:42I don't want you to get the idea that the media is giving in, but I will make a deal
00:39:46with you.
00:39:47I get the story, and you get the tape.
00:39:50I want an exclusive on it.
00:39:52When the mayor feels that it's perfectly comfortable to release the story, I'll release it.
00:39:58Señorita, I have no idea how soon we will find a solution to our problems.
00:40:03What do you think, Señor Travis?
00:40:05I think Ms. Clark is playing both ends against the middle.
00:40:10Patty, please, let's drop the formalities.
00:40:12We're in this together, whether you like it or not.
00:40:15Look, Patty.
00:40:17You've been pushing on this pollution thing, and you've been playing around with local superstitions.
00:40:22Now, to me, they're both one and the same thing.
00:40:24Now, somebody, maybe a Sanchez, is using the superstition angle to get back at the plant.
00:40:31Now, I know the pollution problem is bad, but we're working on it.
00:40:34Without this plant down here producing concrete, this town would die.
00:40:39And what about Laura Manley?
00:40:41Look, I don't know who or what killed Laura Manley, but it served Sanchez's purpose, didn't it?
00:40:46It terrified the hell out of the workers, and it's totally disrupted production at the plant.
00:40:50Okay, I'll listen to you, but you give me the truth.
00:40:54How about it?
00:40:55I am thinking, it is best we all work together.
00:41:00We must put a stop to all this talk about demons and creatures in the lake.
00:41:05We mustn't let this thing get out of hand.
00:41:07Only if I find we cannot handle the situation, would I call on the government for help.
00:41:13Now, look, we don't want the government in this.
00:41:15The chemists will solve the pollution problem.
00:41:18If we work together, it's our job to prove to the people that there's nothing in the lake.
00:41:32That's the thing Travis was telling Dad about.
00:41:35It's a combination of sonar radar and bounces a sound wave back to a receiver from any solid object in
00:41:41the lake.
00:41:42Travis did believe me.
00:41:44Who says so?
00:41:45They sent for something that would prove it, didn't they?
00:41:48How did you know where it was?
00:41:50I heard Dad tell Pete where to set it up.
00:41:53Boy, are you looking for trouble.
00:41:55I'll come off it, Andrea.
00:41:57It proves Dad didn't think I was lying.
00:41:59He just didn't want to believe I could be right.
00:42:02But I got a better way to prove there's something in that lake.
00:42:04How?
00:42:05We're going to use the new lens Dad just bought and get a picture.
00:42:09We?
00:42:09You and me.
00:42:10You're crazy if you think I'm going to spend the night out by the stupid lake, fighting off mosquitoes, waiting
00:42:15for you to get a stupid picture of a stupid monster that'll probably turn out to be a stupid log
00:42:20or something.
00:42:21And besides, Dad would really blow his top at us.
00:42:24I'm not going with you.
00:42:25Just in case I haven't made myself clear, watch my lip closely.
00:42:30I am not going with you.
00:42:42Damn, I don't know why I let you call me into these things.
00:42:44Quiet.
00:42:45Because you love me.
00:42:47Now shh.
00:42:48Shh.
00:42:49Shh.
00:42:50Shhh.
00:42:52Shhh.
00:42:53Shhhh.
00:43:10Shhh.
00:43:27Silencio, silencio.
00:43:35Amigos, señores, señoras, señoritas, bienvenidos.
00:43:43Our little town of Chimayo can celebrate its birthday with a smile on its lips, even if
00:43:54its heart is heavy.
00:43:55We forget our troubles on this, the last night of our fiesta, and our feet dance to the music
00:44:06of our heritage.
00:44:08So to set a good example for you all, I would like to start the music by asking my daughter
00:44:18Juanita to dance with me.
00:44:36So to set a good example for you.
00:45:22Gracias por ver el video.
00:45:38Gracias por ver el video.
00:46:05Gracias por ver el video.
00:46:25Gracias.
00:50:57Gracias.
00:51:11Gracias.
00:51:13Gracias.
00:51:18Gracias.
00:59:58Gracias.
01:00:59Gracias.
01:01:27Gracias.
01:02:31Gracias.
01:02:31Gracias.
01:02:32Gracias.
01:02:32Gracias.
01:02:32Gracias.
01:03:33Senores, in the air.
01:03:35Get your hands in the air.
01:03:36Gracias.
01:03:39Gracias.
01:03:40Follow me.
01:03:41Come on, move.
01:03:42This time.
01:03:44Come on.
01:03:49Move.
01:03:51Move.
01:03:52Move.
01:03:52What's going on?
01:03:52Move.
01:03:53Move.
01:03:53Move.
01:03:54Move.
01:04:04Move.
01:04:18Move.
01:04:20Move.
01:04:21Move.
01:04:56¡Gracias!
01:05:05¡Gracias!
01:05:13¡Gracias!
01:05:13Ok, ¿Ya has todo?
01:05:15Cable, detonator, bait.
01:05:18I talked to your men at the plant, who will monitor the sonar device?
01:05:22He'll call us if the system is in the lake.
01:05:24Good.
01:05:25Remember, don't turn the switch.
01:05:26No, no, no, no.
01:05:58No, no, no.
01:06:53No, no, no.
01:06:59No, no, no.
01:07:47No, no, no.
01:08:07No, no.
01:08:39No, no, no.
01:08:40No, no.
01:09:10No, no, no.
01:09:27No, no, no.
01:09:32No, no, no.
01:09:41No, no, no.
01:09:46No, no, no.
01:10:06No, no, no.
01:10:20No, no, no.
01:10:42No, no, no.
01:10:54No, no, no, no.
01:11:16No, no, no.
01:11:19No, no, no, no.
01:11:48No, no, no, no.
01:12:25No, no, no, no, no, no, no, no.
01:13:04No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:13no, no, no, no, no, no, no, no, no, no, no, no.
01:13:13¡Suscríbete al canal!
01:15:59¡ you're doing fine.
01:16:10Just remembers to get the cable tight
01:16:15Still makes contact
01:16:32Not yet
01:16:43I'm a man
01:17:04I'm a man
01:17:05I'm a man
01:17:06I'm a man
01:17:08I'm a man
01:17:08Esto es todo.
01:17:50¡Vamos a la sala!
01:18:00¡Amen!
01:18:02What you have just witnessed is not a movie of the week.
01:18:05It is not fiction.
01:18:06If I hadn't seen it myself, I would not have believed it.
01:18:10It is stranger than fiction, which the truth always is.
01:18:14It is something we will never be able to forget.
01:18:19Son, I'm proud of you. You did a great job.
01:18:37You did a great job.
01:18:51You did a great job.
01:18:55You did a great job.
01:19:02¡Suscríbete al canal!
01:19:31¡Suscríbete al canal!
01:20:17¡Suscríbete al canal!
01:20:48¡Suscríbete al canal!
01:21:27¡Suscríbete al canal!
01:21:28¡Suscríbete al canal!
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