- 8 mesi fa
Genere: Commedia
Anno: 1977
Attori: Enzo Cannavale, Edwige Fenech, George Hilton, Aldo Maccione.
TRAMA
Avendo ereditato dal padre e taxi e licenza relativa e vocazione, la giovane e bella Marcella mantiene se stessa e la madre facendo la tassinara. Da tempo è sentimentalmente legata a Ramon che, però, lascia bruscamente quando scopre che è già sposato alla megera Ornella. Le ronzano intorno altri spasimanti, come lo sgraziato Alvaro sempre pronto a servirla, e il siculo Walter, un agente della stradale che fa la sua conoscenza mentre Marcella sta portando a Fiumicino un cliente correndo pazzescamente. Fuggita a stento ai dollari di uno sceicco, che la vorrebbe inserire nella sua nutrita collezione di mogli, Marcella viene circuita anche da Adone Adonis, un mafioso trafficante di droga. E' questa pericolosa relazione che le permette di aiutare il bonario commissario del suo quartiere, assecondandolo nella caccia al bandito che finisce in questura dopo una forsennata corsa che impegna polizia Marcella e colleghi, una troupe cinematografica acconciata per una carica del 7 Cavalleria.
Anno: 1977
Attori: Enzo Cannavale, Edwige Fenech, George Hilton, Aldo Maccione.
TRAMA
Avendo ereditato dal padre e taxi e licenza relativa e vocazione, la giovane e bella Marcella mantiene se stessa e la madre facendo la tassinara. Da tempo è sentimentalmente legata a Ramon che, però, lascia bruscamente quando scopre che è già sposato alla megera Ornella. Le ronzano intorno altri spasimanti, come lo sgraziato Alvaro sempre pronto a servirla, e il siculo Walter, un agente della stradale che fa la sua conoscenza mentre Marcella sta portando a Fiumicino un cliente correndo pazzescamente. Fuggita a stento ai dollari di uno sceicco, che la vorrebbe inserire nella sua nutrita collezione di mogli, Marcella viene circuita anche da Adone Adonis, un mafioso trafficante di droga. E' questa pericolosa relazione che le permette di aiutare il bonario commissario del suo quartiere, assecondandolo nella caccia al bandito che finisce in questura dopo una forsennata corsa che impegna polizia Marcella e colleghi, una troupe cinematografica acconciata per una carica del 7 Cavalleria.
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00:00:00He's been sleepy once.
00:00:30Once upon a time, planes sounded. Once upon a time, tanks sounded.
00:00:32These guys always gorge themselves.
00:00:34Here, better.
00:00:35Hi, Marcello.
00:00:37HI.
00:00:38Greetings, guys.
00:00:39But I would tell him, but the salary you like is not enough for you.
00:00:43Eh, but you're always talking about the deaf.
00:00:46And I believe you, they put a bundle of money in your hand and what do you say?
00:00:49No thanks, I've already eaten.
00:00:50Marcello!
00:00:51It is the largest rassinary in Western Europe.
00:00:54Where is he going?
00:00:55Marcello, look what he brought you.
00:00:57A new photo story by Romone.
00:00:58My beautiful love.
00:01:01My beautiful love.
00:01:02No, no, no, no, no.
00:01:32No, no, no, no, no.
00:02:02No, no, no, no, no.
00:02:33Ramon, it's been a long time since I've seen you, but where have you been?
00:02:38In Venice, my beautiful one.
00:02:43Ramon, you promised to take me to Venice when we get married for our honeymoon, is that true?
00:02:47Of course, yes, of course. This time it was for tobacco, for a job, do you understand?
00:02:52For a job. I shot my very own comic photo story.
00:02:55The anonymous Venetian strikes again.
00:02:58Wonderful, my love.
00:03:00And my heart.
00:03:01Besame.
00:03:02Rambo.
00:03:03Besame.
00:03:06Besame.
00:03:07Besame.
00:03:08Besame mucho.
00:03:09Wait.
00:03:10My gambit hurts.
00:03:12How can the river mule be at night?
00:03:15Besame mucho.
00:03:18Besame mucho.
00:03:20May it come to me.
00:03:22Lose you.
00:03:23Lose you.
00:03:24Altravés.
00:03:25No, no, no.
00:03:41Don't you see two guys doing it?
00:03:45You understand, these dirty bastards, they've put themselves in a bad way.
00:03:54Look at this stuff!
00:03:59Where both are present, you will notice.
00:04:09Who is?
00:04:10But who is he? A hunter?
00:04:21But who knows?
00:04:22But you bastard, you scoundrel, I'll show you, he'll act like a dirty guy in the car.
00:04:28Coward!
00:04:29Get down, coward, or I'll kill you!
00:04:32But do you know her?
00:04:34But I met her a few years ago in a church.
00:04:37And you took me to Venice to celebrate our wedding anniversary.
00:04:42So, are you married?
00:04:46Well, for me, a little bit...
00:04:48Yes!
00:04:50No, no, no, no, no!
00:04:51It's not mine!
00:04:52But what...
00:04:53What for...
00:04:53What for...
00:04:55Which one do I go to?
00:04:57But he died killed!
00:04:59No, very much so, it's not a female, it's a velva!
00:05:03But no, not Spilotos!
00:05:05But barefoot, you take advantage of me because I'm small and defenseless.
00:05:10I surrender, beloved bride.
00:05:12And can I explain everything to you?
00:05:13It was a temporary collapse of the six...
00:05:35It was a momentary surrender of me because I know I am small and defenseless.
00:06:05And can I explain everything to you?
00:06:35Daughter, you're like, like a dog.
00:06:40Oh, one day you'll realize all my place.
00:06:45Stop your world, my taxi girl.
00:06:49Taxi, taxi, taxi girl.
00:06:53Black and blue eyes, taxi girl.
00:07:12Taxi, taxi, taxi girl.
00:07:17Black and blue eyes, taxi girl.
00:07:22And no, my line, no, that's not how it works.
00:07:27But does it seem to you that your taxi should earn ten times more than the others?
00:07:31Say, do you know what they say in the palace?
00:07:33I don't know and I don't care to know.
00:07:36All right.
00:07:36Right.
00:07:37Silk, silk.
00:07:39But who spoke?
00:07:40Seto.
00:07:41You said it right.
00:07:42It's a word said by someone like you.
00:07:44It's like a conference.
00:07:46You've been back there since the scandal, yes.
00:07:49You gave him the taxi virus.
00:07:52A beautiful girl like that could find a job at La Rinascente.
00:07:55Marry an accountant.
00:07:57And instead he rides the car all day.
00:08:00Also summoned by telephone.
00:08:02Look, I'm not a masseuse.
00:08:04Oh, right.
00:08:05Silk, silk.
00:08:07Page, my daughter, worse.
00:08:09At least nobody knows those ones.
00:08:11You even know the license plate.
00:08:13I'd like to know who would marry a woman who drives around with license plates.
00:08:16Look, if you marry me there is hope for everyone.
00:08:19Well, I'm leaving.
00:08:20Hi, dad.
00:08:20HI.
00:08:21Hi, ma.
00:08:21HI.
00:08:27Cover your face.
00:08:38Yes.
00:08:51Stop everyone.
00:08:52This is a robbery.
00:08:53See you.
00:08:54See you.
00:08:55Stop.
00:08:55See you.
00:08:56Stop, stop the wall.
00:08:58Standing in the wall.
00:09:01Standing in the wall.
00:09:02Stand still against the wall, stand still.
00:09:02Standing in the wall.
00:09:03Standing in the wall.
00:09:04Standing in the wall.
00:09:05Standing in the wall.
00:09:05Standing in the wall.
00:09:17Standing in the wall.
00:09:18Come down, I'm tall.
00:09:19Oh, stop.
00:09:20Because I did it.
00:09:21That's fine.
00:09:23But I told you, don't ski the kid here.
00:09:26Police, stop everything, hands up
00:09:31Stop, I'm burning
00:09:35Carto, who told you to come in?
00:09:38You don't have to come in now
00:09:39But you came in too early
00:09:41Why would you even have anything to complain about?
00:09:43But what a load of rubbish, on the other hand
00:09:44How did it go, doctor? How did it go?
00:09:46Shitty, but as usual, shitty
00:09:47But where is the production?
00:09:49But innocent, where is he?
00:09:51Everything else where you do I
00:09:52I'll hunt you down
00:09:53But how dare he?
00:09:54How dare I?
00:09:55I am a director, I am a director
00:09:56Look, be careful how you speak.
00:09:58You want to ruin me, you want to ruin me
00:10:00But what are these?
00:10:01And what do I know, but they're making a mess, these bunches
00:10:04But it's the real police
00:10:05The real police, but it would be
00:10:06That I was not to you?
00:10:08But what do you want to soften me up for?
00:10:10But that's why he didn't tell me
00:10:11So, you see it, yes?
00:10:12The police
00:10:12Or who is this?
00:10:14I know the one who called the police
00:10:15Evelina, however
00:10:16Ah, congratulations
00:10:20Good civic spirit
00:10:25Yes
00:10:26Truly exemplary behavior
00:10:31Why doesn't he mind his own business?
00:10:34The report says she caused three police cars to intervene.
00:10:41I was passing by there, I saw those with Mitra
00:10:44And he thought it was a robbery
00:10:45And instead they were shooting the movie
00:10:47Crime is rampant, the police can't take it anymore
00:10:49The production says she caused damages of 18 million
00:10:52What do we want to do?
00:10:53But I don't have a penny, commissà
00:10:55He doesn't have a penny
00:10:56And now let's see what we can do
00:10:58So let's see a little bit
00:10:59Two criminals
00:11:00Three police cars
00:11:01The robbery, the bank
00:11:03Ninety, the fear
00:11:04And now I'll take care of it, go on
00:11:05And Commissioner, what are you reporting me for?
00:11:06No, what complaint?
00:11:07I want to see if I can put together a nice notebook
00:11:09Here it is
00:11:10Do we want to play in society?
00:11:12Eh, why not?
00:11:14Dry for all wheels
00:11:15Dry on Rome
00:11:16Ten thousand
00:11:18Agree
00:11:19Goodbye, Commissioner.
00:11:20Until we meet again
00:11:20Sir,
00:11:21Huh?
00:11:22From five thousand
00:11:23Good evening
00:11:25Hi, do you want it?
00:11:26Hello, Arvato
00:11:27Agi
00:11:29Oh
00:11:29Here you put four flavors of mustard sauce.
00:11:31Why do I have to slap you?
00:11:33Four, I say four mustard flavours
00:11:35Where?
00:11:35Here
00:11:35Hello, Marce
00:11:37HI
00:11:38Hello, Marce
00:11:39HI
00:11:40Oh, beautiful, how are you?
00:11:41Bad
00:11:41Give me the fernet branca
00:11:42But where have you been all this time?
00:11:44Ah, Commissioner
00:11:45But why did something happen to you?
00:11:46All in the name of a crazy director
00:11:48And who is he?
00:11:49He's one of those who makes Rome tremble
00:11:51Frascati cries
00:11:52And Viterbo feels bad
00:11:53You understand the genre, right?
00:11:54Here, you met me the director
00:11:55But you say it like that
00:11:55It could have been an outlet
00:11:57For both of them
00:11:57But what outcome?
00:11:59Well, a career opportunity, right?
00:12:00Yes
00:12:00But can you imagine?
00:12:02Huh?
00:12:02Look, I have the Marlon Brando type, you know?
00:12:05Think what a couple
00:12:06You and me
00:12:06You the little girl of fensa
00:12:08And I the heroic sheriff
00:12:10Who's coming to save you?
00:12:11Think I'm signing
00:12:12Ah, sheriff
00:12:14There is thinking, magna
00:12:16There's a hunger, Marce
00:12:18Mustard is good, though.
00:12:24Good morning
00:12:32Good morning
00:12:32Where are we going?
00:12:34At the airport, soon
00:12:35Quick, quick, young lady
00:12:41My plane leaves in half an hour
00:12:43This is a taxi, not a missile
00:12:45He's right, but if I miss this plane I'm ruined.
00:12:47Where to be in London absolutely by tonight
00:12:50I'll give you one hundred thousand lire if you arrive on time.
00:12:53AND?
00:12:53And he could have told me right away.
00:12:54It also gives doors to her
00:12:56This is how you learn the middle bass
00:13:20Nothing, doctor, nothing.
00:13:37Moffi or the shortcut?
00:14:01And he could have told me right away.
00:14:11And he could have told me right away.
00:14:41Bossa la miseria
00:15:03What fell?
00:15:06No, I always stop like this
00:15:07I was digging in the Hebrew
00:15:10Listen, I don't have time to waste, I'm in a hurry.
00:15:12Yes, I noticed, she is in violation
00:15:15Me in violation? What do I have to do with it? The customer should tell me.
00:15:17Mom, what's wrong? Are you feeling sick?
00:15:21I can't move
00:15:22He can't take it anymore
00:15:25It must be a heart attack
00:15:26That?
00:15:27Soon she gets in the car and takes her to the hospital
00:15:28That my colleague and I act as our escort
00:15:30Excuse me
00:15:31I follow myself
00:15:33Slowly, slowly, calmly
00:15:35Here, she takes him by the legs
00:15:36Place it carefully
00:15:38And please, don't drop it like you usually do.
00:15:41Come on, lift it up, lift it up
00:15:44You are definitely treating us with a brain spasm.
00:15:48With partial paralysis of the limbs
00:15:50Or hemiparesis with suspected concussion
00:15:53Or even fracture of the left ischial bone
00:15:56Adottomano, it could be a herniated disc like a gnatto friend
00:15:58But what hernia, what do you say?
00:16:00I shit myself
00:16:01Oh, but why do I have to take my motorcycle apart?
00:16:07Let's go, good guys, come on
00:16:09Oh
00:16:09How beautiful you both are
00:16:14And I was going
00:16:15Burnt that Tommas miles
00:16:18When they transfer me to the squares it disgusts me
00:16:20He has to go for me
00:16:22Both as much as the gay one is
00:16:23It seems Fabio Testi
00:16:24Yes, you dickhead
00:16:25Given the turn of events, let's put the fine aside for now.
00:16:31Well, I'd like to see
00:16:32Don't believe it, you know, there are some daughters of Bottana with respect to Parlanda
00:16:35It's true that they insist, I beg you.
00:16:37Oh yes, but you can see that he is a very good boy.
00:16:39Too good, however I would be quite interested in her marital status
00:16:43Why? Are you planning to report me?
00:16:45No, when? Is she married?
00:16:47No
00:16:48Fiancée?
00:16:50No
00:16:50And not even flirted?
00:16:52No
00:16:53So it is...
00:16:53Free?
00:16:54Very free
00:16:56Flavia Residence
00:16:59Residence
00:17:00Well, miss, I hope to see you again soon.
00:17:03Sure, good morning and thank you.
00:17:05You're welcome, where is it?
00:17:11Too
00:17:12By the way, did you ever see who was in that taxi?
00:17:17Of course, a dream woman, a wonderful girl
00:17:21But no, the man has his leg in a cast
00:17:23Sedoro, it's my fault that I don't give a damn about men
00:17:25But that's Adonis, the famous mafia boss
00:17:28Adonis?
00:17:28Yes
00:17:28Quick, let's chase him
00:17:30Let's chase him
00:17:30Via
00:17:35And go
00:17:37Hey, where are you going?
00:17:41I'm taking the shortcut
00:17:42How Franco Nero Rebels in the Police
00:17:45Wow, what a luck!
00:17:56Oh, I didn't do anything to myself.
00:17:58Boss, so how are things?
00:18:04Are you calmer, are you redder?
00:18:06Everything's ok Rocco, thank you
00:18:08My leg is full of morphine
00:18:09Eh, I know I have a sharp nose, thanks
00:18:11No, I said my leg is full of morphine
00:18:14And I can't wait to get this weight off my shoulders.
00:18:16Certain
00:18:16I don't feel comfortable walking around Rome dressed like this
00:18:19I'll be stuck with my blonde for a while
00:18:22Did the slingshot break?
00:18:23Eh, right, I shouldn't take up
00:18:25Blonde
00:18:25The slingshot
00:18:26Blonde
00:18:27The bomb
00:18:27Oh, oh, oh, oh, oh, don't pull your leg
00:18:38And what does samba have to do with it?
00:18:39The leg, damned deaf, pays the tax
00:18:41Ficca
00:18:42The samba
00:18:42What are you doing, are you limping too?
00:18:47No, I did it out of solidarity.
00:18:49How much is it?
00:18:511,700
00:18:52Well, 1,000
00:18:532,000
00:18:553,000
00:18:57Thank you
00:18:58Via
00:18:59Emma
00:19:02But what did I do?
00:19:04But that's Adonis Adonis
00:19:05The famous drug courier
00:19:06I know for years that police all over the world have been trying to catch him in the act.
00:19:09But that very clever one
00:19:10And no one has ever figured out how he carries it.
00:19:13Oh, yeah?
00:19:14And instead I understood it
00:19:15Adonis
00:19:16Adonis
00:19:18But try the boss
00:19:20Yes, sir.
00:19:21We know where it goes
00:19:22Ciovasi inside a residence
00:19:24With her little friend
00:19:25Ah, with the little friend, good
00:19:27And above all, Commissioner
00:19:28We found out how it transports
00:19:30The drug
00:19:31The what?
00:19:34The drug
00:19:35When do we have it today?
00:19:3723
00:19:37Oh, 23
00:19:38Lucky number
00:19:39Good, very good
00:19:41I can already smell promotion in the air
00:19:43Tell me where Adonis is
00:19:45And how does he make us look like fools?
00:19:46Commissioner
00:19:47And if I tell him
00:19:48She makes me transfer the team in advance
00:19:49But like us?
00:19:50I'll have you transfer the team in advance
00:19:52Antiforte
00:19:52On the candles
00:19:53On the panthers
00:19:54On elephants
00:19:54It speaks to you in a garden
00:19:55And I am today
00:19:56Comrade, on
00:20:08Soon
00:20:08Let's do it quickly
00:20:09Let's do it quickly
00:20:10Walk, forward
00:20:11Hurry up
00:20:12Come on, up
00:20:13Oh
00:20:30Is there?
00:20:32Police
00:20:32Open
00:20:33In the name of the law
00:20:35A cream for me
00:20:42Break down the door.
00:20:46But okay, I'm going, I haven't changed anything.
00:20:49Maroni, I can't find the nozzle, pull it for me.
00:20:51Maroni, go ahead, come on.
00:20:54But what are you doing? What do you want?
00:20:55Adonis, don't move, you're trapped.
00:20:58Commissioner, do you have a search warrant?
00:21:00We have better.
00:21:02Scordia, acting like a good hammer, right?
00:21:05The hammer?
00:21:06Ready.
00:21:08And what does the hammer have to do with it, Commissioner?
00:21:10Don't worry, I think.
00:21:12Don't worry.
00:21:14No, not the hammer.
00:21:15Yes, yes.
00:21:15The hammer no.
00:21:16Yes, don't be afraid, it's a matter of a minute.
00:21:19Where is it? Here or here?
00:21:20But what? Drugs?
00:21:21But I don't have the drugs, which are here and there, commissioner.
00:21:23Oh, there's no drugs?
00:21:23There are no drugs.
00:21:25But it's beautiful!
00:21:27Look how the actor does it, I act, I act.
00:21:32Here it is.
00:21:33This one fits.
00:21:37So, Commissioner?
00:21:37Leave me alone, miss.
00:21:39Did you get it, Commissioner?
00:21:41Did you see what information I gave him?
00:21:43Becc has decided.
00:21:44Anti-theft or advance?
00:21:45Where do I go?
00:21:46To mudulo.
00:21:50That is a new team?
00:21:52Vidal bath foam, an extract of resin and pine essences
00:21:56which produces a rich and active foam.
00:21:58Vidal bubble bath.
00:21:59Hello, Orva.
00:22:00Oh.
00:22:01Arce.
00:22:02HI.
00:22:02Is there work this morning?
00:22:04No, absolutely calm.
00:22:05I've been here for over an hour.
00:22:06But with the call.
00:22:08Okay, then I'm going to get gas.
00:22:09Go, go.
00:22:21Marcellina, she got up early this morning, huh?
00:22:23Is it usual?
00:22:24Yes, yes.
00:22:24Golden Cup Coffee.
00:22:26He's the best in the world.
00:22:28Golden Cup.
00:22:29The queen of coffees.
00:22:30Yes, yes.
00:22:33I opened it right away.
00:22:36Marcella!
00:22:38To Marcelli!
00:22:40Marcelli!
00:22:40Huh?
00:22:41Mom called just now.
00:22:43The less you mention that, the better I feel.
00:22:45But this is a life-or-death hour.
00:22:46You have to go to the plane trees, to the photo studio.
00:22:49Oh my goodness.
00:22:50And what could have happened to him?
00:22:51And what do I know?
00:22:55To Marcelli!
00:22:56The food!
00:22:59She's arrived.
00:23:00Oh, my divine!
00:23:21Thank you, my beautiful one, for coming here.
00:23:23Ramon, what happened to you?
00:23:25Come, my sweet love.
00:23:26Forward.
00:23:26Can you explain yourself a little?
00:23:27Yes.
00:23:28At that time?
00:23:35What is this matter of life and death?
00:23:37Oh, selle mi vida.
00:23:39Marcelli, give me courage.
00:23:40By the way, what time is it?
00:23:42Oh, yeah?
00:23:43I still have an hour.
00:23:45Let's go to my house.
00:23:46My wife you're out.
00:23:47I want to love you madly.
00:23:48Let's go to bed, Marcelli.
00:23:50Are you stupid?
00:23:51You take our wife to bed.
00:23:52No, you have to be mine.
00:23:54My blood boils.
00:23:55My head is going to explode.
00:23:57And get a doctor, a cure, right?
00:24:00Oh, don't joke, you know?
00:24:02As I told you, it's a matter of life and death.
00:24:05Do you know what this is?
00:24:09A suppository, what is it?
00:24:11No.
00:24:13It is a vial that contains cyanide.
00:24:15It is the most powerful poison there is.
00:24:20If you tell me no, if you don't accept to be mine,
00:24:25I hold it between my teeth and say adios to you.
00:24:29Rome!
00:24:37Rome!
00:24:37My love, talk to me and tell me something.
00:24:40But how is it there?
00:24:41Do you see the tongue?
00:24:42Maybe I have my tongue.
00:24:44And I chase away.
00:24:45But what are you worried about with your tongue?
00:24:46You have a mouth full of poison.
00:24:52You wretch.
00:24:53But this smell of lemons.
00:24:55It's a lemon pill.
00:24:56Yes, indeed, there is vitamin G.
00:24:57But this is how I learned, my sweetheart, that you still love me.
00:25:02But what are you doing, love?
00:25:03Hand!
00:25:03Put, you make me and he makes me, beat!
00:25:05Did they have me?
00:25:05He wants his pussy!
00:25:07But do you always piss me off for you?
00:25:10Stopped!
00:25:11Marcellita!
00:25:12Against the excesses of the masters,
00:25:14against the delegating black violence,
00:25:17we went beyond the factory!
00:25:19Come back to earth strong!
00:25:21Fascism!
00:25:22Come back to earth strong!
00:25:24I'll be back!
00:25:25I will come back and win!
00:25:41Thank you.
00:25:42You're welcome.
00:25:44And this is also sixth hand.
00:25:46And now why did he stop me?
00:26:02You won't tell me that I was going too fast this time too?
00:26:04No, mine is a personal stop.
00:26:07Since I saw her coming,
00:26:08I said to myself Walter,
00:26:10because my name is Walter.
00:26:11Walter, don't you think it's right to stop Miss Marcella and...
00:26:15And say good morning to her?
00:26:17Exactly.
00:26:18Yes?
00:26:18So good morning, huh?
00:26:20As?
00:26:23Yes, yes, he says good morning.
00:26:25As if he didn't understand.
00:26:28Go, go,
00:26:29when the female is cooked,
00:26:31he pretends not to care.
00:26:33And now I'll show you an American-style start,
00:26:35like Bronson,
00:26:36the hero of the flying squad.
00:26:41And now what do you do?
00:26:43Well,
00:26:43I do as in Rome with a gun.
00:26:45They go home and take me for a walk.
00:26:46But what do I care?
00:27:03Now you wait here, yes?
00:27:05All right.
00:27:05Height.
00:27:24Excuse me, Sam,
00:27:40but all these people
00:27:41It has nothing to do with my tax,
00:27:42are these breaking now?
00:27:43To be wives of his grace,
00:27:45Abdullallah,
00:27:46Grand Sheikh of Al-Satah.
00:27:48And who cares,
00:27:49aren't you leaving us out?
00:27:49Attention,
00:27:50he, he is being the great one,
00:27:51very big oil sheik.
00:27:54Oh,
00:27:54Well,
00:27:55Good morning.
00:27:56Salaam.
00:28:23Salaam.
00:28:38Salaam.
00:28:4050 dollars,
00:28:42what's enough for you?
00:28:43Yes,
00:28:44they will only be enough to provide him with shock absorbers.
00:28:46And that, his grace, instructs me to tell you that he has highly valued the efficiency of your vehicle.
00:28:52Thank you, I will refer Abba Cagnelli
00:28:55His Grace, he would like to buy your taxi and he offers you 100,000, 100,000 dollars, understand?
00:29:02What? $100,000?
00:29:06Yes, 100,000
00:29:07Really? He actually said that.
00:29:10Yes, 100,000, I advise you to accept it.
00:29:13Do you want to come back tonight and arrange Bussini's business at nine o'clock?
00:29:19But Marcella, how much is the dollar worth?
00:29:22At 800 at the moment, but it seems to be fluctuating
00:29:24Well, even if it fluctuates, it's still 80,000,000
00:29:28Oh, no? But wait, is this a scam?
00:29:31But do you think they care about you?
00:29:33Ragista, beer!
00:29:34Here you are!
00:29:35Chic people aren't chic, you know?
00:29:37For those there is a need, everything, and platinum washing machines
00:29:39But what about those 80,000,000? The shoes are on the block.
00:29:43But just give him the taxi
00:29:45No, license, eh
00:29:47What are you talking about? Why are you giving the license?
00:29:49Do you think this smart guy is going to start getting taxied now?
00:29:51And why didn't Gaddafi start selling cars?
00:29:53But I'm leaving you, okay? Bye
00:29:55HI
00:29:55But Marcella
00:29:56What is it?
00:29:58Listen, I can sell the taxi.
00:30:00But they got it right, a 125
00:30:02But they go and screw it up, they only give me 30,000 dollars, what do I know?
00:30:06Oh well, now I'll say it, bye
00:30:07Even, hello
00:30:08Oh, Agi
00:30:17But what a Manolo, the Voda bottle
00:30:19Voda
00:30:20Hey, here you go.
00:30:21It was also fresh
00:30:25Salami
00:30:27Salami
00:30:28Now you wear one of these dresses
00:30:31His Grace never receives women dressed in European fashion, on
00:30:33But is he really sure he can buy my tassin for 100,000 dollars?
00:30:37Very safe, as long as you respect palace etiquette
00:30:40$100,000 for a loggerhead taxi
00:30:43You won't find anyone who offers them to you
00:30:44Amina, what is your grace waiting for?
00:30:46Oh, but what will His Grace have to do with this little taxi of mine?
00:30:55Only Allah knows this.
00:30:57Only Allah
00:30:59You only care about dressing as His Grace wishes.
00:31:04You must be dressed in an oriental way both above and below.
00:31:11Beauty of body must be highlighted by sailing and shown without being seen
00:31:20The important thing is that the face is covered
00:31:25Azzassone
00:31:41After you
00:31:51Come forward
00:31:52Don't be afraid
00:31:54What's your name, darling?
00:31:59Marcella
00:32:00Oh, Marcella
00:32:01You will dance for me
00:32:02You will dance the belly dance
00:32:05I actually came to sell my tassin
00:32:08Nose does that thing there
00:32:10He offers you $200,000
00:32:12$200,000?
00:32:15It would be like two badgers
00:32:16Let me explain better, darling.
00:32:18$100,000 for the rates
00:32:20And 200 for Don Zare
00:32:23Whoever pleases Abdullah Allah
00:32:25He will benefit greatly from it.
00:32:27Gladly, but
00:32:28I dance the twist
00:32:30The shake
00:32:32The cha-cha-cha
00:32:33I do the tango
00:32:34But I don't seem to dance
00:32:36I don't know good
00:32:37Psst, psst
00:32:38Ariezi
00:32:39He doesn't make a fuss
00:32:40Imagine that I came to bring a letter
00:32:42But I can't play the Piffer
00:32:44It blows your mind
00:32:44Alright
00:32:46I'll try
00:32:48Play
00:32:53But Pelletieri can't play for me
00:33:23Thank you all.
00:33:53Go away, go away, everyone. Go away.
00:34:01I'll buy you.
00:34:03Please.
00:34:04Buy, buy, pay.
00:34:06Ah, I want to buy rates.
00:34:07But what tax? I couldn't care less about taxes.
00:34:09Thursday bought Ford, Friday bought Fiat, Monday bought Alfa Romeo, today bought you, right?
00:34:15And you want to buy from me?
00:34:17And then all those wives you have aren't enough for you?
00:34:19But my dear lady, every night fifty soups, always the same, tired me.
00:34:26Damn, I'm up all night.
00:34:27Oh yes, always the same fifty.
00:34:31I sign to you, check.
00:34:33But you don't sign anything at all, what do I have to put in your head?
00:34:36What? You dare to make such a great refusal to His Enlightened Grace, Abdu?
00:34:41Oh, you know what I say? Abdu lallà, take this one.
00:34:45But what...
00:34:45Stop!
00:34:46Goodbye!
00:34:47Come here, if you get any.
00:34:49No, wait!
00:34:50Here it is, leave this fat belly to me!
00:34:52Buy rates, and ask for what you want!
00:34:55Greetings!
00:34:55Stop, stop!
00:34:57Salaam!
00:34:57Cut it!
00:34:58I don't want it!
00:34:59So, but who?
00:34:59Do you have a good story?
00:35:00Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:02Who is saunità for?
00:35:03Who is saunità for?
00:35:03Who is saunità for?
00:35:04Who is saunità for?
00:35:05Who is saunità for?
00:35:35You don't do...
00:35:37You don't do...
00:35:39You don't do...
00:35:41Don't fall for it.
00:35:43Look at that...
00:35:45I'm in a hurry like crazy and the highway patrol won't stop me, you know.
00:35:48That barter always gets in my way.
00:35:50Mignotte will have gone.
00:35:53Here you are...
00:35:55The Whores. This is an idea.
00:35:57Forward, forward, move.
00:36:00You don't do...
00:36:02No, no, no, no, no.
00:36:04Hey, princess, you're walking.
00:36:06But what are you doing, art stygian?
00:36:08But we don't go to work.
00:36:10But we don't go to work.
00:36:12We work, but you see my...
00:36:14And where am I...
00:36:18Stop, stop, just a moment.
00:36:20Marcella, Marcella.
00:36:22And then they talk about great love, free love.
00:36:24Then again, I'm not watching the road.
00:36:26No more fuss. Get on, face it.
00:36:28Stop, stop, stop.
00:36:30Marcella, I'm here for Marcella.
00:36:32Leave him, leave him.
00:36:33But you don't know that it's me.
00:36:35You don't know who I am.
00:36:36You don't know who I am or not.
00:36:38You don't know that it's me.
00:36:39You don't know.
00:36:40You don't know.
00:36:41You don't know.
00:36:46This one doesn't remember who he is.
00:36:47Come and get me, kick my ass.
00:36:49But my daughter, Benedetta.
00:36:51But do you want to understand that they are the sheiks of oil?
00:36:53If they get pissed off, they'll send us all packing.
00:36:55Your taxi stops, the Panteras stop, the radio stops, the cinema stops, the planes stop, even the newspapers stop.
00:37:03The homeland is in danger.
00:37:05And all this because I pushed that fat guy.
00:37:08Listen, Commissioner, this story doesn't matter to me at all.
00:37:11If you want to arrest me, but you can stay, okay.
00:37:13But what are you crazy about?
00:37:15But you're not even joking. Today is Friday the 17th, and it's a bad luck charm.
00:37:18I don't even think about it.
00:37:19Cacioppo, bring me two bikers.
00:37:22Now I'll have you walked home because you can't walk around Rome dressed like this.
00:37:26I really don't want to disturb you too much.
00:37:28At your orders.
00:37:29Hey, take the lady to the taxi and then walk her home, you understand?
00:37:33Yes, sir.
00:37:38Amazing things they are.
00:37:40I never imagined I'd be wearing this dress like this here, so right.
00:37:44Why? It doesn't suit me.
00:37:46I'll be frank, she's fine with everything.
00:37:48Listen, I'm taking this opportunity to make you a very important revelation.
00:37:52I was struck by a sudden and overwhelming passion.
00:37:55Talk about her as a person.
00:37:57Intimate question, are you an orphan?
00:37:59No.
00:38:00Does it have regulation pages and spells?
00:38:02Yes, why?
00:38:03Well, maybe you haven't noticed because I've been living on the continent for many years now.
00:38:08and I'm very fluent in the language, but I'm Sicilian.
00:38:11Oh, yeah?
00:38:12And old-fashioned.
00:38:13I would like to have the honor of speaking with his parents.
00:38:15Oh, okay, I'll give him a call.
00:38:18No, but who understood? I want to ask his mother.
00:38:21And she doesn't care about my opinion.
00:38:22But I already know her opinion, she doesn't need to speak.
00:38:25In his eyes I see the flame of love and passion clearly shining.
00:38:28Marcella, I want you.
00:38:30Ah, what cold hands.
00:38:31He's going out.
00:38:32Forward, forward.
00:38:33I have a motorbike.
00:38:34A motorcycle that has the end of the world.
00:38:35Seven beauties.
00:38:36But what grades does he get?
00:38:37Come and see.
00:38:38Namo, come.
00:38:39Come on, eh.
00:38:40Let's go.
00:38:41Oh, but what the hell did I happen to bother you with?
00:38:44I'm going to make out.
00:38:45Oh well, okay, but there's time for these things.
00:38:47Think about the motorbike.
00:38:48Oh, I just picked it up from the garage.
00:38:50All modified.
00:38:51Ground pistons.
00:38:52Stayed down.
00:38:53Abarth muffler.
00:38:54It's a bomb.
00:39:07Gasoline is rising again.
00:39:08And we will go with the carriage.
00:39:09Careful.
00:39:10Oh, tell me first.
00:39:12Ready.
00:39:13What?
00:39:14Who is?
00:39:15But who are you?
00:39:16Ah, because I'm not good to you, eh?
00:39:17Ah, I'm not good, and Marcella is.
00:39:19He's right.
00:39:20Oh, yes, he's right.
00:39:21Marcella, they're going to you.
00:39:22Marcella, she's not at your house, eh.
00:39:24Now that you're done with it.
00:39:25And then they say they always find the phone busy.
00:39:27They're right, yes.
00:39:29But does it seem like I always have to read the moco?
00:39:31And get it over with.
00:39:32Ready?
00:39:33Ramon, what the hell do you want?
00:39:36You know I'm here working, right?
00:39:38It's not enough, I want to talk to you more.
00:39:41I greet you.
00:39:42Oh, wait a minute, for God's sake, don't attack.
00:39:44My Marcellita, soul of my heart.
00:39:47I have wonderful and amazing news for you,
00:39:50that will fill you with joy.
00:39:51I separated from my wife.
00:39:53Really?
00:39:54Of course, my beautiful one.
00:39:55I don't believe it.
00:39:56Yes, I swear, my dear.
00:39:58It is the truth.
00:39:59It's something else.
00:40:00Now my life is all spiritual.
00:40:03I long for you.
00:40:05You don't have to believe me.
00:40:08I'll explain everything to you in person.
00:40:10Yes, tomorrow when I can pick you up at home at half past seven,
00:40:13as soon as I finish working.
00:40:14And is he okay?
00:40:15No.
00:40:16Why not?
00:40:17At eight o'clock.
00:40:19Basins.
00:40:21Goodbye.
00:40:22Marcelli, are you starting again?
00:40:25That's what you want to frame.
00:40:26But since when have you been there?
00:40:27One day I'll stick this under my car.
00:40:30I sanction it all.
00:40:31I'll have it done.
00:40:32Convalescence and equal to chocolate between orta.
00:40:34Oh, wonderful.
00:40:41Gorgeous.
00:40:43This nut head passes it.
00:40:48My divine.
00:40:53Neighbor.
00:40:54After.
00:40:55If you deserve it.
00:40:56I keep the car.
00:40:57You're welcome, senina.
00:41:01Bessame.
00:41:06Bessame.
00:41:07Bessame mucho.
00:41:20Say it with flowers.
00:41:22But they're fucking assholes.
00:41:31Let's go dance.
00:41:46Let's go dance.
00:41:48Smooth tires.
00:42:09Non-regulation antenna.
00:42:14Stamp expired.
00:42:16And probably without a triangle.
00:42:22Inefficient brakes.
00:42:32The license plate is not very visible.
00:42:34Whoever you are.
00:42:36A very great, very faithful, very thoughtful individual.
00:42:40I'll ruin you.
00:42:41On the financial level.
00:42:43For me.
00:43:00You're welcome, this is the best, sir.
00:43:03Blanc de Blanc.
00:43:04Prince of Piedmont.
00:43:05Okay, okay.
00:43:06Leaves.
00:43:07Marcellita.
00:43:08My Marcellita.
00:43:09I feel like I'm back to happy times.
00:43:10Happy times.
00:43:11There is also the courage to speak.
00:43:12I feel like I'm back to happy times.
00:43:13Happy times.
00:43:14There is also the courage to speak.
00:43:15I feel like I'm back to happy times.
00:43:19happy times.
00:43:20Happy times.
00:43:21There is also the courage to speak.
00:43:22And now, by kind request, the Tango Cotenecio.
00:43:24Good, beautiful.
00:43:25Tango.
00:43:26Tango.
00:43:27Tango.
00:43:28Tango.
00:43:29Passionate tango.
00:43:30Tango.
00:43:31Tango.
00:43:32Tango.
00:43:45Passionate tango.
00:43:50Tango.
00:43:51Passionate tango.
00:43:56Let's dive into the tango.
00:43:59Thank you all.
00:44:29Thank you all.
00:44:59Let's follow that couple.
00:45:01Here.
00:45:15Thank you.
00:45:16Now let's make the gaschè.
00:45:28But what's wrong with you now?
00:45:31Thank you all.
00:46:01The Revolution.
00:46:03No, it's so Christmassy.
00:46:05Lack of priority for vacations used for cod fishing.
00:46:09Parking on any military vehicle routes.
00:46:13Stop in an area of heavy air traffic.
00:46:16But is it war?
00:46:18But I understand it.
00:46:19No entendo perché tutti le multas a me e nessuno a noi.
00:46:23Why?
00:46:24Come on, don't worry.
00:46:26I know a guy from the police.
00:46:29Come on, don't be shy, come in.
00:46:43Be quiet if the cat doesn't wake up.
00:46:46Go ahead, please.
00:46:47It's big for just one though, eh.
00:46:51Well, in fact I don't live there alone.
00:46:53With what they cost for rent.
00:46:55No, no, no, two colleagues live here, two actors.
00:46:57Look, their rooms have been called.
00:47:00My room is over here, please.
00:47:03Please come in.
00:47:04This is my bedroom where I live like a little brother.
00:47:11Do you like it?
00:47:12Oh, look how beautiful.
00:47:16This is the boy's room.
00:47:18Ah, yes, yes, yes, yes.
00:47:20It's a child's room.
00:47:22It's my room.
00:47:24But my evening, since you left me
00:47:27I had a very infantile regression.
00:47:30All right, now let's play in Moscow.
00:47:34I'm wearing this magnificent fasso reton.
00:47:39Come on, hurry up, who has it?
00:47:42Marescerita, marescerita, what are you like?
00:47:44Water, water, novel, little adventure.
00:47:46Come on, do it, do it, do it, do it.
00:47:48What are you?
00:47:49Here?
00:47:50Hey, can't you hear me?
00:47:52Marshal, marshal.
00:47:54Ah, I got you, Marshal.
00:47:57And now I would be mine forever.
00:48:00And with you I will forget that scolfa, my scolfa, my mucera.
00:48:05A balsino.
00:48:08Oh!
00:48:09Oh, ugly, the favor of Ice, who is the ungrateful era.
00:48:13Help, I got you, Marshal.
00:48:16Help, I got you with the rooster.
00:48:18Let's kill her!
00:48:18Of course, that Ice, damn it, killed it.
00:48:22Marcella, what do you want?
00:48:24Who are you? But I don't give a damn.
00:48:25Marcella, listen to me, let's talk frankly, man to man.
00:48:29That is, from man to woman.
00:48:31Here, hold on here for a moment.
00:48:33Listen to the voice of my heart.
00:48:34What are they doing, are you listening to me?
00:48:36Come on, come in.
00:48:37Floor.
00:48:37Oh, easy!
00:48:38One moment.
00:48:40Who?
00:48:40Okay, do it yourself, go.
00:48:42Here you are.
00:48:43So so.
00:48:44One moment.
00:48:45I'll be right there.
00:48:46I'll be right there.
00:48:48Marcella, I will make that man disappear from your life forever.
00:48:51If I think about stabbing him in the heart.
00:48:54Actually, two.
00:48:55This is a sentiment that highly honors you.
00:48:57Good.
00:49:00Are you married?
00:49:04Fiancé?
00:49:08Promise?
00:49:12So, kiss me.
00:49:16Brake!
00:49:17Don't be so violent.
00:49:21First the engagement needs to be regularized.
00:49:25It takes a little ruby.
00:49:30Do you like it?
00:49:35Marcella!
00:49:37The tap!
00:49:38The faucet flew!
00:49:40Wait, I'll find it now.
00:49:42But what do I care, kiss me.
00:49:44Make the offer.
00:49:48I am the son of Giova.
00:49:50No, you're a rebottana son.
00:49:52Against the wear and tear of modern life.
00:49:54Health!
00:49:59Truly, my heartfelt congratulations.
00:50:01A lovely house.
00:50:03Nice, welcoming, clean.
00:50:05The bedroom will be all to ourselves.
00:50:07Bathroom, kitchen, living room, the shared one.
00:50:10Be patient, but let's go sleep.
00:50:12The terrace, I observed.
00:50:13I was saying that with little work and little expense
00:50:16we will get a very comfortable little room from it
00:50:18for dad and mom.
00:50:20Sure, we're old and there's something for you.
00:50:23But I also have to sleep, girl.
00:50:24Excuse me, but how much do you earn?
00:50:27Ah, 185 thousand lire.
00:50:29Bite!
00:50:30Oh well?
00:50:31Yes, but family allowances must be added to these.
00:50:33Yes, yes, there are 20 thousand lire for the little wife here.
00:50:37Delicious!
00:50:38Then there are 15 thousand lire for each child
00:50:40doing a calculation for six children.
00:50:42But how come there are six?
00:50:44No, of course not, this was for the first six years.
00:50:46It can if it already goes.
00:50:47But I say, what does Mom give for the wedding expenses?
00:50:50Of course, Dad.
00:50:51And how?
00:50:52So, Marcella and I will contribute with the money
00:50:55proceeds from the sale of badgers.
00:50:57What?
00:50:58I should sell the badgers.
00:51:00And why?
00:51:00Say why?
00:51:02But how come, Marcella Sabedda?
00:51:04Eh, you should figure that out on your own, right?
00:51:06And what do we do?
00:51:07The wife of an honorable taxi guard
00:51:09who goes around in a taxi all day
00:51:11bringing the healthy, unknown into space.
00:51:13Are we laughing, Diego?
00:51:15That seems fair to me.
00:51:17The woman, as they say,
00:51:18he is the angel of the house.
00:51:20She has to wash, iron, think about the children.
00:51:23But, but, but, since we are all feminists now
00:51:26on Sunday she can also go out alone
00:51:28to go to mass.
00:51:29Least of all.
00:51:31What a smell!
00:51:32I can't wait to try it.
00:51:37As?
00:51:39They need a little salt.
00:51:43Taxi, taxi!
00:51:44Stop, stop!
00:51:47Good evening.
00:51:49Where are we going?
00:51:50At the Scribble.
00:51:53Rocco, after Nico, is that guy coming to my house?
00:52:02Who is in agony?
00:52:04Let's hope that's not like the kitchen,
00:52:06the last courier.
00:52:07And what is there to believe?
00:52:08What a dull dream I have?
00:52:09I understood very well.
00:52:11That little guy is starting to get too annoying.
00:52:14But I calmed him down right away.
00:52:15Two lead candies.
00:52:16Caliber 9.
00:52:18What's up?
00:52:19But if, Madame la Nera,
00:52:20he put on his glasses,
00:52:23they're bitter pills.
00:52:25Shall we take her to the beach?
00:52:26Let's go to the sea.
00:52:26In this cold?
00:52:28But come on, you're just a pain in the ass.
00:52:29And what does Lazio have to do with it?
00:52:43Good evening, doctor.
00:52:45Good evening.
00:52:46Hey you, pay, pay.
00:52:48Here you go.
00:52:57I eat the rest.
00:53:05All right.
00:53:06Take it over there, okay?
00:53:07Coco, coco, coco.
00:53:08Cocò, cocò, cocò, cocò, cocò.
00:53:09Cocò, cocò, cocò, coco, crichì, cut your hair, okay?
00:53:15Excuse me, cocò.
00:53:16Well, it seems to me that I wasted his time this time too.
00:53:20No, no, not at all.
00:53:21Aside from the fact that today is the 13th, you see, it's a lucky day.
00:53:25But your information agrees perfectly with that of the Capricorn owner,
00:53:29who among other things works for us.
00:53:31And it was through him that we learned about a large quantity of drugs entering Italy.
00:53:35And that our dear Adonis is trying to buy.
00:53:39Did you understand?
00:53:40And who is that little kitchen girl?
00:53:41And that little kitchen is a Sicilian who tried to buy it.
00:53:44And in fact he took two 9mm confetti in the back.
00:53:48And who is the black lady?
00:53:50Eh, Madame the Black, modestly speaking, it's us.
00:53:52Eh, but those are smart, they're not like that idiot sheikh who made you do the belly dance.
00:53:58By the way, stand up a bit, eh.
00:54:02But...
00:54:03Stand up, let me see something.
00:54:09Tell me something, but men really like you.
00:54:12But I certainly don't disgust him.
00:54:14Well, if you understand, of course.
00:54:16When they see me they look at me with their eyes.
00:54:18At that time.
00:54:19Oh, you too, Commissioner.
00:54:20Oh, no, I'm sorry.
00:54:21Eh, my daughter.
00:54:21Ah, thank goodness.
00:54:22At this moment it is the official who is looking at you, not the man.
00:54:24Well, I'm seeing if you have the physical and psychological aptitude for a possible mission.
00:54:30A possible mission.
00:54:32A mission?
00:54:46But...
00:54:47So, you got it all, right?
00:54:53Do you remember the police number?
00:54:55One, one, three.
00:54:58Yes, yes, I marked it down.
00:54:59One hundred and thirteen.
00:54:59Eh, be careful though, eh.
00:55:02Those are suspicious people.
00:55:04Don't worry, he has the armband above any suspicion.
00:55:08Will be.
00:55:10Well, then I'm going, eh.
00:55:12HI.
00:55:14Oh, Marcella, be careful, because if anything happens to you, I'll have to do the dirty work.
00:55:18It doesn't worry you.
00:55:19HI.
00:55:21Good evening, officers.
00:55:22Coco, Coco.
00:55:23Cocò, Cocò, remove your hair.
00:55:25Coco.
00:55:25Ready?
00:55:26Here, central.
00:55:27Here, central.
00:55:28Do you understand?
00:55:28Everything is fine.
00:55:30Reported to the operations room.
00:55:31The service is ready.
00:55:33The cars are ready to go.
00:55:34They're warming up their engines.
00:55:35Call her back so she doesn't intervene until I take action.
00:55:37Did you understand?
00:55:38Yes, sir.
00:55:40Attention.
00:55:43But hey!
00:55:45Document!
00:55:46And now I don't have them.
00:55:47What are you saying?
00:55:49Commissioner.
00:55:50But what are you doing here?
00:55:51Well, we're on duty.
00:55:52So keep me ready because you'll be going out with me soon.
00:55:55Commissioner, big stuff and you're hungry.
00:55:58Good evening, Mr. Radonis.
00:55:59Hi, Giacomo.
00:56:00Are there people?
00:56:01Enough.
00:56:01Good evening.
00:56:02Have fun.
00:56:02Thank you.
00:56:14Hi, for waxing.
00:56:15Mr. Radonis, good evening.
00:56:16Hello, Giorgio.
00:56:17Give me a bottle of GB, huh?
00:56:18For me too, huh?
00:56:19Hello, doll.
00:56:21See you later, huh?
00:56:22Sorry, go, go.
00:56:22Now to do.
00:56:23So, when does the goods arrive?
00:56:26Oh?
00:56:26Ah, it's coming tonight.
00:56:28It was about time.
00:56:29Where now?
00:56:30Tonight, say?
00:56:31Yes, I understand, I understand.
00:56:35But what are you doing?
00:56:36Are you going alone?
00:56:38What's wrong, hold up?
00:56:40Sedemosa who?
00:56:43Are you telling me or are you asking me?
00:56:44Ah, do you like it, my love?
00:56:51I like it, but who knows how much it costs me.
00:56:53Oh, don't worry.
00:56:55For once we have to celebrate our car too, right?
00:56:58Honey, you always celebrate with my wheat, huh?
00:57:02And here for you, for the first time in Italy, the sexy doll Sheila Bloom.
00:57:14We have to watch out for the Neapolitans for that Bianca match.
00:57:38I don't give a damn about Neapolitans.
00:57:40They don't give a damn about Torpiglione.
00:57:41In Corleone they don't grow moustaches.
00:57:43Look, I'm sick of dancing with a deaf man.
00:57:45Use the hearing aid.
00:57:47I have a croissant with my coffee in the morning.
00:57:49Now shut up, you idiot.
00:58:02Gentlemen, scotch?
00:58:04No, I don't drink scotch.
00:58:06It bothers you.
00:58:08Dos, with lots of ice.
00:58:09Well, gentlemen.
00:58:13Ugly, dirty, wretched.
00:58:27You brought me here to see that shameless girl's ass.
00:58:30But I fulfill you.
00:58:31And who is that?
00:58:34Oh, I must be new.
00:58:37Never seen it.
00:58:38Get informed.
00:58:39Should I bake?
00:58:40But who do you want to bake?
00:58:41I have to wash it.
00:58:42But who said wash?
00:58:43Go and find out.
00:58:44Oh, yes, right away.
00:58:47You have nothing.
00:58:48But don't you want to go to school?
00:58:49But go ahead and make fun of me.
00:58:50No, no, no, it's not very fine, Ornella.
00:58:52Don't get caught up in it.
00:58:54Nice.
00:58:54Judah.
00:58:57Look, dear, I'm not sending you packing because you're a gentleman.
00:59:00Oh, yeah?
00:59:01And then I'll die and you'll pay the bill yourself.
00:59:03When you come home I'll blow you up like a bagpipe.
00:59:06Look, I like yours.
00:59:08Ornella, wait.
00:59:09Don't leave me, my love.
00:59:11They don't have the money for you.
00:59:12Stop.
00:59:13Ornella.
00:59:13What are you doing, copying?
00:59:15Oh, no.
00:59:16Ornella, wait.
00:59:18Are you having fun, ma'am?
00:59:19You have to see.
00:59:20Ornella.
00:59:21And go away.
00:59:21Ornella, wait, dear.
00:59:23But why do you make me suffer?
00:59:24Listen, dear, where are you going?
00:59:26I can't live without you.
00:59:28Ornella, Ornella, I love you.
00:59:31But she at least looks like the dough, right?
00:59:35As?
00:59:39You're welcome, ma'am.
00:59:40Follow that drop.
00:59:41No, no, no, it's out of order.
00:59:42But what are you doing here?
00:59:44And what do you care, huh?
00:59:45Oh, yeah.
00:59:46No, I have to supervise.
00:59:48That?
00:59:48I have to monitor.
00:59:49Oh.
01:00:12No, I have to supervise.
01:00:17Thank you all.
01:00:47Thank you all.
01:01:17Thank you all.
01:01:47Did you lock yourself in? Are you sure? Are you sure? I swear.
01:01:50Good. So, have you found out?
01:01:51Yes, yes, I asked. Who is she? She's one of those locals, a rebel.
01:01:54Better this way. When can I offer them?
01:01:56You do it, Rocco, but remember. Yes. Not too much?
01:01:57No, no, very little. Very good.
01:01:59Give me a cigar. What? Give me a cigar.
01:02:01Oh, yes, right away.
01:02:03So, this cigar? I can't find it, I'm done.
01:02:05Okay, just open one. Can I open it?
01:02:07Just one. Show me. That's fine.
01:02:09Come on, give me the cigar. But how?
01:02:10The cigar.
01:02:11If Marcellita is in danger, then giore mango.
01:02:30But what are you left to do? Isn't it enough that you got her into trouble?
01:02:32Exactly, I feel a moral duty.
01:02:34But what do you feel? What moral duty do you have?
01:02:36Here face there.
01:02:38Look who's got it, Blas. With that face, I'm a fool.
01:02:41About what?
01:02:41Of ass.
01:02:43Did she really like me?
01:02:45Oh, there it is.
01:02:47Below.
01:02:49Good evening.
01:02:58Greetings.
01:03:01Hi beautiful.
01:03:02And what are you waiting for? Go.
01:03:09Now I follow that car.
01:03:10Now follow that machine.
01:03:11What are you doing? Are you repeating that?
01:03:13Let's go.
01:03:14Let's go.
01:03:16Adelante, hospital award.
01:03:18And he's fine.
01:03:23Let's go, let's go, let's go.
01:03:25Don't put it further than your ear.
01:03:26Don't lose sight of her. Adelante.
01:03:28But who is this adelante? My name is Barbaro.
01:03:30But what are these funeral faces?
01:03:33Aren't we here to have fun?
01:03:35Come on, smile, right?
01:03:37Well, of course we'll have fun.
01:03:40At least we hope so.
01:03:41Who's shooting?
01:03:43What a funny guy.
01:03:45Rocco is not funny, he's an idiot.
01:03:47In New York I met a very full of spirit, you know?
01:03:49Oh, yeah?
01:03:50Yes, they had drowned him in a barrel of very old grappa.
01:03:55This one is good.
01:03:56Good, yes.
01:03:57Attention!
01:03:59Are you making it down that small road?
01:04:01Ah, see this.
01:04:02Another hand you made me bang.
01:04:03But who sent it to you?
01:04:04I loved you to say...
01:04:05Yes, here.
01:04:05Oh, how beautiful!
01:04:25How wonderful!
01:04:32Come on in, Pupa.
01:04:33How big it is!
01:04:37So, what do you think of my shack, huh?
01:04:39It's gorgeous!
01:04:41And I believe it, it cost me an arm and a leg.
01:04:44You, Rocco, give me a cigar quickly.
01:04:47So, Rocco, the cigar.
01:04:48As?
01:04:49The cigar.
01:04:51If you wait any longer I'll get over my smoking habit.
01:04:53No, no, no, smoke, smoke.
01:04:54How do you prefer it, Cuban or Tuscan?
01:04:56Cuban.
01:04:58Baby, how did they baptize you?
01:05:00Ah, Sheila.
01:05:01Mmm, northern name.
01:05:04Her name is Sheila.
01:05:05Do you choose?
01:05:06No, I said Sheila.
01:05:07What do you choose?
01:05:07Sheila.
01:05:08Okay, let's simplify.
01:05:11Listen, Rosetta, it's a great evening, you'll see.
01:05:14We're going to have a lot of fun.
01:05:17Actually, two worlds.
01:05:19Rocco, run me a bath.
01:05:22The small one, the big one, the bathroom.
01:05:25The marriage one, you idiot.
01:05:27Ah, why you two?
01:05:28Go, go, go.
01:05:29He understood.
01:05:31Well, and now the two of us, Pupa.
01:05:34Let's get to know each other better.
01:05:38I hear you're new to this scene, right?
01:05:42Oh, yes.
01:05:45Mint.
01:05:46Brand new, you mean.
01:05:48Good, good.
01:05:50Do you know why I'm asking you, Pupa?
01:05:52No.
01:05:52Because your face really looks like I've seen it somewhere before.
01:05:56Ah, well, they say I look like Merley Monroe.
01:06:02Let's go and see who's passing by.
01:06:05Who cares who passes by.
01:06:07Quick.
01:06:08You see, twenty-one.
01:06:18But we have to try to go.
01:06:20Let's go.
01:06:20And let's go.
01:06:25Very quietly.
01:06:26Now, let's go.
01:06:31Now, yes.
01:06:38Hate.
01:06:39There you go.
01:06:40I knew it.
01:06:41Do you know him?
01:06:42I do not.
01:06:43Hey, introduce yourself.
01:06:44Oh, yeah?
01:06:45Pleasure to the giant equal.
01:06:47It was a mess.
01:06:48But does he understand it?
01:06:49He's a Doberman.
01:06:50You have to speak German.
01:06:51Oh, yeah?
01:06:52It was a Volkswagen.
01:06:53Beckenbauer.
01:06:54You don't understand me.
01:06:59But what are you afraid of?
01:07:00No.
01:07:01You're shitting me.
01:07:03So we're going, okay?
01:07:05Oh, the end.
01:07:06Oh, the end.
01:07:07Oh, fine, the admiration.
01:07:08Come on, I'm wrong.
01:07:11Hey, big doll.
01:07:13What do you think of this handsome young man?
01:07:15Very intimate.
01:07:16It's my alcove.
01:07:19Relax, girl.
01:07:21Go to bed.
01:07:22But I'm not sleepy.
01:07:24Listen, are you really that stupid?
01:07:27Or are you trying to be clever?
01:07:28Yes.
01:07:29Why did I bring you here to make you sleep?
01:07:31To bed.
01:07:32And now listen to me carefully, curly girl.
01:07:35I like you too much.
01:07:38And I want to lie down with you.
01:07:40And I'm lying down what does that mean?
01:07:42Making love, maybe?
01:07:43Precisely.
01:07:44You were wrong, my darling.
01:07:46And you had to do it before.
01:07:48Is there any difficulty now?
01:07:49Of course, I take men off myself, Mrs. Donne.
01:07:52Look, I have to lead.
01:08:02I'll fix you, you crawl.
01:08:05Boss.
01:08:07Boss.
01:08:08Ditto.
01:08:09I'm so sorry.
01:08:12Can't you see I was hitting?
01:08:13What do you want?
01:08:14The courier has arrived for you.
01:08:15In the evening?
01:08:16About drugs.
01:08:17Holy crap.
01:08:18Just when the cat was there.
01:08:20The cat was brooding.
01:08:21Rocco.
01:08:22Present.
01:08:23Did he bring the stuff?
01:08:24Yes, but he wants to talk to you.
01:08:25Otherwise he doesn't give up anything.
01:08:27I'll take care of it, okay.
01:08:28You watch the cat.
01:08:30And if by chance he wants to cut the rope...
01:08:33Lead the strong one.
01:08:35I'll take it.
01:08:37You?
01:08:38But when do I fuck?
01:08:40Never!
01:08:42But what a big smile.
01:08:43Ready?
01:08:57Hello, you can't hear it.
01:08:59Hello, Commissioner?
01:09:01I'm ready, are you ready?
01:09:02Ready?
01:09:03Yes, ready.
01:09:04Look, the location of the murder house is as follows.
01:09:06Yeah, okay.
01:09:07Follow state road 8 until it joins two roads.
01:09:11One called 8 bis and the other 8 ter.
01:09:14The latter is a small suburban road located between kilometer 12.6 and 14.1 and port one.
01:09:22Yes, bring it here, okay.
01:09:23But who should I bring?
01:09:24Who should I bring?
01:09:25I'm bringing one, who am I bringing?
01:09:26But I'm not bringing anyone!
01:09:27Oh, what a nice, virile chin.
01:09:49How hot!
01:09:57But where is the boss?
01:10:00He left me all alone in this big bed.
01:10:27Beautiful, beautiful, beautiful, beautiful, beautiful, beautiful.
01:10:52It's a good deep and sensual look.
01:11:01But why don't you speak?
01:11:05Tell me something.
01:11:10He spoke.
01:11:22Oh, oh, wake up!
01:11:34But was there a cafe?
01:11:36Coffee?
01:11:36Pecchino, pecchino, what is it?
01:11:38Listen, what's all this time like?
01:11:40But what are these people doing?
01:11:41But your imagination is short, maybe I...
01:11:44You'll understand, he's telling me.
01:11:46We have, I continue the pestle.
01:11:48You have me whatever comes to you, huh?
01:11:49Don't worry, that...
01:11:51Oh, this one's already asleep, damn it!
01:12:00Oh, do you really think that not even a single policeman has arrived yet?
01:12:10Even the rain was missing.
01:12:12Hello, Commissioner, come right away, I've got the situation under control.
01:12:22Well, what's going on?
01:12:24Stand next to your buddy.
01:12:25But which one appears?
01:12:26Oh, shut up, I'm shooting!
01:12:29But what happened?
01:12:30Hold the bag, you idiot.
01:12:33But how dare you, you're in your own house?
01:12:35Get that gun away!
01:12:36Look at that shot!
01:12:37Oh, yeah?
01:12:38I don't play anymore, I give up.
01:12:41And shoot.
01:12:43Stand still, I'm shooting!
01:12:45And shoot.
01:12:49Oh God, the blood, the blood!
01:12:52But it's water!
01:12:53And this one walks around with a water gun!
01:12:56Idiot, water!
01:12:57The noise bothered me.
01:13:00You idiot!
01:13:01And what does Lazio have to do with it?
01:13:03Let's surround the villa!
01:13:04The police!
01:13:06Let's go!
01:13:07Yes.
01:13:11Come on, follow me!
01:13:12Yes.
01:13:14Stopped!
01:13:15Brake!
01:13:16Come on, let's go!
01:13:17Yes.
01:13:21Do something, wind, open the door!
01:13:24Ah, the Gruyere?
01:13:25Glos hatch!
01:13:27Wind!
01:13:27Yes.
01:13:27Stop!
01:13:33Wind!
01:13:35What a pain!
01:13:36Look!
01:13:37Look!
01:13:41Look!
01:13:44From here, yes, from the eve, yes.
01:13:48I'm from there for something else.
01:13:49They have drugs in the bag.
01:13:50Come on, let's chase.
01:13:51Marcella!
01:13:52Marcella, what happened?
01:13:53But in this must, present, Guidoio, go.
01:13:57Be careful, Marcella, go slowly, the engine is new.
01:14:03I did it again three years ago.
01:14:06The country is full of police.
01:14:08Now we were missing your aunt too.
01:14:10But which aunt?
01:14:10Police!
01:14:11Let's go to your aunt's to act as police.
01:14:13At this time?
01:14:14I do not know.
01:14:15But don't you really understand a damn thing?
01:14:18When does he play?
01:14:19But who?
01:14:20Lazio.
01:14:21Ah!
01:14:25You, damn him I call you.
01:14:26Marcella!
01:14:50Marcellita!
01:14:51My love!
01:14:52Marcellita!
01:14:52Soul of my heart!
01:14:53Marcellita!
01:14:54Ah, this way, where did it come from?
01:14:55We'll understand if I move it.
01:14:56Yes, wait.
01:14:57You go to the left, and I'll go to the other side.
01:14:59Come on, how?
01:15:00Should I get up from this foot?
01:15:01But what is all this hunting?
01:15:03Wait!
01:15:04Oh, no!
01:15:05Don't give us all!
01:15:07But no, the pale one is yours.
01:15:11But do you see that dirty Ramone in the car with that?
01:15:15But I'll catch you, though, you know?
01:15:17Come on, you've got some cartoonist.
01:15:18But do you want to offend me?
01:15:19Yes.
01:15:19But I am a man, I have my soul, I have my pride, my name.
01:15:23Then get out of my way.
01:15:24I know a shadow.
01:15:30Oh, you fool!
01:15:32What the fuck are they?
01:15:36Right!
01:15:37Marcellita!
01:15:38Wait!
01:15:40I was joking!
01:15:41Marcellita!
01:15:41Sea...
01:15:42Hey, first!
01:15:45First, madam!
01:15:52Ouch, Mom!
01:15:53What a chestnut!
01:15:59Ormela!
01:16:00He's unfortunate!
01:16:02I'll kill you, I'll put you under, you know?
01:16:05No, no, no!
01:16:07Before!
01:16:07Police!
01:16:09Help!
01:16:09We inform you live from the headquarters that the entire flying patrol led by Commissioner Angelini
01:16:15is engaged in the pursuit of the famous public danger Adonis Adonis and his right-hand man.
01:16:21Marcella!
01:16:22Marcella, what was the low horn doing in your car?
01:16:26Answer me!
01:16:27Marcella!
01:16:28Come on, speak, you bastard!
01:16:29Stop!
01:16:38Stop!
01:16:39Wait, but Marcella!
01:16:43Stopped!
01:16:44Stopped!
01:16:45Yes, isn't it?
01:16:47But where are you so crazy?
01:16:48But who put this wall there?
01:16:50But where are all the winds?
01:16:51So is there a stop now?
01:16:53Forward, forward!
01:16:55Let's not play!
01:16:56Get on, get on, quickly!
01:16:56Get on, get on, get on!
01:16:57We have to chase them, quickly!
01:16:59Well, I'll stop!
01:17:01How?
01:17:02Milan!
01:17:04Fire!
01:17:05Come on, come on, with plywood!
01:17:07But what are you doing?
01:17:07But kids!
01:17:08Shoot, shoot!
01:17:09Where?
01:17:09To the tires!
01:17:11To the tires!
01:17:13Maronne, but who sent me to whom?
01:17:15You have to shoot the tires of the car!
01:17:28Have you seen how it's done?
01:17:29But, I'll take the click, go on, move!
01:17:31I'm doing it!
01:17:32Attention, plot twist!
01:17:34The commissioner's car is broken, puncture, the tire needs changing!
01:17:37Now, let's time the clock!
01:17:39The record is held by Brigadier Macaluso of the Scrofano Terme team!
01:17:43We work in perfect sync, the bolts are tightened, the record is broken!
01:17:47The car is ready to go again after 18 seconds!
01:17:50Let's go, let's go, let's go, let's go!
01:17:52Go, go!
01:17:56We have to give something!
01:17:58Bring the car closer to Donis!
01:17:59I'll take care of it!
01:18:00Yes!
01:18:01Come on, ready, we're here!
01:18:03Oh!
01:18:03Bobbaccio like Thomas in pissed off Naples!
01:18:05Throw hard, I'm watching!
01:18:06They bossed it!
01:18:20Who is?
01:18:21You are the flying arm of the law!
01:18:25Oh, why are you shooting?
01:18:27Oh, they stole my car!
01:18:40Come on, calm down, Isidoro!
01:18:42Your colleague Walter will avenge you!
01:18:48A black cat!
01:18:52Take it, take it!
01:18:53Wait a moment!
01:18:57Please go!
01:19:00Go!
01:19:00But what's happening?
01:19:01There's a cat!
01:19:02I told you go ahead!
01:19:02No, no, you go first, Commissioner!
01:19:04But how can I get there first if you're the bandit?
01:19:05No, gentlemen, I'm the first one who doesn't want to pass you!
01:19:07No, but what do we want to go now?
01:19:08There's a cat!
01:19:10But go on, there's no cat!
01:19:14Do it to me, Cardo!
01:19:16Hey, did you see that it brings bad luck?
01:19:18And do you want to pass me to me first?
01:19:20And what?
01:19:20But did you take me for a party?
01:19:21You, you, Commissioner!
01:19:23In the century, quickly!
01:19:24But what did we say to you when we were standing still?
01:19:31But Commissioner, I'll take care of it!
01:19:34No, no, no, I'll take it, otherwise goodbye promotion!
01:19:37After a short break, the pursuit resumes with Adonis' Giulia, always first,
01:19:41but in an elegant slalom, the yellow Citroen taxi is now approaching it!
01:19:49My pussy!
01:19:50Stay away!
01:19:51But what do you want?
01:19:57War!
01:20:06But what's ever right?
01:20:08And how do I do it?
01:20:26Adonis still on Giulia in command
01:20:42Followed in order by half a taxi, three police cars
01:20:46But now the Giulia is joined by one of our motorcyclists
01:20:49Come on Adonis, get out of the car
01:20:51I have you now
01:20:52You are in my hands
01:20:54The hand, help
01:20:58Too bad, he gets towed and for this he risks being disqualified
01:21:05You're having fun, huh, big head
01:21:13Now the cars are all in a group
01:21:16The Semita tries to overtake the Giulia inside
01:21:18Attempt failed
01:21:19Oh my God, my God
01:21:21It goes badly
01:21:25Femur, come on, let me down
01:21:28Occella, you're here, give me space
01:21:32Here they are, there they are
01:21:35Adonis Dawn always in command
01:21:42Which now crosses the flying finish line placed at the entrance of the cinema complex
01:21:45The group follows in single file
01:21:48And when the director says action
01:21:50Turn the corner and shoot
01:21:53And when I say shoot
01:21:55It means to shoot
01:21:57Motor
01:21:5723, 8 first
01:22:01Action
01:22:02I caught him, huh
01:22:20Stop
01:22:22Stop
01:22:23But what do these machines have to do with it?
01:22:26But where are you going?
01:22:27Production is not working
01:22:28Where is that innocent fool?
01:22:30Not now the machines
01:22:31Not now
01:22:32And look at this
01:22:33Look at this
01:22:33Look at this
01:22:33Look at this
01:22:34Get up
01:22:34You don't even know how to act like a wounded man
01:22:36Nobody believes it
01:22:38You can't act
01:22:39You're a clown
01:22:40You don't even know how to die
01:22:41Get up
01:22:42This isn't that complicated
01:22:43These machines still here
01:22:46Lend
01:22:47Soon
01:22:48Time is money
01:22:49Let's not waste time
01:22:51Turn
01:22:51Turn
01:22:52We turn everything around
01:22:52Let's go around
01:22:53Let's go around
01:22:53Go
01:22:54Go ahead
01:22:55Keep it up
01:22:57Well
01:23:10And who are you?
01:23:11Many cyclists on horseback
01:23:13Here they are
01:23:14They are coming
01:23:14Let's go around
01:23:18Oh
01:23:18You have the masterpiece of the
01:23:19There he is
01:23:20Let's go around
01:23:21Let's go around
01:23:22Glorious seventh
01:23:23Load
01:23:26Load
01:23:30Load
01:23:30The Seventh Light Cavalry
01:23:41The gates are being crossed
01:23:42Earn money outside the factory
01:23:44And he throws himself into pursuit of the group
01:23:46Even the American cavalry
01:23:48And she's a big whore
01:23:49But who are you talking about?
01:23:51Of the slapper
01:23:52The one that gives
01:23:52But you then
01:23:53He still doesn't understand shit
01:23:54Yes I understood
01:23:55But you said it before
01:23:56What Lazio is playing
01:23:57And that you avenge me for being deaf
01:23:58Here Bologna 19
01:24:03And Marcella who speaks
01:24:04I need you all
01:24:05And in case of emergency
01:24:06Be ready for my orders
01:24:07Received Marcella
01:24:08We'll take care of it
01:24:09But where?
01:24:10You come
01:24:10The cars are now converging towards the centre
01:24:13We can follow them on the light board
01:24:15But look, you want to drive these taxi drivers to me
01:24:19Oh my god another taxi driver
01:24:25And then when they separate you, you don't find one
01:24:28And here is the group that has reassembled
01:24:39They are now tackling the climb up the Janiculum
01:24:41Exceptional
01:24:43The Piaggio Vespa 50
01:24:44Holds its own brilliantly
01:24:45To this exciting duel
01:24:47And if our glorious seventh did it too
01:24:49Long live the seventh
01:24:50Long live the seventh
01:24:51But what my fault
01:24:54But come on, come on
01:24:55Did you understand?
01:24:56You're fingering
01:24:56God
01:25:00We will have to report the disappearances
01:25:07A complaint for the Camlito
01:25:09The calm
01:25:09It's rummo
01:25:10Our light board clearly shows
01:25:28that this thrilling race is about to have its epilogue
01:25:31They are getting closer
01:25:32Take me home I'm not having fun anymore
01:25:37Let me down
01:25:38They are very close
01:25:52We've finally arrived
01:26:08On the ground
01:26:11We got a moccasin
01:26:14Quick, handheld machine
01:26:15Where is the operator?
01:26:16Calm down, calm down
01:26:18But doesn't this horse have a bridle?
01:26:20Don't worry, I'll come.
01:26:21Throw away
01:26:22In Hollywood, these things don't happen.
01:26:24I know Ramon Rodriguez, the famous comic book writer.
01:26:27But who is this?
01:26:27Where did it come from?
01:26:29And who is this?
01:26:31Welcome, don't do it badly
01:26:38Mom
01:26:40Beautiful mommy
01:26:42Come here, let's go
01:26:44But you are the commissioner
01:26:46And who is the father?
01:26:47To be the shot
01:26:48One more time
01:26:49Marcella
01:26:50My love
01:26:51Where are you?
01:26:51Come away
01:26:51Come away
01:26:52Come away
01:26:52Come away
01:26:52Come away
01:26:53Come away
01:26:53Come here
01:26:54Come here
01:26:54Come here
01:26:54Come here
01:26:54Come here
01:26:55Come here
01:26:55Come here
01:26:55Marcella
01:26:56Love
01:26:56Adoni runs away
01:27:03Make way, make way
01:27:04Take off
01:27:04Swollen mountain
01:27:08Load
01:27:16Load
01:27:19Come here
01:27:23Get out of here
01:27:23Stopped
01:27:24Stop
01:27:25Marcella
01:27:26I got you
01:27:28And stop
01:27:29There he is
01:27:30Load
01:27:32Load
01:27:33Stop everyone
01:27:51Oh, no by hand
01:27:51Let's do more
01:27:52Let's shake hands
01:27:53By hand?
01:27:54One, two
01:27:55Oh what a beautiful castle
01:27:57Margotino
01:27:58Tirotello
01:27:59Oh what a beautiful castle
01:28:01Margotino
01:28:01Tirotello
01:28:02There he is
01:28:04Taxi
01:28:05Taxi
01:28:05Taxi
01:28:06Taxi
01:28:07Taxi
01:28:08Girl
01:28:09Driving
01:28:10Maddie
01:28:11Up and down
01:28:13There's a
01:28:15Red light
01:28:16Stop your car
01:28:18If you want
01:28:20To see you
01:28:21Stingy
01:28:22But rolling around
01:28:23Stop your world
01:28:25My taxi
01:28:26Girl
01:28:27Taxi
01:28:29Taxi
01:28:30Taxi
01:28:31Taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi,
01:29:01Thank you all.
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